#Michael D. Coe
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2024 Book Review #11 â The Maya (10th Edition) by Michael D. Coe and Stephen Houston
My second proper history book of the year, and significantly better than the first! This existed on the happy intersection of âthe r/AskHistorianâs big list of recommenced works on Goodreadsâ and âstuff my public library inexplicably has a copy ofâ. Itâs dense and more than a bit dry reading, enough that I read it over the course of a week as a side-dish to more digestible fiction. Still, fascinating read, and a book that left more far better informed about the subject than when I started it.
The book is more or less what it says on the tin â a survey of the history of the Maya (or at least the current state of whatâs known about it). The book opens with an explanation of the Maya language family, the relevant geography, the characteristics of the high- and lowlands, and the division into northern, central and southern area the field seems to use generally. The better part of it is then arranged chronologically, beginning with the Archaic Period, through the Pre-Classic and Classic, then then Collapse and the Post-Classic. The Spanish Conquest and history since gets a very abbreviated epilogue, ending with a few micro-anthropologies of different contemporary villages and then a five-page travellersâ guide to the most important sites and how to access them.
Itâs all, as I said, quite dense â the sort of book where every paragraph adds at least one new important fact and very little time is spent on repetition or review. Combined with the usually very dry, expository tone, it feels much more like a textbook to be read with a lecturer or group to break down and dig into each section than something that was really written to be read alone and for pleasure. Which you know, makes sense, given that this is the tenth edition of a book originally written several decades before I was born.
Now, I say this is a history book, but thatâs honestly a bit of a kludge â better to say itâs an archaeology book or, failing that, about anthropology and historiography. There is very little narativizing, and it is very much told from the point of view of the present. That is, the sections are organized chronologically, but within them the unit of analysis is the archaeological site, with every supposition explained as emerging from the analysis of some ruin or artifact or fragment of text. Far more time is spent on the architecture and layout of Mayan cities than the people who actually lived within them, simply because the authorâs have so much more to say about them.
Itâs only really in the chapters on the Classic (and, to a much lesser extent, post-classic) periods that the book goes from theorizing about building and pottery styles to speaking more confidently about royal courts and high politics and dynastic grandeur, and above all the attempts to give specific particular people a sense of personality and personal biographies that you generally expect out of a pop history book. Which does make sense, given that those are the only periods where we really have enough textual evidence to confidently name and ascribe significance to any particular people â overwhelmingly dynasts and war-leaders, because of course those are the (almost invariably) men who constructed stelae and covered the walls of temples with testaments of their own greatness.
This means that you do get more of a look into nuts and bolts of knowledge production that you do in most histories â a passage about the development of chocolate drinks as elite consumption is framed with the discovery of cocoa residue on preclassic ceramic vessels, one about human sacrifice by the discovery of skeletal remains in cenotes near major architectural sites, that sort of thing. Similarly, just about every single discovery or theory is credited to one or a few specific academics who initially made it. Which will be either incredibly interesting or the dullest thing in the world, depending on oneâs tastes.
The text is mostly incredibly dry and expository in tone, which makes the points where a real sense of personality and subjective opinion leaks through interesting. And endearing, at least to me, but I just find there to be something instantly likeable about the sort of academic myopia which considers human sacrifice and mass famine from the point of view of the universe but is roused to passionate rage by suburban sprawl building over unexamined archaeological sites.
I knew little enough about the specifics of Maya civilization going into this that just relaying everything that struck me reading this would turn this review into a novella. But the way that lowland urbanization and agriculture were based around, not rivers like just about every other culture Iâve read on, but cenotes (and artificially constructed simulacra thereof) in the limestone to capture enough rainwater to last through the dry season was just fascinating. The fact that, the regionâs reputation for inexhaustible lushness notwithstanding, the soil the Maya relied upon was very thin and in most cases totally degraded after just a few years of agriculture as well. (Speaking of, the theorizing about how diet changed over the ages and how this related to population movements and density was just fascinating).
The book really wasnât that interested in the specifics of mythology or divine pantheons beyond how they showed up on engravings and ornamentation â thereâs no bestiary of gods or anything â but thereâs enough of that ornamentation for it to be a recurring topic anyway. I admit I still find the fact that thereâs this great primordial pre-classic god-monster which in the modern era is just called âPrinciple Bird Deityâ deeply amusing.
The book is deeply interested in the Maya calendar and time-keeping. Along with the monumental architecture itâs pretty clearly the thing that the authors find most impressive and awe-inspiring about Classical Mayan culture. Thereâs enough time dedicated to explaining it that I even pretty much understood how the different counts and levels of timekeeping interacted by the end of the book.
One beat the book kept coming back to (which I admit suits my biases quite well) is that thereâs just no sense in the Maya were ever isolated or pristine. Cultural influence coming down from the Valley of Mexico waxed and waned, but on some level it was constant â Mesoamerica was a coherent cultural unit, and the similarities in philosophy and culture (not to mention material goods) between cultures within it are too blatant to ignore. The book theorizes that the population levels reached in the Yucatan before the Spanish Conquest really couldnât have been supported by local maize agriculture, and instead cities were probably sustained by harvesting and exporting from the salt flats (among the best in the Americas) they controlled access to.
Even beyond trade, thereâs several points where ruling dynasties were toppled or installed by armies ranging down from Mexico. The Olmecs and Toltecs make repeated appearances. Even the conquistadors conquest of the Highlands was really only possible because the few hundred Spaniards who got all the credit were marching alongside several thousand indigenous allies.
Speaking of â itâs really only an aside to an epilogue, but given I mostly know the Anglo-American history here, it did kind of strike me how...traditionally imperialist the Spanish were, compared to the more-or-less explicitly genocidal rhetoric Iâm used to. If you were an indigenous potentate or ruler enthusiastically selling out to the Spanish Crown was significantly more likely to actually work out for you than trusting a treaty with the US of A, anyway (well, for a while. Smallpox comes for everyone),
Then again, the book does mention that the newly independent Mexican and Central American states in the 19th century were actually significantly worse for the Maya than the Bourbons had been (with things reaching their nadir with the genocidal violence of the 1980s in Guatemala), so maybe thatâs it.
Anyway, the book is illustrated, and absolutely chock full of truly beautiful photography and prints on just about every other page. Even if you never actually read it, it would be a great coffee table book.
