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tavolgisvist · 3 months ago

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Chris Charlesworth, Paul's interview for Melody Maker and John's furious letter to Paul published in Melody Maker

I know, it's long read, sorry, but I need to figure out when all got wrong, because - just look:

John’s John. John wants to wipe everything away and start again, but in doing so he never wipes anything away. He wants it to be him and Yoko against the world, or whatever, but he`s still in with all the others, in with all the contracts and going into the meetings and everything.“He’s getting pissed off with it though – I sense it. I’ve had a couple of good conversations recently with just John, and I’ve felt a lot of common ground with him.* And I watched him on the Parkinson show, and really a lot of the things he’s into, we’re into as well.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

*after John’s ‘Imagine’ with HDYS but befor John's letter to Paul in Melody Maker

There’s no hard feelings or anything, but you just don’t hang around with your ex-wife. We’ve completely finished. ’Cos, you know, I’m just not that keen on John after all he’s done. I mean, you can be friendly with someone, and they can shit on you, and you’re just a fool if you keep friends with them. I’m not just going to lie down and let him shit on me again. I think he’s a bit daft, to tell you the truth. I talked to him about the Klein thing, and he’s so misinformed it’s ridiculous.**

(Paul McCartney interviewed by student journalist Ian McNulty for the Hull University Torch, May 1972 [From The McCartney Legacy, Volume 1: 1969 – 1973 by Allan Kozinn and Adrian Sinclair, 2022)

**after John's letter to Paul in Melody Maker (published 4th Dec 1971)

What happened?

November 11th (or 10th), 1971 Paul says to Chris Charlesworth:

The joke is, though, that we don’t have to do trials. It’s not necessary. If the four Beatles signed a bit of paper, or even ripped the old contract up and said, “This contract is no longer valid, we all hereby said it, we all legally direct the shareholders…” the whole thing, to wind it all up, we could do it. And if that’s really what he wants, he could do it this minute. [snaps fingers] I’d prefer not to ever talk about the Beatles thing again in these kinds of terms, and just get on with what I’m doing. I really would prefer to do that. If they’d let me. It’s really down to them, you know. They don’t think it’s down to them. I think they think it’s down to me, somehow. Like he was saying, you know. But I don’t – I’m sure it isn’t. I’m in the minority, I’m being out-voted. And like I say, if the majority agreed to it, we could do it. See, I said [to them], “Look, the thing is, we’ve got all these advisors and all this sort of stuff. I think what would be good to do is the four of us just get a document – we don’t even have to meet for long, we just get some kind of document – and sit down and say, without even asking Klein, Eastmans, anybody, without saying to anyone, we’ll just write a little thing saying, ‘We hereby split up, and everything’s got to be shared by four,’ and then just lay it out on them. Say, ‘Here, now, sort it out.’” And I was saying that would be good. But John’s saying, “Oh, yeah, but that’s like asking us to stop the bombing in Vietnam.” What do you mean? Don’t put me – don’t call me the bloody American, I’m not the aggressor. That’s what I mean. They think I’m like – ’cause I’ve done the High Court action, ’cause I look like the aggressor, they’re sort of thinking of me in terms of America. But really, I’m Vietnam! I’m the one getting screwed, you know! I mean, they’re – I’m not… you know. We eventually decided we were all Vietnamese. [laughs]

And circa November 20th John reads in Melody Maker:

“I just want the four of us to get together somewhere and sign a piece of paper saying it’s all over, and we want to divide the money four ways.” “No one else would be there, not even Linda or Yoko, or Allen Klein. We’d just sign the paper and hand it to the business people and let them sort it all out. That’s all I want now. But John won’t do it. Everybody thinks I am the aggressor but I’m not you know. I just want out.”

November 11th (or 10th), 1971 Paul says to Chris Charlesworth:

I don’t want to go putting the other three down particularly. That’s – that’s my trouble really. I probably should. I probably should, really, just rant and rave and call them the biggest shits on earth, you know, because they’re certainly not cool, what they’re doing. [pause] But you know. They don’t believe – they don’t think what I’m saying is true. They think that I’m just pulling a fast one. Klein’s told them I’m trying to get control of the company and everything. He keeps saying, “He’s trying to get the song publishing” and all those kind of little red herrings everywhere. But I tell you, I just happen to know that the Eastmans just are… just more moral, than Klein. I mean, really, the reason that turned me on to them is they said they don’t ever sign people. They don’t sign people. They just get paid a fee. They don’t bother with the other fees. Just pay a fee. I just pay them a fee. ‘Cause I don’t like having everything in a sack. I’m not into them for anything. … He [Klein] sort of says, “Why? I’ll buy it for you, and I’ll give it to you.” Well, bloody hell, you know, he wants to get in with the Beatles so bad he’s got to give them big things to show them he’s a good player. But he’s not good enough. He’s not good enough, I don’t think. I don’t think he’s really really got it. I don’t think he’s really got the goods. I think he’s a fantastic talker, he’s a fantastic all of that, you know, and he’s told George and John that he’s got ’em Newsweek and Time. He told me all that, you know. He said, “I’m going to make the Beatles bigger than they’ve ever been.” But all I have to say is as far as I’m concerned, he’s never really come up with it. I mean, I saw him in his Playboy interview, he says, “McCartney said,” “McCartney rang up George…” He’s being careful, he sets the whole thing up in the interview. He says, “McCartney was asked to do the Madison Square Garden in aid of the Pakistani refugees.” [derisive laughter] You know, “pakistani refugees”. “McCartney was asked to do it, and you know what the guy said? He said, ‘Sure, I’ll do it! If you dissolve the partnership.’ What kind of shit is that?” That was Klein’s kind of thing. The main thing was I said to George that the reason I can’t do it is if I come it’s, “The Beatles have got together again.” And it’s the press, and it’s all that [inaudible], and it’s all for [Klein]! And his shares shoot up, and I… go and make him happy, you know. I mean, if I’dve gone, you never know, John might’ve gone, and the Beatles are together again, and for the press and the world that would’ve been your story, you know? So I’ve got to think that. I’m forced to think that way now. But you can say what I would’ve done had it not have been Klein in, you know. I don’t know. I might’ve easily done it. I might’ve done it. The fact of the matter is, Klein was in there, and the reason why I couldn’t do it was ’cause if I go do it, then I’m supporting Klein. Then he’s organising the contract, and all he has to do there is put in a little picture with the Beatles in Billboard next week, you know. But, Allen’s a nice fella, a good talker, and the others really dig him. They really like him. So you can’t say anything bad there, you can’t – you can’t tell them not to. I think I’ve made a mistake, actually, in trying to advise them. Every time I ring up I say, “Look, he’s had a million and a half, and you haven’t got it,” and I think it pisses them off. I think that also – I think they sort of secretly think I might be right, too.

When Let It Be came out, for the first time ever, there was a little bit of hype on the back of the Beatles album, and it said, “A new-phase Beatles album”. And what it really meant was… you know. “The Beatles have split.” But that’s what I object to. “A new-phase Beatles album” is what they put on the back of it. You see, that is to me, that doesn’t really sort of tell – I can’t, I don’t dig it, you know. I see John, and his whole sort of image is very honest and open and all that. And I’m sure, I know he is, you know! LINDA: He believes [Klein]! PAUL: He’s alright, John. But I mean he manoeuvred, and he knows he manoeuvred. He did a whole lot of it. He said in that Rolling Stone article [conducted by Jann Wenner], he manoeuvred all that Klein bit. And I don’t think anyone was really into manoeuvring at that time outside of John and Klein, you know. It was very definitely sort of a manoeuvre. It was done – like I said, “a new-phase Beatles album”, [and then be told to] sign a new contract just after we’ve been told we’re not gonna play together again. I said, “Well, isn’t that a bit silly?” And Klein said, “It doesn’t make any difference. You get a new royalty, if you don’t do any more stuff, you still get more [royalties] than you’ve made ever.” Now what I didn’t realise was yeah, that was all true, but you’d have to sign yourself up again. ... Like I say, I think it’ll just be a whole lot healthier when I do get out. Just for them, too. ‘Cause I don’t like all this stuff, where I’ve got to… Because if I read a thing, whereas I would have read it with some sympathy towards the Beatles and Klein, I can’t any longer. I read it – and I tend to see the other side of it, you know.

And circa November 20th John reads in Melody Maker:

Paul’s bitterness towards Allen Klein is obvious, but his attitude towards the other three Beatles seems more of concern than of dislike. He worries about their affairs but is tired of warning them. They are tired of his warnings, so Paul just wants to get out.

and

…Linda, whose hand is in constant contact with Paul. “He’s talking about money now. That’s one of his pet points. He’ll never stop. Denny and Denny are protesting, but there’s nothing I can do,” she says before I face the action.

and

“I said to George the reason I couldn’t do it was because it would mean that all the world’s press would scream that The Beatles had got back together again and I know that would have made Klein very happy. It would have been a historical event and Klein would have taken the credit. “I didn’t really fancy playing anyway. If it wasn’t for Klein I might have had second thoughts about it but I don’t know, really. Allen’s a good talker. The others really dig him, but I’ve made the mistake of trying to advise them against him and that pissed them off. I think they might secretly feel that I am right though.

November 11th (or 10th), 1971 Paul says to Chris Charlesworth:

Paul: I liked Imagine. Yeah, I think Imagine’s good. I didn’t like the others. CH: You didn’t like the others. Paul: No. Well, I just sort of give them one listen-through and see if there’s anything I can pinch. [pause] [John] says, “You live with straights.” Yeah… so what? What’s so criminal about that? You know, I like straights. I quite like some straight people. I have straight babies! [laughter] But saying to me ‘Yesterday’’s the only thing I’ll ever do, well… you know. That doesn’t bother me. Hey, it’s not bad. If it is the only thing I’ve ever done, then that’ll do me. But it isn’t! And he bloody knows it. It’s not the only ever thing. Because he’s sat here, in this very room, and he’s watched me do takes, and he’s dug it. And he knows it, you know. But he’s trying to sort of wipe it all away. John’s – John’s – you know. John’s John. ’Cause I talked to him, I had a couple of good conversations recently – with only John, really… But I felt common ground with him. I saw him on the Parkinson show, and really most of what he’s saying is what we’re into. What we want.

