#Meredith Hart

[natteryaktoad]

Hartland, Day 86, Part 2

Meredith has an active want to go to college, so that means homework time!

I think you're supposed to look at the ball, Junior...

Mary's enjoying the view from Rocky and River's balcony.

Maddox: Daddy, when you were at school, did your teacher play music whilst you were writing? Mr Gutenberg says it helps us concentrate, but he only plays silly stuff without words and so I keep thinking about what the words should be, so I don't think it really helps me concentrate.

Meredith spends her evening painting.

Leo: How's Junior feeling about Candy?

Mary: He hasn't said much, but I think he's okay. More upset for his girls than himself - he and Candy haven't been together for twenty-five years.

Leo: Morgan, it's your birthday tomorrow!

Mary guesses when the plumbing in this house is as old as it is, you have to expect an exploding sink from time to time.

The family spent the evening at home, enjoying the new facilities.

[disneytva]

Variety Interviews Ayo Davis, Meredith Roberts And Emily Hart On Disney Television Animation's 40th Anniversary And What To Expect On From The Past, Present And Future

40 years ago, Disney TVA was founded on the heels of challenging outcomes with features “The Fox and the Hound” and “The Black Cauldron.”

Initially, Disney TVA was restricted from using established Disney legacy characters, but nevertheless had huge successes with new shows like “The Wuzzles” and “Adventures of the Gummi Bears,” both of which became popular in syndication. As time went on, DTVA was able to use its limited rights to create shows like “DuckTales” and “TaleSpin,” which featured Disney characters. Today, the slate has evolved to include shows that travel across Disney’s streaming, linear and digital platforms, including Disney+, Disney Channel, Disney Junior and the Disney Parks

Over the 40 years of the studio has collaborated with Walt Disney Imagineering to bring beloved Disney Afternoon characters to the parks as well Mickey And Minnie's Runaway Railway and AquaMouse for the Disney Wish and Disney Treasure cruises from the Disney Cruise & Ships Line as well collaborating with Disney Yellow Two Shoes Team to redesing some heritage characters for the WDW Passholder Magnets.

Disney TVA characters also have gone to the realm of live action. In 2019 Disney Channel brought Kim Possible to the live action world as a Disney Channel Original Movie in 2019. In Spring 2022, Walt Disney Studios brought Chip 'n Dale: Rescue Rangers to a new generation of fans trought a meta-driven live action/animated hybrid film which won an Primetime Emmy Award for Best Feature Film.

In April 2024, it was announced that Kiara from The Lion King II: Simba's Pride created at Disney TVA will make her live action debut on the motion capture/computer animated film "Mufasa The Lion King" with the character being voiced by Blue Ivy Carter. In Fall 2023, it was announced that Blumhouse Television and Atomic Monster where developing a live action reboot of Gargoyles for Disney+.

The future of the studio looks bright as the studio is slated to debut it's 100th show overall "StuGo" in 2025, as well new interations of beloved classics like The Proud Family, Phineas And Ferb, Sofia The First and Darkwing Duck trought revivals,reboots and spin-offs in the coming years with early talks of new interations of TaleSpin, Kim Possible and Recess since Early 2023.

“We have a wildly diverse development slate because we don’t have a house style,” says Meredith Roberts, executive vice president, television animation, Disney Branded Television and CEO of Disney Television Animation “Our styles are creator-driven, so that allows for real support of the artist or creator to fulfill his or her vision. Anything is possible, whether it's CGI. (“Monsters at Work”), hand-drawn 2D (“Big City Greens”,"Primos","Hailey's On It!"), rig-based 2D (“Moon Girl and Devil Dinosaur”,"Kiff") and stop-motion (“Mickey Saves Christmas”,"Rhona Who Lives By The River".). Roberts continues, “We really try and solve all the problems and develop it. We look at the scripts and the story arcs. Every project has to have a strategy behind it that will complement the slate and separate it from other things. Each project has a distinct swim lane to attract an audience. And we’ve learned to meet the kids where they are, in terms of streaming and YouTube.”