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day 140 of lockdown August 9th 2020 ⢠day 141 of lockdown August 10th 2020 ⢠day 142 of lockdown August 11th 2020 ⢠day 143 of lockdown August 12th 2020 ⢠day 144 of lockdown August 13th 2020 ⢠day 145 of lockdown August 14th 2020 ⢠day 146 of lockdown August 15th 2020 ⢠day 147 of lockdown August 16th 2020 time for a pizza party ⢠day 148 of lockdown August 17th 2020 ⢠day 149 of lockdown August 18th 2020.wav ⢠day 150 of lockdown August 19th 2020 ya ya ⢠day 151 of lockdown August 20th 2020 ⢠day 152 of lockdown August 21st 2020 ⢠day 153 of lockdown August 22nd 2020 pass me the port ⢠day 154 of lockdown August 23rd 2020 ⢠day 155 of lockdown August 24th 2020 ⢠day 156 of lockdown August 25th 2020 ⢠day 157 of lockdown August 26th 2020 ⢠day 158 of lockdown August 27th 2020 ⢠day 159 of lockdown August 28th 2020 ⢠day 160 of lockdown August 29th 2020 ⢠day 161 of lockdown August 30th 2020 ⢠day 162 of lockdown August 31st 2020 ⢠day 163 of lockdown September 1st 2020 ⢠day 164 of lockdown September 2nd 2020 ⢠day 165 of lockdown September 3rd 2020 ⢠day 166 of lockdown September 4th 2020 ⢠day 167 of lockdown September 5th 2020 ⢠day 168 of lockdown September 6th 2020 ⢠day 169 of lockdown September 7th 2020 ⢠day 170 of lockdown September 8th 2020 ⢠day 171 of lockdown September 9th 2020 ⢠day 172 of lockdown September 10th 2020 ⢠day 173 of lockdown September 11th 2020 ⢠day 174 of lockdown September 12th 2020 ⢠day 175 of lockdown September 13th 2020 ⢠day 176 of lockdown September 14th 2020 ⢠day 177 of lockdown September 15th 2020 ⢠day 178 of lockdown September 16th 2020 ⢠day 179 of lockdown September 17th 2020 ⢠day 180 of lockdown September 18th 2020 ⢠day 181 of lockdown September 19th 2020 ⢠day 182 of lockdown September 20th 2020 ⢠day 183 of lockdown September 21st 2020 ⢠salami danger man ⢠napoleon hill ⢠joey ramone ⢠john altman was in star wars ⢠the trumpton diets ⢠bono was quite good in that kids film ⢠dave spud is the new rock and roll ⢠bj is trump lite or NWO ⢠blaze tv ⢠Howard Hughes And The Unexplained ⢠the mighty terriers (god loves) ⢠hogan v rogan ⢠i'd cancel myself but no-one would notice ⢠i always preferred bonehead ⢠holiday inn syncs ⢠day job knobhead ⢠qi ⢠If I Get Back On H&J I Will Buy Them Cake ⢠NFT NFT they've all got an NFT ⢠Ricky Gervais Is My Hero ⢠This Album Is Sponsored ByâŚ.. ⢠Let's Dance Is The Best Bowie Album ⢠Can't Get A GIG in our own town (st Albans) ⢠we don't talk about bruno (fernandes) not scoring anymore ⢠Frank ⢠one day I will duet with dua lipa ⢠help me rhondda witht he LOA ⢠private eye knows the truth about prince andrew ⢠you can advertise here ⢠the science of getting rich is just get people to buy your books ⢠putin never misses a trick ⢠i'm visualising going on the one show to talk about this album ⢠graham norton guest yes that would be fine ⢠i feel real change coming and people will start to value music more imagine life without it ⢠imagine if that $100 million that rogan was paid was instead invested in new music just imagine ⢠since napster and the wild west days of the internet people expect to get it for free - musicians, songwriters and artists all deseve to be paid a fair amount ⢠all we are asking for is a level playing field and transparency ⢠the music industry is eveloving record companies must embrace change and respect the music creators ⢠we all need to come toegther ⢠da doo ron ron aldo ⢠middle of the road all musicians are walking down at the moment expand your minds ⢠the masked singer ⢠should i change my name to elvis ⢠my god the hollies were crap ⢠clement stone ⢠is instagram just for shallow people ⢠the mind can achieve whatever it can conceive ⢠52 and still wearing my old band t shirts is that ok Mr Robert Crampton? ⢠looking foward to playing this song on Jool Holland ⢠rolling stone are going to do a feature on this album ⢠frank skinner go on give this track a play it's only 30 seconds long and it's for a good cause
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day 356 of lockdown March 13th 2021.wav ⢠just chopsing ⢠caiman show ⢠thank you to all our fans ⢠karma ⢠day 361 of lockdown March 18th 2021 ⢠day 362 of lockdown March 19th 2021 ⢠day 363 of lockdown March 20th 2021 ⢠day 364 of lockdown March 21st 2021 ⢠my god get back is longer than this album ⢠day 366 of lockdown March 23rd 2021 ⢠day 367 of lockdown March 24th 2021 ⢠the family madrigal ⢠day 369 of lockdown March 26th 2021 ⢠day 370 of lockdown March 27th 2021 ⢠day 371 of lockdown March 28th 2021 ⢠day 372 of lockdown March 29th 2021 ⢠day 373 of lockdown March 30th 2021 ⢠day 374 of lockdown March 31st 2021 ⢠day 375 of lockdown April 1st 2021 ⢠day 376 of lockdown April 2nd 2021 ⢠day 377 of lockdown April 3rd 2021 ⢠day 378 of lockdown April 4th 2021 ⢠day 379 of lockdown April 5th 2021 ⢠day 380 of lockdown April 6th 2021 ⢠day 381 of lockdown April 7th 2021 ⢠day 382 of lockdown April 8th 2021 ⢠day 383 of lockdown April 9th 2021 ⢠day 384 of lockdown April 10th 2021 ⢠day 385 of lockdown April 11th 2021 ⢠day 386 of lockdown April 12th 2021 ⢠we love haulix ⢠We love hotpress! ⢠Rodney Of The Rock ⢠Daniel Ek The Visionary ⢠day 391 of lockdown April 17th 2021 ⢠one falls they all fall ⢠day 393 of lockdown April 19th 2021 ⢠Lazar 111 ⢠day 395 of lockdown April 21st 2021 ⢠guess that official spotify playlist isn't going to happen now ⢠day 397 of lockdown April 23rd 2021 ⢠day 398 of lockdown April 24th 2021 ⢠day 399 of lockdown April 25th 2021.wav ⢠day 400 of lockdown April 26th 2021 ⢠day 401 of lockdown April 27th 2021 ⢠day 402 of lockdown April 28th 2021 ⢠day 403 of lockdown April 29th 2021 ⢠day 404 of lockdown April 30th 2021 ⢠day 405 of lockdown May 1st 2021 ⢠day 406 of lockdown May 2nd 2021 ⢠day 407 of lockdown May 3rd 2021 ⢠day 408 of lockdown May 4th 2021 ⢠time walker ⢠are we there yet ⢠day 411 of lockdown May 7th 2021.wav ⢠day 412 of lockdown May 8th 2021 ⢠day 413 of lockdown May 9th 2021 ⢠day 414 of lockdown May 10th 2021 ⢠day 415 of lockdown May 11th 2021 ⢠day 416 of lockdown May 12th 2021 ⢠peace piece ⢠talk about the nice time ⢠define ⢠froota ⢠going viral ⢠theses ⢠munching carrots ⢠new gwr ⢠the beatles used the law of attraction ⢠new machine ⢠tct ⢠more plinky guff ⢠anyone bored yet? ⢠fatman jogging (me) ⢠urgent letter ⢠mike errico thank you ⢠day 433 of lockdown May 29th 2021 ⢠columbo ⢠bbq ⢠bar mexe ⢠may your dreams come ⢠rolling atone baby baby ⢠arts and dafts ⢠afters ⢠v is for ⢠misquote ⢠day 443 of lockdown June 8th 2021.wav ⢠hungary ⢠french fries ⢠yo t l ⢠level 42 met mark king in a pub ⢠dinosaur ⢠dance youself dizzy ⢠no score ⢠gritter splitta ⢠jools ⢠bombs ⢠penalty ⢠spurs ⢠day 456 of lockdown June 21st 2021 ⢠db ⢠dear losers ⢠Dear Losers still on repeat sorry ⢠demons ⢠dg ⢠Dino Zoff ⢠Dreaming Of THat Perfect Goal ⢠Drowsy ⢠DUA LIPA ⢠Dull & Bottom ⢠Dy ⢠el mundo gira ⢠elegy ⢠Er ⢠Es ⢠Eu ⢠noel ed ⢠EVERY CRAP INDIE BAND SHOULD RECORD AT LEAST ONE FOOTY SONG ⢠Every Nation Has It's Golden Generation ⢠Exit (pursued by a bear) ⢠F ⢠Facist Football Hater ⢠Faerie Queen ⢠farewell part 1 ⢠farewell part 2 ⢠Farewell parts 1 and 2 ⢠FAST RED MAN ⢠Fe ⢠feedback at the start of i feel fine ⢠FIFA Sutherland ⢠Food of Love ⢠Fr ⢠Franz ⢠french got the funk on ⢠from russia with hetero love ⢠FUELLED UP ON ENERGY DRINKS ⢠Full Fathom 5 Live ⢠Full Time ⢠Ga ⢠Gaberdines And Pantaloons ⢠Garincha Stryder ⢠Gary Lineker ⢠Gazza'a tears ⢠Gd ⢠Ge ⢠george harrison didn't write his 2 biggest hits ⢠gethsamane ⢠give ringo another crap country song ⢠glass onion ⢠glitter on my carpet ⢠GROTESQUE ⢠H ⢠Half Time ⢠Hamlet ⢠Happy Camper ⢠Happy Dagger ⢠have love will louis louis ⢠He ⢠He's A Sticker Licker ⢠Heart's Content ⢠HELL MONEY ⢠helter skelter pissed in the bus shelter ⢠Henry IV part 3 ⢠Henry V's Doorbell ⢠Her Majesty Was The First 30 second song ⢠here come's the sun ⢠HERRENVOLK ⢠Hey Ho Nonny Nonny ⢠Hf ⢠Hg ⢠High Time
Ho ⢠Holographic Beatles On Tour ⢠home ⢠Homeward Bound ⢠Hungary 10 El Salvador 1 ⢠I don't give a flying folio malvolio ⢠I Feel Fine ⢠I got 3 years solitary for bringing my own beer ⢠I ME ME RONALDO! ⢠I ONCE AUDITIONED FOR A BAND CALLED MEXICO 70 ⢠i wanna hold your hand but I'll ask you first ⢠I wanna Hold Your Hand While YOu Sign My A Cheque For a million pound ⢠I Wish The World Cup Was In Brazil Again says lonely sports reporter ⢠I WROTE AND RECORDED 100 SONGS ABOUT THE WORLD CUP IN 2 DAYS, CAN'T YOU TELL ⢠i.am will.i.am shakespeare. ⢠I ⢠I'm a Pal a Salah ⢠I'm Going TO Make you A VAR ⢠I'm Leaving On an standard class Aer Lingus. ⢠I'M SUPPORTING PUSSY RIOT ⢠I'm The Only Person Who Wants Iceland To Get Knocked Out Early.wav ⢠If Prince had written a World Cup song it wouldn't sound like this ⢠If Shakespeare Was Alive Today He'd Be Writing For Youtube ⢠if the beatles were an 80s band ⢠If this album doesn't get me an interview on Hawksbee & Jacobs I'm Going to stop listening to Talksport ⢠If you Listen To The beatles backwards it says thyhtnkks ⢠If You Play THis Song Backwards It Will Sound Crap. ⢠Inv ⢠INTER STELLAR CUP. ⢠introducing the beatles ⢠Ir ⢠It gets a bit messy when you try to rhyme with Messi. ⢠It is music with her silver sound ⢠it's juck a fucking xebra crossing ⢠It's Not even a realy country anyway ⢠Jeremy Corbyn As Julius Ceasar ⢠john lennon v the fbi ⢠joey ramone joins the beatles ⢠jose chungs from outer space. ⢠Josimar comeback ⢠Jules Rimming. ⢠Julian Lennon PLayed THis Piano Once. ⢠JUMPERS FOR GOAL POSTS. ⢠Just Don't Let Spain Win Again ⢠K ⢠KADDISH. ⢠KGB V FBI WORLD WAR 3 COMING SOON ⢠King James 46 ⢠King John's Rant ⢠Kingdom For A Stage. ⢠Kr ⢠La ⢠Lark ⢠Larry O ⢠leonard betts. ⢠Let Music Sound ⢠Letchkov not Letcho ⢠Li. ⢠live and let die is the best bond theme. ⢠Living On Top