#Madhusudhan

[akultalkies]

Gautham Karthik, Revathy, Pugazh, Madhusudhan Rao, Neelima Rani, Jason Shah, Richard Ashton, Suresh Ekambaram, Dheeran, Balaguru, Udhaya Kumar, Sathya, Uma Kasthuri, Ravishankar, Subramanian, Solai, Agran, David, Sabbita Roi, Durai Navaneethan,

[mindblowingscience]

New data from NASA’s James Webb Space Telescope has revealed that K2-18 b, an exoplanet nearly nine times the size of Earth, could be an example of a theorized class of planets with hydrogen-rich atmospheres, vast liquid oceans and the potential to support life. Observations taken by the telescope detected the presence of carbon-bearing molecules such as methane and carbon-dioxide, according to a NASA press release published on Monday. Astronomers also picked up signs of a molecule called dimethyl sulfide (DMS) – which, on Earth, is only produced by living things. K2-18 b is an exoplanet orbiting a dwarf star roughly 120 light years away from Earth in the constellation of Leo. It is categorized as a sub-Neptune, a class of planets that are between the size of Earth and Neptune and common in the universe, although not in our solar system. Scientists have known about K2-18 b for a while, with initial observations taken by NASA’s Hubble Space Telescope, but these new observations taken with the James Webb Telescope have provided details that astronomers had previously only wondered about. "Our findings underscore the importance of considering diverse habitable environments in the search for life elsewhere," Nikku Madhusudhan, an astronomer at the University of Cambridge and lead author of a paper announcing these results, said in the release. "Traditionally, the search for life on exoplanets has focused primarily on smaller rocky planets, but the larger Hycean worlds are significantly more conducive to atmospheric observations."

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[bignaz8]

This artist’s concept shows what exoplanet K2-18 b could look like based on science data. K2-18 b, an exoplanet 8.6 times as massive as Earth, orbits the cool dwarf star K2-18 in the habitable zone and lies 120 light-years from Earth. A recent investigation with NASA’s James Webb Space Telescope into K2-18 b has revealed the presence of carbon-bearing molecules including methane and carbon dioxide. The abundance of methane and carbon dioxide, and shortage of ammonia, support the hypothesis that there may be a water ocean underneath a hydrogen-rich atmosphere in K2-18 b.

Illustration: NASA, CSA, ESA, J. Olmsted (STScI), Science: N. Madhusudhan (Cambridge University)

[aru-loves-krishnaxarjuna]

Arjuna groaned.

Krishna's dusky skin seemed blurry.

Maybe it was his own vision that had blurred or his eyes had gone dilated, Arjuna was not sure.

Arjuna suddenly felt his back hitting a wall, and his hands were pinned above his head. He was pushed and pinned to the wall. He gasped and he saw who did that. It was his Madhav.

Krishna simply came closer till him and his Parth were breathing in the same air. He paused for a moment and then closed the gap between their lips.

"M-madhav..." Arjuna whispered in a moan. "T-this is wrong...Madhav...w-we are c-commiting a sin." He managed between his panting.

Krishna smirked mischievously. "So who is going to punish us for it? The Lord of the Universe?"

"You...–" Arjuna couldn't continue anymore as Muralimanohar slammed his lips onto Savyasachi's. The latter couldn't retaliate because his hands were pinned above his head and only He himself and God knew how much he wanted this, for who knows how long.

Krishna broke the kiss again. Arjuna's vexation was shut off with a minute of bliss so complete, that it hurt. He would do anything for that bliss again, where he would not have to think anything, just Krishna, Krishna, Krishna...

"Madhav...–"

"Say my name again." Krishna groaned.

"W-what...?" Asked Arjuna, confused.

"You say my name so sweetly, Parth. Like...like honey..." Krishna leaned in more, having an unknown glint in his multihued eyes.

"Your name means honey...Madhav." Arjuna smiled.

"Say it again." Krishna unpinned Arjuna's hands, who in return wrapped his muscular arms around Madhusudhan gently, and whispered in husky tones in his ear. "Madhav...My Madhav..."

Shudders of desire ran through Krishna's body. He put his head on Vijaya's shoulder, as the latter whispered his lover's name in husky tones, accompanied by how much he loved him.

When it was too much to handle, Krishna threw Arjuna on the bed roughly, almost violently, and kissed him abruptly, inserting his tongue in the mouth of the other.