Co-viewing, the viewership that happens when adults sit down to watch a DTVA show with the kids in their lives, is part of the studio’s secret sauce and long-term strategy. Many of the shows are written with jokes and plot points for both audiences so both groups will return.

“We double down on the kids and family space,” says Roberts. “We’re not just dipping a toe in the water. We’re diving in. I think we’ve seen a lot of churn with the competition, who just don’t have the patience to develop and are for this audience, which is a very specialized kid audience and co-view audience.” ("The Witchverse", "Rhona Who Lives By The River","InterCats","Fantasy Sports") Roberts reflects: “I think one of the things I’m most proud of is how stable Disney TVA has been for the last 40 years despite a lot of outside churn of the animation industry. Many of our crews feel that Disney is their forever home. I think the excitement they have to illustrate and create with this brand has been terrific because it’s harder to be funny and clean. And nowhere are we tearing down people to get that laugh. I think that’s the beauty of a Disney animated show.”

DTVA also sought to meet kids where they are by making their audience — which is made up of the most diverse generation in history — feel seen, with series such as “Elena of Avalor,” which featured Disney’s first Latina princess, and “The Proud Family,” franchise focused on the life of a teenage Black girl.

“We do have an amazing insights team that are constantly in the field, giving us general information about how kids are watching content, what they’re into,” Emily Hart (VP of Current and Development - Disney Junior) says. “Some of those things are evolving, as we know the ways kids consume content is changing. But there are some universal truths about kids, and it’s great to have that reinforced. Kids still like a lot of the same things that we like. So, there’s a combination that we’re always tracking with every new idea, and we do pilot testing. We get to sit down and talk about the content, and we invite our creators in so they can see the kids talking about it because they’re the audience and they’re the truest test of if the story is going to work.”

Ayo Davis, president of the Disney Branded Television and VP of Current and Development at Disney Television Animation says the division is a “driving force” for memorable kids and family entertainment.

“All of us at Disney Branded Television are so proud of the studio’s 40-year legacy as it continues to entertain future generations with shows like ‘Kiff,’ ‘Big City Greens’ and ‘Mickey Mouse Clubhouse 2.0" --- Davis says.

Those creators who come to DTVA often stay for a long time, partnering with the studio on a variety of different projects or expanding on a hit and reimagining it for the next generation of viewers. “The Proud Family” was a standout in 2001 on Disney Channel. Creator and executive producer Bruce W. Smith is now working on the Emmy-winning “The Proud Family: Louder and Prouder,” which is based on the original series. The show follows Penny Proud as she navigates family life and her own childhood.

“Being at Disney TVA has allowed me to realize all my artistic dreams,” says Bruce W. Smith. “As a kid, you always have hopes, thoughts, dreams, ideas and characters that can help lay out those ideas in your head. Disney has allowed me to really tap into my creative instinct, at the end of the day, you have to learn how to trust yourself. Meredith Roberts has been a true shepherd for me in all of this, allowing me to stretch my wings. Because of her belief in me and my ideas, she’s really allowed me to blossom as an artist. All that happened at DTVA.”

“They really seem to be a place that welcomes your ideas,” Dan Povenmire says of Disney TVA. “They want to find people with real strong ideas of the stories they want to tell, and then they let them tell those stories for the most part. They seem to put storytelling and characters over anything. With [‘Phineas and Ferb’], we would write jokes for the kids and the adults in the room because we knew the adults would be there too. We were just careful not to do any double entendres.”

