#Martin Sandberg

[deepestconnoisseurmoon]

Lights Out (2016)

[dailyanarchistposts]

Anthropogenic climate change cannot be meaningfully denied. What's worse, it cannot be prevented. Theoretically, we might be able to slow it down and keep it at a more or less manageable level. According to the models of the IPCC, it is still "possible within the laws of chemistry and physics" to keep global warming within the level they consider vital (1.5ºC from pre-industrial temperatures) but it would require "unprecedented transitions in all aspects of society."[1] Given that global CO2 emissions have been steadily rising despite the Paris Agreement and the Kyoto Protocol, there seems to be little hope that such transitions are likely to happen any time soon. We can therefore expect global warming to accelerate with disastrous consequences for ecosystems and human societies.

How bad these consequences will be depends on two factors that are both very hard to predict. The first is the level of warming and the changes to the natural world that result from it. These things are hard to model because the Earth's climate is a complex system with many feedback loops and tipping points that can accelerate the process in a non-linear trajectory.[2] For example, even if anthropogenic emissions were to be completely stopped, the warming that we have already caused is currently leading to loss of sea and polar ice. As the ice melts, greenhouse gasses stored in the permafrost are released leading to further emissions. Ice also reflects solar radiation, so the loss of polar ice in itself leads to higher temperatures. A tipping point is reached when the process we have started initiates other processes beyond our control.

Some of the consequences to the natural world are known, as they are already happening: More severe and more frequent droughts, heat waves, and forest fires in parts of the world, increased flooding and rising water levels in other parts, loss of habitat for animals, increased ocean acidification, more frequent and violent hurricanes, to name just a few. For humans, some places will become uninhabitable and there will be increased food insecurity. This is already happening. The question is how bad it will get.

The second factor is how human societies respond to these changes, i.e. how we adapt politically and socially to a changing natural world. The birth and growth of the industrialized world of capitalist nation-states was dependent upon exploitation of the Earth's resources and thus changed the planet and now its own continued existence depends upon how it changes in response to the changes it caused. Human society and behavior are arguably even more unpredictable, complex, and hard to model than the Earth's climate system. It too consists of many interconnected factors, feedback loops, and tipping points.

This paper discusses some of the models that have already been proposed, and it examines how the political, economic, and social forces have responded to disasters in the recent past, in order to show which tendencies we should expect to see more of in the near future. But a central claim is that these models themselves can be part of the "feedback loops" that push the sociopolitical processes in one direction or the other. A prediction of the future is an intervention in the present where the tracks for that future are laid. Rejecting both political "idealism" and "realism," I draw upon affect theory to argue that our embodied, emotional reactions to the fact of climate change have an impact on our ability to act on climate change.

I start by describing the widespread sense of doom that permeates both climate science and popular culture. Both scientific think tanks and Hollywood fiction are, in their respective ways, drawing from and promoting a particular ideology and philosophy when they imagine that environmental disruption will lead to societal collapse and chaos. There is a strong Hobbesian influence in this way of thinking. Hobbes is often considered a "realist" regarding political theory and human nature, but his philosophy was not merely descriptive. It was also meant to make his readers fear any challenge to the political order. He thus used emotions to affect the political reality. When we make our scenarios for the future we need to pay attention to how they affect people in the present.

The political tendencies described here should therefore not be seen as predictions but as warnings - things to be aware of when we step forward so we can avoid them. A fixation upon a particular vision of the future, as if it is predetermined by the past, can constrain our conceivable options in the present and thus make that future inevitable. We must therefore look not only for the warning signs but also for positive signs: the things that can expand our notion of what is possible and enable us to take actions that change the course of events. The collective imagination is a causal factor in historical development: In order for another future to become possible we must imagine that it is. Looking at how some communities have already survived disasters and changed their social relations in the process might give us a sense of direction. Our imagination of what is possible is best served by examples of what is actually realized, and by participating in its realization.