The sun blushed red at the union of the two souls, who were desperate and yearning for each other, and set for the day.

Arjuna didn't mind the roughness of his lover. He didn't mind at all..

@tiya_writes on wattpad, some lines are creditted to their book

[sivavakkiyar]

Michael Madhusudhan Dutt

[netmassimo]

An article accepted for publication in the journal "The Astrophysical Journal Letters" reports the results of a study of the exoplanet K2-18 b, including the discovery of carbon compounds such as methane in its atmosphere. A team of researchers led by Nikku Madhusudhan of the British University of Cambridge used observations conducted with the James Webb Space Telescope's NIRISS and NIRSpec instruments to probe the atmosphere of K2-18 b. It's an exoplanet already considered interesting due to its characteristics and its position in its planetary system's habitable zone. Spectral analyzes also suggest the possible presence of dimethyl sulfide (DMS), a compound considered a biomarker. These are discoveries that add to the previous ones regarding an exoplanet that led to the proposal of the Hycean class.

[angleofmusings]

finally got around to watching nimona. first impression: the trans allegory is so so so textual. i saw that trans flag in the background you CANNOT convince me thats an accident ok. im so feral about the lighting design (the credits list 18 lead lighting artists!!! and an additional 21 shot lighting artists and 2 technical lighting artists!!!!). i literally cried at that one shot with the spotlight from the top right down to center on one person and the other person unlit in the left side of the frame bc Augh The Symbolism

anygays time to appreciate the lighting artists!

lead lighting artists: v balaji, george barbour, mathilde fleury-dufour, sabaribalaji harishankar, benoit lecailtel, suraj makhija, laszlo mandi, jacob mann, thenmanirajan paulpandian, r irwin prathap, sanjay rai, balaganesh s, debora sangermano, elisa sanguin, ragul sathyan s, murray truelove, khai tuck wong, jia zhang

shot lighting artists: afaque ahmed, sai avinash alam, pradeep kumar anand, sameer ansari, abhinaba basak, paul burton, sujeesh c, kane chang, julie chapelle, deepak omprakash chauhan, louise chevrier, valerie constant, arnabi daw, ivan de frias, paul deroche, ashokkumar devadiga, léo frison-roche, boyan georgiev, dixita ghosh, krishna reddy gujjula, gunderao m h, benjamin hattenberger, jakka harikrishna, bhavesh jat, dinetto jose, syed mohd junaid, ramisetty krishna, savadesh kumar, manoj kumar talanki, facundo lavenia, aditya more, valérie morel, nikhil rupesh namdev, noyal norbert, akula pavankumar, pavuluri srinivasa phanindra, daniel alberto santana pineda, naveen prabhu, manikanta rayavaram, vishal raj gaddam, grandhi venkata sai ram, kuppili neelima rani, thirumalasetty madhusudhan rao, basava sai krishna rayapureddy, nagapuri sanjay, diego sernande, suraj sunil shinde, sooraj sreedharan, abhishek g singh, conor smith, rohit srivastava, samiksha suvarna, matu talukdar, vishal ramesh tayade, thumati sai teja, sarath thomas, upinderjeet singh, guruprasad v, abhijith vazhayil, anim venkatesh, kunal yadav

technical lighting artists: evgenii golub, jayesh makwana

if you’ve made it this far, have some nachos! (hold the olives, he’s allergic.) can we take a moment to appreciate the absolutely gorgeous end credits (design by dneg animation). go watch the whole end credits btw it’s so worth it. 10/10 movie i was soooooo invested the whole entire time

[kumarmythriindia]

Mythri Metallizing India

Mythri Metallizing India 

Mythri Metallizing India, headquartered in Bangalore, is a thermal spray coating service provider that specializes in anti-corrosion solutions for steel structures. They have over 20 years of experience in the industry. https://mythrimetallizing.com/

Services: Mythri Metallizing India offers a range of surface finishing and anti-corrosion services, including:

Sandblasting and grit blasting

Spray galvanizing

Stress relieving

Spray painting

Thermal spray aluminum coating

Surface Preparation: Mythri Metallizing uses abrasive blasting techniques, employing materials like grit, sand, quartz, and aluminum oxide, to clean and prepare metal surfaces for coating. This process removes mill scale, oil, grease, dirt, rust, oxides, and paint to ensure proper adhesion of protective coatings.

