#Martin Ungar

[ulisesbarreiro]

En Vicente López se realizó con éxito la 6ta jornada de limpieza de la costa del Rio de la plata por los proyectos nucleados en la Confederación Cardano

Durante la 6ta jornada de limpieza de la costa del Rio de la plata a la altura de Vicente Lopez, los proyectos que se nuclean dentro del ecosistema de blockchain de CARDANO realizaron otra jornada exitosa.

Durante la mañana del 4 de mayo, los voluntarios de Token Mithrandir, en conjunto con los voluntarios de varios proyectos como ADA Solar, One Pool, Latin stake Pool, y Bosque Venture capital. Realizaron una jornada más de éxito, en materia de limpieza de plásticos que hay depositados sobre la costa del río, a la altura de la localidad de Vicente Lopez, en la zona norte de la provincia de Buenos Aires. Esto nos muestra el éxito que vienen teniendo las acciones de impacto ambiental que planifica en conjunto la "Cardano confederations", su nombre oficial en ingles, que traducido al castellano es "Confederacio

Como es ya costumbre positiva, los voluntarios de todos estos proyectos, sumado a vecinos de la localidad de Olivos, se acercaron a realizar las tareas de limpieza, y se pudo en esta jornada recolectar unas 15 bolsas de llena de residuos de plástico, equivalentes a 15 kilos de plástico que ya no estarán en el río de La Plata, río que está muy contaminado de residuos plásticos. Esta clase de medidas son financiadas en parte por el Tesoro de token Mithrandir y de ADA Solar, que entre diversas maneras de generar ingresos venden NFTs que tienen como finalidad costear este tipo de tareas que tanto beneficios le traen al resto de la ciudadanía. 

Cada día son más los vecinos y vecinas que se van acercando a participar de estas jornadas solidarias de limpieza de la costa, y de las aguas, en este caso de Vicente Lopez. Ya se está planificando para el sábado o domingo que viene una actividad similar, la 7ma jornada de limpieza del río de la Plata. 

[whitesinhistory]

Marc Lamont Hill challenges Newsweek opinion editor Batya Ungar-Sargon on her support for Israel’s war on Gaza.

Israel has seized the Gaza side of the Rafah border crossing with Egypt, forcing tens of thousands of Palestinians to flee the area while shutting down Gaza’s main entry point for humanitarian aid.

In the meantime, university students in the United States are protesting against the country’s unconditional support for Israel, which has resulted in arrests, suspensions and expulsions.

This week on UpFront, Marc Lamont Hill challenges Newsweek opinion editor Batya Ungar-Sargon on her depiction of Israel’s military actions in Gaza as “just”.

Batya Ungar-Sargon dodges question about the Israel's Oct 9th strike and pivots to the "vast majority of Israel's operations". Marc Lamont Hill picks specific dates and operations that are examples of Israel's committing War Crimes.

Batya then misquotes Martin Luther King, but Marc corrects her and sets the record straight.

Batya then proceeds to lie and twist the core principles of why Jewish students and their allies around the world want a ceasefire and end to the occupation. Once again Marc has to set her straight.

[thetalentedmrkashyap]

B-6 : Oscars 2023 - Predictions vs Reality

The 95th Academy Awards, a.k.a. The Oscars® took place today. The ceremony was full of obvious wins (and some unexpected ones too). The best part was - this year’s Oscars telecast had zero incidents (as the host Jimmy Kimmel points out in the end).

Amid all of this, here's a look at the predicted winners and the actual winners (in order of their presentations):-

Best Animated Feature Film

Prediction: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)

Reality: Guillermo del Toro's Pinocchio (Guillermo del Toro, Mark Gustafson, Gary Ungar, and Alex Bulkley)

Best Supporting Actor

Prediction: Ke Huy Quan (Everything Everywhere All at Once)

Reality: Ke Huy Quan (Everything Everywhere All at Once)

Best Supporting Actress

Prediction: Angela Bassett (Black Panther: Wakanda Forever)

Reality: Jamie Lee Kurtis (Everything Everywhere All at Once)

Best Documentary Feature Film

Prediction(s): All the Beauty and the Bloodshed (Laura Poitras, Howard Gertler, John Lyons, Nan Goldin, and Yoni Golijov)/A House Made of Splinters ( Simon Lereng Wilmont and Monica Hellström)

Reality:  Navalny (Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller, and Shane Boris)

Best Live Action Short Film

Prediction: An Irish Goodbye (Tom Berkely and Ross White)

Reality: An Irish Goodbye (Tom Berkely and Ross White)

Best Cinematography

Prediction: All Quiet on the Western Front (James Friend)

Reality: All Quiet on the Western Front (James Friend)

Best Makeup & Hairstyling

Prediction: Elvis (Mark Coulier, Jason Baird, and Aldo Signoretti)

Reality: The Whale (Adrien Morot, Judy Chin, and Anne Marie Bradley)

Best Costume Designing

Prediction: Elvis (Catherine Martin)

Reality: Black Panther: Wakanda Forever (Ruth E. Carter)

Best International Feature Film

Prediction(s): All Quiet on the Western Front (Germany - Edward Berger)/Argentina, 1985 (Argentina - Santiago Mitre)

Reality: All Quiet on the Western Front (Germany - Edward Berger)

Best Documentary Short Film

Prediction(s): The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)/The Martha Mitchell Effect (Anne Alvergue and Beth Levison)

Reality: The Elephant Whispers (Kartiki Gonsalves and Guneet Monga)

Best Animated Short Film

Prediction: My Year of Dicks (Sara Gunnarsdóttir and Pamela Ribon)

Reality: The Boy, the Mole, the Fox and the Horse (Charlie Mackesy and Matthew Freud)

Best Production Design

Prediction: Elvis (Production Design - Catherine Martin and Karen Murphy; Set Decoration - Bev Dunn)

Reality:  All Quiet on the Western Front (Production Design - Christian M. Goldbeck; Set Decoration - Ernestine Hipper)

Best Original Score

Prediction(s): The Banshees of Inishrein (Carter Burwell)/Babylon (Justin Hurwitz)

Reality: All Quiet on the Western Front (Volker Bertelmann)

Best Visual Effects

Prediction: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)

Reality: Avatar: The Way of Water (Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett)

Best Original Screenplay

Prediction(s): The Banshees of Inisherin (Martin McDonagh)/Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)

Reality: Everything Everywhere All at Once (Daniel Kwan and Daniel Scheinert)

Best Adapted Screenplay

Prediction: Women Talking (Sarah Polley - based on the novel by Miriam Toews)

Reality: Women Talking (Sarah Polley - based on the novel by Miriam Toews)

Best Sound

Prediction: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)

Reality: Top Gun: Maverick (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor)

Best Original Song

Prediction: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)

Reality: "Naatu Naatu" (RRR - Music by M. M. Keeravani; Lyrics by Chandrabose)

Best Film Editing

Prediction: Top Gun: Maverick (Eddie Hamilton)

Reality: Everything Everywhere All at Once (Paul Rogers)

Best Director

Prediction: Steven Spielberg (The Fabelmans)

Reality:  Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)

Best Actor

Prediction(s): Austin Butler (Elvis)/Colin Farrell (The Banshees of Inisherin)/Brendan Fraser (The Whale)

Reality: Brendan Fraser (The Whale)

Best Actress

Prediction(s): Cate Blanchett (Tár)/Michelle Yeoh (Everything Everywhere All at Once)

Reality: Michelle Yeoh (Everything Everywhere All at Once)

Best Picture

Prediction: The Fabelmans

Reality: Everything Everywhere All at Once

Which categories met your expectations? Don’t forget to share them in the comments below.

