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neroushalvaus · 10 months

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Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

#phew. maybe that's enough salt for one day.#james somerton #hbomberguy #todd in the shadows #edit:// embarrassingly many mistakes in the original post. in my defence i have a fever and english isn't my first language. forgive me #edit2:// made the text bigger!

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l4mplight · 2 months

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Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

#elden ring #shadow of the erdtree #miquella #st trina #elden ring dlc #miquella the unalloyed #thiollier #elden ring sote #elden ring spoilers #elden ring lore

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nowoyas · 23 days

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Trying to make sense of the Nanowrimo statement to the best of my abilities and fuck, man. It's hard.

It's hard because it seems to me that, first and foremost, the organization itself has forgotten the fucking point.

Nanowrimo was never about the words themselves. It was never about having fifty thousand marketable words to sell to publishing companies and then to the masses. It was a challenge, and it was hard, and it is hard, and it's supposed to be. The point is that it's hard. It's hard to sit down and carve out time and create a world and create characters and turn these things into a coherent plot with themes and emotional impact and an ending that's satisfying. It's hard to go back and make changes and edit those into something likable, something that feels worth reading. It's hard to find a beautifully-written scene in your document and have to make the decision that it's beautiful but it doesn't work in the broader context. It's fucking hard.

Writing and editing are skills. You build them and you hone them. Writing the way the challenge initially encouraged--don't listen to that voice in your head that's nitpicking every word on the page, put off the criticism for a later date, for now just let go and get your thoughts out--is even a different skill from writing in general. Some people don't particularly care about refining that skill to some end goal or another, and simply want to play. Some people sit down and try to improve and improve and improve because that is meaningful to them. Some are in a weird in-between where they don't really know what they want, and some have always liked the idea of writing and wanted a place to start. The challenge was a good place for this--sit down, put your butt in a chair, open a blank document, and by the end of the month, try to put fifty thousand words in that document.

How does it make you feel to try? Your wrists ache and you don't feel like any of the words were any good, but didn't you learn something about the process? Re-reading it, don't you think it sounds better if you swap these two sentences, if you replace this word, if you take out this comma? Maybe you didn't hit 50k words. Maybe you only wrote 10k. But isn't it cool, that you wrote ten thousand words? Doesn't it feel nice that you did something? We can try again. We can keep getting better, or just throwing ourselves into it for fun or whatever, and we can do it again and again.

I guess I don't completely know where I'm going with this post. If you've followed me or many tumblr users for any amount of time, you've probably already heard a thousand times about how generative AI hurts the environment so many of us have been so desperately trying to save, about how generative AI is again and again used to exploit big authors, little authors, up-and-coming authors, first time authors, people posting on Ao3 as a hobby, people self-publishing e-books on Amazon, traditionally published authors, and everyone in between. You've probably seen the statements from developers of these "tools", things like how being required to obtain permission for everything in the database used to train the language model would destroy the tool entirely. You've seen posts about new AI tools scraping Ao3 so they can make money off someone else's hobby and putting the legality of the site itself at risk. For an organization that used to dedicate itself to making writing more accessible for people and for creating a community of writers, Nanowrimo has spent the past several years systematically cracking that community to bits, and now, it's made an official statement claiming that the exploitation of writers in its community is okay, because otherwise, someone might find it too hard to complete a challenge that's meant to be hard to begin with.

I couldn't thank Nanowrimo enough for what it did for me when I started out. I don't know how to find community in the same way. But you can bet that I've deleted my account, and I'll be finding my own path forward without it. Thanks for the fucking memories, I guess.

#distant citrus sounds #disk horse #nanowrimo #ai shit

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raekensluver · 2 months

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a guarded romance (1)

part two

description: you are a famous billionaire's daughter and your father has hired you a new bodyguard. his name is spencer reid and he used to be a part of the fbi's behavior analysis unit.

pairing: bodyguard!spencer reid x famous!reader

contains: age gap (everyone is 18+), fake relationship, mentions of a stalker, talk of parental death, overprotective father, lmk if i missed anything!

song rec: you don't own me by SAYGRACE ft. g-eazy- "don't tell me what to do, and don't tell me what to say."

w.c: 2.4k

an: i hope you all enjoy!! i feel like there aren't many bodyguard!spencer fics on tumblr. please give me feedback! good or bad, i appreciate it!

in the grandiose study, the scent of aged leather and mahogany filled the air, a silent testament to the wealth and power that had been cultivated within its walls. the room was dimly lit, the setting sun casting a warm glow through the stained glass windows, creating a mosaic of colors on the polished floor. your father's office was a sanctuary, a place where he made decisions that shifted the course of empires, but today, it was where your world was about to be upended once again.

"honey," your father's firm voice called out as you stepped into the room, his eyes never leaving the paperwork scattered across his desk. he looked up, the stern lines on his face softening slightly as he took in your appearance. "this is spencer reid, your new bodyguard."

spencer stood by the door, his posture ramrod straight, and his eyes met yours. there was a flicker of something in them, an intensity that made you pause. he was tall, with a lean build and a sharp jawline that spoke of discipline and experience. his suit was impeccable, but there was a hint of something else beneath the surface, a wildness that the tailored fabric couldn't quite conceal. he looked older than you, maybe thirty-five, if you had to guess.