Thermal Spraying: Mythri Metallizing applies finely divided metallic or nonmetallic materials in a molten or semi-molten state to form a coating, using methods such as electric arc spray, wire flame spray, powder flame spray, HVOF, and plasma spray.  https://mythrimetallizing.com/

 Zinc coatings are used to protect steel, even at cut edges or breaks, through sacrificial action.

Stress Relieving: Mythri Metallizing uses heat treatment to improve machining, formability, and ductility, enhancing product performance by increasing strength and other desirable characteristics. https://mythrimetallizing.com/

 The Managing Director of Mythri Metallizing India is Madhusudhan D R, who has been in this position since January 2009. He has over 20 years of experience in thermal spray allumnization. https://mythrimetallizing.com/

[madhuneuro1]

Dr. Madhusudhan Rao Metla: Leading the Future of Neuroscience in Andhra Pradesh

When it comes to advanced medical care, Dr. Madhu Super Speciality Hospital stands out as the best super speciality hospital in Vijayawada. With state-of-the-art facilities, expert doctors, and a patient-centric approach, the hospital has been a beacon of hope for individuals seeking top-quality healthcare.

Why Choose Dr. Madhu Super Speciality Hospital?

1. Multi-Speciality Healthcare Under One Roof

As the best super speciality hospital in Vijayawada, the hospital provides comprehensive medical services, including:

Neurology & Neurosurgery – Led by experienced specialists in treating brain and nerve disorders.

Cardiology – Advanced heart care with cutting-edge technology.

Nephrology & Urology – Specialized treatments for kidney and urinary tract diseases.

Orthopedics & Rheumatology – Expert care for joint, bone, and musculoskeletal disorders.

Endocrinology & Diabetes Care – Comprehensive management of hormonal imbalances.

2. Advanced Diagnostic & Treatment Facilities

The hospital is equipped with modern diagnostic tools like MRI, CT Scan, and high-resolution imaging, ensuring accurate and timely diagnosis. Its well-equipped operation theaters and ICU facilities make it the best super speciality hospital in Vijayawada for critical and emergency care.

3. Experienced Team of Specialists

With highly skilled doctors and dedicated healthcare professionals, the hospital offers world-class treatment to patients from Vijayawada and surrounding areas. Their expertise ensures personalized and effective medical solutions.

4. 24/7 Emergency & Trauma Care

Medical emergencies require immediate attention, and Dr. Madhu Super Speciality Hospital provides round-the-clock emergency services to handle critical cases efficiently. The hospital’s trauma care unit is known for saving lives in emergency situations.

5. Patient-Centric Approach

As the best super speciality hospital in Vijayawada, patient well-being is the top priority. The hospital ensures affordable treatment, compassionate care, and a comfortable environment for patients and their families.

Conclusion

For those looking for the best super speciality hospital in Vijayawada, Dr. Madhu Super Speciality Hospital is the ultimate choice. With expert doctors, advanced medical technology, and a commitment to excellence, the hospital continues to provide world-class healthcare to the people of Vijayawada and beyond.

[sandblasting17]

Grit Blasting: An Essential Surface Preparation Technique

Grit blasting, also known as abrasive blasting or sandblasting, is a surface treatment process used to clean, strengthen, or prepare surfaces for further processes like painting, coating, or bonding. It involves propelling abrasive materials at high velocity onto a surface using compressed air or mechanical force. Grit Blasting Service is used widely by Cement Plant Painters in industries such as construction, automotive, shipbuilding, and manufacturing.

Process of Grit Blasting

Grit blasting works by directing abrasive particles onto a surface to remove contaminants such as rust, paint, scale, or corrosion. The process is carried out using a blasting machine that consists of:

Abrasive Material – Common abrasives include sand, steel grit, aluminum oxide, glass beads, silicon carbide, and garnet. The choice of abrasive depends on the surface material and the desired finish.

Blasting Nozzle – This directs the abrasive particles onto the surface at high speed. Different nozzle sizes and shapes can be used to control the blasting pattern.

Compressed Air or Mechanical Force – The abrasives are propelled using compressed air in dry blasting or with a liquid medium in wet blasting.

Types of Grit Blasting

There are different methods of grit blasting, each suited for specific applications:

Dry Grit Blasting – Uses compressed air to propel abrasive particles. It is commonly used in industries for removing rust and preparing metal surfaces for coatings.