[awardseasonblog]

Assegnati i prestigiosi EE British Academy Film Awards, i riconoscimenti cinematografici che rientrano nella schiera degli key awards in grado di influenzare i membri degli Academy Awards. In tal senso basti pensare che lo scorso anno ben 15 verdetti dei #BAFTA sono stati poi confermati agli Oscar. A vincere a sorpresa il maggior numero di premi è stato #AllQuietontheWesternFront che si è aggiudicato 7 premi tra cui miglior film e miglior regia. Ecco tutti i vincitori di quest'anno: -ADAPTED SCREENPLAY: “All Quiet On The Western Front” – Edward Berger, Lesley Paterson, Ian Stokell -SUPPORTING ACTRESS: Kerry Condon – “The Banshees Of Inisherin” -SUPPORTING ACTOR: Barry Keoghan – “The Banshees Of Inisherin” -FILM NOT IN THE ENGLISH LANGUAGE: “All Quiet On The Western Front” Edward Berger, Malte Grunert -CASTING: “Elvis” – Nikki Barrett, Denise Chamian -EDITING: “Everything Everywhere All At Once” – Paul Rogers -CINEMATOGRAPHY: “All Quiet On The Western Front” – James Friend -OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER: “Aftersun” – Charlotte Wells (Writer/director) -ANIMATED FILM: “Guillermo Del Toro’s Pinocchio” – Guillermo Del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley -ORIGINAL SCREENPLAY: “The Banshees Of Inisherin” – Martin Mcdonagh -SPECIAL VISUAL EFFECTS: “Avatar: The Way Of Water” – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon -DOCUMENTARY: WINNER: “Navalny” – Daniel Roher, Diane Becker, Shane Boris, Melanie Miller, Odessa Rae -ORIGINAL SCORE: “All Quiet On The Western Front” – Volker Bertelmann -SOUND: “All Quiet On The Western Front” – Lars Ginzsel, Frank Kruse, Viktor Prášil, Markus Stemler -COSTUME DESIGN: “Elvis” – Catherine Martin -OUTSTANDING BRITISH FILM: “The Banshees Of Inisherin” – Martin Mcdonagh, Graham Broadbent, Pete Czernin -PRODUCTION DESIGN: “Babylon” – Florencia Martin, Anthony Carlino -DIRECTOR: “All Quiet On The Western Front” – Edward Berger -MAKE UP & HAIR: “Elvis” – Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas -LEADING ACTOR: Austin Butler – “Elvis” -LEADING ACTRESS: Cate Blanchett – “Tár” -BEST FILM:  “All Quiet On The Western Front” – Malte Grunert https://www.instagram.com/p/Co29StvMcaU/?igshid=NGJjMDIxMWI=

[oayresrodrigues]

Indicados ao Oscar 2023

INDICADOS AO OSCAR DE MELHOR FILME

“Tudo de Novo no Front” (Netflix) “Avatar: O Caminho da Água” “Os Banshees de Inisherin” “Elvis” (HBO Max) “Tudo em Todo Lugar Ao Mesmo Tempo” (Amazon Prime) “Os Fabelmans” “Tár” “Top Gun: Maverick” (Paramount Plus) “Triângulo da Tristeza” “Entre Mulheres”

INDICADOS AO OSCAR DE MELHOR DIREÇÃO

“Os Banshees de Inisherin” Martin McDonagh “Tudo em Todo Lugar Ao Mesmo Tempo” Daniel Kwan and Daniel Scheinert “Os Fabelmans” Steven Spielberg “Tár” Todd Field “Triângulo da Tristeza” Ruben Östlund

INDICADOS AO OSCAR DE MELHOR ATOR

Austin Butler (“Elvis”) Colin Farrell (“Os Banshees de Inisherin”) Brendan Fraser (“A Baleia”) Paul Mescal (“Aftersun”) Bill Nighy (“Living”)

INDICADOS AO OSCAR DE MELHOR ATOR COADJUVANTE

Brendan Gleeson (“Os Banshees de Inisherin”) Brian Tyree Henry (“Causeway”) Judd Hirsch (“Os Fabelmans”) Barry Keoghan (“Os Banshees de Inisherin”) Ke Huy Quan (“Tudo em Todo Lugar Ao Mesmo Tempo”)

INDICADAS AO OSCAR DE MELHOR ATRIZ

Cate Blanchett (“Tár”) Ana de Armas (“Blonde”) Andrea Riseborough (“To Leslie”) Michelle Williams (“The Fabelmans”) Michelle Yeoh (“Tudo em Todo Lugar Ao Mesmo Tempo”)

INDICADAS AO OSCAR DE MELHOR ATRIZ COADJUVANTE

Angela Bassett (“Pantera Negra: Wakanda Para Semprer”) Hong Chau(“A Baleia”) Kerry Condon (“Os Banshees de Inisherin”) Jamie Lee Curtis (“Tudo em Todo Lugar Ao Mesmo Tempo”) Stephanie Hsu (“Tudo em Todo Lugar Ao Mesmo Tempo”)

INDICADOS AO OSCAR DE MELHRO ROTEIRO ADAPTADO

“Tudo de Novo no Front” (Edward Berger, Lesley Paterson e Ian Stokell) “Glass Onion: O Mistério Knives” (Rian Johnson) “Living” (Kazuo Ishiguro) “Top Gun: Maverick” (Ehren Kruger, Eric Warren Singer, Christopher McQuarrie, Peter Craig e Justin Marks) “Entre Mulheres” (Sarah Polley)

INDICADOS AO OSCAR DE MELHOR ROTEIRO ORIGINAL

“Os Banshees de Inisherin” (Martin McDonagh) “Tudo em Todo Lugar Ao Mesmo Tempo” (Daniel Kwan & Daniel Scheinert) “Os Fabelmans” (Steven Spielberg & Tony Kushner) “Tár” (Todd Field) “Triângulo da Tristeza”(Ruben Östlund)

INDICADOS AO OSCAR DE MELHOR ANIMAÇÃO

“Guillermo del Toro’s Pinocchio” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley “Marcel the Shell with Shoes On” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey “Gato de Botas: O Último Desejo” Joel Crawford and Mark Swift “A Fera do Mar” Chris Williams and Jed Schlanger “Red: Crescer é Uma Fera” Domee Shi and Lindsey Collins

INDICADOS AO OSCAR DE MELHOR FOTOGRAFIA

“Tudo de Novo no Front” James Friend  “Bardo, False Chronicle of a Handful of Truths” Darius Khondji “Elvis” Mandy Walker “Empire of Light” Roger Deakins “Tár” Florian Hoffmeister

INDICADOS AO OSCAR DE MELHOR FIGURINO

“Babylon” Mary Zophres  “Pantera Negra: Wakanda Para Sempre” Ruth Carter “Elvis” Catherine Martin “Tudo em Todo Lugar Ao Mesmo Tempo” Shirley Kurata “Sra Harris Vai à Paris” Jenny Beavan

INDICADOS AO OSCAR DE MELHOR MONTAGEM

“Os Banshees de Inisherin” Mikkel E.G. Nielsen “Elvis” Matt Villa and Jonathan Redmond “Tudo em Todo Lugar Ao Mesmo Tempo” Paul Rogers “Tár” Monika Willi “Top Gun: Maverick” Eddie Hamilton

INDICADOS AO OSCAR DE MELHOR FILME INTERNACIONAL

“Tudo de Novo no Front” Germany “Argentina, 1985” Argentina “Close” Belgium “EO” Poland “The Quiet Girl” Ireland