[gone-to-oregone]

Some of my favorite pics from across various SK/adjacent instagrams from Lauren and Joey’s wedding

[hawkfurze]

My animation professors newest assignment for us was to give us a PNG of a toilet she drew and have us create a background for that toilet, as well as animate fire, goo, smoke, and sparkles coming out of it. We had the option to redraw her toilet, so I decided to do funny scenes with them instead

[weirdlookindog]

Dark Intruder (1965)

[practically-an-x-man]

Oh my God I LOVE these!! Reblogging instead of replying here so I don't run out of characters because these are absolutely brilliant (and startlingly accurate to my OCs, very well done on that front)

Okay. First. I CANNOT GET OVER the fact that you took the character named for the Greek representation of conflict and a character named for a Roman king-turned-myth... and literally made it a Pyrrhic victory holy shit. Like goddamn this ask did not require symbolism but here we are. That's going to be living rent-free in my head until the end of time thank you

Second, I really love how you consider all the characters abilities and disabilities, rather than just their superpowers alone. I mean like, Robin and Meredith being deaf, Liah being afraid of heights, Jasper having a fighting advantage from roller derby, AJ being startled by Dori's shapeshifting (which, she absolutely would be - there's no magic in her world so she's frozen in shock and Dori takes her down)

Also the ARNOLD SCHWARZENEGGER POSTER I CAN'T- that's fucking hilarious, and exactly something Katherine would do to buy her a few seconds of distraction.

I also really love that Kestrel and Reyna end up becoming friends rather than fighting, that was a delightful twist and even though Reyna may be a gremlin, I think Kestrel would find a study of their powers kind of fascinating (as long as it wasn't too invasive or painful).

Man... I think the Eris/Pyrrha fight has to be my favorite because of that symbolism, but every single one of these is absolutely brilliant! Cannot get over this, I'm smiling so much! Thank you for indulging my weird little ask

Your OCs and mine have just organized a group training session (for sparring, powers, magic, etc.). How does it go?

Okay so since you have WAY less OCs than I do, I'm going to try to pair the matches up as interestingly as possible.

Mira gets matched up against Liah, since both of them have advantages in that their bodies are better equipped than the average human. Mira probably ends up winning, despite the fact that Liah's over six feet tall and basically armored with scales, she's also a pacifist and wouldn't really be trying to incapacitate Mira. One easy way to defeat Liah would be for Mira to grab her and use her wings to lift Liah off the ground- she has a crippling fear of heights, so it'd completely incapacitate her, at least until she opens her eyes and stops hyperventilating, that is.

Rae gets paired with Antonio- despite her resistance to psychic attacks, Antonio ends up winning because EVERYONE underestimates him because he's a literal child. He wins by picking her up via telekinesis and pinning her to the ceiling until she can't hold up her shields anymore or she forfeits.

Robin gets paired with Arya, since they both have sound-based abilities. Robin at first has the upper hand, since she's deaf and therefore immune to Arya's siren abilities, but when Robin finally pins Arya to the ground, they set off a smoke bomb and shapeshift into a ox, ramming into Robin and sitting on her until she gives up.

Madison gets paired with Meredith, and while Meredith has a clear advantage as a speedster, she's also deaf, leaving her vulnerable to Madison camouflaging herself and jabbing her with the spines on her fins. Meredith will be fine, since she's basically immune to most poisons, she'll just be knocked out for a few minutes while her heightened metabolism takes care of the venom.

Ophelia gets matched with Marie, since they're both vaguely morally gray and have to rely on technology rather than any innate superpowers. It's a close match, with Octavia in the lead, until Marie manages to inject Borg nanotechnology into Ophelia's actuators, assimilating the technology. From there on out, it's a mental battle, with Ophelia battling Marie for control of her actuators and whoever has the stronger willpower would probably win.

Eris gets matched up with Pyrrha, and while Pyrrha at first has the upper hand because she's a traumatized cyborg who deals with teenage angst with a lightsaber, Eris, being a being who draws strength from conflict, probably can smell the inner conflict on that complete wet cat of a teenager, and they eventually manage to defeat her. However, because Pyrrha was raised in an environment where failiure meant severe punishment, she probably ends up having a panic attack and attempting to kill Eris. We'll see how that goes.

Nikoletta gets matched with Cassandra. I'm sorry, Nikoletta, but there's not a great chance for you against the strongest witch in her generation- unless, that is, she manages to shadow-travel fast enough that Cassandra can't get her, tuckering her out. However, Cassandra's definitely got the advantage due to her skills being more varied.

