#Mad in Czechoslovakia

[woodcries]

i won't lie, movies look really appealing when they'll check off a bunch of countries on my movie map on letterboxd

[brokehorrorfan]

Howling II: Your Sister Is a Werewolf will be released on 4K Ultra HD + Blu-ray on October 29 via Vinegar Syndrome. Chris Barnes designed the cover art for the 1985 werewolf sequel; the original poster is on the reverse side.

Philippe Mora (Communion) directs from a script by The Howling novel series author Gary Brandner and Robert Sarno. Christopher Lee, Annie McEnroe, Reb Brown, Marsha Hunt, and Sybil Danning star.

The film has been newly restored in 4K from the 35mm original camera negative with Dolby Vision HDR. Special features are listed below.

Special features:

Commentary track with director Philippe Mora and author/screenwriter Kelly Goodner (new)

Commentary track with director Philippe Mora

Commentary track with composer Steve Parsons and editor Charles Bornstein

Lights, Camera, Werewolves? - a conversation with director Philippe Mora and filmmaker Michael Mohan (35 min)

A Romp Through Czechoslovakia - an interview with actress Annie Pressman (15 min)

Thrown to the Wolves - an interview with special make-up effects artist Steve Johnson (11 min)

A Life Collaboration with Philippe Mora - an interview with Pamela Krause, Philippe Mora's wife and artist consultant (11 min)

Freaky, Sexy, Mad - an interview with composer Stephen Parsons (16 min)

Lord of the Stricken Field - film historian Jonathan Rigby on Christopher Lee and Howling II (25 min)

Queen of the Werewolves - an archival interview with actress Sybil Danning (17 min)

Leading Man - an archival interview with actor Reb Brown (14 min)

A Monkey Phase - an archival featurette with special make-up effects artists Steve Johnson and Scott Wheeler (15 min)

Theatrical trailer

Still gallery

Ben is mourning the recent death of his sister, Karen, whom he believes to have been killed in a savage wolf attack. At her funeral, Ben is approached by the mysterious Stefan, who warns him that a cult of werewolves had attacked Karen and that she too will become an undead lycanthrope. Although dismissing his claim as mere superstition, Ben’s girlfriend Jenny convinces him that he should take Stefan’s warning more seriously, and, sure enough, Karen is soon back from the dead, covered in fur and complete with a deadly set of K9s. After being narrowly saved from a fatal bite by Stefan, Ben is persuaded that he’s telling the truth and volunteers to join him on his mission to destroy the increasing hoards of beastly creatures ravaging Europe. But as their journey takes them to Transylvania, where werewolves from around the world are gathering for their ritual, Ben and Stefan fear that they might be in over their heads, mainly once werewolf queen Stirba receives news of their arrival…

Pre-order Howling II: Your Sister Is a Werewolf.

[thewarmestplacetohide]

Dread by the Decade: 1930s Horror (Pt. V)

👻 You can support me on Ko-fi ❤️

Le Golem (1936 | Czechoslovakia): a rabbi awakens a golem to save his people. ★★★½

The Invisible Ray (1936 | USA): a scientist is driven mad by radiation. ★★½

Sweeney Todd: The Demon Barber of Fleet Street (1936 | UK): a barber murders rich customers. ★★

夜半歌声 (1937 | Republic of China): an actor believes he is being tutored by a ghost. ★★★★

妖絃怪猫伝 (1938 | Japan): an actress commits murder. ★★

The Cat and the Canary (1939 | USA): a millionaire's heirs gather to read his will. ★★★★

The Face in the Window (1939 | UK): a serial killer stalks Paris. ★½

The Man They Could Not Hang (1939 | USA): a scientist trying to reverse death is found guilty of murder. ★★★

The Return of Doctor X (1939 | USA): a doctor and reporter try to solve strange murders. ★★

Son of Frankenstein (1939 | USA): Frankenstein's son tries to save his legacy. ★★

Torture Ship (1939 | USA): a scientist experiments upon criminals. ½

[planetary]

anyways why have there been at least 3 occasions in my life where ive had to tell someone czechoslovakia was dissolved in the 90s. some kid in 4th grade, my aunt (got really mad and argued with me over it?), and some guy at work just now. its like im the only one that cares

[enlitment]

1 3 17 24 for the historical questions ask !

