#Mark Wakefield

[james-p-sullivan]

It's difficult to believe that 6 years ago today, we lost a legend. It'd be an understatement to say that Chester helped an entire generation of teens express themselves through his music and there's not a day that goes by that he is not sorely missed.

RIP Chester Bennington 1976-2017

Who cares if one more light goes out? Well I do

[supersonicanimates]

still so pissed they never remastered Fuse for HT's 20th anniversary

one of my favorite Xero tracks, but since it uses a Disney sample in the beginning, it's hard for them to remaster without getting into legal bullshit.

"WHY WAIT, I SHOULDN'T HAVE TOLD YOU SO" part is so fucking good

[rock--band]

100+ Rock Band Posters and Canvas Prints

Print Option: ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping

[moss-the-irishman]

All of the Ares kids are huge and buff, either with huge muscle fat, or if not, still reasonably strong for their build, be it lean, chubby, etc.

And then we have Ellis Wakefield, who is exactly 5’0 of twig limbs, and only half the temper to compensate.

@freddie-77-ao3

@ashthenerdtheythem

[wilsonfanboy]

“Mark Hoffman served the most cunt!!!” Ok then how come Lawrence outcunted him so hard in saw 3D that he fucking died? If he��s so cunty then how come he has some of the worst lines in the entire series (‘epic bad luck’ ass bitch)?? IF YOURE GOING TO LOOK ME IN THE EYES AND TELL ME HE’S SERVED THE MOST CUNT IN THE ENTIRE SAW FRANCHISE, THEN YOU ALSO NEED TO LOOK ME IN THE EYES AND TELL ME WHY HE LOOKS LIKE A REINCARNATION OF ANDREW WAKEFIELD.

THERE IS A REASON I LEFT HIM OUT OF THE POLL GUYS, CONTEXT CLUES FOR CHRISTS SAKE

[beuatifulbuttercup]

Cabin 5 Shenanigans

Ellis: You know guys, sometimes I feel like Sherman doesn't take me seriously enough. 

Mark: "Sometimes"? 

Clarisse: "Enough"? 

Ellis: 

Clarisse: Change that to 'at all' and we'll talk. 

Ellis: How do Mark and Sherman usually get out of these messes? 

Clarisse: They don't. They just make a bigger mess that cancels the first one out. 

Ellis: Do you love Miranda? 

Sherman: Yeah, I do. 

Ellis: Clarisse! I told you I knew it! You owe me 100 bucks! 

Clarisse: We all love Miranda. You should've asked if they were IN love with them. 

Sherman: I thought that was implied. 

Clarisse: ... 

Mark: ... 

Sherman, looking straight at Clarisse: Congrats Ellis, you just won 100 bucks.

Clarisse: You're smiling. What happened?

Mark: What? Can't I smile just because I feel like it?

Ellis: Sherman tripped and fell down the stairs today.

Clarisse: Christmas is cancelled.

Ellis: You can't cancel a holiday.

Clarisse: Keep it up, Ellis, and you'll lose New Year's too.

Ellis: What does that mean?

Clarisse: Sherman, take New Year's away from Ellis.

[softmoonlightmelody]

Ares Cabin HCs

C'mon, little children, as I regale the tale of Cabin #5.

Members (in birth order):

Clarisse La Rue - former head councilor. can speak fluent European French. her mother is not quite loving but not quite indifferent. Uses Lamer, her spear. She/her, homoromantic homosexual (fite me)

Sherman Yang - head councilor. can be hardcore but really cares a lot, just bad at expressing it. Uses a longsword. He/him, heteroromantic bisexual. Trans ftm.

Mark Reinders - likes to mess with people (affectionate). Uses a mace. He/they, aromantic asexual.

Njeri Maina - actually pretty quiet and soft-spoken for an Ares kid. her actual Ares-thing is ruthlessness and ambition. ae's just quiet about it. Uses a spear. She/ae, biromantic asexual.

Kawisenhawe "Hawthorne" Maracle - she's pretty tough and unforgiving, although her secret sweet spot is, well, sweets. Uses knives. She/her, homoromantic heterosexual.

Ellis Wakefield - he's pretty mean, actually, but it's all in good spirit - if he actually doesn't like you, he won't talk to you. Uses a sword. He/him, panromantic asexual.