Indigo gets paired with Athena, who, despite not being Force Sensitive, is Chaotic Evil af and therefore not afraid to cheat or fight dirty. It's a toss-up to see who wins, since Athena was raised on the streets, so she's already quite scrappy, and she also majored in medical science, so she knows people's weak spots. However, Indigo has the Force.

AJ gets paired up with Dori, who, halfway through the fight, sneezes and accidentally takes the form of their 70-year-old grandma. Depending on how easily startled AJ is, Dori either manages to get AJ in a headlock, or Dori's getting their now 70-year-old ass beat.

Quinn gets matched with Matt, who quickly gets his ass absolutely handed to him because he has never been in a fight in his life. However, Matt manages to get a sedative out of his fanny pack, and sticks Quinn with it. Good night, Quinn.

Katherine gets paired up with Director Hawke. It's a pretty even match, considering that they're both fairly powerful magic users. However, Katherine pulls through when the magic of the tablet brings the poster of Arnold Schwarzenegger that's tacked to the wall in the corner of the gym to life, distracting Hawke long enough for Katherine to take her down.

Jasper gets matched with Ameerah, and they spend almost the whole fight staring at each other and trying to mess with each other's emotions. Eventually, Ameerah gives up and bitch slaps Jasper, and an actual fight breaks out. Jasper, being experienced with roller derby, which can sometimes get pretty brutal, manages to pin Ameerah to the ground, winning the fight.

Prometheus gets to fight Aldrich. Aldrich attempts to bite Prometheus in order to drain them, so they can be weakened, but soon realizes that hey, Prometheus isn't a human. In that moment of Aldrich's confusion, Prometheus manages to pin him, winning the match.

Kestrel gets matched up with Reyna. They end up becoming friends, after Kestrel shapeshifts in front of Reyna and she starts rambling about science and begging to study how their powers work. This is worse than any fight that could have ever happened, because Reyna is a complete gremlin and I don't doubt that Kestrel would get dragged into her mischief.

[useragarfield]

9K MAKE ME CHOOSE:･ﾟ✧:･ﾟ@terrainofheartfelt ASKED: The Yeehaw Six (Zoe Hart, Wade Kinsella, Lavon Hayes, Annabeth Nass, George Tucker, & Lemon Breeland) or The Seattle Grace Five (Meredith Grey, Derek Shepherd, Cristina Yang, Arizona Robbins, Mark Sloan?

We have so many more brunches ahead of us! And dinners and picnics and football games and birthday parties, and our kids playing together in the sandboxes. It's gonna be so awesome! To the future.

[la-femme-au-collier-vert]

IWTV Season 2 Sources & References

(The 1st 4 were cited by the Writer’s Room)

The Ethnic Avante-Garde: Minority Cultures and World Revolution by Steven S. Lee

Paris Journal 1944-1955 by Janet Flanner (Genet)

The Vampire: A Casebook by Alan Dundes

Anne Rice’s Vampire Chronicles: An Alphabettery

The Fly cited by Jacob Anderson

King Lear by Shakespeare cited by Rolin Jones

Melmoth the Wanderer by Charles Maturin

Sebastien Melmoth by Oscar Wilde

Amadeus (1984)

The Lost Boys (1987)

Gaslight (1944)

Batman

Casablanca (1942)

Now, Voyager (1942)

The Third Man (1949) cited by Levan Akin

An American in Paris by George Gershwin (1928) cited by Daniel Hart

Moulin Rouge (2001)

The Phantom of the Opera

Les Vampires (1915)

Dracula (1931) credit to @vampchronicles_ on twt

Le Triomphe de L’amour by Pierre de Marivaux

Giovanni’s Room by James Baldwin cited by Jacob Anderson

Existentialism is a Humanism by Jean Paul Sartre

Les Liaisons Dangereuses by Pierre Choderlos de Laclos

Romeo and Juliet by William Shakespeare

How to Win Friends and Influence People by Dale Carnegie

Hamlet by William Shakespeare

Vampire’s Kiss (1988) credit to @talesfromthecrypts

Les Morts ont tous le Meme Peau by Boris Vian credit to @greedandenby

The Most Dangerous Game by Richard Connell

Waiting for Godot by Samuel Barclay Beckett credit to @rorscachisgay on twt

An Enemy of the People by Ibsen

Anna Karenina by Leo Tolstoy

Vie de Voltaire by Marquis Condorcet

Simone de Beauvoir: A Critical Introduction by Edward Fullbrook and Kate Fullbrook credit to @iwtvfanevents