Thank you for the ask anon!

1. Who is your favourite historical person?

Already answered here! But, as a speed run, Camille Desmoulins and Émilie du Châtelet at the moment. Plus honorary mention for Brutus, Fulvia and Catullus.

3. What is your country most infamous for in history?

Oh, that's interesting. We don't really have a colonial history per se, at least not directly.

So that leaves us with the expulsion of Germans from Czechoslovakia after WW2. Yes, I could understand why it was a problem for the German minority to remain here, yes, I could understand that people were mad at the Germans after being subjected to the atrocities of the Nazi regime for seven years, but it was still needlessly brutal.

17. What historical item would you like to own?

I've always liked signet rings! They are nice to look at, and something about using a ring to validate documents just seems really cool.

On a more serious note, probably a first edition of some book or a letter from the 18th century, though it's very hard for me to choose a specific one.

24. Most underrated historical figure?

She's fortunately far from being underrated here on Tumblr, but I'd probably go with Fulvia. The sheer power she exuded, how she organised Antony's legions while he was away, the fact that she was basically a fourth member of the second triumvirate at some point... But the way history is taught in the more mainstream circles would have you believed that no woman had any sort of influence on Roman politics except for maybe Cleopatra.

Also Chevalier d'Éon! I mean 18th century trans spy? How are people not constantly talking about her?

[drifting-pieces-blog-blog]

Breaking down the comics: Going Home.

Moon Knight, Issue #14: Stained Glass Scarlet

OH BOY OH BOY. 

Just…Take a minute to appreciate this art: 

Damn that’s beautiful! 

Okay everyone! 

Here's a bit of rogue history for you! Especially since Scarlet showed up in a recent run! 

Her story is a sad one. 

The story starts in an abandoned church. A story of forgotten worship, run down and empty pews, infested sanctuary, and empty promises of atonement. 

"But high above the corruption, just under the church's vaulted roof in what was once the attic, there is a place of melancholy comfort... If not sanctuary.

It is here that Scarlet-- Stained Glass Scarlet-- has lived for the past three years, quiet as languid smoke, unknown by the crumbling world outside." 

Damn fine narration as always, Moench. 

And damn fine art. 

She carries out a lonely routine. Playing on the silent ruined Organ, gazing at the vast empty space and far away stars, playing pre-recorded chess games, and at last looking through her old photo album. 

"And each piece of the past is like a shard of stained glass... But all of them, even glimpsed together never adding up to a window with a clear view." 

She looks at pictures of her first communion. Her wedding. Her baby. 

The album ends in a newspaper clipping "Joe 'Mad Dog' Fasinera escapes prison. Guard killed in break." 

Cut to a vastly different location. "A fortress of wealth and security...Sanctuary." 

We are at Grant Mansion. 

Here we see Steven and Marlene sharing a moment. 

Marelene remarks that they really are lucky. 

"[...] Referring to you, to the change you've accomplished. Going from a conscienceless mercenary to a man like Moon Knight is no light-"

"Yes... well, if it's the miraculous redemption of my spirit we're talking about-"

They sit together and look at a collected work of "Alphonse Mucha." 

You have to understand something about comics. When they show you a book with a title or author, it has a purpose. 

You are supposed to recognize the name or title and understand that it will have an impact on the story later. 

So... 

Alphonse Mucha. Who is that? 

He's a Czech painter/illustrator/graphic artist from the art Nouveau period. 

He did this: 

Yeah. THAT. You've seen his work. You'll also notice that the second cover image has a similar style.