INDICADOS AO OSCAR DE MELHOR MAQUIAGEM E CABELO

“Tudo de Novo no Front” Heike Merker and Linda Eisenhamerová “The Batman” Naomi Donne, Mike Marino and Mike Fontaine “Pantera Negra: Wakanda Para Sempre” Camille Friend and Joel Harlow “Elvis” Mark Coulier, Jason Baird and Aldo Signoretti “A Baleia” Adrien Morot, Judy Chin and Anne Marie Bradley

INDICADOS AO OSCAR DE MELHOR TRILHA SONORA

“Tudo de Novo no Front” Volker Bertelmann “Babylon” Justin Hurwitz “Os Banshees de Inisherin” Carter Burwell “Tudo em Todo Lugar Ao Mesmo Tempo” Son Lux “Os Fabelmans” John Williams

INDICADOS AO OSCAR DE MELHOR CANÇÃO ORIGINAL

“Applause” de “Tell It like a Woman” (Diane Warren) “Hold My Hand” de “Top Gun: Maverick” (Lady Gaga e BloodPop) “Lift Me Up” de “Pantera Negra: Wakanda Para Sempre” (Tems, Rihanna, Ryan Coogler e Ludwig Goransson) “Naatu Naatu de “RRR” (M.M. Keeravaani e Chandrabose) “This Is A Life” de “Tudo em Todo Lugar Ao Mesmo Tempo” (Ryan Lott, David Byrne e Mitski)

INDICADOS AO OSCAR DE MELHOR DESENHO DE PRODUÇÃO

“Tudo de Novo no Front” (Christian M. Goldbeck e Ernestine Hipper) “Avatar: O Caminho da Água” (Dylan Cole, Ben Procter e Vanessa Cole) “Babylon” (Florencia Martin e Anthony Carlino) “Elvis” (Catherine Martin, Karen Murphy e Bev Dunn) “Os Fabelmans” (Rick Carter e Karen O’Hara)

INDICADOS AO OSCAR DE MELHOR SOM

“Tudo de Novo no Front” (Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel e Stefan Korte) “Avatar: O Caminho da Água” (Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers e Michael Hedges) “The Batman” (Stuart Wilson, William Files, Douglas Murray e Andy Nelson) “Elvis” (David Lee, Wayne Pashley, Andy Nelson e Michael Keller) “Top Gun: Maverick” (Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon e Mark Taylor)

INDICADOS AO OSCAR DE MELHORES EFEITOS VISUAIS

“Tudo de Novo no Front” (Frank Petzold, Viktor Müller, Markus Frank e Kamil Jafar) “Avatar: O Caminho da Água” (Joe Letteri, Richard Baneham, Eric Saindon e Daniel Barrett) “The Batman” (Dan Lemmon, Russell Earl, Anders Langlands e Dominic Tuohy) “Pantera Negra: Wakanda Para Sempre” (Geoffrey Baumann, Craig Hammack, R. Christopher White e Dan Sudick) “Top Gun: Maverick” (Ryan Tudhope, Seth Hill, Bryan Litson e Scott R. Fisher)

INDICADOS AO OSCAR DE MELHOR DOCUMENTÁRIO

“All That Breathes” Shaunak Sen, Aman Mann and Teddy Leifer “All the Beauty and the Bloodshed” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov “Fire of Love” Sara Dosa, Shane Boris and Ina Fichman “A House Made of Splinters” Simon Lereng Wilmont and Monica Hellström “Navalny” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

INDICADOS AO OSCAR DE MELHOR DE DOCUMENTÁRIO EM CURTA-METRAGEM

“The Elephant Whisperers” Kartiki Gonsalves and Guneet Monga “Haulout” Evgenia Arbugaeva and Maxim Arbugaev “How Do You Measure a Year?” Jay Rosenblatt “The Martha Mitchell Effect” Anne Alvergue and Beth Levison “Stranger at the Gate” Joshua Seftel and Conall Jones

INDICADOS AO OSCAR DE MELHOR ANIMAÇÃO EM CURTA METRAGEM

“The Boy, the Mole, the Fox and the Horse” Charlie Mackesy and Matthew Freud “The Flying Sailor” Amanda Forbis and Wendy Tilby “Ice Merchants” João Gonzalez and Bruno Caetano “My Year of Dicks” Sara Gunnarsdóttir and Pamela Ribon “An Ostrich Told Me the World Is Fake and I Think I Believe It” Lachlan Pendragon

INDICADOS AO OSCAR DE MELHOR CURTA METRAGEM

“An Irish Goodbye” Tom Berkeley and Ross White “Ivalu” Anders Walter and Rebecca Pruzan “Le Pupille” Alice Rohrwacher and Alfonso Cuarón “Night Ride” Eirik Tveiten and Gaute Lid Larssen “The Red Suitcase” Cyrus Neshvad

[rjhamster]

Arts + on Sunday: 'Harley Quin' Has Fans Eager for More

Arts + on Sunday: ‘Harley Quin’ Has Fans Eager for More

December 11, 2022 THE GREAT JOURNALISM CRISIS. Join James Taranto and Batya Ungar-Sargon for a discussion on the state of journalism. RSVP here. Hero or Villain? ‘Harley Quinn’ Has Fans Eager for More By Will Friedwald Read more » The Rimbaud of Rock By Carl Rollyson Read more » Other Than the Fireworks Scene, ‘Empire of Light’ Leaves a Dim Impression By Martin Tsai Read more…

[tcm]

The Oscar Effect on Careers By Susan King

Does winning an acting Oscar change the career of the recipient? The answer is yes and also no. Take Brad Pitt, who won Best Supporting Actor last year for ONCE UPON A TIME IN HOLLYWOOD (2019). He’s a veteran superstar with over three decades in Hollywood. So, the award is more icing on the cake for his career. But that wasn’t the case when he earned his first nomination for Terry Gilliam’s 12 MONKEYS (‘95). Pitt was on a hot streak since gaining attention for his roles in THELMA & LOUISE (‘91), A RIVER RUNS THROUGH IT (‘92), INTERVIEW WITH THE VAMPIRE (‘94) and LEGENDS OF THE FALL (‘94), and his first Oscar nominations gave his career an even bigger boost.

Similar to Pitt, many young actors discovered their stock in Hollywood with Oscar gold, but nominations and wins have effected various stars’ careers in different ways. Here’s a look at various Oscar winners and how the award affected their careers.

Martin Landau

The Oscar has changed the career trajectory of many veteran actors. Martin Landau was making such TV movies The Harlem Globetrotters on Gilligan’s Island (’81) that just squandered his talents. But that all changed when he earned his first Oscar nomination for Francis Ford Coppola’s TUCKER: THE MAN AND HIS DREAM (’88), followed by a second for Woody Allen’s CRIMES & MISDEMEANORS (’89), eventually winning for his poignant performance as Bela Lugosi in Tim Burton’s ED WOOD (’94).

Ironically, Landau told me in a 2010 L.A. Times interview he didn’t think he could play the Dracula star. “It’s a Hungarian morphine addict, alcoholic who has mood swings,” he remembered telling Burton. “That would be hard enough, but it has to be Bela Lugosi! I said I don’t know if I can do this, but let’s do some tests.”

Makeup artist Rick Baker transformed Landau into the elderly frail actor. Burton, he recalled, looked at the tests and thought he was 50% Lugosi. Landau believed he captured the icon in fleeting moments. “I said if I can do it 10% of the time, I can do it 100% of the time. They have to accept me as Lugosi in the first five minutes or we don’t have a film. It was not an impersonation for me. He had to be a human being.”

