#Martha yugioh

[bestygogirl]

BEST YGO GIRL: ROUND 4, GROUP D

Match 1

please use this as an opportunity to say why you like a character, not why you don't.

Propaganda under the cut!

Serena

The epitome of "kitten dreams of nothing but murder all day" Ppl talk about wanting morally gray women, but can't handle a child soldier who doesn't immediately roll over for the first person who tells her to. But she isn't heartless and clearly cares about ppl, seeing her get to actually have fun in her duel against Yugo was the best, and now with her in Duel Links we can see that in a casual environment, she is also the funniest silly little guy She's awesome and kicks ass for 90% of the show. Lunalights are so cool and one of my absolute favorite archetypes. She is such a badass opposing the Fusion Dimension. She also deserved better and more screentime.

Martha

Yusei/Jack/Crow's adopted mother, also just a badass who takes no one's shit martha, martha, martha. yes, she's yusei, jack, and crow's adoptive mother. but have you ever like. considered martha as a person? considered the fact that she grew up in satellite before zero reverse, and took in the orphans of that event without a second thought? she opened her home in a time when money would have been tight and continued to take care of orphans even after the bridge was repaired. she's also the one who imparted to yusei, jack, and crow to not trust anything given for free - suggesting she gave out life advice to all those kids too. when a cop entered her home, she immediately put him to work and made him clean the bathroom. martha also teased yusei about his crush on aki, showing that she's willing to keep a sense of normalcy even under high stress points. she's such a cool character and she's not really given a lot of attention in the fandom at all. vote for martha, because she's actually a pretty interesting character.

[lavenderr-starrs]

This is a very important question for my silly little Yugiomon Au

Should Yusei have a Miltank or should Martha 🤔

[shitpostingkats]

Feel free to ignore this, but I have to ask since I've been rewatching yugioh 5ds and you're one of the very few blogs I've searched that mentioned Satellite Bros age order. I'd love to hear your thoughts on this and if you know other blogs that talk about it.

WHY WOULD I EVER IGNORE THIS ITS ONE OF MY FAVORITE THINGS. THANK YOU SO MUCH <3

*takes deep breath* ok SO

Word of god canon is that the age order is Jack (19), Yusei (18), and Crow (17), at the start of the series.

But while you can make an argument that Yusei would have records, people who knew when he was born, or at least a birth certificate, Jack and Crow are orphans. If Jack is indeed 19, then he would have been roughly a year old when Zero Reverse happened, likely killing his parents, at the very least destroying a massive amount of city infrastructure. You tell me Jack knows his birthday and I press (X) to doubt.

Crow is apparently canonically younger than Yusei, but. His parents also died in Zero Reverse.

This. This straight up does not work.

Also Yusei is shown to be a baby when Zero Reverse occurred and if Crow's parents did indeed die in Zero Reverse when he was under a year old he there is NO WAY he would live much longer than that. That's just. How babies work.

CROW HOGAN HAS TO BE OLDER THAN YUSEI.

I will die on this hill. I watched the show thinking Crow was the middle brother and then learned their apparent canon ages after because he has to be older than Yusei for any of his backstory to make sense. Konami can fight me on this.

NARRATIVELY they are the middle and youngest child. Jack has Past motifs, Crow is Present, and Yusei is Future. Jack and Yusei's whole dynamic is the most oldest sibling vs youngest sibling drama possible.

As for Jack, I always like to think it was his birthday like, a week before Yusei leaves Satellite, because being a Newly Minted Twenty Year Old explains everything about his personality.

[fyeahygocardart]

Exosister Martha

[unicornblossom13]

Martha: Do me a favor, be sweet to Yusei. He kinda has a crush on you.

Jack: Really? I had no idea.

Martha: Of course you didn’t, boys never do. [she leaves the room]

[A few moments later, Jack opens the door to a closet. Yusei is inside, holding a hand over his face. The taller of the two snorts in amusement]

Yusei [face red as he punches him in the shoulder]: Shut up!