[cinesludge]

Movie #4 of 2023: Amundsen

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[mioritic]

"St. Martin divides his mantle with a poor man"

in Evelyn Sandberg-Vavala, Simone Martini (Milan/Florence: Electa, 1952)

[my-chaos-radio]

Release: June 7, 2024

Lyrics:

How can it be? You and me

Might be meant to be, can't unsee it

But I don't wanna 'cause no scene

I'm usually so unproblematic

So independent

Tell me why

'Cause the boy is mine, mine

Somethin' about him is made for somebody like me

Baby, come over, come over (oh my)

And God knows I'm tryin', but there's just no use in denying

The boy is mine

I can't wait to try him

Le-let's get intertwined

The stars, they aligned

The boy is mine

Watch me take my time

I can't believe my mind

The boy is divine

Boy is mine

Please know this ain't what I planned for

Probably wouldn't bet a dime or my life on

There's gotta be a reason why

My girls, they always come through in a sticky situation

Say, "It's fine" (it's fine)

Happens all the time

Somethin' about him is made for somebody like me

Baby, come over, come over (oh my)

And God knows I'm tryin', but there's just no use in denying

The boy is mine

I can't wait to try him

Le-let's get intertwined

The stars, they aligned

The boy is mine

Watch me take my time

I can't believe my mind

The boy is divine

Boy is

And I know it's simply meant to be

And I, I take full accountability for all these years

Promise you I'm not usually

Like this, shit, it's like news to me, to me

But I can't ignore my heart, boy (the boy is mine)

Songwriter:

I can't wait to try him (oh)

Le-let's get intertwined

The stars, they aligned

The boy is mine

Watch me take my time

I can't believe my mind

The boy is divine

Boy is mine

Ariana Grande / David Park / Martin Karl Sandberg / Shintaro Yasuda

SongFacts:

👉📖

Homepage:

Ariana Grande

[beautifulbizarremagazine]

🌟 10th Anniversary Issue on sale now 🌟

Shop today 👉 https://store.beautifulbizarre.net/product/issue-41/

INSIDE ISSUE 41

Exclusive In-Depth Interviews:

Michael Parkes [cover artist], Tamura Yoshiyasu, Tania Rivilis, Andrew Hem.

Articles:

Roxanne Sauriol Hauenherm, Paolo Puck, Known as Myself, Yuki T Photography, Ilya Zomb.

10 Years of Beautiful Bizarre Magazine:

Interview with Beautiful Bizarre Magazine’s Co-Founder and Editor-in-Chief who speaks to us about how the magazine began, how it has grown and evolved over the last decade. Her challenges, successes, learning, and her journey thus far.

Curator’s Wishlist:

Martin & Louise McIntosh, Directors of Outre Gallery in Melbourne, Australia share what they would like to add to their personal collection.

Collectors Profile:

Kim Larson & Bradley Platz, Directors of Modern Eden Gallery speak to us about their personal collection and what motivates them to collect contemporary art.

Lookbook:

Full page reproductions of Nona Limmen’s dark surreal photography.

Quick Q&A:

Lou Benesch, Loputyn, Petite Doll, Karen Turner, and Win Wallace [2022 Beautiful Bizarre Art Prize, Honourable Mention], all respond to the same 4 questions which delve into their artistic practice.

Beautiful Bizarre Artist Directory:

Discover exceptional, innovative and skilled artists from around the world with Beautiful Bizarre Artist Directory – the leading platform for connecting with top talent.

Inside this issue: Jon Ching, Adrian Cox, Iness Rychlik, Elizabeth Winnel, Ransom & Mitchell, Dawid Planeta, El Gato Chimney, Tran Nguyen, Daantje Bons, Troy Brooks, Hannah Yata, Mothmeister, Josh Dykgraaf, Reuben Negron, Amahi Mori, Stephanie Rew, Jeff Echevarria, Bill Mayer, Akishi Ueda, Adam Matano, Brian Viveros, Annie Stegg Gerard, Eunpyon, Marcela Bolivar, Lindsey Carr, Ebony Russell, Hannah Flowers, Theodora Capat, Erik Mark Sandberg, Sara Gallagher, Brittany Markert, Adrian Cox, Bill Mayer, Beth Mitchell, Aaron Mcpolin, Nicolas Bruno, Steven Kenny, Allison Reimold, Adam Matano, Hiroshi Hayakawa, Lexi Laine, Hannah Flowers, Ema Shin, Heidi Taillefer.