Melvyn Douglas

Similarly, Melvyn Douglas, who was best known for his comedic roles in the 1930s and ‘40s in such films as NINOTCHKA (’39), had seen his career slow in the 1950s because of his liberal political leanings. But he came back to the forefront in 1960 after winning a Tony Award for Gore Vidal’s THE BEST MAN, and then receiving his first of two supporting actor Oscars for his turn as Paul Newman’s hard-working Texas rancher father in Martin Ritt’s HUD (’63). Seven years later, he received a Best Actor nomination as Gene Hackman’s father in I NEVER SANG FOR MY FATHER (’70), ultimately winning his second Oscar as the president of the United States in Hal Ashby’s BEING THERE (’79).

Luise Rainer

The German stage actress was signed to an MGM contract in the mid-30s. But the free-spirited Rainer, who considered herself an actress and not a movie star, was always at logger heads with studio head Louis B. Mayer. She told me in a 2011 L.A. Times interview, Mayer “couldn’t make me out. You know it was a little bit difficult for him. I wasn’t the type that he was used to. So, the poor man didn’t know what to do with me. For my first film, ESCAPADE [‘35], William Powell said [to him] you got to star that girl…My first film made me a star.”

Rainer won Best Actress as famed performer Anna Held in THE GREAT ZIEGFELD (’36) and as a Chinese peasant in THE GOOD EARTH (’37). All but one of her subsequent films didn’t do well at the box office and she left Hollywood. She made one film, HOSTAGES (’43), guest starred on some TV series including a voyage on The Love Boat and had a small part in indie film THE GAMBLER (’97).

Art Carney  

One of the greatest comedic actors, Carney came to fame in the Honeymooners sketches on The Jackie Gleason Show and The Honeymooners series as Ralph Kramden’s (Gleason) best pal, the clueless sewer worker Ed Norton. He won five Emmys for his work with Gleason. Carney also originated the role of neatnik Felix Ungar opposite Walter Matthau’s Oscar Madison in the 1965 Broadway production of Neil Simon’s The Odd Couple.

Well-known that he had a drinking problem, Carney wasn’t working that much in film or TV in the late 1960s and early 1970s. In fact, he tried to convince Paul Mazursky he wasn’t right for the filmmaker’s heartfelt dramedy HARRY & TONTO (’74) about a curmudgeonly old New Yorker who travels with his cat across country after he loses his apartment. Mazursky told me in a 2011 L.A. Times interview that no one wanted the part. James Cagney, Laurence Olivier, Cary Grant and even Danny Kaye were among those who turned him down. 

He had seen Carney on Broadway in 1957 in a dramatic role in The Rope Dancers.  “Of course, I had seen him in The Honeymooners. He didn’t want to do it,” noted Mazursky. “He said ‘I’m 59 years old and you want this guy to be in his 70s.’ I said, ‘Art, this is the first time I met you and you look like you are in your 70s – you’re balding, you wear a hearing aid and you have a bum leg.’ He told me, ‘You don’t want me, I’m an alcoholic.’ He had one bad night then nothing else. He had been out on a binge and he showed up on location in Chicago in a taxi in the morning loaded. I took him up to his room, put him in the shower and made him a pot of coffee. He was easy to direct.”

Carney won both the Golden Globe and the Academy Award for his turn, beating out the likes of Jack Nicholson for CHINATOWN and Al Pacino for THE GODFATHER PART II. And he did some of his best work post-Harry including as an aging Los Angeles private detective in the charming THE LATE SHOW (’77) and as a senior who teams up with his buddies (George Burns and Lee Strasberg) to rob a bank in GOING IN STYLE (’79). He earned his sixth Emmy for the TV movie Terrible Joe Moran (’84), which was James Cagney’s last film.  Carney’s final film was the 1993 Arnold Schwarzenegger disaster LAST ACTION HERO. “I’m outta here” was the last line Carney ever uttered on film.

[hooraysanders]

SALT - Short Horror Film from Rob Savage on Vimeo.

Awards: Best Horror Short - Hollyshorts Film Festival 2018 - Winner Best Short Form - Canneseries 2018 - Nominated Best Short - LA Shortsfest 2018 - Nominated

Official Selection: London Film Festival 2018 Fantastic Fest 2018 LA Shortsfest 2018 Hollyshorts 2018 Frightfest 2018 Canneseries 2018 Cleveland International Film Festival 2019 Rhode Island International Film Festival 2018 Mayhem Film Festival 2018 London Short Film Festival 2018 Twin Cities Horror Festival 2018 Brooklyn Horror Festival 2018 Ramaskrik Film Festival 2018 Montecatini International Short Film Festival 2018 35mm Grindfest 2018 New York City Horror Film Festival 2018

Directed by ROB SAVAGE Written by JED SHEPHERD & ROB SAVAGE Produced by DOUGLAS COX

Starring ALICE LOWE BEAU GADSON JAMES SWANTON

Cinematography SAM HEASMAN Production Designer JULIA GRUDNOWSKA Editor ROB SAVAGE Costume Designer ALEXI KOTKOWSKA Casting Director KHARMEL CHOCHRANE Casting Director HEATHER BASTEN

Composer PATRICK JONSSON Sound Design CALUM SAMPLE Sound Recordist MICHAEL CHUBB

1st AD (Main Unit) LINA REMEIKAITE 1st AD STUART JONES 1st AD PEDRO RINÓ

Production Manager IRENE MARCO Production Manager ALICE ROSSO

Stunt Coordinator NATHANIEL MARTIN Annie Stunt Double LIANNE BOWLEY Creature Stunt Double JACK BRYDON Stunt Rigger RENARS LATZ Stunt Assistant DAVE NOLAN

Hair & Makeup Supervisor ADDY FRAME Hair & Makeup Artist ELEANOR HART

SFX Designer DAN MARTIN SFX Artist SAFF POWELL SFX Artist IMOGEN ROCKLEY

Art Department Assistants ELEANOR ROSE MATILDA WILD KATIE BRODERICK EDIEJO PREECE

Steadicam Operator JAMES POOLE 1st Assistant Camera KARL HUI 1st Assistant Camera STEVEN FAIRMAN 2nd Assistant Camera AMI BEVILACQUA 2nd Assistant Camera JEAN ASH Grip REECE HEARNSHAW

Gaffer ANTON BADSTUBER Gaffer DAVID SEDGWICK

Electricians CALLUM CRISSELL MIKEY DELANEY SHAUN WALDIE SAM GLAZIER

Pyrotechnics MIKE KNIGHTS

Directors PA ABEL RUBINSTEIN Production Assistant ALIX AUSTIN 3rd AD MILES DICKINSON

Runners KATE TAYLOR-JAMES NAYONICA GHOSH JUSTYNA BOMBA ABDULLAH KAHN JASPER SPIRES THOMAS GOODYEAR WILLIAM HUGHS TARA JENNETT CAMERON KROGH-STONE

Driver RICHY JONES

VFX Supervisor STEVEN BRAY

2D VFX Compositors JOHN SELLINGS MATT HARRIS-FREETH HAYLEY RUMBOLD GILLIAN SIMPSON NIC DURBER GUY PEARSON KEITH LYNCH

3D VFX & Grade by Absolute Post

Post Producers SALLY HEATH GERI KRASTEVA

2D Lead ZDRAVKO STOITCHKOV 2D Assistant ARION MEHMETI 3D Artist JAMES COORE 3D Artist AARON MASIH

Colourist ADAM CLARKE

Catering TERESA BENTINCK

Title Design PETER RUDD

Thanks GAVIN TIFFIN CARVALHO RONALDO KAITE BONHAM EDDIE DIAS SHAYLAH DUNCAN TODD LUOTO REED BAUMGARTEN GARY UNGAR JACK THOMAS OLLIE AZIS ROB WATSON KATE HERRON DAVE HERRON HELEN WEST IAIN BENTINCK KATHERINE BENTINCK NOEL GOODWIN IYARE IGIEHON BRIDGET MURTON NURU RIMINGTON-MKALI

Behind the Scenes: instagram.com/jedshepherd/

[back-and-totheleft]

Works Cited

A compilation of just some of the academic articles on the film Platoon (1986), as compiled by Christina Judith Hein. 