And circa November 20th John reads in Melody Maker:

“John and Yoko are not cool in what they’re doing. I saw them on television the other night and thought that what they were saying about what they wanted to do together was basically the same as what Linda and I want to do“. “John’s whole image now is very honest and open. He’s alright is John. I like his ‘Imagine’ album, but I didn’t like the others. ‘Imagine’ is what John is really like, but there was too much political stuff on the other albums. You know, I only really listen to them to see if there is something I can pinch,” he laughs. CH: And how do you sleep? “I think it’s silly. So what if I live with straights? I like straights. I have straight babies. It doesn’t affect him. He says the only thing I did was ‘Yesterday’ and he knows that’s wrong.” Paul motions to the studio below. “I used to sit down there and play and John would watch me from up here and he’d really dig some of the stuff I played to him. He can’t say all I did was ‘Yesterday’ because he knows and I know it’s not true.” ‘Yesterday’, it seems, is a bone of contention with Paul; in fact, all the Beatles classics that he is associated with. He doesn’t own them but feels he ought to.

Why Chris wrote like that? I suppose, it (shit) happened because he was badly biased and unprofessional.

And you know what? November 20th not only Melody Maker publishes Paul's interview. Steve Peacock in Sounds tells very similar story. We can compare - and what we'll see?

Before John said he was leaving The Beatles I was lying in bed at home one night and I thought I would like to get a band together like his Plastic Ono Band. I felt the urge because we had never played live for four years. We all wanted to appear on a stage but not with The Beatles. We couldn’t do it as The Beatles because it would be so big. We’d have to find a million seater hall or something.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker) and

The night before John said he was leaving the group and all that, we were at home and it suddenly dawned on me “If everyone else doesnt want to do it, I’ll get my own band, even if it’s just a little country and western thing or something like Johnny Cash, just so I can get in there and have a sing.” Because thats all I wanted, just to play. … Everyone did really, everyone was trying to play, but no one wanted to do it with the Beatles.

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

‘We hereby split up, and everything’s got to be shared by four,’ and then just lay it out on them. Say, ‘Here, now, sort it out.’” And I was saying that would be good. But John’s saying, “Oh, yeah, but that’s like asking us to stop the bombing in Vietnam.” What do you mean? Don’t put me – don’t call me the bloody American, I’m not the aggressor. That’s what I mean. They think I’m like – ’cause I’ve done the High Court action, ’cause I look like the aggressor, they’re sort of thinking of me in terms of America. But really, I’m Vietnam! I’m the one getting screwed, you know! I mean, they’re – I’m not… you know. We eventually decided we were all Vietnamese. [laughs]

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker) and

“And John said, “Yeah, but that’s like asking us to stop the bombing in Vietnam.” We eventually decided that we were all Vietnamese, so that’s all right… “But I keep wanting to send him postcards saying ‘The war’s over if you want it’ – tell him what he’s saying. It’s just crazy, I’m sure the truth’s a whole lot more simple than it’s made out.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

John’s – John’s – you know. John’s John. ’Cause I talked to him, I had a couple of good conversations recently – with only John, really… But I felt common ground with him. I saw him on the Parkinson show, and really most of what he’s saying is what we’re into. What we want.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker) and

“John’s John. John wants to wipe everything away and start again, but in doing so he never wipes anything away. He wants it to be him and Yoko against the world, or whatever, but he`s still in with all the others, in with all the contracts and going into the meetings and everything. “He’s getting pissed off with it though – I sense it. I’ve had a couple of good conversations recently with just John, and I’ve felt a lot of common ground with him. And I watched him on the Parkinson show, and really a lot of the things he’s into, we’re into as well.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker) and

“I liked ‘Imagine’, I didn’t like the others much. But really, there’s so much political shit on at the moment that I tend to play them through once to see if there’s anything I can pinch.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

“We will start by just turning up at a place we fancy visiting and just playing a straightforward gig. We might use another name to keep it quiet. We have rehearsed and we can play live together. In fact, it sounds quite good. It doesn’t really matter that much. “I don’t want Wings to become a media group, with our signatures on knickers which are sold for promotion. I don’t like that now. I was happy with that situation in The Beatles, but it died in the end. We are starting off as a new band, but if we ever get to be huge like The Beatles it will be very difficult.”

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker)

and

“With this band, we play good together live because nobody’s too hung up about what he’s playing. We’ll go round to Denny’s house and just sit there playing songs that we half-know. It’s good. “We don’t want to be a media group – we don’t want to go everywhere and plug everything and have knickers with our name on them and all that. That won’t work for me now – it’s all done. It was great while it lasted but it’s over now.” “Yeah, it was great, obviously, and I did enjoy it, loved it, but it got to be a bit tight at the end. It was when we got to be Beatles with a big B that things began to be difficult because even if we wanted to go out and play, how the hell could we do it? We’d have had to have done a big million seater thing, and that’s why I was suggesting them that we all just go away somewhere and play, like I want to do with Wings. Ricky and the Redstreaks at Slough Town Hall or something – and everyone turns up for the Saturday night dance and finds it’s us. “We’re all musicians, and the fun of being a musician is being able to play live to people. For us, it might be a year, it might be two years, or it might be next week. We don’t know, we might not even fancy going live in the end, and if that happens it’s all right too.

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

My best playing days were at the Cavern lunchtime sessions. We’d go on stage with a cheese roll and a cigarette and we felt we had really something going. The amps used to fuse and we’d stop and sing a Sunblest bread commercial while they were repaired.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker) and

My best playing days were at the Cavern, lunchtime sessions, when you’d just go on stage with a cheese roll and a coke and a ciggie, and people would give you a few requests, and you’d sing them in between eating your cheese roll. That was great to me, I think we got something great going in those days – we really got a rapport there, which we never got again with an audience. And if an amp blew up or something, it didn’t matter, because we’d just pick up an acoustic and sing the Sunblest commercial or something – and they’d all join in.

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

It seems like the same conversation, isn't it? But if it's so, Paul about HDYS said not “I think it’s silly. So what if I live with straights? I like straights. I have straight babies. It doesn’t affect him. He says the only thing I did was ‘Yesterday’ and he knows that’s wrong.” as it tells Chris in Melody Maker. Paul said:

“I think it’s silly. If he was going to do me he could have done me, but he didn’t. That didn’t phase me one bit. ‘You live with straights’. Yeah, so what? Half the f-king world’s straight; I don`t wanna be surrounded by hobnailed boots. I quite like some straight people, I’ve got straight babies. ‘The only thing you did was Yesterday’. That doesn’t bother me. Even if that was the only thing I did, that’s not bad, that’ll do me. But it isn’t, and he bloody knows it isn’t because he’s sat in this very room and watched me do tapes, and he’s dug it.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

And not only this. Look,

Paul: “I thought ‘Go Now’ was fabulous. He came round to see me and brought a guitar and we played some things together and it was great. We just rehearsed a couple of numbers together.” It seems that, within reason, just about everybody plays everything on the album. The drums, naturally enough, are Denny’s main concern, although additional percussion is contributed by all. Paul plays most of the lead guitar – “I’d always fancied myself as a lead guitar” – while Denny plays harmony lead, chords and some bass. Paul too plays bass and mainly the basslines on the album have been overdubbed. Linda plays most of the piano and organ lines. “Linda isn’t very experienced so the keyboard parts tend to be very simple and that is, I think, very valuable. It has an innocence rather like a child’s painting,” said Paul.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker)

and

“I play all the lead guitar on the album,” said Paul, “except for a few places where Denny (Laine) and I play in harmony. I fancy myself as a guitarist, see. He did have a solo but I took it off him.” Denny smiled. Linda sings, writes with Paul, and plays a lot of keyboards. “I like what she does. Her style isn’t like that old, hard pro thing that’s got all the technique, but it’s like children’s drawings. That’s not a very good simile, but it’s got what children’s drawings have got… innocence.”

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

Talk turned to Beatles live shows – or lack of them. “John wanted to do a big thing in Toronto but I didn’t dig that at all. I hear that before he went onstage for that thing he was sick, and that’s just what I didn’t want. Like anybody else, I’d have been nervous because of the Beatle thing.

(Paul McCartney, November 11th, 1971, interview with Chris Charlesworth for Melody Maker)

and

“My best playing days were at the Cavern… That was great to me, I think we got something great going in those days – we really got a rapport there, which we never got again with an audience… … “That was the stage with the Beatles I thought was best, and thats the way Id like to be able to play again – if a few people happen to turn up to a gig then its usually great, but if youre all sitting there like penguins waiting to judge me, then Im going to be nervous, and Im not going to enjoy it. Im not like John, who swallows his nerves in Toronto and be sick just before he goes on – that Im not going to go through thank you. Its not necessary, and if its not necessary, I`m not going to do it.

(Paul McCartney, Nov 1971, interview with Steve Peacock for Sounds)

I might be wrong but the Chris Charlesworth looks like a snake or like immature Mark our Lewisohn who loves to manipulate words for to get the truth as he imagine it. The Chris' truth is 'there was no love lost between Paul and the other three Beatles, especially John' and he pictures it. And his article led John to anger, he wrote the letter - and we all know what happened then.

So, may be he had any reasons to think that? May be he knew Paul and John many years and can see how much their relationship changed?

…I first met Paul on Monday November 8, 1971, at a party to celebrate the launch of his group Wings and their album Wild Life at the Empire Ballroom in London’s Leicester Square. He was wearing a loud check jacket and, like John would do, seemed much smaller in real life than I’d always imagined him to be. He was surrounded by people all night but at some stage in the evening I asked John Entwistle, another guest, to introduce me. I figured that since John was in the same trade he’d know Paul and sure enough he did. We managed to push past everyone and I had a brief chat, the first time I’d ever spoken to a real live Beatle. Me: “Why the Empire Ballroom on a Monday night?” Paul: “Why not?” Linda: “We thought it would be a nice idea to invite a whole lot of our friends to a big party where they could bring their wives.” Paul: “EMI are paying for it.” Me: “When will we hear Wings live?” Paul: “Well, it should be soon now. We want to start in a very small way, maybe do some unadvertised concerts or something.” As I would do two years later with John, I simply requested from Paul a more in-depth interview in the near future, and a session was granted for Wednesday, November 10 at Abbey Road Studios. The interview took place in the control room of Studio Two, the studio where The Beatles had recorded almost all of their songs. I tried not to show it but I was in awe not just of Paul but also my surroundings. Here it was, I remember thinking, that all four of them sat and listened to playbacks of everything from ‘She Loves You’ through Sgt Pepper to Abbey Road. If these walls could speak… Although ostensibly to promote his new band and album, the interview strayed into Beatles-related topics and I certainly came away with the impression that there was no love lost between Paul and the other three Beatles, especially John. This probably explains why my subsequent story in MM was headed “Why Lennon Is Uncool.” <…> This was the only substantial interview I ever did with Paul, although I would encounter him many times again over the years.