Of A Porno Cinema ⢠Love Is Blind. ⢠Lr ⢠Lu. ⢠magic alex ⢠man from the motor trade. ⢠Manna ⢠Marying A Punk. ⢠MAX. ⢠mcartney's ego trip part 2 ⢠McCartney's Ego Trip ⢠MEMENTO MORI ⢠Mg ⢠Mn. ⢠Mo ⢠MOOY JOY ⢠Motley Coat ⢠mr kite ⢠Mr Trump ⢠Much Ado ⢠musings of a csm ⢠N ⢠Na ⢠Nb ⢠Nd ⢠Ne. ⢠nems ⢠NEVER AGAIN. ⢠Ni. ⢠NO SCOREâŚNO DRAW. ⢠none more white. ⢠Not Many Beatles Songs Start in A Minor Key ⢠Not Many Foootball Players Like Punk! ⢠Np. ⢠Oberon Kenobi. ⢠On Shakespeare's Grave ⢠on the field where i died ⢠Ophelia ⢠Os. ⢠Oyster. ⢠P. ⢠Pa ⢠paper hearts ⢠Patti ⢠paul's first acid trip ⢠Pb ⢠Pd. ⢠PELE ⢠Pet Sounds ⢠Pete Best ⢠Pick (ford) Of The Pops - Numba 1 ⢠pickles the dog ⢠PIPER ⢠Play On. ⢠Playing For Penalties. ⢠Pm ⢠Po ⢠Pr ⢠Pt ⢠Putin hot ⢠Pursued By A Bear ⢠Pusher ⢠QUAGMIRE ⢠Hall Of fame ⢠Quickly ⢠ra ra poohtin ⢠Ra ⢠Rain ⢠Ray Wilson ⢠Rb. ⢠Re ⢠Redux 1. ⢠Redux 2. ⢠Revolution number 9 was way ahed of its time ⢠rf. ⢠Rh ⢠Ringo's Replacement ⢠Ripping Off The Beach Boys ⢠Rn ⢠Rocky Racoon as a Trump Type tycoon ⢠Rome ⢠Romeo & Juliet ⢠ronnie scott ⢠Ru ⢠rubber soul was the greatest ⢠Russian Bear ⢠S ⢠sanguinarium ⢠Sb ⢠Sc. ⢠scrambled eggs. ⢠scurvy politician ⢠Se. ⢠sergeant pepper seeks lady madonna to form lonely hearts club band ⢠Second Best Bed (In Da House) ⢠Shake It Off ⢠All Over? ⢠Shakespeare In Time ⢠Shakespeare The Commuter ⢠Shakespeare v Aliens. ⢠Shakespeare v Spotify ⢠Shaking Speare Stevens ⢠Shaquiri V Shakira ⢠She's A Woman ⢠shitter's full. ⢠Si ⢠silent night ⢠Slave Labour Stadiums ⢠Sm ⢠Sm1 ⢠SMALLPOTATOES ⢠Sn. ⢠Sonic Youth Play The Beatles ⢠world cup widows ⢠Sounds Of Music ⢠Spot the player on Coke ⢠Sr ⢠Stadium Inferno ⢠Stage Craft Beer. ⢠Star Of England ⢠Stop Calling It The White Album - It's The Beatles! ⢠Suicide In Shakespeare. ⢠corned beef curry (not my idea) ⢠Larry O ⢠SYNCHRONY ⢠SZYGY 4 ⢠Ta ⢠TALITHA ⢠TAX CHEATS ⢠tb or not tb ⢠Tb ⢠Tc. ⢠when does art become pretension? ⢠Teliko ⢠TEMPUS FUGIT ⢠TERMA ⢠TEsos dos bichos 2 ⢠the very best of Boris Johnson
The Ballad Of The Poisened Referee ⢠The Beatles Gave Us Backwards Guitar ⢠The Beatles Meet Elvis and Play Bass. ⢠The Beatles Meet The Queen ⢠THE BEST ONE YET ⢠The Blue Samurai ⢠the catcher in the rye. ⢠The Charnocks. ⢠The Curse Of WS ⢠The Day I Met George Martin ⢠the death of good duke humphrey ⢠the doors took more drugs than the beatles ⢠The First Twitter World Cup ⢠The Globe ⢠the hamburg days ⢠The Life Of Brian ⢠the long and winding road to get this album finished ⢠The Maradona OF The Carpathians ⢠The Middle Class Wives Of Windsor ⢠The Miracle Of Bern ⢠the missing chord ⢠The Old Boys Of Panama ⢠the people that don't get the beatles. ⢠The Ringo Button ⢠The Seven Moons ⢠the trembling wilburrys ⢠the usual suspects ⢠The Water Carrier ⢠THe White Album ⢠There are 3 Gary Stevens But Only one of them caught a glimpse of Maradonna flying by ⢠japan ⢠this is a northern song ⢠when does sound become music ⢠Time Doth Waste Me ⢠soundaries ⢠white noise symphony ⢠to die to sleep no more. ⢠Tomorrow Never Knows Is The First Techno Track. ⢠Tongue In Your Tail. ⢠TOO MANY WHITE LINES ⢠Tosspots. ⢠Trident Studio Jam ⢠Trump Town ⢠TUNGUSKA ⢠Turn Turn Turn in a Cruyf Style ⢠U ⢠unbeaten keepers ⢠UNREQUITED ⢠UNRUHE ⢠V is for Vacumn ⢠W ⢠Was it Bobby or Roger Moore that was the towel thief. ⢠WE ALL HATE WHEN ITV HAS THE MATCHES ⢠We All Know Sexie Sadie Was About The Maharishi.wav ⢠We All Live In A Yellow Submarine ⢠We All Love Football Guff. ⢠WETWIRED ⢠WHAT EVER HAPPENED TO HALF TIME ORANGES ⢠whatever happened to 442 ⢠When i'm Pissed I'll Shout ⢠When Shall We 3 Meet Again ⢠when we were fab. ⢠While THey Play The Bombs Keep Dropping ⢠why were wings so ⢠will anyone get close to Klose ⢠Willow Willow Willow ⢠World Cup Snacks ⢠WORLD CUP WIDOWS ⢠World Cup Winners Aftershow Party ⢠World Cup Winners Hangover ⢠World In Motion Was So Over Rated ⢠World Of Leather ⢠Xe ⢠summer jesus ⢠Y ⢠Yb ⢠you can't burn streams ⢠zero sum ⢠didn't think I would make it to 1000 ⢠ok thanks to all involved and peace and love ⢠3000 streams just for a pint ⢠time to go it's chicken time
#hyltta-polls#polls#artist: the pocket gods#language: english#decade: 2020s#Novelty#Alternative Rock
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Do you have a passion for Maya archaeology and fancy learning how to read Maya glyphs? While there are a number of books you can buy â such as Michael D. Coe and Mark Van Stoneâs Reading the Maya Glyphs â you might also want to check out these 5 useful and completely free online resources, especially if youâre on a tight budget.
Click to read â5 Fantastic Free Resources for Learning Maya Glyphsâ
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Yuri Knorozov was a Soviet linguist who deciphered the Mayan script in 1953. He had a habit of listing his Siamese cat Asya as a co-author to many of his works; however, his editors would always remove her. Knorozov would also use this photo with Asya as his official author photo and would get upset whenever his editors would crop her out. Deciphering the Mayan script was extremely challenging because there was no Rosetta Stone to provide translations into other languages. The only clues that remained were from Mayan stelae (stone monuments) that were scattered throughout several different ruins. Knorozov worked in isolation in the Soviet Union and was able to make major advancements without ever stepping foot in Central America. His breakthrough was rejecting the notion that the Maya glyphs were based on an alphabet but rather a syllabary (a set of written characters representing syllables). When Knorozov published his work, he was attacked and dismissed by several prominent academics, most notably, J. Eric S. Thompson, a British scholar who believed that the Mayan script was anti-phonetic and based on ideographic principles. It also did not help that Knorozov published his research during the height of the Cold War when Western scholars were quick to dismiss the works of Soviet scholars as being tainted by Marxist ideology. It took decades for Knorozov to finally receive the recognition he deserved. One of Knorozov's earliest supporters was an American Anthropology professor at Yale by the name of Michael D. Coe who would later go on to write, "Yuri Knorozov, a man who was far removed from the Western scientific establishment and who, prior to the late 1980s, never saw a Mayan ruin nor touched a real Mayan inscription, had nevertheless, against all odds, made possible the modern decipherment of Maya hieroglyphic writing."
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Itâs also unfortunate because for many years, his work as an epigrapher and Mayanist was ignored. He was lambasted publicly by the prominent Mayanist and Archaeologist Eric Thompson (much of whose work has ended up being deeply flawed and generally incomplete/not great), who resulted in a lot of people in the field ignoring his work. He identified syllabic signs in glyphs, which was a massive step forward.
Largely his shunning had to do with his disagreement with Thompson, but the fact that he was a Russian in the Soviet era at the height of the Cold War also made things difficult for him. Some claimed that there was Marxist-Leninist propaganda in his work (there wasnât). It wasnât until years after his theories were published that he was fully recognized for his work.
So! Important epigrapher and cat owner who suffered much academic hardship but it now well recognized for his contributions to cracking Mayan written script.
Michael D. Coeâs work references him plenty and I highly recommend the documentary or book, Breaking the Maya Code
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Yuri Knorozov was a Soviet linguist who deciphered the Mayan script in 1953. He had a habit of listing his Siamese cat Asya as a co-author to many of his works; however, his editors would always remove her. Knorozov would also use this photo with Asya as his official author photo and would get upset whenever his editors would crop her out.
Deciphering the Mayan script was extremely challenging because there was no Rosetta Stone to provide translations into other languages. The only clues that remained were from Mayan stelae (stone monuments) that were scattered throughout several different ruins.
Knorozov worked in isolation in the Soviet Union and was able to make major advancements without ever stepping foot in Central America. His breakthrough was rejecting the notion that the Maya glyphs were based on an alphabet but rather a syllabary (a set of written characters representing syllables).
When Knorozov published his work, he was attacked and dismissed by several prominent academics, most notably, J. Eric S. Thompson, a British scholar who believed that the Mayan script was anti-phonetic and based on ideographic principles. It also did not help that Knorozov published his research during the height of the Cold War when Western scholars were quick to dismiss the works of Soviet scholars as being tainted by Marxist ideology.