Some of our Favourite Things:

We share some of our favourite artisan fashion designers including: Louise Gardiner Embroidery, Ellen Rococo, Yu Tanaka, Jingyi Xiexie, and Sandra Mansour.

Our Community:

Our Instagram #beautifulbizarre community feature including: @candiceghaiphotography, @christina.ridgeway.art, @julyhendrix, @marieeve_proteau, @petulantpretty, @vasilisa.romanenko, @margosimms, @thisiscraves

#beautifulbizarre #artmagazine #art #painting #drawing #photography #sculpture #digitalart #fashion #artinspiration #artist

[buggie-hagen]

The redemption and forgiveness of sins happened on the cross. But it must be proclaimed so that I may hear it. I will never experience it by simply looking at the cross. At the same time, many stood at the cross, but they did not know that there the forgiveness of sins would be gained until the voice came and directed them to the cross. If you take away the word 'for you' from the cross, you see Christ as a thief on the gallows. But the words must teach you that he is the Savior. ~Martin Luther, "Sermon on Wednesday of Holy Week" in The 1529 Holy Week and Easter Sermons of Dr. Martin Luther, trans. Irving L Sandberg, 68.

[alphawolfice1989]

The new Murtaugh and Riggs

https://www.instagram.com/p/CuDNOmyomre/

Andre Braugher as Roger Murtaugh Andy Sandberg as Martin Riggs 

[itrnews]

Hebdo_S8_ep_06 from ITRtv on Vimeo.

L’adoption des assistants vocaux progresse rapidement aux États-Unis ! D’ici 2026, près de la moitié des Américains, soit 157,1 millions de personnes, utiliseront ces technologies au quotidien. Les smartphones demeurent la principale plateforme, mais l’automatisation des maisons connectées stimule également cette tendance. Les assistants vocaux, en contrôlant des appareils comme les thermostats ou les lumières, transforment l'expérience des utilisateurs. De plus, les entreprises intègrent ces technologies pour améliorer l'efficacité opérationnelle et offrir un service client plus fluide. Cette adoption massive n'est pas uniquement une question d’usage domestique. Le marché mondial de la reconnaissance vocale est en pleine croissance, et il atteindra près de 10 milliards de dollars d’ici 2026, dont 2,6 milliards proviendront des États-Unis, renforçant ainsi leur position de leader mondial. Cependant, alors que la technologie progresse, des défis majeurs apparaissent, notamment en matière de cybersécurité. Une enquête de Gigamon révèle que 93 % des attaques par malware se cachent dans le trafic chiffré, tandis que 76 % des entreprises pensent à tort que ce dernier est sécurisé. Face à cette menace, il devient essentiel de déchiffrer le trafic réseau. Cela commence par évaluer le volume et la direction du trafic pour identifier les flux critiques à surveiller. L'adoption de solutions évolutives et efficaces, capables de traiter des volumes variables de données, permet ensuite de sécuriser les réseaux de manière optimale. Enfin, les entreprises doivent choisir des outils performants qui facilitent la détection des menaces, tout en respectant les obligations réglementaires. Cette nécessité de préparation s’étend également au domaine du « Prepping », une tendance qui gagne du terrain. Comme le souligne Martin Hollerup, directeur général de Sandberg : « Le Prepping est devenu une mesure prévoyante, accessible à tous, comme une assurance contre l'imprévu. » De plus en plus de citoyens prennent conscience qu'ils doivent se préparer à d’éventuelles crises, qu’il s’agisse d’une coupure d’électricité ou d’une interruption des approvisionnements en eau. Le Prepping n'est plus réservé aux survivalistes extrêmes ; c'est une approche prudente et réfléchie. Les produits fiables et abordables, comme les radios FM ou les blocs d'alimentation garantis cinq ans, deviennent des incontournables non seulement pour se préparer aux crises, mais aussi pour des usages plus quotidiens, tels que les vacances ou les festivals. Se préparer aujourd'hui, c'est garantir une plus grande autonomie demain. Un autre défi majeur pour les entreprises réside dans la sécurisation de l’expérience numérique des collaborateurs (DEX). Une étude menée par Ivanti révèle que 86 % des professionnels IT constatent que de mauvaises expériences numériques conduisent à des solutions de contournement risquées. Cela met en danger la sécurité des systèmes. Pourtant, seulement 13 % des professionnels de la sécurité considèrent l'expérience utilisateur comme une priorité lors de l'adoption de technologies de cybersécurité. Ce déséquilibre conduit de nombreux employés à utiliser des appareils personnels pour accéder aux réseaux professionnels, souvent à l'insu de leur employeur, augmentant ainsi les risques de sécurité. L'arrivée de l'intelligence artificielle générative complique encore plus la situation, avec 81 % des employés n'étant pas formés à son utilisation. Il est donc crucial que les entreprises impliquent davantage leurs responsables de sécurité dans les décisions stratégiques pour assurer un équilibre entre sécurité et expérience utilisateur. Comme le dit Mike Riemer, Field CISO chez Ivanti : « Une sécurité robuste ne doit pas se faire aux dépens de l'expérience utilisateur. » La directive NIS2, visant à renforcer la cybersécurité en Europe, représente un autre enjeu de taille pour les entreprises. Bien que 43 % des décideurs IT pensent que cette directive améliorera la cybersécurité, de nombreux obstacles entravent sa mise en œuvre. La dette technique, le manque de compréhension des dirigeants et les budgets insuffisants sont autant de freins à la conformité. De plus, NIS2 est souvent reléguée au second plan face à d'autres priorités comme la transformation numérique ou le manque de compétences. Ce n'est donc pas surprenant que 42 % des entreprises estiment que la non-conformité n'aura pas de répercussions majeures. Pourtant, comme le souligne Andre Troskie, EMEA Field CISO de Veeam : « La responsabilité de la cybersécurité n’est plus seulement assumée par les équipes IT, mais également par les équipes de direction. » Les entreprises doivent agir rapidement pour combler les lacunes et assurer leur résilience face aux cybermenaces croissantes.