Wet Grit Blasting – Uses water mixed with abrasives to reduce dust and provide a smoother finish. This method is used for delicate surfaces and in environments where dust control is necessary.

Vacuum Blasting – A controlled process that recycles abrasive material while minimizing environmental pollution. It is used in industries where dust and waste need to be contained.

Shot Blasting – A variation of grit blasting where steel shots or grits are used to clean and strengthen metal surfaces, often in the aerospace and automotive industries.

Applications of Grit Blasting

Grit blasting is essential in many industries due to its efficiency and effectiveness. Some of its primary applications include:

Surface Cleaning – Removes rust, old paint, and contaminants from metals, concrete, and other surfaces.

Surface Preparation – Prepares surfaces for coatings, adhesives, and paints by creating a rough profile that enhances adhesion.

Peening and Strengthening – Improves fatigue resistance in metal components by inducing compressive stress on the surface.

Restoration and Maintenance – Used in the restoration of old buildings, historical monuments, and machinery.

Advantages of Grit Blasting

Effective Surface Cleaning – Removes rust, scale, and old coatings quickly and efficiently.

Improved Adhesion – Creates a textured surface that enhances the bonding of paints and coatings.

Cost-Effective – Reduces the need for chemical treatments and provides a faster cleaning method.

Versatile – Can be used on a variety of materials, including metals, concrete, wood, and plastics.

Conclusion

Grit blasting is a crucial technique for surface preparation and finishing across multiple industries. Its ability to clean, strengthen, and prepare surfaces efficiently makes it a preferred method in manufacturing, construction, and maintenance. With advancements in technology, modern grit blasting techniques continue to evolve, providing more environmentally friendly and precise solutions for industrial applications.

Contact No: 9845063120

Contact Person: D. R. Madhusudhan

[hoursofreading]

bought two (2) translations of the bhagavad gītā - one by gita press (which I think is the best one) and one with commentary by madhusudhan sarasvati (advaita vedanta flavor) i'll buy eknath easwaran's translation (bhagavad gita for daily living) later.

my intention to read a chapter a day, so in ~32 days, I'll be finished with both translations. hopefully, this will give me equanimity + strength to deal with my anger management issues.

[orthotv]

🔰 ONUS ROBOCON 2024: Robotic Conference

🎟️ 2nd Edition - An Update on Robotics in Arthroplasty

🗓️ Date: Sunday, 22 December 2024

🕘 Time: 9:00 AM - 5:00 PM IST

📍 Venue: Hotel Taj Deccan, Road No. 1, Banjara Hills, Hyderabad

💻 Click here to Watch: https://tinyurl.com/OrthoTV-ONUSROBOCON

👨‍⚕️ Live Surgeries: 3 Robotic Surgeries

▪️ 6 Relive Surgeries

📚 Learn from the Masters of Arthroplasty

Live CORI TKR 👨‍⚕️ Dr. Krishna Kiran

Live Surgery CUVIS Automated TKR 👨‍⚕️ Dr. Balaraaju Naidu

RE LIVE Velys Robotic TKR 👨‍⚕️ Dr. Ratnakar Rao

RE LIVE MAKO TKR 👨‍⚕️ Dr. Suhas Masilamani

RE LIVE MAKO UKR 👨‍⚕️ Dr. Adarsh Annapa Reddy

Live CORI UKR 👨‍⚕️ Dr. Sunil Dachepalli

RE LIVE PIXEE TKR 👨‍⚕️ Dr. K. Sudhir Reddy

RE LIVE MAKO Robotic THR 👨‍⚕️ Dr. Ashok Raju

RE LIVE MISSO Robotic TKR 👨‍⚕️ Dr. K. R. Anil Kumar Reddy

🔹 Featured Robots:• Meril - CUVIS • Smith & Nephew - CORI • Depuy - Velys • Zimmer - ROSA • Stryker - MAKO • Meril - MISSO

👥 TOSA & TCOS Office Bearers• President, TOSA: Dr. Y. Thimma Reddy • President Elect, TOSA: Dr. Ramkumar Reddy • Secretary, TOSA: Dr. Srinivas Kasha • Vice President, TOSA: Dr. Vijaya Bhaskar