Nightwood by Djuna Barnes credit to @iwtvfanevents

Beloved by Toni Morrison

Artists and Salons Referenced:

R-26

Palma Vecchio

Andre Fougeron

Elsa Triollet

Fred Stein

Lisette Model

Gordon Parks

Miguel Barcelo

Taxidermied Javelina by Chris Roberts-Antieau

Ai WeiWei (wallpaper)

David Hockney (Lemons)

Wols 

The Kiss of Judas by Jakob Smits

Salome by Louis Icart

Ophelia by John Everett Millais

Shelter by Peter Macon

The Kiss by Edvard Munch

The Vampire or Love and Pain by Edvard Munch credit @iwtvasart

Ruiter on Horse by Reiger Stolk credit @ iwtvasart

Portrait of Frank Burty Haviland by Modigliani credit @iwtvasart

Self-Seers II (Death and Man) by Egon Schiele credit to @90sgreggaraki

The Sleep of Reason Produces Monsters by Goya

Movie & Play Posters on set (in chronological order by year):

Tarzan and his Mate (1934)

Avec le Sourire (1936)

Les Deux Gosses (1936)

Le Jour Se Leve (1939) about a man who commits murder as a result of a love triangle and locks himself in his apartment recounting the details as the police attempt to arrest him. Credit to @laisofhyccara

Nuit de Décembre (1940)

Mademoiselle Swing (1942) about a girl who follows a troupe of swing musicians to Paris.

Les Enfents du Paradis (1945) about a woman with many suitors including an actor and an aristocrat.

Fantomas (1946) about a sadistic criminal mastermind. This version includes a hideout in the catacombs where he traps people.

Quai des Orfevres (1947) watch here

Monsieur Vincent (1947)

Le Cafe du Cadran (1947) about a wife’s affair with a violinist.

La Kermesse Rouge (1947) film about a jealous artist who locks up his younger wife and a fire breaks out while she’s trapped.

Morts Sans Sepulture by Jean-Paul Sartre (play) also published in English translations as “The Victors” or “Men Without Shadows” about resistance fighters captured by Vichy soldiers struggling not to give up information.

Mon Faust by Paul Valery (play)

Musical Influences:: @greedandenby collected all music used in Season 2 here.

Henry Cowell

Meredith Monk

Howling’ Wolf

Shirley Temple

Jason Lindner Big Band

The Teeth

Carlos Salzedo

Alice Coltrane

Thelonius Monk

David Lang

Caroline Shaw

Gadfly by Shostakovich (for Raglan James)

musical career of Martha Argerich

Season 1 here (these lists are updated regularly)

Season 3 here

[doctornerdington]

Daniel Hart, composer for the IWTV score, did an AMA on Reddit. Posting some interesting bits I want to remember.

Oftentimes, instrumentation is dictated by the scenes themselves: things like the dialogue, the timbre of people's voices when they speak, the lighting, the set design, how fast actors are moving, how fast the camera is moving...certain instruments behave better in certain situations. BUT, that being said, a lot of Lestat's scenes revolve around piano, a lot of Louis revolves around strings in S1 AND we specifically made tenor saxophone his instrument for S2. Armand gets the cor anglais playing the melody under his monologue about the "Amadeo" painting in the museum in S2, and I think Claudia gets the whole orchestra! But we did often incorporate celesta when it made sense for Claudia themes.

It did not occur to me that the timbre of the actors' speaking voices would impact instrumentation. Or how integrated all the various technical elements are. Wowwwww this team is on fire.