Bates, Milton. "Oliver Stone's Platoon and the Politics of Romance." Mosaic: Journal for the Interdisciplinary Study of Literature 27.1 (1994): 101-21.

Beck, Avent Childress. "The Christian Allegorical Structure of Platoon." Screening the Sacred: Religion, Myth, and Ideology in Popular American Film. Ed. Joel W. Martin and Conrad E. Oswalt Jr. Boulder: Westview Press, 1995. 44-54.

Christopher, Renny. "Negotiating the Vietnam War Through Permeable Genre Borders: Aliens as Vietnam War Film, Platoon as Horror Film." LIT: Literature Interpretation Theory 5.1 (1994): 53-66.

Dalton, Mary and Jarrett Steve. "Platoon: The Fiction of History." Creative Screenwriting 3.2 (1996): 19-30.

Doyle, Jeff. "Missed Saigon: Some Recent Film Representations of Vietnam." Crossing Cultures: Essays on Literature and Culture of the Asia-Pacific. Ed. Bruce Bennett, Jeff Doyle, Satendra Nandan and Loes Baker. London: Skoob, 1996. 91-99.

Ecker, Michael. "Vietnam in the Genre Film: Essential Vocabulary of an Imaginary Hollywood File on Various Devices Expedient for the Success of (War) Movies." Modern War on Screen and Stage / Der moderne Krieg auf der Bühne. Ed. Wolfgang Gortschacher and Holger Klein. Lewiston: Mellen, 1997. 163-78.

Halberstam, David. "Platoon." Oliver Stone's USA: Film, History, and Controversy. Ed. Robert Brent Toplin. Lawrence: U of Kansas P, 2000. 110-19.

Hedges, Andrew. "Inter(Active)Textuality: An Examination of Platoon as a Film and as a Simulation Game." Kodikas 14.1-2 (1991): 175-83.

Helt, Richard C. "Kulturkritik or Anti-Americanism? The Reception of Recent Popular American Cinema in West Germany, with Special Focus on Platoon." Journal of Popular Culture 25.3 (1991): 189-97.

Hilbish, Melissa. "'Isn't It Just a Movie': Lessons Learned from Oliver Stone and Platoon." Reader: Essays in Reader Oriented Theory, Criticism, and Pedagogy 38-39 (Fall 1997 – Spring 1998): 42-62.

Jeffords, Susan. "Masculinity as Excess in Vietnam Films: The Father/Son Dynamics of American Culture" [with a reply from Claudia Springer]. Genre: Forms of Discourse and Culture 21.4 (1998): 487-522.

Kinney, Judy Lee. "Gardens of Stone, Platoon, and Hamburger Hill: Ritual and Rememberance." Inventing Vietnam: The War in Film and Television. Ed. Michael Anderegg. Philadelphia: Temple UP, 1991. 153-65.

Klein, Michael. "Historical Memory, Film, and the Vietnam Era." From Hanoi to Hollywood: The Vietnam War in American Film. Ed. Linda Dittmar and Gene Michaud. New Brunswick: Rutgers UP, 1990. 19-40.

Large, Ron. "Platoon: Fear, Loathing, and Salvation in Vietnam." Journal of Evolutionary Psychology 11.1-2 (1990): 116-23.

Lichty, Lawrence W. and Raymond L. Carroll. "Fragments of War: Platoon (1986)." American History / American Film: Interpreting the Hollywood Image. Ed. John E. O'Connor and Martin A. Jackson. New York: Ungar, 1988. 273-87.

Palmer, William J. "Symbolic Nihilism in Platoon." America Rediscovered: Critical Essays on Literature and Film of the Vietnam War. Ed. Owen W. Gilman Jr. and Lorrie Smith. New York: Garland, 1990. 256-74.

Porteous, Katrina. "History Lessons: Platoon." Vietnam Images: War and Representation. Ed. Jeffrey Walsh and James Aulich. New York: St. Martin's, 1989. 153-59.

Ringnalda, Donald. "Unlearning to Remember Vietnam." America Rediscovered: Critical Essays on Literature and Film of the Vietnam War. Ed. Owen W. Gilman Jr. and Lorrie Smith. New York: Garland, 1990. 64-74.

Schechter, Harold and Jonna G. Semeiks. "Leatherstocking in 'Nam': Rambo, Platoon, and the American Frontier Myth." Journal of Popular Culture 24.4 (1991): 17-25.

Schneider, Tassilo. "From Cynicism to Self-Pity: Apocalypse Now and Platoon" [with replies from Anthony R. Guneratne and Terry Dibble]. Cinefocus 1.2 (1990): 49-59.

Taylor, Clyde. "The Colonialist Subtext in Platoon." From Hanoi to Hollywood: The Vietnam War in American Film. Ed. Linda Dittmar and Gene Michaud. New Brunswick: Rutgers UP, 1990. 171-74.

[ulisesbarreiro]

CARDANO SUMMIT 2023 en la Ciudad de Buenos Aires esta tarde

Este sábado 4 de noviembre a las 18 hs el microcentro porteño más precisamente en el espacio de Block House, la familia de CARDANO se viste de fiesta, no solamente porque a las 5 pm comienza la final de Boca Juniors en Río de Janeiro ante el poderoso Fluminense de esa ciudad, y la ciudad de Buenos aires ya tiene gente acampando para ese evento deportivo, sino que además en Buenos Aires contamos con las distintas comunidades criptográficas, y de Finanzas Descentralizadas que conforman el ecosistema de CARDANO en Argentina que estarán presentes en dicho evento de Block House y que ya están en Buenos Aires.

Por lo que esta tarde la familia de CARDANO, y por ende la de Token MITHR (Mithrandir), como la de ADA solar, ne Pool, Latin stake Pool, Charco Juegos, y mucha sotras más tendrán la oportunidad de reunirse en un evento mundial que se realiza en 27 ciudades de todo el planeta, y la ciudad de Buenos Aires en este caso es una de las ciudades elegidas, el evento principal se realiza en la ciudad de Dubai (del 2 al 4 de noviembre), siendo hoy el último día. En el caso de Buenos Aires por cuestiones de presupuesto el evento tiene una sola fecha, por lo que será a toda fiesta y a tirar la casa por la ventana, como se dice en estos casos festivos.

El evento tiene una capacidad limitada como es normal en todos los eventos que se realizan en espacios cerrados, principalmente por el presupuesto que implica agasajar a tantas personas, en este aspecto José Iadicicco uno de los organizadores del evento y CEO de la empresa ADA Solar, nos dijo “Hay registradas 150 personas, y 50 personas más en lista de espera para poder ingresar“, esto manifiesta que el evento se realizará con una capacidad llena, como son habitualmente los Summit de Cardano en Buenos Aires. José IAdicicco es el organizador de este evento por tercer año consecutivo, eso demuestra la eficacia y profesionalidad con que él y su equipo que trabajan como KeHua, dos grandes profesionales que tienen todo el ecosistema de CARDANO.