"daddy, i don't need another babysitter," you protested, crossing your arms over your chest. "i'm twenty-five, not five. i can handle myself."

your father sighed heavily, setting down his pen and folding his hands together. "sweetheart, it's not about that. it's about keeping you safe. with everything that's been happening, i just want to make sure you're protected."

you rolled your eyes, feeling the familiar ache of frustration in your chest. "what's been happening? i've had one stalker in the last year, and that was just some lovesick fan. i can handle myself."

spencer cleared his throat, his gaze shifting between you and your father. "miss carter, if i may, i understand your concerns. i've studied the case files and the potential threats are minimal. but in the line of work i've been in, it's always better to be safe than sorry."

his words hung in the air, and you felt a spark of curiosity. there was something about the way he spoke, a calm confidence that was hard to ignore. maybe he wasn't just another incompetent bodyguard your father had hired.

"fine," you relented, unable to argue with his logic. "but i don't need you following me around like a shadow."

spencer nodded, a slight smile playing on his lips. "i understand, miss. i'll do my best to respect your privacy while ensuring your safety."

the week flew by in a whirlwind of meetings and social engagements, with spencer a constant presence at your side. your father had informed you of the annual gala in a week's time, a grand affair where the crème de la crème of society mingled and networked. "you need to make an appearance," he'd said, his tone brooking no argument. "and i expect you to look the part."

"spencer," your father announced, his voice carrying a hint of finality, "you will accompany my daughter to select a suitable gown for the gala. it's an important event, and i want her to be dressed to the nines."

you felt a pang of annoyance at the thought of being dragged around by a bodyguard to pick out a dress, but the idea of escaping your father's scrutiny was tempting. "fine," you said with a resigned sigh, "but i can't believe you're making me go to this thing."

spencer's eyes met yours for a brief moment before he nodded. "i'll be there to ensure nothing goes wrong, miss."

the shopping trip was a delicate dance of wills. you wove through the racks of haute couture, your mind racing with thoughts of the gala and the dreaded encounter with the man your father insisted on setting you up with. spencer remained a silent sentinel, his eyes scanning the room, his presence both comforting and stifling.

you slid a sleek, black dress from its hanger, the fabric whispering against the others as it glided through the air. it was perfect for the gala, elegant yet understated, a stark contrast to the flashy outfits you knew the other attendees would be wearing. you held it up to your body, the soft fabric brushing against your fingertips. "what do you think?" you asked, not bothering to hide the challenge in your voice.

spencer's gaze flicked over the dress and then back to your face, his expression unreadable. "it's… appropriate," he said, his voice measured. "but i suspect you're looking for something more than just appropriate."

you couldn't argue with that. you wanted to make a statement, to show the world that you weren't just a billionaire's daughter to be bartered off to the highest bidder. you wanted to be seen as a woman of substance, not just a pretty face in a sea of designer labels. "i need something that says 'hands off'," you murmured, your eyes searching the racks for the perfect dress.

spencer's gaze sharpened. "you worried about someone in particular?"

you nodded, your thoughts drifting to the smug grin of the man your father was so keen on setting you up with. "his name is alexander. he's… persistent."

spencer's eyebrows shot up, the first real sign of emotion you'd seen from him. "oh, i know the type," he said, his voice tight. "well, let's make sure you're dressed to make him understand that you're not interested."

you felt a strange thrill at his sudden protectiveness, and you found yourself smiling slightly. "okay, let's do this."

as the gala night approached, the tension in the air grew thick. your father had been dropping hints about alexander, reminding you of his wealth and status, and his potential as a suitable match. you, on the other hand, had been preparing your speech, rehearsing the perfect way to tell alexander that you had no interest in him without causing a scene.

the evening of the gala arrived, and you found yourself in a whirlwind of hair and makeup artists, turning you into the picture of sophistication. the dress spencer had helped you choose was a stunning blood red that made your eyes pop and your skin glow. it hugged your curves in all the right places and had just the right amount of flair to make you feel powerful.

as you descended the grand staircase, your father's eyes widened with approval. "you look… incredible," he said, his voice filled with pride. "exactly what a future lady of the house should look like."

you bit back a retort, choosing instead to smile sweetly. "thank you, daddy. i'm sure reid will make sure i'm well protected tonight."

your father nodded, his gaze flicking to your bodyguard, who was standing a respectful distance away, watching the exchange. "he better," he said, his tone leaving no room for argument.

the gala was a dizzying array of lights and sounds, the chatter of the elite echoing through the opulent ballroom. spencer was a silent shadow at your side, his eyes never still as they swept the room, looking for any sign of trouble. you felt a strange comfort in his vigilance, his presence a buffer between you and the world that so often felt suffocating.

as the evening progressed, you spotted alexander cutting through the crowd, his eyes locked on you like a hawk on its prey. your heart sank, but spencer was there, his hand lightly on your elbow, guiding you through the throng of people with an ease that belied his size. "just keep walking," he murmured in your ear, his breath warm against your skin. "ignore him."

but alexander was not so easily deterred. he reached you before you could escape, his smile as plastic as the flowers adorning the tables around you. "so, the elusive miss carter," he said, his voice oozing with false charm. "how are you enjoying the gala?"

you felt your heart race, his presence setting your nerves on edge. "i'm enjoying it," you replied, your voice cool and even. "thank you for asking."

alexander's gaze slid to spencer, a hint of suspicion in his eyes. "and who is this charming man at your side?"

your heart pounded in your chest, your mind racing for a way to shake alexander off. without missing a beat, you reached for spencer's hand, squeezing it tightly. "this is my fiancé, spencer reid," you blurted out, the words surprising even you.

spencer's eyes widened slightly, but he recovered quickly, his hand closing around yours. "hello, alexander," he said smoothly, a polite smile playing on his lips. "i've heard so much about you."

alexander's gaze darted between the two of you, his confusion clear. "fiancé?" he repeated, his voice skeptical. "i had no idea, your father said nothing about this."

