#Maybe you guys should be taught more modern history and not about about the same dudes for several years in a row

[oifaaa]

in united states public school we learn about the american revolution and the first three presidents (minus the fact that they had slaves and abused their families bc how dare we portray them as anything but heroes on a pedastal) every year from when we're 8 to when we're 14, we have one year for generalized world history and if you're lucky one year to learn about a very white-centric view of pre-1700's north america and prehistory

Doesn't that get a bit boring? Now I'm thinking about it tho I think I'd say 95% of my history classes would have been modern history basically anything from the industrial revolution onwards like the world wars, the Russian revolution followed by the cold war including modules on the Vietnam war and Korean war, and then obviously American civil rights movement, the Irish famine, Irish war of independence, irish civil war and finally a lot about the troubles - in fact I think the only two times I can remember learning about anything older is in primary we learnt about ancient Egypt and in first year of secondary we learnt about the native Americans

[fang-and-feather]

Summer Storm

Ikemen Vampire - Napoleon x Female Reader

This is a kind of AU, where Napoleon got reincarnated instead of becoming a vampire. It had some more plot, but I repurposed most of it for a more fitting scene for after this fic.

The ending is not much to my taste, but it felt right and flows well into the following plot

Written for the Sexy Ikemen Summer event by @xxsycamore, Location: Abandoned mansion, Technique: Forgo underwear on the date

Words: 2,525

Summary: You and Napoleon take a detour on your honeymoon plans for the day, only to find yourself trapped in the old mansion by a sudden summer storm. While waiting for the weather to clear, the two of you decide to pass time in the most appropriate manner for a honeymoon.

Tags: Oral Sex (female receiving), Teasing, Getting Caught, Accidental Exibitionism, Modern Setting

IkeVamp Masterlist / General Masterlist / AO3 Link

You roamed the hallways of the old mansion. Besides the heavy coating of dust and the wild grass outside, this place didn’t even look like it had been abandoned for a few decades, but the thundering of the sudden summer storm that started short after your improvised guides left made it seem creepy, anyway.

“Doesn’t look like we’ll be able to call a taxi from here.” Your husband spoke, looking at his phone, that probably had no signal. You checked yours. Nothing either. “It might be just a passing storm. Do you want to wait and see if it will pass, or should we try to brave it and get back to the city?”

“I would rather not lose our food in this weather. We can wait until lunch and if it doesn’t pass, we try to get to a place with better signal. I think the only reason people lived all the way out here is because they didn’t have phones.”

“Or because they were vampires.”

By his tone alone, you knew Napoleon was not serious, but you still caught your thoughts lingering on what your guide had told you, about how her grandmother had once worked in this mansion for a comte, under a name that seemed to pop in an out of history, in a way that legends about him being immortal and a vampire started to spread.

You didn’t even know if the original, legendary comte was real, and the one that woman’s grandmother worked for was certainly a different person.

“That’s probably just a rich people thing.” You shrugged. “Even if you wanted to believe in vampires, what about the other guys? In our times, by the curious collection of names, it would make sense for them to be, too. But over a century ago, it didn’t.”

“I’m just joking, nunuche.” Napoleon laughed, ruffling your hair.

“I know. Or I would have to believe you are the Emperor himself, too.”

Both of you laughed. It wasn’t unusual for this kind of joke to be brought up between the two of you, whenever Napoleon did something that made you think he was living up to his name. Or from the kids from the school he taught at.

Maybe it was this eerie atmosphere that had you entertaining such notions as vampires.

You went through a few more rooms, listening to Napoleon talk about a few other rumors he’d heard, on that first day you had some late things to work on and he went out to surprise you by finding a good place for dinner.

Why was it that your only time apart during the whole honeymoon trip had been so eventful for him?

Then something caught your eye, and a shiver ran through your spine, Napoleon’s voice growing distant.

There was something weird about the huge double doors that made you halt. You had seen a similar door on your previous trip to Paris, at the Louvre. You remembered, because you were curious about it. It was obvious the visitors didn’t go through it often, as nobody else paid it any attention, but it also wasn’t a restricted room, as it wasn’t guarded.

You remembered well the glimpse of the hallway with its artifacts, but before you could go through, Napoleon called out to you and you decided to go see what he wanted, and you never really went back.

Now you were seeing the same door, in a very different place. A house said to be inhabited by an old vampire… and you remembered the gentleman you met at the Louvre that same day…

You let out a startled cry when strong arms wrapped around your waist, only for them to be followed by the laughter of your husband.

“Sorry nunuche. I realized you weren’t following me. Did you really let these stories get to you?”

“Maybe.” You laughed nervously at your own wild imagination. Just because it was a similar door didn’t mean they had anything to do with one another. And you weren’t even sure it looked the same, you might just be mixing the details. “It’s this rain giving everything creepy vibes.”

He hummed, tightening his hold on you.

“Well, we are alone and not going anywhere for a while. Why don’t I distract you from these vibes while we wait?”

Before you could ask what he meant, one of his hands had moved to caress your thigh, light touches that had you shivering in an entirely different way.

His lips descended upon your neck, tracing a path with open-mouthed kisses from the base up.

You tried to hold back your moans. Even knowing there was nobody around, you couldn’t shake the feeling that someone would hear you.

But it was hard to keep your voice down with how Napoleon teased you, tracing random patterns up and down your thigh with ghostly touches, and never moving where you really wanted him.

You tried to close your legs to get some friction, but Napoleon moved one of his legs to between yours, halting your movements.

“Patience, mon amour. We’ll get there in a moment.” He whispered, before his mouth was on your neck again.

His kisses moved slowly to the side of your neck, and you tilted your head to give him better access.

Napoleon briefly pulled away to shift his position. The hand that had been around your waist moving to your other thigh, while the one that had been teasing you caressed up your arm, before carefully sliding the straps of your dress off your shoulders.

His kisses moved down to the junction of your neck, then Napoleon licked the spot, then kissed it again and his teeth grazed your skin.

Like a vampire teasing a prey. And you wouldn’t mind if he really was one.

When he nibbled on your skin, you couldn’t contain your moans anymore. He finally moved his hand up your thigh, at the same time his other hand aliped in the front of your dress, finding you completely bare for him.

The revelation gave him a brief pause before he chuckled, nibbling one of your ears.

“When have you become such a naughty girl, nunuche? Dressed like this in public.”

“Well, we weren’t planning to…” a moan escaped you as his hand returned to its exploration “...stay in public…” it was hard to keep your thoughts coherent, especially when his mouth returned to teasing your ear “and it is our honeymoon…” both of his hands moved to your sensitive spots, one lightly pinching one of your nipples, the other rubbing your clit “...I wanted to… surprise you…”

“Then you don’t mind if I indulge in your boldness, right?”

You whined as Napoleon stopped what he was doing, only for him to spin you around and, with a hand tangling in your hair and the other holding your waist, he kissed you.

He still tasted faintly of the ice cream you had on the way here, but in a warm way. You wrapped your arms around his neck and pressed your body against his, grinding your hips against the bulge in his pants.

Napoleon groaned into the kiss, and the hand on your waist slipped downward, under your dress again, groping your ass, before his other hand supported your back and he hoisted you up and you wrapped your legs around his waist.

Between kisses only broken long enough for you to take a breath, he carried you to the nearest room. He put you on the ground to shed his jacket, before pulling you tight against his body again, his hand returning to groping your ass and teasing your legs as he humped you.

When the two of you grew too breathless, Napoleon scooped you up and placed you sitting on a chair that apparently had been covered by his jacket to protect from the dust.

You finally took a deep breath, fanning yourself.

“Are we really doing this here?” You weren’t expecting more than the foreplay you were already in the process of. Maybe an actual handjob if you were willing to get off here.

Napoleon leaned over you, supporting his weight on the back of the chair. There wasn’t much light, but you could see him clearly in this position, and he looked like he could devour you.

You gulped and readjusted your dress, feeling even hotter than before, which you didn’t think possible.

“You don’t mind if I take a little treat before we can get back to the hotel, do you, ma douce reine?”

A surprisingly needy whine escaped you at the salacious way he made these words sound.

“I would mind if you didn’t.” You muttered back, diverting your gaze as soon as you did so.

Napoleon chuckled, tilting the chair back with one hand, while the other caressed your face, cupping your cheek as he leaned closer to give you a lingering, sweet kiss.

The chair was propped against the wall as he moved to kiss a path down your jaw, your neck and the exposed top of your breasts, where he lingered long enough on one to leave a hickey over each.

Then the chair was gently lowered back to the floor, as he dropped to one knee before you.

The mood had changed so quickly from wild to romantic. Not that you were complaining as he hiked your skirt up and gently parted your legs, placing a reverent kiss to the side of a knee. You hummed, running your fingers through his bi-colored hair.

“You know” he placed another kiss up your leg, “I’m glad our excursion got interrupted.” Another kiss, and his hand caressing your lower leg. “The rest of the excursion… would have been harsh… on both of us… with you looking… like this.” He spoke, alternating words with kisses, higher every time, until you thought he would reach the spot you were waiting for, only for him to switch to giving your other leg the same treatment.

His touch might not be teasing anymore, but that didn’t keep him from gently teasing you still. The wait was almost maddening, with how your desire ached within you, but any movement you tried to make his hand was there to casually stop you.

“Napoleon…” you tried to complain, but it came out as more of a moan when he gently bit your thigh.

“I will get there, chérie.” Napoleon pulled away enough to look up at you. “If you keep trying to hurry me, I don’t think I will be able to control myself. I’ll just have this until we get back.”

You rarely minded if he lost control, but maybe here was not the best place for it to happen. You still got a strange sense from this house.

“What about you?”

“Making my wife happy is enough for me.” He grinned. “For now.”

Napoleon knelt down properly and pulled you a little forward to get better access.

The featherlight kiss first placed on your clit was already electrifying, your body shuddered and you tried to thrust against his mouth, once again impossibility by him holding you in place.

The kiss was followed by a slow lick that had you moaning even louder than before. Your hand tangled in his hair again, holding him closer, and you were rewarded by his lips wrapping around your clit and his teasing tongue brushing against it in a lighter manner. And then repeated that, again and again, almost like tickling you.

He talked about losing control in a place like this, but if he kept teasing, you would be the one who would have to take charge of the situation, and it certainly wouldn’t stop at this if you did.

“I… thought you said… we didn’t… have time.”

You pulled him closer, and he responded by sucking at you, then licking again, but not in that playful manner. Napoleon was serious now, and you would probably regret pressing him for it here, when you would have to walk after.

You shivered and straightened up when his teeth dragged over your clit, making you squirm and tighten your hold on him. Napoleon groaned and redoubled his efforts to rob you of all reason.

It wouldn’t take much effort at all. Not when you were at the mercy of the man you loved. Not with his amazing skills. And especially not when he had teased you to your limit already.

Napoleon knew that, and soon his hand joined his mouth in attacking your sensitive spots. You were so ready for it, that a couple of fingers slipped into you with ease, moving in and out a few times, before curling up to rub the spot he knew that, especially combined with the sucking of his mouth, would make you see stars and scream his name.

And scream you did, totally forgetting yourself to the pleasure that intensified, coursing through you like an electric current, sending you into an explosive climax.

But he didn’t give you much time to come down from your high, hand and mouth switching spots as he licked you clean, while still massaging your clit with deft fingers.

In the haze of pleasure, you thought you heard a sound in the distance, but it barely registered in your mind as your husband drove you towards a second orgasm.

The second time caught just a bit more of your attention, just enough for you to cast a glance at the door and see a glint in the little light there was in the hallway. Maybe a glimpse of someone folding their sunglasses before it disappeared, probably being put away.

There was a brief thought in your mind of stopping Napoleon, even before the shadow blocked the faint illumination of the room. Even when your half-lidded eyes caught a glimpse of a pair of blue ones taking in the sight of you. And Napoleon, his eyes closed and focus on your pleasure, didn’t notice a thing.

You had heard stories from daring friends getting caught and how it immediately ruined the mood. That’s what you thought should happen. That was not what was happening.

You threw your head back, letting out a loud moan as your clit was lightly pinched, then another as you were brought to a new climax, despite the weird circumstances.

You feared Napoleon’s reaction when he realized the situation you were in, but he remained oblivious to it and seemed ready to continue his assault on you, so you had to stop him.

Before you could do so, though, the figure at the door finally spoke.

“As much as I would love to continue watching the show, you shouldn’t be here, should you?”

You blushed, adjusting the top of your dress and immediately closing your legs as Napoleon stood up, startled.

When you thought about going after some new emotions on your honeymoon, this was not what you had in mind. It would have been better if this place wasn’t empty from the start, even haunted or inhabited by vampires, than being caught in such an embarrassing situation. And the realization that, deep down, you didn’t hate it at all.

Tag List: @tele86, @nightghoul381, @natimiles, @bicayaya

@eventinelysplayground, @queengiuliettafirstlady

If you want to be tagged/untagged on future writings, you can reply to this post or send me a message

IkeVamp Masterlist / General Masterlist

[thebestpartofwakingup]

unfortunately the educational institution of "Archiving and exhibiting things that were/are influential" just coincidentally prioritizes pieces or examples of artists who were, or are, influential over a larger body of work. It's not that different from being mad that Susan B. Anthony gets taught about in schools for thinking (white) women should be allowed to vote but that you, a person in 2024 who ALSO thinks women should be allowed to vote, is NOT a subject of discussion in schools.

i don't have the money or fame or time to get into a gallery or a museum (which, are NOT the same things for the same reason a privately owned bookstore and a public library are not the same thing) but I do have the literacy to read the plaques AT the museum that explain why a piece is where it is ---- yes there are a LOT of modern pieces that LOOK like or are influenced by Jackson Pollock , but they're not Jackson Pollock and so they do not represent the same history that Jackson Pollock 's pieces represent in the same way a piece of armor from the Crusades isn't the same as a french WW2 soldier's uniform even though they were both worn by French guys in a war.

Maybe that's condescending but I am sick and tired of seeing people across the political spectrum make this same mistake over and over and OVER again in regards to any and all public educational services. "Why fund the libraries if they're going to carry books by old Englishmen and not enough trans WOC?" shelf space is limited and without further funding they HAVE to serve the widest breadth of guests possible. "Why does the zoo highlight how 'cute' animals are instead of their ecological importance?" promotional space is limited and without further funding they HAVE to serve the widest breadth of guests possible.

You want more folk art? More varied folk art? More modern and more local outsider art on display in the museums in your area? You HAVE to ask for it, because "Modern abstract art is classist" doesn't translate to more modern art by local and outsider and poor and discriminated against arts being put on display in your local museum, it leads to funding being cut from those exhibits and archival space for those pieces shrinking because it is a PERFECT wedge issue for people who want the entire museum closed or privatized

The problem with "I could do [X popular modern art piece]" being responded to with "then go ahead and do it!" is that I think the point that a lot of people are making is not so much "this artwork has no value" but rather "modern popular art is a heavily gatekept industry that you cannot enter into without requisite pre-existing social cachet".

So even if someone is technically/artistically able to create something on the level of a gallery piece (and, to be honest, I think substantially more people have that ability than anyone would be likely to admit) they do not exist in an environment where they have the financial freedom or recognition for that to be possible or worthwhile.

I assure you that there are millions of people who absolutely could and would want to make Pollock style abstract paintings or giant time-consuming sculptures made with garbage or whatever, but they're currently stuck in a low wage job and if they quit in order to make their masterpiece then nobody would bat an eye and they would go broke because they wouldn't have the sociocultural weight to impart that special numinous reverence that "high art" is granted, and which makes it financially viable as a thing to spend your time doing.

It is also true that a lot of people who have that cachet are able to spend their time making pretty much whatever, and will still be able to support themselves even if the art itself is fairly mediocre outside of the time dedicated to its creation.

Anyway, I feel that people are perfectly valid in feeling a sense of vague resentment at that when they visit galleries holding paint/canvas combinations that sell for more than they will earn in several years. I mean it speaks to what society is implying about their worth as a person. I don't think that it's as much about arrogance and entitlement as people like to pretend, because a lot of that comes from buying into the mystique of the Worthy Artist anyway.

[bakujho]

Another rant about some Shady Eels

So, back again to talk about the shady eels though this time focusing on how with the information we’ve been given we can pretty well confirm the Leech family are mafia. We’ve gotten a few solid gems of information the last little while, pretty well confirming what we always figured. Octavinelle has got that mafia theme, so everyone expected some shadiness, but the info we’ve been fed about the Leech parents really brings home that it’s not just the dorm theme, and that the twins and Azul aren’t just “cosplaying as mafia baddies for aesthetic”. 

So what exactly do we KNOW? 

The twins were taught self defense by their parents from a young age. (Jade voice lines)

When they were children their parents ‘associates’ would buy them luxury or rare  birthday gifts...then were made to sign waivers saying that the gift had no ulterior motives and wouldn’t constitute a favour in return.  (Jade birthday)

Their father has told them that appearances on land are important, and to pay close attention to the little details. (When Idia asks for further clarification, he cuts Floyd off before he goes further saying that any further and he feels like he’d be “ensnared by darkness”) (Floyd dance and wishes wish)

There were many parties back in the Leech household, but they were more formal in nature. (floyd birthday)

Eels have a “tough guy” image in the sea, and them being carnivores doesn’t help. (floyd birthday)

Mama leech worries about her babies and contacts them often (jade birthday)

That they have a family run business, that has contacts with a LOT of kinds of different people. Jade tells us it’s VERY normal. (jade birthday)

Leech parents have spoiled their kids before, so they’re likely fairly well off. (floyd birthday)

Floyd seems to have a bit of a sore spot regarding humans (floyd robes) 

So obviously, without 100% confirmation, it’s impossible to say MAFIA LEECH ARE CANON, but with everything we’ve been given I’m pretty confident in saying it’s damn likely. That’s not even the fun part, cause it’s so surface level obvious considering Octavinelles theme, I decided to jump into it more. @chillableu​ had posted a comment in a shared discord that really got my brain whirring about WHY the mafia fam is maybe a bigger thing than just aesthetic, and I haven’t been able to stop thinking about it since. Headcanon accepted, chilla. I thank you. (I took out your name in case you didn’t want anyone on discord to find you by it)

  I’ll put the rest of this under a cut since it’s really just me theorizing and head canoning a whole ton of shit about the Leech fam based on humans treating fish as lesser beings incapable of the same level of emotions and intelligence as themselves, adding in bits from other media that has mermaids, mythology, and a touch of the history of the mafia.

Not even really sure where to start with this, but here we go. So, What if the Leech fam (be it great grandpa/grandma leech or current Leeches) started the mafia as a way to protect themselves due to the mistreatment of merfolk that were more “monster” like than the regular human kind mermaids we’ve only seen up until now. Its reported that the original Sicilian mafia started as a way for certain families that were facing persecution from the rest of the towns that eventually spiraled into the crime syndicates we all know from various media today. Outside of the twins and Azul, all the other merfolk that have been shown in game have been the “fully human on top, fish bottom” type, and with Azul being bullied because we was a rare 8 legged mermaid, and the magicamonsters from the Halloween event seeing merfloyd and remarking how RARE it was to see one, so I’m thinking that maybe the Leech fam started as a way to protect themselves, since if carnivorous merfolk are seen as more brutish, they may have seen a lot of discrimination from other merfolk and humans alike. 

It’s no secret that Toboso has been covering a lot of heavy topics dressed up in Disney clothes, and has already addressed discrimination and fetishization with the scarabia, savanaclaw, and more recently Diasomnia boys (well, mostly Malleus in the halloween event being treated like an object). So what I’m thinking is that there’s an underlying problem in the twstverse, where non-humans are treated badly, and non-humans with monster features even more so. So the leech fam bands together with whatever other monster like merfolk families there are and create their own little area in the coral sea, and eventually expand out into other types of business until they’re in a comfortable enough position to not really worry about any backlash anymore. Floyd has shown some distaste before about being ordered around by humans, which could be an ingrained quality from his parents, or he himself may have experienced some form of mistreatment at the hands of humans before. If the leech fam has a lot of ‘associates’ I think it’s safe to say that they weren’t the only ones feeling abandoned by the normal merfolk and humans .

In Japanese folklore there are creatures called Ningyo (basically human fish), which were both feared as creatures that would bring calamity and misfortune, and prized as their flesh was supposed to be sweet tasting and grant near immortality if eaten. Mermaids in a lot of more modern media are also more nuanced than the “beautiful fish that sailors fall in love with”. Even in One Piece, there’s the mermaids that are captured and sold off to the rich as prize objects to collect and display, and the Fishmen, which are the strong brutes that are ostracised by nearly everyone in series for them simply being fish. If Toboso wanted to touch on the mythology in TWST it would make sense that the more monster-like mermaids have created their own sub-society separate from the regular merfolk. During the Halloween event, the children seem to be pretty scared by Floyd because he’s huge, so what if that’s nothing new for him and why he’s so good with kids? Cause as a mermaid they’re used to people being openly scared of them without any good reason outside of their appearance. I also suspect that Floyd and Jade have a few more siblings, since in one of Floyds home screen lines he says that he’s not the youngest nor the oldest, and tbh, eels lay thousands of eggs, so it wouldn’t be surprising that he knew how to deal with the kid without any struggle. 

What if, when the eels are first hatched they’re a lot smaller than they were and like in the original article that started all of this, humans were needlessly cruel to them and many of them died out of sheer neglect, or that humans just didn’t think merfolk as capable as having acute emotions and saw them as lowly fish rather than sentient beings. We saw with the Magicamonsters that there’s a complete disregard for the feelings of Malleus when they made it a challenge to touch his horns and get a picture, so I imagine that has to extend to merfolk as well when they’re actually seen. That same mindset could have extended to the regular mermaids as well, which is why mermaids like Azul were so tormented for being different, even though they’re all fucking mermaids at the end of the day. So bringing this back to the Leech fam, they decided that they weren’t going to stand for the same level of discrimination from humans and other merfolk alike and began building their own empire. They have contacts in the sea that extend to those on land (otherwise how would the twins get the rare land items for their birthdays), and have an extensive network of associates, with the added bonus of brilliant mermaid twins, one of which is incredibly cunning, the other quick to violence and both of them raised to defend themselves should the need arise. 

So basically, I’m fully on the “Mafia Leech Fam is canon for real” train and at this point it’s going to be very hard to change my mind. I feel like there were a few more things I wanted to touch on with this but they’ve poofed themselves into the depths of my mind somewhere, so I may have to come back to them later. If you have anything to add, please let me know cause brain rotting about the Leech fam is honestly one of my favourite past times right now.

[therenlover]

How The Evans (+ Quicksilver) Would React To Yoplait’s New Gushers Yogurt

a/n: I don’t honestly know how I came up with this. I guess I just really liked the yogurt I bought (I have big Gilear Faeth vibes rn) and decided I wanted to share it with all the Evans and you guys. I hope you enjoy and, like, maybe go buy some if you’re intrigued.

Warnings: Mild language, very small non-graphic mention of murder, recreational drug usage (Tate is a stoner, sue me)

--------

Tate Langdon

Because he died as a teen in the early 90′s, Tate would be a big fan of the types of crazy, super processed and flashy snacks that came out of that era.

Tate pretty much lived on 3D Doritos and Crystal Pepsi before his death. He still misses Dunkaroos.

He also has the biggest appetite of any ghost in the house because when he smokes he gets phantom munchies, so he sneaks into the kitchen and steals snacks to fulfill his cravings.

His first encounter with gushers yogurt would be on a snack run for the two of you while you were both zooted to high hell. 

He would return almost entirely snackless, fully fixated on the little yellow cup in his hand. 

“What the hell is this?” “Uh, yogurt?” “No, it’s not just yogurt, it’s weird!”

You’d finally look up from your place on the bed to find Tate in the doorway, red eyed, giving the yogurt cup a thousand yard stare.

Tate would be extremely confused because as far as he knew gushers were filled fruit snacks and definitely did NOT belong inside yogurt.

“Does it have gushers in it or something? Because that sounds awful,” “Kind of? It’s like... well, it would be easier to show you than to explain it. Did you bring a spoon?”

Of course he hadn’t.

When he did return with a spoon the two of you shared it.

Unsurprisingly, Tate didn’t hate it. It was a little weird, but overall it reminded him of the rare good times he had when he was still alive and the house hadn’t fully sunk it’s claws into him yet.

His favorite flavor is green apple. It just matches his vibe. 

Kit Walker

Kit is a man with pretty old fashioned values. He’s the kind of person who believes that he should be able to provide for his family so you don’t have to work. He also thinks it’s important for you to spend time with the kids because he’s gone at work so much.

This whole situation combined with the fact that money was a little tight led to you taking Thomas and Julia with you whenever you had to run errands and they weren’t at school.

One such time you were grocery shopping. That’s when they found the gushers yogurt.

 Kids have an eye for sweet things. Any food labelled like a dessert will make them go crazy, even if it’s just a flavored yogurt. 

In the end you bought a few. They were cheap enough that they didn’t make a huge difference to your budget and they were perfect to go in the kids lunches. 

Only the next morning did you realize that when you got the kids their yogurts you forgot to get Kit his own plain ones to put in his lunch. You mulled over your options and, in the end, decided to give Kit one of the gushers ones in his lunch pail for work. it’s just flavored yogurt, what could go wrong?

A lot, apparently.

At around lunch time you got a call from Kit at the shop.

“Mrs. Walka’, I believe I might have picked up the wrong lunch today,”

You’d immediately ask him what was wrong before remembering the yogurt.

“Nope, that’s yours Kit,” “Sweetheart, you’re killing me,” “Did I forget a spoon?”

Kit would explain, after some laughter, that the guys at the auto shop were giving him shit about the ‘kids yogurt’ in his lunch.

If you tried to apologize he’d stop you. It was all the same to him, he just wanted to make sure he hadn’t taken one of the kid’s lunches accidentally.

You’d laugh about it later as a bright spot in what ended up to be a long and tedious day for the both of you.

Besides that one occasion Kit wouldn’t eat gushers yogurt often, but sometimes if he was home during breakfast he’d have a cup of it with his cereal or toast.

He’s a fan of the classics, so his favorite flavor is tropical punch.

Kyle Spencer

Before his death, Kyle wouldn’t have any strong feelings towards gushers yogurt besides liking that it was a cheap snack that went on sale a lot.

As a broke college student with a calcium deficiency, he would appreciate it for what it was, a sweet means to an end.

After his death, though, it would be a different story.

Franken-Kyle had to re-learn all of his basic life skills from the ground up after the accident, which meant chewing food and not choking weren’t things he knew how to do automatically

In the time while he still couldn’t eat by himself, you fed him a lot of yogurt.

Most of the time it was cheaper and more pleasant that the baby food or health puree alternatives. It also was a food he had eaten pretty regularly when he was alive, so you thought it might make him happy to have some sense of normalcy in his new world.

He enjoyed the gushers yogurt particularly for a few reasons.

For one, it had fun colors! The bright reds, blues, and greens were entertaining and more mentally stimulating than the normal neutral colors of his food. It was also sweet, kind of like a dessert instead of a meal.

The big selling point, though, was the popping bubbles inside.

For a while after his death all Kyle ate were smooth semi-liquid foods he couldn’t possibly choke on while he re-learned how to feed himself. Gushers yogurt, though, had little popping bubbles that added texture while also not being large enough to choke on.

It was a win-win for both of you.

Even once Kyle had regained his ability to chew and eat normally, he still liked to have gushers yogurt with his breakfast.

“Bu...bbles,” “Huh?” “I want....bubbles” “Oh! You want the yogurt with the bubbles, Ky? I’ll get it in a second,” 

He wouldn’t have the words to express it, but the real reason Kyle likes gushers yogurt and continues to eat it is that it reminds him of you and the time you spent together while you taught him how to live again. 

His favorite is blue raspberry by a large margin. He enjoys tropical punch too, but he dislikes green apple.

Jimmy Darling

Jimmy has very few opinions when it comes to food. To him, eating is just something he has to do to keep himself alive and performing, so he doesn’t put much thought into what and when he eats, even at the diner.

When you first met him, he was barely eating one good meal a day just because he was so busy. 

So, one of the things you started to do when you and Jimmy got closer was bring him little snacks throughout the day he could eat quickly to keep him going.

They weren’t huge things, just an apple here and a sandwich there, but Jimmy really appreciated you putting in the effort to search him out and keep him healthy.

 The gushers yogurt would be introduced, once again, because it’s super inexpensive. 

You were out shopping for Jimmy’s snacks when you found it on sale, 20 for $10. It was a great deal, and Jimmy’s diet was severely lacking in calcium, so you bought a bunch of different flavors and brought one to him as a trial-run the next day after a performance.

“Hey dollface, you got something for me?” “I just might,” 

Only after he swept you up into a crushing hug would you be able to offer him the yogurt, which he’d take gratefully and eat in less than a minute. 

You took this as a good sign, and ended up buying some for Jimmy whenever it was on sale.

He asked you about why you bought them once and you genuinely couldn’t give him an answer. You just thought they were an easy snack and found they were on sale a lot more often than other things were.

Jimmy doesn’t have a favorite flavor, but if you asked him he’d just respond with whatever your favorite was.

James Patrick March

James Patrick March doesn’t usually have strong feelings about trivial things. As a serial killer and a ghost, small strange details of life in the 21st century just aren’t important enough for him to care about. Even modern foods with all of their artificial dyes and preservatives don’t tend to bother him. Well, all except one...

He fully believes that gushers yogurt is the worst, most evil thing that man has ever created in history, including himself.

It is entirely irrational how much he hates it.

The weirdest part is that he doesn’t mind how it tastes, he just has a random grudge against it by principle.

The first time he saw it was after Liz picked some up for you while she was out getting some groceries for the hotel.

James had come into the habit of asking you to make him grocery lists so the hotel had foods you enjoyed ever since the hoover stew incident. This time you had asked for something sweet you could eat as a snack between meals. Liz ended up picking out the gushers yogurts along with a few other little snacks

When you ran down to the kitchen to help Liz and Iris put the groceries away you grabbed a cup and ended up taking it upstairs so you could eat something while you were reading in bed.

It just so happens that James was finishing up with some office work and walked into your room right as you ate a spoonful of the bright blue yogurt. 

He was, to say the very least, concerned. 

Why was it that color? Food is not supposed to be that color???? And what were those little lumps?

While he fussed over your health, you held out your spoon and offered him a bite. He was skeptical at first, and his fears were only confirmed when he accepted the bite.

His delicate 1920′s tastebuds couldn’t take it.

“Darling, how do you eat that slop?” “James, it’s just yogurt!” “That is not yogurt, it’s an affront to the universe,”

Never one to back down in the face of James, you asked Liz to keep buying them every time she went out for groceries

Things were quiet until, a few months later, you found James standing over a recent kill eating a gushers yogurt.

