#Me: but what if you needed carrots

[imhere-imqueer-ilikedeer]

I would have a new chapter of Respawn Denied out shortly, but someone *glares at impulse* is refUSING TO LEAVE THE DAMN HOUSE WHEN I TELL HIM TOO!!!!

[moonilit]

FFXVI serving some of the best dynamics

[ashertickler]

aaron and smartass.

enemies to lovers.

i'm talking office tensions, forced proximity, interpersonal standoffs, and miscommunication

JUST SAYING. THAT WOULD BE DEVOURED BY ME AND MY FELLOW AARON STANS... NEED IT SO BADLY... UGH GIMME IT FIC WRITERS PLSSS

[girlivealwaysbean]

you guys eating healthy food sucks because now I eat unhealthy food and my stomach immediately starts hurting

[porcelainfreak-zacrucian]

Fucking hell I am going to have A WEEK

[kiwiplaetzchen]

Who is Joshua and why did you hurt him? Why did he touch the carrots and leave? A selfish bastard?

Joshua got what Joshua deserved. And it got served cold and without love. Just how Joshua likes it.

[autism-swagger]

Euergh I'm having more Tara thoughts while listening to music

[you-hate-time-travel]

thank you, food youtuber, for making that dick joke. that was so necessary

[butts-bouncing-on-the-beltway]

On the one hand I haven't eaten anything today and that's definitely a failure by rehab standards, on the other hand I ate an entire 2000 calories yesterday and if I eat anything right now I think I might throw up. So.

I guess it is what it is. I just want to be a normal person who eats normal amounts of food. Why is that so damn hard?

[anotherpapercut]

is there something in the boomer mind that makes them think it's acceptable to stare at you for an extended period of time when you are doing something they discern to be slightly out of the norm

[transfemgorgug]

You know typically in posts that put the lives of USian citizens above the lives of Palestinians y’all at least pay lip service to the people you’re willing to let Kamala genocide because you’re shaking in your boots about Project 2025. Interesting strategy here to instead completely ignore all of Kamala’s Bush-esque policy promises and act like it’s so #girlboss to vote in the self-described Top Cop and there’s zero nuance whatsoever. What exactly does Kamala offer Palestinian-Americans, and for that matter Arab-Americans as a whole, that they should vote for her?

due to systemic oppression, usamerican leftists don't currently have the political power to instate a leftist president. we do, however, have enough power to make one of two candidates lose the election. we could use this power to make the white supremacist lose to the black woman, or we could use it to make the black woman lose to the white supremacist. the obvious choice for leftists would be to prioritize making the white supremacist lose, but tumblr users have devised a loop hole, where they agitate primarily for making the black woman lose, but omit the detail about who she would be losing to. this makes their stance more palatable to people who correctly believe that having a white supremacist president would be the worst possible outcome.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[thelightintheattic]

my mom visiting and trying to turn me to the light <3

[mortalityplays]

talking about impenetrable accents/dialect just reminded me. when I was in Milan a couple of years back I was staying in this little rathole hotel and I had the biggest fucking migraine, so I was like non c'è problema I'll just go buy painkillers. of course every pharmacy on the map in a three block radius was closed, so my stupid ass just starts wandering around trying to figure out on the fly if you can get OTC from supermarkets in italy.

I walk into this little everything store (to my foreign eyes the kind of place that back home could sell you a bunch of carrots, a 6-pack of beer, pantyhose, bleach and a screwdriver set) and I see some household basics in the back but not what I need. with the confidence of a person who is only in the city for 3 days because he got bored and packed a bag and booked the cheapest flight available the week before (<= MENTAL ILLNESS), I was like no worries I know some italian, I can just ask.

I grab a bottle of water, walk up to the counter, and I'm like Ciao, hai il paracetamolo? And the guy is like che, and I'm like paracetamolo. Per la mia testa. And he's like che?

This is where I would have said 'aspirina' except I can't take aspirin for medical reasons, or 'antidolorifico' except I don't know that word and I've got no phone data for google translate and also I'm stupid. So in my fucked up leith-glasgow-italian accent I'm like paaa-ra-cetta-mollll-ooo. He's like ohhh bene, bene, and he calls another guy out of the back and asks him to go get something. Other guy then walks out of the store into the street, and before I can be like hey, che la fuck, he comes back and hands me a huge bundle of herbs.

