#Malcolm Roach

[harveywritings92]

Soap: Who wants to make 15 dollars?

Roach & Gaz: How?

Soap: I need someone to take the fall.

Ghost, in the distance sounding shocked: Oh my god.

R/n: What did you do?

Soap: I can't tell you, yes or no, no questions asked.

Roach: Why can't you-

Ghost, now angry & disgusted:  OH. MY. GOD!!

R/n: Make it 20.

Soap: Done..

{They hear a bunch of stuff fall over and splatter.]

Ghost, horrified: OH MEH GAWD!!.

Soap, gripping R/n by the shoulder: You're a good friend,

Soap, dragging R/n out of the room: I got’em, I got’em LT! Don't worry about it.

[kendallroyscoke]

makeup by Pat Mcgrath on Zendaya for the Met Gala

[forensicated]

05x02 - A Reflection Of Glory

TW: Homophobia in terms of the late 80's.

Pete is back in uniform and is partnered with Malcolm. He's not impressed to be stuck in the middle of a busy market. Malcolm answers a call for a shoplifter so Pete reverses and takes an 'unofficial short cut'.

Jim and Ted smirk as Mike arrives in a new and expensive three piece suit that he'd chosen because he was supposed to be appearing in court. Ted wolf whistles at him. "Look at that, straight out of a shop window!" Mike rolls his eyes and they laugh, "It's very becoming, Michael!" The court case that Mike was due to attend has been put back to wait for psychiatric reports so Frank places him with Ted. "By the way...?" "Yeah?" "...Nothing..." Frank closes the door, shaking his head at Mike's suit. Jim and Ted can't help but laugh.

Pete is further annoyed to walk through a pile of dog dirt as they approach the wine merchants who called in a shop lifter. Mr Malek leads them into the back of his store to an elderly lady he suspects of stealing a bottle of brandy and 200 cigarettes. She claims she did not steal anything and that she is innocent.

Malcolm goes to speak to the mans daughter at the till but finds the shop being robbed by two armed men. He darts behind a display. He's about to call it in as Pete appears. "RAMSEY, DOWN!" Malcolm shouts, dragging him down in time to stop him being shot.

The robbers dive into the back of their getaway car. They get away too quickly for Malcolm to catch them or get the registration. Pete arranges an ambulance and he and Malcolm have a moment.

[Just noticed I've spelt Malcolm's surname the Harry Haines way - pls ignore that!]

Malcolm calls in the armed robbery and Frank reckons it could be linked to two armed robberies on post offices. Frank tells Ted he wants them off the street before they kill someone and sends Ted and Mike to the wine merchants.

June and Ken are patrolling when they're stopped by a man who begs them to come help his friend who has locked himself in the toilets of a gay club and is threatening to kill himself. The owner, Mr Spiro, initially stops them gaining entry and claims the man is highly strung 'you know what these people are like'. June tells him to stand aside or she'll call backup and report to her bosses that Mr Spiro is refusing to allow them access. Spiro steps aside. The club patrons fall silent at the sight of the police beforeJune is dragged towards the toilets. She asks Ken to break the doorway down and they find a man sat on the floor with a knife pointed at his face. June tells him he's under arrest for having an offensive weapon.

Jim's snout, Leroy, is reluctant to help out. He's a taxi driver and after some pressure he suggests a flat on the Drummond Estate - possibly 35 or 36 - as he spotted the men he dropped off had a gun in the back of his car.

Malcolm tells Ted and Mike that the robbers got away with about £600 from the till and they had at least two guns with them. Mike laments the loss of the wine. Ted allows the owner to clear up the broken glass with Malcolm but tells him not to touch anything. Behind the counter Ted finds the bullet cartridge. Pete and Malcolm watch as they go off to the address Jim called in.

Mike and Ted join Jim who has been observing the suspects flat(s). They edge through a crowded alley to hide behind a car.

Christine asks Malcolm and Pete where their shoplifter is. Pete smirks and claims "Haynes must have let her slip away in the confusion."

June stands with her face in her hand as the man from the club toilets is charged with posession of an offensive weapon. The man who originally asked them to help is obviously regetting it. "I didn't know this was going to happen, I thought you were going to help him! He's not a criminal you know!" The man grabs Alec and shouts that 'he can't do nuffin to him!' Alec drops the knife in the struggle and with the threat level, Ken has no choice but to strike the man with his baton to get him back under control. The 'friend' reaches for the knife and June stands on his hand. "Don't make things worse!"

Jim, Mike and Ted watch the flats and spot a suspect leaving one. (I don't know why this screenshot amuses me so much but it really does! It's like the holy trinity.) He tells Jim to stick close to the suspect but to let him lead them to his friends, warning him to be careful. He and Mike will follow in the car.

Jim follows him through the cemetery and Mike and Ted work out that he's heading to the canal so they head through a short cut. Unfortunately the suspect he looks back and realises Jim is following him. Thankfully Ted and Mike spot him in time and speed over to help with Mike's suit getting ruined in the process.

The suspect shouts at his accomplices to wait for him as he struggles to climb the wall. He can't quite reach so uses a canal boat to clambour over to the other side. The suspect drops his bag into the water by accident as he runs but doesn't have time to fish it out. Mike uses the bridge to 'monkey bar' to the other side but ends up falling in a small amount of the water.

Jim manages to catch the suspect and tells Mike that the bag is in the water as he struggles to arrest the man.

The mans accomplices speed off, a novelty horn blast playing as they do. Ted calls it in for uniform to try track the car down.