[beardedmrbean]

Most papers report Wednesday's vote in which Foreign Trade and Development Minister Ville Tavio (Finns) survived a no-confidence motion regarding his decision not to join an international gender equality alliance for the rebuilding of Ukraine.

It was an exceptional event, representing an unusual division in Ukraine policy. Finland's political class has been mostly united in support of Ukraine since 2022, with parties quickly changing their views on Nato accession and approving all manner of support packages for Ukraine's military and reconstruction efforts.

Helsingin Sanomat has reported that it is rare for such motions to focus on foreign policy in Finland. There have been only two other confidence votes related to foreign policy in the country's independent history, with parties tending to prefer to present a united face to the outside world whenever possible.

In September, commercial broadcaster MTV reported that Tavio decided Finland would not join the alliance because its work includes the promotion of the causes of gender and sexual minorities. Finnish media have earlier reported that under Tavio, LGBT issues have been avoided, with no mention of them in his speeches.

Finnish President Alexander Stubb has openly criticised Tavio's decision and implied there are contradictions among the governing parties in the management of Finland's foreign policy.

Finland's largest opposition party, the Social Democratic Party, filed the no-confidence motion on Tuesday claiming that Tavio's decision contradicted Finland's foreign policy.

Tavio however, secured parliament's confidence with a vote of 99–74, with 26 representatives absent. All present members of government parties supported him. Meanwhile, Pekka Aittakumpu from the opposition Centre Party and independent MP Timo Vornanen voted in favour of the opposition.

The government as a whole also faced a confidence vote concerning this issue on Wednesday, surviving it by 98–76.

EU complaints over Deportation law

Five complaints concerning the controversial deportation law's compliance with EU regulations were filed with the European Commission last week, according to Helsingin Sanomat.

HS sources said that at least four of the complaints originate from Finnish legal professors. They argue that the deportation law, which allows the temporary suspension of asylum applications at Finland's borders and expulsion of migrants without appeal, contradicts EU law.

The bill which the government viewed as necessary in order to tackle the potential use of 'hybrid influencing' by Russia was passed in parliament and approved by President Alexander Stubb in July amidst considerable controversy.