[mbg159]

What Your Favorite Yu-Gi-Oh! 5Ds Girl Says About You

[Main Girls Only][DM][GX]

Aki Izayoi/Akiza Izinski (likes the second half of the series): You are pretty chill, and almost definitely a Faithshipper. You’re very fond of doing all kinds of scenarios of their first meeting. You write at least one thing per day appreciating her development. You really, really like the rollerskates episode. Even if it could have been better, you still love Yusei giving her Stardust. You get really sad during the ending, but you know in your heart of hearts that they definitely kissed offscreen.

Aki Izayoi/Akiza Izinski (dislikes the second half of the series): You got the taste of a girl who was straight-up unhinged, and you've been chasing that high ever since. You find bondage jokes incredibly funny. You have at least one very strong opinion about Crow. Despite your feelings on the second half (most of which can be described as "seething"), you have a soft spot for Sherry. To this day, her battle theme still generates a Pavlovian response of swooning tears in you.

Ruka/Luna: Your soul aches every day for her wasted potential. You started reading the manga the moment you saw scans of how it did her. You were very surprised when Ancient Fairy Dragon got banned. You have edited characters to be wearing flower crowns at least once. You’re still not quite sure what to think about her brother, but you definitely wish Life Stream had showed up earlier. You spent eighty episodes waiting for a followup for the end of Ep. 67, and are still waiting.

Carly Nagisa/Carly Carmine: You are a Scoopshipper, with no questions asked. You were utterly horrified when you found out about the cult thing (even if your source may have been somewhat inaccurate). You refuse to rewatch the second half of the series, and have devoted lengthy fanfics to what really happened afterward. You aren’t sure if you like nerds or goths, and you’re glad you don’t have to choose. You have tried to do Fortune Fairy-based readings in real life.

Misty Lola/Misty Tredwell: You may be into Isolationshipping or you may be into Omenshipping, but regardless of where you fall, you are certain she loves women. You saw that bit where she cradles Carly’s face and went “god, that girl is lucky.” Your favorite part of the whole DS arc was when she has Ccaryhua swallow Divine whole. You are very, very angry she’s not in Duel Links yet. (Like, I wrote this in 2021 originally, and she's still not in it? What?)

Sherry LeBlanc: You actually don’t hate the second half, but it’s largely due to her. You have either watched Revolutionary Girl Utena, or have been told several times that you should watch it. You may not be a Roseknightshipper, but you definitely have an LGBT headcanon. You have mixed feelings about how her arc ended, and would have preferred if the entire season was just her running around kicking stuff.

Martha: You hate every single other parent in every other series because you have seen her episodes and beheld a standard none have yet lived up to. She takes no shit, she's a rain of sunlight in a land of misery, she sacrifices herself tragically. Why the fuck did she barely appear after Dark Signers? You just want to talk to the person who made that decision, you say while loading a shotgun.

Mikage Sagiri/Mina Simington: You may be a Careshipper whose favorite arc is Fortune Cup, or an Ushio/Mikage shipper whose favorite arc is Dark Signers. Either way, you just really, really like office ladies, okay? You either think she's cute, relate to her beleaguered nature, or both. Also, did you know there's no ship name for Ushio/Mikage? I didn't until recently, but you definitely do.

Stephanie: Man, you picked the biggest third wheel in the entire franchise and a woman who only appears in the second half to be your fave, huh? That takes a lot of guts. And to my immense surprise, despite her entire existence being "waitress" and "one-note obsession with Jack Atlas", you have decided your OTP with her is Carly. Rock on, Stephanie fans, you make the world brighter.

Misaki: You decided to go dumpster-diving in the video games and found a gem. You understand that the only thing that could have made Bruno's arc better is if he was also Rei Ayanami. The bit at the end where she finally smiles melted your heart like butter in the sunrise. You insist Watts are underrated. You sadly know deep down that there's a reason the only female Yliaster member is non-canon.