(Chris Charlesworth, 2014, 'PAUL McCARTNEY - Here There And Everywhere')

add to this

#chris charlesworth #paul mccartney #john and paul #john lennon #interview: paul #interview: john #1971 #melody maker #steve peacock #break up #accidental divorce #gimme some truth

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sirenjose · 1 year ago

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Golden Rose Theater Analysis

Here’s a short summary of the events:

In the pre-event, we learn Scrooge was the founder of the Golden Rose Theater and created the play “The Coin of Lachesis”. Lachesis was the lead actress. The theater started to go bankrupt when people lost interest, and Lachesis supposedly died in a fall during the final performance of the play. Ronald’s father was blamed for her death due to being the mechanic in charge of the lift at the time. As a result, he was imprisoned and died of a severe cold 1 year later. Scrooge chooses Bella rather than Kroto to replace Lachesis.

The Detective is called to investigate by his client DM, who had been corresponding via letter with Bella and wanted to know why she’d stopped communicating with him. Jingle Bells prevents the Detective from seeing Bella, but Ronald helps the Detective get into the theater. At this point, he meets all of the members of the theater and gathers information about everything that’s happened. He eventually learns that Kroto had been the one pretending to be Bella to send letters to DM.

When Bella is reported to have died in a fall accident, Sheriff Jose calls the Detective for help in investigating. It’s during this investigation that the Detective learns about Quivering Flower, a drug Bella had been using. He also learns that the large sum Scrooge had received to rebuild the theater had come from Lachesis’ compensation after she “fell” to her death. Eventually, the truth comes out. Bella had actually died due to poisoning from Quivering Flower use. When Scrooge discovered this, he had Kroto help him pretend Bella had instead died from a fall, in the hope he’d earn compensation from her death like after Lachesis’. In the epilogue of the event, we learn that Kroto left the theater to join a different theater group and has a script called “Kroto’s Chain”. From Scrooge, we learn he had been a beneficiary on Lachesis’ insurance policy, along with Kroto and Lachesis herself. Finally we learn Ronald became the new owner of the Golden Rose Theater, with DM recommending a person for the role of leading actress.

To start things off, let’s look at Bella, who we never get to speak to. She was a foreigner from France, beautiful, talented, and liked meeting powerful people, but she was regarded as arrogant and having odd habits. We learn later that she was mildly addicted to Quivering Flower, which was the reason Bella repeatedly missed rehearsals, as she tended to get sick from the drug’s side effects. This was also why she could occasionally be found practicing alone at midnight, due to her use of Quivering Flower, which she was trying to hide. For Bella, she apparently thought it better to die before the curtain rises if she couldn’t put on a perfect show. This is exactly what happens, as she dies from Quivering Flower poisoning. Scrooge attempts to take advantage of this by trying to make it look like she instead fell to her death. Interestingly, even after the Detective reveals the truth, the newspapers still reported Bella as having fallen to her death.

Many of the other members of the theater didn’t look well on her. Ronald thinks Kroto would be able to put on a better show than Bella, as Bella’s performances had been fluctuating lately. Commander calls her personality not likeable, and says she isn’t close to the other members. She is adored by the gentlemen in town though, who gifts her things like she was a queen. Commander also calls her a lunatic after she says she’d rather die than not deliver a flawless performance. Encore describes Kroto as having to clean up Bella’s messes whenever Bella misses rehearsals.

She does have a number of supporters. Sparrow is the most vocal who gets incredibly emotional whenever someone disrespects her. Jingle Bells is also really affected by Bella’s death, as is Phonograph, who got upset when Scrooge asks Kroto to move into the Bella’s suite immediately after Bella’s death.

Bella wasn’t someone who really blended in with everyone else. She stood out in many ways, due to her reputation, being a foreigner and the new lead actress, and her personality. Mary was a (French) queen in a foreign land that wasn’t her home country (Austria), which were contributing factors to the ill feelings about her as well as her eventual execution. Bella, like Mary, appears to have been somewhat isolated in the theater company.

Moreover, in a secret letter after her execution, it was said people would forget about her death and even her existence as a queen, instead they would take pleasure in trampling on the royal family and appointing a new king. Similarly, Bella was hailed as a popular actress by aristocrats, but ended up buried in the daily news and forgotten after being reported as a fatal accident in the newspaper, with people like DM moving on and seeking other “beautiful things”.

Finally, there’s how Mary says the Queen is the easiest piece to take. With Bella, you can replace “Queen” with “leading actress”. The Leading Actress is the easiest to lose, and thus ends up being the most replaced. She’s someone who’s celebrated when she’s on a glamourous stage but is cut down when she’s not performing well.

For Bella, the ideal she was likely aiming for was Lachesis, and she was intentionally trying to mimic her. There are several hints to this. From Bella’s accessory Perfect Marionette, the description is: “Become ‘her’, or destroy her.” The first “her” is Lachesis, while the second is Bella. Then there’s how in Act 2 Kroto mentions hearing Bella say “Lachesis, are you calling me?”. These were likely hallucinations from using Quivering Flower. There’s also how in the official “Bella Donna! Bella Donna!” video, Bella appears to express how she struggled to be the “ideal Bella” but was unsuccessful and ended up mentally trapped. All of this was in part due to how often Bella was compared to Lachesis, which obviously stressed her out.

The introduction for the story mentions “Atropos using the death of her sister, Lachesis, to assume her identity”. If Atropos is assuming Lachesis’ identity, there’s a good chance Bella was trying (and failing) to do the same. If she’d been unable to deliver this “flawless” performance (as Lachesis), that would tie in with how Bella dies before the performance begins. Exactly what Bella says (“If I can’t deliver a flawless performance, I’d rather die before the curtains are drawn”) comes true.

Speaking of the videos, the 1st trailer for the Golden Theater event (Atropos Ropes) appears to be “Bella as seen from the outside”, while the later one (where she sings “Bella Donna! Bella Donna”) is the inner Bella. Bella was the kind of person who’d do anything for a play. She was trying to make up for her inner fear that she’d fail to become her ideal, as she’d feel worthless due to all the pressure she was receiving. She’s afraid of not meeting the expectations of those around her. The pressure she felt continued to increase, leading to her addiction to Quivering Flower to worsen and thus eventually causing her death.

Regarding a possible model for Bella, she might come from La Traviata, an opera based on La Dame aux Camélias, a novel (which also became a play) by Alexandre Dumas. La Traviata means “the fallen woman” or “the one who goes astray” and refers to the main character Violetta, a courtesan.

In the novel, Dumas tells the tragic love story of a courtesan, Marguerite Gautier, who sacrificed herself for her lover, Armand Duval, a young bourgeois. In the story, when Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her. By the end, she keeps hiding that she’s not well, and dies without letting anyone but her trusted friends know of her physical ailment. She eventually dies of tuberculosis. Marguerite is nicknamed la dame aux camélias or “the lady of the camellias”, because she wears a white camellia when she’s available to her lovers, and a red camellia when she is unavailable.

The detail about the red and white camellias parallels the red and white scarves used in the Golden Theater event. Since DM received a red scarf from “Bella” (who was actually Kroto), that would explain why DM stopped receiving communication from her after.

Specifically, Bella may be based on the actress Sarah Bernhardt, who was a big hit as Marguerite in La Traviata. IBella’s hairstyle is likely modeled after Sarah Bernhardt’s.

Sarah was so great she was referred to as the “golden voice”, “the most famous actress the world has ever known”, “the divine Sarah”, and “the queen of the pose and the princess of the gesture” by artists of the time. Her life was also shrouded in numerous rumors. These kind of details were likely inspirations for Bella (who was also seen as being great by her admirers, but also was seen as having odd habits and likely had rumors spread about her by those who didn’t like her).

Let’s move on to Kroto. She was first shown alongside Scrooge in a newspaper reporting Lachesis’ death. She gradually became popular after Lachesis was gone. It was her dream to become a famous actress like Lachesis, but that didn’t come true as Bella became the new leading actress instead. She does replace Bella whenever she gets sick from Quivering flower, allowing Kroto to improve her acting ability. At some point, Kroto replies to one of DM’s letters intended for Bella after falsely claiming to be Bella. During this correspondence, DM gives her Quivering Flower, which she never uses. She stops responding soon after she gives DM a red scarf, which results in DM hiring Inference to investigate.

Eventually, the Detective exposes Kroto’s lie to DM via the scarf. To pacify him, Kroto got Bella to help in exchange for giving Bella more Quivering Flower. Bella uses it due to how the performances coming up and dies as a result. When Scrooge discovers Bella’s death, he has Kroto help him make it look like Bella instead died from a fall to get compensation money. When the Detective starts to figure out the truth, Scrooge tries to pin the blame on Kroto, and thus she loses trust in him. After the case has been completed, we learn Kroto left Golden Rose Theater to join with a theater. During this time, she meets up with Inference again and reveals how everything she’s done has been to present “an opening act worthy of attention and a finale worthy of praise”.

This was why, after failing to become leading actress, she sought out patronage (a stepping stone for her career) in the form of DM. That’s also why she imitated Bella and sought the things that Bella didn’t want. One of those items was the red scarf she gave to DM. If Kroto hadn’t done any of these things, the Detective wouldn’t have been asked to come and investigate. If he hadn’t come to investigate and unraveled the lies around the theater, Kroto’s lie to DM wouldn’t have been discovered. It was because her lie was revealed to DM that she gave Bella the Quivering Flower, which caused Bella’s death, which led to Scrooge having Kroto help fake Bella’s death. Inference discovers this as well, resulting in Kroto being abandoned by Scrooge when he tried to save his own hide, and thus is a contributing factor for why she leaves the theater in the end.

All these things, this “chain” of events parallels how Kroto is Clotho, the youngest of the 3 Greek Fates. She was the goddess in charge of spinning the threads that determined a person’s fate, the one who decided when a person would be born and die. The other 2 were Lachesis and Atropos. Lachesis was in charge of measuring the thread of life spun by Clotho. She decided how much life each person had. Atropos was in charge of cutting the thread, the one who decided how each person would die, and ended their lives after cutting their thread. Lachesis means “to obtain by lot, by fate, or by the will of the gods”, while Atropos translates to “inevitable” and was known as “the inflexible one”.