El evento contará con algunos sorteos sorpresa para los invitados, y claro muchas cuestiones más que son dignas del ecosistema de CARDANO. La entrada a este evento es gratuita, como se acostumbra en esta comunidad cripto, que es muy especial y maravillosa. Se confirmaron oradores (Speakers) muy reconocidos tanto del mundo de CARDANO, como de cuestiones relacionadas a blockchain.

Además habrá entrevistas a distintos miembros de la comunidad de CARDANO de Argentina que están a cargo de diversos proyectos, estas entrevistas estarán a cargo de Martin Ungar quien dirige el proyecto de Latin Stake Pools y de Julian Miralles quien dirige el proyecto de Apolo Stake Pool. Entre los entrevistados estará Sebastian Castellano que dirige un proyecto de traducción de los noticieros de Charles Hoskinson que salen en inglés y se traducen al idioma castellano. El evento tendrá lugar en la calle Tucuman 133 a partir de las 18hs hasta las 24 hs, dentro del espacio Block House, un reconocido sitio de eventos relacionados con blockchain. Como decimos… FIESTA DE CARDANO EN BUENOS AIRES!!!!!

[cuerpocosmos]

¡Mucha felicidad! En esto de florecer, te queremos invitar al #Lanzamiento del libro de naturaleza y fotografía "Jardines de San Telmo" 😍🍃🌳. El evento de presentación es el próximo jueves 7 de febrero en Urquiza, Pasaje Giuffra 370, San Telmo.

Jardines de San Telmo es un proyecto que retrata los parques, rincones y espacios verdes de vecinxs del barrio de San Telmo. Lxs fotográfxs que participan en esta edición son los geniales: Adela Pantín, Florencia Ferrari Milano, Mariana Pacho Lopez, Mariela Paz Izurieta, Martin Pisotti y Sofia Ungar.

El libro es una edición de Big Sur® Books y la dirección/curaduría es de la vecina y comunicadora de Sensible Estudio, Antonela Ferrari Milano.

La imagen de tapa es de Mariana Pacho López. Pronto te contamos más detalles...

[whileiamdying]

Awards: Best Horror Short - Hollyshorts Film Festival 2018 - Winner Best Short Form - Canneseries 2018 - Nominated Best Short - LA Shortsfest 2018 - Nominated Official Selection: London Film Festival 2018 Fantastic Fest 2018 LA Shortsfest 2018 Hollyshorts 2018 Frightfest 2018 Canneseries 2018 Mayhem Film Festival 2018 London Short Film Festival 2018 Twin Cities Horror Festival 2018 Brooklyn Horror Festival 2018 Ramaskrik Film Festival 2018 35mm Grindfest 2018 Directed by ROB SAVAGE Written by JED SHEPHERD & ROB SAVAGE Produced by DOUGLAS COX Starring ALICE LOWE BEAU GADSON JAMES SWANTON Cinematography SAM HEASMAN Production Designer JULIA GRUDNOWSKA Editor ROB SAVAGE Costume Designer ALEXI KOTKOWSKA Casting Director KHARMEL CHOCHRANE Casting Director HEATHER BASTEN Composer PATRICK JONSSON Sound Design CALUM SAMPLE Sound Recordist MICHAEL CHUBB 1st AD (Main Unit) LINA REMEIKAITE 1st AD STUART JONES 1st AD PEDRO RINÓ Production Manager IRENE MARCO Production Manager ALICE ROSSO Stunt Coordinator NATHANIEL MARTIN Annie Stunt Double LIANNE BOWLEY Creature Stunt Double JACK BRYDON Stunt Rigger RENARS LATZ Stunt Assistant DAVE NOLAN Hair & Makeup Supervisor ADDY FRAME Hair & Makeup Artist ELEANOR HART SFX Designer DAN MARTIN SFX Artist SAFF POWELL SFX Artist IMOGEN ROCKLEY Art Department Assistants ELEANOR ROSE MATILDA WILD KATIE BRODERICK EDIEJO PREECE Steadicam Operator JAMES POOLE 1st Assistant Camera KARL HUI 1st Assistant Camera STEVEN FAIRMAN 2nd Assistant Camera AMI BEVILACQUA 2nd Assistant Camera JEAN ASH Grip REECE HEARNSHAW Gaffer ANTON BADSTUBER Gaffer DAVID SEDGWICK Electricians CALLUM CRISSELL MIKEY DELANEY SHAUN WALDIE SAM GLAZIER Pyrotechnics MIKE KNIGHTS Directors PA ABEL RUBINSTEIN Production Assistant ALIX AUSTIN 3rd AD MILES DICKINSON Runners KATE TAYLOR-JAMES NAYONICA GHOSH JUSTYNA BOMBA ABDULLAH KAHN JASPER SPIRES THOMAS GOODYEAR WILLIAM HUGHS TARA JENNETT CAMERON KROGH-STONE Driver RICHY JONES VFX Supervisor STEVEN BRAY 2D VFX Compositors JOHN SELLINGS MATT HARRIS-FREETH HAYLEY RUMBOLD GILLIAN SIMPSON NIC DURBER GUY PEARSON KEITH LYNCH 3D VFX & Grade by Absolute Post Post Producers SALLY HEATH GERI KRASTEVA 2D Lead ZDRAVKO STOITCHKOV 2D Assistant ARION MEHMETI 3D Artist JAMES COORE 3D Artist AARON MASIH Colourist ADAM CLARKE Catering TERESA BENTINCK Title Design PETER RUDD Thanks GAVIN TIFFIN CARVALHO RONALDO KAITE BONHAM EDDIE DIAS SHAYLAH DUNCAN TODD LUOTO REED BAUMGARTEN GARY UNGAR JACK THOMAS OLLIE AZIS ROB WATSON KATE HERRON DAVE HERRON HELEN WEST IAIN BENTINCK KATHERINE BENTINCK NOEL GOODWIN IYARE IGIEHON BRIDGET MURTON NURU RIMINGTON-MKALI Behind the Scenes: instagram.com/jedshepherd/

[artwalktv]