[gedascrown5768]

Ladies and gentlemen

The winner of who's best mom is.......

🥁🥁🥁🥁🥁🥁🥁🥁🥁

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🎉🎊 Yoko Sakaki 🎊🎉

👏👏👏👏👏👏👏👏👏

Thank you for all of your votes

[dancingkirby]

OK but what if Jack spoke English with a vaguely British accent in the sub because he learned English as part of Tops Etiquette 101 and the particular curriculum Godwin chose just so happened to be made in the UK? He has NO IDEA he's doing this, of course.

[cartoondogfight]

[inkblackorchid]

Can we talk about the fact that Aki and Yusei are both at their lowest point in this duel? Aki just lost Divine and what she thought was her home, the place she belonged—and Yusei is still spiralling from his recent duel with Kiryu, not to mention he's still injured! They're both having a crisis of faith, they're both at emotional rock bottom, both shaken to their foundations and here they are, duelling about it because neither of them knows what else to do! Aki's modus operandi up until this point was to let Divine make every decision for her and duel her anger out at whatever target happened to be present and Yusei, here, is just this once doubting his usual "our bonds will save us" mentality because he just faced off against a person he used to trust with his life, who's now dead set on ending that life! They're coming from completely different angles, yet the parallels are still there and they're driving me up a wall!

[linlinsenpai]

Year end summary.

All the Yu-Gi-Oh! Ladies I drew this year. I like having a series of art going for every year and I’m gonna make more of this series next year as well, probably.

See other entries in Yu-Gi-Oh! Waifu series.

[bestygogirl]

BEST YGO GIRL: Round 2, Group D

Match 3

please use this as an opportunity to say why you like a character, not why you don't.

Propaganda under the cut!

Miho Nosaka

miho my sweet girl!!!! she is my favorite guy. I hold her gently. she has two hands for anzu and honda She appeared for 2 panels in the manga as a girl Honda had a one sided crush on and managed to get rewritten into a main character for the toei anime, this is her world and we're just living in it shes too underrated; literally a stunning girlboss. no one does the light purple hair better than her :)

Martha

Yusei/Jack/Crow's adopted mother, also just a badass who takes no one's shit

[chibi-taylormoon]

Martha is best mom. She loves her sons. and she loves to embarrass her boys! honestly, this is what they get for leaving and doing dangerous things, let mama Martha adore Jack and Yusei to make up for it.

[kannakakimari]

Kanna is getting up from her bed

Martha: Kanna get up sweetie

Kanna: Ok mom

[shinkai14]

Fnaf Au season 1 heights

@insomniac-jay if anything needs changed let me know.

Michael Goodwin - 5"3

Christie Harris - 5"5 maybe 5"6

Leith Barclay - 6"5

Tetsu Trudge - 6" 4 or 6"5

Martha - 5"6

Matthew & Tetsurō Trudge - around three to four foot

Rex Goodwin - 6"6 or 6''7

Rudger Goodwin - 6"6 or 6''7

Hinata - 5"5

Yusei Fudo (Trudge on paper) - two or three feet

Irina Goodwin : 5" 9

Inesa - 5"6

Jack - About the same as Matthew and Tetsurō 

[shitpostingkats]

Yu-Gi-Oh Review Roundup: 5Ds!

Favorite main character: Yusei Fudo

My favorite protagonist of the main three, by a country mile. Even with Jaden’s surprising season 3 growth and complexity, Yusei just. Hits different.

I attempted to put my finger on why for the majority of the series. Perhaps it’s the fact that for once, all of yugioh traditional protag tropes are finally in a character that harmonizes with them. Redeeming minor antagonists feels important, because it’s about the bigger picture dystopia, and the powerful elite at the very top who are the real enemy. And Yusei sees that. It’s less about him just being a swell guy who forgives easily, and more that he refuses to fight his fellow man. He’s kind, not in the vaguely heroic tell-don’t-show kind of way, but in the fact that he knows the trash collector by name. He genuinely believes in the good of humanity, and you sees that in how he just talks to people.