It took decades for Knorozov to finally receive the recognition he deserved. One of Knorozov's earliest supporters was an American Anthropology professor at Yale by the name of Michael D. Coe who would later go on to write, "Yuri Knorozov, a man who was far removed from the Western scientific establishment and who, prior to the late 1980s, never saw a Mayan ruin nor touched a real Mayan inscription, had nevertheless, against all odds, made possible the modern decipherment of Maya hieroglyphic writing."
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After reckless young lawyer Gordon Bombay gets arrested for drunk driving, he must coach a kids hockey team for his community service. Gordon has experience on the ice, but isnât eager to return to hockey, a point hit home by his tense dealings with his own former coach, Jack Reilly. The reluctant Gordon eventually grows to appreciate his team, which includes promising young Charlie Conway, and leads them to take on Reillyâs tough players. Credits: TheMovieDb. Film Cast: Gordon Bombay: Emilio Estevez Hans: Joss Ackland Jack Reilly: Lane Smith Casey Conway: Heidi Kling Mr. Ducksworth: Josef Sommer Charlie Conway: Joshua Jackson Greg Goldberg: Shaun Weiss Adam Banks: Vincent Larusso Fulton Reed: Elden Henson Tommy Duncan: Danny Tamberelli Connie Moreau: Marguerite Moreau Jesse Hall: Brandon Quintin Adams Terry Hall: Jussie Smollett Les Averman: Matt Doherty Guy Germaine: Garette Ratliff Henson Philip Banks: Hal Fort Atkinson Frank Huddy: Steven Brill Judge Weathers: George Coe Mighty Ducks Fan Scenes: Ryan J. Gilmer Principal: Claudia Wilkens Gordon at 10 Years Old: Brock Pierce Gordonâs Father: Robert Pall Lewis: M.C. Gainey Peter: J.D. Daniels Dave Karp: Aaron Schwartz Tammy: Jane Plank McGill: Michael Ooms Larson: Casey Garven Science Teacher: Mark Bradley Paramedic: Peter Syvertsen Film Crew: Screenplay: Steven Brill Director of Photography: Thomas Del Ruth Editor: Larry Bock Producer: Jordan Kerner Producer: Jon Avnet Original Music Composer: David Newman Editor: John F. Link Director: Stephen Herek Costume Design: Grania Preston Co-Producer: Lynn M. Morgan Set Decoration: Julie Kaye Fanton Casting: Renee Rousselot Production Design: Randy Ser Key Hair Stylist: Angela Nogaro Key Makeup Artist: Jeanne Van Phue Art Direction: Tony Fanning Co-Producer: Martin Huberty Stunts: Jeannie Epper Stunt Coordinator: Ronnie Rondell Jr. Stunt Coordinator: Manny Perry Second Unit Director: Michael D. Moore First Assistant Director: Douglas E. Wise Set Designer: Jack Ballance Second Assistant Director: Randy Suhr Stunts: Danny Weselis Stunt Double: Kim Robert Koscki Stunts: Catherine Petra Villalobos Chief Lighting Technician: Danny Buck Chief Lighting Technician: Michael Katz Camera Operator: Buzz Feitshans IV Movie Reviews: r96sk: Very good. âThe Mighty Ducksâ is a film that Iâve heard about for a long, long time but this was my first time watching. I enjoyed it, in short. Satisfying sports story, a solid message, decent humour and a serviceable cast. Emilio Estevez is fine in the role of Gordon, heâs definitely the best actor on display here. The numerous child actors are all alright, Shaun Weiss (Goldberg) is the one who stands out in my memory most. A nice little film about a local, youth ice hockey team, one for the family.
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Book Review: Angkor And the Khmer Civilization
Angkor And The Khmer Civilization, by Michael D. Coe There are at least a few notable aspects of the Khmer civilization that are worthy of attention, and the most obvious of them is the enigmatic set of religious ruins popularly known as Angkor Wat (though this is but one of the many, many parts of a sprawling set of ruins devoted to four different religious traditions). While the beautiful andâŚ
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WORKS CITED:
Chocolate in the Underworld Space of Death: Cacao Seeds from an Early Classic Mortuary Cave (Keith M. Prufer and William Jeffrey Hurst) Chocolate: Cultivation and Culture in pre-Hispanic Mexico Author(s): Margarita de Orellana, Richard Moszka, Timothy Adès, Valentine Tibère, J.M. Hoppan, Philippe Nondedeo, NezahualcĂłyotl, Nikita Harwich, Nisao Ogata, Quentin Pope, Fray Toribio de Benavente, MotolinĂa, Guadalupe M. SantamarĂa and Daniel Schechter Source: Artes de MĂŠxico, No. 103, CHOCOLATE: CULTIVO Y CULTURA DEL MĂXICO ANTIGUO (SEPTIEMBRE 2011), pp. 65-80 The Power of Chocolate Author(s): Blake Edgar Source: Archaeology, Vol. 63, No. 6 (November/December 2010), pp. 20-25 Published by: Archaeological Institute of America Tasting Empire: Chocolate and the European Internalization of Mesoamerican Aesthetics by MARCY NORTON CHOCOLATE II: Mysticism and Cultural Blends Author(s): Margarita de Orellana, Quentin Pope, Sonia Corcuera Mancera, JosĂŠ Luis Trueba Lara, Jana Schroeder, Laura Esquivel, Jill Derais, Mario Humberto Ruz, Clara MarĂn, Miguel LeĂłn-Portilla, Michelle Suderman, Marta Turok, Mario M. Aliphat FernĂĄndez, Laura Caso Barrera, Sophie D. Coe, Michael D. Coe and Pedro Pitarch Source: Artes de MĂŠxico, No. 105, CHOCOLATE II: MĂstica y Mestizaje (marzo 2012), pp. 73- 96 The Introduction of Chocolate into England: Retailers, Researchers, and Consumers, 1640- 1730 Author(s): Kate Loveman Source: Journal of Social History, Vol. 47, No. 1 (Fall 2013), pp. 27-46 Published by: Oxford University Press Stable URL: https://www.jstor.org/stable/43306044 Encomienda, African Slavery, and Agriculture in Seventeenth-Century Caracas Author(s): Robert J. Ferry Source: The Hispanic American Historical Review, Vol. 61, No. 4 (Nov., 1981), pp. 609-635 Published by: Duke University Press Stable URL: https://www.jstor.org/stable/2514606 Accessed: 12-07-2019 16:34 UTC The Cacao Economy of the Eighteenth-Century Province of Caracas and the Spanish Cacao Market Author(s): Eugenio Pinero Source: The Hispanic American Historical Review, Vol. 68, No. 1 (Feb., 1988), pp. 75-100 Published by: Duke University Press Stable URL: https://www.jstor.org/stable/2516221 Accessed: 12-07-2019 17:03 UTC Establishing Cacao Plantation Culture in the Western World - Timothy Walker The Ghirardelli Story Author(s): Sidney Lawrence Source: California History, Vol. 81, No. 2 (2002), pp. 90-115 Published by: University of California Press in association with the California Historical Society Stable URL: https://www.jstor.org/stable/25177676 The Evolution of Chocolate Manufacturing Rodney Snyder, Bradley Foliart Olsen, and Laura Pallas Brindle The Emperors of Chocolate - Inside the Secret World of Hershey and Mars by Joel Glenn Brenner (Random House, 1998) Bitter Chocolate by Carol Off (The New Press, 2006) "Cocoa's child labrorers", Whoriskey, Peter; Siegel, Rachel, The Washington Post, June 10 2019 The Harkin-Engel Protocol (Chocolate Manufacturers' Association, 2001) "Role of Trade Cards in Marketing Chocolate during the Late 19th Century", Virginia Westbrook "Chocolate at the World's Fairs, 1851-1964", Nicholas Westbrook Edible Ideologies by Kathleen LeBesco (SUNY 2008) Cosmopolitan cocoa farmers: refashioning Africa in Divine Chocolate advertisements Author(s): Kristy Leissle Source: Journal of African Cultural Studies, Vol. 24, No. 2 (December 2012), pp. 121-139 Published by: Taylor & Francis, Ltd. Stable URL: https://www.jstor.org/stable/42005280 Chocolate Nations: Living and Dying for Cocoa in West Africa by Orla Ryan (Zed Books, 2011) Cocoa by Kristy Leissle (Polity, 2018) How Mars Inc., maker of M&Ms, vowed to make its chocolate green. And failed. Mufson, Steven . The Washington Post (Online) , Washington, D.C.: WP Company LLC d/b/a The Washington Post. Oct 29, 2019.
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hi you've activated my trap card HERE'S SOME AZTEC HISTORY BOOKS
Aguilar-Moreno, Manuel. Handbook to Life in the Aztec World. Oxford: Oxford University Press, 2007.
Berdan, Frances F., and Michael E. Smith. Everyday Life in the Aztec World. Cambridge: Cambridge University Press. 2020.
Berdan, Frances, and Patricia Rieff Anawalt. The Essential Codex Mendoza. Berkeley: University of California Press, 1997.
Coe, Sophie D.. Americaâs First Cuisines. N.p., University of Texas Press, 2015.
Hassig, Ross. Mexico and the Spanish Conquest. London: Longman, 1994.
Townsend, Camilla. Fifth Sun: A New History of the Aztecs. 2019.
What are some good beginner books for learning about Aztec history
The classic is typically The Aztecs by Michael Smith (who I don't care for as a person)
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So I was vaguely aware of this whole colonialist myth about how in Aztec theology Quetzalcoatl had taken ships off to the east and would return ahead of the apocalypse and a) the aztec's thought Cortez et al were him returned and b) something something Quetzalcoatl=Jesus?