Aditi Devi - speaks fluent Bengali. the 'baby' of Cabin Five, but vehemently hates that label. pretty sweet, and definitely a little naive. She/they, hasn't thought about orientation.

Headcanons:

Sherman and Mark are literally the same age, like around a few weeks apart, and they don't like to think too hard about that

Kawisenhawe usually goes by Hawthorne but a lot of campers have made the conscious effort to be able to pronounce Kawisenhawe, and now she's used to be Kawisenhawe at camp

same with Njeri, the campers like knowing how to pronounce names, especially considering that a lot of them have trouble.

some campers actually prefer their English names - like Grace from Apollo and Aloe from Athena - which is why they usually use them. Sherman does not have a Chinese name.

Aditi knows two other Aditis

[nathalieskinoblog]

Sense and Sensibility / Sinn und Sinnlichkeit 1971 - 2011

[castrotophic]

not sure if anyone is interested in this but here is a list of the most joyfully vital poems I know :)

You're the Top by Ellen Bass

Grand Fugue by Peter E. Murphy

Our Beautiful Life When It's Filled with Shrieks by Christopher Citro

Everything Is Waiting For You by David Whyte

Lawrence Ferlinghetti Is Alive! by Emily Sernaker

Instructions for Assembling the Miracle by Peter Cooley

Catalogue of Unabashed Gratitude by Ross Gay

Barton Springs by Tony Hoagland

Footnote to Howl by Allen Ginsberg

Song of the Open Road by Walt Whitman

Tomorrow, No, Tomorrower by Bradley Trumpfheller

At Last the New Arriving by Gabrielle Calvocoressi

To a Self-Proclaimed Manic Depressive Ex-Stripper Poet, After a Reading by Jeannine Hall Gailey

In the Presence of Absence by Richard Widerkehr

Chillary Clinton Said 'We Have to Bring Them to Heal' by Cortney Lamar Charleston

Midsummer by Charles Simic

Today by Frank O'Hara

Naturally by Stephen Dunn

Life is Slightly Different Than You Think It Is by Arthur Vogelsang

Ode to My Husband, Who Brings the Music by Zeina Hashem Beck

The Imaginal Stage by D.A. Powell

Lucky Life by Gerald Stern

Beginner's Lesson by Malcolm Alexander

Presidential Poetry Briefing by Albert Haley

A Poem for Uncertainties by Mark Terrill

On Coming Home by Lisa Summe

G-9 by Tim Dlugos

Five Haiku by Billy Collins

The Fates by David Kirby

Upon Receiving My Inheritance by William Fargason

Variation on a Theme by W. S. Merwin

Easy as Falling Down Stairs by Dean Young

Psalm 150 by Jericho Brown

Pantoum for Sabbouha by Zeina Hashem Beck

ASMR by Corey Van Landingham

A Welcome by Joanna Klink

From Blossoms by Li-Young Lee

At Church, I Tell My Mom She’s Singing Off-Key and She Says, by Michael Frazier

Hammond B3 Organ Cistern by Gabrielle Calvocoressi

Sorrow Is Not My Name by Ross Gay

You Can't Have It All by Barbara Ras

We Were Emergencies by Buddy Wakefield

To the Woman Crying Uncontrollably In the Next Stall by Kim Addonizio

Monet Refuses the Operation by Lisel Mueller

[ljones41]

"SENSE AND SENSIBILITY" (2008) Review

"SENSE AND SENSIBILITY" (2008) Review

The year 2008 marked the fourth adaptation of Jane Austen’s 1811 novel, "Sense and Sensibility". First aired on the BBC, this three-part miniseries had been adapted by Andrew Davies and directed by John Alexander.

"SENSE AND SENSIBILITY" told the story of the two older of three sisters and their financial and romantic travails in early 19th century England. Elinor and Marianne Dashwood, along with their mother and young sister, Margaret; found themselves homeless and in financial straits following the death of their father. Their elder half-brother, John Dashwood, had promised their father he would financially compensate them, since the Norland Park estate was entailed to the male heir. Unfortunately, John possessed the backbone of jelly and allowed his venal wife Fanny to convince him into withholding any financial assistance from the Dashwood women. Fanny received a shock when her younger brother, Edward Ferrars, paid a visit and ended up becoming romantically involved with Elinor. Before their romance could flourish; Elinor, her sisters and her mother were forced to leave Norland Park. They settled at a cottage in Devon, owned by Mrs. Dashwood’s cousin, Sir John Middleton.