He also has the benefit of a stellar supporting cast that feels the most tight-knit of the first three shows. DM and GX had friend groups. 5Ds is about a family. One that cohabitates together, and works together, and banters with some of the most realistic sibling dialogue of the franchise. And, as the series takes pains to point out, Yusei is the one at the center of it, that he is the gear that makes this complex web all fit together. The found family vibes are excellent, in the same way a scrappy spaceship crew of morally dubious crooks is a family.

His deck archetype reflects this aspect; taking small and disparate monsters and bringing them together to make something truly menacing. Scrap and outcasts, Yusei collects them all. Every aspect of his character eventually boils down to a selfless desire to help people, from the traits that make him a protagonist, to his personality, to even what kind of cards he plays. But it’s a simple, believable kindness, one that grounds him and makes him feel real.

He is my autistic son and I love him so much.

Favorite antagonist: Kalin Kessler

An antagonist I seriously debated including in my reviews, even shied away from discussing as I watched through the series. Not because he is poorly written, in fact, far from it, but because his inclusion and character arc in this kids show I was watching for fun felt... well, a little uncomfortable, for me personally.

Suicide is a very serious topic, after all. What had me taken aback was two things: The very existence of a blatantly depressed and suicidal character in a childrens’ cartoon, and the unsettling realism of it. It is shocking. It is upsetting. Most surprisingly of all, it is so effective as a piece of storytelling, that I had to include it, despite the severity of the subject.

Still, allow me to give warning I would have appreciated in regards to Kalin Kessler: tw for discussions of suicide, depression, and self harm. If you want to skip that, scroll past this section. Kalin discussion ends at ‘Favorite side character’

Kalin, more than any other character in the show, is a living showcase of the severe damage caused by New Domino to the residents of Satellite. Disenfranchised since birth, constantly assaulted and belittled by those in power, before trying to take back some sliver of control and lashing out at the very world that oppressed him. Whereas Yusei builds his revolution through recruitment of the fellow man, Kalin’s degrading mental state does not afford him the luxury of allies. Instead, he seeks to topple the society through high grade explosives.

And that’s just the start of Kalin’s story.

His actual screentime is taken up by what occurs after his death. After dying in prison, he is recruited into a crew of undead cultists, all similarly wronged by society. Each of the dark signers correlates to each of the signers pasts, a sin they must grapple with and accept. And Kalin’s is by far the most personal. After getting not one, but two whole turbo duels against Yusei, Kalin is defeated. Yusei comes to grips with their complicated pasts, the dark signers are destroyed, and the world is saved.

These shows tend to feature a lot of antagonists getting redeemed and giving up their evil ways. Kalin’s arc in Crash Town goes the extra mile and shows what happens in between steps A and B.

Though no longer an explicit enemy by the time he makes his reappearance, Crashtown Kalin is still grappling with the things he did while operating under that label. In a way that’d kinda hard to argue with. I mean, that did happen. People were killed.

This is what gives Kalin’s depression and self-destruction such a painfully realistic despair. In media, it is often hard to portray the real helplessness of depression. Since we, as the audience, have a near omnipotent perspective and are usually a step removed from the actual situation, answers to existential questions seem obvious. You can’t really see what has the character so down in the dumps, because, to you, the answer of ‘just get over it’ seems so obvious.

“Was it really okay for us to take the life of THOMAS PUPPYKILLER, the inventor of KILLING PUPPIES?”

The audience isn’t likely to sympathize when your protagonist spends an episode angsting about that, even if coldhearted murder is a thing that most of us would legitimately have a hard time grappling with.

Real mental illness isn’t like that. It’s complex, stubborn, and makes choices feel nonexistent. Sometimes, it doesn’t even matter if an situation has an objectively correct answer, the mind will spin its tightening circles regardless. Which just feeds into itself, as one feels ever increasing panic at being unable to handle choices. It is a self consuming ouroboros, one that can make you feel isolated, numb, and powerless.