Awards: Best Horror Short - Hollyshorts Film Festival 2018 - Winner Best Short Form - Canneseries 2018 - Nominated Best Short - LA Shortsfest 2018 - Nominated Official Selection: London Film Festival 2018 Fantastic Fest 2018 LA Shortsfest 2018 Hollyshorts 2018 Frightfest 2018 Canneseries 2018 Mayhem Film Festival 2018 London Short Film Festival 2018 Twin Cities Horror Festival 2018 Brooklyn Horror Festival 2018 Ramaskrik Film Festival 2018 35mm Grindfest 2018 Directed by ROB SAVAGE Written by JED SHEPHERD & ROB SAVAGE Produced by DOUGLAS COX Starring ALICE LOWE BEAU GADSON JAMES SWANTON Cinematography SAM HEASMAN Production Designer JULIA GRUDNOWSKA Editor ROB SAVAGE Costume Designer ALEXI KOTKOWSKA Casting Director KHARMEL CHOCHRANE Casting Director HEATHER BASTEN Composer PATRICK JONSSON Sound Design CALUM SAMPLE Sound Recordist MICHAEL CHUBB 1st AD (Main Unit) LINA REMEIKAITE 1st AD STUART JONES 1st AD PEDRO RINÓ Production Manager IRENE MARCO Production Manager ALICE ROSSO Stunt Coordinator NATHANIEL MARTIN Annie Stunt Double LIANNE BOWLEY Creature Stunt Double JACK BRYDON Stunt Rigger RENARS LATZ Stunt Assistant DAVE NOLAN Hair & Makeup Supervisor ADDY FRAME Hair & Makeup Artist ELEANOR HART SFX Designer DAN MARTIN SFX Artist SAFF POWELL SFX Artist IMOGEN ROCKLEY Art Department Assistants ELEANOR ROSE MATILDA WILD KATIE BRODERICK EDIEJO PREECE Steadicam Operator JAMES POOLE 1st Assistant Camera KARL HUI 1st Assistant Camera STEVEN FAIRMAN 2nd Assistant Camera AMI BEVILACQUA 2nd Assistant Camera JEAN ASH Grip REECE HEARNSHAW Gaffer ANTON BADSTUBER Gaffer DAVID SEDGWICK Electricians CALLUM CRISSELL MIKEY DELANEY SHAUN WALDIE SAM GLAZIER Pyrotechnics MIKE KNIGHTS Directors PA ABEL RUBINSTEIN Production Assistant ALIX AUSTIN 3rd AD MILES DICKINSON Runners KATE TAYLOR-JAMES NAYONICA GHOSH JUSTYNA BOMBA ABDULLAH KAHN JASPER SPIRES THOMAS GOODYEAR WILLIAM HUGHS TARA JENNETT CAMERON KROGH-STONE Driver RICHY JONES VFX Supervisor STEVEN BRAY 2D VFX Compositors JOHN SELLINGS MATT HARRIS-FREETH HAYLEY RUMBOLD GILLIAN SIMPSON NIC DURBER GUY PEARSON KEITH LYNCH 3D VFX & Grade by Absolute Post Post Producers SALLY HEATH GERI KRASTEVA 2D Lead ZDRAVKO STOITCHKOV 2D Assistant ARION MEHMETI 3D Artist JAMES COORE 3D Artist AARON MASIH Colourist ADAM CLARKE Catering TERESA BENTINCK Title Design PETER RUDD Thanks GAVIN TIFFIN CARVALHO RONALDO KAITE BONHAM EDDIE DIAS SHAYLAH DUNCAN TODD LUOTO REED BAUMGARTEN GARY UNGAR JACK THOMAS OLLIE AZIS ROB WATSON KATE HERRON DAVE HERRON HELEN WEST IAIN BENTINCK KATHERINE BENTINCK NOEL GOODWIN IYARE IGIEHON BRIDGET MURTON NURU RIMINGTON-MKALI Behind the Scenes: instagram.com/jedshepherd/

[aristocratslog]

SALT - Short Horror Film from Rob Savage on Vimeo.

Awards: Best Horror Short - Hollyshorts Film Festival 2018 - Winner Best Short Form - Canneseries 2018 - Nominated Best Short - LA Shortsfest 2018 - Nominated

Official Selection: London Film Festival 2018 Fantastic Fest 2018 LA Shortsfest 2018 Hollyshorts 2018 Frightfest 2018 Canneseries 2018 Cleveland International Film Festival 2019 Rhode Island International Film Festival 2018 Mayhem Film Festival 2018 London Short Film Festival 2018 Twin Cities Horror Festival 2018 Brooklyn Horror Festival 2018 Ramaskrik Film Festival 2018 Montecatini International Short Film Festival 2018 35mm Grindfest 2018 New York City Horror Film Festival 2018

Directed by ROB SAVAGE Written by JED SHEPHERD & ROB SAVAGE Produced by DOUGLAS COX

Starring ALICE LOWE BEAU GADSON JAMES SWANTON

Cinematography SAM HEASMAN Production Designer JULIA GRUDNOWSKA Editor ROB SAVAGE Costume Designer ALEXI KOTKOWSKA Casting Director KHARMEL CHOCHRANE Casting Director HEATHER BASTEN

Composer PATRICK JONSSON Sound Design CALUM SAMPLE Sound Recordist MICHAEL CHUBB

1st AD (Main Unit) LINA REMEIKAITE 1st AD STUART JONES 1st AD PEDRO RINÓ

Production Manager IRENE MARCO Production Manager ALICE ROSSO

Stunt Coordinator NATHANIEL MARTIN Annie Stunt Double LIANNE BOWLEY Creature Stunt Double JACK BRYDON Stunt Rigger RENARS LATZ Stunt Assistant DAVE NOLAN

Hair & Makeup Supervisor ADDY FRAME Hair & Makeup Artist ELEANOR HART

SFX Designer DAN MARTIN SFX Artist SAFF POWELL SFX Artist IMOGEN ROCKLEY

Art Department Assistants ELEANOR ROSE MATILDA WILD KATIE BRODERICK EDIEJO PREECE

Steadicam Operator JAMES POOLE 1st Assistant Camera KARL HUI 1st Assistant Camera STEVEN FAIRMAN 2nd Assistant Camera AMI BEVILACQUA 2nd Assistant Camera JEAN ASH Grip REECE HEARNSHAW

Gaffer ANTON BADSTUBER Gaffer DAVID SEDGWICK

Electricians CALLUM CRISSELL MIKEY DELANEY SHAUN WALDIE SAM GLAZIER

Pyrotechnics MIKE KNIGHTS

Directors PA ABEL RUBINSTEIN Production Assistant ALIX AUSTIN 3rd AD MILES DICKINSON

Runners KATE TAYLOR-JAMES NAYONICA GHOSH JUSTYNA BOMBA ABDULLAH KAHN JASPER SPIRES THOMAS GOODYEAR WILLIAM HUGHS TARA JENNETT CAMERON KROGH-STONE

Driver RICHY JONES

VFX Supervisor STEVEN BRAY

2D VFX Compositors JOHN SELLINGS MATT HARRIS-FREETH HAYLEY RUMBOLD GILLIAN SIMPSON NIC DURBER GUY PEARSON KEITH LYNCH

3D VFX & Grade by Absolute Post

Post Producers SALLY HEATH GERI KRASTEVA

2D Lead ZDRAVKO STOITCHKOV 2D Assistant ARION MEHMETI 3D Artist JAMES COORE 3D Artist AARON MASIH

Colourist ADAM CLARKE

Catering TERESA BENTINCK

Title Design PETER RUDD

Thanks GAVIN TIFFIN CARVALHO RONALDO KAITE BONHAM EDDIE DIAS SHAYLAH DUNCAN TODD LUOTO REED BAUMGARTEN GARY UNGAR JACK THOMAS OLLIE AZIS ROB WATSON KATE HERRON DAVE HERRON HELEN WEST IAIN BENTINCK KATHERINE BENTINCK NOEL GOODWIN IYARE IGIEHON BRIDGET MURTON NURU RIMINGTON-MKALI

Behind the Scenes: instagram.com/jedshepherd/

[dwthethao]

Giải vô địch poker thế giới -Nơi cao thủ poker thể hiện kỹ năng đỉnh cao

Giải vô địch poker thế giới không chỉ là nơi những người chơi poker hàng đầu cùng nhau tranh tài. Người chiến thắng nhận được khoản tiền thưởng khổng lồ mà bất kỳ tay chơi poker nào cũng mơ ước.

Trong tournament poker thế giới này bạn vừa có thể kiếm được những khoản tiền thưởng khổng lồ (1 trong 10 giải đấu có tiền thưởng cao nhất thế giới) và được các kênh truyền hình trực tiếp hàng năm. Ngoài ra trong các giải vô địch Poker thế giới bạn còn nhận được vinh danh khi chiến thắng tại các giải đấu Poker tour.