The leading actress who performed in “The Coin of Lachesis” was Lachesis, and she played the role of Lachesis too. Unfortunately, the shaper and allotter of the thread dies before the event begins. In this case, this could mean chaos is created due to the loss of the one responsible for correctly drawing the thread. Bella on the other hand is Atropos, even though she’s never referred to as Atropos. This could mean, in the end, Bella was unable to play the role of the one who “cuts the thread Clotho spun”. This relates to Scrooge’s skin description: “When the ropes of destiny intertwine, who would become our Atropos?”. This shows how they needed an “Atropos”, as it seems like the threads were starting to tangle now with Lachesis gone. But Bella was unable to fill that role, and she dies later. With both of them gone, the threads tangle even further.

This could be why a “tangled thread” remains at the end of the Golden Rose Theater event. Based on the newspaper at the end, we see how it doesn’t really seem to matter to the public how Bella actually died, or how Scrooge made use of Lachesis’ compensation in the past, or how they didn’t seem interested in knowing why Bella took Quivering Flower despite the risks. Put another way, this is why there are “loose ends” (aka, questions without answers), since “Atropos” wasn’t there to “cut” them.

Kroto and this tangled thread is likely what Ronald is referring to in his skin description: “It's you, the strings that weave our destiny - let it become the web that entangles us all”. The threads did indeed tangle everyone in them.

Going back to the script title “Kroto’s Chains”, chains can refer to a series of connected elements. As I mentioned earlier, Kroto caused a series of events due to her actions. Chains can also be defined as something that confines, binds, or retrains. This can also refer to bearing a burden, bondage, or lack of freedom. People in chains may feel repressed, closed off, or limited, as if there isn’t much they can do about their current situation. This mirrors Kroto. There’s Lachesis, who she wanted to be like and tried to imitate. There’s Bella, who she even pretended to be in the communications with DM, during rehearsals Bella missed, and after Bella died when she pretended to be her before making it look like Bella died in a fall. Kroto’s “chains” can refer to how Kroto aka Clotho, now that Lachesis and Atropos are gone, is left with having to do everything herself (as well as how Clotho is spinning the thread, but now everything is wrong without someone to draw and cut the thread).

Then there’s also Scrooge, who she continued to work hard for, but who never treated her well. He never let her be the lead, made her help him fake Bella’s death, and then betrays by blame her for everything. When she leaves for a different theater, this mirrors Margaretha’s fate in her deductions. After Sergei’s death and after the circus burns down, she had to make a living for herself without anyone else’s help. By the end of her story, Margaretha understands that there’s another side to freedom. This kind of ending is just like Kroto’s after she leaves the Golden Rose Theater and after she loses all the other people she’d been relying on. Now, Koroto in a way put the “chains” on herself, having to live without anyone else’s help, without imitating anyone, and bearing the burden of her past actions.

For Kroto’s model, she’s based in part on Swan Lake, especially from looking at Kroto’s music box.

This is a tragic love story of a girl named Odette and a prince (usually named Siegfried). Odette’s been turned into a swan by an evil wizard named Rothbart. The prince goes on a hunt one day and finds the swan, who becomes human and explains her predicament to him. He professes his love for her, promising to break the curse and marry her. This angers Rothbart, who devises a plan to kill Odette. This plan includes having the prince proclaim his love for Rothbart’s daughter, Odile. At a ball, Rothbart presents his daughter, who’s disguised as Odette, to the prince. Overjoyed, the prince quickly proposes to the woman. Rothbart reveals this was a trap, before taunting the prince about how he’s killed Odette. The prince runs off to find Odette and explain his actions. He finds her by the lake, broken hearted, and retells her what happened. She forgives him, but Rothbart appears and informs the prince he must marry Odile or else he and Odette will die. After fighting, the prince decides he’d rather die than marry a woman he doesn’t love, so he takes Odette’s hand and they jump into the lake (though this ending varies) breaking the spell, setting those wronged by Rothbart free. Rothbart and Odile are driven into the water, where they also drown.

Kroto, like Odile for Odette, imitates Bella and pretends to be her several times. Her pretending to be Bella when corresponding with DM, who actually had been sending letters intended for Bella, paralells how the prince actually loves Odette and promises to marry her but is tricked to instead propose to Odile. DM, like the prince, was clueless about the truth until it was revealed to him by someone else. The prince being fooled by Odile and Rothbart’s trick is like how DM and the other members of the theater all believed that Kroto was Bella (DM via letters, and the theater when Kroto pretended to be Bella under Scrooge’s direction after Bella died of poisoning). Finally, Kroto’s black costume gives off a similar feeling to Odile’s from Swan Lake, who also usually wears jet black.

To finish off the 3 characters based on the 3 Fates, let’s turn towards Lachesis. Commander calls her a mix between Kroto and Bella, and is also arrogant. She described Lachesis as not the type to fall off a stage during a performance, never missed a rehearsal, and never made a mistake. “A genius who’s deadly serious to the point of pathological”. Like Bella, Lachesis was from France, as before the last performance of “The Coin of Lachesis” she was rumored to be returning there. This never happens, as she is reported to have fallen to her death in an accident during the final performance. It is from her death that Scrooge receives compensation money that he uses to rebuild the theater, which had been on the verge of bankruptcy.

Based on various factors, there’s a good chance that Lachesis, like Bella, also died due to Quivering Flower poison.

Back then, when Lachesis was still alive, Quivering Flower wasn’t banned. From what we see of her personality, she seems to have been the kind of person who’d do anything to get on the stage, meaning meaning she’d be willing to use Quivering Flower. From the mention of her arrogance, her pride also probably led her to hiding her addiction, just like it did with Bella. Though the one person she wouldn’t have been able to hide it from would have been Fragrance Queen, who we know had to have been around back then. This might explain why she becomes wary of Inference when she smells the same scent on him, and why she gets sad when she learns Bella used it to, so much so she stops trusting Scrooge. Either because they didn’t realize how dangerous the drug was back then, or because Fragrance Queen was unable to stop her.

It’s possible Scrooge knew about Lachesis’ use of Quivering Flower as well, but didn’t stop her due to his love of Lachesis’ talent. This could explain the “twisted love” Rusty mentions, which would refer to Scrooge’s obsession with Lachesis, which was so strong he decided to hire Bella instead of Kroto as lead actress because Bella was like Lachesis more than Kroto was (Kroto was compassionate while Bella had a similar arrogance like Lachesis did, not to mention Bella was also from France like Lachesis was, as well as a few other similarities especially personality wise).

Lachesis, as well as several other elements of the Golden Rose Theater including the theater itself, was likely based on the film Moulin Rogue.

The film’s heroine is Satine, a star dancer and courtesan with a deadly secret: she’s dying from tuberculosis. Christian, the would-be writer who loves her, is unaware of this secret. He collaborates with another to write a show to spotlight Satine’s brilliance as well as “truth, beauty, freedom, and love”. To do this, they need financial support, which is where the Duke comes in. He’ll pay for the show, but only if he can court Satine. Christian and Satine fall in love, to the point they can no longer ignore it, but the Duke won’t let anyone get in his way. Eventually it gets to where, to save Christian’s life, Satine must reject him, though the truth does come out. Unfortunately, it’s right before Satine succumbs to her illness. After she dies, Christian completes his work, which is the story of his love for Satine.

If it’s not obvious yet, the Moulin Rouge was significantly influenced by La Traviata, and by extension La Dame aux Camélias, and thus follows the same basic plot. Bella’s and Kroto’s costumes also seem to be based on Moulin Rouge, what with Bella’s long dress-like outfit with pink fur, and Kroto’s outfit with silver sequins that exposes her legs. There’s also the similar colors everyone’s costumes has (compared to Moulin Rouge), the pink feather skirts, head ornaments, all the gold and silver decorations everywhere, the event being all about performances and theater, etc…

Regarding Satine, she isn’t an exact match with Lachesis (ex: Satine wasn’t an arrogant character), but there are enough parallels to make the connection anyways. There’s how Satine dies to an illness on stage after completing a production, similar to how Lachesis dies (likely of Quivering Flower poisoning) at the final performance of “The Coin of Lachesis”. Also, like Satine in her last performance, Lachesis was said to have “delivered a flawless performance” even though she died.

The Duke seems somewhat similar to DM, what with both having financial power and chasing after a girl that ends up dying. Eric Satie, a musician who works alongside Christian, seems to be the model for Rusty Penpoint’s costume, what with the signature glasses, shirt style, and colorful scarf. Eric Satie also recognizes Christian’s talent for writing just like Rusty recognizes Scrooge’s. Satine’s love for the scriptwriter Christian seems to parallel Lachesis and the possible feelings Scrooge had for her (not romantic). Like with the DeRoss family and the manor, Scrooge became attached to Lachesis and the Golden Rose Theater. This is the “twisted love” Rusty mentions. It’s referring to the obsession Scrooge has with Lachesis, which again was why he made Bella lead actress rather than Kroto, as Bella shared more similarities to Lachesis than Kroto did. Like Burke in his deductions after losing the DeRoss family to a mob, he also couldn’t get over losing Lachesis. That’s why, after seeing Bella lying dead on the stage, he described remembering Lachesis’ death as a “nightmare” and how he had “suffered” over her.

Now that we’ve finished Bella, Kroto, and Lachesis, we can move on to the other characters.

The first we’ll discuss is the Client, DM.

He is a person interested in beauty and in the “hunt” or “realistic survival games”. To the females he fell for, he was known to give them Quivering Flower (the ban the government put on the drug apparently didn’t stop him from acquiring and sending it as gifts to the women). At the beginning of the event, we learn he was currently captivated with Bella and had been sending her letters, eventually receiving a red scarf at some point before communication was cut with him. It was here he asked Inference for help, who apparently knew him as they were former comrades in arms. We learn during the event that Bella was another recipient of Quivering Flower, though she got more from Kroto, who gave it to her after the Detective reveals Kroto had pretended to be Bella when corresponding with DM in Bella’s place. Kroto had sought to pacify DM (who learned the news after the Detective revealed the truth) with Bella’s help in exchange for giving Bella the Quivering Flower DM had given Kroto.