you felt your cheeks heat up, but you held your ground, flashing spencer a desperate look. "it's a recent development," you said, your voice surprisingly steady. "we wanted to keep it private for a bit."

alexander's smile faltered, his eyes narrowing slightly. "recent?" he echoed, his grip on his champagne flute tightening. "how recent?"

you swallowed hard, your mind racing. "very recent," you said, the lie slipping off your tongue with surprising ease. "we just got engaged."

spencer squeezed your hand in reassurance, his eyes never leaving alexander's. "yes, it was quite a whirlwind," he said, playing along flawlessly. "we didn't want to make a big deal out of it."

alexander's expression shifted from skepticism to something darker, his grip on his drink tightening. "well, congratulations," he said, his voice tight. "i wish you both the best."

you felt a wave of relief wash over you as he turned and disappeared into the crowd. you looked up at spencer, your heart still racing. "thank you," you murmured, your voice shaky. "i can't believe that worked."

spencer's smile was tight, his eyes still scanning the room. "it's not over yet," he said, his grip on your hand still firm. "let's get you somewhere quieter, away from prying eyes."

you allowed him to lead you to a secluded corner of the mansion, the music and chatter of the gala fading into a distant buzz. the walls were lined with floor-to-ceiling windows, the moon casting a soft silver light over the manicured gardens outside. it was a stark contrast to the bright, flashy lights of the ballroom, and the calmness of the night seeped into your bones.

spencer's hand was still wrapped around yours, his eyes never leaving the partygoers as he scanned for any sign of danger or unwanted attention. "are you okay?" he asked, his voice low and concerned.

you nodded, trying to compose yourself. "yeah, i just… i didn't expect to lie like that." the words felt heavy on your tongue, but the truth was, you had no intention of letting alexander near you again.

spencer's gaze softened, his grip on your hand loosening slightly. "it's alright," he said gently. "i've seen worse at these types of events."

you couldn't help but feel a pang of guilt for dragging him into your personal drama. "i'm sorry," you whispered. "i didn't mean to get you involved."

spencer's gaze finally left the crowd, his eyes meeting yours. "it's part of the job," he said, his voice gentle. "and i'd rather be involved than see you miserable."

you looked down at your hand in his, feeling the warmth of his skin. "thank you," you said again, the words feeling inadequate. "i just… i don't know why my father can't see that i'm not a little girl anymore."

spencer's eyes searched yours, filled with understanding. "he's just trying to protect you," he said. "it's hard for parents to let go, especially when they've lost someone as important as your mother."

his words hit you like a ton of bricks, and you felt the familiar ache in your chest. your mother's death had left a void in your life that no one had ever truly filled, not even your father's overbearing attention. "i know," you said softly, "but it's like he doesn't trust me to make my own decisions."

spencer's expression grew serious. "it's his way of dealing with his fear," he said. "but you're more than capable of taking care of yourself, and i'm here to support you in any way i can."

his words resonated with you, and for the first time in a long while, you felt seen. "really?" you asked, hope flickering in your eyes.

spencer nodded. "really," he said, his voice firm. "you're a strong, independent woman. and if your father won't give you the space you need, i'll do my best to make sure you have it."

his words echoed in the quiet corner of the mansion, and you felt a sudden urge to get out of the suffocating atmosphere of the gala. "can we leave?" you asked, your voice small. "i don't think i can handle much more of this."

spencer's eyes searched yours for a moment before he nodded. "of course," he said, his voice calm. "let's go."

you felt a wave of relief as he led you through the throng of people, his hand at the small of your back a reassuring presence. the cool night air hit you like a slap in the face after the stifling heat of the gala, sending a shiver down your spine. the stars twinkled overhead, a stark contrast to the artificial lights of the mansion.

spencer opened the door to the sleek black sedan waiting outside, his hand on the small of your back as you slid into the passenger seat. you felt his eyes on you as he took his place beside you, the leather seats sighing beneath your weight. "are you okay?" he asked again, his voice low and concerned.

you took a deep breath, the cool leather calming your frazzled nerves. "i'm fine," you said, your voice shaky. "i just… i hate those kinds of events."

spencer's eyes searched yours, and without a word, he reached over and gently took your hand that was resting on your lap. "i promise," he said, his voice filled with a quiet resolve, "i will talk to your father. you're an adult, and you deserve to make your own choices."

his hand was warm and comforting, and you felt a sudden surge of gratitude towards him. "thank you," you whispered, your eyes welling up with unshed tears. "i just want to live my life without feeling like i'm under a microscope."

spencer squeezed your hand gently before releasing it to start the car. the engine purred to life, the smooth vibrations of the vehicle a stark contrast to the chaos of the evening. as you pulled away from the mansion, the lights of the gala grew smaller in the rearview mirror, and you felt a weight lift from your shoulders.

edited 8.21.24

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heeseungiez · 2 months

Text

» XO, Miss Decelis

pairings! rich kids!hyung line x fem!reader, choi yeonjun x fem!reader briefly synopsis! perfection used to be all you strove for, keeping everything that didn't fit the image a secret from the world, but an accident that nearly took your life made you reconsider what kind of person you truly wanted to be... warnings! smut (mdni! 18+), mentions of bullying, joking about past trauma to cope, angst, jealousy etc. (warnings will be added) taglist! open a/n! never thought i'd be back to writing fanfic on tumblr but here we are... i guess even 6 years later, i'm still the same person i was when i was 15... just btw, the pairings can change as i write more since right now, i have only officially written the first sooo... don't take it for granted

RESOLUTION 1: actually enjoy a party... (Lee Heeseung x Reader)

synopsis! lee heeseung has known you your whole life. he has always kept you at an arm’s length due to his childhood pettiness after being forced to spend time with you as kids. but now that you were back in town, going to school again, he finds his resolve to dislike you at all costs crumbling between his fingers. as if it hadn’t always been chipping away throughout the years.

word count! 5.4k

read here!