He also did this stained glass art piece in the : 

He loved his country of Czechoslovakia and did many works celebrating the slavic people and the independence of his country... in 1920s-1930. 

Yeah... You see where this is going if you know your history. 

When Hitler invaded and took over Czechoslovakia, Mucha was captured as a nationalist and severely interrogated for many days. When he was released, he was in poor health. He contracted pneumonia and died a month before the outbreak of WWII. 

Check out his art, it's beautiful. 

You should also keep in mind that The Spectors are also from Czechoslovakia. 

"The clerk in Rizzoli's said he's seen the originals of these--ten feet tall, almost like stained glass windows--hanging in belgium." 

So Steven bought this book. 

Why? Sure, he's about being rich and living the high light. In earlier issues (particularly the one with Mogart) he had shown an interest in art. 

But why this one? 

Marlene goes to the piano and starts to play "In My Life" by the Beatles. 

Wait, when did this comic come out? 

December 1981. 

Ahhhh. The one year anniversary of the death of John Lennon. 

Sometimes comics cover world events and note how they affect others. 

We see them cry and hug. 

"The dream is over. John Lennon is dead. [....] Guns. And guilt." 

We cut to Scarlet, listening to the news on the radio. 

It talks about gunfire in the Bronx attributed to the 'Mad Dog' Fasinera, the escaped convict. 

The radio goes on about Mad Dog going on a murder spree. 

Scarlet sheds some tears. 

Back at the mansion, Steven also hears about the shootings. He runs to get ready as Moon Knight. 

We cut to Mad Dog in a shoot out. He talks about revenge for his father and getting his father's money. He's going ot 'cut the old neighborhood to ribbons'. 

We see Moon Knight on the roof getting into the chopper. 

"Don't worry about it, Lady- Grant'll be back." 

"Who will be back, Steven?" 

"Okay, Already. I'LL be back." 

Again, we see the push by Marlene to have them all be Steven and the push back and frustration. 

Marlene still at this point thinks they are pretending to be someone else and she wants them all to just be Steven. 

Scarlet also cloaks up in her signature red outfit and heads out into the night. 

Moon Knight fights the Mad Dog and his gang shooting up a store. He busts in and breaks it up, taking down a few while the others get away. 

He follows them to an abandoned grocery store and sees Scarlet standing outside. 

She goes inside and finds the rest of Mad Dog's gang, but no Mad Dog. She demands to know where Joe 'Mad Dog' is. 

She tells them that when they see Joe to tell him 'What he's looking for is in the church." She then leaves. 

Moon Knight follows her back to the church and confronts her. 

She tells him her story. 

Joe is her son!

"I was young, Moon Knight, in love with the idea of being in love..." 

She talks about how Joe was the result and consequence of her love. Now, she means to 'salvage' the consequences and save Joe. 

When she was much younger, she wanted to be an actress or a nun. She chose the role of being a nun. 

Once she was a nun, she realized that she was only acting and regretted her choice. 

She realized this when she met a man named "Vince". Vine had just stolen a lot of money and run to the church out of guilt. 

She helped him and 6 months later she married him and left the church. 

"Instead, I devoted myself to my husband, hoping I could help him change, hoping I could use my own failure to redeem him... The baby came and I named him Joseph... But Vince never came to the hospital once. I had to take a cab home." 

After 15 years, she realized that this too was just a 'role'. Vince robbed a bank and killed the guard. He stashed the money and got in a shoot out with the police, who killed him in front of the church. 

When Joe heard his father was killed, he 'declared war on law and order." 

By 19 he had killed someone and left home. He went to jail for life. 

When her son went to jail, she moved to the church. "Jut to play another role, the fallen woman turned mad hemit." 

Moon Knight asks her why the church. 

"Just before the police caught up to him, Vince told a friend that he was going to hide the bank money in a special place where he 'pulled an angel straight down from heaven'." 