Anyway I kind of assumed it was 100% bullshit so very funny to me that this book very strongly implies that the mythology about Quetzalcoatl sailing off was about a historical Toltec prince/lord who used a lot of winged serpent heraldry and lost a power struggle then did in fact sail off - specifically down to the Yucatan, where he conquered a nice little empire for himself centered on Chichen Itza.
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Worldbuilding: Fruits, Nuts, & Flakes
No, not the denizens of California. Though a lot of fruits and nuts have been grown there since the 1800s. Iâm talking about local and not so local cuisine. Whatâs available in the supermarkets today is vastly different from what was available two hundred
or even fifty years ago. A little-known but constant thread through history are the quiet efforts of oddball explorers, wanderers, and farmers on the quest to find - or breed - new things to eat. The Perfect Fruit by Chip Brantley goes into the history of the pluot, and plum and fruit exploration and breeding centuries before it was ever imagined. You might also look at books like The True History of Chocolate by Sophie D. Coe, Death in the Garden: Poisonous Plants and Their Use Throughout History by Michael Brown and The Sakura Obsession: The Incredible Story of the Plant Hunter Who Saved Japan's Cherry Blossoms by Naoko Abe. In 1800s England, for example, peaches were rare and expensive, and pumelos and kiwis unheard-of.
And yet a lot of fantasy and SF stories ignore the fact that 1) edibles are not the same everywhere and 2) lifetimes of adventures could be had chasing after one more odd plant no one else knew much about.
Which is a shame. It may not be dragon-hunting directly, but thereâs no reason dragons (or aliens) canât be involved. Just look at the Apples of the Hesperides that Hercules had to steal, the gold, silver, and jeweled forests in the Twelve Dancing Princesses, or the legendary Peaches of Immortality. Heck, check out the herb of immortality in the Epic of Gilgamesh for a plant only achieved by great hazards.
(They donât have to be god-level hazards. In the first episode of the historical drama The Three Musketeers (Korean: ěźě´ěŹ; RR: Samchongsa), our young hero Park Dal-yang ends up facing âroad closed due to tigerâ. Whenâs the last time you saw that as a story hazard?)
You could make whole stories out of hunting, breeding, and stealing plants from far-away places, hidden gardens, and mad wizardsâ greenhouses. The poison maiden of Rappacciniâs Daughter could be one foe; the police and army of an entire empire devoted to hiding one particular secret, another.
Even if you donât want to write a story about plant-hunting, it can make an excellent subplot, character background, or reason for adventurers to go on a rescue mission. We need the Archmage to stop the onslaught of the terrible undead typhoon! ...But heâs up in the mountains looking for a lily that only blooms once every hundred years under full starlight, and youâre going to have to go get him....
Poke some plant history! It might get your story growing in a different direction.
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My photos
Mayan waterlily vessel, 750-800 CE, Art Institute of Chicago,
Creating Our Own Alternate Realities?
 I recently finished reading âBreaking the Maya Codeâ, by Michael D. Coe, which I very much enjoyed. Throughout the book, I had visions of intrepid explorers, hacking back the jungle to reveal glorious Mayan monuments. Donât laugh, my preconceptions of the region are probably based on vintage photographs and colourful documentaries of lush forests and colossal ruins that I saw years ago.
While much of the book details the discovery and publishing of the Mayan glyphs, and then determining the role that they played in relation to the Mayan languages, as ideograms, logograms, or a syllabary, I was struck by the many academic disputes that this process generated. These are to be expected when encountering, and trying to analyze, unfamiliar phenomena, but they prompted me to think about these controversies generally, and their repercussions in science, the humanities, and in the world outside academia.
In the story of the Mayan glyphs, for example, a very influential archaeologist, Eric Thompson, actively resisted attempts by others to decipher the glyphs using linguistic methods, and he bitterly attacked his adversaries. As an eminent professor, he was able to effectively stifle research in this field, at least in the west. With our 20/20 hindsight, the reader knows that many of Thompsonâs own theories were incorrect, and we cheer on the efforts of the underdogs. This made me think of more contemporary, but less dramatic, instances of academic disputes.
Sometimes, there can be technological advances that lead to new methodologies being used by scientists in their research. In one case, a professor that I knew, used a relatively new technique to estimate the age of the samples in a study. When the paper was completed, and sent by the selected journal for peer review, its publication was blocked by an older scientist, who dominated the field in that country. While this was a frustrating experience, the paper was simply published in another journal, based in Europe, where perhaps they were more up to date with technology.
These two cases show the resistance that there can be to new ideas, especially amongst the âold guardâ, who have spent their lives, and built their reputations, holding certain preconceived ideas or biases. This is not necessarily a bad thing, it just means that a novel, unfamiliar, approach must have strong reasoning and data behind it in order to contend with older theories.
In my book, âResurrection: Recalled to Lifeâ, I mention Alfred Wegener, and the difficulties he faced with his theory of continental drift. Unhappily, it took several decades after his death before his ideas were accepted, but, at least in my view, other factors came in to play as well. I certainly agree that much of the negativity that he faced was due to the long-established beliefs of influential geologists, but in his case, I think that perhaps there was still just not enough evidence. After all, Wegenerâs theories were not new, several scientists in the 1800âs had also suggested that the continents could move. It was not until the spreading mid-oceanic ridges were detected, and research could show the changing orientation in magnetic polarity of the rocks laid down in the ocean beds, that geologists were faced with overwhelming evidence. As those scientists, the ones who had built their reputations on an earth with fixed continents, retired, younger researchers could embrace the new ideas.
There does sometimes seem to be considerable bias against new theories. Researchers may face a lot of resistance when presenting their ideas, especially if they counter long-held beliefs. However, this sort of prejudice is not unique to the world of academia, it exists everywhere.
We can see bias clearly displayed in academic disputes, but what about everyday life? Thomas Gilovich, in his book, âHow We Know What Isnât So: The Fallibility of Human Reason in Everyday Lifeâ, writes that we are subject to âthe tendency for our expectations, preconceptions, and prior beliefs to influence our interpretation of new informationâ. Unfortunately, we often fail to realize this. In âThe Bias Blindspot: Perceptions of Bias in Self Versus Othersâ (Pronin, Lin, Ross, 2002), a group of Stanford researchers did some studies that showed that while people are able to recognize prejudices and preconceptions in others, they often fail to see them in themselves. In addition, even when the subjects were aware of how they could be influenced by their biases, they continued to believe that they were unaffected.
Gilovich, a professor of Psychology at Cornell, points out that sometimes humans will go to a great deal of cognitive effort to find arguments, right or wrong, that support their point of view when they are faced with information that contradicts long-held beliefs. This last idea is well supported in the case of Eric Thompson, the archaeologist I mentioned above. Apparently, he went to great lengths to, item by item, counter the findings of opposing researchers, rejecting all the evidence laid out carefully in the publications. Gilovich writes that, like Thompson, ordinary people, also, will âresist the challenge of information that is inconsistent with their beliefs not by ignoring it, but by subjecting it to intense scrutiny.â This scrutiny, however, does not change their beliefs, even when they are later proved incorrect. Take, for example, that 9 game winning streak that delights baseball fans and disgusts their opponents (Samuel McNerny, 2011). The fans and sports commentators can come up with multitudes of different reasons to explain why the team seems to be performing better than expected. Fans of their competitors, however, often closely analyze the data, too, however, their own explanations are often quite different, ranging from numerous questionable calls made by umpires during this streak (the league is against them), or the possibility that somehow their teamâs signs were stolen (cheating). It does not occur to either side that, statistically, a 9 game winning streak in a long season is an outcome that can occur randomly, given the nature of the game and the players.
Maybe the answer to correcting our biases is to gather more information about a subject. You would think that if we did some fact checking we might correct this tendency. Unfortunately, today, there are so many sources of âfactsâ supporting almost any point of view, found in magazines, social media, and news networks, that we often end up merely bolstering our prejudices. As a result, everyone assumes that our own beliefs concerning religion, politics, economic theory, or our sports teams, are correct, and our opponents are wrong.
Does this mean that we are all individually stuck in our own alternate realities, our own fantasy worlds, walled in by our prejudices and preconceptions?
The key seems to be individually recognizing our susceptibility to bias and trying to make changes to the way that we live and think. Perhaps we need to recognize our fallibility. Some biases and preconceptions can seem relatively harmless, like my impression of the Yucatan, but when it comes to more important issues, it is necessary to solve our differences and make accommodations.
 Catherine Ward
 Note: I did some reading on this that I have not included in my article. The subject is simply too vast, and I am not a psychologist, so I may not present the ideas properly. These are merely some thoughts that occurred to me after reading âBreaking the Maya Codeâ. I am attaching some references that you can use to read further if you are interested.
 Accepting Threatening Information: SelfâAffirmation and the Reduction of Defensive Biases. David K. Sherman, Geoffrey L. Cohen (August 1, 2002) https://doi.org/10.1111/1467-8721.00182
The Bias Blind Spot: Perceptions of Bias in Self Versus Others. Emily Pronin, Daniel Y. Lin, Lee Ross, (March 1, 2002) https://doi.org/10.1177/0146167202286008
How we know what isn't so: The fallibility of human reason in everyday life. T Gilovich, Â 1993. https://www.amazon.com/How-Know-What-Isnt-Fallibility/dp/0029117062/ref=sr_1_1?crid=G5XG2RCUVRSK&dchild=1&keywords=how+we+know+what+isn%27t+so&qid=1635094006&s=books&sprefix=how+we+know+what+isn%27t+so%2Cstripbooks-intl-ship%2C133&sr=1-1
Pushing the Limits: Cognitive, Affective, and Neural Plasticity Revealed by an Intensive Multifaceted Intervention. Michael D. Mrazek*, Benjamin W. Mooneyham*, Kaita L. Mrazek and Jonathan W. Schooler, Front. Hum. Neurosci., 18 March 2016 | https://doi.org/10.3389/fnhum.2016.00117
Cognitive Biases in Sports: The Irrationality of Coaches, Commentators, and Fans. Samuel McNerny, 2011. https://blogs.scientificamerican.com/guest-blog/cognitive-biases-in-sports-the-irrationality-of-coaches-commentators-and-fans/
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Search For Answers - Mushroom Pillars of GÜbekli Tepe
The monuments of antiquity are connected with ancient humanityâs deep rooted interest in the Spirit of Nature, they are coded messages in stone, recording this sacred knowledge for posterity.Â
The worship of animal spirit companions and the concept of human-animal transformation is so ancient, that the origins of these beliefs appear to predate the development of agriculture. The encoded images of hallucinogenic mushrooms associated with feline deities and the Tree of Life are found in both the Old World, and the the New World, where a common motif in Olmec art represents the mushroom's effect of jaguar transformation and the soul's mythical underworld journey.Â
Archaeologist Michael D. Coe (1972) demonstrated a long-standing Mesoamerican association of the jaguar with rulership, royal lineages, and power, having an intimate relationship with the sun in the underworld, the Jaguar Sun God (John B. Carlson 1981, p.125).