RESOLUTION 2: not be a virgin anymore... (Sim Jake x Reader)

synopsis! sim jake has always liked you, but as heeseung’s best friend, he felt weird trying to talk to you. now, with the rules around you loosening, jake refuses to miss his chance to win you over.

word count! 8.4k

read here!

RESOLUTION 3: become popular at school (Park Jay x Reader)

synopsis! park jay always thought of you as the annoying little miss perfect who could do no wrong in the eyes of his, yours and heeseung’s parents. he wasn’t fond of you in the slightest for that very reason. but when you dropped the act after your perfect image had shattered in front of everyone, he can’t help but feel drawn to you. when he discovers another one of your secrets, he thinks he might truly have to ruin you for the whole world to know how far from perfect you truly are.

word count! 12k

read here!

RESOLUTION 4: maybe get a boyfriend? (Park Sunghoon x Reader)

synopsis! park sunghoon always preferred admiring you from afar. because to him, you were untouchable. as the daughter of his career’s biggest sponsor, he was scared that the smallest slight upon your person could make your father withdraw. but you were not the fragile pretty flower sunghoon thought you to be. it was only his luck that you ran right into his arms when you didn’t know what to do about the rest of his friends.

word count! 15k

read here!

Good morning, Decelis! Guess who’s back?

And no, I’m not talking about myself at the moment, but rather, a princess of a successful empire, and our beloved black sheep of the school. It’s quite ironic, isn’t it? In a place where money is power, she has none despite the billions she’s meant to inherit. Poor girl, wouldn’t you say?

But rumours have it that our princess is back from her prolonged summer break abroad, and she’s different than we remember.

It seems that the good girl image has been thrown to the wolves, and the princess is back with a bite of her own.

I’m most definitely looking forward to what this year brings us.

XO, Miss Decelis

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nothorses · 3 months

Note

You've made a lot of really great posts about transmasc experiences and struggles, and they really resonate with me! So I guess I want to in complete earnest ask: why the push for 'transandrophobia' when anti-transmasculinity as a term has been around for longer and faces little friction by comparison? I don't really *dislike* transandrophobia, but its meaning gets muddied everywhere from different directions, while ATM is pretty direct and succinct I feel. It's very clear that it's about TRANSmasculine oppression. I'm not against having a dedicated term at all, but the content of our struggles gets lost in the weeds of attaching kind of understandably divisive terms like misandry and androphobia in an attempt to mirror a phenomenon very specifically about misogyny; it seems more trouble than it's worth considering ATM is right there

I'll be honest, this ask is confusing to me for a few reasons.

When I started talking about transandrophobia around the summer of 2020, the conversations I was encountering were very much, like, a handful of people across Twitter and Tumblr (literally, a handfull!). I picked up "transandrophobia" because it was one of two words I saw in use, and the other- "transmisandry"- felt much less clear and much more contentious. It seemed super obvious to me that people would draw a line from "men's rights activists" trying to push this idea that "misandry", as a systemic oppression of men by women, to "transmisandry", and assume some ill intent where there was none. It's confusing!

"Transandrophobia" was the better of two options being floated at the time, at least in any conversation I saw. "Anti-transmasculinity" was not really a term I'd been made aware of, if anyone at all was talking about it at the time.

I have seen people pick up "anti-transmasculinity" more recently (maybe in the last year?), and this is definitely the first I've seen someone shorten it to "ATM". The people I've seen use that term have been mostly people who seem really new to the conversation, and the vibe I've gotten has been very, like, "we're the Good Transmascs, our word isn't dirty and gross like those other Bad Transmascs everyone hates. you'll listen to us now that our word is Good and Pure, right?"

Which is like... kind of frustrating, and kind of sad, honestly. I think these people honestly believe that if they just choose the right word, all the people who've been dragging me and every other transmasc talking about these issues through the mud for the last 4 years or so will really just stop & listen. If they can just say it right, these people- who have been relentlessly harassing and spreading lies about every single transmasc who came before them for years now- will care what they have to say, and will be willing to engage with them in earnest, compassionate dialogue.

If you just find the right word, all of these people will care about your hurt, your pain, and the suffering of your community.

It kind of breaks my heart. It's an incredibly hopeful, kind, loving way to view the world. It's compassion and patience and forgiveness that these folks are not being given, but that they so badly want to offer to others.

And at the same time, it sucks to be the Bad Transmasc. It sucks to have fought so hard for so long, and for the people I've been fighting for all this time to turn around and say, "you're gross, and dirty, and evil, and everything you've done is a mistake." It sucks to see the people I've been fighting for agree with the people I've been fighting against, and shove me under the bus in an effort to appeal to the people running me over with it. Knowing that the bus is going to aim for them once it's done with me just makes it sadder, yknow?

@saint-speaks wasn't the first person to ever speak the word "transandrophobia", but he is the one who coined and popularized it in its current form. And then he was dragged through the mud so hard and so brutally that some people think I coined it, just because when I defended him (too little and too late, imo) I withstood the mud-dragging better than he did (and gee, I wonder white.)

And now people take for granted that everything everyone said about hymn to justify that frankly fucking evil harassment campaign was true, actually, and we should abandon the word he coined and find one with purer origins.

