#Members of High Society | Late-19th Century | Manhattan | New York

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The Electrobat Taxi, One of the World’s First All-Electric Car, was Popular with Members of High Society in Late-19th Century Manhattan, New York. Photograph By New-York Tribune/Library of Congress

The Forgotten History of New York’s First Electric Taxi Fleet—In The 1800s

More Than a Century Before Teslas Hit The Road, Battery-Powered Taxicabs Zipped Silently Through The Streets of Manhattan.

— By Christopher Klein | June 04, 2024

The bustling streets of 19th-century Manhattan had a horse problem. The estimated 150,000 horses roaming the city each produced 22 pounds of waste daily. The inauguration of New York City’s motorized taxicab service on March 27, 1897, promised a cleaner solution. Because Gotham’s first taxis weren’t powered by gasoline—but by electricity. It turns out that the car of the future is actually from the past.

An Electric Start

The idea of electric vehicles gliding around New York City in the 1890s might sound like a steampunk-inspired fever dream, but battery-powered automobiles outsold their internal combustion counterparts at the dawn of the automotive age. Electric cars were quiet, clean, and easy to drive. “Back then, you were lucky if a gas car started in the morning,” says Dan Albert, author of Are We There Yet? The American Automobile Past, Present, and Driverless. “It was noisy, polluting, and rickety, whereas an electric car started with a flip of the switch.”

During the 19th century, when electricity began to be used practically, it seemed capable of overcoming any challenge. “If you asked people on the street what was going to happen, they would have said that electricity is this magic force,” says electric car historian David A. Kirsch, author of The Electric Vehicle and the Burden of History. “We harnessed it for light. We harnessed it for traction through the trolley. It’s spreading everywhere, and now it’s going to take us around.”

The Pioneering Electrobat

When Nikola Tesla was the only Tesla making headlines, the Electrobat emerged as the first commercially viable electric vehicle. Crafted by Philadelphia engineers Henry Morris and Pedro Salom in 1894, this 2,500-pound car was propelled by a lead-acid battery, achieving top speeds of 15 miles per hour and covering distances of up to 25 miles on a single charge.

Furthermore, the pair devised an ingenious battery-swapping system inside a former Broadway roller skating rink to keep its cabs in continuous operation. Working with the efficiency of a NASCAR pit crew, employees maneuvered vehicles with elevators and hydraulics as an overhead crane, plucked out the depleted 1,000-pound batteries, and inserted fresh ones. The process took only three minutes. “It was much faster than changing a horse team and probably as fast as what we would today associate with filling a tank of gas,” Kirsch says.

The duo’s Manhattan cab service rapidly gained popularity, especially among the upper echelons of society. Rather than selling their cars, Morris and Salom opted to lease their vehicles on a monthly or per-ride basis through their venture, the Electric Wagon & Carriage Company.

The taxi fleet experienced substantial growth, expanding from a mere dozen vehicles in 1897 to over 100 by 1899. The Electrobat proved the ideal city car with its rapid acceleration and noiseless ride. However, its speed and quietness posed unforeseen challenges. In May 1899, the press reported that cab driver Jacob German had become the first automobile operator arrested for speeding after whizzing down Lexington Avenue at 12 miles per hour. Weeks later, an electric taxi fatally struck real estate broker Henry Bliss as he stepped off an Upper West Side streetcar. The first pedestrian killed by an automobile never heard the Electrobat coming.

The Bubble Bursts

Morris and Salom found new backing from wealthy investors, notably New York financier William Whitney, known for his success in electrifying the city’s streetcars. Under Whitney’s leadership, the company merged with the electric street railways and battery manufacturing firms to form an integrated, nationwide electric transportation network.

The Electric Vehicle Company swiftly expanded its taxi operations to major cities like Philadelphia, Chicago, and Boston, eventually becoming the nation’s largest automobile manufacturer. However, its rapid expansion proved unsustainable. Operations outside New York were poorly run, and investors felt swindled when a New York Herald investigation in late 1899 revealed the Electric Vehicle Company had fraudulently secured a loan. The company’s stock plummeted, and the enterprise was virtually bankrupt by 1902.

Electric Cars Lose Power

The company’s collapse sent shockwaves through the investment community and cast a shadow over the future of electric vehicles.