The complainants include the University of Helsinki's Emeritus Professor Martti Koskenniemi, a specialist in international law; Professor Päivi Leino-Sandberg from the University of Helsinki, specialising in transnational European law; Professor Martin Scheinin, a legal research professor at the British Academy; and Milka Sormunen, a postdoctoral law researcher at the University of Helsinki.

Amnesty International also plans to meet Commission representatives to discuss the legislation and may decide to file an official complaint, according to Frank Johansson, director of Amnesty Finland.

Individuals can submit complaints to the European Commission about any law, regulation, or action by an EU member state that they believe violates EU legislation.

The Commission has 12 months to process these complaints and in complex cases it could take longer. If proceedings are initiated, the Commission will first attempt to reach an agreement with the member state; if unsuccessful, the matter may go to the EU Court of Justice.

Rats run rampant in Turku

Rats are running amok in Turku and the city is asking residents to help, according to a report by Turun Sanomat.

This summer, Turku's environmental health department received more reports of rat sightings from residents than in previous years. One reason for the increase in sightings is the construction of new residential areas on previously vacant lots and old industrial sites.

Jaana Annunen, Turku's chief health inspector, stated that residents report multiple rat sightings weekly.

The city employs a specialised company for pest control. "Disposing of rats and other pests is the responsibility of the property owner or manager, so it’s best to report rat sightings to them," Annunen stated.

Since 2018, consumers can buy only mouse poison in stores, which officials said should not be used for rats, as it can increase their resistance to actual poisons.

Turku still has many properties with combined sewage systems, allowing rats to access the sewage network through drainage systems. Ahti reminds residents that disposing of food scraps and cooking fats down the drain is a sure way to attract rats.

The city urged residents to help in managing rodent populations by following composting guidelines, properly disposing of garden waste, feeding birds carefully in winter, and maintaining waste containers. The best method for controlling rodents, however, is still the traditional rat trap with bait.

[goalhofer]

2024 olympics Denmark roster

Archery

Kirstine Danstrup-Andersen (Copenhagen)

Athletics

Simon Hansen (Herning)

Ida Karstoft (Lemvig)

Lisa Pedersen (Copenhagen)

Katrine Koch-Jacobsen (Ballerup)

Badminton

Viktor Axelsen (Odense)

Anders Antonsen (Aarhus)

Kimmo Astrup-Sørensen (Copenhagen)

Anders Skaarup-Rasmussen (Copenhagen)

Mathias Christiansen (Copenhagen)

Mia Blichfeldt (Solrød Strand)

Maiken Fruergaard-Sørensen (Hvidovre)

Sara Thygesen (Frederiksberg)

Alexandra Bøje (Copenhagen)

Boxing

Nikolai Terteryan (Vejle)

Canoeing

Lasse Madsen (Solrød Kommune)

Victor Aasmul (Rudersdal Kommune)

Morten Gravesen (Copenhagen)

Magnus Sibbersen (Hvidovre)

René Holten-Poulsen (Sakskøbing)

Frederikke Hauge-Matthiesen (Høje-Taalstrup Kommune)

Emma Aastrand-Jørgensen (Bagsværd)

Cycling

Mikkel Norsgaard-Bjerg (Copenhagen)

Michael Mørkøv-Christensen (Kokkedal)

Mads Pedersen (Tølløse)

Mattias Skjelmose-Jensen (Copenhagen)

Carl-Frederik Bévort (Copenhagen)

Tobias Aagaard-Hansen (Odense)

Niklas Larsen (Slagelse)

Rasmus Lund-Pedersen (Odense)

Simon Andreassen (Odense)

Sofie Pedersen (Aalborg)

Rebecca Koerner (Herlev)

Cecilie Uttrup-Ludwig (Frederiksberg Kommune)

Emma Bjerg (Silkeborg)

Amalie Dideriksen (Kastrup)

Julie Norman-Leth (Aarhus)

Caroline Bohé (Hillerød)

Malene Kejlstrup-Sørenson (Randers)

Equestrian

Daniel Bachmann-Andersen (Sønderborg)

Peter Tersgov-Flarup (Viborg)

Andreas Schou (Kolding)

Nanna Skodborg-Merrald (Kirke Hvalsø)

Cathrine Landrup-Dufour (Kirke Hvalsø)

Golf

Nicolai Højgaard (Aarhus)

Jacob Olesen (Dubai, U.A.E.)