Kalin’s situation doesn’t have an objectively correct answer. He has committed several wrongdoings that hurt innocent people, for genuinely evil purposes. It’s not something that can just be made all better with a slap on the wrist and a positive mental attitude.

As someone with depression, the Crashtown arc was almost painful for me to watch. Like I’ve said, I usually love a good fictional character with fictional depression, but Kalin was just. One too few layers of abstraction for me. He felt almost too real, standing on the edge of his self inflicted punishment, Yusei screaming at him to just want to live, goddamn it, and staring out at a field of reminders for why he thinks he doesn’t deserve to.

But again, just as gut achingly realistic his descent into suicidal ideation was, so too is his stubborn climb out of it. As he spends more time with the kids of a fellow Crashtown miner, they come to rely on him for protection. So he lives to protect them. And then, shockingly (to him), they actually come to care for him. Kalin may not be able to live for himself, but he gradually comes to terms with the idea that that’s okay. That he can live for this person the kids see in him, because despite what his worst impulses tell him, he is still capable of being loved, even after all he’s done.

Sometimes, when you can’t even fathom the idea of loving yourself, in your darkest hours, it takes an equal amount of strength to accept being loved. And that, in itself, is a reason to keep on living.

Favorite side character: Martha

How many times in an action show is the main character grievously injured, down for the count with a sense of finality, when we cut to them, swathed in bandages, lying in a hospital bed. The doctor or nurse sternly tells them to get bedrest, and a parental character nags them with all sorts of “You could have died! You are grounded!” that our main character rolls their eyes through. Then, next scene, they’re sneaking out the window, right back off to saving the world, fractured wrist be damned?

When Yusei Fudo gets into a motorcycle crash and ends up with internal bleeding, but stubbornly tries to jump back into the action, his mom says “No.”

And this works.

This proves that Martha is singlehandedly the most powerful anime mother in all of yugioh, possibly in all of shonen television.

Her other feats of strength include being the backbone of her community, whacking police officers with wooden spoons, and being the mother of Jack Atlas. 

What works about Martha is the same thing that works about the rest of 5Ds Neo Domino citizens: their recurrence. Martha shows up again and again as the series progresses. She’s not some throwaway absent mother, the boys regularly visit her, there’s an entire sidestory in the finale surrounding her and the orphanage kids. She’s one of the characters that gives a face to Domino City, someone to remind the viewer that this city is made up of real people. 

With Yusei and Martha side-by-side, it’s easy to see where he gets his compulsive need to rehabilitate strays from. Like her son, Martha is consistently the one to reach out her hand to those in need, which gives us a strong sense of the legacy that Satellite has given him. There’s a very sweet subplot early in the Dark Signer arc where Trudge has to stay the night at Martha’s orphanage. Rather than being the uncivilized street rats he expected, he finds that Satellite is populated by a very protective community, and Martha leads him around, showing him the damage done to them by New Domino and how, despite all that, the majority of people living there just choose to be kind. It's one of the humanizing touches showing the breaking down of prejudices that makes early 5Ds feel very revolutionary. 

Also, there’s something very funny to me about the 2-4 episode lull where the plot is raging on in the background but Yusei’s just hanging out at home because his mom grounded him.

Favorite duel: Yusei vs Kalin, Jack vs Carly, Akiza vs Misty

Yup!!!! I’m copping out!

Let me explain why.

Each of these favorite duels of mine has been increasing progress on the part of the writing. The Yami vs. Yugi fight first proved that it can make real story out of big main character fights. The Yubel vs. Zane fight proved the same principles could be applied to secondary characters. Their next milestone?

Proving that you can have multiple compelling fights, back-to-back-to-back.

The tournament structure is one yugioh is going to return to for the rest of its life. And, while the Dark Signers arc is not a tournament, per se, it functions like one: sequential fights against an ensemble cast of opponents versus an extended array of protagonists, each quirky and personal, each with advancement into the “finals” on the line, and, most importantly, each taking place one after the other.