She moved to the church knowing that her son would eventually come looking for the money. 

Joe makes a draatic entrance and demands to know where the money is. 

She begs him to stop. To give up and turn himself in. 

Moon Knight gets shot in a scuffel and Scarlet shoots Joe. 

Joe staggers and accidentally grabs the church bell rope. As he falls, all the hidden money falls down with him. 

Scarlet stands over her dead son. 

"Thomas Wolfe's Maudlin line is true, Moon Knight... You never can go home again. Once you've turned your back on it... It's gone. Forever." 

(A very hard and true statement. I wonder if it hit home for Marc too. A man that ran from home and turned his back on everything. Had he ever tried to go home? Or was he still running?) 

Scarlet disappears into the night. Moon Knight stands over the discarded gun. “Guns…” Lamenting on how easily they take and destroy. Much like the death of John Lennon. An idea that is killed. 

Moon Knight returns back to the mansion, wounded but alive. 

"Some succeed in their chosen mission. Others fail, no matter how hard they try." 

That is the end of the issue, but not the last time we will see Stained Glass Scarlet. 

I’ll cover each of her appearances, but this is a Moon Knight Villain that I always did enjoy. 

So what about the artist? Alphonse Mucha is best known for his Art Nouveau period, but it wasn��t what he wanted to be known for. 

For him, he loved his home. He loved his little country that had fought and struggled to become whole. One of his final pieces was about his own people. “History of the Slav”. It depicted his people’s struggles to survive and build their country. 

It was put in a museum for a bit then rolled up and put into storage. 

Now and then it is pulled out and shown in Prague, but not for long or often. His country was then invaded and torn apart over and over again. He died as it was on the brink. 

Again, we have to remember that the Spectors are from Czech. While Mucha was devoutly Catholic and did a lot of work that went to the churches, he wasn’t openly recognized for a lot of it. He was most famous for the work he did in Paris. 

Scarlet tried to find herself and found herself in role after role, pretending to be happy and not finding herself. Her legacy becomes her failure to save her husband and then her son, born from her misguided attempt to find her purpose. She then kills that legacy. 

It’s odd in this comic how Moon Knight really doesn’t have much of a role in it. We focus on Mucha, John Lennon, and Scarlet. 

The bits we do see of Moon Knight are him looking into an artist from Czech who left a legacy he didn’t want. Him lamenting over the senseless killing of a man that meant so much to a lot of people. And him hearing the story of a woman trapped in finding her meaning and her past. 

It’s one of those issues that leaves you feeling like you are taking a peak behind a curtain but can’t quite see the full picture. It also leaves you wondering. 

And later, much later, in recent issues, when we see the remains of Scarlet, there is a sadness there. A bit of the past that Moon Knight could never let go of. And we’ll see more of that later when she shows up again. 

[justforbooks]

The battle to remove censorship from the British stage was fought primarily at the Royal Court theatre in London during the mid-1960s. The plays of Edward Bond, one of the most important British dramatists of the 20th century, who has died aged 89, were an essential part of that story and that struggle.

Bond had submitted plays to George Devine’s recently established English Stage Company at the Royal Court in 1958 and, as a result, was invited to join the theatre’s Writers’ Group. His first performed play, The Pope’s Wedding, was given in a production without decor on 9 December 1962, and Devine then commissioned a new play, which Bond submitted in September 1964.

That play, Saved, was presented privately for members of the English Stage Society in November 1965 after the lord chamberlain – the official censor to whose offices all new theatre plays had to be submitted – demanded cuts in the text. The play was the most controversial of its day, not just because of the explicitness of the sexual swaggering and dialogue, but because of a scene in which a baby is stoned to death in its pram.