After Bella dies, we later learn he had been attending a council meeting at the time of Bella’s (actual) death. Apparently, upon learning of her death, he had rushed to the theater and refused to allow an autopsy of Bella because he wanted her to remain “flawless” even after her death. Once the truth comes out, we find out DM had already begun looking for another “beautiful thing”, instead of being attached to Bella. DM is also the one who introduced the new candidate for lead actress at the Golden Rose Theater after Ronald takes over and Kroto leaves.

It’s obvious enough that the Client is in a position of considerable power, based on the police’s inability to go against him (when he refuses to let an autopsy be performed). That plus how he’s so high he’s not referred to by name, his uninhibited pursuit of female relationships, and love of theater could imply the Client DM may be modeled after Prince Edward VII of England, who was also the “illustrious Client” from the Sherlock Holmes series, with the Detective obviously based on Sherlock. Prince Edward VII, like DM, was a known opera buff, served in the military, and flirted with many actresses.

Regarding the Client’s obsession with perfection, this is similar to Joseph’s obsession with camera obscura and his desire to preserve things forever (including memories and people). This desire for perfection is likely why the Client gave the females he liked Quivering Flower, as it was said to make you look dignified, shimmer, appear unordinary, alluring, and invigorate women’s energy.

The Client’s skin description, “Question 1 - the joy of a hunter, does it stem from the chase or the prey?” relates to him chasing various females and his interest in the “hunt”. This “hunt” or “survival game” can be the reason he gives Quivering Flower to the females he chases, like Bella and what happens to her. DM seemed to see Bella like a piece of art he wanted to preserve rather than as an individual. It’s also possible this description can tie to Joseph’s obsession with photography and desire to preserve things.

Then there’s Scrooge, but I feel like I’ve already discussed him pretty well already, so I’m going to move on to Fragrance Queen.

Fragrance Queen was one of the older members of the group who’s known Scrooge since before even Lachesis. She was introduced alongside Golden Scissors, meaning she was a well-known make-up artist. Ronald describes her as the “true queen of the theater” and is shown commanding the other members. Despite their long history, Scrooge lost her trust after he rebuilt the theater with the compensation from Lachesis’ death. She also becomes wary of Inference after noticing he had the same scent as DM’s letters, the smell of Quivering Flower, and is saddened Quivering Flower is how Bella died.

As discussed earlier, the reason Fragrance Queen was sad after learning Bella used Quivering Flower was likely because Fragrance Queen had experienced Lachesis dying for probably that very same reason (especially if she tried and failed to stop Lachesis from using it). This could reflect Chloe and Vera in Perfumer’s background. Chloe, once she realized what Vera’s true intentions had been some time after Chloe had already killed her, also became distraught over what she had done. It’s possible Fragrance Queen could have been similarly upset at Lachesis and her lies (about using Quivering Flower), but was gripped with regret and grief after she died.

Next is Phonograph. It’s unknown whether she was in the Golden Rose Theater company before Bella or if she joined with her. We do know she was one of Bella’s supporters and was looked down on by many of the other members for worshipping her so much. At the theater, she drove out enthusiastic fans that tried to sneak into Bella’s waiting room. At the time of Bella’s death, she was instructed by Bella to go out and buy something, so she was furious when she came back and found Scrooge already trying to have Kroto move into Bella’s suite. During the investigation, we discover that she was aware of Bella’s use of Quivering Flower, as well as how Kroto had given Bella some in return for pacifying DM, though when Inference tried to take one of the empty bottles, she became distraught and tried to hide it.

When Fragrance Queen asked if Bella used Quivering Flower, Phonograph responded that she hadn’t since it was banned. Along with this, we know from her reaction to Inference taking one of the empty bottles (as well as when she took the empty bottle from Jingle Bells) that she knew Bella had received some more from Kroto. It’s possible she may not have been initially aware how dangerous it was. Phonograph in regards to Quivering Flower may also reflect how Demi herself has drug resistance and how her brother’s “miracle drink” brought the two of them success. To Phonograph (and Demi), she might see something like Quivering Flower as a positive thing because, based on Demi, “achieving success through the use of miraculous effects” is a good thing to her. Whether or not there are side effects, she might believe that if it makes her loved ones successful and protects their pride, then it’s ok. This reflects how Phonograph worshipped Bella for her success, even with Quivering Flower, though it caused Bella to die in the end. This is similar to how Dovlin made her brother successful and proud, but it was also because of Dovlin that he left and never returned.

Regarding Phonograph’s relationship to Bella, Phonograph to Bella was like how Princess Lamballe was to Mary. Princess Lamballe was Mary’s best friend and remained so no matter what, all the way to Mary’s execution. Like Lamballe, Phonograph never stops supporting Bella, and even gets mad at Scrooge for making light of Bella’s death. It’s also like Lamballe for Phonograph to be criticized by the other members of the troupe, as this also happened to Lamballe due to her support of Mary.

Other than Phonograph, Sparrow is another supporter for Bella. He may have even potentially joined up (from another theater company) around the same time as her based on one of the rumors from the start of the event. As we can see during the event, Sparrow gets easily emotional when it comes to Bella, at which point Smarty usually has to step in to get him to calm down. For things other than Bella, he seems normal, and despite being told by Scrooge to keep quiet, he still helps with the Detective’s investigation of the stage equipment at Smarty’s intercession.

Sparrow’s blindness and lack of composure towards Bella reflect Mike’s feelings for Bernard, the head of the circus. Mike loves and believes in Bernard, despite Bernard being the same person who’s abusive to Murro. Bernard seems to have different attitudes towards the other circus members compared to the ones he liked. Mike didn’t seem to notice this other side of Bernard, or if he did, he didn’t comment on it. Bernard to Mike was Bella to Sparrow. So, Sparrow getting especially upset after Bella’s death is like the feelings he had after everyone at the circus (except Margaretha) died. Sparrow helping the Detective with his investigation into the circumstances surrounding Bella’s death is similar to how Mike himself is investigating who killed everyone at the circus.

Speaking of Smarty Pants, she unlike many of the others never talks about the actors’ performances. She never says anything for or against Bella, and doesn’t compare her to Kroto and Lachesis, which is likely why she is said to be Sparrow’s friend and why Sparrow can get along with her easily. She doesn’t seem to care if Kroto or Bella is better, and the only time she ever says anything is when Sparrow has an emotional outburst. We don’t even really get to see what her feelings are about Lachesis’ and Bella’s death. What we do know is she’s interested in stage control and preventing a repeat of the tragedy with Ronald’s father, which her feelings about are made very clear, especially with how her skin description is referring to it: “If time could be reversed like cogwheels, could the dead come back to life?”.

Smarty, along with Jingle, are described as the most responsible backstage workers. We know that she didn’t believe Ronald’s father was responsible for Lachesis’ death. After thoroughly reviewing the circumstances of Lachesis’ “fall”, she was able to exonerate Ronald’s father 10 years after the “accident”. Unfortunately, Ronald’s father had already died in prison. Her work to prove his innocence gained Ronald’s trust, as he calls her one of the only 2 “good” people, with the other being Inference.

Based on Smarty’s feeling about Ronald’s father and all her work to prove his father innocent, not to mention how an ex-worker of the Golden Rose Theater talks about Smarty, I think we can imply that Ronald’s father was likely Smarty’s senior in terms of stage control. Meaning Smarty was possibly there 10 years ago when Lachesis died and Ronald’s father was imprisoned.

One question that gives us is why it took 10 years for Smarty to prove Ronald’s father innocent?

Besides saying it’s because it took time, it could have to do with Ronald joining the theater. That could have brought her back to reality and got her to realize that the machine operator was someone’s father. Ronald doesn’t seem to hide the fact that he’s the son of the machine operator that was accused. To parallel this, Tracy has her Cowardly trait in game: “Years of indoor work have exacerbated the Mechanic's timidity. The mechanic becomes scared when a teammate is wounded or placed on a rocket chair”. It’s only when one of her teammates gets hurt that she seems to be affected. This could imply that Smarty also wasn’t affected and didn’t realize the full reality of things until she met Ronald, the son of the mechanic who was falsely accused of Lachesis’ death. Her trying to prove Ronald’s father innocent mirrors how she tried to prove how her own father didn’t merely die in an “accident”.

Another question about Smarty is how, despite how both her and Jingle are described as responsible, Smarty is the only one Ronald refers to as a “good” person. Not Jingle Bells. Why?

At the very beginning, Jingle nearly turned Inference away until Ronald intercedes and allows him to enter the theater. Jingle thought that Inference was just another fan at first, but even when Inference tries to present the red scarf, Jingle still refuses and says it’s not actually special. During performances, he oversaw the entrance leading to the 2nd floor where officials and nobility reside. On the day of Bella’s fall, he kept track of people going to and from the 1st and 2nd floor, and found an empty bottle of Quivering Flower at the scene of her fall (though he didn’t seem to know what it was). It was the same kind of bottle DM had given Bella several times before, with Jingle apparently delivering it to her each time. He had also seen Kroto go upstairs, but never come down. Jingle shows himself to be sincere about his work, and he still appears shocked and saddened after Bella’s death.

The issue with Jingle is that he knows important information but doesn’t tell anyone. He knows things that could’ve helped stop the incident or solve it faster, yet Jingle doesn’t say any more than what he’s asked. For example, when Inference shows him the red scarf to try to meet with Bella, Jingle’s reaction to it as well as his comment about it hints that Jingle in fact knew that Bella gave away the scarf. He may have even known it had been given to Kroto by Golden Scissors. Yet, all he says is how it’s not as special as Inference thinks. Then there’s how he knew Kroto hadn’t come down from the 2nd floor. If Smarty had known this, she might have been able to figure out who had touched the elevator. There’s also how he delivered the bottles from DM to Bella. If Fragrance Queen had been aware of this, or even about the empty bottle he had found, she could have realized Bella’s was using Quivering Flower, or if she knew about the deliveries before then, maybe she could’ve stopped Bella before she got herself killed.

This relates to Victor’s deductions. Victor isn’t good at communicating with people and he is also very tight-lipped. It’s also because of this tight-lipped nature that he’s entrusted with delivery work between the “Old Man” and the other party (gangs) that can’t be made public. Jingle, like Victor, is tight-lipped and doesn’t talk about things not related to his job. Even though he has quite a bit of information based on everything he said during the event, he won’t tell it to anyone because it’s not part of his job and because no one asks him about it) The only reason he spoke as much as he did in Act 3 is likely due to Sheriff Jose’s letter. That day, it was his job to cooperate with the detective’s investigation.