Also! Armand! Gets! The! Cor! Anglais! If you don't think I could write an entire meta about Armand being represented by a transposing instrument (and for that monologue), hahaha you don't know meeeeee.

More under the cut.

How much historical research do I do? As much as possible, given the information available, and the time constraints of a project. I spent a lot of time with Gershwin and Ravel before and during IWTV S2. I spent a lot of time with their music (which I would do anyway, because I loooooove it), but I also spent time learning more about those composers, and yes, analyzing some of their musical structures more fully than I had before.

S2 influences: Henry Cowell, Meredith Monk, Howlin' Wolf, Shirley Temple, Jason Lindner Big Band, The Teeth, Carlos Salzedo and Alice Coltrane, Thelonious Monk, David Lang, Caroline Shaw.

Because there's a lot of piano in the score for S1 and S2, I'm moving things around on the piano all the time, to find the right register both for the piece itself, and for the voice in the scene, which can be a very tricky balance. There's a piece of piano music which goes for quite some time under Lestat's longest monologue during the trial in S2. Almost all of it is pretty high on the keyboard, leaving all that lower space for Sam's baritone to shine through. I think that was one of our most successful balances of dialogue and score.

Re: "The Whole World was Ready to Return" It's a very difficult piece to perform, and both the version I made at home (with me on violins and violas) and the version we recorded with the orchestra in Vienna took a long time to make. That kind of minimalism - short, repetitive phrases - can be hard to maintain over time. Thank you all for listening to it and enjoying it.

[It's on Spotify btw, and it's gorrrrgeous.]

[deletedaccd]

WIP MICHAEL PLAYLIST

Werewolf, Baby! - Rob zombie

Ready to Die - Andrew W.K

Alien Blues -  Vundabar

The Cry - Bat Nouveau

Demon - London After Midnight

Dark Entries - bauhaus

In Darkness You Will Feel Alright - Horror Vacui

Alfadhirhaiti - Heilung

Pain - Boy Harsher

Christmas Kids - Roar

A Man Without Love - Engelbert Humperdinck

Little Dark Age - MGMT

I Love You Like An Alcoholic - The Taxpayers

Providence - Poor Man's Poison

Epoch - Savlonic (The Living Tombstones remix)

Shadowlord - SQUARE ENIX MUSIC

Fallen Grandeur - Midnight Syndicate

Boys Don't Cry - The Cure

Killer - Mareux

Nowhere To Run - Stegosaurus Rex

Everybody Wants To Rule The World - Tears for Fears

The Eagle has Landed - Avatar

Dragula - Rob Zombie

Crucified - Army Of Lovers

Another Way Out - Hollywood Undead

Can't Take My Eyes Off You - Engelbert Humperdinck

Bitch - Meredith Brooks

Francis Forever - Mitski

Jealous - Eyedress

California Dreamin' - The Mamas & The Papas

Werewolf - Motionless in white

Bad Bad Things - AJJ

Animal - The Living Tombstone

She's My Collar - Gorillaz

Teeth - Lady gaga

Mechawolf - Monster Wolf

Destroy Me - Mr.Kitty

Never Wanted to Dance - Mindless Self Indulgence

Faggot - Mindless Self Indulgence

The Wolf Among Us - Vasaria Project

Dragostea Din Tei - Feuerschwanz

Amen & Attack - Powerwolf

Christ & Combat - Powerwolf

Last Man Standing - Hammerfall

The Pyre - Kronowski

Death March - Motionless In White

Drum Bun - Santinela

Im So Sorry - Imagine Dragons

Slave Knight Gael - Dark souls 3

Soul of Cinder - Yuka Kitamura

Sister Friede and father Ariandrel - Dark souls 3

Drum Bun - Mangalf

Monster (Whats That Coming Over The Hill) - Alixandrea Corvyn

Tear You Apart - She Wants Revenge

Angeleyes - Abba

Good Old-Fashioned Lover Boy - Queen

Tainted Love - Soft Cell

Killer Queen - Queen

Bad Boy Good Man - Tape Five, Henrik Wager

(You're The) Devil in Disguise - Elcis Presely 

Don't Try Suicide - Queen

Sunglasses At Night - Corey Hart

Jacks Lament - Johnathon Young (Singing voice claim)

Oogie Boogies Song - Johnathon Young

[natteryaktoad]

Hartland, Day 86, Part 6

Everyone's enjoying the summer afternoon.