Emily Pedersen (Copenhagen)

Nanna Koerstz-Madsen (Nørrebro)

Handball

Niklas Landin-Jacobsen (Gladsaxe Kommune)

Magnus Landin-Jacobsen (Gladsaxe Kommune)

Niclas Vest-Kirkeløkke (Ringe)

Emil Manfeldt-Jakobsen (Kerteminde)

Rasmus Lauge-Schmidt (Randers)

Emil Nielsen (Aarhus)

Magnus Saugstrup-Jensen (Aalborg)

Hans Lindberg (Høje-Taastrup Kommune)

Mathias Gidsel (Skjern)

Henrik Møllgaard-Jensen (Bramming)

Mikkel Hansen (Helsingør)

Lukas Lindhard-Jørgensen (Lejre)

Lasse Bredekjær-Andersson (Copenhagen)

Simon Hald-Jensen (Aalborg)

Thomas Sommer-Arnoldsen (Skanderborg)

Simon Bogetoft-Pytlick (Thurø)

Sandra Toft (Gribskov Kommune)

Sarah Aaberg-Iversen (Nykøbing Falster)

Rikke Iversen (Nykøbing Falster)

Helena Hagesøe-Elver (Copenhagen)

Anne Hansen (Glostrup)

Kathrine Brothmann-Heindahl (Rudersdal)

Line Haugsted (Skive)

Althea Reinhardt (Aarhus)

Mette Tranborg (Aarhus)

Kristina Jørgensen (Horsens)

Trine Østergaard-Jensen (Skanderborg)

Louise Vinter-Burgaard (Esbjerg)

Mie Enggrob-Højlund (Voldum)

Emma Uhrskov-Friis (Herning)

Michala Elsberg-Møller (Aalborg)

Judo

Lærke Olsen (Hørsholm)

Rowing

Sverri Sandberg-Nielsen (Tórshavn, Faroe Islands)

Marie Hauberg-Johannesen (Solrød Kommune)

Julie Poulsen (Odder)

Astrid Steensberg (Sorø)

Clara Hornæss (Copenhagen)

Sára Johansen (Tvøroyri, Faroe Islands)

Nikoline Laidlaw (Dunblane, U.K.)

Karen Mortensen (Fredericia)

Caroline Munch (Bjæverskov)

Nanna Vigild (Copenhagen)

Sofie Vikkelsøe (Copenhagen)

Frida Werner-Foldager (Roskilde)

Sofie Østergaard (London, U.K.)

Hedvig Rasmussen (Frederiksberg)

Fie Udby-Erichsen (Hobro)

Frida Sanggaard-Nielsen (Copenhagen)

Sailing

Johan Søe (Aarhus)

Johan Lundgaard-Schubert (Aarhus)

Nikolaj Hoffmann-Buhl (Lyngby-Taarbæk Kommune)

Daniel Nyborg (Copenhagen)

Mathias Bruun-Borreskov (Skanderborg)

Andrea Schmidt (Aarhus)

Johanne Schmidt (Aarhus)

Natacha Saouma-Pedersen (Odense)

Anne-Marie Rindom (Søllerød)

Shooting

Jesper Hansen (Bjegsted)

Rikke Mæng-Ibsen (Herning)

Stephanie Scurrah-Grundsøe (Roskilde)

Skateboarding

Viktor Solmunde (Copenhagen)

Swimming

Thea Blomsterberg (Birkerød)

Martine Damborg (Kastrup)

Elisabeth Sabroe-Ebbesen (Skanderborg)

Schastine Tabor (Copenhagen)

Julie Kepp-Jensen (Hvidovre)

Helena Rosendahl-Bach (Holstebro)

Signe Bro (Copenhagen)

Table tennis

Anders Lind (Hørsholm)

Martin Buch-Andersen (Rudersdal Kommune)