If you honestly think "anti-transmasculinity" is just a more practical word, that's fine. I don't care what word we use. But they're going to cover it in mud, too. They're going to cover every one of you in mud.

Will you keep fighting for "ATM" once they make it the new dirty, gross, bad, evil word? Will you keep fighting when they drag you and everyone else through the mud for using it? Or will you agree with them, make up a new word, and never look back?

Please don't let us drown in the mud. We've been fighting for you, and we want to fight with you. Please.

#transandrophobia #transmisandry #anti transmasculinity

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missmonsters2 · 1 year

Text

Mirror, Mirror | One

Please do not copy, repost, or translate my work anywhere else.

Pairing: Wanda Maximoff x Fem!Reader

Summary: The thought of something more had never really crossed Wanda's mind when it came to you. Best friends for 10 years and there hasn't even been one instance of accidental sexual tension. You're her best friend, that's all—until someone points out that you obviously have a very specific type when it comes to dating.

Warnings: best friends to lovers. shenanigans. jealousy, jealousy. sexual tension. pining. yearning. sexual thoughts. spicy (tumblr's version). stupid steve. neurotic nat. brat & stinky. bug as in shutterbug.

*explicit version will only be available on Ao3 & will be posted there after series is completed*

Note: i'm back!!! Nothing like coming back and posting a mini series. Enjoy this superior trope. Updates will be on Tuesdays! As you can see, we're trying something new with explicit content lol 😬

Reminder there's no taglist but you can follow my library blog for notifications 💘

Series Masterlist || Library Blog || AO3

Count: ~4.1k

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

It's strange how sometimes a single sentence can change someone's entire life.

Wanda's thought about what sentences could change her life—usually, they're morbid and depressing.

'You have cancer.'

'Someone you love has died horrifically in an accident.'

'Your cat actually finds living with you miserable and would prefer the dangers of living in the streets.'

Never in a million years would Wanda ever think it'd be, 'Hey, have you ever noticed how your best friend exclusively only dates girls who look like you?'

And don't get Wanda wrong. It wasn't a morbid or depressing change; it was just...a change. An irrevocable change because now, Wanda couldn't stop thinking about it or noticing it.

This was all Steve's fault.

Because if someone like Stupid Steve could notice something like that, it had to mean something, right? But as Wanda remembers about the past girls you've hooked up with and brought around, she doesn't know what to make of it.

A part of Wanda wishes she had never talked to Steve that night at the bar.

"Where's Vis?" Steve asked, looking around.

"With Tony playing pool, I think," Wanda shrugged. She doesn't particularly keep track of where her on-and-off boyfriend goes. She thinks they might be on an off-period right now, anyway.

"And where's—oh, nevermind, there she is," Steve started to say but cut off when they both saw you across the bar talking with the bartender, flirting over drinks—which were probably free if Wanda could guess.

Wanda's slightly annoyed because it's been a long week without seeing you, and Wanda's been used to seeing you almost every day for the past several years of her life. But you've been gone on a work trip this week for a wedding shoot and only came home just a little after lunch and needed an immediate long nap before tonight's get-together.

That meant Wanda was sorely missing out on best-friend time, and now you were off flirting shamelessly with the hot bartender. Wanda's rooting for you, make no mistake. The bartender is definitely easy on the eyes, luscious hair, and lips—something Wanda knows you're weak for.

Plus, Wanda's worried you're not anywhere near getting close to settling down. She wants you to be in a happy, fulfilling relationship. But she supposes she's in no position to talk herself.

Wanda loves Vision without a doubt, but their relationship is definitely chaotic, and Vision keeps pushing for something more serious now that they've been dating (sporadically) for a long time. She's been considering it in her downtime and thinks it might make sense as the next step.

Best friends do everything together, right? So, maybe if Wanda decided to take the next step in a serious relationship, you'd find someone to commit to seriously as well.

Then, both of you could get married at the same time. Then, they could buy a house in the same neighborhood right next to each other. There'd be endless double dates and vacations together. Wanda wouldn't have to miss you.

But first, Wanda needed to regain lost best-friend time, one-on-one style.

"Hey, you know what I just noticed?" Steve said, breaking Wanda's drifting thoughts.

"What?"

"Bug—"

Wanda makes a face at your nickname. Granted, it was Wanda's fault you ended up with it back in your first year of university. You never let her forget it, especially now that you're a professional photographer.

"—over there has a very specific type she goes after for girls," Steve mused, sipping his whiskey before continuing. "I mean, they always have green eyes and brunette—wait, that's not true. She had two red-headed girlfriends in our last year of university. They still had green eyes, though."

"Oh," Wanda said, unsure what to say since she's never paid attention to the girls you were dating. On average, they were a brief fling, and only a few lasted longer than half a year. "I guess so?"

Wanda distantly thinks about how she dyed her hair auburn in her last year of university because she was looking for a change that year and Natasha was insistent that she'd look amazing. Wanda recalls you were a fan of the look.

"Yeah," Steve nodded along. "Ironically, they always look like you in some way. Check out that bartender now—long, wavy-haired brunette with green eyes. She's got thick, long lips and even does that dark eye-shadow makeup thingy like you."

Steve just laughed it off, finishing his drink, thinking nothing more of it before he started talking about Bucky.

But it was like something clicked into place in Wanda's brain. A daunting realization that she was wholly unprepared for and not equipped to do anything about.

Wanda watched as the bartender clocked off for the night and dragged you into a corner booth, drinks in hand. It gave Wanda the perfect view that the bartender wore many rings just like she did.

In the poor privacy of the dimly lit corner booth, there was a staunch and needy kiss from the two of you, and Wanda swallowed roughly.