“Darling, this isn’t what it looks like,” “I think it’s exactly what it looks like,” “There wasn’t anything else in the fridge,” “James, you’re dead. You don’t have to eat,” “...drat,”

James is adamant that he doesn’t have a favorite flavor because he hates it.... but its actually tropical punch.

Rory Monahan 

Rory normally wouldn’t feel any which way about gushers yogurt.

Don’t get me wrong, he’s a goof and has nothing against eating fun little dessert yogurt, there’s just no reason for him or you to buy and eat it.

But if he got a brand deal with Yoplait to advertise it?

Count him in.

You’re eating gushers yogurt with every meal while he vlogs.

Breakfast? Yup. Lunch? Yup. Dinner? Yup.

Oh, you’re getting a snack? Well the only snack Rory bought when he ran out to the store is gushers yogurt. 

It’s all over his social media.

He ends up becoming the face of Yoplait and does quite a few primetime commercials, which surprisingly help out with his career. Think what Shaq is the The General Auto Insurance. 

“Now with new popping bubbles that gush with roarin’ fruity flavor,” “pffffft!” “What! It’s paying our bills!” 

Despite being surrounded by gushers yogurt, Rory wouldn’t actually have a favorite flavor. Once you eat that much yogurt it all tastes exactly the same.

Kai Anderson

Kai... well Kai is a tough one, as usual.

He’s not someone who likes to be perceived as weak, and what’s weaker than a man who’s seen eating flavored yogurt made for kids?

Well, a lot of things, but Kai’s toxic masculinity doesn’t let him see that.

In his eyes, gushers yogurt is simply not befitting of the divine ruler.

If you were close enough to him to offer some in a private moment, he’d probably find some way to use it in a weird, extended metaphor about the world in the hopes of manipulating you.

“In this world there’s people like me, like this yogurt, and people like you, fragile bubbles waiting to burst and spread your issues to the people who can still be saved. People like me cushion-” “Oh shut up and eat your yogurt, Kai,” 

Kai doesn’t have a favorite flavor, but kind of like James he’s only being pretentious. Who knew divine rulers are above picking favorite flavors?

Peter Maximoff

Peter would be the most on-board of anybody on the gushers yogurt trend. Like, even more on board than Kyle. 

This man uses a loooot of energy while he’s running around, so he needs super sugary foods like twinkies to be around for his inevitable snackfests at random hours of the day.

He also loves junk food. At one point you started wondering whether the X-gene prevented Peter from getting cavities, because he eats more sugar than anybody else you know. 

You like to go shopping with Peter because it keeps him from stealing (well, keeps him from stealing as much, but that’s beside the point) and even though he acts like a literal child whenever you make him come with you, he appreciates slowing down and spending time doing something you like.

Usually he gets bored easily in the “healthy food” aisles at the grocery store, meaning anything that isn’t the soda, chips, or snack aisles, but during a random trip to the store he suddenly rushed off out of your sight while you were in the dairy aisle picking up cottage cheese.

When he came back a second later, his arms were full of yogurt.

“Peter, what are you doing?” “Have you seen these? Look at the flavors! They have starburst, and key lime pie, and gushers with popping beads!!!! Popping! Beads!”

You would try to insist that he didn’t need to buy that much yogurt, especially because he hadn’t tried it before and didn’t know if he’d like it, but Peter would give you his world famous puppy dog eyes and you’d give in. 

From then on he’d have gushers yogurt (and starburst yogurt, to be honest) in his mini-fridge most of the time.

You didn’t mind. Technically it was healthier than his twinkie addiction, so as long as your speedster was getting calcium in his diet you weren’t about to complain.

He probably has stronger bones than Wolverine with all the yogurt he eats.

His favorite flavor is green apple, but he’d say it’s blue raspberry to go with his aesthetic. 

[hamphobicbasil]

Could u elaborate about the dsmp story being bad? Not a rabid/brain dead fan, just genuinely curious and I enjoy reading people's rants lolol

oh you dont know the floodgates you just opened

a few things:

1. despite not liking the creators of the dsmp anymore, I don't actually hate most of them. [the ones that are particularly unsavory fall outside of this of course] so all that I'm saying i truly mean in a critical sense towards the story, its also just all purely my opinion as someone who enjoys fictional and fantasy stories and who like criticizing works to see what it does well and what it doesn't do well

2. for clarification I'm going to use the c![name] to indicate when I'm talking about the characters. Don't get me wrong, I think its annoying too but its the only way I'm gonna be able to write this thing without getting something across the wrong way yknow?

3. I stopped watching the streams after November 16th, [save for one Techno one but I closed out after a particularly bad story beat lol] and so all information coming afterward is all second hand from either me seeing people on twt talk abt it or people dming me. All i really know is up to dream's imprisonment and some stuff past that.

4. This is mostly aimed towards the "main" story, so stuff abt the badlands, eggpire, and whatnot are briefly mentioned.

anyways uh, i'll try to be brief but also include enough information to get why i feel the way i do on some stuff across

A. Performances Alright obviously these people are all streamers, so obviously they might not be the best actors, and hell no one is even asking that of them. However, when you're telling a story that's based on the audio with the visuals kinda coming to a second, it's gotta be pretty strong. I will say, some of the best actors in my opinion are Wilbur, Tommy, and Tubbo. I would include Ranboo but I never watched any of his story bits or story streams so I can't say much. Wilbur and Tommy are excellent in selling their character's emotions and feelings, when I watch the stream I don't feel like I'm watching an rp but an actual thought-out story yknow? And one of my favorite Tubbo examples was in the Hog Hunt video whenever Techno attacked him, he sounded genuinely afraid and I believed everything his character was feeling.

However, unfortunately, not everyone is gonna be that good. And I'm gonna say it; Dream and Techno have to be the worst out of the entire cast. I understand Techno's whole character is this monotoned badass, however, when really emotional moments hit I feel like he never lets that fall, and a lot of intense moments just ring hollow. And I'm sorry but Dream's attempts at being intimidating leave me laughing whenever I watch them. It feels like he watched that one scene from The Marriage with Adam Driver and Scarlett Johannson and said "Oh this is what good acting looks like! Just yelling." His whole "I don't give a FUCK about Spirit!" speech isn't as great as people keep making it out to be. And whenever he tries to act coy when being a villain it feels like a guy reading the script for the first time, a bit like he's trying too hard. I have more problems with his character but his portrayal certainly doesn't help.

Everyone else is fine, and I don't feel strongly either way about a lot of them.

B. The "Lore" Okay first off, I can't be the only one who thinks it's silly that people are calling the dsmp's story "lore" when it's not, it's the fucking story. Lore indicates backstory to either the world or the characters, which a lot of the streams don't really pertain to. This is a really petty section but god it's a weird pet peeve of mine.

Other than the misusage of "lore" vs "story", the actual lore and world-building of the world are so lackluster that new elements can be introduced whenever and it often feels cluttered or not well thought out at all. And here's the thing, I feel like if the writers sat down just for a few minutes to establish world rules and general history, a lot of this could be solved! but so much is made up on the spot that it starts to feel like they're grabbing at straws to keep people invested, trying to reach that next high and intense story beat without actually earning it.

C. The Egg / Eggpire This is a pretty minor note since I was only invested in the Egg storyline for a little bit, but god it's so underused that it's almost embarrassing. Bad has provided this super interesting antagonistic force that's infecting the SMP, can control people, and who one of our main character is immune to, and it's just never used or even talked about again? Now I understand if he wanted to keep it to a side storyline only, however, to introduce this borderline eldritch creature and force within the world and then never have it dealt with is so weird.

D. The Writing Oh boy this is. kinda a big one. Now I'm not gonna lie, it's pretty obvious I have a bias for the Wilbur writing over the current team [that consisting of Dream, Quackity, and Tommy mostly]. I don't this his writing is perfect by any means, the characters constantly bringing up traitors got obnoxious after a while, and writing Hamilton but in Minecraft really isn't the modern Shakespeare or anything. However, I think his exploration of characters and plot progression was a lot more thought out and well planned, like he actually had two brain cells behind the story yknow? The current team I think fails to be as emotional or even impactful, things happened too fast and my god was everything drowned in angst for so long.

Don't get me wrong, you gotta have your characters face hardships to make them reach their goal believable, but some of the shit they put the characters through just felt like too much. From c!Tubbo's constant comparison to c!Schlatt [who btw, fucking ordered his death and kept him from his friends in a nation he felt trapped in] and on a side note, i kinda really fucking dislike the "c!Schlatt dad!!" au's or the au's where c!Tubbo inherits some of Schlatt's features, it would be like c!Tommy getting a c!Dream mask after his exile, it's feels so weird yet people eat that shit up for some reason.

But god, did c!Tommy get the brunt of it all and in retrospect after his final death, it kinda feels really fucking gross. Now obviously, I'm not trusting any of these people to write decent mental health representation, but c!Tommy's PTSD and how it was explored was just degrading. [Specifically the scene in that one Techno stream where he saw the final control room from the first war, and had a flashback / panic attack where he started calling out for c!Dream. I understand this is an actual thing people with PTSD will experience, but it felt so fucking stereotypical it got on my nerves. I actually had to close out of the stream because it made me feel sick, fiction shouldn't leave you feeling that way.] And don't get me started on how they basically reused the formula from the previous arc. [Problem introduced -> Tensions rise as things start to fall apart -> Big confrontation -> Exile -> Return from Exile -> Blowing up L'Manberg, again.]

And speaking of characters-

E. Character Arcs, or the lack of them In my genuine opinion, some of these characters' arcs are so disappointing. Especially c!Tommy's. I'm not one to believe that he was a "selfish" character or anything, however, his goals were simply set on his discs and maybe c!Tubbo, he didn't have much outside that. However, L'Manberg gave him something to care about, he gave up his discs for it and he fought for it tooth and nail, I think it taught him to open up to others and trust more. It was a great character arc for him to have, seeing him still fight even after his first exile alongside c!Wilbur, to return safely to the nation that he and his found family had built.

But then his second exile happened, and I feel like all of that was undone.

c!Tommy's exile genuinely pisses me off for so many reasons. It's not that characters can't have their low points after reaching a major change or feeling like they've "completed" their arcs or anything, but it's more of the fact that it seems like he's never going to heal that feels like a spit in the face, especially to people who might have had setbacks like that before. Progress isn't linear, sometimes things happen and you get knocked back down, it can take a while to get back up, but I don't think c!Tommy's character is ever going to be allowed to get back up. From c!Dream, who pretty much was a constant abuser in his life, killing him then reviving him, and his still fractured relationship with c!Tubbo, which by the way I have a had time believing they would still be friends after all that happened, it feels like he can never get a win and it's generally kinda a shit way to treat your characters who have been abused. Of course, not all abused characters are going to get happy endings, I'm not trying to dictate that they all should, but c!Tommy deserves one and the fact that it's so obscure feels shitty.

Side note: we still don't have a canon reason to give a shit abt the discs. Like I'm sorry but without some sorta connection to the MacGuffin why should we give a shit about him getting them other than "he wants them lol". Like hell, I would even accept the classic "they were the last gifts from his parents" or something, but we still don't have a reason.

c!Tubbo also lacks a fulfilling arc as well, from someone who started out as a yes man, he has progressed a bit into having his own interests first, but besides that sometimes his character makes me so. depressed. He's easily one of the most pushed around and hated characters within the story, all for being a kid who didn't know what to do and he's in the same vein as c!Tommy; these kids can't get a break. Also, his anti-violence beliefs morphing into the "lets kill c!Techno lol!" bit was so out of place and without proper build-up it was like. what. And now he's building nukes?? god c!Tubbo makes me so sad because he's kicked around constantly and never given a chance to grow.

Another small note, I also don't really enjoy c!Techno at all. Besides the previously stated reasons of lack of emotions when they're really needed, I find his character to be weirdly pretentious. He talks as if he's constantly been betrayed and hurt but I personally, don't see it? Like, I think one of the main examples was the Pogtopia vs. Manberg war, yknow he wanted to end the government but they just reinstated it after they won = c!Techno upset. But this doesn't make sense to me because why did he think otherwise? The entire time c!Tommy had talked about taking back their nation and starting again, so the fact that c!Techno suddenly thought there would be a sudden change is, to put it bluntly, kinda fucking stupid. I don't want to say that he "plays the victim" or anything because that feels a bit harsh, but his character feels so far up his own ass that I can't enjoy him.

I have a major grip with c!Dream as well, but that's getting it's own fucking section.

F. L'Manberg This is a quick note before we get into the, forgive me for this, endgame, of this entire rant, since the next two sections are tied together. But god, L'Manberg makes me upset because it feels like they gave up on it.

Don't get me wrong, I understand that it is supposed to be c!Wilbur's "unfinished symphony", the thing that destroyed a once charismatic and widely loved man, his attempt at power that utterly ruined him. But the fact that it just got blown up in the end after everything and left to rot felt like such a waste of time. From the first war, to Pogtopia, to even c!Tommy's exile, it all felt fucking worthless in the end, and the story is actively closer to how it was when it started now more than ever. I wished it was actually allowed to exist and continue to be a peaceful place in what is a chaotic world, but no it was just snuffed out because why dedicate to this concept of finding others you can band together with and feel safe. fuck that noise apparently?

G. The Villains Now villain-wise, I'm only talking about c!Dream [during the first war], c!Schlatt, and c!Wilbur. And believe it or not, this is actually mostly positive.

Now I'm not gonna lie, c!Dream as a staring antagonist wasn't bad actually, he posed a genuine and threatening opposition to L'Manberg, even if we didn't know his real intentions or motivations as to why he was against it. He's lucky in this sense because he didn't have to be good, he had to be passable. If anything, he felt more like an anti-hero than a tyrant or traditional villain, and my god do I wish he kept this theme going forward.

Now quick disclaimer, I don't like JSchlatt as much as the next guy, he's an adult man who should know better than to joke about some sensitive topics and act the way that he does. But the one thing I'll ever give him is that damn, was he a good actor for his character.

Now here's the thing, c!Schlatt wasn't particularly deep at all. He had no real motivations behind his exile of c!Wilbur and c!Tommy other than getting competition out of the way, had no reason to act the way that he did and yknow? that's fine. The reason why he worked was from his performance alone, he was actually intimidating. When he came onto the stream and was doing his typical bad guy stuff, it was actually intense to see what he would do. Whenever he would almost catch c!Tommy back in Manberg, whenever he would begin to pressure c!Tubbo, it put you on the edge of your seat and it felt like everything would change at the drop of a pen. He's a villain to be a villain, and this works out because he's just charismatic and well put together enough to make it interesting, even without the backstory or motives.

c!Wilbur however, is much more tragic, and the best villain of the story. He essentially was the "mentor turned evil" trope and it felt terrible watching him descend into madness, unable to trust barely anyone except for c!Techno and c!Tommy. Hell, in the end I think he still cared about them both, despite losing everything. Sure, he blew up L'Manberg, but there was still a smidge of the old c!Wilbur in there made everything he did feel melancholic. His death at the hands of his father after achieving his final wish was chilling, and something I still think about.

Until yknow, Ghostbur came back way too soon to let people feel his loss as a character within that world. And then he got revived, pretty much-undoing everything that moment meant for his character lol.

And then there's the worst one:

H. Dream. I'm going to be completely honest, c!Dream is one of the main reasons why I dislike the current dsmp stuff so much. Outside of his actions as a person, the way Dream decided to write his character as this overpowered madman of the dsmp really just. destroyed any intrigue that he could've had. Perhaps this is from my growing dislike towards him, manifesting into a bias towards his character, but god I cannot fathom why people try to insist he's interesting when he has as much depth as a fucking puddle.

And here's the thing, I'm not even entirely against c!Dream being a villain, hell I think he would've been great as an anti-hero if anything. Make him sympathetic but not through c!George to get your precious "DNF" points or anything, but show him actually caring about the people within the dsmp, including c!Tommy and c!Tubbo. This would make his rival status with them just a bit more complicated, sure they're enemies, however, he doesn't want to hurt or kill them, and there's still a level of friendship there that keeps them bonded when things get super bad. This could've been super interesting to see, the first villain of the story receiving a sorta redemption arc then descending into madness as he started to fixate on being a god. This is all how I feel personally, but god do I feel like it would've been better than his current character, and hell would've worked with how he was during the Pogtopia arc, before the war that is. I'm not trying to tell Dream how to write his own character, but there are so many other ways he could've done the madman seeking to become god rather then. whatever the hell we got.

Because instead, we got this power-mad asshole who does things... because he can? And that's one of my major issues: he tries to surround his character in mystery to make him "intriguing" but it's kinda like c!Techno, it comes off as pretentious. Not only that, but you cannot keep waving around this mystery of a backstory without ever actually revealing it. I know the story isn't over, but c!Dream is effectively at his lowest point, now would be the time to reveal his backstory. But no just keep it in the dark and keep everyone guessing, that's totally fun and not at all tiring and annoying. (sarcasm, if anyone needs it)

And back to his performance, he doesn't sell this aloof, cynical and strategic warrior that has perfected the blade or some shit, he comes off as some angry guy yelling on reddit. which i don't need to tell you, isn't intimidating. It feels like he's trying to have c!Schlatt's intimidation combined with c!Wilbur's depth, but instead he's like a little brother who's trying to hard to mimic his older brother and is kinda embarrassing himself.

but other then that i dont feel too strongly abt the dsmp lol

but seriously, these are the main complaints I have abt the story tbh, I could probably talk about more but I wont because man. this is probably gonna get me in trouble if any of the hyper-dsmp fans actually read it.

[poppinisperfection]

Cool. || Peter Maximoff x Reader pt. 1 ||

Peter Maximoff x fem!human!Reader

(Y/n) is history teacher.

Requested.

Word Count: 3543

Notes: Peter acts a little strange in this, he's not being cold on purpose - so keep that in mind. Let's all presume (Y/n) is an independent woman who doesn't let an aloof guy ruin her day 💫 it's more of an introduction, so sorry if that dissapoints y'all. I hope you enjoy this extremely long piece of writing, let me know what you think. Requests are open 🙌

Taglist: @amourtentiaa @scorpionchild81

Masterlist

I flicked the indicator, as it clicked rhythmically and signaled my next turn. Grasping the steering wheel tightly, I wondered whether the direction I was heading in was the right one. My eyes drifted down to the small business card that was beginning to wrinkle from the amount of times it had been read and re-read.

‘Xavier's School for Gifted Youngsters.

407 Graymalkin Lane, Salem Center, Westchester County, New York’

With a deep breath, I pushed my foot gently on the accelerator and turned the wheel - solidifying my decision. I drove down the graveled driveway as the evening sun pierced through the acres of fields and forests that dotted the landscape. This place was unlike any school I had ever seen. I had taught at various institutions of all kinds during my training, but something about this place was like something out of a fairytale or Jane Austen novel.

The old academic building grew closer as I prepared to slow down my vehicle and stop at the entrance. I peered around, trying to see if there was any places dedicated for me to park; but as far as I could tell, this was the only appropriate place for me to stop. 

I pulled out my key and felt the car’s engine fade to silence. I didn’t notice how comforting the gentle grumbles of the vehicle had been until they were gone. Now, all that was left was my mind and the thousand worries that crashed around inside it. I'm not a mutant, but I often wonder if being anxious about everything is some sort of weird useless mutation that I unfortunately had. 

Before I could become consumed by my menial fears, the vintage wooden doors opened up as if on cue. A man in a chair wheeled out as his familiar face smiled at me, and I was honestly quite awe-struck by his sudden appearance. I had spoken to Professor Charles Xavier on the phone before (for the job interview), and I had watched him on television a few times, but something about actually being near him was so incredible. This man changed the lives of so many people, possibly even the world.

I took a deep breath in and returned the kind smile, opening my car door and placing my feet onto the ground - the gravel crunching underfoot.

"Professor Xavier, it's so good to meet you." I spoke nervously, unsure of what I should do with my posture. Should I shake his hand? Should I high-five him? Should I bow? Okay maybe those last two were a bit far-fetched...

"The pleasure is all mine, (Y/n)." A voice rang through my head, as if it were my own thoughts speaking to me. But I recognized the voice, a smooth English accent that belonged to the world's most famous telepath.

"Incredible..." I breathed. Some might find it intrusive or freaky, but I was quite honored and honestly dazzled by his abilities. A figure appeared behind the wheelchair-bound man, distracting me from my child-like awe.

"Don't be a such a show-off, Charles." my attention turned to a tall man wearing a pair of glasses and a smart checkered shirt. "Good Evening, I'm Hank McCoy." he piped up cheerily, holding out his hand for me to shake. I absentmindedly took it, a bit starstruck by the world-renowned engineer, scientist, blue-furry man, and genius.

"(Y/n) (L/n)." I eventually spoke up, causing Hank to raise an eyebrow at my words.

“’(L/n)’? You're the new history teacher?" I nodded at his question, "Oh wow, you came so highly recommend that I presumed you'd be a bit more... experienced?" he chose his words carefully as to not offend. I know that most people picture an old greying woman who wears outdated fashion when they think of a history teacher...

"Oh, I'm young, I know." I explained with a bashful chuckle. 

“Hank, you of all people should know greatness is not defined by age.” Charles turned to his colleague. 

“I read that you graduated Harvard at 16.” I blurted out. 

“15, actually.” McCoy mumbled humbly. Xavier gave a satisfied smile as his point was proven. 

“(Y/n) here was top of her class, and I have no doubt that she’ll be a wonderful addition to the school.” the wise mutant stated, assuring Hank and giving me a boost of confidence. “Come inside, Hank can carry your bags for you, won’t you?” the professor inquired cheekily as McCoy threw him a look of slight distain. 

“Somedays I wish I wasn’t born with super-strength...” the academic man shook his head - the comment laced with light-hearted sarcasm - before heading to my car and pulling out my two bags, not even giving me a chance to politely object to the offer. 

“Ignore him, he’s just grumpy because he’s not on the mission.” Professor Xavier chuckled, turning his wheelchair around and beckoning for me to follow him inside. 

“I only trust myself to pilot that beauty.” Hank mentioned wistfully, probably referring to his famous aeronautical creation.

“’The mission’?” I questioned with intrigue, trailing behind him and entering the grand entrance.

“The X-Men are on a routine escort mission for the President at the moment,” my attention turned away from the antique décor as I choked on my breath slightly at his words. Of course I had heard of the famous troop of mutant heroes, but it just suddenly became so real. I was living where the X-Men lived. You know, the same X-Men that saved the world from complete destruction. “I was hoping they’d be here to show you around - but duty calls.” Charles finished. 

“Oh of... of course, duty...” I managed to mutter out eventually, earning a slight laugh from the Professor. He didn’t need to be a telepath to read my mind right now. I was so obviously astonished at the whole situation. I couldn’t believe that I was finally here, after months of thinking, considering, and second-guessing. I knew it was a risk, and I couldn’t even return to my parents if it failed.

Let’s just say that my folks weren’t very supportive of my decision to teach at a 'mutant mansion', as they would call it. Maybe it was stubbornness, maybe it was bravery; but I ignored their advice and became determined to come to Xavier’s School for Gifted Youngers. Now it was my only chance, since my family won't be welcoming me back anytime soon.

I followed Charles around, as he showed me all the rooms and explained some of the history as Hank make the odd comment or interjection. Most notably that the house was actually only a few years old, owing to the fact that the school had been blown up and rebuild a year ago. That was a fact that I could’ve gone without knowing. All I could do was hope that it didn’t blow up again, or at least not when I was around anyway. 

"Your classroom will be right next to the library," Xavier motioned towards a pair of wooden doors that lay open for students to walk freely into, "and feel free to check out any of the books as well - I have a few secret shelves for teachers, with some unregulated research papers on pre-20th century mutations, if that sounds interesting to you?" he added with a playful smile, as I nodded my head in admiration. This place sounded like an absolute dream, and I've only been here for less than an hour.

-------

As we strolled (and wheeled) down the wooden hallways, I noticed the students disappear one by one. By the looks of it, the early night had truly set in, and the majority of children were either in their rooms studying or hanging out in a common area.

"I suppose there's nothing more we can show you until the class starts tomorrow morning, I was really hoping that the team would be back by now..." Xavier gave a short sigh and furrowed his brows slightly, "But I suppose I've prolonged your tour as long as I could. Perhaps Hank, you could show (Y/n) to her room and she can rest in preparation for tomorrow." his smile returned as he asked his colleague for another favor. McCoy nodded his head and gave me a polite smile, still carrying around my bags from earlier. Maybe he didn't anticipate the Professor giving such an expansive and detailed tour of the mansion, so the bags must've been getting burdensome at this stage.

The spectacle-wearing teacher walked ahead of me and strolled towards the grand staircase that lead to the upstairs area (which we had previously travelled to earlier, but it's mainly bedrooms that we couldn't intrude into). I trailed my fingers along the carved bannister of the staircase, admiring the craftsmanship. Considering the school had been blown apart; this place looked as though it was straight out of a historical drama. The Professor could've went for a more modern update, like the ones you see in magazines and government buildings - but something about the simplicity of 1980s architecture just seemed cold and clinical. I'm glad they kept the historical charm alive.

"So you're really not, well, you know..." Hank broke me out of my daydreaming as he turned his head slightly and paused at the top of the steps. It took me a second to register what he was asking, but then it hit me.

"A mutant? Oh," I gave a meek smile before answering, "No I'm just a regular 'homosapien', completely boring." my sentence ended with a light chuckle at my own expense.

"Then you'll be the first non-mutant teacher here, you're making history." McCoy replied with zest as he began to walk down the hallway again.

"I thought I was supposed to teach history, not make it." I chirped from behind him, earning a snort and chuckle from the nerdy fellow (I know, I know - I'm a superb comedian).

As we passed by the student rooms, I could hear the various sounds emerging from behind their doors. One was gossiping loudly to their friends, another was blasting ABBA and singing along, and I could've swore that I heard some quiet sobs escaping through the keyhole of one door. My face fell into a frown as we passed by, and Hank paused slightly, before turning to me.

"That's Sophie Smith's room, she's homesick a lot." he whispered to me, his features showing concern. "You might have her for a class, so maybe keep an eye out if she's struggling." Hank suggested, as my heart went out for this student. I gave him a nod before we continued on our neverending journey towards my room.

Eventually, we stopped at the end of a corridor and my guide dropped my bags carefully on the wooden flooring. He twisted the door knob with one hand, and I watched as the door opened and revealed my bedroom.

"’Home sweet home’, as the saying goes." Hank uttered with a light tone. I stepped into the room and took my bags from the floor, carrying them in with me.

"It's so..." I breathed, observing the room.

"I know, we were supposed to get the curtains changed last month, but there was a mix-up and it's been dela-" he tried to explain, but I cut him off.

"Oh no! I was going to say, 'It's so perfect'." I clarified, brushing off his embarrassment at the state of the curtains (which were beautiful anyway). I stepped forward and placed my bags at the end of the bed while gazing at the beautiful room. This place was growing on me more and more with each minute that passed. 

“I’ll let you get settled in for the night then, there’s a copy of your timetable on your desk - it has all the information you’ll need for classes and etcetera.” Hank gestured to the neat pile of paper sheets on the wooden desk, “There’s always food in the kitchen, feel free to eat whenever and whatever you want.” he added, as my attention turned to my empty stomach. I will definitely be visiting the kitchen after I get settled in. 

“Thank you, for everything.” I beamed, unable to truly express my gratitude. He returned the smile and nodded, before shutting the door and returning to his business. As soon as his footsteps disappeared, I fell flat on the quilted bedsheets and sprawled out, giving out a pent up sigh. It was the kind of sigh that released anxiety and replaced it with assurance. From the looks of it, things were going to be alright - and there was nothing more satisfying that knowing you made the right decision. 

My brief escape into my feelings was cut short, as my stomach audibly warned me that it was running low on fuel. I turned my head and looked over to the beside alarm clock, reading the time; ‘8:24p.m.’

“Hmm,” I mused as I considered my options, “I should probably read you first...” my eyes drifted to the timetable that sat untouched on the desk. My belly did not agree with this decision, as it grumbled once more. “Okay, alright... yeesh.” I placed a hand against my abdomen, trying to settle the noise. “Food first, read later.” I threw my legs over the side of the bed and resolved to make my way towards the school’s kitchen. 

-------

Finding the kitchen was no problem, as the Professor showed it to me at least three times earlier. I guess he really was trying to stretch that tour out as much as possible. A few of the older students who were hanging around glanced at me as I entered the room. I couldn’t tell if they knew I was a teacher, or if they just thought I was a new student; either way, they didn’t stick around to find out. The group of teenagers grabbed their snacks and left the room once their privacy was interrupted. Honestly, I just think they were gossiping about some pop music band and didn’t want a stranger listening - so I didn’t mind their swift exit. It left me with some privacy as well, which was nice. 

I noticed a small radio sitting in the window sill, and decided to switch it on to break the silence. A static noise rang out as I extended the antenna and turned the knob carefully. Soon a voice grew clearer, and I had reached a station playing something. I just let the song play out, since I didn’t want to bother with searching the airwaves for something else. 

I stepped over to the pantry and surveyed the contents carefully. I was starving, but I couldn’t figure out what for. I picked up a loaf of bread and placed it on the counter, deciding it would have to be a PB & Jelly sandwich. Grabbing a plate, I began to craft my makeshift dinner. Absentmindedly, my head began to sway gently to the tune that played through the tinny radio speaker. It was one of those cheesy love songs that are always playing these days. There was something so catchy about those songs, and instinctively I began to mouth the words and drift into an MTV daydream. 

My brief escape from reality faded away as I noticed a clinking noise coming from the glass and cutlery. It was almost like an earthquake, but I knew that New York was unlikely to experience that kind of disaster (well I hoped so, at least).

A bright light shone outside the window, and I stepped closer to peer out. The basketball court had opened up and revealed a massive basement beneath it. A few seconds later, a black jet descended gracefully from the dark sky and lowered itself underground while the whole mansion trembled with the power it created. I swiftly grabbed the jam jar as it almost slipped off the edge of the counter, and stared in awe. 

“So that’s where they keep it...” I breathed out as the basketball court returned to its normal state, as if nothing had happened. I stood in wonder for a few seconds, still holding the jar tightly in my hands. That was probably the most of the X-Men I’d be seeing tonight. I’m no expert on presidential mission debriefing, but I presumed the team of elite heroes wouldn’t be mingling with the common folk upstairs for at least an hou-

“Ugh, this song’s a real bummer.” 

I nearly jumped out of my skin as a voice suddenly quipped from beside me. My attention hastily turned to a combat uniformed young man - quickly flicking through the radio stations. I stared at him, half confused and half terrified of his sudden appearance. Slowly I began to recognize his features; silvery hair, aloof attitude, and of course, the recognisable X-Men uniform. 