June tells Pete and Malcolm what happened in the charge room and they snigger about Ken having to hit the man with his truncheon. "You know what they say..." Malcolm muses. "The meek shall inherit." June comes face to face with the man's friend as she returns to custody. She clearly feels bad that it's gotten this far.

Frank tells Pete and Malcolm that Ted is bringing in a suspect of the armed robbery and asks if either of them got a good look at the suspects. Pete says he did and is confident he can identify them. Neither of them saw the driver so can't identify him.

The suspect is forced inside - racially abusing Malcolm in the process. Jim is sent to get Frank as Mike brings in the man's bag. He protests his cuffs are too tight and demands a brief. "I know my rights!" Pete enters the room and tells Frank that he's one of the men who commited the armed robbery that morning. The man falls silent, refusing to speak. Frank opens the mans bag - inside is the shotgun and numerous other weapons. The suspect claims Mike fished the bag out the canal and he's never seen it before in his life. Frank tells him the bag and its contents will be sent to forensics to be dusted for prints before his address is searched with a fine toothcomb before he is charged with attempted murder of two police officers as well as the armed robbery.

The car is spotted by Malcolm at a Texaco garage and he calls it in as he follows. It almost runs people over as it charges through a market. Just in time Malcolm remembers Pete's short cut and speeds through an estate just in time to find the car. In panic, the car crashes into a milk cart. Malcolm runs at the car and grabs a gun from the hand of one and picks up another gun that had fallen out of the car in the crash after cuffing both men together whilst they moan in pain. "You and your mate are nicked." he growls, calling into a visibly relieved Tom that he's apprehended the suspects without any real drama and requests a van to bring them back to the station.

A crowd has gathered to watch what happened and adorable little kid watches Malcolm. "Need any help, Mister?" Malcolm chuckles a little and ruffles the boys hair, telling him it's alright, he's got it under control.

[thedestinysunknown]

[augustusaugustus]

4.1 Light Duties

First episode for Christine Frazer & Malcolm Haynes, with a fun introduction for the former when she offers her assistance in an incident and Tony has no idea who she is.

[downthetubes]

Sneak Peek: Misty: 45 Years of Fear, Treasury of British Comics webshop exclusive cover revealed

Misty: 45 Years of Fear is a new hardcover collection bringing together some of the best stories of the classic British girls horror comic, out in September

Coming soon from the Treasury of British Comics is Misty: 45 Years of Fear, a hardcover collection bringing together some of the best stories of the classic British girls’ horror comic – and Rebellion have revealed their webshop edition exclusive cover, pre-orders open now. Misty: 45 Years of Fear – Treasury of British Comics Webshop Exclusive Edition cover The collection includes several…

[poppletonink]

Witchy Books To Read This Autumn

The House Witch by Delemhach

Howl's Moving Castle by Diana Wynne Jones

A History Of Magic and Witchcraft by Frances Timbers

The Lighthouse Witches by C.J. Cooke

Which Witch? by Eva Ibbotson

Accidental Magic by Iris Beaglehole

Snapdragon by Kat Leyh

A Witch's Guide To Magical Inkeeping by Sanga Mandanna

Equal Rites by Terry Pratchett

The Witches by Roald Dahl

Stardust by Neil Gaiman

Kiki's Delivery Service by Eiko Kadono

Six Women Of Salem by Marilynne K. Roach

The Ex Hex by Erin Sterling

The Crucible by Arthur Miller

Witchfinders by Malcolm Gaskill

Macbeth by William Shakespeare

Honey Witch by Sydney J. Shields

The Cupcake Witch by Melante Karsak

Every Witch Way by Madison Martin

Payback's A Witch by Lana Harper

Wee Free Men by Terry Pratchett

[mlmxreader]

Not a Clue | Ian Malcolm x gn!reader

『••✎••』

↳ ❝ What do you think of 98. “I need to snuggle.” “Why?” “Cold.” ? ❞

: ̗̀➛ Malcolm goes to see his partner whilst they're at work, even if it's just for a bit of a chat.

trigger warnings: ̗̀➛ swearing, arachnids, snakes (specifically my babies <3)

•───────────────★•♛•★──────────────•

spotlight fundraiser : ̗̀➛ Help Dr Bashar to evacuate his family from Gaza

•───────────────★•♛•★──────────────•

You stretched as you read through the previous day's log; everything had been fed, except for the scorpions. You rolled your eyes, of course no one fed them - it was always down to you to make sure that they were kept properly, as everyone else was too scared to bother.

The perk of being the only ecologist in your team who actually knew the key signs of aggression and defensive behaviour to look for; the perk of being the only one in your team who actually liked arachnids.

You nodded to yourself, deciding that they should be fed first, and started to make your way over to where the crickets, locusts, mealworms, waxworms, earthworms, snails, and both kinds of roaches were kept - but you stopped when you heard the door open, and you raised a brow.

The familiar scent of recently cleaned leather bit you in the nose, and you relaxed immediately.

"Doctor Malcolm," you hummed. "What do I owe the pleasure?"

Ian shrugged as he leaned against the table and rubbed his hands together; his knuckles were red and raw from the cold, and his fingers weren't as quick as they should have been. "It's, uh, it's always warm in here, isn't it? How'd you manage?"

You grabbed the tank of locusts and brought it to the table. "Plents of heat mats, UVB bulbs, and never opening the window. How else?"

He laughed softly, rubbing the back of his neck. "Y'know, all these, uh, creepy crawlies - you'd think that InGen would've hired you."

You scoffed as you glared at him and grabbed a pair of rubber tipped tongs. "You really think, after everything, that they give a single solitary fuck about ecology? When they practically destroyed several ecosystems?"