At this point I'm like okay this entire interaction has been a bust, but these guys have been very nice and patient and they're both smiling happily at me because they've been of service, so I'm like ahh perfetto, grazie, pay them a couple of euros and leave.

EVENTUALLY I find a pharmacy that's open, and my head is fucking killing me, and my phone still isn't connecting, and now I have this small shrubbery poking out of my coat pocket, so I don't even bother looking around the shelves. I just walk straight to the counter and I'm like uhh ciao, scusi. And hearing my nightmare of an accent the guy answers in english and I'm like thank christ, do you please have paracetamol. Not aspirin, I can't take aspirin. And he's like yeah yeah hold on, goes into the back, comes out with what I need.

Only when he comes out he gives me this look, and then he starts laughing. And then he pretends he's not laughing and rings me up and I pay, and as I'm leaving I can see him losing it. But I don't care, my head is going to explode, I'm going back to the rathole to close the blinds and fall comatose for four hours.

When I get back to my hotel room I take off my coat and remember the huge bouquet of herbs in my pocket. They smell amazing, and I'm like I'm pretty sure this is parsley in which case I can just get some tomatoes and mozzarella later and make it work. but since I have no idea what that interaction was, I want to make sure. I bring out my phone to get a visual reference of what parsley leaves look like, and because I was using it for google translate earlier I put 'parsley' in the wrong box like a dope and translate it to italian.

prezzemolo

I wish I could have been the pharmacist in the moment he looked at my tired pissed off anglophone ass, heard me say 'paracetamol' in my fucked up accent, and turned around saw what was in my pocket. I'd have lost my shit too.

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[noisilyscreechingsong]

Damian is de-aged to a baby and lost in Gotham. A magic user hit him with some kind of spell. His legs don’t work as well and he has trouble walking. That’s when a man appears and squats down with a tilt of his head.

“Yea, you are definitely not supposed to be out here, little guy.”

Damian glares at the man, early twenties, stubble along his jaw, ragged clothes, and dark bags under his eyes.

The man turns his head to look at the brick wall.

“Are you sure?”

And now he was talking to a wall. Curses. Of course he would be found by a crazy person.

The man suddenly hangs his head with a deep sigh. He regains himself quickly and stands. Moving closer to put his hands under Damian arms to lift him to perch on his hip.

Damian squirms to get down but refuses to make a sound. The last time he opened his mouth like this it was a pathetic baby sound. He couldn’t let this man see him like this.

“Looks like you’re coming home with me, little guy. I can tell you’ve got some spirit in you. Good, you’ll need it.”

Not ominous at all.

Damian stays with the man, mostly because he couldn’t physically drive a car, but also because he was almost always with him. The man would talk to air at the most random times. Obviously a schizophrenic. But Damian had to admit this man, Danny he comes to find out through a neighbor baby talking at him, has been genuinely trying to take care of him and take care of him well. Well, to the best of his abilities anyway. 

He feeds him organic purées that don’t taste half bad, except the carrots, that one was unacceptable. Danny cleans him regularly despite his crappy apartment and makes sure he is dressed appropriately for the weather. He makes an effort to take him out to the park to play in the sandbox or just walk around discovering ‘new’ things.

Damian doesn’t need a parent, he outgrew the concept when he was five and technically he already had one, but he could tell Danny would make an excellent father. Some mistakes can be overlooked compared to the effort he was putting in.

The only concerning thing was the talking to thin air. It took Damian an embarrassing amount of time to figure out the reason Danny was visiting all these random people and the graveyard. (Sometimes he will set Damian down to ‘play’ in the grass at the cemetery. It was quite odd.)

He was talking to ghosts. It wasn’t thin air or imaginary friends, no it was actually dead people. The reason Damian actually believes this is for two reasons.

One, Danny shows true results. Damian observes closely whenever they visit a ‘client’ and Danny always has accurate information despite never looking up or researching anything going in.

Two, he never calls himself a medium or psychic. He doesn’t boast about his ability to see ghosts. He does what he does to help the ghosts move on to the other side. Closure is what Danny always says. Closure for the family and the victim. In Gotham, there are a lot of victims.