Upon settling in Devon, the Dashwoods became acquainted with the gregarious Sir John, his chilly wife and his equally extroverted mother-in-law, Mrs. Jennings. Marianne attracted the attention of two potential suitors – Sir John’s neighbor and former Army comrade, Colonel Christopher Brandon; and a handsome young blade named John Willoughby. Being seventeen and emotionally volatile, Marianne preferred the handsome Willoughby over the more stoic Colonel Brandon. And Elinor began to wonder if she would ever lay eyes upon Edward Ferrars again.

Unlike Ang Lee and Emma Thompson’s 1995 adaptation of Austen’s novel, John Alexander and Andrew Davies had decided to be a little more faithful to Austen’s novel. They included Lady Middleton, the autocratic Mrs. Ferrars and both Steele sisters – Lucy and Anne – to the story. They also included Edward Ferrars’ brief visit to the Dashwoods’ cottage, the dinner party at Mrs. Ferrars’ London house and a contrite Willoughby’s conversation with Elinor. But for me, being faithful to a literary source does not guarantee a superior production. If Alexander and Davies called themselves creating a production more faithful and superior to the 1995 movie, I do not believe they had succeeded. I am not saying that this ”SENSE AND SENSIBILITY” was a terrible production. On the contrary, I believe it was first-rate. I simply believe that the 1995 movie was a better adaptation.

This three-part miniseries had a lot going for it. Both Davies and Alexander beautifully captured most of the heart of soul of Austen’s tale. And aside from a few scenes, it was wonderfully paced. ”SENSE AND SENSIBILITY” captured the financial and social dilemma faced by the Dashwood females, upon the family patriarch’s death. The miniseries’ style permeated with warmth, solidity and color. The production designs created by James Merifield did an excellent job in sending viewers back to early 19th century England. But I must give kudos to cinematographer Sean Bobbitt, who received a well deserved Emmy nomination for his beautiful photography. The Devon, Hertfordshire and Surrey countryside looked rich and lush in color. I also enjoyed Michele Clapton’s colorful costumes, which earned a BAFTA nomination. Were they historically accurate? I do not know. I am not an expert in early 19th century fashion. However, I do have a question. Was ”SENSE AND SENSIBILITY” set during the decade of 1800-1809? Or was it set between 1810 and 1819? According to the family tree briefly shown in the following photo, the movie was set around 1800-1801:

There were some aspects of ”SENSE AND SENSIBILITY” that did not appeal to me. As much as I had enjoyed Merifield’s production designs, I found it disappointing that the majority of the London sequences featured interior shots. Which meant that viewers failed to get a truly rich view of early 19th century London. But most of my quibbles were about a few scenes that struck me as unnecessary. The miniseries opened with a young couple making love in the candlelight. Viewers easily surmised the identities of the pair – John Willoughby and Colonel Brandon’s young ward, Eliza. Perhaps this was Davies’ way of foreshadowing Willoughby’s character and his near seduction of Marianne. This was the first scene I found unnecessary and heavy-handed. There are some stories in which the use of foreshadowing as a literary device work very well. This particular scene failed to work for me. Another scene that struck me as unnecessary was Edward Ferrars’ brief visit to Barton Cottage. This scene was lifted from the novel and was used to foreshadow Elinor’s discovery of his engagement to Lucy Steele. Again, the use of foreshadow failed to work for me. I would have preferred that the audience’s knowledge of the Edward-Lucy engagement had been revealed as a complete surprise to them, as well as to Elinor.