Ian hummed, watching with only slight discomfort as you grabbed a locust and opened one of the scorpion tanks; it was a big bugger. At least the length of his hand from the tip of his middle finger, with thick armoured pincers and a prominent, hairy, stinger; a blueish hue, the arachnid looked like something from a shitty monster film.

He cringed as he watched it grab the locust between two giant claws, and smash its venomous stinger right into the middle, nearly splitting the thing in half.

"You actually like these things?"

You grinned as you closed the tank and locked it, watching with fascination at it began to munch on its prey. "I think they're wonderful, Malcolm, you know that... saying that, actually, did you feed ours?"

He shook his head as he threw his hands up. "Oh no! I, uh, I thought we agreed, baby, that uh, you could have them - but you feed them."

You rolled your eyes fondly at him. "They're not that bad."

"One of them nearly took my finger off," he pointed out. "I've gone toe to toe with dinosaurs, I don't need an... a, uh, eight legged snipping machine to chase me."

You wanted to laugh as you brought out the next locust and dropped it into the second tank; Ian didn't mind that one. It was smaller, a uniform shiny black colour with a bit of a brown shine, and a yellowish stinger. It still looked like some sort of monster, though.

"Y'know, Malcolm, Grant came to see me the other day," you explained, "he didn't mind the scorps - he actually helped me."

Ian grimaced slightly; he liked and respected Grant, even considered him a friend, but that wouldn't change his mind. "That won't work on me, you know that."

"So did Sattler," you hummed, locking the second tank and opening the third.

The smallest of the three, it was almost impossible to see with the naked eye; dark brown amongst darker substrate, it was so small that you had to crush the locust's mouth parts before serving it to the little thing. It was, in a way, cute with its small pincers and even smaller stinger.

"Please tell me you're finished," he hummed, and once you had put the tanks and live food back, you nodded. "Did you, uh, did you speak to Sattler recently?"

You nodded as you dusted your hands off and opened one the other tanks; inside it sat a large snake, which hissed in protest for a moment before pressing its mouth to your hand.

It stopped hissing, and laid its head on your thumb; it was an impressive size, with dark brown and black scales alongside yellow and orange markings. It looked perpetually as if it was pissed off. Just looking at its light brown head and black tongue, Ian could see that it was longer than he was tall.

"Yeah," you hummed, gently coaxing the snake out and letting it sit around your shoulders. "Remember? She called me about an interview or something she was doing."

"Oh, right!" He nodded, snapping his fingers. "I, uh, I forgot about that."

You gently placed the snake on the table and started to check over its body; mumbling to yourself about its eyes being clear and none of its scales being damaged. "Why?"

Ian rubbed the back of his neck, waiting for you to put the animal back before he dared to sneak up behind you, his hands resting on your stomach as he pulled your back to his chest. "Well, uh, a little birdie came and told me that someone told the press about us."

You turned around, your hands resting on the lapels of his jacket as you tilted your head to the side. "That may have been me."

"Uh-huh... and what did you say?"

"Nothing much, to be honest," you admitted with a shrug. "Sattler called me and said that people had been asking why you were here so often and what my opinions on InGen were, so I told her."

He nodded slowly. "So you didn't tell about us liv-"

"No," you shook your head. "We agreed. The fact can be public, but not the detail... except the jacket, I told her about you buying me that fancy leather jacket."

Ian nodded back at you for a moment before coaxing you to sit on the table, he stood between your legs and pressed his forehead to your shoulder. "I need to snuggle."

"Why?"

"Cold." He huffed out, practically trying to wrap himself around you.

With a quiet laugh, you pushed him away, daring to kiss his nose. "I have work to be done - unless you have the population density chart of javanimetrus cyaneus in Borneo compared to the Philippines and Indonesia and how it's changed since last year?"

Ian had no fucking clue what any of that meant, so he just smiled. Chaos theory was easy for him, mathematics in general was easy for him - but practical stuff like using those funny little grids and taking samples and collecting specimens to study their relationship to the environment?

He didn't have a clue.

But just as you could listen to him waffle on about his latest theory or whatever, he could listen to you waffle on about how the population of animals like scorpions, spiders, snakes and roaches could determine how healthy a local environment was.

He still didn't know what the fuck a biome was, even though you had explained it thousands of times.

[thatrickmcginnis]

MAL WALDRON & MARION BROWN, Toronto 1987 + 1988

Malcolm Earl Waldron was one of the most prolific jazz artists I ever photographed, recording over 100 albums under his name and over 70 as a sideman. I met him for the first time in 1987, when he was in town for a solo concert and to record a solo record for a label owned by a local music promoter. Born in New York City, he was the house pianist at Prestige Records, and appeared on records by everyone from Charles Mingus, John Coltrane and Eric Dolphy to Gene Ammons, Kenny Burrell and Teddy Charles. He was Billie Holiday's last accompanist, and after her death played with singer Abbey Lincoln and her husband Max Roach. His playing began to change during this period, but it was a breakdown after a drug overdose in 1963 that really marked a shift in his playing; he had to re-learn music, and his sound took on a minimal, austere style after this. I tried to capture a bit of this when I photographed him for the first time, in a barely furnished room upstairs in the club on Queen Street West where he was playing.

I photographed Mal Waldron again almost exactly a year later, when he returned to the same club with saxophonist Marion Brown. The two had played as a duet on a record in 1985, and their styles mixed together well, with elements of hard bop and free jazz that reflected their own long careers in jazz, though Brown had only started recording as a leader in the late '60s. I didn't give either of them much direction when I took their portraits in the same room where I'd photographed Waldron a year later - a space that had acquired a ragged couch and several other pieces of worn-out furniture since that first shoot. That included a rickety chair that I stood on when trying to get a slightly more elevated view with my waist-level Mamiya camera; I teetered on the chair for a second before it collapsed beneath me, the tubular frame hitting me on the back of the head as I fell. I made sure my camera was OK when the stars cleared, while Waldron and Brown looked on with the same cool gaze and asked "are you alright?"