Damian adjusts to his new life with Danny. It’s been five months and he’s getting used to being small and vulnerable. He’s allowed to be messy and whiny and childish. Danny never scolds him like Mother did. The man has never hit him or raised his voice at him and never expects anything from him. He encourages his progression to speak and walk, but doesn’t expect the best out of him.

It’s… nice. A good break if anything.

They are at the park when one of the bats spot him and pauses. Danny is blowing bubbles into the air and Damian tries to pop as many as he can. It’s a silly game with no clear rules, but Damian finds it entertaining nonetheless.

“Hi there! Is he yours?”

Dick Grayson wears a bright smile, but Damian can see the tightness around his eyes.

“Huh? Oh, yea, this is Damian,” Danny answers.

He had written it with the wooden blocks Danny had given him one week in. Danny took one look at the name on the ground, laughed loudly and ran with it.

“Do you mind if I say hi? He’s so cute.”

Danny looks puzzled by the request but ends up shrugging his shoulders, not seeing a problem with letting a stranger get close to Damian. (Damian knew Danny’s intense eyes were watching Dick’s every move. He was very protective like that.)

“Sure.”

Dick squats down to search Damian’s green eyes. Damian stares back just as intensely.

“Hey there, Damian. My name is Dick.”

Damian gives him a flat look at Dick’s terrible introduction.

“Grayson.”

Although with his little baby teeth not fully in it sounds more like ‘way-shah’.

Relief flashes across Dick’s face and he gives Damian a reassuring smile. It’s not as reassuring at he thinks it is. It promises to bring him home and restore him to his original age. Damian doesn’t know if that’s what he wants anymore.

Dick stands and gives Danny some imaginary excuse to leave quickly. Damian watches him go and so does Danny.

“Funny guy, huh Dami?”

Damian doesn’t respond and Danny notices his change in mood.

“Come here, little guy.”

He knows what Danny is going to do and willingly goes. He is pulled up into the man’s lap and held between two surprisingly muscular arms. Danny’s hugs are nice and warm. They aren’t too tight like Dick’s nor are they stiff like Bruce’s. He never thought he could enjoy human contact, but Danny has been showing him things about himself he didn’t ever know. Turns out he does like hugs and playing airplane and when Danny runs his fingers through his hair when he’s really sleepy.

“Let’s go home a little early today, huh? I’ll make spaghetti and you can be as messy as you want,” Danny promises.

Damian hums. Yes, that sounds nice.

That night Batman comes in through the window. Damian is waiting.

“Damian,” Batman whispers.

“Bah-mun.”

The flat, unamused stare is what gives him away.

Batman lets out a breath silently and reaches into the crib Danny had gotten him.

“I wouldn’t do that if I were you.”

Batman jerks into action, twisting to face Danny who had appeared suddenly. The door behind him is still closed.

Batman stays quiet, silently studying the man before him dressed in pajama pants and a worn t-shirt.

Danny tilts his head as he does the same. Damian has never seen the man so serious. He silently worries for the man. He didn’t want him getting hurt to unnecessarily protecting him from his father.

“I’d have to break your arm if you tried to do what it looks like you’re doing.”

Danny says it so plainly. So simple.

Batman straightens.

“He isn’t yours.”

He doesn’t say Damian is his. He doesn’t claim him as his own. Just that Danny shouldn’t have him.

Damian silently agrees because technically he’s right. He doesn’t deserve Danny. He can’t keep playing house like he’s an actual baby. But Damian is also selfish and over the last few months has been taught that it’s okay to ask for things he wants even if it’s not inherently beneficial. The stuffed dog he sleeps with every night is proof of that.

So Damian says nothing.

“He is now,” Danny answers simply like there was no other answer to such a statement.

“He needs to go back to where he belongs.”

“Over my dead body,” is the immediate response.

They stare each other down until Danny scoffs.

“Don’t think I’m not petty enough to fight you, Batman. I’ll fight anyone who wants to take him from me. Damian is mine.”

When Batman tries to forcibly take him, he ends up with a concussion, a blood nose, and two broken arms. Red Robin finds him in a dumpster the next morning.

The story continues with Damian learning how to be a child his age, Danny protecting him and doting on his brilliant son, and the Batfam’s frequent failed attempts to kidnap Damian back to them.