“The thing that killed it is not really the idea, the technology, or the business model,” Albert says. “It was the shadiness of the wheeler-dealers behind it.”

A devastating fire destroyed a significant portion of the fleet. Coupled with the economic turmoil of the Panic of 1907, this dealt a final blow to electric cabs in New York City just as gasoline-powered vehicles gained momentum in the market. The same year, local businessman Harry Allen introduced a taxi service with 65 gasoline-powered cabs imported from France. Within a year, his fleet swelled to 700 vehicles.

The internal combustion engine would drive the next American century, but battery power is slowly returning after a long detour. When 25 all-electric taxis began operation on the streets of New York in 2022, the car of the future arrived—again.

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Astor Place, Manhattan (No. 2)

Astor Place was once known as Art Street. From 1767 through 1859, Vauxhall Gardens, a country resort, was located on this street. The area belonged to John Jacob Astor, and Astor Place was renamed after him soon after his death, in 1848. In 1826, he carved out an upper-class neighborhood from the site with Lafayette Street bisecting eastern gardens from western homes. Wealthy New Yorkers, including Astor and other members of the family, built mansions along this central thoroughfare. Astor built the Astor Library in the eastern portion of the neighborhood as a donation to the city. Architect Seth Geer designed row houses called LaGrange Terrace for the development, and the area became a fashionable, upper-class residential district. This location made the gardens accessible to the people of both the Broadway and Bowery districts.

Astor Place was the site of the Astor Opera House, at the intersection of Astor Place, East 8th Street, and Lafayette Street. Built to be the fashionable theater in 1847, it was the site of the Astor Place Riot of May 10, 1849. Anti-British feelings were running so high among New York's Irish at the height of the Great Famine that they found an outlet in the rivalry between American actor Edwin Forrest and the English William Charles Macready, who were both presenting versions of Macbeth in nearby theatres. The protest in the streets against Macready became so violent that the police fired into the crowd. At least 18 died, and hundreds were injured. The theater itself never recovered from the association with the riot and was closed down shortly afterwards. The interior was demolished, and the building was turned over to the use of the New York Mercantile Library.

From 1852 until 1936, Astor Place was the location of Bible House, headquarters of the American Bible Society.

In the mid- to late-19th century, the area was home to many of the wealthiest New Yorkers, including members of the Astor, Vanderbilt, and Delano families. Editor and poet William Cullen Bryant, and inventor and entrepreneur Isaac Singer lived in the neighborhood in the 1880s. By the turn of the century, however, warehouses and manufacturing firms moved in, the elite moved to places such as Murray Hill, and the area fell into disrepair. The neighborhood was revitalized beginning in the late 1960s and 1970s.

The New York City Department of Transportation's "Reconstruction of Astor Place and Cooper Square" plan called for some changes to be made to Astor Place beginning in 2013. The street would end at Lafayette Street rather than continuing east to Third Avenue. This allowed the expansion of the "Alamo Plaza", where the Alamo Cube is located, south to the southern sidewalk of Astor Place between Lafayette Street and Cooper Square, and the creation of an expanded sidewalk north of the Cooper Union Foundation Building. The Astor Place subway entrance plaza was also redesigned, and Fourth Avenue south of East 9th Street and the western part of Cooper Square was converted to be used by buses only, with a new pedestrian plaza created on Cooper Square between East 5th and 6th Streets. The traffic pattern of the area changed significantly, with Astor Place from Lafayette Street to Third Avenue becoming East Eighth Street eastbound, and the formerly bidirectional Cooper Square bus lane becoming northbound-only. The $16 million project was first proposed in 2008, then abandoned and re-proposed in 2011. Construction started in September 2013, and the work was completed in November 2016.

Source: Wikipedia

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DOWNTOWN URBAN ARTS FESTIVAL Celebrates Its Sweet 16

by BWW News Desk Feb. 16, 2018  

This year marks the Season Sweet 16 for the powerful Downtown Urban Arts Festival (DUAF).

The five-week art & culture showcase supplying audiences with live stage works, independent film, cutting-edge music and envelope-pushing poetry, will take up residence in some of lower Manhattan's most thrilling and celebrated spaces.