I don't recall inviting Sapphira but she appears to have appointed herself bartender.

Morgan grew up wanting to make a friend, so he honed in on Gaby.

Meredith: I can't believe Morgan's about to start school. It seems like only yesterday he was born!

Leo: Now you know how I feel about you!

Gaby: I'm muerto!

Morgan: You're what? I don't know that word.

Gaby: Oh sorry. It must be Spanish. I don't remember which words are English or Spanish sometimes. I don't know the English word... not alive.

Malachi: Can I play?

Maddox: In a bit.

What a dreamboat!

The party was too big for me to keep much of an eye on so I just let everyone run wild. It scored well, so I guess things went okay. Morgan spent most of it befriending Gaby, whilst his siblings went up for naps at various points.

[japrilsanatomy]

Current Top 10 Ships:

Honorable Mention: Linstead (Erin Lindsay and Jay Halstead)- Chicago P.D.

10. Lucaya (Lucas Friar and Maya Hart)- Girl Meets World

9. Calzona (Callie Torres and Arizona Robbins)- Grey’s Anatomy

8. MerDer (Meredith Grey and Derek Shepherd)- Grey’s Anatomy

7. Dawsey (Gabby Dawson and Matt Casey)- Chicago Fire

6. Slexie (Mark Sloan and Lexie Grey)- Grey’s Anatomy

5. Skyeward (Daisy “Skye” Johnson and Grant Ward)- Agents of S.H.I.E.L.D.

4. Jolex (Jo Wilson and Alex Karev)- Grey’s Anatomy

3. Delena (Damon Salvatore and Elena Gilbert)- The Vampire Diaries

2. Romanogers (Natasha Romanoff and Steve Rogers)- MCU

Japril (Jackson Avery and April Kepner)- Grey’s Anatomy

[fantasmasims]

Meredith Hart

Вот такая бубочка родилась у них 1 января! Наследница главной ветки. Вторая девочка в основной ветке и я пипец этому рада.

Мередит - имя моей любимой героини из сериала и я неосознанно поняла что Келли на нее похожа поэтому так решила назвать их дочку.

Черта характера выпала - спокойная и это правда.

[euripidesredux]

Extended credits for Museum at Tomorrow episode 5

Below the cut are all of the folks who I used (and asked to be credited) for recordings in Museum at Tomorrow episode 5- specifically, the "This is not for You" recordings.

(The list was too long for podcast episode descriptions)

These recordings were mixed into the soundscape of the show, heavily processed- so you may or may not be able to pick out your voice. Each unique recording is preserved as rhythem, timber, and shape within the episode.

Thank you for your work in creating the canvas of this piece.

Kate Bullen

K R Forsyth

Vega Jacobsen

Charlie

Rovi

Grace Gamble 

Wesley Lee Balete

Charlie Sloykowski

JC Hendry

Courtney Brothers

Arabella McDonald

Hanc Finestra

Katie H

Galacticguppy 

Beck Smith

GreenHeronHive

Micheal Vee

Mira Singer

Laurent J.L. Hall

Carley Mothersell

woaaah

cmt

November_Clouds

Elliott Neptune

Enrica Jossi

Ace

Jahan Shah 

Morgan Galagher

Niall LG

  Bates

Caroline Mincks

Daniel Kurtz

AJ Fidalgo

Tani

Shura

Zedek H

Halebop

Malia Northstar

Greg Ruddick

Solstice Hannan

Jessamy Thomison 

Cassie A.

Rachel Spokony

miss mr meow

Arti Richardson

Mattie J.