#Mushroom#MushroomPillars#GobekliTepe#Turkey#Ancient#Monuments#Spirit#Nature#Sacred#Knowledge#TreeOfLife#Jaguar#Transformation#Soul#Underworld#Sun#God
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I removed some books today.
I think of myself as a minimalist, but that doesnât happen to be true. I have acquired more books than I will ever read. They still sit, stacked and unreachable, in piles by the walls, two dozen books tall and sometimes two books deep.
I donât think I know where they all came from. I think more came from online than from any physical store. I bought them from Abebooks, the sales search platform that Amazon owns now. Abebooks tell you the names of the sellers, but they seem unconnected to any real place.
From Better World Books. From Thrift Books and Bookbarn. From Silver Arch Books, Motor City Books, Free State Books, Sierra Nevada Books, Yankee Clipper Books, and the Atlanta Book Company. From Green Earth Books and Housing Works Books. From Goldstone Books and Powellâs Books and Kennys Bookshop and Art Galleries. From Satellite Books and the Orchard Bookshop. From Blue Cloud Books and Hippo Books and Wonder Book.
Theyâre from all over, from places youâve never been, places youâll never be. Theyâre names on a box. But then there are the books from more intimate places, intimately connected
From libraryâs old bookstore, which sold paperbacks for fifty cents, hardcovers for a dollar. From the basement of the old independent bookstore down on Front Street, where they sold remaindered and overstocked books marked down with red-orange tape. From the thrift store across the street, which charged too much.
From the Chapters at the mall in your hometown, or the Chapters and Indigo in the places youâve been to, from the shelves of marked-down items where you looked for bargains, for the books you knew you should read, and all the books you never would. Places where you could drink sweet cream and coffee and pretend to read.
From the Borders in Syracuse, where you idled while the family went to the fair, where they always said they were going to build the largest mall in America, but never did. There was another Borders in South Florida, where they were stripping fixtures from the walls because the books had not sold, and so the Borders had to be. They still have bookstores. Iâm not sure what they sell now. Postcards, I think.
The books still in my room had postcards from people I will never know, dedications to people I will never see, business cards from people who have moved on to other work. But their spines are unbroken, their pages unmarked. I guess I wanted them that way. I bought them like that.
I sometimes worried they would break through the floor. I would wake up to the collapse of everything I have ever owned as I plummeted a few short feet to my death. I guess it would probably take longer than that. I would have to wait for them to crush me. That mass of books would fall on me, blotting out the light. Crushed beneath nearly everything I have ever owned.
Thatâs what happened to the clerk Toshiko Sasaki in John Hersheyâs Hiroshima, who was seated at her desk on August 6, 1945, in front of a couple of bookcases from the factor library:
Everything fell, and Miss Sasaki lost consciousness. The ceiling dropped suddenly and the wooden floor above collapsed in splinters and the people up there came down and the roof above them gave way; but principally and first of all, the bookcases right behind her swooped forward and the contents threw her down, with her left leg horribly twisted and breaking underneath her. There, in the tin factory, in the first moment of the atomic age, a human being was crushed by books.
Miss Sasaki made out alright, although not so well as to not ask the question âIf your God is so good and kind, how can he let people suffer like this?â But then, I have more books than she did.
I removed some books today. I still have more I want to remove. I just donât have the boxes for them. I took the boxes I did have in the back of my car to a mass-market thrift store, where they will end up on the shelves by the leather jackets.Â
Perhaps they will end on some other shelf, like a postcard from somewhere unknown, in someone elseâs memory. But I donât think they will. I donât think theyâll sell. There arenât enough people here who spend money pretending to read.
I donât know what will happen to them. I suppose they will pulp them. Or perhaps they will end in a landfill, crushed beneath their own weight, suffocating beneath the earth we have made for them until life reclaims them.
I wrote out a partial list of the books I threw out. I donât know what it says about me. Thereâs a double significance here: These are books I bought, for some amount of money, but these are also books I am throwing away, because I asked the question the woman told me to ask, which was whether they sparked joy, and I answered no.
Those books in the photo are the books that have not yet been thrown away. Here, below the fold, are the books that have:
Judith Fitzgeraldâs Sarah McLachlan: Building a Mystery
Mordecai Richlerâs Oh Canada! Oh Quebec!
Jonathan Coeâs The Rotterâs Club
Misha Glennyâs McMafia
Joinville and Villehardouinâs Chronicles of the Crusades
Michael Ignatieffâs The Lesser Evil
Russell Daltonâs Citizen Politics in Western Democracies: Public Opinion and Political Parties in the United States, Great Britain, West Germany, and France
Richard Finnâs Winners in Peace: MacArthur, Yoshida, and Postwar Japan
Ramachandra Guhaâs India After Gandhi
Fox Butterfieldâs China: Alive in the Bitter Sea
Anthony Sampsonâs The Changing Anatomy of Britain
Masanori Hashimotoâs The Japanese Labor Market in a Comparative Perspective with the United States
Donald Keeneâs Dawn to the West: Japanese Literature of the Modern Era: Poetry, Drama, Criticism
Andrei Shleiferâs Without a Map: Political Tactics and Economic Reform in Russia
Peter Newmanâs The Secret Mulroney Tapes
Nicholas Negroponteâs Being Digital
Lesley Downerâs The Brothers: The Hidden World of Japanâs Richest Family
Harold Vogelâs Entertainment Industry Economics
Stephen Goldsmith and William D. Eggersâs Governing by Network: The New Shape of the Public Sector
Donald Harman Akenson, Saint Saul: A Skeleton Key to the Historical Jesus
Philip Zieglerâs King Edward VIII
David Wesselâs In FED We Trust
Robert Dallekâs Flawed Giant: Lyndon Johnson and His Times, 1961--1973
David Halberstamâs The Reckoning
David Bellâs The First Total War: Napoleonâs Europe and the Birth of Warfare as We Know It
Kevin Phillipsâs The Cousinsâ Wars
Yirmiyahu Yovel, Spinoza and Other Heretics: The Adventures of Immanence
Michael Orenâs Six Days of War: June 1967 and the Making of the Modern Middle East
Lawrence McDonaldâs A Colossal Failure of Common Sense: The Inside Story of the Collapse of Lehman Brothers
Richard Posnerâs The Crisis of Capitalist Democracy
William Chester Jordanâs Europe in the High Middle Ages
William Cohanâs House of Cards: A Tale of Hubris and Wretched Excess on Wall Street
Bryan Burrough and John Helyarâs Barbarians at the Gate: The Fall of RJR Nabisco
Linda Learâs Beatrix Potter: A Life in Nature
Jane Mayerâs The Dark Side: The Inside Story of How the War on Terror Turned into a War on American Ideals
Allan Brandtâs The Cigarette Century: The Rise, Fall, and Deadly Persistence of the Product That Defined America
Garry Willsâs Head and Heart: American Christianities
Sarah Bradfordâs Elizabeth: A Biography of Britainâs Queen
Andrew Gordonâs The Evolution of Labor Relations in Japan: Heavy Industry, 1853--1955
John Ardaghâs France in the New Century: Portrait of a Changing Society
Bob Woodwardâs The Agenda: Inside the Clinton White House
John Julius Norwichâs Byzantium: The Early Centuries
Taylor Branchâs Pillar of Fire: America in the King Years, 1963--65
Michael Lewisâs Liarâs Poker
Tim Blanningâs The Pursuit of Glory: Europe, 1648--1815
Robert Faglesâs translation of Virgilâs The Aeneid
Karl Popperâs The Poverty of Historicism
P. D. Smithâs Doomsday Men: The Real Dr. Strangelove and the Dream of the Superweapon
Richard Rhodesâs Arsenals of Folly: The Making of the Nuclear Arms Race
Margaret Thatcherâs Downing Street Years
Alistair Horneâs Harold Macmillan, 1957--1986
Taylor Branchâs The Clinton Tapes: Wrestling History with the President
Ian Kershawâs Hitler, 1936--1945: Nemesis
David Grossmanâs To the End of the Land
Sean Wilentzâs The Rise of American Democracy: Jefferson to Lincoln
Philipp Blomâs The Vertigo Years: Europe, 1900--1914
Jacob M. Schlesingerâs Shadow Shoguns: The Rise and Fall of Japanâs Postwar Political Machine
Peter Jenkinsâs Mrs. Thatcherâs Revolution: The Ending of the Socialist Era
Martin Lawrenceâs Iron Man: The Defiant Reign of Jean ChrĂŠtien
Marin Lawrenceâs ChrĂŠtien: The Will to Win
Alastair Campbellâs The Blair Years
Tony Blairâs A Journey
David Kennedyâs Donât Shoot: One Man, a Street Fellowship, and the End of Violence in Inner-City America
Joshua Ferrisâs Then We Came to the End
Kate McCaffertyâs Testimony of an Irish Slave Girl
Martin Wolfâs Why Globalization Works
Charles Fishmanâs The Wal-Mart Effect: How the Worldâs Most Powerful Company Really Works -- and How Itâs Transforming the American Economy
William Easterlyâs The White Man's Burden: Why the West's Efforts to Aid the Rest Have Done So Much Ill and So Little Good
Karel van Wolferenâs The Enigma of Japanese Power: People and Politics in a Stateless Nation
Jeffrey Sachsâs The End of Poverty: How We Can Make It Happen in Our Lifetime
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2009-2011
Below are the shows I covered from â09-12.