Two more scenes also failed to impress me. Austen’s novel had hinted a duel between Willoughby and Brandon over the former’s seduction of young Eliza. Davies’ screenplay included the duel, after Willoughby’s rejection of Marianne and the birth of his and Eliza’s child. This duel would have served better following Willoughby’s seduction. In fact, I wish that Davies had not included it at all. For a brief moment, I found myself confused on whether the duel was fought over Eliza or Marianne. The scene also seemed to be an indication of Davies and Alexander’s attempt to inject some overt masculinity into Austen’s tale. The last scene that Davies carried over from the novel featured Willoughby’s expression of remorse to Elinor, over his treatment of Marianne. I must admit that I found that scene a little contrived and unnecessary. Willoughby’s reasons behind his abandonment of Marianne and his embarrassment at the assembly ball seemed pretty obvious to me. And in the 1995 version, the expression on Greg Wise’s face fully expressed Willoughby’s remorse more effectively than any of Austen’s (or Davies’) words.

Despite my misgivings, I must admit that ”SENSE AND SENSIBILITY” possessed a first-rate cast. Both Hattie Morahan and Charity Wakefield gave solid performances as the story’s two heroines – Elinor and Marianne Dashwood. Morahan nicely portrayed the sober and level-headed aspects of Elinor’s personality. Yet at the same time, she conveyed subtle hints of the character’s emotions behind the mask. I found it difficult to believe that Morahan’s Elinor was 19 to 20 years-old in this story. She looked and behaved like a person who was at least 5 to 10 years older. Morahan had a tendency to utilize this ”deer-in-the-headlights” expression, whenever Elinor was surprised. Wakefield gave a decent performance as the volatile Marianne. She portrayed the character as written by Austen – an emotional and thoughtless adolescent with a kind heart. Were young females in their late teens really expected to behave in a mature manner, consistently? My only problem with Wakefield was there were a few moments when her performance seemed mechanical with hardly any style or true skill.

The miniseries received fine support from the likes of Janet Teer as the emotional Mrs. Dashwood, Mark Williams as the jovial Sir John Middleton, Jean Marsh as Mrs. Ferrars, Mark Gatiss as the vacuous John Dashwood and young Lucy Boynton as Margaret Dashwood. In his first scene, Dan Stevens seemed to hint that his interpretation of Edward Ferrars might prove to be a little livelier than past interpretations. It was a hint that failed to flourish. His Edward proved to be just as mild. At least his performance was adequate. When the miniseries first aired in Britain nearly three years ago, the media had declared Dominic Cooper as the new sex symbol of British costume drama. After seeing his performance as John Willoughby, I found this hard to swallow. But he did give a first-rate performance. But there were performances that failed to impress me. One, I had a problem with the Steele sisters. Anna Madeley’s performance as the subtle, yet catty Lucy Steele seemed perfectly fine with me. But I found Daisy Haggard’s broadly comic take on Anne Steele ridiculously overdone. And I never could understand why one Steele sister spoke with a well-bred accent (Lucy) and the other with a regional accent that strongly hinted of the lower classes. Very inconsistent. I also had a problem with Rosanna Lavelle as Sir John’s cold wife, Lady Middleton. She barely seemed to exist. In fact, I never understood why Davies did not follow Emma Thompson’s example by deleting the character altogether. Linda Bassett gave a friendly performance as Mrs. Jennings, Lady Middleton’s mother. But her portrayal lacked that deliciously meddlesome trait that prevailed in Austen’s novel and the 1995 movie. And I also found Bassett’s accent questionable. I could not tell whether her character was from amongst the upper or middle class.

At least two performances in ”SENSE AND SENSIBILITY” managed to impress me. One of those performances belonged to Claire Skinner, who portrayed the Dashwood sisters’ bitchy sister-in-law, Fanny Ferrars Dashwood. Skinner was truly superb as the venal and manipulative Fanny, who seemed more than determined to not only rule her husband, but also make her sisters-in-law miserable for the sake of her ego. My favorite Fanny scene featured that delicious montage in which she wore down John’s determination to help his sisters and stepmother financially. The other outstanding performance came from David Morrissey’s portrayal of the stoic Colonel Brandon. As much as I admire Morrissey’s skills as an actor, I have found some of his performances a little too theatrical at times. I certainly cannot say the same about his performance in ”SENSE AND SENSIBILITY”. He perfectly captured the quiet nuance of his character; and at the same time, expressed Brandon’s passion for Marianne through facial expressions and body language.