Jonathan Kjaer-Groth (Albertslund)

Taekwondo

Edi Hrnic (Brøndby Kommune)

Tennis

Clara Tauson (Kongens Lyngby)

Caroline Wozniacki-Lee (Miami-Dade County, Florida)

Triathlon

Emil Holm (Frederiksberg)

Alberte Kjær-Pedersen (Aarhus)

Wrestling

Turpal-Ali Bisultanov (Copenhagen)

[zirhlikuzgun]

January's crew - Style borrowing

[1] Dave Matson

Sune Andersson

Ricky Rapper

Fly (Help! I'm A Fish)

[2] Rhonda Raven

Linnéa Andersson

Nivea (Nancy Drew)

Katrine (The Lost Treasure of the Knights Templar)

(Alternate variant) Sofie (Christmas in Valhal)

(Alternate variant) Gabrielle (Luka and the Magical Theater)

[3] Dave Matson Jr.

Totte (designed by Gunilla Wolde)

Kaj (designed by Mats Letén)

[4] Ramona Raven

Anna (Little Anna and the Tall Uncle)

Ella and Leo (designed by Linne Bie)

[5] DJ Matson

DJ Sune

DJ Ricky

DJ Fly

[6] Rita Raven

Lola Andersson

Lola (Run Lola Run)

Aicha (Fighter)

(Alternate variant) Martine (Ludvig & Santa Claus)

(Alternate variant) Charlie (The Thieves' Christmas / Tinka's Christmas Carol)

[7] RJ Matson

Pulvret (designed by Inger Sandberg)

Lill-Hans (designed by Barbro Lindgren)

[8] Demy J Raven

Rita (Rita and the Crocodile)

Klara (Wide Awake) (designed by Irene Ahnéll)

[9] Sam Macintosh

[10] Sam Macintosh X

[11] Sam Macintosh Jr.

[12] Sam Macintosh X Jr.

[13] Mike Mactinosh

[14] Mike Macintosh Z

[15] Mike Macintosh Jr.

[16] Mike Macintosh Z Jr.

[17] Mary Macintosh

[18] Mary Macintosh Y

[19] M.R. Macintosh

[20] M.R. Macintosh Y

[21] Anna Macintosh

[22] Anna Macintosh Y

[23] Annabell Macintosh

[24] Annabell Macintosh Y

[25] David Macintosh

[26] Zira Macintosh

[27] Mark Macintosh

[28] Eva Macintosh

[29]

[30]

[ulkaralakbarova]