“Hey - you’re that guy...” I tilted my head slightly as I spoke without thinking. In a split second, he appeared at the fridge wearing an entirely new outfit, this time more casual. The music had changed to something more rock-y and alternative, matching his aesthetic. I was almost certain of it. I couldn’t remember his name, but I’ve definitely seen him with the X-Men on the news. I was almost certain of it.

“Nah, you’re thinking of a different guy.” he responded without second thought, while lifting out a can of some kind of soda. I felt my mouth contort in confusion, bemused by his comment. 

“I...” my thoughts paused to phrase my words correctly, “You were just wearing an X-Men uniform, you’ve got to be him.” I managed to retort, causing the confident fellow to raise an eyebrow. With the blink of an eye, he had disappeared from my sight again. 

“So, you don’t even know his name - and you’re convinced he’s me?” the silver-haired guy stated nonchalantly from behind me as he sipped on his drink. I gasped and grabbed my chest in surprise, not expecting him to sneak up behind me like that. I gave a sigh and prepared to answer the question. 

“I know, I’m sorry.” I closed my eyes and wracked my brain for a moment, “Peter, right?” I sighed, finally recalling the speedy mutant’s name. I looked up at him and expected some sort of witty remark. Instead, he just stared at me for a few seconds. I avoided his gaze awkwardly and looked down at the jam jar that still sat in my hands. Clearing my throat, I placed it carefully onto the counter beside me - trying to distract from his sudden silence. 

“Oh.” I mumbled at the change of topic, “I am. Only arrived here a few hours ago. The Professor showed me around earlier, with Hank, I saw all the classrooms and it was really quite-” I harped on, “I'm sorry, I'm rambling..." my voice lowered, as I watched the casual fellow open up a bag of pretzels and munch on them absentmindedly. He gave a soft chuckle at my apology.

“So, you’re new here?” for the third time, he appeared in a different location, leaving me to turn around one more time. He faced away from me, opening a drawer and surveying its content silently. 

"Cool." he replied simply, placing a few more pretzels into his mouth.

"Cool." I repeated gently, trying to decipher his aloofness. This 'Peter' was blunt, distant, and almost cold. It was as if I had offended him somehow. I stared at my surroundings for a brief moment, before deciding to get off of the wrong foot.

"I'm sorry if I was rude earlier; or was it that I couldn't remember your name?" I tried to find the reason for his indifference, wringing my hands with nerves. Peter raised an eyebrow and scowled slightly at my question.

"Rude?" he asked with a shocked tone.

"Yeah, I thought I offended you?" I explained.

"Nah, nah, we're good." he shrugged my theory off and zoomed over to the bin, throwing the crumpled wrapper in it. "I gotta go now, X-Men stuff." Peter turned to me and excused himself. I gave a soft 'oh' in surprise, and held out my hand for him to shake (just a teacher habit, I guess).

"Nice to meet you anyway, Peter." I smiled at him. The silvery guy just stared at my hand and then looked back up to me - but for some reason, avoided my eyes.

"Cool." he said again, before disappearing from sight; leaving me standing there, alone, holding my hand out for no one. Slowly I lowered my wrist and cleared my throat.

"Cool..." I said to myself, still entirely confused by the interaction. My attention quickly turned to the change in music. The radio suddenly shifted from the grungy tunes, back to the end of love ballad that I was listening to earlier. He must've changed it back. I tilted my head and stared at the little radio in the window, listening and thinking.

Maybe he wasn't as cold as I thought. Maybe I'll try and get a better conversation from that silver-haired boy tomorrow. Maybe I'll get that handshake from him. Maybe.

Still, the only thing that matters right now is that I eat that PB&J sandwich.

-------

[qqueenofhades]

Some additional points about that grave find in Finland that you may or may not find interesting. And that may or may not be dated, because I studied history 20 years ago. That said, I'm not sure if 1000 years ago is firmly middle-ages in this context? At least back in my uni days, they told us that here middle ages got going slowly during 1100's and 1200's when Sweden started converting the population to Christianity and the prehistorical era gradually ended. Maybe they teach differently now.

More about the grave. I don't know why The Guardian would talk about Vikings in this context at all, because the erstwhile population of current day Finland is not considered to have been Vikings, afaik. They were similarly warlike, and the graves from that era have a lot of weapons, and they certainly encountered Vikings, but they never participated in the raiding, and isn't that what makes Vikings Vikings? Their language and religion was also different. But anyway. I don't mean to correct you because the larger point stands. When I saw the headline in a Finnish news paper about that grave and traditional gender roles my first thought was, well, maybe the gender roles hadn't become traditional then yet. Just some additional context, which could be illuminating or could be totally dated.

I did the stupid thing and sent you asks about the Suontaka burial before reading the Cambridge article about it: I'm reading it now, and my comments seem fairly useless. Feel free to ignore with extreme prejudice. We're in agreement on the guardian article.

Aha, well, we all make mistakes from time to time, so no worries! However, since you do touch on a few points that I would like to discuss, I'm going to go ahead and answer, whether for you or anyone else who might find it useful. (It's the teacher in me, I'm afraid.)

First, I have to say that I had a definite "eeegh" moment at the idea that the eleventh/twelfth century isn't "medieval" in Finland just because it (at least prior to the Baltic/Northern crusades, if we're considering them to begin with the Wendish Crusade in 1147) wasn't yet fully Christianized. Scholars pretty universally accept "medieval history" as referring to the time period between 500--1500 CE (the fall of the Western Roman Empire to the Renaissance). These, of course, are horribly Eurocentric frames of reference, but there you have it. Any event or culture taking place within that span of dates, no matter where in the world it is or what its socio-political circumstances may be, is medieval. We have to call out the pernicious equivalence of "medieval" with "Western Christian European," since that seems to be the underlying assumption. This is also what makes people mistakenly think that the medieval world (which, y'know, was just as big as it is now) is exclusively about white Christian Europe, and that no other global regions have a medieval history. Either way, the eleventh/twelfth century is actually closer to the end of the medieval era than it is to the start. I'm certainly not suggesting that you were consciously implying this; I have no trouble believing that that is indeed how they taught it twenty years ago. But yeah, the idea that still-largely-pagan eleventh-century Finland couldn't be "medieval" until it's Christian is definitely not the case as understood now.

The idea that anywhere in eleventh-century Europe is still "prehistorical" in any sense of the word is likewise a little baffling, tbh. Once more, it associates "history" only with "Christianity," and that would get quite a bit of pushback if included in a paper on medieval studies today. That is what also annoys me deeply when I see people describing the pre-Columbian Americas as "prehistoric" (read: pre-white-people-historic). If the chief marker of "history" is "written history," sure, there is a very narrow pedagogical argument to be made that these societies don't have narratives or chronicles in the standard historiographical sense. But also, uh, European colonialism and conquest destroyed vast swathes of records that we have never been able to read, understand, or even access, because they're just not there anymore. There is ample evidence that the ancient (and I do mean ANCIENT, up to thousands of years BCE) and early-to-late-medieval Mesoamerican societies had complex systems of writing, astronomy, calendar-keeping, and other history-recording practices, right up until 1492. There are something like four (FOUR) pre-Columbian Mayan scrolls still in existence, out of probably thousands and thousands, because the Spanish destroyed the rest. So "prehistoric," unless you're literally referring to the Stone Age, is never a politically neutral word or a word to use uncritically...

...and speaking of the Stone Age, we actually have histories for that too! Or rather (iirc) the Ice Age, because for example, Aboriginal Australians transmit their history orally and require each new generation to memorize it, word for word, exactly as taught to them. Some of these histories stretch back over ten thousand years, which means that we actually have first-person accounts of life during the end of the Ice Age, and scientists recently discovered that these traditional narratives accurately reflected the archaeological and geological record of Australia during the time period in question. (Indigenous people know what they're talking about and should be listened to, example number 85,000.) Of course, the Western-white-supremacist model of historiography calls these just "legends" or "myths" or "folktales" rather than history, because I guess not writing it down in a chronicle as a monk in a European Christian monastery in the year 1015 or whatever doesn't qualify as history for some people. (I don't have strong opinions about this or anything. Welp.)

I likewise don't know why the Guardian article brought up the Vikings, aside from the fact that they were quoting someone who explicitly used the Vikings in a hypothetical scenario about "traditional gender roles." This person expressed surprise that an intersex person living in a medieval Scandinavian society could rise to a high social role, by citing the widespread belief that "Vikings" were all dedicated to being very manly at all times and nobody with feminine qualities/feminine-coded social power could rule over them. I don't know if this was just a bad phrasing (plus, it obviously overlooks the often-egalitarian nature of medieval Scandinavian societies and plays into the favored white supremacist stereotype of the Vikings as some Master Aryan Race Where Men Were Men, etc) or what, but yeah, it's wrong across the board. Viking is the name of an occupation, not an ethnicity. It comes from the word wicing, meaning "seafarer" or "sea raider," and referred only to those guys who went out on their longships and stole a lot of stuff from their neighbors, most notably in the eighth to eleventh centuries. Their families back at home were part of the exact same society and benefited from those raids, but strictly speaking, they weren't vikings. We use the word "Viking" to describe any member of a medieval Scandinavian society, but it's similar to describing everyone living in the eighteenth-century Caribbean, no matter who they were or their social status or ethnic background, as "pirates," which is obviously inaccurate.

As you correctly point out, the Finns aren't considered quite the same as the Norwegians, Danes, and Swedes (as anyone can tell from looking at their written language; N/D/S are mutually intelligible and derive from the same linguistic family, while Finnish is COMPLETELY different and comes from an altogether separate branch of the tree) and therefore it's even more baffling that the person quoted in the Guardian article would cite them as an example of a "Viking" society. Likewise as you note, the whole phrase "traditional gender roles" is intensely problematic in most contexts, and especially here. It assumes that modern Western ideals of sex and gender have been static and unchanging throughout history, and that means that we tend to read our own (biased) assumptions onto the historical record and then get surprised when, shock of shock, they don't fit. The burial at Suontaka seems to have been of a biologically intersex person (i.e. someone with Klinefelter syndrome), but this is also the case when it comes to people assigned the usual male or female at birth, without any complicating genetic conditions. I'm working on a book review for an entire edited volume that discusses the intense gender-fluidity and proto-transgenderism in some medieval saints' lives, and how obviously the fact that they have been held up as a holy example, while explicitly subverting the so-called Traditional Gender Roles of the Middle Ages, means that it was (and is) a lot more complicated than shallow stereotypes and Bad Medievalism would have it.

Anyway, this is long enough (especially considering that you graciously offered me the chance to ignore it) so I think we'll stop here for now. But yes, there you have it. :)

[bunny-hoodlum]

Asynchronous With You: Ch 6

ship: naruhina

rating: teen (quite possibly mature or explicit later)

tags: Modern Day AU, Foster Siblings, Family, Angst, Unrequited Love, Poor Communication, Missed Opportunities

summary: An awkward journey full of self-denial and missed moments between two foster siblings. Perhaps their love will find the right timing someday.

"I think everyone should know," she said.

They were walking the usual route to their high school, the train station coming up ahead. Naruto kept a protective though furtive gaze on Hinata as he walked behind her on the steps.

He swore she's never modified her skirt. It would be against the dress code she's forced to protect. So he has no idea why it feels like he's seeing more of her than usual.

"Know what?"

Usually he's already doing this, because he's worried about perverts. Even in grade school, he was worried. If it weren't for their teachers educating them on Stranger Danger, he probably would have had to do it himself.

He had to learn it the hard way before Kurenai-obasan took him in, but so did Neji apparently. That's why he's gotten good at being less obvious with his suspicion, and also why he can better tell apart intent based on their body language.

He used to perceive everything around him to be potentially malicious. He never realized the toll that had been taking on him until Neji taught him how to really see.

He stood close behind her on the platform as they waited.

"That we're fosters."

A burst of wind shot through the platform, ruffling overcoats and business suits and whipping pleated skirts and loose hair in a sudden frenzy.

The PA announced the train's arrival, and it wheezed to a stop soon after.

He observed Hinata as she flattened her skirt down and smoothed her bangs, but none of it registered in his brain.

It was simply auto-pilot for him to follow her onto the train, then using his larger frame to block the other passengers from nearing his little sister.

Right. His foster sister.

In all of their nine years together, they've never told anyone. It wasn't that it seemed weird, it just… never occurred to them?

But now it did seem pretty weird.

"Why, though? In a couple years, it's not going to matter anymore."

She turned her face against her shoulder to look at him, but he didn't know what she was thinking. It was the same schooled features she put on last night when visiting Neji, like there was a one-way mirror and only she could see through him.

Then she looked away.

"You're not going to introduce a girlfriend to Kurenai one of these days?"

"Hmm?" The suggestion bloomed in his mind and quickly withered. The idea wasn't… very appealing. Something about inviting judgment onto his life and stuff. He defends himself in every aspect but at home, and he'd rather keep coasting on the good thing he's got. "Dunno. Hadn't ever thought about it."

He certainly wasn't going to introduce any of the one's he's taken to bed when the apartment was empty. He's rarely done it with the same girl twice, mainly because he can't help but lose interest.

He blames it on sexual incompatibility.

"Well, I know I will."

He misses the melancholy hedging around her words, and latches onto the opportunity for an easy ribbing.

"You're gonna bring a girlfriend over?" he's happy she shoots him a look so that she can see his corny grin, otherwise he worried she might've mistaken him for serious.

He's nonplussed by the severity of her glare, but then she says "Maybe when you're not around," and he no longer knows what to think.

"Wait, what? Hinata?" He's craning left and right in hopes of catching a smirk or a giggle from her, but she's evasive. Has she? "Hinata, are you--?" And since third grade she said? "Also, what's that supposed to mean 'when I'm not around'? Huh? Hey, what's that supposed to mean 'when I'm not around'?? Hinata???"

"We're getting off topic--"

"Bullshit! I have questions!"

She ignored him.

"I vote to tell our friends that we're fosters. And I'd like to have it taken care of during Lunch. What's your vote?"

Is this what she sounds like during her Public Morals Committee meetings? Because it was doing something to him.

Oh, right. She wanted an honest answer.

But… "What do you get out of announcing this? I mean, aside from knowing how to introduce me in the future or whatever. Have you thought this through at all?"

What's the rest of the school going to say?

The guys who share their skin mags with him might get wary and reject him. The girls he's dumped might try to get to him through her. Teachers might give up on disciplining him, essentially offloading their responsibilities onto her as both Public Morals Committee and his sister. And he wasn't having any of that shit again.

All kinds of things could bite them in the ass one way or another.

She hasn't replied to him at all, and he thinks she's upset again, but he has to make his point.

"Hinata, the way things are now isn't broken, so what are you trying to fix?"

"It would help me."

"Huh? How? With what?" He waited, and she was silent. A drop of dread sank in his chest for her. "So something is wrong," He leaned in closer, causing her to shrink. He sighed. "Hinata, for someone who wants the world to know we're fosters, you sure don't seem willing to rely on me like a sibling."

"I don't favor Neji-niisan over you."

"Yeah, well, you don't have to," Tension clutched at their throats. "People always have more history with their blood. I can't really compete, y'know?"

He can't compete at all, actually.

Sometimes he thinks his only true brother is Sasuke, but he still wants to work at this. She just has to let him.

"I'm sorry. I just thought it would be less lonely if we could talk to each other normally again. And we only see each other at school these days, so…"

He envisioned her waving to him in the halls between periods, or her having a reason to cheer him on during a deadlift tournament. It would prevent people from making the wrong idea about them.

Damn, he felt stupid now.

"Fine!" He intoned with mock-annoyance. "If it'll make you happy."

She looked over her shoulder again, and what she found was his warm, supportive smile.

________________________

Hinata gathered her friends, Kiba, Shino, Ino and Sakura.

And he gathered his friends, Sasuke, Shikamaru, and Chouji.

Ino had tsked in distaste when she saw Sasuke, had gone as far as to drag Sakura away so that the others sat in-between them. He caught some sort of nickname from her lips, but wasn't sure what she had really said.

As Naruto stood before them alongside Hinata, his gaze fell on the skinny lad scribbling away at his sketchbook, and immediately his fight instinct was switched on.

"What's your monochromatic ass doing here??! Did anyone invite him?!" He jabbed a finger in Sai's direction.

The monotone, softboy, little creep didn't even look up.

"I'm making a record of these proceedings for posterity," he lifted the sketchpad and flipped it around.

Inkified Naruto was pointing right back at him with an agape snarl. Sai then proceeded to show everyone else individually, and they all cracked up, one by one.

Ino was absolutely dying. Stomach-clutching and tears rolling, the whole nine yards. She snatched the sketchpad from Sai and begged if she could keep it.

"Whaddya want that for??" Naruto interrogated. He was so about to punch Sai and throw his art supplies in the pool. This was Hinata's announcement and the softboy was ruining it.

Ino mockingly tilted the sketchbook side to side. "Something to keep your ego in check, Charato."

Hinata faintly snorted. He wasn't sure until he saw how she had her face turned around and her shoulders were lightly trembling.

He frowned at her, feeling betrayed.

"Ahhhh, alright, enough! Me and Hinata have gathered you all here for a reason! So shut up and listen! Hinata, tell them!"

Hinata jolted out of her humor, her face flushing as though this were the first time she's done public speaking.

"Uh, Uhm… Naruto-kun and I… we're foster siblings. We, uh… we live together," Hinata froze up under their collective stares. With a stiff smile, she half-heartedly sang "Ta-da," and punctuated it with rather embarrassed jazz hands.

"And as our friends, you're the first to know," Naruto added. "Also we don't care if the whole school finds out. So don't worry, we're not sharing this out of confidentiality."

Their collective shock evaporated rather quickly.

Sakura was the first to speak. "Well, that answers a lot of questions. And raises plenty more." She ended it with a growl and a glare. That accusatory look irked him.

"Feel free to ask away! I've got nothin' to hide!"

Sakura flattened the back of her skirt as she rose up like a dignitary representing The House of Hyuuga. And then like a certain video game attorney, she pointed at him.

"I always wondered why you obsessively protected Hinata in the past, but never showed any romantic initiative towards her. Now I have to ask, knowing the sex maniac that you are: Do you ever sneak into her bedroom?"

"No," He answered unconvincingly. He looked at the jury one by one, unsure how much of their scrutiny was sincere or misperceived. Sasuke was leaning forward, arms circling around his knees. He looked a little too interested in the idea of him and Hinata… doing things… "I-I've never done that! I would never do that! Hinata's special to me, okay?! You've got a filthy fuckin' mind, Haruno!"

"Me?! You've tried to sneak into the female locker rooms!" Sakura took off her shoe and slugged it at him. "Multiple times!"

Naruto hunched up and twisted away as the shoe smacked his shoulder and bounced away.

Hinata moved in between him and the one-woman mob. "Okay, this is getting out of hand--"

"I will never fucking do that to Hinata. I was in an orphanage for six years. And they're not all run by saints."

Dammit.

This was way more than he ever wanted to share.

He took a few steps back before turning tail. He jogged downhill as fast as he could.

What was he doing?

Uzumaki Naruto doesn't run away.

But it was either that, or… have them watch him cry.

________________________

AN: So this is missing a scene cuz I cut it. I might not use it anymore, and instead I'll see if the backstory I had expanded upon will be worked in later on in the plot. Because before I started writing this, I had anticipated that things would actually get cuter from here on out. (Also anticipating that I may work in at least one smutty chapter in the future. Yeah, it's totally diverging from this fic's original concept when I posted it for Secret Santa, but that's okay!) And the total Ego Death I unexpectedly wrote just feels kind of Deus Ex Machina in a way to Naruto's vices. I just can't have him maturing right now. That's a plot route I don't have any material for, and I don't quite see it as not defeating the other stuff I had planned to write. (I'm also happy to state that I'm starting to get a better picture of how to condense this content on AO3, because I honestly feel like this could be Ch. 2 now. :B I mean, it's too short on its own if I do, but it kinda has that hook for the rest of the story.)

I hope you enjoyed this update! 😘💕💕💕

[ganymedesclock]

I absolutely love your Hollow Knight headcanons, and I have a question because I'm curious what your thoughts on this are: do you have any headcanons about Lemm? What's his deal, where did he come from? Furthermore, how do you think the interaction would go if he ended up meeting Quirrel at some point?

Hollow Knight is one of those exciting SpIn franchises for me where if I don’t have headcanons about a particular character I’ll string ‘em together pretty quickly because I just like the world that much.

Lemm, incidentally, I have thought about! So I’ll just toss out a sorta randomized tasting platter here under the cut.

Lemm offhandedly mentions other relic seekers but rather than a scholarly order he suggests they’d be jealous of him or compete with him, so he clearly has peers. He also tells Ghost that if they want to move into the City of Tears he’d prefer they pick an empty building AWAY from the one he’s taken over.

He’s shown to be finicky, obstinate, and argumentative- possibly other relic seekers are closer to each other than they are to him- but even when he really, really wants something from Ghost, he’s fair with them, and he is honest with them about how much each is worth. (He doesn’t try to con you on the arcane eggs, and is sincere about how much it means to him.) He also seems to actually enjoy Ghost as an audience, and like talking about it. The description for the Void Idol suggests that Ghost potentially hangs around Lemm and learns from him more than we necessarily ‘see’ in canon.

I interpret Lemm as a wholly mundane sort of bug, no magical aptitude, but as someone who is quite brawny and physically powerful. I just like the idea that in some kind of modern supernatural AU he’d be the ostensible normal everyman keeping up, frustratedly, with all of this mystical stuff happens but then they get ambushed by a zombie and Lemm just lays it out. Overall this guy’s about as much of a desk jockey as Indiana Jones- he mentions doing long treks through the city avoiding husks.

So, to spin what I imagine might be a probable backstory; he seems less like someone who’s accustomed to loneliness or isolation, but rather someone who seeks it out. Possibly grew up in a big family with a lot of siblings, or otherwise a very rowdy environment where he felt like not much room was made for his interests and passions and him having things the way he wants them. Isolation alone doesn’t make him happy, though he seems the type to insist he is (not after neighbors, and all)- really, more than anything, he wants to be listened to and feel like someone is paying attention to him, I think.

He seems to be highly educated and may be something of an elitist snob about it at first glance, but, again, feeding into a kind of defensiveness.

Possibly his interest in history is a kind of compassion? He seems obsessed with the Hollow Knight and the identity of the Five Great Knights, so his own fear of being forgotten (?) / resentment at being overlooked may be something he tries to extend to others. He seeks those who were obscured by history. He’s more cynical about the Pale King than he is about the knights, but even then, he talks about the King’s Idols like he wonders who that person was, as well.

So, yeah, I like this mental image- young Lemm coming from an aristocratic family (his character colors match those of the aristocrat husks) but an overlooked ‘middle child’ too far from the inheritance to feel like he mattered much and entering some kind of major academia institution to prove himself and seek acclaim, only to become irritated and disillusioned with that / in part make enemies for his argumentative personality- and then putting everything he had on his back and heading to Hallownest because he’s out of patience with it all.

Which leads me to... Quirrel.

Quirrel is a living relic and he is an overlooked witness to an erased chapter of Hallownest’s history- the fate of the three Dreamers, and, through them, the Hollow Knight. He’s a key witness to the exact subject of Lemm’s obsession and a record who was not really purged, even if the pieces are in disarray, and wander in and out of his recollection.

Unfortunately rather than a tablet or archive Lemm can pour over and delve into with all of his skills, Quirrel is a person with feelings and opinions, and some of them are that, as an academic, Quirrel has a very different stance to Lemm. 

Quite simply, Quirrel’s perspective seems far more transformative than curatorial. He emphasizes seeing things with new eyes and open awe. He’s happy that he forgot much of himself, even for a time, that he could experience it all new again. The past should serve the future. This seems to be a mentality he shared with Monomon, who when she herself is ‘the past’, is actively motivated and seeks to disable her protections and help Ghost end her life in order to ensure a future- the very reason she became a Dreamer in the first place.

Quirrel’s entire story is about letting go. I don’t personally read his conclusion as an act of suicide, but rather, the symbolic death of Quirrel the Archivist- the last tie he had to his former life. So he plants his nail on the shores of the lake, and leaves to be a new person- to see what comes next with new eyes. He cared about Monomon too much to not carry her with him, to not come back to see her off, but with that done, what he did as part of this ancient magical kingdom really doesn’t matter to him anymore. The people he cared about are gone. He’s going to look forwards and move on.

Assuming he encounters Lemm specifically after this point, this would scientifically speaking drive Lemm up the fucking wall.

Quirrel doesn’t tell and Lemm usually doesn’t ask but that idiosyncratic habit of just spouting off knowledge of ancient worlds and people and shrugging it off, like, well, that’s an interesting anecdote isn’t it! and Lemm is just, no, come back here you bastard don’t depart on a tangent about wrought iron infrastructure this is my lifework we’re talking about.

It’d be a certain amount of comedy but in another sense they have great potential to learn from each other. Quirrel very much surrenders unto the flow in many ways- which is powerful in that it’s probably protected him from the plague for a long time, his ability to let go rather than being tempted down dangerous paths by stray dreams- but, also, it’s clear from his voice and body language that losing Monomon cost him more than he wants to examine; his willingness to move on might be him being a bit dismissive about his own grief.

Lemm, meanwhile, has maybe spent his entire life up to this point doubling down so hard that he’s broken friendships, estranged family, and pissed off colleagues. This stuff has to matter. Someone has to listen to him. He has to know who these people are that disappeared off into the world because it isn’t just as good as they weren’t there! They knew things! They changed things! They did SOMETHING and if no one else wrote it down, he guesses that’s his job! It’s the only way he knows how to care about things.

So Quirrel lets go a little too much, including things he’s not actually over, and Lemm clings to things to such a degree that it seems to have driven him to isolation, even when he’s happier with someone to talk to about his work.

Also one of them’s a samurai and the other’s a self-taught pugilist who isn’t above cracking some skulls and shells with weighty antiques so if you happen to end up on the wrong end of both of them at the same time, heaven help you. 

Possibly, at some point, Quirrel concedes the Madam probably wouldn’t have wanted her archive to rot when the living could make use of it and starts a transcribing project and Lemm goes absolutely fucking ape.

[thejustmaiden]

Jaken = Rin's Dad?

Okay, is this how a daughter treats their so-called father?

Most definitely not.

Rin and Jaken's relationship clearly screams of your typical sibling rivalry punctuated with cute and silly moments of playful bickering.

Yes, Jaken may technically be her main provider, but that doesn't necessarily equate to him being more of a father than Sesshomaru. If anything, he demonstrates more of a brotherly love towards her. As we all know, parents (which Sesshomaru embodies more based on real life patterns and parallels) will leave their older more capable children in charge of looking after their younger brothers and sisters. In this case, that would mean making Jaken responsible for watching over Rin and protecting her if need be. Ah-Un offers protection, too. Think of it as Jaken as the big brother and Ah-Un as the family dog who are babysitting while Sesshomaru as the parent of the household is away at work or taking care of business. I mean, they literally fit that description to a tee and I'm dying at the accuracy of it all! 🤣👌

[Quick! Someone write up a modern au where Sesshomaru finally gets out to have a nice date night but everything goes wrong in the most spectacular way. Like maybe Rin and Jaken catch a ride on Ah-Un to go spy!]

I recently revisited some episodes from The Final Act, and I couldn't believe how many moments like this there were where Rin got after Jaken or when she would "put him in his place" so to speak. Obviously, all of it is mostly harmless. I was only surprised by how often it occurred, not to mention how Jaken would just stand there and take it. Towards a supposed father figure, Rin's behavior is downright unacceptable. There's a certain level of respect a child is expected to show their parents/guardians, and that's just not what I'm witnessing here between them. Like at all.

Rather their dynamic has the nature of some sibling relationships like I mentioned above. So I really wish fans would stop pretending otherwise, because based on what we know of father-daughter relationships- healthy ones at least- they don't appear anything like what Jaken and Rin have. If you could please provide me other examples of where we've seen similar portrayals in fiction or in real life, then perhaps I can get on board.

Look, that doesn't have to mean that because Jaken isn't her father then Sesshomaru must be. They can both be her caretakers without necessarily filling that traditional father role. I'm just saying that if we're going to start assigning titles to characters, let's make sure we are accurate and truthful in our assessments. If you're going to label anyone Rin's dad, then it needs to be Sesshomaru. Jaken doesn't have precedence over him in terms of fatherly attributes, that just wouldn't make sense.

After all, this isn't about what you want to see, this is about what Rin very likely sees. It's safe to assume that she views Sesshomaru more like a father than she does Jaken. She knows she's safe with him (broadly speaking lol) and that he'll come for her no matter what. That sense of security and comfort is what a child seeks and what they should always feel in a parent's presence. She trusts and even idolizes him, just as a young and innocent child tends to do with their parents. At that age, parents are perfect and could do no wrong in their child's eyes. Idk about you, but this describes perfectly how Rin is around Sesshomaru.

Rin adores him and will follow him anywhere- yes, even into danger! That's what the innocence and unconditional love of a child will bring them to do if necessary. Fortunately, at the end of The Final Act we learn Sesshomaru takes Kaede's advice when he realizes that leaving Rin with her in the village is in her best interests. That way she'd be able to lead a more normal and safer life alongside other humans. Remember, Sessrin shippers, that doesn't mean he wasn't still a part of her life and didn't witness her become a young woman over the years right before his very eyes. Therefore, if they eventually do become romantically involved, then most if not all of those gifts had intimate and seductive intentions and it essentially constitutes as child grooming.

I understand from a Sessrin shipper's point of view why it'd be so much easier to claim Jaken as the father. In doing so, they diminish Sesshomaru's role in her upbringing. By refusing to acknowledge the real role he had in helping raise Rin (short periods can be crucial and impressionable too esp. in a child's early years so yes they did assist in raising her not only Kaede), these shippers are better able to justify how their filial-like relationship evolved into a romantic one. So yeah, I get it, if I were a Sessrin shipper I'd probably do the same. It's one of the more plausible arguments available to them, after all. "Let's pin Jaken as the father to fend off antis!" is the best chance they've got, but even so, it's still not good enough. But if you insist Jaken is indeed like a father to Rin, then Sesshomaru is most certainly one too. Who says she can't have two fathers anyway?

The thing is however much you want to deny or downplay what Sesshomaru truly means to Rin and vice versa, nothing will ever change or hide the truth of the matter. Please, stop acting like they're only traveling companions and nothing more. Some of y'all even go so far as to say that they're like strangers. Knowing potentially little about a person is not equal to a lack of love and affection. Making big assumptions such as this to defend your ship is actually doing you more harm than good. Let me elaborate.