”SENSE AND SENSIBILITY” may have been marred by scenes that I found unnecessary and lacked a witty sense of humor and something of an edge; but it still turned out to be an intelligent and solid adaptation of Austen’s novel. And fans of Austen’s novel can thank Andrew Davies’ script, John Alexander’s direction, Sean Bobbitt’s photography and a solid cast lead by Hattie Morahan and Charity Wakefield.

[supersonicanimates]

also got the mess that is the pre-2000 history of LP sorted i think

this one is first. i couldn't find a video version.

then this one, with Dialate (one of if not my favorite XERO tracks

and then there's the most well-known version of XERO.

this is pretty confusing bc they're all called XERO (1997) on the linkinpedia

and then the Hybrid Theory EP, followed by the actual hybrid theory in 2000.

also what was with xero / hybrid theory and creepy babies lmao

[fixomnia-scribble]

WOW.

Scientists found an amazingly well-preserved village from 3,000 years ago

Text below, in case article access dries up:

LONDON — A half-eaten bowl of porridge complete with wooden spoon, communal rubbish bins, and a decorative necklace made with amber and glass beads are just a handful of the extraordinarily well-preserved remnants of a late Bronze Age hamlet unearthed in eastern England that’s been dubbed “Britain’s Pompeii” and a “time capsule” into village life almost 3,000 years ago.

The findings from the site, excavated in 2015 to 2016, are now the subject of two reports, complete with previously unseen photos, published this week by University of Cambridge archaeologists, who said they cast light onto the “cosy domesticity” of ancient settlement life.

“It might be the best prehistoric settlement that we’ve found in Britain,” Mark Knight, the excavation director and a co-author of the reports, said in an interviewThursday. “We took the roofs off and inside was pretty much the contents,” he said. “It’s so comprehensive and so coherent.”

The reason for the rare preservation: disaster.

The settlement, thought to have originally consisted of several large roundhouses made of wood and constructed on stilts above a slow-moving river, was engulfed by a fire less than a year after being built.

During the blaze, the buildings and much of their contents collapsed into a muddy river below that “cushioned the scorched remains where they fell,” the university said of the findings. This combination of charring from the fire and waterlogging led to “exceptional preservation,” the researchers found.

“Because of the nature of the settlement, that it was burned down and its abandonment unplanned, everything was captured,” Knight added.

“As we excavated it, there was that feeling that we were picking over someone else’s tragedy,” he said of the eerie site in the swampy fenland of East Anglia. “I don’t think we could smell the fire but the amount of ash around us — it felt close.”

Researchers said they eventually unearthed four large wooden roundhouses and an entranceway structure, but the original settlement was probably “twice as big.”

The site at Must Farm dates to about 850 B.C., eight centuries before Romans came to Britain. Archaeologists have been shocked at “just how clear the picture is” of late Bronze Age life based on the level of detail uncovered, Knight said.

The findings also showed that the communities lived “a way of life that was more sophisticated than we could have imagined,” Duncan Wilson, head of Historic England, the public body responsible for preserving England’s historic environment, said in a statement.

The findings unearthed include a stack of spears, possibly for hunting or defense; a decorative necklace “with beads from as far away as Denmark and Iran”; clothes of fine flax linen; and a female adult skull rendered smooth, “perhaps a memento of a lost loved one,” the research found.

The inhabitants’ diet was also rich and varied, including boar, pike and bream, along with wheat and barley.

A pottery bowl with the finger marks of its maker in the clay was also unearthed, researchers said, still containing its final meal — “a wheat-grain porridge mixed with animal fats” — with a wooden spatula resting inside the bowl.

“It appears the occupants saved their meat juices to use as toppings for porridge,” project archaeologist Chris Wakefield said in the university’s news release. “Chemical analyses of the bowls and jars showed traces of honey along with ruminant meats such as deer, suggesting these ingredients were combined to create a form of prehistoric honey-glazed venison,” he added.

Skulls of dogs — probably kept as pets and to help with hunting — were also uncovered, and the dogs’ fossilized feces showed they fed on scraps from their owners’ meals, the research found.

The buildings, some connected by walkways, may have had up to 60 people living there all together, Knight said, along with animals.

Although no intact sets of human remains were found at the site, indicating that the inhabitants probably fled the fire safely, several sheep bones were found burned indoors. “Skeletal remains showed the lambs were three to six months old, suggesting the settlement was destroyed sometime in late summer or early autumn,” according to the university’s news release.