And, what surprised me is that I was on the edge of my seat for damn near all of them.

There’s never a release of tension, between duels, but neither is there an escalation. The energy of the show is allowed to ramp up to darn near its maximum, and then just. Stay there. For episodes on end. That is one heck of a feat, and one that will be vital for yugioh continuing to improve in later series.

It’s also wonderful that every one of the three duels is truly excellent, each wrapping up some character arc in both actionable and thematic ways. Yusei finally puts his oldest ghost to rest. Jack has a genuine human connection for the first time in years, and then owns up to the consequences of not being there for them, in much the same way he had to reconcile with Yusei, taking responsibility and turning down ego inflating power. And the Misty fight might be the least personal, but its still a thing to behold, Akiza coming to terms with the harm Arcadia caused and overcoming the trauma of her unwitting participation in it.

(Also, Sayer gets punched in the face.)

I just feel such a pride for this franchise, watching the writing grow with every installment. The shows on their own may be a bit of a mixed bag, but taken as a whole, there is some concrete, real improvements in its execution.

And that deserves to be celebrated.

Favorite arc: The Fortune Cup

Is The Dark Signers the single greatest arc in 5Ds? Probably. It is not my favorite, though. My favorite is the very first of the series. The introduction to this world.

And it is for that very reason that I adore the Fortune Cup arc so much. The world it paints in just a handful of episodes is truly stunning. The backgrounds are hazy and painterly, the satire the thickest it will ever be, and everything just has the right amount of grit to make it feel proper old school cyberpunk, instead of totally sleek and with LEDs every two square inches. The premise is equally well crafted. The conflict between New Domino and Satellite in stark relief, and we truly get a sense for how tough Yusei and his friends have it. While it’s certainly a choice to drop the themes of classism and xenophobia in the later seasons, and one I can easily see why it was made, I still have to admire the sheer depth added to the world by its inclusion.

The Fortune Cup also introduces us the idea of Yusei Fudo. Some of my favorite moments of his character happen in this part: His duel with a decried artifact deck to prove there’s no such thing as a useless card, his fight against the warden using a deck pieced together by all his fellow inmates, the spectacularly moving first match against Akiza. All bangers. All show off so perfectly what Yusei stands for. In fact, it’s so quintessential that, for the final fight of the series, the writing returns to its roots, and has Yusei end the series with the exact same thrown-away monsters he started it with.

It’s fucking perfect.

Greatest strengths of the series:

Themes. Hands down, themes.

I made a whole post about the omnipresent themes of past, present, and future here. I won’t rehash it all here, so instead I’ll just gush about how wonderfully those motifs resonate with the message of the show.

While not as blatant as its predecessor, 5Ds wrestles with, and subverts, its very tropes for the sake of telling an impactful story.

From the audiences’ perspective, everything about 5Ds, from the world, to the characters, to the villains, smacks of a classic doomed story. There are literal prophecies in play telling of mass destruction and death. The very last survivors of humanity time travel back just to tell our heroes “The future is dark.” Every qualified being with magical omnipotence speaks of a cycle, of inevitability. Yusei will die. The world will be cruel. The battle between light and darkness will continue ad infinitum.

5Ds blends two genres: dystopic cyberpunk and prophesied heroics. Two genres where it is very easy to tell the story of a tragedy, because things are predestined; things are unchangeable. Most of the time, when there’s a tragic bend to these, the story instead becomes about what our characters can do with their limited narrative. Short, brilliant, and kind lives that burn out, yet nonetheless, make a bright spot on their history: the heroes forestall the cycle for one more millennia. The revolutionary goes down in a blaze of glory that will inspire others.

And, with the magic elements of 5Ds representing the past, while the more sci-fi parts represent the future, the theme of time is as present as ever.