Saxophonist Marion Brown made his early mark on two classics of free jazz - Archie Shepp's Fire Music and John Coltrane's Ascension. Like Mal Waldron he had an interest in the music of Erik Satie, and spent much of his career living and playing in Europe from the '60s onward. He appeared on Harold Budd's ambient album The Pavilion of Dreams and began painting and drawing a few years before I photographed him with Waldron. I took a few portraits of him alone, and one of them is still among my favorite early portraits - the sort of simple, direct work I was striving to create at the time, though it wasn't the kind of portrait style that was much in vogue. I also took some live shots of Waldron and Brown either before or after both shoots, and one of them ended up in the artwork of the album Waldron recorded here (though you have to squint to find it.) Marion Brown died in Hollywood, Florida after a series of illnesses in 2010. Mal Waldron died of cancer in Brussels in 2002.

[kwebtv]

Black Bird - Apple TV+ - July 8, 2022 - August 5, 2022

Crime Drama (6 Episodes)

Running Time: 60 minutes

Stars:

Taron Egerton as James "Jimmy" Keene

Paul Walter Hauser as Larry Hall

Sepideh Moafi as Lauren McCauley

Greg Kinnear as Brian Miller

Ray Liotta as James "Big Jim" Keene

Recurring

Robyn Malcolm as Sammy Keene

Jake McLaughlin as Gary Hall, Larry's brother

Robert Wisdom as Edmund Beaumont

Cullen Moss as Russ Aborn

Tony Amendola as Vincent "The Chin" Gigante

Melanie Nicholls-King as Dr. Amelia Hackett

Christopher B. Duncan as Dr. Aaron Zicherman

Joe Williamson as CO Carter

Laney Stiebing as Jessica Roach

Cecilia Leal as Rochelle

Cade Tropeano as young Larry Hall

Blue Clarke as young Jimmy Keene

Kwajalyn Brown as Judge Diane Wood

[learabeau]

2024 – Liste Culturelle

JANVIER

LIVRES

L'art et la psychanalyse de Freud à Lacan par Anita Izcovich

Rêves de paysage par Claudine Bertrand

Flipette & Vénère de Lucrèce Andreae

Lettres à une jeune Poétesse. Correspondance avec Anita Forrer (1920 – 1926) de Rainer Maria Rilke

Le joueur d'échecs de Stefan Zweig

Lettres à un jeune poète de Rainer Maria Rilke

Aurore, Ulysse … Les Centaures N°1 La porte du néant par Seron

FILMS

Diane Wellington d'Arnaud des Pallières

Rythmasspoetry de Jeremy Deller et Cecilia Bengolea

Les Yeux carrés de Louison Assié et Laure Massiet du Biest

What happened, Miss Simone ? de Liz Garbus

Patinoire de Gilles Carle

10 minutes de vie d'Herz Frank

Le Seigneur des anneaux : La Communauté de l'Anneau de Peter Jackson

Bedtime Stories : Trains de Harun Farocki

Bedtime Stories : Bateaux de Harun Farocki

What Men Want d'Adam Shankman

Bedtime Stories : Ponts de Harun Farocki

Le Passage du col de Marie Bottois

Ballerina de Lee Chung-hyeon

I Don't Feel at Home Anywhere Anymore de Viv Li

Mon beau-père et moi de Jay Roach

They Do Not Exist de Mustafa Abu Ali

FEVRIER

LIVRES

La Magie de la Nature. Se relier au pouvoir des éléments, de la Lune et des plantes par Lindsay Squire

Éditeurs de notre temps. Entretiens réalisés par Nicolas Querci

Mafalda 1 de Quino

Je suis un poltron de Johann Guyot

Mama Elefante es genial de Gabriela Keselman et illustré par Claudia Bielinsky

FILMS

Angle mort de Lotfi Achour

All Inclusive de Corina Schwingruber Ilic

Somme des choses de Mohammadreza Farzad

Indes Galantes de Philippe Béziat

Retour à Séoul de Davy Chou

Afrique 50 de René Vautier

Love, Dad de Diana Cam Van Nguyen

Sans toit ni loi d'Agnès Varda

La Vie sexuelle de mamie de Urska Djukic et Émilie Pigeard

Et les chiens se taisaient de Sarah Maldoror

O saisons, ô châteaux d'Agnès Varda

Plaisir d'amour en Iran d'Agnès Varda

Du côté de la côte d'Agnès Varda

Réponse de femmes d'Agnès Varda

Boy de Yalda Alsah et Ginan Seidl

MARS

LIVRES

Le style dans le cinéma documentaire entretiens recueillis par l'association ADDOC

Réensauvagez-vous ! D'Andreas Weber et Hildegard Kurt

De la tyrannie du cartel de Philippe Comar

FILMS

Un espagnol à Paris, Paco Ibañez de Bernard Bouthier

Hercules de Ron Clements et John Musker

The Silence of The Banana Trees d'Eneos Carka

In Flow of Words d'Eliane Esther Bots

I Don't Feel at Home Anywhere Anymore de Viv Li

Behemoth : or the name of God de Lemohang Jeremiah Mosese

L'indomptable feu du printemps de Lemohang Jeremiah Mosese

Mon beau-père et nous de Paul Weitz

Mobiliser de Caroline Monnet

Cinzas e nuvens de Margaux Dauby

REW-FFWD de Denis Villeneuve

Vampire humaniste cherche suicidaire consentant d'Ariane Louis-Seize

Nos plus belles années de Sydney Pollack

Immaculée de Michael Mohan

AVRIL

LIVRES

Azimut T.1 Les aventuriers du temps perdu par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.2 Que la belle meure par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.3 Les anthropotames du Nihil par Wilfrid Lupano et Jean-Baptiste Andreae