The stays of middle-class propriety in the contemporary theatre had already been given a good vicious tug in the work of David Rudkin and Joe Orton, but this was something else. There was uproar in the theatre, and in the reviews, and a visit by the police. The theatre was hauled into court after an alleged minor breach of the club licensing laws, and many notable witnesses, including Laurence Olivier, spoke in the play’s favour. Penelope Gilliatt wrote in the Observer that the play was about brutishness, not brutish in itself: “The thing that makes Saved most painful to watch is the fact that the characters who won’t listen to other people’s desperate voices are in despair for lack of a listener themselves.”

Bond’s next play, Early Morning, was banned outright. It was a surreal fantasy, featuring Queen Victoria and Florence Nightingale as lesbian lovers, two conjoined twin princes, and cannibalism in heaven. Again, the vice squad paid a call, performances were cancelled and a private dress rehearsal arranged for the critics in April 1968.

By now the theatres bill was on its way in the House of Commons, becoming law in September. Plays were finally removed from the control of the lord chamberlain, who had held censorious sway over the nation’s entertainment since 1737. Violence, sex, political satire and nudity were bona fide subjects at last for the modern theatre.

William Gaskill, the artistic director of the Court in succession to Devine, mounted a Bond season in 1969 that established his reputation both in Britain and abroad, during a tour to Belgrade and eastern Europe. Saved was given 14 productions in West Germany and opened to acclaim in the Netherlands, Denmark, Japan, Czechoslovakia and the US.

This period was one of defiance at the Royal Court, and the experience marked everyone who worked there for life, none more so than Bond and Gaskill. Bond was acknowledged as the inheritor of Brecht’s legacy in the flintiness of his writing and the uncompromising artistic vision of his scenes and stage pictures.

He wrote many fine plays in the subsequent decade: his Lear (1971) was a majestic, pitiless rewriting of Shakespeare, with Harry Andrews unforgettably scaling a huge, stage-filling wall at the end; Bingo (1973) and The Fool (1975) drew chilling portraits of English writers – Shakespeare (played by John Gielgud at the Court – and by Patrick Stewart in a 2010 revival at Chichester) and the rural poet John Clare (Tom Courtenay) – at odds with their societies, driven respectively to suicide and madness; and The Woman (1978), the first new play to be produced on the National’s new Olivier stage, was an astounding, panoramic survey of Greek myths and misogyny.

Bond was born in Holloway, north London, one of four children. His parents were farm labourers in East Anglia and had come to London looking for work. Bond was evacuated during the second world war, first to Cornwall and later to live with his grandparents near Ely, Cambridgeshire. He attended Crouch End secondary modern school in London in 1946 and left when he was 15. “That was the making of me, of course,” he said, “you see, after that nobody takes you seriously. The conditioning process stops. Once you let them send you to grammar school and university, you’re ruined.”

He enjoyed the music hall and was impressed by Donald Wolfit as Macbeth at the Bedford theatre in Camden Town in 1948: “I knew all these people, they were there in the newspapers – this was my world.”

After school he worked as a paint-mixer, insurance clerk and checker in an aircraft factory before beginning his national service in 1953. He was stationed in Vienna and started to write short stories.

Once Saved had been performed and he knew he would always work in the theatre, he bought a house on the edge of a small village, Wilbraham, near Cambridge, and lived there contentedly with his wife, the German-speaking Elisabeth Pablé, a writer, whom he married in 1971 and with whom he collaborated on a new version of Wedekind’s Lulu based on some newly discovered jottings and manuscripts in the early 90s.

His early plays were often based in situations and societies he was familiar with, whatever their period setting, but Bond’s later work took on a more resonant, prophetic, some felt pompous, tone. Put simply, according to Richard Eyre and Nicholas Wright in Changing Stages, their 2000 account of the British theatre, Bond used to ask questions; now he gave answers.

He acquired a reputation as a rather remote guru, and his later, proscriptive epics about the failure of capitalism and the violence of the state were more often performed by amateurs than by the leading companies in Britain.