According to your reasoning, if that's all Rin ever was to him was a companion and Sesshomaru had no real attachment to her, then what precisely is the basis of your ship? Recall that Adult!Rin doesn't exist yet, thus we have no real idea what she will be like or if she's even alive. So how can you make comments like that but then go on later to say "they have such a unique and unbreakable bond" or "only Rin can be the mother because she's the only human he ever cared for" if all that time spent traveling together didn't amount to much in the first place like you claimed to believe beforehand? Do you see how your rationalizing is confusing?

Contrary to what some of you may think, I'm not just saying all this because I'm an anti and I'm obligated to disagree with you, or whatever other excuse you want to tell yourself. Believe it or not, I'm attempting to give as unbiased and objective of an analysis I can based on widely accepted interpretations of family dynamics, development, and any history we know of.

Of course I respect that at times fans will perceive things differently since that's bound to happen. What's hard for me to wrap my head around however is the unwillingness of some fans- not exclusively Sessrin shippers- to apply basic common sense and sound judgment to their observations and deductions.

Looking at all our facts, then taking the small handful of scenes Sesshomaru and Rin do share together into account, one can logically conclude that their dynamic is akin to one found in a typical parent-child relationship. If you still fail to recognize Sesshomaru as a parent to Rin, then that's fine too. In the end, that won't really change the fact that he'd still take on a role resembling an adult figure overseeing a young child's care and protection. Be it as a vassal, guardian, what have you. Plus, nobody is saying here that Sesshomaru doesn't make mistakes regarding Rin's general well-being, but so do all parents. Overall, I think the majority of us agree that Rin is in good hands. Whether it's in his direct company or in his occasional supervision from his frequent visits to the village.

In other words, it doesn't really matter what exact title you assign him in relation to Rin, as the distribution of power is all inherently the same with any and all adult-child relationships. That bond never changes once you've established it either, seeing as it's a special kind of connection one can only form with a child and a child alone.

I was a teacher for a few years, and speaking from personal experience, you don't need to be a parent, per se, to take on a role of authority in a child's life. I know without a doubt that I could never and will never view any of those kids I taught in a sexual/romantic light later down the road; yes, not even once they become grown-ups who are independent and more than capable of making their own decisions. Those of you who disagree are usually missing the whole point though, because we're not trying to dictate what Adult!Rin can and cannot do like many tend to accuse of us doing. This isn't a question of taking away from her autonomy nor does it fall under "purity culture," which is why people shouldn't continue jumping to these outrageous conclusions and really listen for a change. You're deflecting from the real issue here when you choose to misinterpret what we're saying by ignoring the problem we're actually referring to. You cannot present a valid counter-argument if you persist in twisting our words.

Bottom line: once these kids become old enough to pursue a sexual/romantic relationship, of course they have that right if they're ready. All we're trying to say is you guys ought to stop pushing forward this it's-completely-normal-to-want-to-bang-your-adoptive-dad-since-you're-an-adult-and-can-do-as-you-please agenda and not expect backlash. Ship it if you want, but please stop acting like their romance would be the epitome of a pure and healthy relationship.

Sesshomaru may not wear his heart on his sleeve, but it's foolish to presume he didn't actually care about Rin during their whole time together just because he didn't openly express his feelings until the very end. Surely everybody can comprehend that people handle and process their emotions differently. The way Sesshomaru chooses to is completely valid for the most part, so let's cut him some slack regarding this already.

What I'm trying to get at is that any child whose life you played an influential role in will always be a kid in a lot ways to you even when they're old and wrinkly. Just as they will always picture you as the loved one who guided and protected them when they were most vulnerable and couldn't always fend for themselves. Can't we relate this to children we know personally and apply it accordingly?

Finally, I want to end on this note. Could you kindly take a look at these two images below for a second?

The reason I ask is because of something I recently read that's relevant to the topic. There was this pro-sessrin tweet I saw that stated Rin trying to take care of Sesshomaru when they first met is what a mom would do for a child, which in their opinion, translates to Rin being more like a mother than a daughter if anything.

First off: are you freaking kidding me????

Seriously, so now children aren't allowed to tend to their sick or injured parents?! Parents are apparently superhuman and shouldn't be offered a helping hand from a child, even if they mean well and want to help their parent who's in pain?? Now this Twitter user was mostly being a smartass, but at the same time, it was evident they genuinely thought they offered a valid enough point that warranted no further explanation or clarification.

Secondly, by saying this Sessrin fans don't seem to realize that in actuality they're contradicting themselves and proving the point we've been trying to make all along. Glancing at the first picture and moving down to the second, the role of the one being cared for and the caretaker is reversed. So then by their own logic, Sesshomaru IS in fact like a father to Rin.

What it comes down to is the names you give to the roles these characters play aren't as crucial as the dynamic they share. The specific characteristics of that dynamic are what define the importance of said role, not so much the name in the role itself. So real father or not, Sesshomaru and Rin clearly mean a lot to each other. Close relationships are defined and solidified by the devotion and belonging they have to one another, not solely by the duration of time spent together and their proximity.

Well, that's a wrap! I hope you guys got something outta this blog, and that you enjoyed or found some portions of it interesting. I would love to hear your thoughts on the subject from this fandom, but only engage in conversation if you plan to be respectful. Thank you!

[aboveallarescuer]

GRRM interviews about (or mentioning) Dany - Part 1

I went to So Spake Martin and collected excerpts of GRRM's interviews that talked about Dany in some way. Some observations here:

I didn't have access to broken/unavailable links or newspapers that require subscription.

I didn't get video or podcast interviews, only ones that were written down.

I also added some excerpts about how he enjoys grey characters or how he wants to be "realistic" and other topics that may relate ... not necessarily to Dany's character, but to his writing in general. It may be useful for some metas, even if they should not be divorced from the actual text.

I didn't mind collecting interviews about the same topic.

Maybe I did a poor job collecting these interviews or the SSM is incomplete, but, in any case, there are still several key interviews missing; I couldn't find the ones about how GRRM relates to Dany's character or how he wishes the Targaryens were black, for instance. 

Even with these limitations in mind, there is still quite a bit to dig into here.

November 1998

The Targaryens have heavily interbred, like the Ptolemys of Egypt. As any horse or dog breeder can tell you, interbreeding accentuates both flaws and virtues, and pushes a lineage toward the extremes. Also, there's sometimes a fine line between madness and greatness. Daeron I, the boy king who led a war of conquest, and even the saintly Baelor I could also be considered "mad," if seen in a different light. ((And I must confess, I love grey characters, and those who can be interperted in many different ways. Both as a reader and a writer, I want complexity and subtlety in my fiction))

 December 1998

Was it a conscious decision to paint things in grey, killing off good guys, etc.

Definitely a conscious decision. Both as a reader and a writer, I prefer my plots to be unpredictable and my characters to be painted in shades of grey, rather than in blacks and whites.

 July 1999

Just out of being curious how a writer goes about his work -- do you generally write a certain POVs chapters in batches? Or are Dany's chapters, given how generally unconnected they are to the rest of the books as she goes along her own plot thread, easier to do that way? I suppose the momentum can help with a tough character.

Yes, I generally get in a groove on a particular character and write several chapters or chunks of chapters at once, before hitting a wall. When I do hit a wall, I switch to another character. Some characters are easier to write and some harder, however. Dany and Bran have always been toughest, maybe because they are heaviest on the magical elements... also, Bran is the youngest of POV kids, and very restricted as well because of his legs. At the other end of the spectrum, the Tyrion chapters often seem to write themselves. The same was true for Ned.

 Jon was not born "more than 1 year" before Dany... probably closer to eight or nine months or thereabouts.

November 1999

Also, just how much impact did the Rhoynar have on the modern customs of Dorne? Beyond the gender-blind inheritance laws, the couple of Rhoynish gods that smallfolk might have turned into saints or angelic-type beings, and perhaps the round shields, that is. In particular, given that Nymeria was a warrior-queen, is there a certain amazon tradition?

The Rhoynar did impact Dorne in a number of ways, some of which will be revealed in later books. Women definitely have more rights in Dorne, but I would not call it an "Amazon" tradition, necessarily. Nymeria had more in common with someone like Daenerys or Joan d'Arc than with Brienne or Xena the Warrior Princess.

September 2000

It has been my intention from the start to gradually bring up the amount of magic in each successive volume of A Song of Ice and Fire, and that will continue. I will not rule out the possibility of a certain amount of "behind the scenes" magic, either. But while sorcerous events may impact on my characters, as with Renly or Lord Beric or Dany, their choices must ultimately remain their own.

 November 2000

This third Targaryen might very well be -not- a Targaryen, to quote his exact words... "Three heads of the dragon... yes... but the third will not nessesarily BE a Targaryen..."

 He mentioned his frustration that Tranter books don't have maps since Tranter tends to describe journeys using ALL the available landmarks (I also stupidly complained about there not being a map of the landmass Dany's on in the books, and he VERY politely pointed out to me that there was one in SoS [O the shame!]). 

 December 2000

NG: A Song of Ice and Fire undergoes a very interesting progression over its first three volumes, from a relatively clear scenario of Good (the Starks) fighting Evil (the Lannisters) to a much more ambiguous one, in which the Lannisters are much better understood, and moral certainties are less easily attainable. Are you deliberately defying the conventions and assumptions of neo-Tolkienian Fantasy here?

GRRM: Guilty as charged.

The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black.

I wanted to stand much of that on its head.

In real life, the hardest aspect of the battle between good and evil is determining which is which.

 NG: You've frequently expressed admiration for Jack Vance. How Vancean is A Song of Ice and Fire in conception and style? In particular, does the narrative thread featuring the exotic wanderings of Daenerys Targaryen function in part as a tribute to Vance, to his picaresque inventiveness?

GRRM: Jack Vance is the greatest living SF writer, in my opinion, and one of the few who is also a master of Fantasy. His The Dying Earth (1950) was one of the seminal books in the history of modern Fantasy, and I would rank him right up there with Tolkien, Dunsany, Leiber, and T.H. White as one of the fathers of the genre.

All that being said, I don't think A Song of Ice and Fire is particularly Vancean. Vance has his voice and I have mine. I couldn't write like Vance even if I tried... and I did try, once. The first Haviland Tuf story, "A Beast for Norn," was my attempt to capture some of Vance's effects, and Tuf is a very Vancean hero, a distant cousin to Magnus Ridolph, perhaps. But what that experiment taught me was that only Jack Vance can write like Jack Vance

 NG: Three more volumes of A Song of Ice and Fire wait to be written. What shape do you expect them to take, and are their titles finalized as yet?

GRRM: Yes, three more volumes remain. The series could almost be considered as two linked trilogies, although I tend to think of it more as one long story. The next book, A Dance With Dragons, will focus on the return of Daenerys Targaryen to Westeros, and the conflicts that creates. After that comes The Winds of Winter. I have been calling the final volume A Time For Wolves, but I am not happy with that title and will probably change it if I can come up with one that I like better.

 You tend to write protagonists with strongly negative personality quirks, people who certainly don't fit the standard mold of a hero. People like Tuf in the Tuf Voyaging series, and Stannis and Tyrion inSong of Ice and Fire. Do you deliberately inject your characters with unattractive elements to make readers consciously think about whether they like them and why?

Martin: [Laughs.] Well, I don't know that I'd choose the word "unappealing," but I look for ways to make my characters real and to make them human, characters who have good and bad, noble and selfish, well-mixed in their natures. Yes, I do certainly want people to think about the characters, and not just react with a knee-jerk. I read too much fiction myself in which you encounter characters who are very stereotyped. They're heroic-hero and dastardly-villain, and they're completely black or completely white. And that's boring, so far as I'm concerned. It's also unreal. If you look at real human history, even the darkest villains had some good things about them. Perhaps they were courageous, or perhaps they were occasionally compassionate to an enemy. Even our greatest heroes had weaknesses and flaws.

 There seem to be two different styles competing throughout the series: historical fantasy in the Seven Kingdoms series, and a softer Roger Zelazny/Arabian Nights style for the scenes abroad. Is there a conscious split between the two for you, or is it just an aspect of the setting?

Martin: I try to vary the style to fit each of the characters. Each character should have his or her own internal voice, since we're inside their heads. But certainly the setting has great impact. Dany is moving through exotic realms that are perhaps stranger to us than Westeros, which is more based in the medieval history with which we're more familiar in the West, so perhaps those chapters seem more colorful and fanciful.

 You do tend to be very brutal to your characters.

Martin: Well, yes. But you know, I think there's a requirement, even in fantasy--it comes from a realm of the imagination and is based on fanciful worlds, but there's still a necessity to tell the truth, to try to reflect some true things about the world we live in. There's an inherent dishonesty to the sort of fantasy that too many people have done, where there's a giant war that rips the world apart, but no one that we know is ever really seriously inconvenienced by this. You see the devastated villages where unnamed peasants have lived, and they're all dead, but the heroes just breeze through, killing people at every hand, surviving those dire situations. There's a falsehood to that that troubles me. A writer can choose not to write about war. You don't have to write about war if that's not a subject that interests you, or you find it too brutal. But if you are going to write about war, I think you need to tell the truth about it, and the truth is that people die, and people die in ugly ways, and even some of the good guys die, even people who are loved.

 June 2001

I'm a bit concerned about Dany's skills as a commander. To succeed with the invasion of Westeros, I believe she will need a lot of sound military advice (both tactically and strategically). What's your thoughts on this issue?

She will need counsel, yes... she will also need to learn to tell the good counsel from the bad, which is perhaps the hardest task of all.

 Was it difficult to you when you wrote Dany's scene with the slavers in SOS? Was that one of the moments where the character spoke to you and changer their direction? Cause for me that act of Dany's seemed out of character. I know she dislikes slavery, but she must have killed an awful lot of innocent people there, plus her motives to me seemed suspect. Yes she freed the slaves, but she also got a large army for nothing. And right after she left the slavery started up again.

Dany is still very young. She has lessons to learn. That was one of them. It is not as easy to do good as it might seem, no matter how noble your intentions.

 February 2002

1. Was Mirri Maz Duur telling the truth when she told Daenerys Targaryen that the latter could never have children again?

I am sure Dany would like to know. Prophecy can be a tricky business.

 3. Is Daenerys Targaryen or anyone in her entourage able to tell whether her dragons are male or female? (Is the question relevant to dragons?)

Not yet.

 4. Daenerys Targaryen believed that her brother Rhaegar loved Lyanna Stark. Does she also believe that Lyanna Stark returned this love?

Dany is not sure what to believe.

 5. Since all of their mothers died, who gave Jon Snow, Daenerys Targaryen and Tyrion Lannister their names?

Mothers can name a child before birth, or during, or after, even while they are dying. Dany was most like named by her mother, Tyrion by his father, Jon by Ned.

 March 2002

3) Is your world round. I mean if Dany traveled far enough east couldnt she come to the other side of westeros?

Yes, the world is round. Might be a little larger than ours, though. I was thinking more like Vance's Big Planet.... but don't hold me to that.

 Oh, stupid fan question. I've been trying to get a visual of what the Quarth look like in my mind. In terms of what race they might be in our world. Tall and pale but I don't believe their hair color was mentioned. Would they be Western European looking? Slavic? Whenever their culture is mentioned I always think of either Persian or Indians.

I have tried to mix and match ethnic and cultural traits in creating my imaginary fantasy peoples, so there are no direct one-for-one correspodences. The Dothraki, for example, are based in part on the Mongols, the Alans, and the Huns, but their skin coloring is Amerindian. The Qartheen are an even more exotic hybrid, and offhand I don't recall where I got all the cuttings.

 April 2002

[Shaun] How do you view Dany's place in the series. She seems an heroic character to me, but the writeups on the back covers always speak of her as a villain...

[+GeorgeRRMartin] to shaun ignore the blurbs on the back cover and make up your own mind who is the hero and who is the villain

 [Erix] Dany will be betrayes 3 times. Did ser Jorah betray here once for money? so does this make it 2 betrayels so far?

[+GeorgeRRMartin] to erix no comment (twice!)

 He said that in his original plan (when he wanted to write a trilogy) the Red Wedding would take place in book one, and Dany's landing in Westeros in book two. Now he says that Dany's arrival in Westeros will take place in book 5, A Dance with Dragons.

 December 2003

Shaw: You created Jon as a bastard and an outcast from the get-go. Yet he's also one of the most attractive characters. Did you choose to make Jon a bastard to make him more attractive as an "underdog," or was his bastard birth central to the shaping of his character itself?

Martin: Almost all the characters have problems in some way. Very few of my major viewpoint characters have all the answers or have an easy path through life. They all have burdens to bear. Some of them are women in a society that doesn't necessarily value women or give them a lot of power or independence. Tyrion of course is a dwarf which has its own challenges. Dany is an exile, powerless, penniless, at the mercy of other people, and Jon is a bastard. These things shape their characters. Your experiences in life, your place in life inevitably is going to change who you are.

 Shaw: As the novels unfold, Jon becomes increasingly identified with the northern cold and ice, just as Dany is closely tied to the southern heat and fire. Will these two ultimately embody the central image of the series, Ice and Fire?

Martin: That's certainly one way to interpret it. That's for my readers to argue out. That may be one possible meaning. There may be a secondary meaning, or a tertiary meaning as well.

 Shaw: Are all the Targaryans immune to fire?

Martin: No, no Targaryans are immune to fire. The thing with Dany and the dragons, that was just a one-time magical event, very special and unique. The Targaryans can tolerate a bit more heat than most ordinary people, they like really hot baths and things like that, but that doesn't mean they're totally immune to fire, no. Dragons, on the other hand, are pretty much immune to fire.

 February 2004

Jon and Dany will be the two focal characters of AFfC (in the sort of way in which Ned was the focal character of AGoT). 

 May 2005

He doesn't feel that it's fair to call his work gratuitous. He wants the reader to live vicariously though his books (a function of fantasy writing), feel the characters emotions. If a character is at a feast, he wants the reader to smell the food, experience Dany's discomfort at being served an unappetizing dish. The same with the sex scenes-he wants his readers to feel like they are there.

Another bit of information that I found interesting- we *WILL* hear about the POVs who will not have front stage as it were, but will have it in ADwD. The reports of those chars will be somewhat garbled and messy as can be expected from any news that has travelled that distance and is that important. ex) Varys' manipulation of the Dany information, or Theon's skinning of the miller's information (we didn't know it wasn't Bran and Rickon until later). *THOSE* are the kind of reports we will see in AFFC about the missing POVs. We will get information on them, but have no idea which parts, if any, are correct.

I have some more things to add about things I asked, but I will probably trickle out things as I sober up and recall them. :p

The following will show up in ADwD:

Arya, Bran, Jon, Dany, Tyrion, and Asha (she will be in both books, as she gets involved in affairs of the North)

[Note: Spoiler POV redacted] has the most number of chapters in AFFC, while Dany has the most in ADwD. Also, the number of Tyrion chapters is going up from 4 to 7 in ADwD (his storyline is basically beinbg expanded).

 GRRM said Dany and the Wall is excluded. That removes Dany and probably Tyrion plus the Wall which presumably means Jon and Davos. 

Dragons will deal with Daenerys and the North. He decided to split by character, rather than in the middle of the story, as he wanted a complete book, rather than FfC part I and II.

This is no hoax.

I swear it by ice and fire. I swear that I will never post again should this prove false. I swear I will never touch wine again, if it is not true.

George said it is done.

But he had to make a major change. It had grown too large.

Daenerys will not appear. There will be little if any action in the North. Those chapters will be moved into the next book, which should come out shortly thereafter.

AFFC will be the size of AGoT.

 The next book will still be called aDwD. (Dany will be in it after all). 

 That being said, Dany will be presented with a map of the world from a fellow whose name I cannot remember because the pronunciation was very odd indeed.

 There was some talk about the Targaryen bloodline and how it worked when there weren't enough siblings to marry. Uncle might marry niece or aunt, nephew. There were also cousins in that family at one time. 

 Dany has more chapters than anyone. He also said that Dany's love life is going to become "extremely complex"

 Parris has proclaimed that Arya cannot die! (No, she wasn't there :( but he mentioned it when someone said that he's not allowed to kill Dany)

So yeah, in short, book not done but soon, lots of Dany, the Ironborn, and the Dornish, and Renly and Loras were INDEED knocking boots.

October 2005

The main point of discussion was the reason for the five-year wait since A Storm of Swords. I'm sure most of you know this already but, briefly, he wanted a 5-year gap between ASOS and ADWD to allow the kids to grow up. Some characters, mainly the children and Daenerys, really benefited from this, but most of the other characters suffered and the book was degenerating into a flashback-fest. After about a year he decided that wasn't working, ditched everything, and started again. 

 November 2005

His analogy is that the series is a symphony and each book is a movement, and explained that he likes each character arc to have some sort of finale in each book, whether it's on a cliffhanger, or a completion of some phase of the character's story arc (or death hehe). Ultimately, he decided to divide it geographically as you all know, since Dany's story is taking place in Martinland's China, and the rest is taking place in Martinland's England.

 One man asked whether George ever learns of people naming their kids after his characters. He pointed the guy to his website, where he even has baby pictures of Sansas, Aryas, even a Daenarys, Nymeria, Eddard, Bran, Chataya, and several Cerseis. He won't take credit for the Jons, though (hehe). It was great; someone in the audience made a crack about Cersei, and someone else said "as long as they aren't twins"). He mentioned meeting a little girl whose parents had named her Daenarys and he made a joke about how she was really going to hate spelling that when she gets to first grade. He also once got a letter from a 23-year-old girl named Lya whose mother said she was named after a character in one of his stories (A Song for Lya) and wanted to know who the heck Lya was. George sent her a copy! Hehe. He said he finds it flattering overall, but thinks it's a bad idea when the story isn't done yet and some of the characters will come to a bad end, and then those parents will be pissed with him!

 He was asked or mentioned most of the stuff that's already been covered, but one thing he talked about that I found particularly interesting was Romanticism. He said that he is a romantic, in the classical sense. He said the trouble with being a romantic is that from a very early age you keep having your face smashed into the harshness of reality. That things aren't always fair, bad things happen to good people, etc. He said it's a realists world, so romantics are burned quite often. This theme of romantic idealism conflicting with harsh reality is something he finds very dramatic and compelling, and he weaves it into his work. Specifically he mentioned that the Knight exemplifies this, as the chivalric code is one of the most idealistic out there, protection of the weak, paragon of all that is good, fighting for truth and justice. The reality was that they were people, and therefore could do horrible cruel things, rape, pillage, wanton killing, made all the more striking or horrifying because it was in complete opposition to what they were "supposed" to be. Really interesting stuff.

 At the San Diego signing, I asked GRRM at the Q&A, "Besides Dany's dragons, have all the Targaryen dragons been descendants of Aegon the Conquerors three?" GRRM answered "yes".

 And that one of the things he regrets losing from the POV split is that he was doing point and counterpoint with the Dany and Cersei scenes--showing how each was ruling in their turn.

 Q: 5-year gap?

A: It worked for characters like Arya and Dany but not so much for the adults or those who had a lot of action coming. He was writing chapters where Jon thought, "Well, not a lot has happened these past five years, it's been kinda nice." And Cersei chapters where she thought, "Well, I've had to kill sooo many people the last five years." So he ended up dropping it. He said he would have done it sooner if he hadn't told so many fans about it. And there is no gap anymore. "If a twelve-year old has to conquer the world, then so be it."

 (Petyr is just Peter, for example.)

Some he did say during the course of the evening:

Cersei = Sir-say

Jaime = Jamie (I think that was obvious but just in case)

Sansa = Sahn-sa

Tyrion = Tear-ion

Arya = Ar-Ya (Ex, Are ya?)

Daenerys = Dane-err-is

 TARGARYEN KINGS

SUBMITTED BY: AMOKA

[Note: The following information was sent to Amok for his contribution to the Fantasy Flight Games artbook.]

These are all Targaryens, of course, so there should be a strong family resemblence from portrait to portrait. All of them (except as noted) will have the purple eyes and silver-gold hair for which House Targaryen is noted. All of them should be wearing crowns... the same crown in many of the pix, though it will change once or twice along the way, as noted.

The hard part will be making each of the kings an individual, despite the similarities, and evoking each one's character through facial features, pose, clothing, background, and other elements in the portrait.

Here's the lineup:

DAENERYS I. Daenerys Stormborn. No description necessary, I assume. Show her wearing the three-headed dragon crown she was given in Qarth, as described in A CLASH OF KING. Might be good to include the three dragons in the picture. Show them very young, as hatchings, one in her lap, one wrapped around her arm and shoulder, one flying just above her.

 January 2006

He repeatedly emphasized that he prefers to write grey characters, because in real life people are complex; no one is pure evil or pure good. Fiction tends to divide people into heroes who do no wrong and villains who go home and kick their dogs and beat their wives, but that reality is much different. He cited a soldier who heroically saves his friends' lives, but then goes home and beats his wife. Which is he, hero or villain? Martin said both and that neither act cancels out the other.

 February 2006

NAERYS TARGARYEN

SUBMITTED BY: AMOKA

[Note: The following continues GRRM's series of descriptions of notable Targaryens (and Targaryen bastards) for Amoka.]

The sister of King Aegon the Unworthy and Prince Aemon the Dragonknight was beautiful as well, but hers was a very fine and delicate beauty, almost unworldy. She was a wisp of a woman, smaller even than Dany (to whom she bears a certain resemblence), very slender, with big purple eyes and fine, pale, porcelain skin, near translucent. Naerys had none of Dany's strength, however. 

 July 2006

George regrets that Cersei and Dany will not be contrasted directly. I told him of how some dedicated boarders try to defeat him and piece together a timeline. George replied that he tries to keep it vague.

He likes the extra breathing room to flesh out the characters. Bran didn't have any chapters and Dany's ending was different. Now he likes the way she ended. I think he actually may be doing more with Dany.

 SPOILER: Possible for ADWD

The second Dance of Dragons does not have to mean Dany's invasion.

Geroge stopped himself short and said he shouldn't say anymore. The response came because of my question of whether the dance would take place in ADWD because AFFC and ADWD parallel. So now my friends, speculate away.

 February 2007

Some other bits of info from Q&A: In Song, he considers Bran the hardest viewpoint character to write, while Tyrion is the easiest. The Red Wedding was partly based on a historical event in Scotland called the Black Dinner. His biggest lament in splitting A Feast for Crows from A Dance with Dragons is the parallels he was drawing between Circe and Daenerys.

 E. His dragons have no front limbs -- just rear legs and wings. He said that although the traditional depiction of dragons as six limbed creatures has become a staple of fantasy -- the fact that no animal in nature has ever evolved in such a way always bothered him. As a sci-fi writer originally, he insists on the depiction of the dragons with just four limbs. I never heard that before and though it was pretty neat.. In addition, he said that although AsoIaF dragons are intelligent, they cannot speak and will never evolve into the sort of dragons we see in Tolkien or Le Guin. Specifically he said’ Drogon is never going to share witty aphorisms with Dany. The Targaryens rule by Fire and Blood and that is what the dragons represent in the story". I guess the power icon is more Nedly for them than some of us thought when they were first rolled out back in AfoD.

 F. Cersei and Daenerys are intended as parallel characters --each exploring a different approach to how a woman would rule in a male dominated, medieval-inspired fantasy world.

 May 2007

GRRM: Well, the next book out is A Dance with Dragons, of course, and that's the fifth book of the series but in some ways it's really 4B, as those of you who follow the series knows that A Feast for Crows got so big I had to pull it in half. I split it not by chopping it right in the middle but I split it by characters. The one I'm working on now is going to have an awful lot of the characters that that aren't in A Feast for Crows, it's going to have a lot of Jon Snow, a lot of Daenerys, a fair amount of Davos, and it's going to have have a lot of "me" -- Tyrion, who is your favorite, and my favorite, so I'm enjoying writing a lot of those right now.

 And you know I got phone calls from people at the studio afterwards saying, "There is a way to make this as a feature. There's a way to do it as a movie. You could just take Jon Snow and Daenerys and just concentrate on them and get rid of some of the minor characters." And it just, it was kind of appalling because, much as I love Jon Snow and Daenerys, I didn't want to lose the other characters. I mean this is an epic and the only way we could conceive of doing it properly was to tell it as a series. And you can't do it as a series where's it interrupted every twenty minutes by a commercial for toothpaste. And you can't do it where I'd have Tyrion saying the things he says and doing the things he says, all of which network TV would have had a huge problem with.

So we really felt from the beginning that the best way to do this was on HBO or possibly Showtime. 

 August 2007

Just because I still love Popinjay and the Turtle and my other Wild Cards characters does not mean I have stopped loving Arya and Tyrion and Dany.

 April 2008

BERBERS AND DANY

[Did the unrest during the transition between Arab and Berber rule inspire Dany's storyline?]

No. Sounds fascinating, but I'm afraid I don't have enough experience with the Berbers or their history to draw on them for inspiration.

 July 2008

GRRM was asked the typical question, of where the idea for ASOIAF had come from. He replied that in the summer of 1991, when he was working as a Hollywood screenwriter, in a gap between assignments he began work on a new novel, a sf novel called Avalon ( personal note, no I would not swap it for ASOIAF, but I would have loved to have read it), set in his future history universe. And somehow, he found himself writing the first chapter of AGOT, about the direwolf pups un the snow. And after that came a second chapter and pretty soon he spent the whole summer writing AGOT.

From there he started to plan a trilogy, since there were 3 main conflicts ( Starks/Lannisters; Dany; and the Others) it felt it would neatly fit into a trilogy (ah!), but like Tolkien said, the tale grew in the telling. 

 April 2010

GRRM said he regretted mentioning the eye color of any of his characters. He also noted that as a brown-eyed person, he finds it annoying that brown-eyed characters are always portrayed as ordinary, while the doers of great deeds always have blue or hazel eyes or something - he notes that he himself was somewhat guilty of this with the violet eyes of Dany or the red eyes of Melisandre.

 (25) Any particular storyline he is enjoying right now?

He said that Dany's storyline is emerging in increasing importance. But he is struggling with the Meereenese Knot. So he can't say he is enjoying it. But he is really enjoying writing Arya's story. He could write an entire novel of it. He could write an entire YA novel about her...(at this point the audience starting clapping and calling out YES! DO IT!)...but her entire story isn't part of the greater novel. He has 12 novels worth of info for this book and its hard to fit it all in.

 February 2011

Sam Thielman: So, why did "A Dance With Dragons" take longer to write than the other books in the series?