This “I know but won’t tell you because it’s not relevant to my work” is likely why Ronald decided Jingle wasn’t a good person. Ronald, as well as Norton, are both smart and good at noticing. He also understands this possibly because he, like Jingle/Victor, is the same kind of person.

Since I mentioned Golden Scissors, I’ll move to talk about him next. As I mentioned earlier, he was introduced in a newspaper along with Fragrance Queen, implying he was a well-known stylist. Currently, he works exclusively as Bella’s stylist, but any work Bella didn’t like he diverted to Kroto for a fee. “If the trade is fair, I don’t mind feeding her vanity a little bit”. He also has a habit of reading newspapers in the afternoon to help inspire his work. It was 1 of these newspapers that gave Inference a hint about the similarity between Bella’s case and Lachesis’ death.

Jack, like Golden Scissors, is someone who takes pride in his work. Jack is an artist, while Golden Scissors is a stylist. However, he doesn’t mention any feelings of regret or disappointment when talking about Bella discarding the red scarf. He remains surprisingly calm. The Ripper is said to have his “own unique set of standards for his ‘guest’”. This likely relates to his actions with Kroto. Another connection between Jack and Golden Scissors’ is his mask. It’s half black, half white, with 1 half smiling and the other sad, and has a crack running through the white side. This is ties to how Jack himself is split between Jack and the Ripper, and Jack, who isn’t happy about the Ripper and what he does, is the one who seems to be fading away, which explains the crack in the white half of the mask. Jack immersing himself in his work as the only way to calm the Ripper ties to Golden Scissors’ focus on his job.

There’s also how in Act 3 he shows Inference a newspaper that leads him to suspect Scrooge, as well as causes Sparrow to explode into the conversation, which leads to a lot of information and a sudden revelation of the truth. This action doesn’t seem to personally benefit Golden Scissors. All he did was step in when Encore was at a loss for words, hand the Detective the newspaper, and watch the resulting show. He doesn’t defend anyone like Sparrow or try to see what was bothering people like Fragrance Queen. This kind of role possibly reflects the Ripper. He doesn’t seem too particularly interested in what happens to the Golden Rose Theater or what it’s future is. The action of showing the newspaper may have been an intentional one to sow the seeds of confusion, as well as allow him to watch the results of his action for the benefit of his own amusement. Him finding the confusion in Act 3 interesting to watch may have been the only thing he cared about.

From Golden Scissors we go to Encore. She, like Sparrow, came from another theater company, with her current job being as “Stand-in”, as well as her custom of telling fortunes before performances. Unlike Sparrow though, she is a friend of Kroto’s and doesn’t think much of Bella and her worshippers. She is also superstitious and believes Lachesis holds a grudge against the theater. As a result of Bella’s accidental death, memories of Lachesis and her death resurface for people and result in them calling the theater cursed, making Encore even more nervous.

The reason Encore is friends with Kroto reflects Fiona in her own deductions in regards to her mother. Fiona was desperate to meet her mother’s excessive, strict expectations, but was never able to do so, with her mom’s disappointed comment of “Why couldn’t you have been more like me” to top it all off. Kroto, like Fiona, struggled in her own way amid her unfortunate circumstances. Her efforts were also easy to understand by those around her, as theatergoers could see her hard work and effort as well as her unhappiness, such as when Kroto gradually became more popular and yet wasn’t chosen as lead actress, or when Kroto was forced to substitute for Bella whenever Bella missed rehearsals.

Encore’s skin description also reflects these same sentiments: “Whenever the chants ‘Encore! Encore!’ roar throughout the theatre, I only wish they were meant for me.”. This is likely exactly what Fiona felt with her mother, always just wishing to meet her expectations and earn that praise, but like the cheers of the theater, Fiona herself never earned that praise. Encore’s job at the theater is also similar. She, as the “stand-in” oversees the interval show, which is performed to keep the audience occupied between acts while preparations are being made for the next act. It’s an important job but isn’t always seen as such despite all the work it takes. She wants to be recognized by the audience the same way she wants her mother to see all her effort trying to meet her expectations.

As a result, it’s no wonder Encore likely felt camaraderie with Kroto. Kroto worked hard as an actress but wasn’t rewarded for all her efforts. We also see how she, like Fiona, in the end left to go somewhere else. All this would explain why Encore isn’t supportive to Bella. From Encore’s point of view, Bella came off as a selfish person who relied on her natural talents and neglected rehearsals. She was gifted and wasn’t trying, yet had so many adoring fans.

Another person who didn’t seem to have much love for Bella was Commander, the theater’s logistics manager who, along with Phonograph, kicked out enthusiastic fans that tried to sneak backstage to see Bella. Rusty comments that she knows everything. Commander acknowledges Bella’s talent for acting but says Bella’s performance had been fluctuating lately, and comments she doesn’t like her attitude. She calls Bella’s personality not likeable and seems bugged about how she wasn’t close with any of the other theater members, not to mention calls her a lunatic for saying if she couldn’t deliver a flawless performance she’d rather die. In regards to Lachesis, she refers to her as a mix between Kroto and Bella, calls her arrogant, but never slacked off, didn’t ever miss a rehearsal, never made a mistake, and states she’s a “genius who’s deadly serious to the point of pathological”.

According to the Detective, she didn’t have any interest in Lachesis (at least in Act 1), compared to all she had to say about Bella. The only hints we get is Commander seemed to become “lost in some bad memories” regarding Lachesis’ death. This may hint Commander knew the truth about Lachesis’ death and Scrooge using her compensation to rebuild the theater, and so may be suspicious of him trying to do the same with Bella. It could also explain why she made a comment about how maybe Bella could’ve fallen in an accident, what with all the slacking of she’d done, but Lachesis, who never screwed up and was always flawless, would never have fallen in some accident during a performance.

The reason Commander didn’t seem to like Bella relates to Emma’s background. Emma had to go through her family falling apart. Her mother left, and later her father turning to drinking before later burning himself up in the factory, leaving Emma all alone, without a home or family. To Commander, the theater is like her home, and the theater group is her family, so she likely doesn’t want to see it falling apart (or be left alone). One of her goals is to protect it, which is why she kicks out the enthusiastic fans trying to sneak backstage, why she tries to figure things out and thus knows so much, and why she doesn’t like Bella’s behavior and how she didn’t get along with the other members of the theater.

This could also be why she wouldn’t like Scrooge and the tactics he was using to keep the theater afloat via insurance fraud. This could parallel Emma’s background, as Leo, her home, and life, was destroyed due to financial reasons. 1 thought why Commander didn’t accuse Scrooge 10 years ago if she knew the truth may be because she didn’t want to do something that would destroy the theater.

Now let’s discuss Rusty, the assistant screenwriter. Rusty is an interesting character, as he only ever shows up in Act 1. He doesn’t even show up in Act 2 to defend himself when everyone is proving their alibis (regarding Bella’s death). Ronald ends up being the one to provide it. The first time Rusty is mentioned is in a rumor that said Ronald and Rusty were the theater’s “silver tongues”. We first see him right after the Detective gets into the theater with Ronald’s help. He’s the one that made the comment about money and twisted love corrupting Scrooge’s talent. He also opens up more when he learns the Detective was a friend of DM, which includes informing us about Lachesis’ fall at the final performance, Scrooge obtaining money of unknown origin after Lachesis’ death, and that the sequel to “The Coin of Lachesis” is being rehearsed right then. He closes up when Inference asks for more information, telling him to instead talk to Commander.

From all this, Rusty is definitely suspicious, especially due to his lack of appearances, and even more especially from not showing up to give his alibi. He, like Jingle, seems to know more than he lets on. Rusty’s skin description seems to hint towards this: “If the duty of a detective is to seek out the truth behind every mystery, no matter how ugly it is, then the duty of a playwright is to provide an ending to every story, no matter how far it deviates from the truth”. This relates to Freddy’s thinking the law isn’t a permit for “what you may do” but a provision for “what you must not do”. His desire to “provide an ending” ties in with Rusty’s feelings towards Scrooge. Originally, he had joined the theater because he wanted to learn from the director who “used to be a talented writer”. As we know from his money and twisted love comment, he seems to have lost the respect he once had for him. Rusty feels that Scrooge lost his talent because of his obsession with Lachesis (and using her death for money).

Based on this and his goal to “provide an ending”, he may be working to undermine Scrooge. With him out of the way, Rusty would be able to give the ending to the story that Scrooge has proven himself unable to write (at least not adequately enough anymore).

The reason Rusty may have clammed up and told the Detective to talk to Commander instead was possibly to prevent himself from giving too much information and becoming a suspect later on. Freddy is clever, so his plans are bound to be well-thought out. That’s why Rusty knew to not give too much away, especially to a Detective.

I think wasn’t working alone. I think he had the support of both DM and Ronald. Regarding DM, the reason Rusty opened up when he heard Inference was friends with him might’ve been because he was allied with DM. With Ronald, this comes from the number of times we see the 2 together in some way. At the beginning, Ronald drops Inference off with Rusty before going to rehearsal. There’s even before then with the rumor how Ronald and Rusty are the “silver tongues” at the theater. Later, we see it’s Ronald who provides Rusty with his alibi. Further more, there’s how Ronald somehow seemed to know the Detective was coming to the theater to investigate, despite the fact only DM should’ve known that. On top of this, Ronald apparently was coming to greet the Detective right before rehearsal. Finally, there’s how DM is the one to suggest a lead actress to Ronald when he becomes the new owner, as well as how Rusty is likely the playwright at the Golden Rose Theater under Ronald.

So, why would these 3 work together? I think it’s because of their mutual interest and shared benefit. Not to mention, this fits Freddy’s deductions and how it says it’s good to have “more than one good partner” (and Norton has a similar deduction about needing helpers). We’ve already discussed Rusty, who wants to provide an end to the story, and how he wants Scrooge out of the way to do that. DM is likely cooperating due to his interest in the “hunt” (not to mention his interest in Bella, even after she dies). Finally, we have Ronald, who wants to become owner of the Golden Rose Theater and wants revenge on Scrooge for his father’s death.