Ceramic and wooden vessels including tiny cups, bowls and large storage jars were also found. Some pots were even designed to nest, stacked inside one another, Knight said — evidence of an interest in aesthetics as well as practicality.

A lot of similar items were found replicated in each home, Knight added, painting the picture of completely independent homesteads for each family unit rather than distinct buildings for shared tasks — much like we live today.

Household inventories often included metal tools, loom weights, sickles for crop harvesting, axes and even handheld razors for cutting hair.

The roundhouses — one of which had almost 50 square meters (nearly 540 square feet) of floor space — had hearths and insulated straw and clay roofs. Some featured activity zones for cooking, sleeping and working akin to modern-day rooms.

The Must Farm settlement has produced the largest collection of everyday Bronze Age artifacts ever discovered in the United Kingdom, according to Historic England, which partly funded the 1.1 million pound ($1.4 million) excavation project.

The public body labeled the site a “time capsule,” including almost 200 wooden artifacts, over 150 fiber and textile items, 128 pottery vessels and more than 90 pieces of metalwork. Some items will go on display at the nearby Peterborough Museum next month.

Archaeologists never found a “smoking gun” cause for the fire, Knight said. Instead, they suspect it was either an attack from “outside forces,” which may explain why the inhabitants never returned to collect their possessions from the debris, or an accidental blaze that spread rapidly across the tightly nestled homes.

“Probably all that was left was the people and what they were wearing; everything else was left behind,” Knight said of the fire.

But the preservation has left a window for people to look back through in the future. “You could almost see and smell their world,” he said.

“The only thing that was missing was the inhabitants,” Knight added. “And yet … I think they were there — you certainly got glimpses.”

[cinemaocd]

The Reunion by @winterofherdiscontent commissioned for Garden of Monsters

[moss-the-irishman]

Riordanverse race/nationality headcanons (Main characters and background characters alike)

This may be a very long post, and I’m throwing in little tidbits about appearances, so with no regard to any particular order, strap in:

(Seriously, this is a huge post)

Edit: Changed Luke from just Korean American to mixed Argentinian/Korean American, inspired by @tagthescullion

The Seven (Including Nico and Reyna):

Percy Jackson: Biracial White/Latino, Cuban American (Sally was born in Havana, she had Percy shortly after moving to the US)

Annabeth Chase: Biracial Black/White, Irish/African American (with Swedish, Ghanaian and Polish descent)

Jason (And Thalia, by extension) Grace: White German American (Beryl moved from Germany to the US)

Piper McLean: Native American, Cherokee

Leo Valdez: Latino, Mexican, Born in Texas

Hazel Levesque: Black, African American, New Orleans (1940's French Creole)

Frank Zhang: Chinese Canadian, Vancouver

Nico Di Angelo: White, Italian with Russian descent, 1920’s Venice

Reyna Avila Ramirez Arellano: Latina, Puerto Rican

Camp Half Blood:

Will Solace: Biracial White/Bangladeshi American, Texas

Luke Castellan: Mixed Argentinian/Korean American (Born in the US, May (or Mi-Hee) grew up in a Argentine Korean community in Buenos Aires before she moved to the US and met Hermes)

Malcolm Pace: White with albinism, Scottish, Glasgow

Travis and Connor Stoll: Mixed Scottish and Laotian, Edinburgh (Source: @freddie-77-ao3)(I think in the TV show, they cast two Asian boys as the Stolls, so I've made them Asian)

Alice Miyazawa: Japanese American, Los Angeles

Julia Feingold: White Luxembourger, Luxembourg City

Cecil Markowitz: White Austrian/Northern Irish (Born in Graz, grew up in Belfast since he was two, has dual citizenship)

Katie Gardener: White Scottish, Aberfoyle

Castor and Pollux Vintner: Black, Irish (Pollux is Albino, Castor wasn’t), Donegal

Michael Yew: Mixed Irish and Chinese, Limerick (Granny moved from China)

Lee Fletcher: White Irish, Donegal

Clarisse La Rue: Mixed French/Pakistani American, Arizona (Mother moved from France)