Running from April 7 through May 12, artists with their finger on the pulse of what the city is thinking will present their works at Theatre 80 St. Marks, Tribeca Film Center, New York Live Arts, Joe's Public at The Public Theater, and Nuyorican Poets Café.

The original theater series (Downtown Urban Theater Festival) was founded in 2001 for the purpose to build a repertoire of new American theater that echoes the true spirit of urban life and speaks to a new generation whose lives defy categorizing along conventional lines. That purpose has since been realized in more than 200 plays created and refined for the stage by more than 170 writers from America's burgeoning multicultural landscape. The addition of film and culture has made DUAF a marriage of the original Fringe Festival and Cannes.

DUAF is produced by Creative Ammo Inc. (CA), a nonprofit community development organization for artists focused on building stronger communities founded in 1998. CA has created solid programs to strengthen communities, foster creativity and celebrate life through art. Artists are an important leverage point in its work. Its mission is to cultivate vibrant communities by connecting artists with the skills and services they need to develop their talent into a marketable skill to pursue a career in the arts. Its programs are inclusive, open and embrace diverse ideas and art forms, and target communities of color and other underrepresented multicultural, women and LGBTQ populations.

This year, the opening night celebration will feature The Voice finalist and teenage sensation, Wé McDonald, who will perform live at Joe's Pub at The Public Theater.

DUAF's film series features the finest works from a search that yielded more than 1,400 submissions for around the world.

And finally, this year's poetry season, called WORDS MATTER, will be a community poetry slam and forum on current social issues. Local poets and audience members can recite their best poems and compete for a cash prize. 2016 Nuyorican Grand Slam Champion Jaime Lee Lewis is the host and special guests have included Lifetime Achievement American Book Award winner, Miguel Algarin.

PERFORMANCE SCEHDULE FOR LIVE THEATER, FILM, POETRY, AND MUSIC

Joe's Pub @ THE PUBLIC 425 LAFAYETTE ST, NEW YORK CITY SATURDAY, APRIL 7 7:00 PM (TICKETS: $30)

Wé McDonald - NBC TV's "The Voice" finalist, Wé McDonald, brings her jazz & pop artistry to this much-anticipated, one-night-only performance. Opening Season 11 of The Voice with a four-chair turn, Wé went on to represent Alicia Keys in the finals and finished third for the season.

NEW YORK LIVE ARTS 219 W 19TH STREET, NEW YORK CITY TICKETS: $20

FRIDAY, APRIL 13 @ 7:00 PM

THE VAST MYSTERY OF WHO YOU ARE BY Kim Yaged An irreverent, hard-hitting exploration of love via sex parties and philosophical sparring about the nature of relationships.

SATURDAY, APRIL 14 @ 7:00 PM

GAY.PORN.MAFIA BY Joe Gulla Bronx, LA, SoHo to Ibiza! Porn Stars, Gay Priests, Mafia Dons and Abstract Expressionists! Smart! Fun! Funny! Fearless! "Gay.Porn.Mafia" has it all! Grab your ticket! Leave the gun! Take the cannoli! You'll feel like "family" and laugh out loud (emphasis on "out"!) It's the same-sex, Italian-style, x-rated offer you can't refuse!

THEATRE 80 ST. MARKS 80 ST MARKS PLACE, NEW YORK CITY TICKETS: $20

WEDNESDAY, APRIL 18 @ 8:00 PM

SUBLET BY Alisa Zhulina Christy, an overworked hospital resident, new to New York City, sublets a room from an artist working on a mysterious sculpture. Things start to get scary, or is it just Christy's imagination? What's really going on in this express journey to NYC roommate hell fueled by outsized artistic ambition.

AMERICAN TRANQUILITY BY Daniel Damiano A southern retiree, an Iranian subway station poet and percussionist, a talk-radio show host and a Brooklyn existentialist reflect on the human divide in 21st century America.

THURSDAY APRIL 19 @ 8:00 PM

STRINGS BY Charles Curtis A detective turned modern day vigilante, a lawyer with an ulterior motive, and the strings that bind them both. They each find that neither is truly innocent, and that no matter how fast we run our past catches up with us eventually.