Rusty and Ronald are potentially the source of the rumors we hear about, like the rumor about Rusty and Ronald being the “silver tongues” of the theater. This was listed as “gossip” and of “unknown source”. Gossip is exactly what Rusty was doing after hearing Inference knew DM. The reason for the rumor was likely to help them gather information. The other information we learn before the event begins is the “unreliable information” from the “butler” of the theater. Both this and the previous one are deliberately worded as to make us unsure if the information is reliable. It’s possible this 2nd bit of information also came from Rusty. This would be the kind of information we could describe as a “leak”. In that case, it could imply that another “leak” we saw later during the event also came from the same source. The information I’m referring to is the newspaper Golden Scissors had that discussed the compensation Scrooge received from Lachesis’s death, which helped him escape financial difficulties. This could’ve also been leaked by Rusty and Ronald to deliberately hurt Scrooge’s reputation.

If Rusty was working behind the scenes (against Scrooge), especially to help gather information (and also leak it to people), that could explain why Rusty was missing for so long, including in Act 3. Another of Freddy’s deductions parallel this: “This is an era of change, and you need to be privy to exclusive news to be successful!”. Finally, in the end when they are successful in getting Scrooge removed, this mirrors how Freddy was successful in getting Martha from Leo and getting Leo to fall into his trap (to buy the debt ridden factory and getting Leo to “disappear”).

As a final continuation of this, the fact the newspaper continues to describe Bella as having died via a fall, and Inference mentions “that gentleman must have something to do with it”, “that gentleman” is DM. I think this could be how Rusty and Ronald can leak information. With someone as high up as DM, he could help get the information they want to hurt Scrooge into a newspaper with his influence. Though I think the reason the newspaper didn’t report the truth about Bella more has to do with what DM wants than Rusty and Ronald. I think the reason DM kept the newspapers at the end of the event that way is because he didn’t want the truth about Bella dying via Quivering Flower to become public, as otherwise it might’ve made it difficult to hand out them out as gifts to the females he chases after, or made his “hunts” harder to do.

To finish our analysis of the event, we have Ronald. To a number of people, he may not have seemed very important in this story, but that’s probably the way he wanted it to be. Like Rusty, he was being sneaky and hiding his true intentions really well, which was why they were working behind the scenes regarding most of what they really did (and wanted). Ronald is the lead actor for a reason, even though some people may have forgotten that as the event went on. He was made the lead for a reason. It shows that he is a good actor, which is something reflected in Norton’s background, especially in Norton’s letter where Benny comments on Norton having a “polarized façade”. It’s also implied due to Ronald being called a “silver tongue”, which means “persuasive” or “eloquent”. Ronald, as well as Norton, are good at talking to people, convincing them of the things they want to convince them of, as well as are good at hiding their true intentions and feelings.

As an add on, he is also described as having “acumen”, which means “keen insight” or “shrewdness” (aka, he’s sharp). This helps prove the idea of him being able to notice the truth behind Jingle and how much he really knew but didn’t say, as well as how he like Rusty is able to gather information for their mutual goal. The “greed” he’s also referred to as having here can help prove the idea that he was working with Rusty to help get rid of Scrooge, for Ronald’s personal goal of revenge and so he could become owner of the theater.

The first time we hear about Ronald is after his father dies, when he’s forced to return from his studies in France to arrange his funeral. Interestingly, after the funeral it says “But no one heard from him since”. This implies Ronald disappeared after the funeral, only reappearing 10 years later when he joins Golden Rose Theater as the “new leading actor”.

When the Detective arrives at the Theater at the beginning of the event, we learn that him and Ronald know each other from serving in the military together. Ronald helps the Detective get into the theater, as well as continues to remain cooperative through the Detective’s investigation, before and after Bella’s death. Another detail we learn is that, despite how he has a certain amount of say in the theater, he doesn’t seem to be well respected by the other members of the group. Later on, he provided alibis for himself and Rusty during Act 2, showing neither of them could’ve killed Bella. By the end, we see that Ronald became the new owner of the theater.

Ronald studying in France, as well as his passion for performing, reflects Norton himself, as in his deductions we see hints about Norton’s eagerness to learn. This comes from the letters of recommendation we see in his deductions, which mentioned he didn’t stay with any one employer for too long, showing how he was going around learning what he could, getting different experiences, and likely developing and improving his techniques (the same way Ronald would be). Which would explain why all his past employers were saddened at not being able to keep him for longer.

Ronald studying from France also connects him to Bella and Lachesis, who are both from France. The fact he was studying could mean he was trying to be like Lachesis, as Bella wasn’t lead actress at the time. And him wanting to be as good as Lachesis might possibly stem from how Lachesis was mentioned to be “flawless”, never made a mistake, and did anything for the performance.

Ronald’s intellect also goes along with how Ronald constantly helps the Detective throughout his investigations. He’s the one to help him get into the theater. He’s the one introducing the Detective to most of the theater members, and he usually includes important snippets and details about each one (the fact he knows information about each person like this could be further proof to the idea mentioned earlier, with how him and Rusty are gathering information for the end goal of getting rid of Scrooge). Ronald also helps the Detective talk to people when the Detective needs to (or when it’s hard for the Detective to talk to the person himself).

Back with Ronald’s passion for performing, this shows that his main interest is in ensuring the performance is perfect. It doesn’t matter who the leading actress is to him as long as they perform their part well. That would explain his dislike for Bella. Unlike the reasons of most others, Ronald’s only reason for disliking Bella is because of her acting. She’s been missing rehearsals, and when she does perform in front of the other cast, it hasn’t been great (it apparently had been “fluctuating” recently, nowhere near flawless). That means if Bella had been able to do her job right, Ronald wouldn’t have cared that Bella was the lead actress instead of Kroto. Ronald is just serious about his role and the performance. This is just like Norton, who is a hard worker to the point of overworking from how he was always the “first to enter the mine, and the last to leave it”. Norton’s Season 12 Essence 2 skin, Wild Pitch, also is a hint to this aspect of Norton, about how he’s a hard worker who overworks to the point of seriously hurting himself and to the point of total exhaustion. He takes mining (and his interest in ore) seriously, and he puts all his effort into it to make sure it’s done as well as it can be done. So it would make sense he’d expect at least an adequate performance from his coworkers.

Also, with how smart Ronald is implied to be, it could make sense that he may have taken notice of Scrooge’s talent and that he wasn’t writing as well as he used to (due to his obsessions and everything from Lachesis’ death). That could be part of the reason why Ronald wants to be owner instead of Scrooge, the same way he thinks it might be better for Kroto to be lead actress instead of Bella. All because Bella and Scrooge aren’t doing good enough and he wants the performances to be as great as they can be.

Alongside his goal of becoming the owner of the Golden Rose Theater, the other reason Ronald is working against Scrooge is because he wants revenge for his father’s death. It’s because of Scrooge faking Lachesis’ death as an accident via fall that his dad was falsely accused of getting Lachesis killed, due to his father being in charge of the lift, and being imprisoned led to his death via a severe cold.

I think one of the official tweets on Ronald might hint at the importance of his father’s death to him and hint at him wanting revenge for it: https://twitter.com/IdentityVJP/status/1286919130658926594. Specifically, I’m referring to how it says “in the darkness of tragedy” and “only the rose on his chest continues to shine”. “Tragedy”. The one tragedy that happened to Ronald was his dad’s death. “Darkness” refers to how Ronald felt after his father’s death, which impacted him so greatly that “only the rose on his chest continues to shine”. This last bit might mean Ronald wasn’t happy after that day, that there wasn’t really any light in his life or in him afterwards (because all his light got taken away with his father’s death). If this impacted him so greatly, this helps prove Ronald had a strong desire to get revenge on the man responsible (Scrooge). Thus, the last bit of the tweet, which asks what Ronald wanted, might be hinting at Ronald wanting revenge and his desire to take Scrooge’s position as director and owner of the theater from him.

From the picture of this incident where we see Ronald crying over his father’s body, from Ronald’s disappearance after his dad’s funeral instead of returning to France to continue his studies, and only reappearing 10 years later when he joined the Golden Rose Theater, helps prove that Ronald did indeed care about his father. Enough to want revenge for his death.

This is why Ronald explores a lot of things personally and gathers information himself. Anything that might inconvenience Scrooge he likely spreads as rumors or via newspapers (with DM’s help). It’s also likely why he works so much with the Detective. Because he wants help getting the truth to come out.

The main reason Ronald likely joined the theater was probably to look into it and get his revenge (or find the information and whatever else he needed to achieve his revenge on Scrooge), as that theater was where Scrooge was.

Another reason I think Ronald wanted to be owner of the theater had to do with Norton’s background again. It’s the part about how despite having some say in even though he was the lead actor and the amount of talent he had to have had to get that position. It parallels what we learn about Norton from his profile in the Famitsu article, which hints at how he wasn’t treated well by the people around him. Before Norton went to the 13 mines, it mentions how others were intimidated by how hard he worked. After the accident, while Norton was recovering in the hospital, it mentions how no one really comforted him and instead avoided him. Finally, Ronald wanting to become owner of the theater can mirror Norton’s desire to change his status/fate (how he wants to move up) by acquiring wealth or finding gold. Ronald wants to be owner relates to part of the reason why Norton wants to change his fate. He wants to prove himself.

Ronald, like Norton, was a hard worker and exceptional at his job, but didn’t receive the respect and treatment he deserved (despite his position and talent). This was in part because of who his parents were (his dad was a lowly miner) and also because of Norton’s parents dying early and leaving Norton all alone. As a result of this, Ronald and Norton want to “prove” themselves and show them how good he really is. For Ronald, this means becoming owner of the Golden Rose Theater (and getting rid of Scrooge). For Norton, this was changing his status and earning the wealth he needed to do so (and showing those around him that he was capable of being more than what he was currently).

Ronald being willing to do whatever it took to achieve his goal is also similar to how Norton was so desperate to change his fate. Norton was tired of just being a miner, tired of not being treated well by the other miners and his employers, and he was depressed over how, now matter how hard he worked, he was still just as poor and likely to end up like the other homeless miners in hospice. But since effort alone wasn’t enough, he decided to try something else, which came in the form of his search through 13 mines in the hope of striking gold in a get rich quick scheme. Ronald and Norton being positive no matter how bad things look and remaining hopeful mirrors one of Norton’s deductions as well as the message a number of Norton’s skins seem to provide, which was how he had to keep being positive, and he couldn’t be affected by what others around him said or did.

Basically, one of Ronald’s hopes is that, if he can become owner, that will show everyone that he’s worthy of respect.