Chris Rodriguez: Afro-Latino, Nicaraguan (Moved to the states when he was seven, lived in the same neighbourhood as Clarisse)

Silena Beauregard: Blasian, African American and Filipino, Mississippi (French descent)

Charles Beckendorf: Black, African American

Jake Mason: White American, Wyoming

Harley Smythe-Davidson: Biracial White/Aboriginal Australian (Source: @freddie-77-ao3)

Nyssa Barrera: Latina, Panamanian, Panama City

Shane O’Doherty: White Irish, Laois

Christopher Chalkevas: White Greek/English (Born in Larissa, moved with his mother to Hackney, London at age five, has dual citizenship)

Clovis Karlsen: Wasian, Welsh (Welsh/Norwegian grandad, Indonesian granny, Source: @ashthenerdtheythem)

Chiara Benvenuti: White Italian, Florence

Alabaster C. Torrington: British Indian, English, Westminster

Lou Ellen Blackstone: Black with vitiligo, British Ghanaian, Birmingham

Drew Tanaka: Japanese American, New York City

Valentina Diaz: Latina, Colombia

Mitchell Singh-Donovan: Mixed Indian and Irish, Cork

Lacy Alfsen: White Danish, Copenhagen

Ethan Nakamura: Japanese, Tokyo

Damien White: White Irish, Northside Dublin

Miranda Gardiner: Vietnamese American, Massachusetts (Distant Irish ancestry)

Billie Ng: Wasian, Irish/Thai Canadian, Toronto (She grew up in Longford till she was seven, then she and her mortal dad moved to Canada)

Sherman Yang: Chinese American, Alaska

Marcus (Mark) Dooley-Wallace: White Irish American, Georgia

Ellis Wakefield: Black, Algerian

Holly and Laurel Victor: Sri Lankan American, Seattle

Meg McCaffery: Wasian, Irish/Vietnamese American

Camp Jupiter:

Dakota Cheshire: Black, Bermudian

Gwendolyn Nunez: Hispanic, Spanish American

Bobby Herrera: Latin American, New Mexico

Lavinia Asimov: White Russian, born in San Francisco

Larry Schumacher: White American, North Carolina

Leila Grunfeld: White American, Colorado

This has been a very exhausting post to make lmao. I gave some of the characters who don’t have canonical surnames my own Hcs for their surnames. Also, I am yet to read through trials of Apollo, so maybe I’ll come later back to add more Roman names to the list.

Tagging my moots that I like to see their opinions for this (as well as the ones I tagged within the list as well):

@aki-bara @ravingcoffeeaddict @ebony-reine-vibes @squiggle3worm @sleep-needer

[forthegothicheroine]

In Hawthorne City, the welcome sign [would be] spelled out in scarlet letters. All the houses have a legally mandated seven gables. A marble faun is erected in the Common. Every minister at every church wears a black veil. Its favorite Halloween decoration is the scarecrow instead of the witch. The bars have names like The Great Stone Face and The Elixir of Life, and the hotels names like The Ambitious Guest and, well, the Hawthorne Hotel. And the high school mascot has a high forehead and a mustache. This could have been Salem had the Witch Trials never happened. I mean, not literally, but Salem would most likely only have been famous for being the city that gave us Nathaniel Hawthorne, the author who gave us The Scarlet Letter and The House of the Seven Gables, Young Goodman Brown and The Birth-Mark, Ethan Brand and Wakefield. The author who Herman Melville called the American Shakespeare. Whom Edgar Allen Poe called "one of the few men of indisputable genius to whom our country has as yet given birth." On the other hand, had the Salem Witch Trials never happened, we might not have had the Nathaniel Hawthorne we all are supposed to read in high school

J.W. Ocker, A Season with the Witch: The Magic and Mayhem of Halloween in Salem, Massachusetts

[dysany]

Ellis Wakefield, in absolute silence, watching Cecil run around the camp annoying people until he ends up smashing his face into a tree, and thinking "I want that one" while hating himself for it

Mark will have so many jokes. Sherman already hates Cecil and now he has more reasons. Clarisse is done with them all

(Ellis probably wouldn't be the easiest at first, I can see him struggling a lot with his feelings. But then he's all silly and in love, smiling so much that he scares his siblings