From here, if you were none the wiser, Wanda could be easily mistaken for the girl in the booth with you.

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Sometimes, Wanda believes she's just being absolutely ridiculous. So what if you go after girls who share the same features as her? That didn't have to mean anything. You've always told Wanda she was beautiful, and it was perfect how you said it.

It didn't feel insincere or creepy. It felt good to know her best friend thought she was absolutely gorgeous. But just because you thought she was beautiful doesn't mean you harbored secret feelings for her.

You'd be insulted if you knew Wanda had ever thought that. She'd just be another one of those girls Wanda's seen you humble on multiple occasions when they found out you dated women, and they were worried you might have a crush on them.

But then, Wanda couldn't stop thinking she actually might be one of those girls because then she'd think about if you didn't consider her like that, it wasn't about her looks but something about her personality that wasn't your type.

And what could that be?

Wanda thought long and hard, trying to remember the girls you've introduced her to.

Sometimes they were funny, and Wanda was funny. She made you laugh all the time. She specifically remembered one time in high school when she made you laugh so hard you peed your pants just a little.

Sometimes they were intellectual, and while Wanda didn't have an IQ of 160, she did fairly well academically and was on the right track in her career.

Sometimes they were charming, and Wanda was the type where she got more charming the more you got to know her.

So, Wanda just doesn't understand. She's nowhere further with her thinking ever since this weird information has been bestowed upon her.

Maybe it all just means nothing. You just didn't feel that way about Wanda despite the type of girls you dated suggesting otherwise. You didn't need a reason for it, and maybe the fact you only felt friendship for her was the reason.

"Wanna order pizza in tonight?"

Wanda turns her head from the tv and notices you've put your book down. "Hm, not really. We had pizza last week," Wanda shakes her head.

"How about that Greek place that just opened up on Willington Ave?" You suggest. "Pretty sure I heard you grumbling about wanting Greek food earlier this week."

"I was not grumbling!" Wanda scoffs but smiles when you raise your eyebrow at her. "Okay, I was grumbling a little."

You snicker as you pull out your phone to order delivery. "Oh, sweet golden best friend of mine, whatever shall you do when you get married to Vis, who hates Greek food. Do I foresee a life of Greekless cuisine? Oh, the suffering you'll go through!"

"I don't need him to like it," Wanda slaps your arm, sticking her tongue out before she cuddles you. "I have you to eat it with."

You laugh unabashedly, a sound that Wanda's accustomed to hearing the joyful sound. "Better hope the person I marry also hates Greek cuisine. I don't know if I can live a life of eating double the Greek food. I love tzatziki sauce, but if I grow to hate it from eating it too much, I will make you suffer the consequences of that."

Your voice trails off as you focus on ordering food, unable to see the cogs in Wanda's head turning.

It's all so easy. There's no tension, no electric vibes happening. Just best friends enjoying the banter and making plans to eat.

It was all in Wanda's head, right? You're her best friend, so of course you'd know everything about her.

The right type of friendship is fulfilling and soul-connecting, and that's what Wanda has with you. When you have a one-in-a-million connection like that, the line between friendship and romance is thin, isn't it?

Wanda hates Steve. She'd never think about this if it wasn't for Stupid Steve. She can hear his dumb laugh, blissfully ignorant about the observation bomb he dropped upon her.

"Do you wanna get ice cream after?" You ask, throwing your phone to the side. "I'll even treat you to the gelato despite knowing I'm going to suffer through your crazy farts later."

"Oh my god, I'm going to trap you under the blanket with it just for that!"

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Within two months, Wanda forgets about it. Forgets, as in that she decides to drop it (let it linger in the deep depths of her brain that she refuses to acknowledge), and resolves that Steve has no brain cells and has no idea what he's saying.

"Have you seen my strapless black top?" Wanda shouts from her room with the door open. "The one with the v-shaped front!"

"In your closet!" You yelled back from the living room, not taking your eyes off your phone.

"I can't find it," Wanda whines, and she hears you sigh as you get up. The footsteps approach her room, and she finds you standing at the door with an unimpressed look.

"I don't want to hear it," Wanda sniffs.

"Hear what, brat?" You say with a brow raised before you start rummaging through her closet. The nickname was a joke you started that Wanda was entirely a spoiled person, exhibiting bratty behavior at times. "That I'm not gonna be your roommate forever, so you need to learn to fold it yourself before putting it away?"

Wanda makes grumbling noises that are mostly nonsensical but smiles when you pull out the top she was looking for.

"You are the apple of my eye, stinky," Wanda grabs the top from you before she runs into her washroom to briefly change into it.

"A match made in heaven, yeah, yeah," you roll your eyes with good humor. "Hurry up, Natasha will kill us if we're late for Yelena's birthday. They're on an upwards mend in their relationship, so she's been so unbearably uptight lately to make sure nothing goes wrong."

"I know, I know," Wanda mutters, carefully pulling the top over her head to not ruin her makeup.

"Alright, I'll hail us a cab, meet me outside."

"Wait, wait!" Wanda calls out. "I need help putting on my necklace."

You chuckle, walking back just as Wanda steps out of the bathroom with the delicate necklace she wants to wear.

"Alright, alright, relax," you tell her. "Your accent gets really strong when you're stressed."

"You're stressing me out by rushing me," Wanda scrunches her nose even though you can't see it. "I'm also stressed knowing that you have to rush me, or I'll spend the party getting lectured by Natasha."

Wanda's voice comes out husked with the accent, something she's struggled between hating or loving, but mostly loving since you've expressed how lovely it is.