George R. R. Martin: Well, you know, that's a good question and I'm not sure I have an easy answer for that. #1, none of the books have been exactly fast, I mean, I'm a slow writer, I've always been a slow writer, and the books are huge. I mean, they're three, four, five times the size of most novels being published. And they have extremely complex interweaving storylines. I remember back when I did the first book, 'A Game of Thrones,' Asimov's Magazine wanted to publish an excerpt and I pulled out the Daenerys storyline from the first book, and they published that as an excerpt, and after I pulled out all the Daenerys chapters and put them together for Asimov's, I did a word count and discovered, technically, I had a novel, just about Daenerys. I'm never gonna be one of those writers who has a book a year, or two books a year like some of my colleagues do. I simply can't write that fast. I do a lot of polishing and revising, and it's a big task.

 July 2011

Tad: Question: Do you purposely start a character as bad so you can later kill them?

GRRM: No. What is bad? Bad is a label. We are human beings with heroism and self-interest and avarice in us and any human is capable of great good or great wrong. In Poland a couple of weeks ago I was reading about the history of Auschwitz – there were startling interviews with the people there. The guards had done unthinkable atrocities, but these were ordinary people. What allowed them to do this kind of evil? Then you read accounts of acts of outrageous heroism, yet the people are criminals or swindlers, one crime or another, but when forced to make a choice they make a heroic choice. This is what fascinated me about the human animal. A lot of fantasy turns on good and evil – but my take on it is that it’s fought within the human heart every day, and that’s the more interesting take. I don’t think life is that simple.

 Tad: All of us work with multiple viewpoints – I hear this next question a lot: with story-driven plots, how do you decide which character viewpoint to write from – do you write several characters, taste them, then decide?

GRRM: No, not several, at least not intentionally. I had more choice early in the series, I frequently had situations where 2 or 3 were present at the same time. But as it’s progressed they have dispersed, so I need to be in the viewpoint of whoever’s there. There are some cases when I have a choice and in that case, I weigh which one. Without talking exactly about "The Mereenese Knot" – I’m not going to talk exactly about it, but but [there was a time when] a number of viewpoints were coming together in Mereen for a number of events, and I was wrestling with order and viewpoint. The different points-of-view had different sources of knowledge and I never could quite solve it. I was rewriting the same chapter over and over again – this, that, viewpoint? – spinning my wheels. It was one of the more troublesome thickets I encountered. There’s a resolution not to introduce new viewpoint characters, but the way I finally dealt with things was with Barristan, I introduced him as a viewpoint character as though he’d been there all along. That enabled me to clear away some of the brush.

 Tad: Question: do you choose characters because they will provide you with a viewpoint or something characterful?

GRRM: Actually, no. I try to give each viewpoint character an arc of his own, and ideally I would like to think that you could pull the material out – in the early books I was able to pull out the Daenerys chapters and publish them separately as a novella, and I won a Hugo Award for that. It'd be great if I could pull out each [character-arc] and it would resemble a story. In some cases a character died and that was a very short story. My prologue and epilogue characters always die but even then I try to give them a story.

 Your books, especially recently, are full of women trying to exert power in a male dominated world who have to compromise themselves along the way. Are you trying to make a feminist statement?

You could certainly interpret it that way. I don't presume to say I'm making a statement of this type or that type. But it is certainly a patriarchal society, I am trying to explore some of the ramifications of that. I try to write women as people, just as I try to write any other characters. Strong and weak, and brave and cowardly, and noble and selfish. It has been very gratifying to me how many women read my work and how much they like at least some of my female characters.

 The one thing I must confess to being frustrated by is the first Tyion chapter where you set up this expectation that he’s going to meet Dany, and I got excited. Then about 600 pages later I’m realizing, “OK, that’s not gonna happen, at least not in this book.”

Yeah, it’s the “kind of bring ’em together but don’t give them the confirmation.” In some ways it’s not so different than the sexual tension in TV shows — are Catherine and Vincent [on Beauty and the Beast] finally going to kiss? Same philosophy. This is the kind of stuff I wrestle with. I could have ended the next chapter: Tyrion gets off the boat and there’s Dany. But the journey itself has its own interest.

 There’s a point in the series where you feel like you’re reading a bunch of separate stories. Toward the end of Dance, you feel the threads starting to come back together. Is that accurate?

That’s certainly the intent, and always was the intent. Tolkien was my great model for much of this. Although I differ from Tolkien in important ways, I’m second to no one in my respect for him. If you look at Lord of the Rings, it begins with a tight focus and all the characters are together. Then by end of the first book the Fellowship splits up and they have different adventures. I did the same thing. Everybody is at Winterfell in the beginning except for Dany, then they split up into groups, and ultimately those split up too. The intent was to fan out, then curve and come back together. Finding the point where that turn begins has been one of the issues I’ve wrestled with.

 There was a fair amount of explicit sex in the series and some fans of the books were taken aback.

One of the reasons I wanted to do this with HBO is that I wanted to keep the sex. We had some real problems because Dany is only 13 in the books, and that’s based on medieval history. They didn’t have this concept of adolescence or the teenage years. You were a child or you were an adult. And the onset of sexual maturity meant you were an adult. So I reflected that in the books. But then when you go to film it you run into people going crazy about child pornography and there’s actual laws about how you can’t depict a 13 year old having sex even if you have an 18 year old acting the part — it’s illegal in the United Kingdom. So we ended up with a 22 year old portraying an 18 year old, instead of an 18 year old portraying a 13 year old. If we decided to lose the sex we could have kept the original ages. And once you change the age of one character you have to change the ages of all the characters, and change the date of the war [that dethroned the Mad King]. The fact we made all these changes indicates how important we thought sex was.

 References the chapbook with the first three Dany chapters from 2005 and that it offers insight as to how much the book has changed since then.

 There's been an interesting discussion on our forum concerning "orientalism" as it's expressed in your work, and one question it's led to among readers is whether you've ever considered a foreign point of view characters in Essos, to give a different window into events there.

No, this story is about Westeros. Those other lands are important only as they reflect on Westeros.

 Part of the difficulty of this particular novel was what you called the "Meereenese Knot", trying to get everything to happen in just the right order, pulling various plot strands together in one place, and part of the solution was the addition of another point of view character. Was this something where you tried writing it from a number of different point of views before settling on a new one? Did you actively resist adding a new character?

The Meerenese Knot related to everyone reaching Dany. There's a series of events that have to occur in Meereen, things that are significant. She has various problems to deal with at the start: dealing with the slavers, threats of war, the Sons of the Harpy, and so on. At the same time, there's all of these characters trying to get to her. So the problem was to figure out who should reach her and in what order, and what events should happen by the time they've reached her. I kept coming up with different answers and I kept having to rewrite different versions and then not being satisfied with the dynamics until I found something that was satisfactory. I thought that solution worked well, but it was not my first choice.

There's a Dany scene in the book which is actually one of the oldest chapters in the book that goes back almost ten years now. When I was contemplating the five year gap [Martin laughs here, with some chagrin], that chapter was supposed to be the first Daenerys chapter in the book. Then it became the second chapter, and then the third chapter, and it kept getting pushed back as I inserted more things into it. I've rewritten that chapter so much that it ended in many different ways.

There's a certain time frame of the chronology where you can compare to A Feast for Crows and even A Storm of Swords and figure out when they would reach Meereen and the relative time frames of each departure and each arrival. But that doesn't necessarily lead to the most dramatic story. So you look at it and try and figure out how to do it. I also wanted to get across how difficult and dangerous it was to travel like this. There are many storms that will wreck your ship, there are dangerous lands in between where there are pirates and corsairs, and all that stuff. It's not like hopping on a 747, where you get on and then step off the plane a few hours later. So all of these considerations went into the Meereenese Knot.

Then there's showing things after [an important event], which proved to be very difficult. I tried it with one point of view character, but this was an outsider who could only guess at what was going on, and then I tried it with a different character and it was also difficult. The big solution was when I hit on adding a new point of view character who could give the perspective this part of the story needed.

March 2012

If you listen to the CBC interview which you'll see the link for under General ASOIAF, much of what he said was repeated tonight. He admitted Tyrion was his favourite, and if he was having dinner with 3 characters, they would be Tyrion, Maester Aemon and then he thought of Arya, but feared she would throw food at him, so he'd go with Dany, because she's hot!

 June 2012

Near the end of the signing, a man presented Martin with two books and his daughter. “This is Daenerys,” he told Martin, “I sent you a letter about her five years ago.” Daenerys, a squirmy blonde in a pink jacket, looked about five years old. “Hello there,” Martin said, “do you like dragons?” She nodded, and they made room for the next fan.

Now that we know how the "Meereenese knot" played out, what was the problem with this? For example, was it the order in which Dany met various characters, or who, when, and how someone would try to take the dragons?

Now I can explain things. It was a confluence of many, many factors: lets start with the offer from Xaro to give Dany ships, the refusal of which then leads to Qarth's declaration of war. Then there's the marriage of Daenerys to pacify the city. Then there's the arrival of the Yunkish army at the gates of Meereen, there's the order of arrival of various people going her way (Tyrion, Quentyn, Victarion, Aegon, Marwyn, etc.), and then there's Daario, this dangerous sellsword and the question of whether Dany really wants him or not, there's hte plague, there's Drogon's return to Meereen...

All of these things were balls I had thrown up into the air, and they're all linked and chronologically entwined. The return of Drogon to the city was something I explored as happening at different times. For example, I wrote three different versions of Quentyn's arrival at Meereen: one where he arrived long before Dany's marriage, one where he arrived much later, and one where he arrived just the day before the marriage (which is how it ended up being in the novel). And I had to write all three versions to be able to compare and see how these different arrival points affected the stories of the other characters. Including the story of a character who actually hasn't arrived yet.

 October 2012

What's exciting to me about this session is that in this conversation, Martin talks at length about craft. He's been in the business of telling stories for many decades -- as a television writer and as a writer of fiction -- and he has a great deal to say about what works and what doesn't in different mediums. How is information conveyed to the audience (or the reader)? How do you keep sophisticated audiences on their toes? How do you create worlds in which most characters have to choose between the best of many bad options? How do you examine power from the perspective of outsiders, rejects and those who are constrained by conventional wisdom? Martin shared the insights of someone who has been contemplating these questions -- practically and philosophically -- for a very long time.

About midway through the podcast, there's a interesting discussion of his use of "close third person" narration and why that's effective in the creation of memorable characters. It's also interesting to note that he doesn't write the chapters in the order in which they appear in the books, and that he may write four or five Tyrion chapters before stopping and switching to another character. (Another fun fact that emerged -- and I'm sure hardcore "ASoIaF" fans already knew this -- Martin originally signed a contract for a book trilogy. I'm betting his publishers aren't sad he's now working on the sixth book in that "trilogy.")

Eventually, Martin zeroes in on his least favorite thing in any story: Predictability. But he admits that it's "very hard" to shake up the audience, which has grown more sophisticated with every passing decade. When he was writing for the revived "Twilight Zone" in the '80s, for example, network executives wanted the producers to end episodes with a twist of some kind, as the original Rod Serling series had often done. But the audience "could see all these twist endings coming a mile away," Martin said.

He also spoke about his fascination with power and with hierarchies that appear stable but are actually anything but. He mentioned reading a history of Jerusalem in which a mad ruler began killing dozens of courtiers and ordering the hands chopped off the women of the court.

"Why doesn't the captain of the guard say to the sergeant, 'This guy is [expletive] nuts?'" Martin said. "'We have swords! Why don't we kill him instead?'"

But loyalties -- clan loyalties, family loyalties, strategic alliances -- are powerful influences in the lives of Martin's characters, and their personal desires and their traditional duties or roles are often in conflict. And those kinds of unresolvable dilemmas are at the heart of what makes his stories resonate with those of us who didn't begin fighting with swords as children.

Paraphrasing Faulkner, Martin said "the only thing worth writing about is the human heart in conflict with itself." And that's a scenario that is very familiar to anyone who's ever visited Westeros, either as a reader or a viewer of the HBO drama.

 Is A Song of Ice and Fire a parallelism or a criticism to our society?

No. My work is not an allegory to our days. If I wanted to write about the financial crisis or the conflict in Syria, I would write about the financial crisis or the conflict in Syria, without any metaphor. However, it’s true that in my novels appear several elements which we can find in world history. Things such as power, sex, pain… I have grown up as a science fiction reader, and it was my first love, even before fantasy. But science fiction, then, presented an idealistic world: the space, a bright future, but unluckily that optimism disappeared very quickly and the future wasn’t as good as we had expected. Nowadays, science fiction is very pessimistic and talks about dystopias: about a polluted world, about a rotten world… Of course I would prefer to be part of another world; a better world, but I can’t. Perhaps winter is not coming only to Winterfell, but in the real world.

 March 2013

The readers are unhappy with leaving out the five-year gap?

Well no, some of the storylines from Feast for Crows. I get complaints sometimes that nothing happens — but they're defining "nothing," I think, differently than I am. I don't think it all has to battles and sword fights and assassinations. Character development and [people] changing is good, and there are some tough things in there that I think a lot of writers skip over. I'm glad I didn't skip over these things.

[For example], things that Arya is learning. The things Bran is learning. Learning is not inherently an interesting thing to write about. It's not an easy thing to write about. In the movies, they always handle it with a montage. Rocky can't run very fast. He can't catch the chicken. But then you do a montage, and you cut a lot of images together, and now only a minute later in the film, Rocky is really strong and he is catching the chicken.

It’s a lot harder [in real life]. Sometimes in my own life, I wish I could play a montage of my life. I want to get in shape now. So let’s do a montage, and boom — I'll be fifty pounds lighter and in good shape, and it will only take me a minute with some montage of me lifting weights and running, shoving away the steak and having a salad. But of course in real life, you don't get to montage. You have to go through it day by day.

And that has been interesting, you know. Jon Snow as Lord Commander. Dany as Queen, struggling with rule. So many books don't do that. There is a sense when you're writing something in high fantasy, you're in a dialogue with all the other high fantasy writers that have written. And there is always this presumption that if you are a good man, you will be a good king. [Like] Tolkien — in Return of the King, Aragorn comes back and becomes king, and then [we read that] "he ruled wisely for three hundred years." Okay, fine. It is easy to write that sentence, “He ruled wisely”.

What does that mean, he ruled wisely? What were his tax policies? What did he do when two lords were making war on each other? Or barbarians were coming in from the North? What was his immigration policy? What about equal rights for Orcs? I mean did he just pursue a genocidal policy, "Let’s kill all these fucking Orcs who are still left over"? Or did he try to redeem them? You never actually see the nitty-gritty of ruling.

I guess there is an element of fantasy readers that don't want to see that. I find that fascinating. Seeing someone like Dany actually trying to deal with the vestments of being a queen and getting factions and guilds and [managing the] economy. They burnt all the fields [in Meereen]. They've got nothing to import any more. They're not getting any money. I find this stuff interesting. And fortunately, enough of my readers who love the books do as well.

 And meanwhile, you've got Daenerys visiting more Eurasian and Middle Eastern cultures.

And that has generated its controversy too. I answer that one to in my blog. I know some of the people who are coming at this from a political or racial angle just seem to completely disregard the logistics of the thing here. I talk about what's in the books. The books are what I write. What I’m responsible for.

Slavery in the ancient world, and slavery in the medieval world, was not race-based. You could lose a war if you were a Spartan, and if you lost a war you could end up a slave in Athens, or vice versa. You could get in debt, and wind up a slave. And that’s what I tried to depict, in my books, that kind of slavery.

So the people that Dany frees in the slaver cities are of many different ethnicities, and that’s been fairly explicit in the books. But of course when David [Benioff] and Dan [Weiss] and his crew are filming that scene [of Daenerys being carried by freed slaves], they are filming it in Morocco, and they put out a call for 800 extras. That’s a lot of extras. They hired the people who turned up. Extras don't get paid very much. I did an extra gig once, and got like $40 a day.

It's probably actually less in Morocco since you don't have to pay quite the same rate. If you're giving 800 Moroccans 40 bucks each, you're not going to fly in 100 Irishman just to balance the racial background here. We had enough trouble meeting our budget anyway.

I know for some readers, they don’t care about this shit. But these things are about budget and realism, and things you can actually do. You are shooting the scene in a day. You don't have a lot of time to [worry] about that, and as someone who has worked in television this kind of stuff is very important to me. I don't know if that is answer or not. I made that answer, and some people weren't pleased with that answer, I know. They are very upset about that.

 August 2013

Amid reports of a dramatic uptrend in babies named “Khaleesi” and tourism to Dubrovnik, Croatia (aka King's Landing), we're guessing George R. R. Martin doesn’t need much of an introduction.

 AC: How do you decide what you're going to work on, whose voice you're going to work in today?

GM: Well, I don't write the chapters in the order in which you read them. I get into a character’s voice. It's always difficult to switch gears, actually. When I do make that transition from one character to another, I usually struggle for a few days trying to get back the voice of the character I'm just returning to after some hiatus. But once I get into it, I tend to write not just one chapter by that character, but three or four. So I'll be writing Jon Snow chapters, and I'll carry that Jon Snow sequence as far as I can. And then at some point, maybe I'll get stuck or not be sure what I should do next, or maybe I've just gotten way ahead of all of the other characters in the books, so I need to sort of rein myself in and make myself switch from Jon Snow to Sansa or Daenerys or somebody like that.

 November 2013

We can't leave Martin without pressing him for his thoughts on which of his characters keeps the best table. Would it be the wealthy, sun-loving Martell family with their Mediterranean-leaning flatbreads, olives and spiced snake? The sensualist Tyrion Lannister? Or the moveable feast of the court of Daenerys Targaryen with its duck eggs and dog sausage?

"Oh, Illyrio Mopatis, the magister, no question. Just watch out for the mushrooms."

 March 2014

Was it a big shift for you, when you were writing the scenes that take place at Winterfell and suddenly you have the Daenerys scene, with an entirely different location?

Pretty early on, in the summer of ‘91, I had the Daenerys stuff. I knew she was on another continent. I think I had already drawn a map by then – and she wasn’t on it. I’d just drawn the map of the one continent that would come to be called Westeros. But she was in exile, and I knew that, and that was sort of the one departure from the structure. It’s something I borrowed from Tolkien, in terms of the initial structure of the book. If you look at Lord of the Rings, everything begins in the Shire with Bilbo’s birthday party. You have a very small focus. You have a map of the Shire right in the beginning of the book – you think it’s the entire world. And then they get outside it. They cross the Shire, which seems epic in itself. And then the world keeps getting bigger and bigger and bigger. And then they add more and more characters, and then those characters split up. I essentially looked at the master there and adopted the same structure. Everything in AGame of Thrones begins in Winterfell. Everybody is together there and then you meet more people and, ultimately, they’re split apart and they go in different directions. But the one departure from that, right from the first, was Daenerys, who was always separate. It’s almost as if Tolkien, in addition to having Bilbo, had thrown in an occasional Faramir chapter, right from the beginning of the book.

 Although Daenerys is hooked into Winterfell, because we hear talk of her family, the Targaryen family, early on.

You see overlaps. Daenerys is getting married, and Robert gets the report that Daenerys has just gotten married and reacts to that and the threat that it poses.

 Fortunately, the books were best sellers, I didn’t need the money, you know, so I could just say no. Other people wanted to take the approach of, there are so many characters, so many stories, we have to settle on one. Let’s make it all about Jon Snow. Or Dany. Or Tyrion. Or Bran. But that didn’t work, either, because the stories are all inter-related. They separate but they come together again. But it did get me thinking about it, and it got me thinking about how this could be done, and the answer I came up with is – it can be done for television. It can’t be done as a feature film or a series of feature films. So television. But not network television. I’d worked in television. The Twilight Zone. Beauty and the Beast. I knew what was in these books, the sex scenes, the violence, the beheadings, the massacres. They’re not going to put that on Friday night at eight o’clock, where they always stick fantasies. Both of the shows that I was on, Twilight Zone and Beauty and the Beast, Friday night at eight o’clock. They think, "Fantasy? Kids!" So I wasn’t going to do a network show. But I’d been watching HBO. The Sopranos. Rome. Deadwood. It seemed to me an HBO show, a series where each book was an entire season, was the way to do it. So when I sat down with David and Dan at that meeting at the Palm, which started out as a lunch meeting and turned into a dinner meeting, and they said the same thing, then I suddenly knew we’re on the same wavelength here.

 June 2014

Q: What can you tell us about a warg dragon rider?

A: There is no history/precedent for someone warging a dragon. There is a rich history of the mythical bond between dragon and rider.  There have been instances of dragons responding to their riders even from very far away (hmm) which shows it is a true and very strong bond. We will learn more about this. Keep reading (we hear “keep writing” from the back of the room).

 Q:  What is your favorite line in ASOIAF?

A: I can’t single out one line but my favorite passage is Septon Meribald’s speech about war in… what was it?  (crowd yells out Feast for Crows).

 November 2014

For people who are not familiar with your work, the series takes place in an imaginary world. There is a struggle for control of the kingdom. This dynastic war is essentially one of three main plot lines. There are the other plot lines involving these sort of superhuman characters, and then there’s the exiled Targaryen daughter who seeks the return of her ancient throne. Why those three main plot lines?

Well, of course, the two outlying ones — the things going on north of the Wall, and then there is Targaryen on the other continent with her dragons — are of course the ice and fire of the title, “A Song of Ice and Fire.” The central stuff — the stuff that’s happening in the middle, in King’s Landing, the capital of the seven kingdoms — is much more based on historical events, historical fiction. 

 Pop culture has grabbed “Game of Thrones.” It’s been featured in “The Simpsons” and “South Park.” What goes through your mind when you see these references?

Well, I think it’s tremendously cool, of course. It’s nice to be doing something that everybody is so aware of and that has entered the cultural zeitgeist in that manner. The only aspect of it that really astonishes me is not that the characters and the story is being parodied or referenced in these various places but the extent at which I personally am. I mean, when I see myself as a character on “South Park” or I see Bobby Moynihan imitating me with the suspenders and the hat on “Saturday Night Live,” when I see companies selling Halloween costumes, not Halloween costumes to be Jon Snow or Daenerys but Halloween costumes to be me, that’s pretty freaky. That’s something I could never have anticipated, and I just don’t know what to think of it. 

 May 2015

Still, it’s only natural that there’s a few characters Martin would have liked to have seen on the show that did not make it in.

“Strong Belwas, who was part of Dany’s entourage,” Martin said. “I understand why he was cut, but I kind of miss him.” In the books, the massive eunuch warrior is a former pit fighter who joins Dany in Qarth. Belwas’ story elements have essentially been combined with the character of Daario, who is arguably more essential to Dany’s journey.

  June 2015

I explained that in my own head, Yandel is in King's Landing, clutching his book, showing up each day for an audience with the king... and each day being told perhaps the next day. Except on those occasions where, you know, they tell him the king's getting married today, and then whoops, Joffrey is dead, etc.

I also noted that of course, given how he wrote about the reign of Aerys and and the rebellion, that if Aegon or Daenerys take King's Landing he may indeed end up having his head chopped off... George seemed interested in the idea, I think. :P

 May 2016

4. GRRM and Picacio both made the joke about "you need to pay the artist" and such regarding general fan fiction. And then GRRM said he has issued some sub-licenses to things like art and games, etc. GRRM also mentioned that HBO owns the rights to the exact likenesses of the tv version of the story, meaning, no art can be made where Dany looks like Emilia. He was very careful in avoiding a real link in feeling between him and HBO even though he was asked about it twice. Then GRRM mentioned, and Picacio joined in, how GRRM knew the show would overtake the books. Not too much new.

Reactions after the episode

c. Dany on Drogon seemed random and a repeat of previous seasons.

d. Others loved Dany on Drogon.

 December 2016

And the most revealing: he said that for Winds, Winter is the darkest time 'where things die' and many characters will go dark places.

 At last I was able to ask him the question I had sent for the tombola. I have always been fascinated by how ASOIAF embodies the theories put forward by Acemoglu and Robinson about countries with extractive institutions (which hamper development). So my question was: Why do you think the political institutions in the Seven Kingdoms are so weak? His answer: the Kingdom was unified with dragons, so the Targaryen's flaw was to create an absolute monarchy highly dependent on them, with the small council not designed to be a real check and balance. So, without dragons it took a sneeze, a wildly incompetent and megalomaniac king, a love struck prince, a brutal civil war, a dissolute king that didn't really know what to do with the throne and then chaos. Interesting answer.

 July 2017

To a certain degree, also, it’s so intertwined, tragically and unfortunately, with the character histories. Daenerys doesn’t get to where she is unless she’s sold as a child bride, effectively a slave.

And I should point out, and you probably know this if you’ve read the books and watched the show, Daenerys’ wedding night is quite different than it was portrayed in the books. Again, indeed, we had an original pilot where the part of Daenerys was recast, and what we filmed the first time, when Tamzin Merchant was playing the role, it was much more true to the books. It was the scene as written in the books. So that got changed between the original pilot and the later pilot. You’d have to talk to David and Dan about that.

 I had all these meetings saying, “There’s too many characters, it’s too big — Jon Snow is the central character. We’ll eliminate all the other characters and we’ll make it about Jon Snow.” Or “Daenerys is the central character. We’ll eliminate everyone else and make the movie about Daenerys.” And I turned down all those deals.

 When you’re walking down the street in Santa Fe, do new character or historical details just pop into your head?

Sometimes it happens to me on long-distance drives. When I was younger I loved to take road trips, and get in the car and drive for two days to get to L.A. or Kansas City or St. Louis or Texas. And on the road, I would think a lot about that. In 1993, I think it was, I visited France for the first time. I had begunGame of Thrones two years before in ‘91 and I had to put it aside because television was happening. And for some reason, I had rented a car, I was driving all around Brittany and the roads of France to these little medieval villages and I was seeing castles, and somehow that just got me going again. I was thinking about Tyrion and Jon Snow and Daenerys and my head was full of Game of Thrones stuff.

 You’re in unusual territory, with your characters very much still in your hands but also out in the world being interpreted for TV. Are you able to have walls in your mind such that your Daenerys, say, is your Daenerys, and Emilia Clarke’s Daenerys is hers and the show’s?

I’ve arrived at that point. The walls are up in my mind. I don’t know that I was necessarily there from the beginning. At some points, when David and Dan and I had discussions about what way we should go in, I would always favor sticking with the books, while they would favor making changes. I think one of the biggest ones would probably be when they made the decision not to bring Catelyn Stark back as Lady Stoneheart. That was probably the first major diversion of the show from the books and, you know, I argued against that, and David and Dan made that decision.

In my version of the story, Catelyn Stark is re-imbued with a kind of life and becomes this vengeful wight who galvanizes a group of people around her and is trying to exact her revenge on the riverlands. David and Dan made a decision not to go in that direction in their story, pursuing other threads. But both of them are equally valid, I think, because Catelyn Stark is a fictional character and she doesn’t exist. You can tell either story about her.

 Is there anything we didn’t get to talk about?

I suppose there are issues we could have explored more with the whole question of sexual violence and women — it’s a complicated and fraught issue. To re-address that point a little, I do a lot of book signings, and I think I have probably more women readers than male readers right now. Only slightly, but it’s probably 55 percent, 45 percent, but I see women readers at things and they love my women characters. I’m very proud of the creation of Arya and Catelyn and Sansa and Brienne and Daenerys and Cersei and all of them. It’s one of the things that gives me the most satisfaction, that they’ve been so well-received as characters, especially by women readers who are often not served.

 August 2017

- My question about Daenerys was chosen as the third question (I was lucky!) but he refused to answer it lol … I asked “How old was Daenerys when she left the house with the red door, and was it located close to the palace of the Sealord of Braavos?” (thanks Butterfly for suggesting it to me) I don’t know why he refused to answer about her age, but about the house with the red door he said there will be more revelations about it in future books.

- He was asked to comment about the differences between the book and show characters, particularly Daenerys. GRRM ignored all the other characters and talked only about Daenerys - he said that the show one is older because there are laws in USA that prevent minors from having sex scenes so the decision was made to age Daenerys. Otherwise, book Daenerys and show Daenerys “are very similar” and “Emilia Clarke did a fantastic job”. (I guess he can’t really say negative things about the show, can he?)

- “Will Jorah ever get out of the friendzone?” (side-eyeing the person who asked this). GRRM: “I would not bet on it.”

 August 2018

Q: if you did have a child what would you name him or her?

A: “I don’t know... probably Not Daenerys”

 November 2018

“I have tried to make it explicit in the novels that the dragons are destructive forces, and Dany (Daenerys Targaryen) has found that out as she tried to rule the city of Meereen and be queen there.

“She has the power to destroy, she can wipe out entire cities, and we certainly see that in Fire and Blood, we see the dragons wiping out entire armies, wiping out towns and cities, destroying them, but that doesn’t necessarily enable you to rule — it just enables you to destroy.”

[...] “If you read Fire and Blood, you’ll know there’s definitely a bond between the dragons and their riders and the dragons will not accept just any rider,” says Martin. “Some people try to take a dragon wind up being eaten or burned to death instead, so the dragons are terribly fussy about who rides them.”

[...] The prince defeated the threat in the North by driving his sword through his wife’s heart. Will Jon have to do the same to Daenerys? Or is she the prince, Azor Ahai, reborn? Martin suggests all may not be as it seems.

“The Targaryens have certain gifts and yes, taking the dragons and dragon riding and dragon breeding was one of them,” he says. “But the other gift was an occasional Targaryen had prophetic powers and could see glimpses of the future, which they didn’t always necessarily properly interpret because, you know, they were fragmentary and sometimes symbolic.

“But to what extent did they share those gifts, what did he see, what prompted him to do all this? These are things I find really interesting to ponder.

 What was interesting from The Guardian interview you did, is this book — as daunting as it would seem for most authors to attempt, and as tough as Winds has been for you — this was curiously easy for you to write. Yes. Partly because it’s linear. Although it covers 150 years or so, it’s very straightforward — here’s what happened in the year 30, here’s what happened in 25. In Winds, I have like 10 different novels and I’m juggling the timeline — here’s what’s happening to Tyrion, here’s what’s happening to Dany, and how they intersect. That’s far more complicated. 

 August 2019

On the fame thing, does it ever feel surreal to stop and think about the reach that your work has had? I mean, couples meet through Game of Thrones, there are Thrones-themed wedding ceremonies, and babies are named after your characters. Is that something you ever dwell on and think to yourself  'God, my work has had this massive effect on people?'

It's very gratifying when you get letters, emails, and hear stories like that. They definitely do name children after my characters and send me pictures of their babies.

People also name their dogs, cats, iguanas, after my characters. Sometimes, it’s a little surreal. I often wonder about all the young Daenerys’ out there because kindergarten teachers will hate me because they have to spell it!

[astonishinglegends]

Ep 203: The Beast of Gévaudan

“This animal is a monster whose father is a lion; it remains open what the mother is.”