The Worlds (1979), for instance, was first given by amateurs in Newcastle, but its scope was immense, charting the collapse of a successful business operation riddled with strike action, terrorism, kidnappings and long speeches. In one of these, a terrorist defines the two worlds as one of appearance and one of reality. In the first, she says, there is right and wrong, the law and good manners. In the second, which controls the first, machines and power.

Before going into what he called voluntary exile from the British theatre establishment, Bond wrote the “pastoral” Restoration (1981) for the Court, an often witty inversion of a Restoration comedy, with Simon Callow in full flow as Lord Are, and Summer (1982) for the National, a comic, modern rendering of The Tempest set in the sunny Mediterranean.

Bond was a dapper, withdrawn man who could be intimidating, but disarmingly gnomic and self-deprecating when he was in the mood. Sympathetic interviewers could be treated to bilious attacks on directors such as Sam Mendes – whose 1991 revival of his 1973 comedy The Sea, a beautiful play of madness and dehumanisation in an Edwardian seaside town, he loathed – and Trevor Nunn (who, he said, turned the National Theatre into “a technicolour sewer”), though he never raised his voice and often dissolved into mischievous chuckling.

Even the collapse of eastern European socialism could not stem the flow of Bond’s writing. “Before, as a socialist writer,” he once told me, “you knew there was a framework, a system to which the play might eventually refer. But now, the problem of the last act has returned! And I was always a critic of the system to start with. That’s why I wrote my version of King Lear.”

More recently, you had to hunt pretty hard to find his new work. There was an intriguing season of six plays at the Cock Tavern in the Kilburn High Road, north London, in 2008, and several more performed by Big Brum, a theatre-in-education company in the Midlands, between 2012 and 2014.

Jonathan Kent directed a revival of The Sea at the Haymarket, starring David Haig and Eileen Atkins in 2008, while Sean Holmes provided the first London production of Saved in 27 years – still harrowing, more pertinent than ever – at the Lyric, Hammersmith, in 2011.

Following the example of Brecht, Bond was prolific in supplying his work with the extra apparatus of poems, prefaces and notebooks, though, unlike Brecht, a giant of an intellectual all-rounder in comparison, and a far superior poet, he was always better when restricting himself to stage dialogue.

He also wrote for films, including the screenplay for Nicholas Roeg’s Walkabout (1971), set in the Australian outback and starring Jenny Agutter and David Gulpilil, and the Nabokov adaptation Laughter in the Dark (1969), as well as contributing dialogue for Michelangelo Antonioni’s Blow-Up (1966) and Nicholas and Alexandra (1971).

At his best, he was a genuine poet of the stage, and exerted an enormous influence on at least two generations of theatre workers after him. It is possible that some of the unknown plays of his later, post-nuclear apocalyptic period will be ripe for assessment. The place of at least 10 of his earlier plays is secure in the national literature and they are certain to be revived. He remains much admired and often performed in France and Germany.

Elisabeth died in 2017.

🔔 Thomas Edward Bond, playwright and director, born 18 July 1934; died 3 March 2024

Daily inspiration. Discover more photos at Just for Books…?

[helenvader]

Let me share my "Sauron and I" story.

In 1990, when I was 14, a classmate lent me the Czech translation of the Hobbit, claiming I might like it. I did. But, and I think that is remarkable, my thoughts at the end were "I'd like to know more about the Necromancer" (translated as the Sorcerer).

There was a text on Tolkien at the end of the book and I learned that there is a whole TRILOGY of books where that particular unsavoury character is crucial to the plot. How is it possible I knew nothing about Tolkien at the ripe age of 14? In the Communist Czechoslovakia, "escapist" literature was, as a general rule, not published. That only changed when the regime fell in 1989. The first translation of LotR was published in 1990, but by the time I had read The Hobbit it was sold out. My library didn't have it. So I found someone who had it and borrowed it.