Sous les Arbres. L'automne de Monsieur Grumpf de Dav

Jade sauve la forêt fabuleuse d'Alexandre Jardin, Fred Multier et Stéphanie Ronzon

Azimut T.4 Nuées noires, voile blanc par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.5 Derniers frimas de l'hiver par Wilfrid Lupano et Jean-Baptiste Andreae

Le Dialogue de Simon Johannin

Hallow T.1 La dernière nuit d'Halloween de Cazenove et Ood Serrière

500 affiches de Mai 68 par Vasco Gasquet

Ce monde-là. Voyage aux frontières du photojournalisme des éditions Loco / Emi

Mélusine T.1 Sortilèges de Clarke et Gilson

Intranqu'îllités N°5 Eros par auteurs multiples (magazine)

FILMS

Malcolm X de Spike Lee

Nosferatu, fantôme de la nuit de Werner Herzog

La Demoiselle et le Dragon de Juan Carlos Fresnadillo

Un taxi pour Reykjavik de Damien Peyret

La BM du Seigneur de Jean-Charles Hue

Dune de Denis Villeneuve

Fabbricante di lacrime d'Alessandro Genovesi

8 Mile de Curtis Hanson

Lil' Buck Real Swan de Louis Wallecan

LOL (Laughing Out Loud) de Lisa Azuelos

Pretty Woman de Garry Marshall

L'arrestation de C. d'Arthur Jaquier

Mon voisin Abdi de Douwe Djikstra

Five d'Igor Gotesman

Her Job de Nikos Labôt

Le Barrage d'Ali Cherri

La Grande Vadrouille de Gérard Oury

PODCAST

Dingue. Dépendance affective : attachement et réciprocité du journaliste Adrien Zerbini

MAI

LIVRES

Verdad de Lorena Canottiere

Une vie de Simone Veil

La légende de Saigyô traduit du japonais et présenté par René Sieffert

FILMS

Disneyland, mon vieux pays natal d'Arnaud des Pallières

Sound of metal de Darius Marder

Godzilla d'Ishiro Honda

Brisby et le secret de NIMH de Don Bluth

Madame Lulu de Morgane Lincy-Fercot

JUIN

LIVRES

Laura, Lizzie & les Hommes-Gobelins de Christina Rosseti, Clémentine Beauvais et Digiee

Mes merveilles d'Else Lasker-Schüler traduit par Guillaume Deswarte

C'est comme ça qu'on fait un film de Tim Grierson

La conjecture de Karinthy de Michel Viegnes

FILMS

Grâce à Dieu de François Ozon

Average Happiness de Maja Gehrig

Claire, faire corps d'Arnaud Le Hesran

Mars Express de Jérémie Périn

Nathan, juste là d'Elya Serres

Supervision de Primitivi

JUILLET

LIVRES

Auguste Rodin de Rainer Maria Rilke

Un drôle de truc pas drôle de Giula Sagramola

Une certaine tendance du cinéma documentaire par Jean-Louis Comolli

La Mélodie de l'amour et de la mort du cornette Christoph Rilke par Rainer Maria Rilke

FILMS

Sainte Marie du Mont : kilomètre zéro zéro par Claude Goretta et Gilles Perrault

Non de Didier Nion

Backflip de Nikita Diakur

Letter to a pig de Tal Kantor

Kingdom of the Planet of the Apes de Wes Ball

Dune. Part Two de Denis Villeneuve

Pirates des Caraïbes : la légende du Black Pearl par Gore Verbinski

AOUT

LIVRES

160000 enfants. Violences sexuelles et déni social d’Édouard Durand

« On ne peut pas accueillir toute la misère du monde » En finir avec une sentence de mort de Pierre Tevanian et Jean-Charles Stevens

Désobéissance climatique de Sandra Laugier et Albert Ogien

Les écoféminismes d’Élise Thiébaut

FILMS

Pirates des Caraïbes : Le Secret du coffre maudit par Gore Verbinski

Pirates des Caraïbes : Jusqu'au bout du monde par Gore Verbinski

Pirates des Caraïbes : La Fontaine de Jouvence par Rob Marshall

Pirates des Caraïbes : La Vengeance de Salazar par Jooachim Ronning et Espen Sandberg

Super par James Gunn

Furiosa : A Mad Max Saga par George Miller

Doomsday de Neil Marshall

Shrek par Andrew Adamson et Vicky Jenson

Shrek 2 par Andrew Adamson, Kelly Asbury et Conrad Vernon

Pauvres Créatures de Yorgos Lanthimos

Élémentaire de Peter Sohn

Cowboy Bebop : Knockin' on Heaven's Door de Shin'ichiro Watanabe

Discours de bienvenue de Norman McLaren par Norman McLaren

Promising Young Woman par Emerald Fennell

Saltburn par Emerald Fennell

Zoom cosmique d'Eva Szasz

Memories of Murder par Bong Joon-ho

Venom : Let There Be Carnage par Andy Serkis

NDDJ (Notre-Dame-du-Jambon) par Grace D. Singh et Sita Singh

Aquaman et le Royaume perdu par James Wan

Vice-Versa 2 par Kelsey Mann

X par Ti West

MaXXXine par Ti West

Erin Brockovich, seule contre tous par Steven Soderbergh

SEPTEMBRE

LIVRES

L'âge d'or Volume 1 de Curil Pedrosa et Roxanne Moreil

Le féminisme ou la mort de Françoise d'Eaubonne

FILMS

Deadpool et Wolverine par Shawn Levy

Pearl par Ti West

The Witch par Robert Eggers

The Northman par Robert Eggers

Star Wars, épisode V : L'Empire contre-attaque par Irvin Kershner

Sortir de l'amour romantique comme seul modèle de sociét�� par la journaliste Salomé Saqué