– Dragoon Captain John-Baptiste Boulanger Duhamel, speculating on the origins of La Bête du Gévaudan in January of 1765.

Description:

In the years between 1764 and 1767, a real-life monster had brutally savaged the residents of the former province of Gévaudan in the highland region of south-central France. While the creature's first attack was reportedly unsuccessful in killing its intended victim, it did provide a horrific description of it. Some sort of massive, canine-like creature was stalking the villagers out in their fields of the Margeride mountains. And it would remain as elusive as its killing spree grew nightmarishly effective. In a three-year span, contemporary and modern estimates put the death toll anywhere from around 100 to 500 people, mostly women, and children. To add to the fear and suffering, these were no ordinary large animal predator attacks. Considering that only a small percentage of the victims were found partially consumed, with livestock untouched, the bodies of all were so shockingly mutilated that it could be surmised this abomination of nature was not killing out of hunger but for sport. As news of the relentless slaughter spread throughout France, tens of thousands from every walk of life, peasants, soldiers, and noblemen alike, joined in the hunt to stop this menace. Reports had even reached Versaille, where King Louis XV had placed a large bounty on its head. When survivors and eyewitnesses had given their statements, a puzzling picture of the beast emerged. Although many accounts described this creature as having some features like an abnormally large wolf, or wolf-dog hybrid, other details combined didn't fit any known animal. It was also described as the size of a calf or donkey, with reddish hair and a black stripe down its back, giant, razor-sharp teeth set in the gaping mouth of a pig-like head, a tail with a tuft on its end, and talons on its feet. This being was shot and wounded on several occasions at close range only to escape and kill again, adding a supernatural element to the legend. Many believed then as they do now that this animal must have been a canine mutation of some sort. However, without the descriptor of "werewolf" or "skinwalker" added to the story, saying it was just a vicious, big dog leaves an unsatisfactory conclusion. With no remains or taxonomy to define this murderous freak, the only name that could be given to it then is the one that remains today: The Beast of Gévaudan.

Reference Links:

Scrying on Wikipedia

The 1992 motion picture, The Crying Game

Samhain

Lori Williams’ Controlled Remote Viewing website IntuitiveSpecialists.com

Russell Targ

Crystal Gazing – Its History and Practice, with a Discussion of the Evidence for Telepathic Scrying, by Northcote W. Thomas, M.A.

Benjamin, from the Old Testament or “Hebrew Bible”

“The Forgotten Art of Scrying” by Fernando S. Gallegos on ExploringTraditions.com

Bernardino de Sahagún

Moctezuma II

Nostradamus

John Dee

Edward Kelley

“Notes on John Dee’s Aztec Mirror” by Ed Simon on NorthernRenaissance.org

Horace Walpole

“Making a Sigilum Dei Aemeth out of Wax [Esoteric Saturdays]” on YouTube

Hermetic Order of the Golden Dawn

Thelema

“Joseph Smith's "Magic" Glasses and Other Bizarre Objects from Mormonism” on ranker.com

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Credits:

Episode 203: The Beast of Gévaudan. Produced by Scott Philbrook & Forrest Burgess; Audio Editing by Sarah Vorhees Wendel. Sound Design by Ryan McCullough; Tess Pfeifle, Producer, and Lead Researcher; Research Support from the astonishing League of Astonishing Researchers, a.k.a. The Astonishing Research Corps, or "A.R.C." for short. Copyright 2021 Astonishing Legends Productions, LLC. All Rights Reserved.

[taerseok]

↬ pairing:. badboy!Jungkook × childhoodfriend!Reader

↬ synopsis:. ❝ Nevermind, I’ll find someone like you. I wish nothing but the best for you too. Don’t forget me, I beg. I remember you said; ‘sometimes it lasts in love. But sometimes it hurts instead.’ ❞

Or, alternatively:

↬ synopsis:. ❝ you and a handsome prince from a neighbouring kingdom team up to spin the worst fairytale the lands have ever laid their eyes upon. ❞

↬ word count:. 15.5k

↬ genre(s):. modern royalty!au, fake dating/fake marriage!au, childhood friends!au, angst, fluff, attempted humour

↬ rating:. pg-15

↬ warning(s):. cheating, suicide, language, alcohol, comatose, mental illness, disturbing scenes, rebounds, e.t.c.

↬ playlist:. play here!

▪ note:. this is a part of the royalty!au collab with my good friend, Addison @aesthetical-witch and I was very inspired by Tae’s cover of someone like you to make this!

CREDITS:

• Thank you soo much to Maggie @kimtaehyunq (requested from the BHQ Request Board) for the wonderful header!

• Thank you to my good friends Ruby @rubinora and Addi @aesthetical-witch for helping me edit and providing me with feedback!

Putting your phone next to you, you sigh and turn to lay on your stomach, your cheek against the soft mattress below you. You had just seen an exhausting text message from someone you did not want to meet right now. You’d be lying if you said Jungkook didn’t still get on your nerves for something stupid he did the last time you had a ‘get-together’. The boy, who you were friends with since you both came from a royal background and your kingdoms were basically next to each other, had drunk your last carton of banana milk. 

Naturally, you both had taken a liking to the same drink, and as of currently, most of your ‘wars’ were a result of taking each other’s things and of course, drinking each other’s banana milk. Yes, it is quite idiotic to lose your shit over someone else drinking your milk, but you had every right to be mad at him and more. 

 In the text that he had sent you just a few minutes ago, he asked if you could meet him in your castle’s garden in a few minutes. You were feeling lazy as always, sitting in your bed, doing nothing, but you could not help but snicker that the guy had the audacity to ask you that when he took your banana milk. In fact, you believe he should be treating you, not asking you for any more favours than he already has. What would poor Jungkook do without you, you shake your head.  

Getting up, you take off towards the gardens of your castle. Oh, and it wasn’t much of a castle in your opinion. It did lack some of the things a normal castle would have, like large towers. But you did consider it a mansion. Most called it a castle though, mostly because royal matters were handled here. Or so you thought, anyway, you shrug. You didn’t waste your time and as soon as you got out of your room, you rush down the halls, down the stairs, and through the large doors. 

“Now where is he?” you frown. The garden was larger than one could imagine. In front of the gate to the inside of the ‘castle,’ your mother had decided to have a fountain built, and to the right and left, green, lush grass spread over quite a large chunk of land. You opted to go for the more secretive places. The boy must have driven off without his parents’ knowledge and decided to come here, and as far as you knew, if anyone would have seen him, you would have been informed. 

You looked around, running in the gardens and squinting your eyes at every shadow you saw, then sighing because none of them belonged to Jungkook — they were mostly trees, occasionally some maid working here or there. But you did find the male soon enough. He was hiding at a corner of the garden where bushes surrounded almost every point. If you didn’t know Jungkook good enough, you would have guessed he was smart. 

You run up to him, making sure no one saw you since that would likely be bad news. Whatever it had to be, Jungkook didn’t call you here for something good because it wouldn’t have to be this secretive. “Right,” you catch your breath, panting. “You better tell me something worth it because I feel like I just ran a marathon.” Running around your garden wasn’t easy, in your opinion. It took great will, certainly. “So I was right when I said that you’re just a pillow princess.“ 

You glare at Jungkook, brows furrowed. You had a bad history with him, you won’t lie. Yeah, he appeared to be quite handsome and even charming. Many girls would swoon over his gorgeous hair, his pretty face and his adorable dimples, and you wouldn’t even be surprised if he was ripped as hell. Being royalty and crown prince was just an added bonus, to be honest. But he was a brat with one big ego, and you knew that fact like the back of your hand. 

The way he teased you made blood simmer in your veins. It made you go crazy. You felt beyond helpless when that happened. And you reminded yourself over and over again not to compliment him or his ego would only inflate more. And you considered that wasn’t healthy for him, even though he really did look good. 

“Shut up and tell me what you want.” Maybe it was the fact that he spoke something really true and maybe you were a pillow princess so you wouldn’t even deny it, but it still offended you nonetheless. The nickname had been given to you when he had came over once and your mother had mentioned how you never leave your bed. Your mother really knew how to throw you under the bus, didn’t she? He chuckles, then begins to speak. “I have a request for you,” he says. You stop him right there, raising your hand in the air, gesturing him to kindly shut up. You were so done. “For fuck’s sake, Jeon Jungkook. I am not about to go through hell again just for you. Don’t you think you should act a little more independent, maybe? Maybe treat me to dinner first? I am not a 24/7 helper,” you frown, crossing your arms. 

“Who taught you to curse?” oh. You might have gotten a little too angry. But who could’ve blamed you? Jungkook wasn’t your responsibility. You didn’t have to help him and you wouldn’t this time. You just had to make it clear and may have gone a little too far. You had tried to stop yourself from cursing in front of him so you’d keep your status, but of course, that didn’t mean that you didn’t actually curse. 

“I am an independent adult. I can curse. Meanwhile…” you sigh, “you aren’t. You constantly need help from me. You’re crown prince, Jungkook! You’re supposed to be a little more mature than this.” He didn’t take any time to retort back. “Look who’s speaking. You’re not mature at all,” he says, and though his voice reflected anger, his expression remained calm. 

“We’re not talking of me here! You’re the one who came here with a request!” you exclaim, turning your back to Jungkook. You had enough of helping Jungkook over and over, you were so tired of picking the pieces of his life back up and putting it together. He had to understand that you had a life too. You had your own problems to take care of. Any time he messed up, he’d have to come to you for help. 

Like that one time, when he and some of his friends got drunk and you had to help them clean up even though none of it was your fault. And that one time when he had driven a little too fast when you were over at his ‘castle’ and then he crashed into that one shop in town. And to top off the humiliation, since he was too much of a pretty boy to own up to his mistake, you had to hold a conference to explain the situation to the media and paparazzi. Of all the people, you. 

It was getting ridiculous at this point and your head wouldn’t wrap around it. You knew he was irresponsible and maybe even careless, but still! He was going to become the next king and the kingdom depended on him. The future of his subjects depended on him. How could he risk being so careless? 

“I’m leaving if you have nothing better to say,” you sigh and take a step to leave, but he catches your wrist, pulling you back. You groan. “Jungkook, I’m a person with my own problems. I can’t always be helping you,” you turn around to look in his eyes. You could see stars in them if you gazed deeper. 

“I get it. But I trust you enough to let you know that mother is planning an arranged marriage for me,” your brows furrow at his statement. “What… do you—?”

“But I’m dating someone already.”

Your eyes widen in surprise. You take a moment to let yourself digest the new information. He was dating someone? 

Okay, you two were close but never tried to get into each other’s love lives, and in addition, the man in front of you didn’t look innocent whatsoever, so he must’ve at least dated someone. But for him to tell you like this, it hurt a little.

It reminds you of how you were growing up and leaving your childhoods behind. You two had known each other for quite a long time and gotten so comfortable with one another. But to think that someday, you’ll be standing beside a man and him beside some woman of his liking, and the fact that, that one day was coming very soon — it hurt. It hurt to lose your friend over some stupid thing like marriage. 

“But she’s a commoner. You know mother is strict about that stuff and…” he bit his pink lip, “I need you to buy me some time.” You raise a brow, and his hand finds yours. He looks at you, his eyes searching for confirmation. “You need me to buy you time? How?” you frown, your feelings conflicted. You wanted to help, this was some dire situation and if he got married to someone he didn’t love, then… it wasn’t worth it. 

At the same time, this proved to be very hard. His mother, though a fun one similar to yours, was stern when it came to relationships. Her trust was especially hard to earn. But she did grow affectionate towards you since you had been with Jungkook since you were little. 

“I want you to pretend to be my girlfriend and slow things down a bit.“ 

You look at the man in disbelief, motionless. Did you hear correct? Yes, maybe your mother teased you about being married to Jungkook for some while now, and maybe it did sound reasonable, but why of all people, did he want you? Multiple girls were dying to be his girlfriend already, should he not give them a chance? 

“But why me?” you finally ask, looking at him with mixed feelings. “You’re the only princess my family knows and trusts. It wouldn’t be weird if I was dating you at all.” You roll your eyes at the last statement. “Jungkook, it would be weird if I was dating you,” you correct him. “Well, to you, yeah, but I don’t consider it impossible,” he grins. You pull your hand away from his, punching his arm. 

“You’re dating someone already, you idiot!” you exclaim, frowning. He chuckles. “I’m not cheating on her. I already told her, and she’s not on the best terms with it, but she agrees,” he says. “So you can date me.” You huff at his arrogance, crossing your arms. “You know this is trouble, right?” you furrow your brows. “Yeah, and I’m up for it. So are you up for it?” you roll your eyes at his reply. 

 "I think you just want a chance at fucking me if I’m to be completely honest with you.“ 

“I like your honest side.“ 

“You’re in a relationship!“ 

“With you, yeah.“ 

“Oh my God…” you sigh. You wondered who would date such an idiot. Then again, he is really handsome. Maybe you should be grateful for the opportunity. 

——— 

You didn’t know when you agreed for it, but you just did and now you are dating Jeon Jungkook. You decided to tell your family about it that night at dinner, after discussing the details with Jungkook. Hyun-ae, who is his girlfriend as of currently, was a commoner he had met at an expensive club he had gone to.

She had garnered his interest and the two began dating in secret. They have been now dating for two years, though in private. Neither of them have shown any sign of getting the relationship to a different level, and they both need some time to relax and think of ways to finally bring the truth into the light without any prejudice taking place. 

That is where you come in. You will pretend to be Jungkook’s girlfriend so his mother can stop finding suitors and give him some air to breathe, simultaneously giving him time to think of a plan. You will need to slow down the process as much as you can, making excuses to make sure that the wedding day does not approach. Because in the end, it’s not you who is going to get married to Jungkook. It’s Hyun-ae.

Or that’s what he told you about the plan. 

It was wrong on many levels, and if you weren’t as dear to your families as you were, you both would receive great punishment for it — maybe even death. But it wasn’t going to go that far. It would be done in a few months at most. Or that’s what you told yourself, anyway. 

Taking a seat at the dinner table, you smiled at your mother and father, and then looked towards your cheeky older brother, Seokjin. You liked to call him Jin for short. He is likely going to go ecstatic over the fact that you were dating someone and you didn’t tell him, and going to go absolutely feral when he hears that it is actually Jungkook who you are “dating”. He was quite the overprotective brother. You turn to your father, taking a deep breath, you begin to speak. 

“I wanted to… talk about something important to me,” you try sounding like you are authentic, and you seem to be failing badly, but you keep on going, mustering up all the strength. You forget even eating your food for a while, instead, turning to look at your three family members one by one. 

 "I am dating someone… with whom I want to take my relationship to the next level.“ You were inexperienced and stupid for doing all of this. Multiple times you thought of backing out, but this was for Jungkook. You felt bad seeing how far you were going for him but he never even returned it. Or sometimes he did. But this was a big favor you were being asked. Your mother and father look at you with wide eyes, though Jin continues to eat, making sure to look up at you once in a while — making sure you know he’s listening too. 

“I’m very sorry I didn’t mention him before,” you look at all of them one by one, “but I am in a serious relationship,” it hurt to lie to everyone like this. What fool would fall for your dramatic acting? Who knew… but you certainly had all of their attention now. 

“Who is it…?” your mother asks very quietly, at least they weren��t objecting to it. You sigh heavily. 

“Jungkook.“ 

Their expressions were something you couldn’t analyse. They were thoroughly surprised, yes, and at the same time, another emotion you couldn’t quite grasp — approval? You couldn’t put your finger on it, but maybe that was it. Jin stops eating to look at you instead. 

”Jeon Jungkook? That one Jungkook you’re friends with?” you feel bad for playing like this, but what was done was done and you were doing this for Jungkook. “Which other Jungkook would I know?” you don’t know how exactly to react so you smile lightly at Jin, then look back towards your parents, who are still staring at you. “So… Jungkook recently told me that his mother is picking a girl for him…” you bite your bottom lip, “but she doesn’t know about us and—” you begin to speak, but your mother cuts you off. 

“I’ll talk with her.” And what you don’t expect is the smile that’s on her face. Did you really just fool them like that? They believed you so easily. Was it this easy to lie? It left you with chills. 

“In fact, you and your mother can leave for their kingdom in the morning. Make sure to tell Jungkook about it,” your father spoke up. Everything seemed to be going to plan. Jungkook did say he wanted you to visit the castle and that he’d tell his parents all of this too. So you supposed your job was done. But to think that you were fake-marrying your childhood friend, it all felt so wrong. 

“I will…” you respond quietly and continue to eat dinner as nothing had transpired. You felt so bad for doing all of this. Seeing the smiles on your parents’ faces, the laughter of Jin — they didn’t think it was weird at all for you to marry Jungkook. So he was right. Maybe people could see you and Jungkook together. Childhood sweethearts, mayhaps? You still didn’t know how. 

As soon as you finish dinner, you turn to leave to your room and tell Jungkook about everything. 

[Y/N]: I told everyone. We’re coming tomorrow. 

Your kingdoms were right next to each other. It was very easy to reach to his by car. Yes, it would take some hours but you considered travel fun. And you’d probably fall asleep in the car anyway. You thought about packing your things and decided to do that while you waited for Jungkook’s message. 

 You were done pretty quickly, you didn’t need to pack much. Some clothes here and there, and some other things you thought you’d need. You didn’t know how long you were staying there for, but if anything was needed, you know they could provide it for you at his place. You sank down on the bed and picked up your phone, which lit up while you were closing your bag. He was calling you. 

“What is it now?” you ask, a little annoyed as you put the phone to your ears. “Are you mad because you have to actually work now, pillow princess?” you could practically hear him grinning. It wasn’t very nice. “Be grateful. I’m helping you. No one could do this,” you roll your eyes. He chuckles lightly, changing the topic. “How did your parents believe it though? You’re such a bad actor,” he queried. “Well, I’m not as bad as you think. Somehow. I did make them believe it.“ 

“Jungkook, you know this is trouble. What if they find out…? What if we get into trouble?” you frown, but he doesn’t seem to think of it in that way. You aren’t surprised. “It’s fine! Lighten up, pillow princess.” You huff, feeling anxious about the situation. Your mother and father — even Jin. They would all be so disappointed in you. You helped Jungkook marry a commoner. 

“That’s because you get something good from this if it works out! You get to be with the love of your life while I get scarred forever,” you say hotly before your voice turns meek. You won’t be able to sleep tonight, thinking of all of this and freaking out over it. And Jungkook knows that fact too, knowing you well enough to pick up on it. “I’m sorry. I didn’t think of that.” Of course, he didn’t. 

“Because you’re a self-obsessed bloke,” you reply dryly. He snickers a little, making you smile ever so lightly. “I guess I am. We’re in this together, Y/N. I never want you to be alone.” It was moments like these when you questioned why Jungkook made your heart skip a beat. Or why he even said things like these. Maybe he knew his words mattered a little more to you than you let on. Or perhaps he simply wanted to pull at your heart. 

“Yeah, right,” you say quietly, “tell that to me when you get married to Hyun-ae and I still don’t get a boyfriend,” you smile despite your words, wanting to relive these moments when you grew older. 

Time just passed so quickly. You never noticed when you became a teen, and then an adult, and now you’re supposed to get married soon — well, not really. You’re just faking it. But still, the actual day isn’t that far either. You’ll find someone soon enough. Or so you hoped. 

“Anyway… I better get my beauty sleep now,” you hear him laugh into the phone. “What’s so funny with that?” you frown. “It’s nothing. I’ll see you tomorrow then. Good night.” You smile. 

“Okay… Goodnight.“ 

“Yeah, goodnight.“ 

“Mhm, goodnight.“ 

“Goodnight.“ 

"God, just hang up already!” you exclaim, making him shout even louder. “You hang up!” that one hurt your ears badly. You groan. “Fine!” giving up, you end the call. Jungkook was the most annoying human being you had come across, but that didn’t mean you didn’t care for your friendship. 

He was just a tease and a knuckle-head sometimes. Though you appreciated him for exactly that — being stupid. After getting ready for bed, you try to calm down your nerves and prepare yourself mentally for pretending to be Jungkook’s girlfriend. The words tasted bitter on your tongue. 

It didn’t feel right to pretend like this, but you couldn’t do much than just following Jungkook and praying that everything will go well to a God you didn’t believe in. 

Closing your eyes, you began wishing for a better tomorrow.

———

You didn’t even notice how you got into the car next day to drive away to Jungkook’s, but you simply guessed you did, and the next thing you knew was that you were approaching the borders of the ruled land. It was beautiful, just as thriving and prosperous as the last time you had seen it. 

From the window of the limousine, you could see the merchants and traders, the millions of shops that lined the roads. Even the townspeople were friendly, you had known since they were always very sincere and understanding of Jungkook’s mistakes. 

The residential area was your favourite. You loved seeing their green gardens even though they were very small in comparison to the one you knew. The colourful roofs of the houses always brought a smile on your face. The rule was well-established under Jungkook’s parents, and you just hoped he could continue it. You had high hopes for him. 

The car steadily made its way to the castle, prior to stopping a little way before it. You got out of the car alongside your mother, slightly nervous. You had almost forgotten what you were here for. Some guards made sure of your identities before they escorted you to the door and took your luggage inside, while Jungkook, his younger brother, Junghyun and his parents were standing in the foyer. 

Your father hadn’t come, for he had some important businesses to take care of. You didn’t think ruling was easy, so he was justified. Jin stayed behind too, accompanying your father like the crown prince he is and learning the art of kingship. 

Meanwhile, you were agreeing to be fake-married to your childhood friend. You sigh, then help yourself to a plastered smile as you approach the family. You and your mother curtsy and you let your mother do the talking. You weren’t here to embarrass yourself, that’s for sure. You look towards Junghyun and Jungkook, who are both looking towards you. You give them a light smile, but your eyes just seem to be moving back to Jungkook. You do hope what you’re doing is right. 

“Ah, Y/N, why don’t you and the boys talk for a bit while we do too?” Jungkook’s mother addresses, making you nod furiously. You are guided inside by the two brothers while your mother and their parents walk towards the living room. It dawns over you that you’re supposed to act like a couple since Junghyun is here and even he doesn’t know of the truth, so your hand just finds Jungkook’s. 

Holding your hand, Jungkook leads you towards his bedroom gently. Junghyun follows alongside you, apparently just as fooled as his parents, talking of all the memories you three had made. He wasn’t wrong; certainly, you had spent your childhood with Jungkook and Junghyun. Junghyun wasn’t much younger than Jungkook, but a difference of some years still remained, though most went unnoticed, seeing as Jungkook was just so unexplainably youthful. 

“Or that one time when Jungkook stole your chocolate and you started crying?” Junghyun chuckles, but you need not be reminded of the moments you had cried. All for some chocolate and all because of a bratty Jeon Jungkook. You roll your eyes. 

“Please~! I don’t want to remember that. I cried for this jerk—” you catch yourself just in time before you say something else. Junghyun looks at you, a bit startled. But before you say something to justify yourself, he simply laughs again. 

“It’s good to see that you haven’t lost your fun relationship with him. You’ve just made it stronger.” You nod wearily at his words, smiling while your heart wrenches at seeing the world be fooled. “Tell me, how did you fall in love with my dimwit of a brother? He really is lucky to have you—" 

"That’s enough, isn’t it, Junghyun?” for the first time in a while, Jungkook spoke up in the conversation. “But I do want to know!” Junghyun frowns. 

You laugh at his adorable expression. When you were near a cute Junghyun, you doubted anyone could ever reject his request. You begin to speak, even though you held no particular feelings towards Jungkook himself in that way. “I’ll tell you,” you smile, “your brother,” you hold onto his hand a little tighter while you think. 

“Your brother is a softie. Even though he looks like the type of person to fight you if you wake him up when he doesn’t want to be.” Junghyun chuckles lightly at your words. “Is he? He’s never that way towards me,” you felt how Jungkook’s fingers intertwined with yours. Was it a signal to stop, or maybe keep going? Or did you really say something true? You didn’t pick up on that one. 

“He is,” you reply with a quick smile, before Jungkook stops in his tracks, making you stop too. “We’re here,” the male speaks and then turns around to Junghyun. “Your job is done. Thank you for accompanying Y/N. I’ll be taking her now,” the grin on Jungkook’s face did tug at your heart, you weren’t going to lie. Junghyun did protest like a little child, but he left soon enough. 

 By that time, you were sitting on Jungkook’s bed, waiting for Jungkook to close the door so you could talk to him about the whole situation. 

“You okay?” he asks, coming to sit down next to you after closing the door. “I’m fine. Just…” maybe it was for the fact that you were pretending to be Jungkook’s girlfriend. Maybe that’s why you flinched whenever he came close to you, maybe that’s why you felt so different being in his room, despite being here countless times before. 

“I’m just tired. There’s no good ending to this, Jungkook… I’m tired,” you look towards him, suddenly tears flood your eyes. You don’t know why you are suddenly on the verge of crying. Maybe it’s because you were pretending? 

“I see those happy expressions on my parents’ faces… they don’t fake it, Jungkook,” his expression softens at your words. A little part of you knew that your tears were Jungkook’s weakness. Whenever you didn’t feel good, he’d get incredibly worried. You didn’t cry as much in front of him anymore, but you hoped that he didn’t change. That he still cared for you, even if a little bit. That’s what you hated about growing up, you would have other people in your heart, and Jungkook would have others. You wouldn’t care as much for each other anymore. And that fact scared you. 

Seeing you act so small, Jungkook couldn’t believe his eyes. He puts your head against his chest, hugging you side-ways. He didn’t know you were so pressured by his request. It wasn’t something small and he wouldn’t trust anyone but you with it. He did care a lot for you. And he wanted you to know that, even if he acted like an imprudent, idiotic friend sometimes. He had asked a little too much of you and he was coming to understand that. But the damage had been done. 

How could he reverse the action? There was no way. You were stuck with him till he revealed the truth, and the mere thought of you crying hurt him. It was painful to see you cry, even for an over-confident, cold person like Jungkook. He had made you cry, just because he was too scared to tell his family the truth, and he was scared he might not be accepted for dating someone that wasn’t of a noble or royal family. 

 He would try to tell the truth very soon, he promised to you mentally. He would do anything, to tell the truth when the right time comes. He just hoped you were willing to wait for that long. 

“Shh,” he hushes, running his hand through your hair in gentle strokes. You smiled a little. At least you had someone. It was better than being alone. “I know that. I know and I’m sorry. I’m so, so sorry for asking you something like this. Hyun-ae and I just weren’t ready. And what I did makes me look like a complete idiot, so I’m very sorry for being so inconsiderate towards you. I really… appreciate that you’re going this far for me." 

Your efforts, at least, were recognised. That is what made it all the better. The door was being knocked on. 

While you made sure your make-up was intact, Jungkook opens the door. It’s Junghyun’s voice from what you can hear. "Fine,” Jungkook says, closing the door and turning to you. You raise a brow, wondering what’s the problem now. “Mother wants us to talk to the media and announce our marriage. They agree with it." 

The way he spoke the words made your cheeks taint with pink. You weren’t expecting it to be so soon, but your families knew each other very well, so it was no surprise. You were really going to fool the world now. It was happening, and the nerves instantly came back from last night. 

Taking a deep breath as you fixed the last of your make-up and took a final look in the mirror after your breakdown, you turn towards Jungkook. 

"Okay. Let’s go.” 

By the time you were standing in front of the crowd of reporters and paparazzi, your nerves had taken complete control of you. 

Jungkook’s and your mother explained the situation to the media while you stood a little to the side, your hand in Jungkook’s. He said it would emphasise the relationship, but you weren’t very sure of that. You just wished he knew the risks. 

“When are you planning to hold the wedding?” one reporter asks, his voice ringed out the loudest. Sometimes, when they thought you weren’t looking, the paparazzi would take a picture of your intertwined hand with Jungkook. Everyone’s eyes turn expectantly at his mother at the question. 

“I’m scared,” you whisper to Jungkook, hoping he hears.

It wasn’t like voicing out your emotions rid you of the situation, but it did make you feel better when Jungkook squeezed your hand. “It’s okay… calm down.” Jungkook’s mother thought quietly for a moment. 

“The wedding date hasn’t been decided as of yet, but it will take place as soon as possible — it depends on the preparations. But I’d say very soon.” You didn’t know what very soon meant, but you doubt it was good for the plan. 

“Could we have a picture of the couple?”

Your cheeks turn pink at the word, flustering you. Maybe you’d never get used to this till it ends. 

You did find the idea of having a partner nice, but Jungkook as that partner? You had never thought about him that way. But then again, you guess it wasn’t that impossible to think of your relationship accelerating. The way he genuinely laughs, the smile on his dimpled face, the fact that he does care for you — it all ignited this small fire inside you. Maybe being his partner wasn’t that far off. 

Jungkook’s mother nodded to the question, and all the cameras had turned towards you and Jungkook before you knew it. “Are we going to pose or—?” you ask hastily, making him look to you with a light smile. For the first time, you hope that the smile meant something more than just a mask. 

Putting his arm around your waist, his lips catch yours unexpectedly. For the sake of the plan, you close your eyes and try not to act surprised, but you didn’t deny the fact that your heart was racing. His soft lips, and the way he smiles ever so sweetly while kissing you, it all starts to become so precious to you. You were wrong when you thought about who’d want to be his girlfriend — who wouldn’t want to be his girlfriend? 

The kiss, gentle and at the same time, passionate, lasted longer than you had expected it to. Probably because there were a lot of cameras and he wanted to make sure they all got a picture. You didn’t mind it at all though. Dare you say it, you loved it. It was like a little taste of something you had never tasted before. It left you wanting more, even if it was only a little bit you’d receive. But you were going to hold a grudge against him and yourself for this one. He had a girlfriend, already, for God’s sake. 

“Do tell us what it is you love about princess Y/N?" 

The question must have caught both of you out of the blue, because you turn to each other at the same time. Everyone turns to you two, and in the heat of the moment, Jungkook decides to speak up. "I love Y/N. We’ve had so many memories together. Spent our whole lives next to each other, basically,” you had been freaking out on the inside till he had started speaking. Thankfully, no one seemed to get that from the plastered smile on your face. 

“I love us. I love how she is so caring and helpful. She might be a bit annoying at times,” you elbow him, “but I love that side of her too. She’s the most precious to me.” You couldn’t help but take the words to heart. Now you desperately wanted to hear “I love Y/N” from his lips over and over again — but that would never happen. You were just getting your hopes up, and Jungkook was practically begging you to do that. 

“What do you think about the crown prince?" 

You start to fluster, trying to think of words. Why did they have to know all of this? You were going to make sure that on your real wedding announcement, these questions would be banned — why did it hurt when you labelled this relationship as fake? You were only taking this logically. The heart was naive. 