I was looking forward to "meeting" Sauron, until... we never did. My disappointment was huge. I loved the book, you see, but after the Dark Lord was defeated the rest bored me (in my defense, I *was* 14 and also, my expectations were subverted :-)). I read the Silmarillion, too, so I learned something more. And I was actually wishing for Mairon to repent. In the AU in my head. I had no idea it was called fanfiction. I learned that in 2000s with the arrival of the internet. And before that I never knew anybody who was inventing stories related to books/movies in their head.

As for Sauron... when PJ's movies arrived, I got at least the Eye.

When The Hobbit trilogy came out, we got DOL GULDUR. And the tombs of the Nine (love me some dark aesthetics). And that lovely abstract fight between Gandalf and Sauron. I didn't enjoy Galadriel vs Sauron that much, that came... later. Much later. Ahem.

And then I learned Amazon was planning a 2nd Age show. I would get Annatar! When I started watching the show, I was so looking forward to FINALLY meeting him.

Except, by Episode 3 I was in love with Halbrand. And I didn't want him to be Sauron, despite the mounting evidence, because that would mean he'd end up... we know how... and I actually liked him and wanted something better for him. Even though it was clear his future would be dark. But a girl can hope, surely? *mad cackle*

Denial, denial, denial.

And then I watched Episode 8. I shed my tears, my heart was broken, I started to write fanfic to process my grief (genre: redeeming Mairon, unsurprisingly)...

So, we are in 2023, I am 46, and ended up... rooting for Sauron. Because, what other choice do I have?

And, given my history, what else did I expect? ��

---

A bonus screencap. Yes, you smug bastard, I love you.

[barbiegirldream]

SK anon

Another thing that's so weird (well it actually makes a little mad) about the 'no not the Russian language' is that like, do they know that like most of eastern/southern Europe speaks russian or their language is really similar to it Or is the country's second language (and guess what even in Ukraine) and like obviously it's a colonizing language, half of Europe pretty much belonged to communist Russia in the past and before that it belonged to Austria-Hungary and They tried to force their language even harder on people, but no one talks about that.

So like if those braindeads think that English or Spanish are so great why don't they try to learn about all of the old languages that (almost) died because of them.

!! there are native languages that are dead because of every language showcased in Dream's video (and it's not cause everyone just decided the other language was better 💀) but asides from Mandarin and maybe Arabic ? I'd say the major languages were all represented. Languages die out because of people like them. When my family moved it was still a united Czechoslovakia. Whatever Roma dialect they spoke it Dead because they taught their son (my great grandpa) taught his kids (my grandfather and his siblings) English only. Blessed Free melting pot America, English only or you'll get hate crimed. And I KNOW half these bitches complaining are either from the US or England so it's just like be so serious.

Like aren't there tons of languages in the UK that the English government literally banned people from speaking. Imagine if an AI like this could be developed further to include more languages that would no longer require Everyone speaks the colonizer languages if they don't have to.

[marmota-b]

Probably not how this is supposed to work, but whatever. 1. Share a song that makes you think of [fic title]

Less one specific fic, though I do have one WIP using the title and the lyrics, and more of a general worldbuilding background for the Empire: Poločas rozpadu by Petr Skoumal. It's a song from and about the 1980s / Normalisation period in Czechoslovakia. The chorus goes: It's winter And it's already been spring We are walking backwards It's winter And what is left Half-life - where "half-life" in the original is actually the term relating to nuclear physics, and literally means "half-time of disintegration". But the English version offers itself to double metaphors; and since the author's parents were translators from English, and he spent four years in Britain with them as a child, I cannot help but wonder if that actually was at the back of his mind when he wrote it.

2. Do you read/reread your own fics?

Yes. Although it kind of fluctuates based on what universe is currently occupying my mind. Or I return to something if I receive kudos / a comment, and I remind myself of what I have written. I tend to stick to headcanons, so I think in part it has to do with reminding myself what they are / whether I still agree with them.

3. What’s your favorite fic that you’ve written?

Can I list three?