Star Wars, épisode III : La Revanche des Sith de George Lucas

Harry Potter and the Philosopher's Stone par Chris Colombus

Una volta ancora par Giulia Di Maggio

White power, au cœur de l’extrême droite européenne par Christophe Cotteret

Barbare par Zach Cregger

Jeanne du Barry par Maïwenn

La Terre est habitée !, par Kaj Pindal et Les Drew

The Game par David Fincher

The Crow par Rupert Sanders

Petite Leçon de cinéma : le documentaire par Jean-Stéphane Bron

A Girl Walks Home Alone at Night par Ana Lily Amirpour

Under the Silver Lake par David Robert Mitchell

Strangers par Tony Dean Smith

Blink Twice par Zoë Kravitz

Histoire de mon pays d'enfance par Marine Mabila

L’illusionniste par Alain Cavalier

Outlaw King : Le roi hors-la-loi par David Mackenzie

Under The Lake par Thanasis Trouboukis

God Bless America par Bobcat Goldthwait

King of Thieves par James Marsh

Beetlejuice par Tim Burton

Astartes par Syama Pederson

Lady Bird par Greta Gerwig

The Killer par David Fincher

Finestkind par Brian Helgeland

Wolfs par Jon Watts

Trap par Night Shyamalan

Apartment 7A par Natalie Erika James

SERIE

Godless par Scott Franck

OCTOBRE

LIVRES

Lettres autour d'un jardin par Rainer Maria Rilke

Pour le droit de vote dès la naissance de Clémentine Beauvais

FILMS

Depuis, je vole par Aylin Gökmen

Speak No Evil par Christian Tafdrup

The Wasp par Guillem de Morales d'après une pièce de Morgan Lloyd Malcolm

The Green Knight par David Lowery

Reptile par Grant Singer

Just Mercy par Destin Daniel Cretton

Le Collectionneur par Gary Fleder

Essai de reconstitution des 46 jours qui précédèrent la mort de Françoise Guiniou par Christian Boltanski