 "I think that Jungkook is great.” You try to come up with more, turning quiet. Jungkook’s hand finds yours again, intertwining once more. But why did it matter so much now? “He’s funny and energetic. He helps me loosen up. I…” you bite your lower lip, not able to say what you thought of. If you said “I love him,” would it stand out to him like it stood out to you? 

“He’s the… most amazing person and I couldn’t ask for anyone better." 

———

You slump down on the bed on your stomach as you reach Jungkook’s room after the horrible announcement, him following behind you. "You’re that tired, pillow princess?” you hear him say, and even if you can’t look at his face, you’re so sure he has that grin on his face like always. 

You groan, turning to lay on your back. “I’m not tired. Do you know how horrible it went?" 

"It went perfectly. Everyone thinks we’re dating. Now what you need to do,” he says as he leans down on the bed alongside you, “is to keep it going. Mother is really keen on having me take over the throne this year. Which, I suppose you know the rules, but you have to have a queen for that. Hence the rushed wedding. She says the engagement isn’t very important." 

"But it is—” you cut in, though Jungkook doesn’t acknowledge the sudden interruption. “I agree with her. Do you want us to be legally bound before the wedding? Did you forget the actual plan?” you sigh. He was right. In the end, it wasn’t you who was going to get married to him. It was Hyun-ae. 

“Right. You’re right. Why did you need this time anyway?” you ask, turning to Jungkook. You had totally forgotten about the kiss, but now remembering it, you couldn’t just pretend that it didn’t happen. 

You were going to ask him about that too. “Hyun-ae needs to talk with her family about everything. I have to, too. I don’t know how to approach them right now… you know?” he answers calmly. “I almost feel like I’m being used." 

Jungkook looks at you, then sighs. He pulls himself up to look over you. You feel a little exposed, but if this plan were to go smoothly, you had to be a good sport about it and help Jungkook. Even though he didn’t do anything back for you. If not for Jungkook himself, then for the bond you shared. It had to go this way. 

"I’m sorry again.” The simple apology made you feel a little sad. “Not that I mind being used,” you laugh, sitting up. You realise how weird it sounds and shrug a little. “I mean… it’s good to be of use, right…? Help your friends?” you smile lightly at him, making him shake his head. “You’re too nice for your own good,” he says quietly, making you giggle. “That’s the first time I’ve heard it from you. Glad to know my efforts actually matter!" 

"Your efforts do matter. Yes, maybe sometimes, I’m ignorant of the fact that you’ve saved my ass countless times, but I appreciate you. Please know that,” he smiles a little your way, making you smile back. Your thoughts wander back to the kiss, which still makes your heart race. Maybe it’s because you have never kissed Jungkook. Whatever the reason, your mind couldn’t wrap itself around the way his lips felt on yours.

A little part of you wanted to experience that feeling again, but that was wrong and you weren’t asking a taken man to kiss you. That was stupid, not to mention, awkward. 

“So the kiss… Jungkook,” you can see how he tenses up at you bringing up the topic. It worries you. “You have a girlfriend." 

"I know.” 

“But you still kissed me." 

"I know.” 

“Why?” you ask bleakly, looking at him and hoping to receive the same back, but he doesn’t turn towards you. The air just gets a little chilly. It makes you nervous. “I had to make them believe us. Hyun-ae will understand. I know you hated it. I’m very sorry for that too,” you shake your head at his words. Choosing to ignore that he said you hated the kiss, you sigh. 

“It’s fine. But you should check up with Hyun-ae. She’d feel very bad if you didn’t approach her about this." 

You’d feel bad if you saw in the news that your boyfriend had kissed someone else and they were going to get married soon — even though it was fake and you knew. You’d still want your boyfriend to tell you about it, reassure the fact he still loved you. Hyun-ae was the victim in this situation, not you — having seen her boyfriend kissing someone she didn’t know all over the place, hearing it from everyone in town, yet still being able to do nothing about it, because she was not in the position to. You felt bad for her. 

"You’re right… I’ll call her,” Jungkook gets up, taking his phone and leaving the room. 

It felt a little empty without him, especially as it was his room. You had been here multiple times, but maybe it was his presence you wanted most. You shake your head. If you pretend to fall for Jungkook, maybe it will happen. And you didn’t want to fall for someone you couldn’t have. 

Someone, who is so dear to you. It would just put both of you in trouble. And you wanted him to be married to someone he loved — that someone wasn’t you and you had to accept it. 

——— 

Before you knew it, it was dinner time. 

Jungkook had talked with Hyun-ae, and initially, she had been a little angry, but thankful that Jungkook had talked it out with her, so things were settled soon enough. Or that’s what you were told, anyway. 

 You sat down at the royal table to eat. It was a little larger than yours back at home, but nonetheless, the food looked delicious and you couldn’t wait to dig in. Midway through the dinner, Jungkook’s father spoke up. 

“I believe that it would be good if you two spent more time looking around the kingdom together. Jungkook could show you the famous sites,” his father turns to you, and you give him a slight nod with a smile. Wonderful — more time to spend with the annoying Jeon Jungkook. You turn towards the said boy, who seems to be eating his dinner quietly. Very unlike himself. 

“That works… and about the rooms,” you say, starting to play with your food out of nervousness. “Where will I sleep?” you ask quietly, though everyone seems to hear it loud and clear. Jungkook turns to you instantly, and you could see the worry in his eyes. Worry for what, you did not know. “Room? Won’t you sleep in Jungkook’s room?” his mother speaks, making you bite your tongue. You shouldn’t have said that. But you didn’t want to share the room with Jungkook. That would be awkward. 

“I was thinking of that, I just—” you bite your bottom lip, then shake your head. There was no explaining it. If you didn’t shut up now then everyone would catch on. “It’s fine, I’ll share the room with Jungkook,” and you supposed the bed, but you hoped it wouldn’t be the case. “Anywho, when are we going to visit the sites?” you change the topic abruptly, mustering a smile. 

You did not dare to look at Jungkook. 

After dinner, you opted to spend time in Jungkook’s room. Clearing your head, you stood at the balcony near the railing. Jungkook’s father had decided that you’d be going to visit the famous sites tomorrow. It was certainly going to be interesting, seeing as Jungkook showed no liking to things like that. He’d probably take you to a fun ride instead. Or so you hoped, because you had no interest in seeing famous sites and learning their names either. 

 Sometimes you and Jungkook were two peas in a pod, and sometimes he felt like your polar opposite. 

Everything was so hard to digest. Why were you agreeing to his plans, you didn’t even know the full tale. In the end, you knew it would give nothing but pain. So why did you agree? 

You thought it was because you were trying to be a good friend. You had known Jungkook for so long. You appreciated whatever you had with him, and you supposed that was why. You wanted him to marry his love. And at the same time, losing him to Hyun-ae felt like hell. 

Ultimately, that was his happiness. So you wanted him to marry the love of his life. The thought brought a smile to your face. But still, your heart wrenched. It was melancholic — you loved the thought of it, but you couldn’t see him getting married. Because that meant you were growing up. You wouldn’t be around each other anymore. Responsibilities would be burdening you. And in the end, the ties would be cut. 

Well, not cut. They’d fade away. Time took everything from you. From everyone. But especially from you. You didn’t want to lose your friend to something as idiotic as marriage. You were surprised initially that he was even settling down — Jeon Jungkook was settling down for someone. Out of all the things you expected, that wasn’t one of them. He must really love her. 

You wished you could experience that kind of feeling. Unconditional, pure love for someone. Wanting to be with them so bad. But whenever you thought about that, you’d just feel lost. There was no one you felt something like that for. 

 "What are you thinking of?“ Jungkook’s voice rings in your ear, making your thoughts disappear. "Just the… whole thing. About you marrying Hyun-ae,” you wonder if it came out wrong. If Jungkook would be mad at you for putting it that way. If he was offended. But he wasn’t. Instead, he approached you quietly, now standing alongside you. 

“What do you mean?” you sigh at his question. “I meant… This is stupid,” you groan, unable to put your thoughts into words. “What I mean is… I don’t want to lose my friend. I am scared that… when you’ll get married… you’ll leave me. And seeing how things are going, I don’t think our kingdoms will be friends for much longer. We’re fooling everyone, Jungkook. They believe our lies,” you turn to him. It wasn’t a frown that you had on your face, it was fear for the future. 

It was like a river was rushing through your head and heart. A bunch of emotions colliding with each other, washing away your comfort and peace. You were beyond scared. You had always imagined spending the rest of your life with Jungkook — but that was always as friends. Now, you weren’t sure what you were anymore. 

“Imagine the chaos and betrayal. Everyone will lose their trust in us. They will make fun of you. Fun of me. Fun of our families. And you’re doing this just because… what? You want a common girl?” the sentence came out harsher than you wanted it to be. Jungkook turns his head to you. You could feel poison seeping out of his eyes for a moment. It hurt you more than it should’ve. 

“Don’t speak of Hyun-ae like that.” You sigh, nodding sarcastically. “Right. And you tell me who should I speak of like that? You or Hyun-ae? You’re both behind this! You’re ruining everything. You’re ruining your life, you’re ruining your future rule, and you’re ruining my life too!” you exclaim. “Keep it down or they’ll hear us,” Jungkook mutters. 

“I’m a victim in this situation!” you speak even louder. “I’m scared for my life! I deserve to speak as much as I want. However loud I want. Do you know what you’ve put me through?! What I have to do?! All this pretending, these lies,” you stop to catch your breath, hands trembling. “It’s not going to end good, Jungkook. It’s not going to end well. Your plans are bound to fail, like always.” You were initially surprised that you spoke this far without getting interrupted. Jungkook didn’t speak up. 

“You’ve ruined me. For once, at least once… be my saviour like I’ve been yours.” 

You didn’t speak to each other that night after that. 

He was your ride or die. He had never put anyone above you. But now it was clear. It was clear that he didn’t care for your life anymore — he had Hyun-ae now. He had her love and he didn’t mind whatever happened to your friendship. With those thoughts, you cried yourself to sleep that night on the bed. 

———

It was day one of sight-seeing. Or more like, site-seeing. Jungkook had made himself comfortable on the floor last night. You woke up to find him laying on the ground, sound asleep. At first, you were shocked, but remembering the events of last night, the sorrow and tension just returned to you. 

You shook him awake, and he retorted at first like he always did, but in the end, he did get up. 

He was now going through his closet, trying to pick an outfit. It reminded you of how you still hadn’t unpacked. Your luggage had been put in Jungkook’s room and looking over your shoulder, you could see the two bags you had packed. They were small and cute, pink in colour. They stood out in the room, which was mostly of golden and brown hues. 

The truth was that you were afraid of talking to Jungkook. Seeing as he didn’t care enough to initiate the conversation, it made you nervous. Had he really taken all of those things to heart? More importantly, you were asking yourself if you really did mean everything you had said. 

Were you mad at him or was it the frustration of pretending to be something, someone you’re not? 

Mentally telling yourself ‘screw it,’ you turn to Jungkook and clear your throat to gain his attention. He doesn’t stop looking for clothes through his wardrobe, but you saw him flinch ever so slightly when you did make a sound. You were going to say sorry. But was it really your fault? 

You wondered why you were even saying sorry when it wasn’t even your fault. If anything, it was Jungkook’s. And Hyun-ae’s, someone that you hadn’t even met yet, but still she was ruining your life. You dismissed yourself again. You had to be a good friend. 

“…I’m sorry about last night…” you begin speaking, making him stop in his actions. His face was hidden behind his arm, so you couldn’t see his expression. You were feeling really sick now. “I’m sorry about whatever I said,” even though it was all correct, “it was very inconsiderate of me,” it was very inconsiderate of him to ask you to do all this, “and I’m really at fault. I mean it.” You didn’t mean it. 

He turns to you with a sigh, then sits down next to you on the bed. “It's… it’s fine. I know you wouldn’t mean those types of things, I just…” he bites his lower lip, clearly confused about his own emotions. “You just got defensive?” you ask bitterly, making him frantically shake his head. He stayed quiet for a moment. “Maybe you’re right — yeah — I guess…” he gives in, nodding lightly. 

You click your tongue, “you know fights aren’t worth it. Let’s just… forget it, ‘kay? That never happened, okay?” you smile at him, he looks at you with uncertainty before he gives you a bright smile back. Bright just like himself. That’s one thing you loved about your friendship: you made up quickly. You loved that smile. You loved his laugh, the genuine one. 

He was sarcastic and stupid, he did things that were, otherwise, outright reckless, but you loved that too. It was what made him… well, him. 

That day was spent around the popular sites of the kingdom — he showed you a clocktower that was made by his great-grandfather. It reminded you of Big Ben, which was in England. 

Next, you were shown the royal museum that held the edicts and some artefacts, which were used by the royal family. Some were swords used in ancient wars, some were cups of gold used by the previous kings, and the proclamations of some rulers were inscribed on scrolls.

You were shown around a lot of historical monuments too. It was quite boring, to be honest, and Jungkook’s father had one of the noblemen show you and tell you everything, so you couldn’t even do something fun. At least Jungkook’s snarky comments saved the day. 

——— 

Day two had been switched up by Jungkook. He had told his father that ‘enough was enough’ and he ‘wanted to do something more fun’. So you guessed that’s how you got to the amusement park you were at now. 

It was the largest one in his kingdom, no doubt quite expensive, with the rides you had seen. It was nicely decorated, with banners and streamers. Almost like a birthday party. But maybe the sight would’ve been more colourful if the paparazzi hadn’t swarmed you, shoving the cameras in your faces. 

You held Jungkook’s hand tightly as you ventured through the crowd. You never knew Jungkook was good at archery. But apparently, he was. It was a little minigame and if you could hit all the points on the several boards, you could choose what prize you wanted — they were all plushies. 

When he did hit all the points, he offered you to choose the prize for yourself. You knew exactly what you wanted. The cute pink bunny, which in the end, was named Cooky by Jungkook. Ironic. 

You went on a rollercoaster next. It would be an understatement to say you were screaming all the way. Jungkook was surprised that your voice could even reach that high. “Only if you put me on a rollercoaster or put a cockroach on me,” you had replied, making him laugh as he dragged you to the next ride. 

 But you wished you had known that one ride could make you scream like no other. 

It was a ship. A ship dangling in the air. Now you were told that it would swing forward and backward in the air, but that didn’t explain the horror enough. 

“Jungkook, for the love of God, I swear I’ll give you all the banana milk you want, please don’t let me go, please don’t let me go, I’m gonna die—!” maybe you had forgotten to mention that those kinds of rides made you sick. Any time the ship swung forward was the mania. You felt like it would throw you out of it. You were clinging to Jungkook for your dear life, with him holding Cooky alongside you. 

You felt like you’d die. Any time it swung backwards, you’d get the time to breathe and calm down, then prepare yourself for the next forward swing, but of course, you could never be prepared enough. In the end, you’d always scream your lungs out. Thankfully, Jungkook held onto you securely the whole time. 

 "It’s okay, it’s okay!” you heard his laugh follow. Your arms were around his thin waist, making sure you wouldn’t fall off. You felt like you were flying but it was worse. You were just praying you wouldn’t fall out and die. 

At least Jungkook managed to whisper affirmative words, and you were able to catch a few in the loud wind. “It’ll be fine, I’m with you, it’s okay… I’m with you,” he kept on repeating. You were glad when the ride was over, and you had to be supported by a laughing Jungkook as you were quite dizzy after all that. 

Your brain was buzzing and you couldn’t even see properly. In fact, you were shaking in your boots. That was the worst time of your life. And you never wanted to experience it again. 

 To calm things down a bit, Jungkook decided to go on the Ferris wheel next. Cooky was given to you and you hugged it the whole way to the ride. Getting into your cabin, you were finally able to take a breath of relief and organise your thoughts. Your hair was a bit of a mess, so you fixed that as best as you could. You still hugged Cooky tightly though. You were scared. 

 "The sunset’s pretty,“ you couldn’t believe the day had gone so fast as you spoke. Sunsets were always pretty romantic, so mentioning that just made you nervous. Jungkook smiled softly, nodding to your words. Seeing that smile on his face, it just made you feel all giddy. 

At some point during the ride, the question turned from ‘why could everyone see you as a real couple’ to ‘who wouldn’t call you two a couple?‘ 

 You were falling deeper and deeper into the abyss that was Jungkook. Yes, he was foolish and he made decisions even if he knew that they would result in bad things happening. He wasn’t the smartest, but his smile was adorable. His laugh was adorable. The way he held you was something you had started to like a lot more. You really did love everything he did — so were you in love? 

No, of course not… or you thought. He had a girlfriend and it was stupid to be in love with a taken man. But he did ask you to act like his soon-to-be wife, so you were just going to use that to your advantage. Maybe you couldn’t be with him, but the moments you two had were precious to you. 

And if you could have more of those, then you were satisfied. Love hurt and it didn’t always work out. And that was fine, so you wouldn’t try to make him fall for you. 

You were sure that if he was meant to do that, then it could’ve been done a lot more sooner — before Hyun-ae had come into the picture. 

"I really like it too.” His reply made you lose your train of thought. You smiled at him as he stared in the distance, looking a lot calmer than usual. Maybe the possibility of falling in love with your childhood friend wasn’t that low. 

The kiss came back to you, memories of his soft lips flooding your mind. Heat rose to your cheeks, so you opted to conceal your blushing face by hiding it behind the giant pink bunny that was Cooky. 

Maybe you wouldn’t mind falling for Jeon Jungkook. 

———

Each and every day, you felt like you were falling more and more for his beautiful smile. His oblivious laugh. His sparkling eyes. He may have been intimidating, but he was the softest person you knew. He was caring and gentle.

He was protective of those he cared for. Just like you. Just like Hyun-ae.

At one point, you had told yourself to stop falling for him. Like it was even possible. But still, you distanced yourself from him. Or you had tried to. You had told yourself that he was taken, it was stupid to fall for him, you couldn’t do it. You couldn’t bear being hurt. But the heart never listened to anyone. You just felt yourself wanting more and more from him.

You had always thought that your ‘soulmate’ must be out there somewhere, just waiting for you to come along. But now that you were falling deeper into the spiral, it eventually changed to ‘my soulmate lives in the kingdom next to mine and we’re ‘best friends’.’

But that didn’t mean it didn’t hurt. It hurt. It hurt so much. It killed you inside when you realised you couldn’t be with him. It absolutely devastated you. You hated it. But at the same time, you were happy. Wasn’t that love? Being happy because your loved one is. Smiling because he smiled. Laughing because he laughed. Living because he did. That was certainly how you felt.

"Tonight, we’re going out,” Jungkook says one unexpected night. You look at him with furrowed brows, confused. You had been continuing the site-seeing but you hadn’t been out at night. “Why? Where?” you blurt out, caught off-guard by the sudden exclamation.

Jungkook shifts closer to you hastily. “We’re alone, Guk. Seriously. No one is going to overhear you. We’re in your room,” you roll your eyes, but you don’t forget that your heart is racing because of how close he is to you. “We’re going to the club tonight.”

The seductive whisper wasn’t even the thing that sent chills down your spine. It was the fact that you were going to the club. And if you didn’t know better, you would’ve asked which club, but you knew it was the one Hyun-ae worked at. You felt a little unready for the whole occasion, to be honest.

“I— but what about your parents? What will we tell them?” you ask nervously, making Jungkook chuckle. Who were you kidding, he had probably taken care of that. He was just the best when it came to the worst things.

“Junghyun will take care of it. I told him to make up an excuse. He doesn’t know which club we’re going at anyway. Neither does he know about Hyun-ae,” you couldn’t ignore how sweetly he pronounced her name. Like she was something so precious, just an absolute treasure to him. You wished he called you like that.

“Okay.”

So that’s how you got to the club. It was jammed with people. You guessed that common clubs would be even more jammed. You saw people of high status dancing to the beat of the music on the dance floor, some had their lips on others’, some were downing glasses by the second. The overall situation was just sensual.

“This way,” with your hand in Jungkook’s, you were led to the bar where Hyun-ae worked at.

“Jungkook!” she was beautiful. In the dim lighting, you couldn’t see her especially well, but she was drop-dead gorgeous from what you did see. If you weren’t aware of her social status, you may have thought she was a princess working at a bar or something. Her voice was soft but clear, it was like music to your ears.

You were taken to a more secluded corner of the club, where Jungkook’s hand left yours. You felt yourself missing the touch instantly. He stood next to Hyun-ae now. Of course, she was his main priority. You were guessing the night was going to be a long one.

“So you’re Y/N?” you nod to her words, before realising that she probably couldn’t see that well either and decide to speak up. “Yeah,” you say. A little piece of your heart was on fire right now. It was hurting so much. This was the girl he was going to marry. After everything, she was the end goal. You bite your lip in an effort not to break down. You kept telling yourself you were happy for him.

But you weren’t. You were hurt. You wanted him to always be there like he had. You were being selfish and you hoped he’d forgive you for it. “It’s great to meet you. I’ve heard a lot about you from Jungkook,” Hyun-ae giggled afterwards. “Thank you for being a good friend to Jungkook,” you could see her outline move closer to Jungkook’s. She wrapped her arm around Jungkook’s affectionately. You nodded slowly, then sighed.

You wanted to cry. Why did you agree? Jungkook’s adorable laugh as Hyun-ae put her arm around his — it was contagious. That was how you knew it was real. “I-It’s nothing, really. I appreciate Jungkook as a friend too…” you say quietly. Even your words were like a dagger to your heart. Your poor heart suffered too much.

You excused yourself as they started to say their ‘I love you’s. You didn’t want to hear it. You didn’t want to suffer more than you already had. Trying to hold back your tears, you blamed yourself for falling too hard, too deep. Your heart was pounding against your chest. You just wanted to hold him. You just wanted him but even that seemed too much to ask for.

You can barely stand up yourself, so you take support from the counter of the bar. “Some long island iced tea, please,” you mutter to the person at the counter, who prepares you the glass and you gulp it down within a matter of seconds, hoping it would ease the tightness of your chest. You knew you were going to get badly drunk, but it didn’t matter anymore. As long as you didn’t have to be sad today. It certainly did help.

You felt better. The liquor was washing away your sorrows. Your mind felt a little fuzzier. You order one more glass. Just one more couldn’t hurt. You drink that one down too, but this time leisurely, feeling a lot more free and careless.

The surroundings were becoming more blurry by the second. You felt light-weighed. Your tipsy self walked over to the familiar corner of the club, where you saw Jungkook and Hyun-ae on their own. Tugging on your friend’s jacket, you try to balance yourself with his support. “Y/N? Are you already drunk?” he asks, but his voice seems so distant that you just want to be lulled to dreamland at this point.

“No, of course… I'm… not drunk… not… yet?” you say, more as a question than a definite answer. Jungkook sighs. Well, this was bound to happen. He knew you didn’t handle alcohol very well, but how bad exactly, he wasn’t sure.“What did you have? Are you okay? Should I take you home?” you nod slowly to his words, but your brain didn’t register anything. “Two… iced teas… the long island ones…” you take the moment to appreciate the way Jungkook’s hands kept you up. You’d slide down to the ground if it wasn’t for him. 

"Seriously?“ he muttered something to Hyun-ae afterwards, but you didn’t catch it. "Let’s go… and sleep, I’m really tired…” you hadn’t even been there for half an hour. Yet still, you couldn’t keep yourself up anymore. "And let’s sleep on the same bed… okay? Don't… sleep on the floor this time… I’m worried you might catch a cold…” 

“I get it, let’s go,” Jungkook’s frustration was clear. But your drunk self didn’t seem to mind it all. He said some more things to Hyun-ae, whose distorted expression was something between concern and jealousy. Or so you hoped it was jealously, because you hated her. You absolutely loathed her. Everything about her. 

You were finally taken back to the castle unnoticed. 

“Why do we lie, Y/N?” Jungkook asks, you’re almost asleep but his question wakes you up. As he had said, he was going to sleep with you tonight. Every other night, you kept on switching between who’d take the floor and who’d take the bed. He was the one who mostly took the floor, but this night, things were different. 

“I don’t know… why are you asking me… I don’t lie…” you mumble through your sleep, eyes shut gently. “Everyone lies,” hearing Jungkook’s statement, you snicker. “I don’t, suck it up…” you reply. “Right. So you don’t. But why do others lie?” he repeats. 

“Because… hmm… depends…” you shift a little in the warm bed, blanket over your body. Jungkook was sitting on the bed, his back supported by the pillow as he didn’t feel the need to sleep just yet. His phone was in front of him. You wanted him to play you some melodies but that was probably too much. Enough destruction had been done today. 

“Sometimes we lie… because… we want to make others happy…” you pause, drifting more into sleep. “And other times?” Jungkook beckons you to continue. “Well… other times… we lie because… we don’t want to get into… trouble.“ 

"Oh,” Jungkook blurts out, making you reach out absent-mindedly, and punch his arm. Or it felt like his arm anyway. “Like you do. But there’s one other time we lie…” Jungkook’s eyes were on you. You could feel them. “When we… want something from someone else. When we are using them." 

"Now play me some music, please… some soft… sweet music." 

"I’ll sing for you." 

"Yes please…" 

"And you bless me with the best gift, that I’ve ever known, you give me purpose.” 

——— 

Lately, things had been very hard. Jungkook’s mother wasn’t joking when she had said that the wedding would be held as soon as possible. You were hogged with what to wear, make-up, hairstyles, and everything. 

You told her to take it slow as Jungkook had advised you to do, but she was very keen, just like you had thought. Side by side, your mother was in favour of everything too. 

To calm things down a bit, you told your mother and his mother that you and Jungkook would be going sightseeing again. It was the only way you could get out and breathe some fresh air. Most girls would be excited for their wedding day, but you wanted to postpone it as much as possible — well, it wasn’t yours, to begin with. 

The crowd was really bad this time. You were visiting the statue that Jungkook’s grandfather had apparently built. It was a man, young from what you could see, made of some sort of metal, maybe bronze or gold, but you weren’t sure. He held up a sword in the air, which reminded you almost of winning a war and doing your victory pose. Or maybe you had been playing a lot of Overwatch with Jungkook. 

News of your wedding was all around the kingdom now, you guessed it was like that in yours too. 

Jungkook’s hand was holding yours. But perhaps not as strongly. Everyone kept asking questions and screaming names, you may have heard some death threats too. Possibly fangirls of the prince, you guessed. The crowd’s force was so strong, even the few guards you had brought weren’t strong enough to hold them back. Should’ve brought more guards, the same thought recurred. 

Your hand left Jungkook’s in the midst of all the shouts and screams, and pushing and pulling. You were drawn back in the crowd, with no one noticing that you were outside the swarm now. 

Frantically, you ran around the circle of people, trying to get in but everyone was so used to forcing their way through, you couldn’t even get back to your friend. The word tasted bitter on your lips. You sigh, hastily running to another side before your eyes settle at the cafè that’s beside the other shops in the area. 

Hyun-ae. You could recognise her in the bright daylight. She was there with someone. A man, a man whose face was half-covered by the mask that he was wearing over his mouth. One you didn’t know. 

You step closer to the window, where their seats were at. Maybe you could hear them? Who was he? You didn’t want to jump to wrong conclusions, they could be siblings or cousins… or maybe even friends, who knows? But the sick feeling that you get at the pit of your stomach tells you something else entirely. 

Your breath is basically non-existent as you step closer, and the two don’t notice you. You stand next to the glass window, your back supported by the wall. You hope no one is recording you. You hope you don’t turn up in the newspapers, accused of eavesdropping. But you have to do this for yourself. For yourself and Jungkook. Besides, the reporters were a little too biased towards Jungkook and what he did rather than your doings. 

“I asked him for some more time,” her voice was just the same you had remembered it. It was still beautiful, and while you had only met her once, it was short, and days have passed since then, you could still recognise it. The only difference was that now it was infusing with your blood like poison. You hated her voice, her being. 

Your stomach started to churn and do back-flips. Your insides were burning. You felt almost bad for Jungkook. Was she the only one who needed time? Was that why you were dragged into this? 

“I don’t want to marry him. But I need to become queen,” you hear her whine. “Ah, Jagiya~ it’s okay,” the male’s voice was indistinguishable. You didn’t know who he was. “But I want to marry you! But you’re just not… enough. You’re not as rich. You’re not a prince,” she frowned. 

What was more stupid was that she was right near where Jungkook was. Did she expect him to show up and break up with her? How’d she ever become queen then? You wondered what her motive was. 

“Plus, I hate that friend of his. He’s always talking of her and she seems to be the type of person who talks all about him too.” That wasn’t a surprise. While it did make your heart flutter when you heard that he was talking of you to his girlfriend, that wasn’t what mattered right now. What mattered was that Jungkook was dating a cheater and it was stupid of him to waste his energy on someone like her. 

Tired and obviously angry, you give Jungkook a message to meet you at the car. Your anger was beyond measure. Feeling like you heard something you should not have, you didn’t know how to feel. You were scared, most of all. You finally find the car and get inside, tapping your foot with irritation. 

The car door opens and Jungkook sits inside. The driver starts up the car and you’re taken back to the castle. 

“Are you okay?” Jungkook asks you when you get to his room. You avoided all of his questions in the car. You didn’t want to speak of the matter in front of the driver. 

"Hyun-ae is cheating on you,“ you say, and while you aren’t even the one in the relationship, your eyes flood with tears. You’re worried about Jungkook. You love him. You love him and you don’t want him to be heartbroken. 

"What?” he blurts out, turning to you with surprise. You lock your tear-filled eyes with his blank ones. “Hyun-ae is cheating on you. I saw her. I saw her, she was with another man… she’s…” you bite your lip, looking away. You felt pity above all. Pity for Jungkook. 

And here you thought you were the victim. That you were being used. But it was all along Jungkook, controlled like a puppet, the strings in Hyun-ae’s hands. 

“…she's… u-using you.” Jungkook stays still at the words. He didn’t want to speak. His heart fell. “You must have seen someone else,” he replies, plastering a smile. “There’s a lot of people who look like Hyun-ae." 

"But she sounded like her too." 

"She couldn’t be. She loves me,” you walk closer to Jungkook, shaking your head. How badly you wanted to scream that she didn’t love him like he thought. “How do I tell you…? I should’ve recorded it… I should’ve taken pictures… I know… but… I was too shocked… I’m so sorry,” you look deep in his eyes. For once, you don’t see twinkling stars. You see darkness — emptiness — and that spoke a ton about how he felt. 

“T-Tell me you’re lying. Hyun-ae… she couldn’t do that.” You sigh heavily, and it still isn’t enough to let out the frustration you feel. “I’m not lying. She’s cheating on you. I swear I’m not lying,” you say meekly. “I wouldn’t ever lie to you." 

"But you did.” 