FRIDAY, APRIL 20 @ 8:00 PM

THE STRONG MAN BY J.E. Robinson Decades ago, at the head of his gang, Pearl Crabtree was strong enough to kill any man. Is he now strong enough to kill one of his own?

CORPORATESTHENICS BY Baindu Dafina Kalokoh From unsuccessfully climbing the corporate ladder to fearlessly summiting Mount Everest, Black Television Network's favorite physical trainer premieres the newest edition to her record selling fitness program. Her unique strength and conditioning techniques are essential to breaking glass ceilings in every profession.

SATURDAY, APRIL 21 @ 8:00 PM

HELP ME GET OVER YOU BY Rollin Jewett John is in love with Phyllis. Unfortunately, he only realizes it after he breaks up with her. Now she's moved on and John can't seem to get her out of his mind. What's a lovestruck fool to do? Ask her to help him get over her, of course. The question is: What's in it for her?

A CIVILIZED WORLD BY ANGHUS HOUVOURAS An opioid addict is sentenced to death in the near future where being an unproductive member of society is a capital offense. The play centers on the condemned, Eleanor Reed, and her final conversation with Andrew Goodman, a life long government shill tasked with explaining the value of her sacrifice.

WEDNESDAY, APRIL 25 @ 8:00 PM

BLOOD ORANGE BY MARCUS SCOTT Blood Orange explores the fetishization of black male bodies, hook-up culture, the nature of interracial gay relationships and sexual encounters, power play and upward mobility.

MIRRORS BY Azure D. Osborne-Lee Mirrors is the story of two women mourning the death of a loved one while sifting through the secrets of a shared past.

THURSDAY, APRIL 26 @ 8:00 PM

TRASH TALK BY ALANO P. BAEZ Trash Talk is a taut and troubling tale of two dregs of society who rap, scrap, quip and play craps while slowly suffocating under the weight of wasted lives.

SAILING STONES BY JUAN RAMIREZ, JR. At rock bottom, Jaime forces his god-fearing best friend, Charlie, out into the Death Valley desert to finally prove once and for all if a god exists. Who will save them?

FRIDAY, APRIL 27 @ 8:00 PM

THE FAN BY Adam Seidel A famous novelist sits on a park bench reading when she is approached by a fan who wants more than just an autograph.

THE DIPLOMATS BY NELSON DIAZ-MARCANO Two days before election night 2016, close friends Annie and Carlos are having a little reunion on his first visit back in New York City. It can only take one person to change world events, but at this reunion two days before the 2016 Presidential election - it's world events that do the changing.

SATURDAY, APRIL 28 @ 8:00 PM

ATACAMA BY AUGUSTO FEDERICO AMADOR Thirty years after the dirty wars waged by the General Pinochet regime on the Chilean people. Two strangers; a mother and father, search the Atacama Desert for their buried loved ones and discover there are darker truths awaiting them underneath the hard sands of the Atacama.

SATURDAY, APRIL 22 @ 7:00PM

NUYORICAN POETS CAFÉ 236 E 3RD ST, NEW YORK CITY TICKETS: $12

WORDS MATTER POETRY SLAM Repair! Reform! Transform! Calling all poets with poetic words about today's social issues and social conscious people. Hosted by Nuyorican Poetry Slam winner Jaime Lee Lewis with special guest poets include Reg E. Gaines, Tony nominated writer/poet, and Miguel Algarin, the founder of the Nuyorican Poets Cafe. Sign up for poetry slam starting at 6:30pm.

TRIBECA FILM CENTER 375 GREENWICH ST, NEW YORK CITY TICKETS; $15

TUESDAY, MAY 8 @ 7:00 PM

FREMONT (OREGON/7 MIN.) Directed by Ryo Jepson Inspired by the numerous news headlines in late 2016 and early 2017, Fremont examines the repercussions of an exhausted police officer's split-second decision while pursuing a suspect. Following the suspect's capture the nature of the crime and the suspect's role in it reveals both the profound and unexpected effect it has on everyone involved in the case.

THE REHEARSAL (FRANCE/7 MIN.) Directed by Léa Frédeval Stephane dreams to become a comedian. Carole dreams of a pay raise.

THE SUITCASE (CANADA/12 MIN.) Directed by Philip Leung Discover how a little girl uses her imagination to conquer the darkness during a turbulent journey inside a suitcase.