👨‍⚕️ Organizing Team• Dr. Balaraju Naidu • Dr. Kartheek Repakula • Dr. P. Madhusudhan • Dr. Ravi Teja Rudraraju

▶️ Media Partner : OrthoTV Global

📺 Join OrthoTV - https://linktr.ee/OrthoTV

[pace-hospitals]

Liver Transplant Patient Review in Telugu

Successful Living Donor Liver transplant has been performed by the team of Dr. CH Madhusudhan | Senior Consultant Surgical Gastroenterologist and Liver Transplant Surgeon at PACE Hospitals, Hyderabad, India: https://www.pacehospital.com/dr-ch-madhusudhan

[aru-loves-krishnaxarjuna]

Mahabharata AU—pt.4

Masterlist<– rest of the parts here <3

This time...something happened even more shocking...

Savyasachi had started glowing in yellow light, it was like Suryanarayan had bestowed himself behind her.

Her form had suddenly changed to an ancient, elegant, beautiful yet utterly powerful woman with a silhouette of a goddess sitting on a lotus with four arms and holding lotuses in two of them behind her, as if signifying an incarnation of them. "From now on, i am not one of the Pandavas, i am not a Kaunteya, or even a member of the Kuru clan!" She snapped at everyone present.

Kunti gasped, horrified, while the Pandava brothers cried. The Kuru elders didn't know what to feel and shook their heads in sorrow. "Raaj Maata Kunti, Maharani Gandhari, Panchali, if you wish to save yourselves, then renounce and leave this court room. Because this whole court will drown today…" Everyone's eyes widened in horror or shock.

"I am not a human anymore...but Death..ONLY DEATH! I am the death of all the wicked men present in this unrighteous court! And I curse that....right now! At this very moment!-" "no Arjuni!" She got interrupted by Gandhari. Gandhari joined her arms before her. "Please don't curse, Arjuni! Forgive them! Please forgive them!"

The divine woman ignored the pleas of the Subalaputri. "Duryodhan! You are very attached to the wealth and throne of Hastinapur, no? Well, i curse you! I curse every single greedy men here! All of you would become poor, poorer than beggars! You all would have no food, and would be under so torturous conditions that you would beg to god for death every moment, but your suffering would not end, not until the Almighty himself decides to...That includes Dhritarashtra and Shakuni as well as the Kauravas too..." She looked at everyone with rageful eyes, not caring about any of the looks she was recieving.

"And those who stayed quiet...they would go through grave consequences..." she stated, her voice velvety and grave.

She looked at the dice table, clenched her teeth and flipped it over with such force that it broke into pieces, scattering all over on the lower floor.

Karna had then walked up to her, but she backed away yet again. "I am telling you! Do not even dare to come near me!" Arjuni, still in her unknown form, held out her hand again to stop him in his way. Karna did stop, but said "Arjuni, please, please calm down, please Behena, for your Jyesht...please."

The Kuru members couldn't even comprehend what was happening. First, the Vastraharan attempt of their Rajkumari, then her changing her form to an ancient, slightly blue yet dusky, powerful, exquisite, divine woman and now this? Angaraj calling his greatest rival his sister?

"I am not Arjuni any longer! I am not the person you all once knew!"

"Parthavi..." a soft, melodious, impossibly gentle voice called out. Everyone turned their heads towards the sudden appearance of the godly presence. Duryodhan scoffed, angrily.

Krishna ignored the stares and focused on the other divine presence and walked towards her with benign steps. "Oh Parthavi...you are right. You are only Madhav's Parthavi and Narayan's Naari..." The mention of the names seemed to break something inside of her, because her body had jerked in a way as if she had just broken out of a trance herself. Krishna still continued his way towards her with tranquil steps.

The divine form as well as the silhouette of goddess Lakshmi broke and dissappeared, as if mixed into the air.

Madhusudhan by that time had gotten close to Vijayaa and had embraced her, his embrace providing her the solace she needed so much. Her body finally became tired and she had finally embraced the oblivion she had so wished for, falling unconscious in her Madhav's, in her Narayan's arms.

He was right...she was Madhav's Parthavi...and Narayan's Naari...

[jalalcardecor]

Jalal car decor

Address : 37-A, Acharya Jagdish Chandra Bose Rd, Manicktala, Madhusudhan Market, Mullick Bazar, Beniapukur, Kolkata, West Bengal 700017 ,

Contact : 9831107518