A more realistic, unwilling to break the tropes kind of story might choose to focus on the present. That yeah, things may have sucked and the future may be uncertain, but at least we have the now. And while 5Ds certainly has its fair share of celebrating the moment, it is not content to merely linger in it.

Yusei and New Domino are not bound by the narrative to be tragedies. Despite everything, despite literal travelers from the future showing up and saying “This will end in tears.” Despite being doomed by the narrative two times over, bound by the past, condemned by the present, and damned by the future:

Choose optimism.

The idea that you're insufficient, that it’s not enough, having clear and direct confirmation that you are going to fail. Keep moving forward anyway because. The hope that the world can change enough through just your own refusal to despair. The idea that tomorrow will suck, 100%, but you keep going because, what if it doesn't?

Betting on a loaded dice because it doesn't matter the odds, because the number you call out defines who you are. The choice to be alive, to be human, to feel joy, is the tiniest, most laughably naive decision you can make in a doomed world.

But, by choosing it, you refuse to die. And the world might change with you.

Weakest points:

When I first made a template for these reviews, I expected each of them to contain unique entries for almost every category; after all, each of these shows is so different, such wonderfully different flavors, that surely I could say something different about every one and still have room to spare.

Right?

If there’s one section I worry I’m repeating myself, it’s this one. While each of the ygo shows so far have given a plethora of characters and plots to praise, different strengths and visuals to unpack, in one place, it’s stayed frustratingly uniform: Its flaws.

Yes, there’s the tragic case of localization, as you inevitably always hear when it comes to the first three shows. I’m one of the staunchest dub defenders of them all. I love these shows to death, if that isn’t already obvious for the fact that I’ve spent literal pages discussing them in my imaginary lecture hall called the internet. If anything, I’m thrilled that so much of this show is available to me in the way that it is. While you might not expect it of me, I actually struggle quite a bit with reading and processing words. Until I started on my current adhd medication, watching anime subtitled wasn’t just a chore to me: it was straight up impossible.

The uncompleted dubs of GX and 5Ds are a bummer. The tone of the narrative sometimes grappling with itself is a bummer. The unaired final season of 5Ds that I was happily watching on Crunchyroll until someone decided to put a decade old show behind a paywall when I had nine freaking episodes left- sorry, still a little salty.

I find the discussion around the localized yugioh a tired caveat, but a frustratingly endemic one. What better way to summarize the arc of the first trilogy, than a compelling story, left unfinished, by the sheer damning fact that, simply put, the industry was still figuring itself out?

The most true criticism one can level against yugioh, at least of the shows I have seen so far, is that everything it does, other shows have done better. Each show in unique, bringing something fresh and exciting to the formula, yet never quite innovating enough to be something great.

Supernatural partnership, deconstruction of shonen tropes, bleak and fantastical worlds taken to illogical extremes; all of these are things that exist in other anime that focuses on them more directly. Usually with tighter writing. I found the shared duality of Yugi and Yami to be the most intriguing part of DM, yet it got frustratingly little time in the spotlight. Why not just watch one of the thousand and one ghostly mystery anime featuring a dynamic duo at its center? GX asks what we do when handed ultimate power and rulership over reality, but does it manage to say anything more profound on the human consciousness than say, Madoka Magica?

What mark does 5Ds have to leave on the worn road of cyberpunk, that staples like Ghost in the Shell and Akira haven’t already long cemented in place?

Why watch Yu-gi-oh?

I would argue, there’s one thing yugioh does better than almost any tv show I’ve seen.

Sincerity.

Watch yugioh for its earnestness. Its sheer commitment to its ideas, even if some of them never land. Because in this day and age, its hard to find any story as genuine, as packed full of obvious love, as this silly card game show.

Watch yugioh for its sincerity.

And because of the super cool dragons.

Most yugioh moment:

Crow letting everyone search for a missing Yusei for half an hour before thinking to mention he was kidnapped for ransom, because, in his words: “He didn’t want anyone to worry!”