VAGABONDS (USA/NIGER/16 MIN.) Directed by Magaajyia Silberfeld Starring Magaajyia Silberfeld, Robert Richard, Daniel Marley, Danny Glover A homeless African student in LA meets a washed-up movie star whose life is surprisingly similar to hers.

WEDNESDAY, MAY 9 @ 7:00 PM

ELENA (COSTA RICA/22 MIN.) Directed by Ayerim Villanueva Some people irreversibly change your present.

ALMOST SAW THE SUNSHINE (UNITED KINGDOM/30 MIN.) Directed by Leon Lopez Rachel is a young aspiring transgender woman. After a series of coincidental encounters with a handsome man, she impulsively takes a chance on a one-night stand that will change her life forever.

AYSHA (COSTA RICA/20 MIN.) Directed by Fon Cortizo Aysha is a young energetic voice emerging from the Middle East. Poetry and creativity are her weapons with which to change an expectant post-Arab-Spring society.

THURSDAY, MAY 10 @ 7:00 PM

SOÑADORA (CALIFORNIA/10MIN.) Directed by Maria Altamirano A hardworking high school senior faces circumstances beyond her control that may hinder her path to college.

SONGS OF WILD ANIMALS (MEXICO/12 MIN.) Directed by Mara Weber Songs of Wild Animals is the story of a young girl who lost her brother, best friend and mentor. With a lot of fantasy she relives him in another dimension as the eagle he always dreamed to be.

THE VIRGIN AND THE PROSTITUTE (FLORIDA/16 MIN.) Directed by Maria Jose Noriega Pedroza A nun who works at a hospital and a prostitute who's visiting her diseased child get trapped together in an elevator. While their prejudices drive them apart, at first, their similarities will ultimately bring them together.

THE SECOND PROVINCE (NEW YORK/19 MIN.) Directed by Zorinah Juan Two estranged Filipino-American siblings are forced to reunite when their offbeat mother elects death with dignity before the end of the week.

AND STILL WE LOVE (NEW YORK/8 MIN.) Directed by Erika Santosuosso Amidst a tumultuous political climate, a couple fights to find the beauty in the face of an indefinite separation.

FRIDAY, MAY 11 @ 7:00 PM

SPIN (FRANCE/15 MIN.) Directed by Leticia Belliccini One evening in Autumn, Mallard and his wife are assaulted at the corner of a street. There ensued an infernal race where he will be successively the witness, the author and the victim of what would prove to be the key of its existence.

ASYLUM PARK (INDIA/20 MIN.) Directed by Shanu Sharma A chance meeting in a park in Berlin proves to be fortuitous for two strangers, faced with uncertainty of their immigrant status and scraping circumstances.

9.58 (FRANCE/15 MIN.) Directed by Louis Aubert Djal is sixteen years old. Like his idol Usain Bolt, he dreams of running.

THREE TIME WALTZ (FRANCE/16 MIN.) Directed by Caroline Pascal When a man and a woman meet on a tune of the 50s. A musical interlude in three stages, to see this man and this woman fall in love, separate and finally find each other back.

MECHANISM OR: HOW TO TAKE CARE OF YOURSELF (GERMANY/11 MIN.) Directed by Michael Chlebusch This is a story about solidarity and the fine line between self-sacrifice and individual responsibility.

SATURDAY, MAY 12 @ 7:00 PM

BOB, JR. (CALIFORNIA/23 MIN.) Directed by Dilek Ince After losing his wife and developing an unhealthy attachment to her goldfish, Bob makes an unexpected connection that changes his life.

BROTHERS (CALIFORNIA/15 MIN.) Directed by Troy Elliott When war hits the California coast, a 19-year-old takes desperate action to get his little brother to safety in the final hours before his deployment.

IN PRIVATE (NEW YORK/14 MIN.) Directed by Clem McIntosh Two couples get together for Christmas dinner, and are put at odds when a texting error reveals more than intended

THE BRACKET THEORY (NEW YORK/20 MIN.) Directed by Katia Koziara Lucy longs for love: a perfect, equal partnership that she's never had. But she's not a hopeless romantic - she's rational, logical, and determined to find her objectively best match. So she has crafted a foolproof theory: The Bracket Theory.