You grab the necklace from her hand, and Wanda moves her hair out of the way. The routine of it all starts to bleed the tension out of her shoulders.

Then, that horrible Stupid Steve Sentence kicks into her brain.

It's only as you put your arms over, placing the necklace against Wanda's chest, and focusing on trying to get the clasp in. Wanda can feel your warm breath against her neck, summoning goosebumps along her arms. You're so close, and she can feel the heat of your body radiating onto her, your fingers just barely brushing against her.

The tension comes suddenly, squeezing inside her chest as her breathing slows and shakes. Her body warms in an unexpected way.

"Ah, got it," you say, but Wanda can only focus on your voice and breath on the shell of her ear. "Cute necklace but the clasp is so annoying."

You pull away and start walking off. "C'mon, I bet if we tip our taxi driver an extra $20 bucks, they'll speed and we can pray we're on time."

Wanda's left standing there, knowing she probably sounds like she's fresh out of Sokovia with how stressed she is. Her right eye twitches.

Was that...Wanda gulps. Was that sexual tension?

And was she the only one who felt it?

Fuck.

She's going to kill Steve.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

Natasha's absolutely neurotic when they arrive. It's just a simple backyard party, but it almost looks like a wedding venue with all the catering and flowers.

Wanda's pretty sure Natasha's only being like this because she's overthinking about whether to cling to Yelena or give her sister some space to mingle with others. She seems to be sizing up Kate, who Yelena might be seeing, but it hasn't been confirmed.

Yelena looks between exasperated with Natasha and secretly happy about the entire thing. Wanda can sympathize with her. After all, she's also a little sister, and Pietro can also be way too overprotective. Sometimes she's glad he's abroad in Europe for work while she remains in New York, but she misses him more often than she admits.

"Alright, alright, Natasha," you groan, and Wanda's mind slips back into the conversation. "We're 3 minutes late, relax, will you? Damn, are you always gonna be like this until you and Yelena get back into whatever sibling bond you had before? Hope you're just like this with us because otherwise, you're gonna scare away all her friends, and she's going to hate you."

"Oh my god, do you think she'll really hate me?" Natasha bites her bottom lip in worry while looking around at all the people that they can only assume she's nagged about being late or whatever mishap.

"Oh, man," you sigh, putting your hand on her shoulders before pushing her towards the bar. "You need some drinks and maybe some desserts in you."

Wanda's about to follow you when you turn around and nod your head in a different direction. She looks over and sees you're nodding toward Vision.

"You should go say hi to him," you tell her. "You've been complaining about not seeing him all last week, even though I don't know why you guys won't just FaceTime, but I digress. Come find me later, or I'll find you after."

You look over at Natasha, who's peering on her tippy toes to see if she can find Yelena.

"And, hopefully, I'll have ditched this nutjob," you whisper conspiratorially and laugh when Natasha turns around to smack your arm.

"I heard that!"

Wanda chuckles as you walk off with Natasha while she turns and heads toward Vision. Despite how she was complaining about not seeing Vision last week because she did miss him, her expression was sour as she made her way toward him.

Vision spots her immediately and waves at her with a warm smile. Wanda feels herself somewhat loosened at his expression. They'd also been friends a long time before they started on-and-off dating, so at the very least, she does miss his easy friendship.

"Hey," Vision hugs her, slightly rubbing her back before he pulls away but keeps his arm around her. "It's been a while; you look lovely."

"Thanks," Wanda smiles with a shrug. She looks around and sees he's standing with Tony and Pepper. "How are you guys?"

"Could be better," Tony sighs dramatically. "Natasha won't let me do any of my cool party tricks as if I'm going to ruin her little sister's party. If anything, I could make it the party of the century!"

Pepper rolls her eyes good-naturedly. "We were just talking about how we're thinking of going to the Bahamas for vacation in December and escaping the cold. We've invited you and Vision along since it's been awhile since we've all gone together. Of course, we can also invite Bug and Natasha."

"Oh," Wanda says for a lack of anything else to say. She doesn't know how to feel about it, but she peers over at Vision, who's just smiling at her and looking eager about it.

"I need another drink if I'm going to suffer through this party," Tony sighs. "Maybe I can convince Yelena instead!" He grins, dragging Pepper along, and they walk off together.

"So, what do you think?" Vision asks when they're alone. "I didn't want to reply on your behalf since I wasn't sure, but I think it'd be good for us. I've missed you," Vision pauses as if he's about his next words but then says, "a lot."

"Yeah, me too," Wanda starts to say, but then her brain gets all haywire because it feels like a lie. She did miss him, but did she miss him a lot? "I think."

"You think?"

Wanda wants to smack her forehead because she didn't mean to say that out loud. "I mean, I was complaining a lot that I haven't seen you in a while all last week."

"Yeah, work has just been overwhelming. I get so tired after work, I just can't keep up with the texting or calls."

But you can, Wanda thinks. Granted, you're her roommate, so it's easier. But even when you have to go on work trips, you regularly text her no matter what time and squeeze in a quick call, even if it's just to say goodnight.

The entire thing makes Wanda bite her tongue because why was she even thinking about that? That was completely irrelevant to Vision.

Then—because as if just thinking about you wasn't enough—her eyes trail across the room, and the scene before her makes Wanda even more confused about her feelings.

You're standing there with Natasha at the bar, but it looks like Natasha's calling someone over to introduce you to them.

Another brunette with long, wavy hair, like she just had a blowout done. Wanda's not 100% sure from this distance, but she has an inkling that the brunette also has green eyes. She's wearing a white halter top and wide-legged sage green pants. She wears a lot of rings, but her makeup is lighter and more summery compared to Wanda's darker, smokey eye makeup.