Julie and Julia par Nora Ephron

Mindscape par Jorge Dorado

Bloodshot par Dave Wilson

Hellboy : The Crooked Man par Brian Taylor

Fair Play par Chloe Domont

The Highwayman par John Lee Hancock

The Final Girls par Todd Strauss-Schulson

Come to Daddy par Ant Timpson

Spree par Eugene Kotlyarenko

Car Wash de Laïs Decaster

Beetlejuice Beetejuice par Tim Burton

Alien : Romulus par Fede Alvarez

Bad Genius par J.C. Lee

La Famille Addams par Barry Sonnenfeld

Carrie au bal du diable par Brian de Palma

Jennifer's body par Karyn Kusama

I Came By parBabak Anvari

Le Mangeur d'âmes par Alexandre Bustillo et Julien Maury

Addams Family Values par Barry Sonnenfeld

Une affaire de détails par John Lee Hancock

Scream par Wes Craven

Scream 2 par Wes Craven

Halloween : La Nuit des masques par John Carpenter

Massacre à la tronçonneuse par Tobe Hooper

A Nightmare on Elm Street par Wes Craven

La colline a des yeux par Wes Craven

Evil Dead par Sam Raimi

SERIE

Mercredi par Tim Burton, James Marshall et Gandja Monteiro

NOVEMBRE

LIVRES

Les idendités meurtrières d'Amin Maalouf

La haine du poil par Juliette Mancini, Sara Piazza et Alexia handon-Piazza

In Humus par Lina Sterte

Errance par Raymond Depardon

FILMS

The Irishman par Martin Scorsese

Don't Move par Adam Schinfler et Brian Netto

Vole, vole tristesse par Miryam Charles

I Care a Lot par J Blakeson

Halloween par David Gordon Green

Nocturnal Animals par Tom Ford

The Pale Blue Eyes par Scott Cooper

Zombie de George Andrew Romero

Le Comte de Monte-Cristo par Alexandre de La Patellière et Matthieu Delaporte

Vendredi 13 par Sean S.Cunningham

La colline a des yeux par Alexandre Aja

La Mécanique de l'ombre par Thomas Kruithof

Ephémères par Yuki Kawamura

In the Shadow of the Moon par Jim Mickle

Assassination Nation par Sam Levinson

The Substance par Coralie Fargeat

Harry Potter et la Chambre des secrets par Chris Colombus

Harry Potter et le Prisonnier d'Azkaban par Alfonso Cuaron

Harry Potter et la Coupe de feu par Mike Newell

Harry Potter et l'Ordre du Phénix par David Yates

Project X par Laura Poitras et Henri Moltke

Harry Potter et le Prince de sang-mêlé par David Yates

Harry Potter et les Reliques de la Mort, partie 1 par David Yates

Les cow-boys sont noirs de Serge Moati

Harry Potter et les Reliques de la Mort, partie 2 par David Yates

The Lord of the Rings : The Fellowship of the Ring par Peter Jackson

The Lord of the Rings : The Two Towers par Peter Jackson

The Lord of the Rings : The Return of the King par Peter Jackson

La Chapelle du Diable par Evan Spiliotopoulos

The Wonder par Sebastian Lelio

Le Roi Arthur : La légende d'Excalibur par Guy Ritchie

Le Dernier Voyage du Demeter par André Ovredal

Yannick par Quentin Dupieux

The Hunt par Craig Zobel

Elizabeth : L'Âge d'or par Shekhar Kapur

Glass Onion : Une histoire à couteaux tirés par Rian Johnson

Largo Winch : Le Prix de l'argent par Olivier Masset-Depasse

The Gray Man par Anthony et Joe Russo

DECEMBRE

LIVRES

Werner Bischof par Claude Roy

Elégie de Marienbad par Goethe

Le Doudou méchant par Claude Ponti

Histoires pragoises par Rainer Maria Rilke

FILMS

Le dernier des Mohicans par Michael Mann

Time Cut par Hannah Macpherson

SOS Fantômes : La Menace de Glace par Gil Kenan

Venom : The Last Dance par Kelly Marcel

Marie par D. J. Caruso

Sans identité par Jaume Collet-Serra

Heretic par Scott Beck et Bryan Woods

Reminiscence par Lisa Joy

An American Pickle par Brandon Trost

Renfield par Chris McKay

Carry-On par Jaume Collet-Serra

Céline (En français dans le texte) par Louis Pauwels et Yann Jouannet

Cold Blood Legacy : La Mémoire du sang par Frédéric Petitjean

Loups-garous par François Uzan

Le Seigneur des Anneaux : La Guerre des Rohirrim par Kenji Kamiyama

Oppenheimer par Christopher Nolan

SERIE

Stranger Things par Matt et Ross Duffer

[harveywritings92]

[R/n’s relative and their baby are living with her for a while after their divorce, The relative is getting ready to leave for work when they see R/n sitting on her back deck playing chess with Ghost.]

Relative: R/n, did you baby proof the kitchen like I asked?

R/n, not taking her eyes off the board.: Yeah, I’m doing it now...

[Relative and Ghost both look skeptical, cut to the kitchen where relatives toddler opens the cupboard under the kitchen sink, to reveal Roach hiding in there.]

Roach: ARRRRHGHH!! 

{The baby jumps slams the door shut and runs away.]

[forensicated]

04X40 - The Silent Gun

Malcolm attends a call at a house after a report of a disturbance. However upon talking to the complainants he realises it's much deeper. Bailiffs had been trying to force the door of a bedsit open when the man inside released several rounds from a gun, injuring one of the Bailiffs hands. Malcolm questions why he wasn't told that a gun was involved and the middle class woman admits she was rather flustered to find out her tenant had a gun. She also forgot to ask for an ambulance and to mention that the man with a gun is still inside the house, locked in his room on the top floor.

Brownlow has a holiday that he's just about to leave for as news of the shooting comes in. Malcolm has a look up the stairs but there's no movement.

Bob. Tony and Derek get their guns and bullets signed out to them by Brownlow and Derek is assigned negotiator. Brownlow will be the scene coordinator, Bob is to be his runner and the others are back up.

The woman tells Malcolm that his name is 'Dublin' and she assumes he's Irish because of his name but she's never actually spoken to him. He hasn't paid rent for 6 months and is rather reclusive. She's been through all the legal routes to get him out but he won't leave hence the bailiffs being there.

Jim is sent to try and get access to the house opposite to gain an observation point. A crowd gathers despite Yorkie trying to get everyone to go home and stay inside. Bob and Derek take up positions with their guns with Derek making his way into the house.

Derek slowly starts climbing the stairs. He gets outside the room in question without harm and takes a long deep breath in. "Derek, any sign of life?" asks Brownlow. "Just my guts turning over, sir."

Jim couldn't get in the house suggested as an observation point as the woman he encountered freaked out. He's had to go to the next house along and reports a thick curtain over the window in question.

The firearms boss arrives dressed in a suit and is introduced to Brownlow. Soon after a group of armed police arrive and take over from Bob to allow him inside to assist Derek and Charles. The boss of the firearms is awesome and asks for a canteen van to be brought because he's there to make sure everyone is safe and calm and that the job ends in the same way, however long it takes. If it's not and not everyone is alive at the end - he considers that he hasn't done his job.

Yorkie has to deal with an idiot who wants to leave his house and dodge the police to get to the local shop. He refuses to go out the back, even when Yorkie points out that he's likely to get shot! Thankfully Claire's neighbour is a lot more reasonable and agrees to keep out of the way and in the back of her house.

Derek attempts to make contact with the armed police around him. He asks Mr Dublin if he can hear him and is answered by a toilet flush and Ted making his way out of the bathroom.🤣 Derek tries again but Dublin remains silent. Derek tells him that the bailiff is OK and not seriously injured. He asks him to leave the gun in his room and come out for a chat so he can help him with his problems. Dublin doesn't answer and there's no movement inside. He asks for the man's first name and is still met with silence.

Alec reports to Brownlow that the press would like to come nearer. He refuses and tells Alec to nick them if they try it before muttering to Ted that perhaps they should let them through as the only good journalist is a dead one. The middle-class house owner beams at Charles as she tells him that her brother was a journalist for the Telegraph.

Viv shows Brownlow some post addressed to a Mr Lublin from Poland that haven't been collected. She suggests that the name they've been given for 'Mr Dublin' is wrong and that he's 'Mr Lublin' instead. There's also an old rent book in the same name.

Bob pops upstairs. "... Do you speak Polish?" he asks Derek.