As a bit of further proof for this that Ronald wants revenge for his father, we can look at Act 2 which was when we learn Bella died. When it’s said that Bella “died on the spot”, we get a curious response: “I wasn’t sure what came to Ronald’s mind as he sighed and said ‘At least it didn’t look like she suffered much before she died.’”. Ronald commenting about Bella not having to suffer much is an interesting parallel when you think of how Ronald’s father died. He was sent to prison and suffered from a severe illness before dying. He didn’t die instantly. He suffered greatly. He was even in prison and didn’t have any family when he died, which likely made his suffering and death all the worse for Ronald’s father. The fact Ronald sighs before saying it, not to mention him making this kind of comment at all, I think is all a way of hinting at Ronald’s feelings regarding his father and the grudge he holds against Scrooge.

Actually, when I put it that way, that reminds me of Encore mentioning Lachesis still haunting the theater because she died with a grudge. What if it’s not Lachesis’ ghost haunting the theater holding a grudge? What if the grudge is actually Ronald’s? Encore is mentioned to be superstitious, and does things like fortune telling, while Fiona herself is also spiritual, interested in the occult, and possibly could have something like a 6th sense. Based on this, I think it’s possible Encore could tell something was there and someone had a grudge (especially considering how Encore does fortune telling), but may have guessed wrong about who that grudge belonged to. She’s said to be anxious over people calling the theater cursed with memories of Lachesis’ death being brought back due to Bella’s death, so it’d make sense she’d assume that the grudge belonged to her. But the fact that, when Encore is talking about grudges, the Detective is with Ronald at this time, I think could be a hint to the truth.

Also, when Ronald makes the comment about the only good people are Smarty and the Detective, this apparently comes after the cast of the performance was finalized, with Bella being the chosen as lead actress. Yet Bella refused to rehearse, and Scrooge refused to cancel the rehearsal or change the cast. I think this might be another hint at Ronald’s annoyance with Scrooge (and his desire to get rid of him), as Scrooge refusing to change the case or cancel the rehearsal even though Bella refused to rehearse likely upsets Ronald, who wants the performance be perfect and go as well as it can which won’t if Scrooge keeps making bad decisions. It is later confirmed that this (Scrooge’s actions about the rehearsal and cast) did in fact annoy him (it said he was “ticked off”), he’s mentioned to not be surprised (which could hint at him at this point already having an opinion on Scrooge and/or knows how he is by now). It’s also said that “By that time, Kroto could take on Bella’s role convincingly, so he didn’t really care whom he was going to perform with”. This goes back to what I said about Ronald doesn’t really hate Bella personally, he just wants someone who can perform well during the performance. So even if he didn’t care too much about Scrooge’s actions, as Kroto could still replace Bella if need be, it’s still a hint towards Ronald’s actual feelings.

There’s also Ronald’s comment about Smarty and the Detective being the only good people, which can be used as further proof. Smarty is “good” because she was the only member of the group to work to prove his father’s innocence, while the Detective is a friend from the military that Ronald says he really trusts.

I also think that Scrooge could be a parallel to Benny (just like the theory how Marshall from the Western themed story of Season 10 essence 1 may also represent Benny for Norton). Scrooge had an obsession with money, which is just like Benny (and Marshall) who also has an obsession with money and finding gold. Benny’s obsession with money could also be described as a “twisted love”. Marshall never finding real gold could parallel Benny’s failure to ever find real gold himself. There’s also how Scrooge is related to Ronald’s father death.

Once Ronald actually becomes owner of the theater, it’s mentioned he acquired a vast fortune from somewhere and used it to purchase the deed to the theater. This money was likely the compensation from Bella’s death.

The reason why Scrooge made it look like Bella (and Lachesis) died in accidents is because he wanted the money from their insurance policies. Therefore, Sheriff Jose likely arrested Scrooge and thus he was removed as owner of Golden Rose Theater due to insurance fraud. As a result, I think Scrooge wouldn’t have gotten any of the compensation money. Considering Kroto is said to be listed on those insurance policies too, I think the money would’ve gone to her.

1 option is Ronald got the money from Kroto. She didn’t even want to use Bella’s suite due to thinking Lachesis cursed it. So maybe after everything that happened at the theater and everything Kroto did, she just wanted to get away from the theater and everything. That could include the compensation she received from Bella’s death. So maybe she gave it to the 1 person she knew wanted Golden Rose Theater. Kroto does say all she wants is to show she’s worthy of being the spotlight or something. It’s also possible she gave it because she liked Ronald. This comes from the comment that Kroto likes “red and covets things that don’t belong to her”. Ronald wears mostly red. There’s also how during the Golden Rose Theater trailer, Kroto has hearts in her eyes while seeming to be looking at Ronald. Ronald could be something she can’t have based on his personality, his focus on revenge for his father and replacing Scrooge, and how he mainly only cares about the performance (plus especially if Ronald stays at the theater while Kroto wants to get away from the place).

Either way, I don’t think Ronald did anything dirty or underhanded to get the money. We’ve already gone over how smart Ronald actually is. If he was willing to invite the Detective over to the theater after Ronald became the owner, especially with how well Ronald knows the Detective and he fully well knows just how smart the Detective is, especially right after the Detective’s investigations, I doubt he would’ve done something bad. Not to mention, I doubt he would’ve done something like or as bad as insurance fraud right after Scrooge was (likely) just caught and charged for that very thing. It’d be like a criminal calling the police right after he robbed a store. It doesn’t make a lot of sense (at least for a normal person, as we aren’t going to talk about some of the weird stories where this sort of thing likely happens). Not to mention, Ronald is mentioned to “really trust” the Detective. From what we’ve seen and heard from the Detective as well as Ronald, I honestly think the 2 of them are friends (the very beginning of the event has the Detective mentioning him and Ronald are friends), that they (at least somewhat on the Detective’s side) trust each other, and so wouldn’t do anything to get themselves in trouble with each other.

If anything, the 2nd option as to where Ronald got the money is maybe he got it from DM. Considering his interest in beautiful things, in the “hunt”, and how he quickly moves on after Bella’s death, he probably wants the theater to go on so he will continue to have sources of entertainment (and people to “hunt”). Also, I have discussed how Ronald and DM were working together. So it wouldn’t be much of a surprise if DM was willing to fund Ronald to become the owner.

Nearing the end now. I know some people might make some comparisons between Ronald and the Phantom from the Phantom of the Opera, but when I checked I didn’t see enough connections between them. Yes, Ronald has a mask covering part of his face, but the Phantom wears his mask to hide/cover his disfigurement, while Ronald’s mask doesn’t (it actually covers everything but the burn scar on his face). Then there’s how the Phantom is obsessed with Christine, but this love element is absent in regards to Ronald, who wants revenge on Scrooge. There’s also how the Phantom threatens the opera house to do what he says or else he’ll do something bad. Ronald never threatens anyone, and even if he might be working against Scrooge, he’s doing it secretly. Most of what he does is help the Detective with his investigations and maybe leak information to newspapers, but that isn’t the same as what the Phantom does. The Phantom in the story already seems to be in control of the theater, while Ronald in the Golden Rose Theater event is trying to work his way up to be owner of the theater.

The second to last thing is Ronald’s description and how it relates to Norton. This has been hard for me to figure out. “It's you, the strings that weave our destiny - let it become the web that entangles us all.” The first half should refer to Kroto. This is because Kroto is based on Clotho, who in Greek myth was the one to spin the thread of a person’s “destiny”. As to the 2nd half may refer to how Kroto was essentially the one to start the whole chain of events that occurred during the Golden Rose Theater event. Her being jealous of Bella, leading to her pretending to be her and talk to DM, which makes DM call Inference to go to the theater, which causes Kroto to have to give more Quivering Flower to Bella and thus lead to her death. With Bella dead, Scrooge tries to take advantage of it to acquire more money from her insurance policy, and Inference stays longer to solve that case, leading to the truth about Scrooge faking Bella’s (and Lachesis’) deaths and thus gets him arrested, which allows Ronald to finally get his revenge and replace Scrooge as owner. All in all, this would explain why Ronald would hope that the ”web” Kroto “weaves” would “entangle” everyone. This allowed him the opportunity to reach his goal and get what he wanted.

It's harder for me to determine how his description relates to Norton himself though. Maybe for his backstory, in place of Kroto it’s supposed to be Benny and the old miners. Benny was the reason Norton received an opportunity to find gold when Norton was failing to change his fate from simple hard work. Though he never got the gold in the end, he did get the meteorite magnets and was able to change his profession so he’d no longer have to be a miner (geological prospecting is actually the very sort of thing Norton would likely enjoy considering his canon interests and talents). There’s also how I still think Benny was involved in the death of Norton’s father, so by going after the gold alone and not helping Benny could be like a form of revenge for Norton’s father.

The very last thing I have is about Ronald’s name.

To set this up, the Detective mentions when he first meets Ronald that “we called him ‘Ronald of Nice’”. This is said immediately after the Detective comments how Ronald is an old friend from the army, and right before he says “we hadn’t seen each other for years”. This means it was him and his other pals from the army that called him “Ronald of Nice” and not the other members of the Golden Rose Theater.

Ronald is a name from Old Norse that is composed of “advice, counsel, decision” and “power, ruler”. “Advice” or “counsel” could relate to how Ronald was helping the Detective all throughout his investigation, introducing him to the different members and briefly explaining who they were, as well as talking to people when the Detective couldn’t, how Ronald helps the Detective figure things out, and various other ways. Regarding the “power” or “ruler” part, this could relate to how Ronald is the lead actor of the Golden Rose Theater, as well as could refer to Ronald’s desire to become owner of the Golden Rose Theater.

Regarding the last part of his name, “Nice” is a city in France. Sometimes called “Nice the Beautiful”, the city was founded by the Greeks and named after Nike, the Greek goddess of victory. The connection to the Greeks fits with how much they’re connected to the main lore of the game, while Nike and “victory” may connect to Norton’s Highway Cavalier skin, as he achieves “victory” in COA 4. Inference says that Ronald’s name reflects his personality. Therefore, maybe what he’s saying is that Ronald is someone who wants to win and works hard to achieve “victory” or success.

That’s everything I have. Hope this was a fun journey for everyone. I’m not the most knowledgeable on some of the topics I mentioned in here, so don’t be too harsh with me. I don’t mind constructive criticism though.

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