(v) = Video included in review
(p&s) = photos were taken with a point & shoot camera (early concerts)
2011 Favorite Concert Photos (Review)
12.12.2011 Â White Dress (TT the Bearâs Place)
12.12.2011 Â Gary Clark Jr. (TT the Bearâs Place) (v)
12.8.2011 Â Ryan Adams (Orpheum Theater) p&s (v)
12.1.2011 Jocie Adams (Cafe 939) p&s
12.1.2011 Â The Barr Brothers (Cafe 939) (v)
11.20.2011 Â Active Child (House of Blues)
11.20.2011 Â M83 (House of Blues)
11.19.2011 Â Chris Robinson Brotherhood (Somerville Theatre) p&s (v)
11.17.2011 Â The Tosspints (Paradise Rock Club)
11.17.2011 Â Dropkick Murphys (Paradise Rock Club) (v)
11.14.2011 Â Earthquake Party (Lansdowne Pub)
11.14.2011 Â Surfer Blood (Lansdowne Pub)
11.6.2011 Â H.W. (OâBrienâs Pub)
11.6.2011 Â Adeem (OâBriens Pub)
11.6.2011 Â Astronautalis (OâBrienâs Pub) (v)
11.5.2011 Â Nikki Lane (Paradise Rock Club)
11.5.2011 Â Noah and the Whale (Paradise Rock Club) (v)
11.1.2011 Â Tall Heights (Johhny Dâs)
11.1.2011 Â Darlingside (Johnny Dâs)
10.25.2011 Â Double Ghost (Brighton Music Hall)
10.25.2011 Â Fanfarlo (Brighton Music Hall) (v)
10.24.2011 Â Thief Thief (Charlieâs Kitchen)
10.24.2011 Â Celestial Shore (Charlieâs Kitchen)
10.24.2011 Â Fat History Month (Charlieâs Kitchen)
10.21.2011 Â Joe Pug (Somerville Theatre) (v)
10.21.2011 Â The Low Anthem (Somerville Theatre) (v)
10.7.2011 Â Old Jack (TT the Bearâs Place)
10.7.2011 Â Matrimony (TT the Bearâs Place)
10.7.2011 Â Langhorne Slim (TT the Bearâs Place) (v)
9.30.2011 Â Grace Woodruffe (House of Blues)
9.24.2011 Â 2011 Life is Good Festival Canton MA (Barefoot Truth, Dwight and Nicole, The Dirty Dozen Brass Band, Tristan Prettyman, Martin Sexton, The Hold Steady, Michael Franti and Spearhead, Ingrid Michaelson, The Avett Brothers
9.20.2011 Â Nick Lowe (Wang Theatre)
9.20.2011 Â Wilco (Wang Theatre)
9.19.2011 Â Polica (Paradise Rock Club)
9.19.2011 Â Clap Your Hands Say Yeah (Paradise Rock Club)
9.10.2011 Â Jeff Mangum (Jordan Hall) p&s (a)
9.9.2011 Â Yo La Tengo (BOA Pavilion)
9.9.2011 Â The National (BOA Pavilion) (v)
8.14.2011 Â Neko Case (BOA Pavilion)
8.14.2011 Â My Morning Jacket (BOA Pavilion)
8.11.2011 Â Winter Gloves (Brighton Music Hall)
8.11.2011 Â The Naked and Famous (Brighton Music Hall) (v)
7.30.2011 Â 2011 Newport Folk Festival Day #1 (The Wailinâ Jennys, Sallie Ford and the Sound Outside, The Felice Brothers, Typhoon, River City Extension, Freelance Whales, Gogol Bordello, Delta Spirit, Tegan & Sara, Gillian Welch, The Decemberists
7.31.2011 Â 2011 Newport Folk Festival Day #2 (Brown Bird, David Wax Museum, Carolina Chocolate Drops, Trampled By Turtles, Justin Townes Earle, Middle Brother, Elvis Costello, M. Ward (v)
7.28.2011 Â The Submarines (Paradise Rock Club)
7.28.2011 Â The Eels (Paradise Rock Club)
7.27.2011 Â The Flaming Lips (BOA Pavilion) (v)
7.19.2011 Â Flow Child (Great Scott)
7.19.2011 Â Moonface (Great Scott) (v)
7.18.2011 Â Lower Dens (TT the Bearâs Place) Â
7.18.2011  Cass McCombs  (TT The Bearâs Place) (v)
6.1.2011 Â The Secret Sisters (BOA Pavilion)
6.1.2011 Â Brandi Carlilie (BOA Pavilion)
6.1.2011  Ray Lamontagne  (BOA Pavilion)
5.21.2011 Â Earthfest 2011 Boston, MA (Atomic Tom, Sponge, OK Go, Ed Kowalczyk)
5.17.2011 Â The Cave Singers (Orpheum Theatre)
5.17.2011 Â Fleet Foxes (Orpheum Theatre)
5.11.2011 Â Voxhaul Brodcast (House of Blues)
5.11.2011 Â Airborne Toxic Event (House of Blues)
5.10.2011 Â OâBrother (House of Blues)
5.10.2011 Â Cage the Elephant (House of Blues)
5.10.2011 Â Manchester Orchestra (House of Blues)
5.5.2011 Â Two Man Gentleman Band (Brighton Music Hall)
5.5.2011 Â The Infamous Stringdusters (Brighton Music Hall)
4.19.2011 Â Iron & Wine (House of Blues)
4.14.2011 Â Lady Lamb the Beekeeper (Brighton Music Hall)
4.14.2011 Â Sharon Van Etten (Brighton Music Hall)
4.13.2011 Â Pretty and Nice (Great Scott)
4.13.2011 Â Handsome Furs (Great Scott) (v)
4.12.2011 Â Jaggery (Middle East Upstairs)
4.12.2011 Â Callers (Middle East Upstairs)
4.12.2011 Â Wye Oak (Middle East Upstairs) (v)
4.6.2011 Â Township (Brighton Music Hall)
4.6.2011 Â Hacienda (Brighton Music Hall)
4.6.2011 Â The Greenhornes (Brighton Music Hall)
4.4.2011 Â Holy Ghost (House of Blues)
4.4.2011 Â Cut Copy (House of Blues)
3.24.2011 Â Faces on Film (Villa Victoria Center for the Arts) p&s
3.24.2011 Â Richard Ashcroft (Villa Victoria Center for the Arts) p&s (v)
3.10.2011 Â Mynabirds (House of Blues)
3.10.2011 Â Bright Eyes (House of Blues)
3.4.2011 Â The Low Anthem (Old South Church)
3.3.2011 Â Dawes (Paradise Rock Club) (v)
3.3.2011 Â Deer Tick (Paradise Rock Club) (v)
3.3.3011 Â Middle Brother (Paradise Rock Club) (v)
2.21.2011 Â David Gray (Wang Theatre) p&s (v)
2.11.2011 Â Scott Hutchinson (House of Blues)
2.11.2011 Â Josh Ritter (House of Blues)
1.18.2011 Â Static Jacks (Great Scott)
1.18.2011 Â Young the Giant (Great Scott)
1.16.2011 Â Camper Van Beethoven (Middle East Downstairs) (v)
1.16.2011 Â Cracker (Middle East Downstairs) (v)
1.13.2011 Â Mean Creek (Brighton Music Hall)
12.10.2010 Â Marissa Nadler (Tremont Temple) p&s
12.10.2010 Â Andrew Bird (Tremont Temple) p&s (v)
12.2.2010 Â The Luyas (Paradise Rock Club)
12.2.2010 Â The Antlers (Paradise Rock Club) (v)
12.1.2010  Justin Jones  (Paradise Rock Club)
12.1.2010 Â Badly Drawn Boy (Paradise Rock Club)
11.22.2010 Â Kuroma (Paradise Rock Club)
11.22.2010 Â Stardeath and White Dwarfs (Paradise Rock Club)
11.22.2010 Â Tame Impala (Paradise Rock Club) (v)
11.11.2010 Â Sufjan Stevens (Orpheum Theatre) p&s (v)
11.2.2012 Black Mountain (Paradise Rock Club)
11.2.2010 Black Angels (Paradise Rock Club)
11.1.2010 Â The Shining Twins (Great Scott)
11.1.2010 Evan Dando and Juliana Hatfield (Great Scott)
11.1.2010 Juliana Hatfield (Great Scott)
10.29.2010 The Phantom Band (Paradise Rock Club)
10.29.2010 Plants and Animals (Paradise Rock Club)
10.29.2010 Frightened Rabbit (Paradise Rock Club) (v)
10.28.2010 Adam Haworth Stephens (Brighton Music Hall)
10.28.2010 Â The Felice Brothers (Brighton Music Hall)
10.15.2010 Â Dean Wareham (Wang Theatre) p&s
10.15.2010 Â Belle and Sebastian (Wang Theatre) p&s (v)
10.7.2010 Â The Walkmen (Royale)
10.7.2010 Â A.A. Bondy (Royale)
10.4.2010  Pete Yorn  (Pearl Street)
10.3.2010 Â Roger Waters (TD Garden) p&s (v)
10.3.2010 Â Neon Indian (Power Plant)
10.2.2010 Â S. Carey (Somerville Theatre)
10.2.2010 Â The Tallest Man on Earth (Somerville Theatre) (v)
9.28.2010 Â Sleigh Bells (Orpheum Theatre)