Miễn là bạn có thể giữ cho thần kinh luôn tốt cùng với thể lực tốt cho cuộc chiến có thể kéo dài lên tới 10 ngày liên tục và cách nhận ra một ván bài tốt để tiến lên và giành chiến thắng.

Giới thiệu: World Series of Poker (WSOP)

World Series of Poker là một giải đấu Poker lớn và rất đông người tham gia và được tổ chức hàng năm, bạn thường sẽ tìm thấy một số các trang web Poker trực tuyến lớn cung cấp cho bạn cơ hội để giành chiến thắng một vé tham gia vào sự kiện này khi bạn giành chiến thắng một loạt các giải đấu Poker vô địch thế giới vệ tinh độc đáo của riêng họ.

Tài trợ: CIE sở hữu World Series of Poker; Playtika, một trò chơi phát triển xã hội của các game phổ biến bao gồm Slotomania và Caesars Casino; và cung cấp giấy phép cho thương hiệu của mình trong khu vực chơi game tiền thật hợp pháp bao gồm Anh, Pháp và Italy

Lịch sử giải vô địch poker thế giới

Trong hơn bốn mươi năm, World Series of Poker đã được thương hiệu đáng tin cậy nhất trong trò chơi Poker. WSO.com tiếp tục công việc này đưa ra sự cân bằng thích hợp giữa người chơi cấp chuyên nghiệp và người dễ tiếp cận. Đó là tất cả những hành động và uy tín của World Series of Poker sự thoải mái các địa điểm lựa chọn tổ chức. Tại WSOP.com bất cứ ai có thể chơi và bất cứ ai có thể giành chiến thắng.

Giải vô địch poker thế giới World Series of Poker (WSOP) có lịch sử lâu nhất, lớn nhất, giàu có nhất và uy tín nhất sự kiện chơi Poker trên thế giới, có niên đại 46 năm 1970, và đã trả gần 2 tỷ USD tổng tiền thưởng cho đến nay. Và được trực tiếp trên kênh truyền hình thể thao nổi tiếng nhất ESPN. Lúc đầu chỉ có sự kiện tại Hoa Kỳ nhưng hiện tại họ có thêm sự kiện tại Châu Âu và Châu Á.

Hướng Dẫn Chơi Poker Cơ Bản – Luật Chơi Poker Dễ Hiểu

Kỹ Thuật Chơi Poker Tuyệt Đối Không Bỏ Qua

Danh sách những người chiến thắng Main event giải vô địch poker thế giới

1996Huck Seed1,000,0002951997Stu Ungar1,000,0003121998Scotty Nguyen1,000,0003501999Noel Furlong1,000,0003932000Chris Ferguson1,500,0005122001Juan Carlos Mortensen1,500,0006132002Robert Varkonyi2,000,0006312003Chris Moneymaker2,500,0008392004Greg Raymer5,000,0002,5762005Joe Hachem7,500,0005,6192006Jamie Gold12,000,0008,7732007Jerry Yang8,250,0006,3582008Peter Eastgate9,152,4166,8442009Joe Cada8,547,0426,4942010Jonathan Duhamel8,944,3107,3192011Pius Heinz8,715,6386,8652012Greg Merson8,531,8536,5982013Ryan Riess8,361,5706,3522014Martin Jacobson10,000,0006,6832015 Joe Mckeehen7,680,0216,420

Đăng Ký Chơi Poker Tại Nhà Cái Hàng Đầu Châu Á Thần Poker ngay !!!

Bài viết Giải vô địch poker thế giới -Nơi cao thủ poker thể hiện kỹ năng đỉnh cao đã xuất hiện đầu tiên vào ngày DWthethao.

from DWthethao http://bit.ly/38SdllD

[phenomenonno]

SALT - Short Horror Film from Rob Savage on Vimeo.

Awards: Best Horror Short - Hollyshorts Film Festival 2018 - Winner Best Short Form - Canneseries 2018 - Nominated Best Short - LA Shortsfest 2018 - Nominated

Official Selection: London Film Festival 2018 Fantastic Fest 2018 LA Shortsfest 2018 Hollyshorts 2018 Frightfest 2018 Canneseries 2018 Mayhem Film Festival 2018 London Short Film Festival 2018 Twin Cities Horror Festival 2018 Brooklyn Horror Festival 2018 Ramaskrik Film Festival 2018 35mm Grindfest 2018

Directed by ROB SAVAGE Written by JED SHEPHERD & ROB SAVAGE Produced by DOUGLAS COX

Starring ALICE LOWE BEAU GADSON JAMES SWANTON

Cinematography SAM HEASMAN Production Designer JULIA GRUDNOWSKA Editor ROB SAVAGE Costume Designer ALEXI KOTKOWSKA Casting Director KHARMEL CHOCHRANE Casting Director HEATHER BASTEN

Composer PATRICK JONSSON Sound Design CALUM SAMPLE Sound Recordist MICHAEL CHUBB

1st AD (Main Unit) LINA REMEIKAITE 1st AD STUART JONES 1st AD PEDRO RINÓ

Production Manager IRENE MARCO Production Manager ALICE ROSSO

Stunt Coordinator NATHANIEL MARTIN Annie Stunt Double LIANNE BOWLEY Creature Stunt Double JACK BRYDON Stunt Rigger RENARS LATZ Stunt Assistant DAVE NOLAN

Hair & Makeup Supervisor ADDY FRAME Hair & Makeup Artist ELEANOR HART

SFX Designer DAN MARTIN SFX Artist SAFF POWELL SFX Artist IMOGEN ROCKLEY

Art Department Assistants ELEANOR ROSE MATILDA WILD KATIE BRODERICK EDIEJO PREECE

Steadicam Operator JAMES POOLE 1st Assistant Camera KARL HUI 1st Assistant Camera STEVEN FAIRMAN 2nd Assistant Camera AMI BEVILACQUA 2nd Assistant Camera JEAN ASH Grip REECE HEARNSHAW

Gaffer ANTON BADSTUBER Gaffer DAVID SEDGWICK

Electricians CALLUM CRISSELL MIKEY DELANEY SHAUN WALDIE SAM GLAZIER

Pyrotechnics MIKE KNIGHTS

Directors PA ABEL RUBINSTEIN Production Assistant ALIX AUSTIN 3rd AD MILES DICKINSON

Runners KATE TAYLOR-JAMES NAYONICA GHOSH JUSTYNA BOMBA ABDULLAH KAHN JASPER SPIRES THOMAS GOODYEAR WILLIAM HUGHS TARA JENNETT CAMERON KROGH-STONE

Driver RICHY JONES

VFX Supervisor STEVEN BRAY

2D VFX Compositors JOHN SELLINGS MATT HARRIS-FREETH HAYLEY RUMBOLD GILLIAN SIMPSON NIC DURBER GUY PEARSON KEITH LYNCH

3D VFX & Grade by Absolute Post

Post Producers SALLY HEATH GERI KRASTEVA

2D Lead ZDRAVKO STOITCHKOV 2D Assistant ARION MEHMETI 3D Artist JAMES COORE 3D Artist AARON MASIH

Colourist ADAM CLARKE

Catering TERESA BENTINCK

Title Design PETER RUDD

Thanks GAVIN TIFFIN CARVALHO RONALDO KAITE BONHAM EDDIE DIAS SHAYLAH DUNCAN TODD LUOTO REED BAUMGARTEN GARY UNGAR JACK THOMAS OLLIE AZIS ROB WATSON KATE HERRON DAVE HERRON HELEN WEST IAIN BENTINCK KATHERINE BENTINCK NOEL GOODWIN IYARE IGIEHON BRIDGET MURTON NURU RIMINGTON-MKALI

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