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite. Credits: TheMovieDb. Film Cast: Xavier Rousseau: Romain Duris Wendy: Kelly Reilly Martine: Audrey Tautou Isabelle: Cécile de France William: Kevin Bishop Gérard: Olivier Saladin M. Boubaker: Zinedine Soualem Natacha: Evguenya Obraztsova Neus: Irene Montalà Grand-père: Pierre Gérald Barbara: Frédérique Bel L’homme qui veut aller aux toilettes dans le train (uncredited): Cédric Klapisch Kassia: Aïssa Maïga Edward: Gary Love Celia Shelburn: Lucy Gordon Mère Xavier: Martine Demaret Platane: Pierre Cassignard Madame Vanpeteguem: Hélène Médigue Productrice TV: Carole Franck Auteur Série: Robert Plagnol Directeur Série: Nicolas Briançon Michel Hermann – Editeur: Bernard Haller Soledad: Cristina Brondo Alessandro: Federico D’Anna Tobias: Barnaby Metschurat Lars: Christian Pagh Snowboarder: Lannick Gautry Jean-Édouard: Julien Guéris Odile: Laura Weissbecker Caroline – Copine Isa 1: Sophie Barbe Juliette – Copine Isa 2: Julie Durand Copine ‘Cogneuse’: Catherine Lebegue Copine Fête Isabelle: Florence d’Azémar Nounou Grand-père: Fatiha Cheriguene Concierge Xavier: Marie-Renée George Père Natacha: Igor Gusev Mère Natacha: Yelena Solovyova Frère Natacha: Aleksandr Karpukhov Père William: Nicholas Day Mère William: Amanda Boxer Copain Celia Moscou: Julien Hans di Capua Miguel: Jake Canuso Traductrice Russe: Senia Devine Chorégraphe Russe: Katrina Vasilieva Mac Master: Julien Pabion Journaliste ‘Prune’: Agathe Robilliard Journaliste Cosmo: Annette Faure Copine Xavier 1: Anne Steffens Copine Xavier 2: Stéphanie Ricco Copine Xavier 3: Isabelle Joly Lucas: Amin Djakliou Danceuse de ballet (uncredited): Amanda Jane Manning Danceuse de ballet (uncredited): Stéphanie Montreux Livreur (uncredited): Philippe Soucy La Fille de la Gare (uncredited): Eléonore Stern Film Crew: Screenplay: Cédric Klapisch Producer: Bruno Levy Producer: Matthew Justice Executive Producer: Elena Yatsura Music: Loïc Dury Editor: Francine Sandberg Orchestrator: Laurent Levesque Musician: Christophe Minck Key Makeup Artist: Judith Gayo Unit Production Manager: Anne Férignac First Assistant Director: Kira Sinelshikova Assistant Costume Designer: Julia Patkos Digital Colorist: Christine Szymkowiak Musician: Simon Andrieux Script Supervisor: Barbara Constantine Catering: Georges Gautier Production Accountant: David Kerney Extras Casting: Jeanne Millet Makeup Artist: Véronique Nguyen Set Dresser: Stephanie Guitard Key Grip: Colin Strachan Location Manager: Frédéric Vialle Location Manager: Martin Wady Assistant Unit Manager: Benjamin Dewaele Assistant Director Trainee: Samantha Mialet Second Unit Director: Bertrand Normand First Assistant Art Direction: Florian Sanson Art Direction: Tim Stevenson Assistant Camera: Mounia Lamrani Musician: Guillaume Dutrieux Administration: Géraldine Toitot Second Assistant Art Director: Chloe Leguay Key Grip: Michel Dechaud Assistant Camera: Kathy Sebbah Location Manager: Tony Hood Musician: Felix Niel Music: Bruno Epron Mahmoudi Production Manager: Caroline Levy Second Assistant Director: Ophélie Gelber Assistant Director Trainee: Gabriel Levy Assistant Sound Editor: Sophie Durand Sound Assistant: Sergey Ekinow First Assistant Camera: Julian Bucknall Lighting Technician: Philippe Wegiel Set Decoration: Shirley Robinson Compositing Supervisor: Sylvian Fabre Still Photographer: Jérôme Plon First Assistant Camera: Galatae Politis Director of Photography: Dominique Colin Assistant Unit Manager: Laurent Blu Unit Production Manager: Antoine Théron Third Assistant Director: Paul Bennett Sound: Xavier Prêtre Digital Intermediate Producer: Sophie Denize Production Secretary: Séverine Guignard Costume Design: Anne Schotte Props: Daniel Ainslie Sound Recordist: Vincent Laurence Boom Operator: Jean-François Schenegg Digital Compositor: Sebastien Dupuis Casting Assistant: Hermine Poitou Executive Music Producer: Monte Christo Painter: Thierry Poulet Sound Re-Recording Mixer: ...

[dipfearworld]

LIGHTS OUT

David F. Sandberg, 2016, per articolare un’idea terrificante: LIGHTS OUT ANNO 2016 GENERE 👻PARANORMAL DURATA 1:21′ REGISTA DAVID F. SANDBERG TRAMA Rebecca, sin da bambina, non è mai stata sicura di cosa fosse reale quando si spegnevano le luci. Ora suo fratello più piccolo, Martin, sta vivendo gli stessi eventi terrificanti che in passato avevano messo a dura prova la sua salute…

[inkatrailexpeditions]

Tour: Classic Inca Trail to Machu Picchu in 4 days

Passengers: Ramiro Castro, Catalina Sandberg, Micaela Ithuaralde y Martin Olmedo

Guide: Franco Guillen Sanchez

Departure: March 29, 2024

More information:

https://www.iteptravel.com/.../royal-inka-trail-machu...

#MachuPicchu

#CaminoInca

#incatrail