Geddy Cary-Avery,

 Ophelia Cary-Avery

Sophie Kaplan

X Speaks

Devin

Craux

Cap

Joe R

Ray Goldberg

Mog

The Marble System

Tina Case

Kate Bullen

Marionette

LD

Maddy Searle

Remi P

Meg Taylor

Beth

Evan Tess Murray

Amanda Jones

Amanda Ehrhardt

Nathan Fisentzou-Haji-Leonti

Johanna Andersson

Tess Huth

@faeriebullshit

Olivia Lion

Ange

Bridget M. Mueting

Wil Williams

Katie Utke

aceofgames

Savy Stay

Graham Rowat

Meredith

spaceacebreakface 

Molly Walsh

Belinda Parker

Erin Celovsky

liz

Caden Osojnak

Danniac 

Ray Schrader

Atlas Byrd

AJ. S.

JayseHasNoGrace

Fay Blackmore

Sharon Peterson

Katharina Abschlag 

Izzy

Ace Tayloe

kat B

Siz Hart

moth

Kathryn Cox

G. Honnigford

Pine Gonzalez

sisyphus

Essay

artie eigengrau

Rook Davis

Izzi Mata

grayson

Tamara Jones

Willow

G.F.

Leigh sharpe

Zelda MacFarland

Arkyn Wolf

Elany

Elaine Wiley

Mary Lewis-Phillipps

Claudia Elvidge

Kei Burke

Katie Vargas

Karleen Preator

Alicia Babich

Jonathan Sciance

Étoile

Hayden Laver

Barrett Vann

S Kramer

Maya Hiers-Lairson

judas

Archer Hickerson

Malinda

Nicole Liang

LF Haye

Louis Carroll

Stefanie K.

Autumn Wang 

jayvin

Badger Merriweather

Aiden

Sender Paulson

vexxervee

Rob Weiner

Peril

Lotte Schmidt 

fynn

Lor

Josie D. 

Jaryn Tyson

Common Blue Icarus

resplendeo

Claire Alpern

skelejor

Matt Weiss

M Zemlock

Kay Eileen

Callisto Holmes

Rhys

Noah Quinn

Sarah Elizabeth

Willow Belden

Amanda McCormack

Esrah Del Carlo

sunny

the Hartmans

Lee Ann Eden

Bob Proctor

Clueless

deda eliensis

Ohallo

Tara Schile

Marzi 

Flameheart Dryad

Sarah Lambrix 

JB Segal 

Ellis C

Ash

Autumn

Jaime Tamar

Haze Peers

Moose

Erin Bevan

Luci Tomich

Bryn

Michael W.

Kim Fukawa

Amy Strieter

Petra Hall

Mal

Charlie Rayshich

Susan Weiner

Everett Blackthorne

Vergess

Tor

ArionWind

M. Alti

N. B. Green

Aiden Nicholson

Jacky Rubou

Nura Lawrence

Gwen Clancy

Ollie M.

Caroline

Duo

Iris

ML Beck

Ray Makowski

Eljay Rich

MV8

Michelle Pigott

Rachel Pfennigwerth

Janika

Jamie Gump

Mason J Miller

Ella Watts

Cole

Mady Oswald

Valerie "ShinyHappyGoth" Kaplan

Anne Baird

Emily Ricotta

el-draco-bizarro

Ansel Burch

Nathan Sowell

LM Heß

Cy

Richard Peers

[weirdlookindog]

Dark Intruder (1965)

[gunzlotzofgunz]

BAT MACHINE CO 308 SNIPER

26.5'' barrel, Custom .308 Snipers Rifle. Bat Machine Company receiver with optic ready 20 MOA integral picatinny rail. R.W. Hart & Son heavy stainless steel barrel with 1:12 twist rate. Cerakote finish. McMillan M40 camo fiberglass stock with soft recoil pad, inletted and bedded by Tom Meredith. Trigger Tech adjustable trigger. H.S. Precision Inc trigger guard, with HS Precision Gen II detachable 10 round magazine. Includes extra HS Precision 10 round and 5 round magazines.Shipped in a Boyt H Series hard case.