You stare at him, eyes wide. “What do you mean?” you ask, brows furrowing.  "You meant everything you said that night. You said it was stupid of me to marry a commoner. I thought you were my friend…?“ your eyes widen more. 

You shake your head in denial, but your voice doesn’t come out. "Friends support friends." 

"I am supporting you! I’ve always supported you. You’re just blind in love,” you bite your lip, afraid you’d start crying. Jungkook turns quiet. “You can believe whatever you want to. Just know that I told you the truth. It’s Hyun-ae who—" 

"Don’t speak in that way about Hyun-ae!” the loud shout shook you. You take a deep, uneven breath, sniffing. “You picked Hyun-ae over me again. Even if I’m not lying,” you wipe the tears in your eyes. “This was what I was afraid of.” Your heart hurt. It hurt like it never had. You felt like your breath was being taken away, like you were suffocating. 

"I don’t want to do this anymore. It’s a lost cause.”

———

It had been days since then. Jungkook and you had separate rooms now. You had requested that of Jungkook’s mother and she agreed. Everyone could sense that something was wrong, because you both kept shut in your individual rooms. Though no one would mention it. There was no sightseeing, no communication between you and Jungkook.

You’d go to give him food but he’d never open the door. In the end, it was left at his doorstep.

"Y/N, darling, we should go shopping for your dress, no? The wedding is real close,” and did you forget to mention that the wedding was coming really fast now? Unlike yourself, Jungkook was in his room all day. He didn’t get out of it for a single moment. You sometimes got up to go out because your mother told you so.

“Sure…” the wedding was supposed to held in a wedding hall, and you had decided upon going for a more western style. A white dress, made to perfectly suit you. It all felt a little useless now. You weren’t even going to be married to Jungkook anymore. There was no point, but the others didn’t know.

Jungkook didn’t know.

As your mother would show you pretty dresses and awe over them as they fit your wedding theme, you’d think of what Jungkook would be doing. Was he crying? Was he sad? Or was he happy? Was he playing Overwatch, or maybe he was talking to Hyun-ae. Maybe that last thought wasn’t as soothing as the rest. At least every time you gave him food, he’d take it inside. Hopefully, he was eating well. He’d never open the door to anyone though, not while they were standing there.

You sigh, pick any dress that comes to mind and show it to your mother. Your mind just kept zooming back to Jungkook. He hadn’t taken his attire yet, had he? A little part of you felt disgusted because while he was heartbroken, or so you thought anyway, you were picking out a dress for the wedding. And while you did love him, you just wished you could fix everything.

Maybe in another universe, in another world, some other time, you could be with him.

Getting back to the castle, you took the food tray you were offered from the kitchen and took it to Jungkook’s room. This was every day’s routine.

You knock on the door, taking a deep breath. You know he won’t open it, but a little part of you still thinks he considers it. He probably hates you though, no matter how much you deny the thought. “Jungkook… I brought food,” you say quietly, hoping he’d be able to hear it from the other side. Your heart was begging to just see his face again. He felt like a distant memory.

“Jungkook,” you knock the door again, but then stop, giving up. Putting down the tray, you hope he’ll take the food you left and leave.

You needed this to stop. You wanted him to hear from you again. You wanted to see his pretty face again. You wanted to hear his sweet voice again. Taking out your phone, you quietly muttered ‘screw it’ and texted Junghyun to tell him to meet up with you. You decided upon going to a cafè — not the same one as Hyun-ae’s, though. Just a random one that Junghyun recommended. You knew it wasn’t the same one as you entered. You didn’t want to confess in the castle. You were afraid someone would overhear. Plus it felt a little too confined. You wanted to get out and try to be a little happy for once. The castle felt like a jail of lies at this point.

“I want to tell you something…” you couldn’t believe you were doing it. “What?” you knew you could trust Junghyun. But to what extent? You were scared he might tell his parents, and then the news would quickly spread, but you had to do it. You knew you didn’t have Jungkook’s permission. But you weren’t going to back down now. For one, you didn’t need his assistance. You knew the truth. And secondly, it was far too late to turn back now.

“Promise me you won’t freak out,” you look at him with furrowed brows, and he nods slowly. “Okay… but… what are you—?”

“Is that princess Y/N?” you freeze. The news reporters. You could hear them approaching you. And for once, you felt frustrated. Why this place, of all of them? You get up, taking Junghyun’s hand, you get out of the cafè, where the swarm of reporters is already gathering. “Why are you holding prince Junghyun’s hand?” one asks. You take a deep breath. “I—”

“Are you cheating> on prince Jungkook?” your eyes flood with tears. You wanted to scream, you wanted to tell them the truth. But you were the antagonist. You always had been. You were set to be the jealous person that fell in love. You were never the princess you truly were in real life. You could never even think of cheating on Jungkook. But with the way you held Junghyun’s hand, it was clear to the crowd.

“Can you explain your relationship with prince Junghyun?” another asks. “Are you cheating on prince Jungkook with prince Junghyun?” one more question came. You were deaf to all of them. You wished you were. You wished you were deaf to the accusations. You bite your lip in an effort to not break down, tearing at the seams. You were tearing at the seams.

Grasping Junghyun’s hand even tighter, you walk away from the crowd, pushing and making your way back to the sanctuary you once had.

———

“They blame me, Jungkook…” your lip was quivering as you spoke to the door. It was late at night. No one was roaming the corridors at this time, and it was dark. But you hoped, you hoped that Jungkook was hearing you. “I never cheated on you… I swear…” you break down. “I wish you could open the door. I hope you can hear me… but I never cheated on you…” you felt like you were going crazy.

You were desperate to shout out the truth. You were done living a lie. Living as a lie. “Please… Jungkook… we were in this together… you told me that I was never alone…” but you were alone. Alone and so much more. The cheating accusations had spread like a wildfire. But you weren’t cheating. You were telling the truth. You were trying to tell Junghyun the truth so he could help you. He was like a younger brother to you.

“Please open the door…” you sniff, breaking down more. Tears wouldn’t stop falling down your cheeks. “Everyone’s really worried for you too… I wish we could escape this. I wish we really could. I hope you’re okay…” you sob. You had a headache from crying. “I really hope you’re okay…” you bite your quivering bottom lip, “I care for you a lot. A lot. I really do.

"I love us too, Jungkook. But you’re making it hard for me to hang on.”

———

The castle was sombre. It had been like this for a while now. The royal families were trying to handle the situation, but the media had everyone fooled. Jungkook still hadn’t come out of his room, he’d never even take the food anymore. Junghyun had taken refuge in his room, he sometimes would come out. But whenever his eyes met yours, you could see the uncertainty they held.

You had given up on trying to tell anyone about the truth. You couldn’t do it without Jungkook. You wanted to die. You weren’t even living anymore. Just hanging between life and death. The food tasted stale because Jungkook wasn’t there. The room looked darker because Jungkook wasn’t there. Your heart always fell when you saw that the food tray hadn’t been taken inside by Jungkook.

His hands had held you. His arms had protected you. His eyes had made you smile. And his smile had made you laugh and feel all giddy. You couldn’t even blame yourself for falling for him — who wouldn’t fall for him? He was perfect, even with his imperfections, he was perfect.

Maybe the problem was Hyun-ae. Maybe it was her selfishness that led you all to this hell-hole. Or maybe it was you, caring a little too much for your own good.

It was the night before the wedding. You stopped in your tracks in front of Jungkook’s room. The door was as closed as it had ever been. The tray wasn’t touched even a little. You put the food aside.

“Jungkook. Tomorrow’s the wedding,” it wasn’t that late. He should’ve been awake. “Our plans have failed. I’m so sorry.” You turn quiet for a second. “I know you really wanted to marry Hyun-ae. You wanted to marry Hyun-ae and you loved her. You still love her,” it hurt to even say that, “but I failed you. I’m so sorry.”

“No, I’m sorry.” Your head perks up. Did you hear his sweet voice? It was him. Meek, but you could still identify it. “Why are you sorry?” you ask, trembling. You just wished he’d open the door and let you see him. It had been weeks. You couldn’t do it anymore. You couldn’t go by without seeing his beautiful face, his shining eyes.

“You were right. Hyun-ae was cheating on me.” You stare expectantly at the door, waiting for it to open but it didn’t. “How did you find out…?” you ask again. At least you were true. “One of the noblemen told me. His name’s Taehyung. We’re quite good friends. I told him to follow her. He saw it with his own eyes,” he answered. While you did feel sad that he didn’t believe you but he did believe Taehyung, you couldn’t blame him. He really did love Hyun-ae.

“What about… the wedding now?” you ask weakly, afraid to approach the topic. “I don’t know anymore. I gave you so much pain. I put you through so much. You agreed. You deserve a much better friend, Y/N,” you shake your head at his words. “You’re my best friend. And…” you bite your lip. Something in you told you that you weren’t as scared to say it now.

“And I love you.” There was silence on both sides. It was understandable. You wished you were less selfish. He was still going through a break-up, you should’ve been nicer and save it for later. But you had come to realise that later wasn’t a thing anymore. Whatever was going to happen, it had to happen now.

“I loved you too.” Your eyes widen. “I did. I thought you saw me just like a brother… so… I… I went to the bar. I saw Hyun-ae. She helped… she was like a rebound. I hate to put it that way, because I did like her too… but I don’t even deserve you after what I did. I realise now that I’m selfish. I’m self-obsessed. I shouldn’t have asked you such a big favour. I mean… I loved you. You don’t do that to the people you love.

"When I spent time with you, I felt like I was with my soulmate.” You didn’t speak. You were too scared to. “I felt like I was on cloud nine. You made me so happy, Y/N. I laughed the hardest when you were around. You always seemed to put a smile on my face. You really did. I don’t deserve it. I don’t deserve you.”

———

The wedding day, you sigh. “Where is Jungkook?!” the queen exclaims, furious. Since he had locked himself in his room, she had bought his attire for him. But he was nowhere to be seen.

You had talked to him last night, but after he confessed, he had turned quiet and eventually you were just talking to yourself.

Your mind did not focus on her though. It was somewhere else. “Love like the one between you and Jungkook can’t be faked, dear. You’ll be very happy with him,” your mother had said as you were being ready for the big day. You couldn’t explain the heartburn you felt when you heard her words.

Now everything was in chaos. No one knew where Jungkook was. You suggested checking his room, but it was locked. A locksmith was called immediately and after he had worked his magic, the door opened.

You were scared. But even more so, worried. Jungkook wasn’t in his room. Opening the bathroom door, Jungkook’s motionless body was found to be in the bathtub.

The rest was a blur. You vaguely remember freaking out, Jungkook’s mother’s screams, and the people who came to pick up the body. You couldn’t stop crying as you reached the hospital and Jungkook was taken straight to the ICU.

Your mother came to sit down beside you. “I’m so sorry, Y/N,” she hugs you, while you sob into her shoulder. You were still in your wedding clothes. “He wasn’t even supposed to be my husband, mother.”

“What?”

“It was a lie…” you admit. “He wanted to marry a commoner. She asked him for time, so he asked me to play along so he could get some more time for his real soon-to-be wife. But she cheated on him. Only wanted the money and status. I wasn’t his wife, mother.” You look at her, her unwavering eyes making you break down even more. “I wasn’t dating Jungkook, mother.”

———

Since then, you’d visit Jungkook every day. He was diagnosed to be in a coma because of the lack of oxygen his brain had received after he tried to suicide by drowning himself.

Your mother had told his parents the truth, and thankfully, even if they were angry for some time, they let you see him again. You’d always bring Cooky with you. It was the one thing he had left you — along with countless beautiful memories.

The first year was heartbreaking. You’d come to visit him and cry every time. You’d tell him how much you love him and that you miss him and his jokes. That everyone misses him. Hyun-ae had come to visit too, and the visit had been short and silent. She told you that she was deeply sorry for what she had done. You fucking hoped she did.

The second year was when most people had forgotten he even existed. The hype had died down, but you still visited him. You told him about how you had spent your day, and that you had met someone promising. You always made sure to kiss him goodbye. You didn’t cry as much now. Sometimes you did, but most of the time, you made jokes. You told him about how people were making fun of you for fake-dating someone as amazing as Jungkook. It hurt, but you felt like Jungkook’s mere presence was enough to make you feel calm.

The third year came and went just as quickly. You told Jungkook about how you had started dating someone for real now. The promising person was by the name of Namjoon. He was another prince you had come across, from a nearby kingdom. Smart, humble, and sweet too. You told Jungkook of your adventures with Namjoon.

The first year that you didn’t have even one day to spare was the fifth one. You and Namjoon had decided to get married. And the preparations had you very busy. You felt bad for that, but you had no other choice.

———

Six years had passed. Going down the aisle, being wed to Namjoon reminded you of your precious friend. He was still in deep sleep, unaware that his loved one was going to get married. Even if he didn’t know Namjoon, he would’ve been the best man at the wedding.

Or wouldn’t it be better if he was the groom himself? You were not going to make the mistake of treating Namjoon as a rebound. It was wrong and he deserved more than that. You had seen how wrong that could go. But there was just something Jungkook had always made you feel that Namjoon just… couldn’t.

He was intelligent, his dimpled smile was adorable. But Jungkook made you feel elevated. He made you feel so incredibly special. And you knew fully well that you couldn’t ever really move on.

You knew that there may have been someone like him out there, but no one was Jungkook. Namjoon was everything Jungkook lacked — he was a planner, he cared for the consequences, and he didn’t take risks. But you just did not feel the way you felt with Jungkook. You wished you could’ve walked down the aisle to Jungkook, but that was wrong to think. So you shook your head and smiled even if your heart was unwilling.

There was no one like Jungkook. He was one of a kind and no one could compete with him. That was a simple truth. You just hoped your dear friend would wake up. There was so much to catch up on. There were so many things you wanted to say to him.

In the place that he would’ve sat today, sat another faithful, dear friend of yours — Cooky. A symbol of your lost love.

[fizzingwizard]

So I watched Enola Holmes!

As a long time Sherlock Holmes book nerd, I... didn’t actually know if I was going to bother watching it. I pretty much avoid any published Sherlock Holmes fanfiction. It’s not because I think it’s all wrong or bad (there are some pretty famous successful ones out there after all). It just those stories always makes me wish I was reading the originals, I think because my own vision of that world is so strong.

But I also like Millie Bobby Brown, and also, honestly, I just wanted to see what a Henry Cavill Holmes would be like. Because as much as I like Henry Cavill, he’s very much not the guy I’d cast as Holmes.

That’s point number one: Sherlock Holmes is not that important in Enola Holmes. He’s a prop that holds up her story, but not much more. That was clear from the trailer, so I wasn’t expecting him to be anyway.

I also didn’t know that Enola was based on a book series, though I did assume so because of the way they have Enola address the audience directly or sometimes just stare into the camera. It seemed like a way to stylize a first person novel that has a lot of exposition. I haven’t read the books, and I’m not going to, so maybe I’m off on how its written, but anyway, I was right that the movie is based on books.

So as I started watching, I quickly felt concerned over these questions:

Why Sherlock Holmes at all?

Why make Mycroft such a bad guy?

Will Enola be interesting by herself or am I expected to find her interesting just because she’s a Holmes and a feminist?

Where is John Watson?

Now understanding that the movie is based on books, the answers to all these questions are obvious. But I didn’t want spoilers, so I didn’t look it up. Fortunately, the movie answers each question itself anyway.

So I can say it was a fun little movie. Millie Bobby Brown did a really good job. It’s not going to be the next blockbuster, but the quirky Holmes women, as well as the other quirky characters, were more than just entertaining to me. And I enjoyed the specific way they painted the backdrop of the women’s suffrage movement. In school you’re pretty much taught that it happened. It’s things like these - books and movies, etc - which may take creative liberties with history, but also showcase the details and grittiness that textbooks wash out.

And I did like Enola for herself. She’s like Anne of Green Gables if her hobby were puzzles instead of daydreams. I liked The Boy too (sorry I can’t be bothered to type his name! let’s call him Tooks). He was pleasantly ridiculous while being any teenage girl’s dreamboat. Does he qualify as a himbo?

The relationship between Enola and Tooks was cute and didn’t distract from everything else. I loved the framing of Enola’s injury tryng to rescue the sheep with her trying to rescue Tooks. At first, it was just sweet, but that scene at the end where we find out that she succeeded at rescuing the sheep totally cinched it for me. Although it’s the typical thing for a young heroine to do - go against her mother’s advice because she hasn’t experienced life enough to become so careful and calculating, and do the selfless thing - it also meant that Enola’s not just her mother’s puppet, she makes her own choices.

We’re seeing the dynamic of competent-woman-idiot-male-sidekick a bit more often, and the thing that always stands out is how rarely the male sidekick is ever really an idiot. Like Tooks, usually they get chances to be cool. So it’s not quite the same as the old trope of “hero rescues damsel in distress.” But honestly, nowadays, who’d want it to be? A totally passive character is boring. You rarely remember the damsel, only that the hero won her. Women actually like romance, we want to like and remember the love interest. :P And even then. The true hero/damsel trope appears rather historically that people think. Because, guess what, most writers like to write characters, not tropes.

The flip side of all this is that there is also a theme that’s becoming more and more common about feminism where the woman still ends up in a relationship, and it still being feminist. Like the recent Little Women movie, where Jo has to suffer and wrestle with herself for so long in her journey to achieve her dreams and in the end discovers marriage is part of her dream. None of this is wrong, but it is interesting how we see “lone feminist” as someone cold and sad about being alone, and are so quick to embrace the feminist who wants to be in a romantic relationship with men. The feminist can’t be whole if she’s sacrificed her ability to love for feminism. Meanwhile, in Enola, Sherlock Holmes, a man, is right there, being unmarried and uninterested in love and happy anyway.

None of this is Enola Holmes’s fault, it’s just a trend that I keep seeing in modern, uncomplicated feminist stories.

In sum, I liked Enola, I liked Tooks, the movie didn’t blow me out of the water or anything but I wasn’t expecting it too... I’m pretty sure this is for kids? In which case it’s fun and interesting the way Matilda or Pippi Longstocking are fun and interesting. As for the other questions...

Why Sherlock Holmes? Because he’s Sherlock Holmes. If you want to write about a female detective, and you want to do it against the backdrop of women’s suffrage in Victorian England, I think it’s only natural to make her a Holmes. That being said, Henry Cavill... is great, but not Sherlock Holmes. Bahaha. He has way too much chin. Who was that person, not Sherlock. RDJ was a more convincing Sherlock (and RDJ is not a convincing Sherlock!). That doesn’t mean I didn’t like him (I like RDJ too), it’s just a reminder that this is not a Sherlock Holmes movie. That’s why he doesn’t act much like Sherlock Holmes. Inspecting some coal dust does not a Sherlock Holmes make.

Why make Mycroft such a bad guy? Because Mycroft represents England. In the same way the assassin Enola kills says his employer is “England,” Mycroft’s job means the way he feels about Enola reflects the way England feels at the time about what a woman’s role should be. Why they made him such an idiot compared to Sherlock, though... Even after I answered these questions, I sometimes couldn’t help feeling “but it all feels so pointless when you’re just going to change so much of canon!”

Where the heck is John Watson? This one stumped me, but it is answered in the movie as well. I missed it because it wasn’t answered in a way I found satisfying. Pretty much, there’s no Watson because Holmes in Enola hasn’t met him yet. This makes no sense in terms of canon - timewise they’d have met a couple years ago, but canon Waston isn’t the best with dates, so I could overlook that - but Holmes is becoming popular. Holmes is becoming famous. Watson does that. Before Watson, Holmes is well known at Scotland Yard, but he’s more infamous than famous, and he’s not in many headlines partly because he makes an effort not to be. So Enola Holmes shouldn’t be well known at all if there’s no Watson praising him from the hilltops. I was half-expecting the movie to end with “pssst... Enola is the real Watson!” but I’m glad it didn’t. It sounds like Watson is a background character in the books so all of this was just “we couldn’t think of anything for Watson to do so we cut him.” But as weird as it is to ever see Holmes without Watson for me, if he’d been included he probably would have had like a couple stupid pro-patriarchy comments to make and that’s it. The Sherlockian me is baffled, but the wiser me thinks his absence is for the best.

[teshknowledgenotes]

Charlie Munger: Academic Economics — Strengths and Weaknesses, after Considering Interdisciplinary Need - Notes

My personal history is interesting because it's deficiencies and my peculiarities eventully created advantages. For some odd reason, I had an early and extreme multidisciplinary cast of mind. I couldn't stand reaching for a small idea in my own discipline when there was a big idea right over the fence in somebody else's discipline. So I just grabbed in all directions for the big ideas that would really work. Nobody taught me to do that, I was just born with that yen. I was also born with a huge craving for syntheses. And when it didn't come easily, which was often, I would rag the problem, and then when I failed I would put it aside and I'd come back to it and rag it again. It took me 20 years to figure out how and why the Reverend Moon's conversion methods worked. But the psychology departments haven't figured it out yet, so I'm ahead of them.

But anyway, I have this tendency to want to rag the problems. Because WWII caught me. I drifted into some physics and the Air Corps sent me to Caltech where I did a little more physics as part of being made into a meteorologist. And there, at a very young age, I absorbed what I call the fundamental full attribution ethos of hard science. And that was enormously useful to me. Let me explain that ethos.

Under this ethos, you've got to know all the big ideas in all the disciplines less fundamental than your own. You can never many any explanation, which can be made in a more fundamental way, in any other way than the most fundamental way. And you always take with full attribution to the most fundamental ideas that you are required to use. When you're using physics, you say you're using physics. When you're using biology, you said you're using biology. And so on and so on. I could early on see that ethos would act as a fine organizing system for my thought. And I strongly suspected that it would work really well in the soft sciences as well as the hard sciences, So I just grabbed it and used it all through my life in soft science as well as hard science. That was a very lucky idea for me.

Let me explain how extreme that ethos is in hard Science. There is a constant, one of the fundamental constants in physics, known as Boltzmann's constant. You probably all know it very well. And the interesting thing about Boltzmann's constant in that Boltzmann didn't discover it. So why is Boltzmann's constant now named for Boltzmann? Well, the answer was that Boltzmann derived that constant from basic physics in a more fundamental way than the poor forgotten fellow who found the constant in the first place in some less fundamental way. The ethos of hard science is so strong

What’s Wrong with Economics

The nature of this failure is that it creates what I always all, “man with a hammer syndrome” And that's taken from the folk saying: To the man with only a hammer, every problem looks pretty much like a nail. And that works marvellously to sum up all professions, and all departments of academia, and indeed most practical life. The only antidote for being an absolute klutz due to the presence of a man with a hammer syndrome is to have a full kit of tools. You don't have just a hammer. You've got all the tools. And you've got to have one more trick.

You've got to use those tools checklist-style, because you'll miss a lot if you just hope that the right tool is going to pop up unaided whenever you need it. But if you've got a full list of tools, and go through them in your mind, checklist-style you will find a lot of answer that you won't find any other way. So limiting this big general objection that so disturbed Alfred North Whitehead is very important, and there are mental tricks that help do the job.

A special version of this “man with a hammer syndrome” is terrible, not only in economics but practically everywhere else, including business. It's really terrible in business. You've got a complex system and it spews out a lot of wonderful numbers that enable you to measure some factors. But there are other factors that are terribly important, yet there's no precise numbering you can put to these factors. You know they're important, but you don't have the numbers. Well practically everybody 1) Over-weights the stuff that can be numbered, because it yields to the statistical techniques they're taught in academia, and 2) doesn't mix in the hard-to-measure stuff that may be more important. That is a mistake I've tried all my life to avoid, and I have no regrets for having done that.

My fifth criticism is too little synthesis in economics. Not only with matters outside traditional economics, but also within economics. I have posed at two different business schools the following problem. I say “You have studied supply and demand curves. You have learned that when you raise the price, ordinarily the volume you can sell goes down, and when you reduce the price, the volume you can sell goes up. Is that right? That's what you've learned?” They all nod eyes. And I say “Now you tell me several instances when, if you want the physical volume to go up, the correct answer is to increase the price?” And there's this long and ghastly pause. And finally in each of the two business school in which I've tried this. Maybe one person in fifty could name one instance. They come up with the idea that occasionally a higher price acts as a rough indicator of quality and thereby increases sales volumes.

This happened in the case of my friend Bill Ballhaus. When he was head of Beckman Instruments it produced some complicated product where if it failed it caused enormous damage to the purchaser. It wasn't a pump at the bottom of an oil well, but that's a good mental example. And he realized that the reason this thing was selling so poorly, even though it was better than anybody else's product, was because it was priced lower. It made people think it was a low quality gizmo. So he raised the price by 20% or so and the volume went way up. But only one in fifty can come up with this sole instance in a modern business school, one of the business schools being Stanford, which is hard to get into. And nobody has et come up with the main answer that I like. Supposed you raise the price, and use the extra money to bribe the other guy's purchasing agent? Is that going to work? And are there functional equivalents in economics, microeconomics of raising the price and using the extra sales proceeds to drive sales higher? And of course there are a zillion once you've made that mental jump. It's so simple.

Berkshire had this former savings and loan company, and it had made this loan on a hotel right opposite to the Hollywood Park Racetrack. In due time the neighbourhood changed and it was full of gangs, pimps, and dope dealers. They tore copper pipe out of the wall for dope fixes, and there were people hanging around the hotel with guns, and nobody would come. We foreclosed on it two or three times, and the loan value went down to nothing. We seemed to have an insolvable economic problem, microeconomics problem.

Now we could have gone to McKinsey, or maybe a bunch of professors from Harvard, and we would have gotten a report about 10 inches thick about the ways we could approach this failing hotel in this terrible neighbourhood. But instead, we put a sign on the property that said For sale or rent“ and in came, in response to that sign, a who said “I'll spend $200,000 fixing up your hotel, and buy it at a high price on credit if you can get zoning so I can turn the parking lot into a putting green.”

“You've got to have a parking lot in a hotel” we said.

“What do you have in mind?” he said.

“No my business is flying seniors in from Florida, putting them near the airport, and then letting them go out to Disneyland and various places by bus and coming back. And I don't care how bad the neighbourhood is going to be because my people are self contained behind walls. All they have to do is get on the bus in the morning and come home in the evening, and they don't need a parking lot they need a putting green.” So we made the deal with the guy. The whole thing worked beautifully and the loan got paid off, and it all worked out.

Well I've taken you part way through the synthesis. It gets harder when you want to figure out how much activity should be within private firms, and how much should be within the government, and what are the factors that determine which functions are where, and why do the failures occur, and so on and so on.

It's my opinion that anybody with a high IQ who graduated in economics ought to be able to sit down and write a ten page synthesis of all these ideas that's quite persuasive. And I would bet a lot of money that I could give this test in practically every economics department in the country, and get a perfectly lousy bunch of synthesis. They'd talk about transaction costs. They'd click off a little something that their professors gave them and spit it back. But in terms of really understanding how it all fits together, I would confidently predict that most people couldn't do it very well.

By the way if any of you want to try and do this, go ahead. I think you'll find it hard. In this connection, one of the interesting things that I want to mention is that Max Planck, the great Nobel laureate who found Planck's Constant, tried once to do economics. He gave it up. Now why did Max Planck, one of the smartest people who ever live, give up economics? The answer is he said “It's too hard. The best solution you can get is messy and uncertain” It didn't satisfy Planck's craving for order, and so he gave it up. If Max Planck early on realized he was never going to get perfect order, I will confidently predict all of the rest of you are going to have exactly the same result.

Extreme counterproductive psychological ignorance in economics. Here I want to give you a very simple problem. I specialize in simple problems. You own a small casino in Las Vegas. It has fifty standard slot machines. Identical in appearance, they're identical in function. They have exactly the same payout ratios. The things that cause the payouts are exactly the same. They occur in the same percentages. But there's one machine in this group of slot machines, no matter where you put it among the fifty, in fairly short order, when you go to the machines at the end of the day, there will be 25% more winnings from this one machine than from any other machine. Now surely I'm not going to have a failure here. What is different about the heavy winning machine? Can anybody do it?

Male: More people play it.

Charles Munger: No, no, I want to know why more people play it. What's different about that machine is people have used modern electronics to give a higher ratio of near misses. That machine is going bar, bar, lemon. Bar, bar, grapefruit, way more often than normal machines, and that will cause heavier play. How do you get an answer like that? Easy, obviously there's a psychological cause: That machine is doing something to trigger some basic psychological response.

If you know the psychological factors, if you've got them on a checklist in your head, you just run down the factors, and boom! You get to one that must explain this occurrence. There isn't any other way to do it effectively. These answers are not going to come to people who don't learn these mental tricks. If you want to go through life like a one-legged man in an ass-kicking contest, why be my guest. But if you want to succeed, like a strong man with two legs, you have to pick up these tricks, including doing economics while knowing psychology.

My ninth objection. Not enough attention to virtue and vice effects in economics. It has been plain to me since early life that there are enormous virtue effects in economics, and also enormous vice effects. But economics get very uncomfortable when you talk about virtue and vice. It doesn't lend itself to a lot of columns of numbers. But I would argue that there are big virtue effects in economics, and also enormous vice effects. It doesn't lend itself to a lot of columns of numbers. But I would argue that there are big virtue effects in economics. I would say that the spreading of double-entry bookkeeping by the Monk, Fra Luca de Pacioli was a big virtue effect in economics. It made business more controllable and it made it more honest. Then the cash register. The cash register did more for human morality than the congregational church. It was a really powerful phenomenon to make an economic system work better, just as, in reverse, a system that can be easily defrauded ruins a civilization. A system that's very hard to defraud, like a cash register, helps the economic performance of civilization by reducing vice, but very few people within economics talk about it in those terms.

Religion. I say economic systems work better when there's an extreme reliability ethos. And the traditional way to get a reliability ethos, at least in past generations in America, was through religion. The religions instilled guilt. We have a charming Irish Catholic priest in our neighbourhood and he loves to say, “Those old Jews may have invented guilt, but we perfected it” And this guilt, derived from religion has been a huge driver of a reliability ethos, which has been very helpful to economic outcomes for man.

When I was young, everybody was excited by Godel who came up with proof that you couldn't have a mathematical system without a lot of irritating incompleteness in it. Well, since then my betters tell me that they've come up with more irremovable defects in mathematics and have decided that you're never going to get mathematics without some paradox in it. No matter how hard you work, you're going to have to live with some paradox if you're a mathematician.

Well, if the mathematicians can't get the paradox out of their system when the're creating it themselves, the poor economists are never going to get rid of paradoxes, nor are any of the rest of us. It doesn't matter. Life is interesting with some paradox. When I run into a paradox I think either I'm a total horse's ass to have gotten to this point, or I'm fruitfully near the edge of my discipline. It adds excitement to life to wonder which it is.