In short, this woman was the clean girl aesthetic version of Wanda.

And you look interested.

This was ridiculous, Wanda fumes, feeling her stomach sink and cheeks flare hot in anger. As quick as the anger came, it dissipated.

Why was she so angry?

She feels betrayed, and her thoughts are turning very ugly. Wanda is definitely not being a girl's girl right now with how much she's thinking she's better than the girl in front of you.

But that just makes everything so much more confusing.

"Wanda?"

Wanda turns her head back to Vision. He looks concerned, and even when his eyes trail toward what Wanda's staring at, there's no additional reaction. He's not upset that she's staring at you, and that has to mean something, right?

It must mean there was never a concern about how Wanda might've felt about you. Sure, there were a few things Wanda couldn't be without, and you were one of them, but nobody can't be without their best friend.

No one had ever blinked twice about you and Wanda.

Except now.

And that person was Wanda herself.

The more Wanda thought about the entire thing, the more she became curious. The idea of you dating people who looked like Wanda was intriguing. She wanted to ask questions but didn't know what to ask.

It might mean nothing, but it also might mean something.

And if it does mean something, Wanda wants to know what exactly it is.

Therefore, Wanda needs nothing in her way to find out the truth and exactly what she wants, regardless of the answer.

This was insane, wasn't it? Wanda's always been ambivalent about dating women. She's never gone out of her way to try it since she had Vision. Never mind entertaining thoughts about dating her best (girl)friend. And now, she was giving everything up in the pursuit of finding out what it could mean that her best friend was dating her lookalikes—and why she cared.

Wanda doesn't even know what she'll want to do with that information.

Wanda looks at Vision, peering at his features she's always found handsome. When she thinks back, she's not even sure why she complained to you about how she hasn't seen or heard from him lately. She hadn't even gone out of her own way to do something about it.

"I'm not going on the trip. I don't think I actually missed you like that."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

The girl introduced to you was named Raye, Natasha's coworker that recently moved from Nashville. It was also confirmed she has green eyes, though they had specks of brown in them. She was a southern belle with a bold attitude, witty, and a wicked sense of humor. All in all, undeniably charismatic.

At least, that's what you told her in private because all Wanda could feel was unrestricted aggravation with the other girl. The southern twang made Wanda's eye twitch, mostly because she knew you were head over heels for accents.

"And then before I knew it, I was panicked and more lost than a blindfolded turkey on thanksgiving!"

You burst out laughing while Wanda's expression is stony, but when you look at Wanda, she forces a smile on her lips.

"Hahaha," Wanda dryly let out. "So funny."

But it wasn't. What the fuck did that even mean?

Raye continues to talk while you listen with rapt interest, and Wanda takes the time to observe your features in a way she's done many times before but with a different mindset.

Your lips are curved in a smile, glistening from your chapstick. They're shapely, and they look soft. It rivals her favorite feature of yours, which is your eyes. They've always been so expressive with her, and Wanda's been around long enough that she knows what every expression means. She can tell when they glint with mischievousness or are soft with immense compassion and empathy.

"So, what did you think of Raye?" You ask Wanda as you leave the party.

"She's cool, I guess," Wanda answers nonchalantly.

The rest of the party was excruciating between Raye constantly hanging around you and Wanda also being too nervous to be alone with you.

"Really cool," you sigh with a grin. "Glad I got her number. It's been a while since I've met someone so funny."

Was she funny, though? Wanda wonders.

"Funnier than me?" Wanda finds herself asking.

"No one could be funnier than you, brat," you smirk. "I almost peed myself laughing again when you almost knocked off Yelena's cake. I thought Natasha was about to enter into a coma." You snicker while Wanda rolls her eyes with a smile.

"Glad I can always give you the biggest laughs, stinky."

Wanda glances over at your face, recognizing the excitement by the brightness in them. It's just another reminder that, as your best friend, she knows you like the back of her hand.

But lately, when Wanda watches you pick up girls, she can tell when they're heady with desire. That look hasn't been directed at her, and Wanda wants to know what it'd be like if it were.

Wanda recalls the night you kissed the bartender and imagines if it had been her instead. She pictures your hand sliding across her jaw and cheek while your other pulls her closer at the waist.

It's horrifying when a slow pit of arousal builds in Wanda's gut and...other regions. It feels utterly frightening and wrong like she's betraying the friendship for having and then reacting to such thoughts about you.

But there's another part—the part that tells Wanda there's nobody in this world that she loves more than you. The mere idea of ever being apart from you was unfathomable. Wanda could and has endured so many things, and it would always be okay as long as she had you.

So, knowing that Southern Belle Raye has the potential to be more than a one-night stand to you, Wanda realizes that she has a very small window to not only come to terms with her newfound feelings but also act on them as well.

If this didn't go well, Wanda would definitely murder Steve.

PART TWO

#wanda maximoff x reader #wanda maximoff x you #wanda maximoff imagine #wanda maximoff fluff #wanda maximoff x y/n #avengers imagine #scarlet witch imagine #scarlet witch x reader #wanda maximoff fanfiction #modern avengers au #Elizabeth olsen x reader #mm: my fics

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variousqueerthings · 1 year

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okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.

so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3

I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours

all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...

(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)

as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!

and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly

why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?

good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)

good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"

and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")

see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...

season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...

and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?

and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"

and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)

all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.

the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do

it's sleight of hand, and like all good magic, you don't notice until it's happened

#good omens #go2 #good omens season 2 #neil gaiman #david tennant #michael sheen

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