9.28.2010 Â LCD Soundsystem (Orpheum Theatre)
9.26.2010 Â Mean Creek (Middle East Downstairs)
9.26.2010 Â Dead Confederate (Middle East Downstairs)
9.25.2010 Â Ed Harcourt (Paradise Rock Club)
9.25.2010 Â James (Paradise Rock Club)
9.22.2010 Â Boxer Rebellion (Middle East Upstairs)
9.22.2010 Â Amusement Parks on Fire (Middle East Upstairs)
9.22.2010 Â We Are Augustines (Middle East Upstairs)
8.18.2010 Â David Gray (BOA Paviion) p&s (v)
8.18.2010 Â Ray Lamontagne (BOA Pavilion) p&s (v)
8.2.2010 Â Arcade Fire (BOA Pavilion) p&s (v)
8.2.2010 Â Young Galaxy (BOA Pavilion) p&s
7.31.2010 Newport Folk Festival (Low Anthem, Blitzen Trapper, Brandie Carlilie, OâDeath, Horse Feathers, Andrew Bird, Dawes (p&s) (v)
7.25.2010 Â Edward Sharpe and the Magnetic Zeros (Pearl Street) p&s (v)
7.16.2010 Â Chris Warren (Middle East Downstairs) p&s
7.16.2010 Â Ha Ha Tonka (Middle East Downstairs) p&s
7.16.2010 Â Langhorne Slim (Middle East Downstairs) p&s (v)
7.11.2010 Â The Mools (Port City Music Hall) p&s
7.11.2010 Â Wolf Parade (Port City Music Hall) p&s (v)
6.26.2010 Â Passion Pit (Royale) p&s (v)
6.23.2010 Â These United States (Middle East Downstairs) p&s (v)
6.20.2010 Â James Taylor (TD Garden) p&s (v)
6.20.2010 Â Carole King (TD Garden) p&s (v)
5.30.2010 Â Drew OâDoherty (TT The Bearâs) p&s
5.30.2010 Â Land of Talk (TT The Bearâs) p&s (v)
5.30.2010 Â Besnard Lakes (TT The Bearâs) p&s
5.21.2010 Â The Punch Brothers (Orpheum Theatre) p&s
5.21.2010 Â Josh Ritter (Orpheum Theatre) p&s (v)
5.17.2010 Â Pearl Jam (TD Garden) p&s (v)
5.12.2010 Â Pete Roe (First Church in Cambridge) p&s
5.12.2010 Â Smoke Fairies (First Church in Cambridge) p&s
5.12.2010 Â Laura Marling (First Church in Cambridge) p&s (v)
5.8.2010 Â Suckers (Great Scott) p&s
5.8.2010 Â Local Natives (Great Scott) p&s (v)
4.30.2010 Â Horse Feathers (Cafe 939) p&s (v)
4.29.2010 Â Bad Veins (Paradise Rock Club) p&s
4.29.2010 Â Maps and Atlases (Paradise Rock Club) p&s
4.29.2010 Â Frightened Rabbit (Paradise Rock Club) p&s (v)
4.17.2010 Â David Allen Coe (The Coach House, CA) p&s
4.4.2010 Â Wilco (Lupos, RI) p&s (a)
3.28.2010 Â Bachlorette (Paradise Rock Club) p&s
3.28.2010 Â Beach House (Paradise Rock Club) p&s (v)
3.4.2010 Â Joe Pug (Great Scott) p&s (v)
3.4.2010 Â Justin Townes Earle (Great Scott) p&s (v)
2.20.2010 Â Jason Boesel (Great Scott) p&s
2.20.2010 Â Corey Chisel & the Wandering Sons (Great Scott) p&s
2.20.2010 Â Dawes (Great Scott) p&s
2.3.2010 Â Arletta (Great Scott) p&s
2.3.2010 Â The Candles (Great Scott) p&s
2.3.2010 Â Evan Dando (Great Scott) p&s (v)
1.19.2010 Â Dawn Landes (Club Passim) p&s (v)
1.8.2010 Â Tanlines (Paradise Rock Club) p&s
1.8.2010 Â Julian Casablancas (Paradise Rock Club) p&s
2009 Favorite Concert Photos (p&s) Part I
2009 Favorite Concert Photos (p&s) Part II
12.3.2009 Â Josh Ritter (Calvin Theatre) p&s (a)
12.3.2009 Â Low Anthem (Calvin Theatre) p&s (a)
12.1.2009 Â The Big Pink (Paradise Rock Club) p&s (v)
11.30.2009 Â Dave Godowski (Paradise Rock Club) p&s
11.30.2009 Â Bowerbirds (Paradise Rock Club) p&s (v)
11.30.2009 Â Elvis Perkins in Dearland (Paradise Rock Club) p&s (v)
11.4.2009 Â Dave Gutter (Wang Theatre) p&s
11.4.2009 Â Ray Lamontagne (Wang Theatre) p&s (v)
11.3.2009 Â Monsters of Folk (Orpheum Theatre) p&s (audio)
11.1.2009 Â Fran Healy and Andy Dunlop (Somerville Armory) p&s (v)
10.18.2009 Â Echo and the Bunnymen (Great Scott) p&s (v)
10.17.2009 Â Dawes (TT the Bearâs Place) p&s
10.17.2009 Â Langhorne Slim (TT the Bearâs Place) p&s (v)
10.17.2009 Â Boy Crisis (South Boston) p&s
10.17.2009 The Antlers (South Boston) p&s
10.3.2009 Â Sufjan Stevens (Port City Music Hall, ME) p&s (v)
9.22.2009 Â Little Joy (Orpheum Theatre) p&s
9.22.2009 Â Regina Spektor (Orpheum Theatre) p&s (v)
9.8.2009 Â Mike Fiore (Great Scott) p&s
9.8.2009 Â Willy Mason (Great Scott) p&s
9.8.2009 Â A.A. Bondy (Great Scott) p&s (v)
8.31.2009 Â Stardeath and White Dwarfs (BOA Pavilion) p&s
8.31.2009 Â Explosions in the Sky (BOA Pavilion) p&s
8.31.2009 Â Flaming Lips (BOA Pavilion) p&s (v)
8.22.2009 Â The Horrors (Bowery Ballroom, NYC) p&s
8.22.2009 Â Nine Inch Nails (Bowery Ballroom, NYC) p&s
8.5.2009 Â MGMT (Fenway Park) p&s
8.5.2009 Â Paul McCartney (Fenway Park) p&s (v)
8.3.2009 Â Drew OâDoherty (TT the Bearâs Place) p&s
8.3.2009 Â Jessica Hoop (TT the Bearâs Place) p&s
8.3.2009 Â Langhorne Slim (TT the Bearâs Place) p&s (v)
2009 Newport Folk Festival Day #1 (Langhorne Slim, The Avett Brothers, Gillian Welch, Fleet Foxes, The Decemberists (a) (v) (p&s)
7.30.2009 Â Kristen Diable (Showcase Live) p&s
7.30.2009 Â Gin Blossoms (Showcase Live) p&s (v)
7.26.2009 Â Zee Avi (House of Blues) p&s
7.26.2009 Â Pete Yorn (House of Blues) p&s (v)
7.6.2009 Â Cinnamon Band (Great Scott) p&s
7.6.2009 Â DRI (Great Scott) p&s
7.6.2009 Â Handsome Furs (Great Scott) p&s (v)
6.14.2009 Â Tallest Man on Earth (Middle East Downstairs) p&s (v)
6.11.2009 Â Witchies (Middle East Downstairs) p&s
6.11.2009 Â Elfin Saddle (Middle East Downstairs) p&s
6.11.2009 Â Sunset Rubdown (Middle East Downstairs) p&s (v)
6.10.2009 Â Ida Maria (Skellig Pub) p&s (v)
5.19.2009 Â Pattern Is Movement (Somerville Theatre) p&s
5.19.2009 Â St. Vincent (Somerville Theatre) p&s (v)
5.14.2009 Â Animal Collective (House of Blues)
5.11.2009 Â Bon Iver (Cape Cinema) p&s (v)
5.10.2009 Â Ben Harper & Relentless 7 (Paradise Rock Club) p&s (v)
5.6.2009 Â These United States (Harpers Ferry) p&s
5.6.2009 Â Papercuts (Harpers Ferry) p&s
5.6.2009 Â Vetiver (Harpers Ferry) p&s (v)
4.26.2009 Â Travis (Newbury Comics) p&s (v)
4.22.2009 Â Bruce Springsteen (TD Garden) p&s
4.21.2009 Â Fire Zuave (Paradise Rock Club) p&s
4.21.2009 Â Sugar and Gold (Paradise Rock Club) p&s
4.21.2009 Â Of Montreal (Paradise Rock Club) p&s (v)
4.19.2009 Â The Dead (DCU Center, Worcester) p&s
4.2.2009 Â Josh Ritter (Avalon Theatre, MD) p&s (v)
3.31.2009 Â Ida Maria (Paradise Rock Club) p&s
3.31.2009 Â Glasvegas (Paradise Rock Club) p&s (v)
3.15.2009 Â Pete Yorn (Majestic Theatre) p&s (v)
3.14.2009 Â Dent May & His Magnificent Ukelele (Paradise Rock Club) p&s
3.14.2009 Â A.C Newman (Paradise Rock Club) p&s (v)
2.26.2009 Â Alena Diane (Paradise Rock Club) p&s
2.26.2009 Â Blitzen Trapper (Paradise Rock Club) p&s (v)
2.21.2009 Â Ryan Adams & the Cardinals (Orpheum Theatre) p&s
1.30.2009 Â Andrew Bird (Orpheum Theatre) p&s (v)
1.18.2009 Â Frightened Rabbit (Great Scott) p&s (v)
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