Technical Support blunder into the house and ask Derek how he's going. Derek tells them he's asked for an interpreter as there's been no movement or response yet. The armed officer's boss silences them all when he hears movement...

Outside, the canteen van is doing a roaring trade. Taffy asks Claire how you get all the hedgehogs in the world on a single matchbox. Claire has no idea.

The extra we've been talking about, Bryan Jacobs gets to speak in this episode! He says 'not again' and 'he is!' when Yorkie asks him who's winning their game of cards in the back of the police van.

Robin moans about how long it's taking, claiming the sooner it's over the better. Yorkie takes Alec a tea, he pouts because it's not coffee and sends him back to get him a sandwich.

The house owner is starting to get concerned that it won't be over by the time two students she tutors are due to arrive at 8pm. Malcolm and Ken make them all jump - including startling the snoozing Ted - by celebrating as a goal is scored on TV. [Very surprised Brownlow doesn't bollock them given what they're there for!]

Derek gets the interpreter to ask if he'd like a drink, and Mr Lublin continues ignoring them. "Perhaps he's on the wagon." Derek drawls before checking in with the tech guys who tell him there's half an inch to go before their probes are through the wall. "... Let's hope you don't come out behind the wardrobe again." Derek mutters earning himself a glare.

Brownlow talks to the armed officer's boss who tells him it doesn't matter that they've been waiting four hours, he still needs to bring it to a peaceful resolution. Brownlow points out the streetful of people wanting to return to their homes and an MP moaning about overkill.

Yorkie heads to a local shop to buy a packet of biscuits and speaks to the shopkeeper who tells him that he thought the Polish tenant had gone because he hadn't been in for months whereas before he was a regular visitor for his cereal. Yorkie asks if he ever spoke to the man and the shopkeeper says no, there was no point. He's deaf.

Outside the crowd are getting moody and wanting to return to their homes. One man in particular tries to push his way through Alec. He gets rough and ends up getting bundled into a police van to calm down. Another old lady reports her rice pudding that she left on a low flame might be about to spoil so Taffy is sent in to turn it off!

Brownlow speaks to the armed officers and explains that he's deaf and claims that they've wasted time trying to speak to him. The armed officer points out that if he's heard nothing he's more dangerous as he'd panic and fire at them in shock. The police dog barks at Charles as the man walks off like he's telling him off 🤣

Ted goes over to relieve Jim who has needed a pee for an hour. He reckons they should have gone in as soon as they were in place and took him by surprise and the job now has too much heavy thinking.

Tech are now going for their third set of holes after the last set also didn't work. Derek points out it could be a wall-to-wall bookcase but the man insists he knows it'll be right that time. The heat monitor is also not helping as what is seen could be body heat or also could be a fire! "When you join up those once little holes you'd drilling we can lift the roof up and have a look, can't we!?" Derek snarks.

Taffy tries to get into the house of the old lady and ends up breaking the window of her back door as everything else is locked. He's in the wrong house as he's confronted by two men and finds no rice pudding on the stove.

With no further movement, the officers prepare to go in with a police dog. The armed officers and a light are prepared and Viv asks the lady to stay where she is. They break the door in and push through a barricade to get the dog in before pushing in themselves. Inside they find the dog sat beside the old man who has literally curled into a ball with his hands over his head. The gun is on the bed.

With everything resolved and the old man arrested, the specialist forces leave. Derek and the suspect are mobbed by the press. Jim and Ted watch on in silence with Ted turning to Jim.

".... So what was the score?"

[kimpossible-polls]

Round 1.2 Bracket 2 Side A

Señor Senior Junior vs Chester Yapsby AND The Wraith

Señor Senior Junior

Appearance: Reoccuring

Crimes: Mind control over a wide population of women, theft of animatronics, rare jewels, and hair product, kidnapping

Chester Yapsby

Appearance: Season 3 ep 9 “Roachie”

Crimes: Stealing experimental tech, creating earthquakes, and creating an army of dog-sized roaches

The Wraith (Malcolm)

Appearance: Season 2 ep 9 “Virtu-Ron”

Crimes: Email fraud, forced virtual-reality control of others, and intimidating women online for dates

[augustusaugustus]

The Bill: Series 4 Starting Titles

Nice to be away from the posterised look of series 2 and 3. It's always interesting who they choose to be featured in the titles. Surprising to see Mal there when he's new this series, and Ken hadn't done a lot up to this point.

[29pageshomestuckeveryday]

Homestuck, page 8,087

[S] Collide.

Songs used: Creata (Canon Edit) by Seth Peelle, Oppa Toby Style by Toby Fox, Eternity, Served Cold (Canon Edit) by Malcolm Brown, and Heir of Grief by Tensei

Song commentary for Oppa Toby Style:

James Roach:

i love cheers in songs (i edited the cheers into tobys song for [s] collide, and have written them into a few things) so the sword/shield gym theme really does it for me

I JUST VERY SELFISHLY ADDED THESE CHEERS TO AN ALREADY GOOD SONG LMAO

toby had written a really cool song but i wanted to give andrew some hits that were less on the downbeat for the animation so while i was editing the tracks down for length and extending bits here and there i ended up adding them in because i wanted the section to feel hype

Song commentary for heir of grief:

James Roach:

the rest of the edits i did for collide were like… timing things. theres a part at the end where we needed one more bar of hits during heir of grief because one extra thing happens (the part where the condesce gets stabbed is the previous 4 bars copied and edited in)

you might notice this if you're music savvy to the point where you're like wait why is there a 12 bar phrase in an otherwise 16 bar pattern. its because that part wasnt long enough for the animation and andrew suggested asking to re-record it and i was like thatll take too long