Survivors (Bright with his Splendour) (Good Omens / Historical RPF) was one of the first fanfics I ever wrote (not the first, I eventually realised, but the first I wrote in English), and given that, I’m still amazed how well it turned out.

Let Us Make Us a Name (The Eagle) is something I wrote, and posted, quite quickly, and writing quickly isn’t my strong suit, and again, I still like how it came out.

The First Time Ever I Saw Your Face (Chronicles of Narnia) is short and succinct and says all I wanted it to say, and that’s also not my strong suit.

4. How many WIPs do you have right now?

Um… too many. 23 just at the top in my Google Docs as things I worked on more recently, not counting those I haven't and forgot to count and not counting things that may or may not become fics in their own right. And things I had on a backup harddisc that crashed last year but that I probably still want to revive. (The only one I really regret stupidly forgetting to back up in Google Docs was a Sherlock Holmes / Chronicles of Narnia crossover exploring the possibilities of the Giant Rat of Sumatra. I really liked what I had there, I just got stuck, as usual, on the plotty bits.)

5. What’s a fic idea you’ve had that you will never write?

Many years ago, as a teenager, I had some sort of mad idea about a Quo Vadis fanfic involving time travel... don't ask me how I came up with that. In retrospect, I think I have worked through the things I was very inexpertly trying to work through there in other ways now, so that frankly clueless teenaged idea doesn't need to happen, and there wasn't much in it to salvage for other reasons. (Though I still can't discount the idea that the characters, heavily reworked but retaining their core, will find their way somewhere one day.)

6. Are there any fics from others you reread all the time?

I haven’t in a while now, but the Housemates series by Coneycat is a big and fairly regular comfort read.

7. How many ideas for fics do you have right now?

Pass. :D Honestly mainly because I don’t even know, and if I think about it too much, more will spring up. Plot bunnies are called bunnies for a reason…

8. What project(s) are you currently working on?

Sewing projects, actually.

9. Do you write every day? If you wrote today, share a sentence of what you’ve written!

No, I don’t. I often write more in short intense bursts of inspiration, and then I polish and polish; so I may have even written something today, but it’s not something I wrote today.

10. Is there a fic that got a different response than you were expecting?

Aside from not getting much of a response at all, or just getting kudos instead of comments that would actually tell me what people think… I think the strangest - though not unwelcome - was Jate’Ka’ra, which focuses on Fenn Shysa and his reluctant ascension to the title of Mand’alor. I got thanked for not Jedi-bashing. Which says something very unflattering about the prevailing attitudes in the Mandalorian fandom, because I don’t think there’s much canon-based reason for a Shysa-centric fic to Jedi-bash. (And then we descended into a long string of worldbuilding / canon-reconciling brainstorming, and that was also unexpected but quite helpful and fun.)

11. Do you have specific playlists for writing fics?

I don’t really have playlists, period.

I do get inspired by songs, but there isn’t any rhyme or reason to it. Though come to think of it, one of these days, I might try to compile such a playlist - I have enough song/music-inspired fics that it might actually work out into something decent if I did.

12. Do you have a playlist for your current WIP(s)? Share it!

See above.

13. How much planning do you do before writing?

Probably far less than I should. I get ideas, and write them down, and the only more thorough planning I do is for fics that are shaping up to be quite long. More recently, I've done some mind-mapping for some of those, which turns out to work probably best with how my mind works. Me and linear outlines don't mix well.

14. If you could see one of your fics adapted into a visual medium, such as comic or film, which fan fic would you pick?

Probably some of the Marvel fics? I have an idea for something, not yet finished / written, where it would actually work best if there WAS a comics as part of it - in-universe, something Steve Rogers created. Out of the things I've already posted, somehow I also feel Jate'Ka'ra might work quite well as a (more contemplative) comics, although I think the structure would have to be reworked (like maybe juxtaposing Tobbi and Fenn's reactions to trauma more directly instead of in two separate narrative sections). Film... not really. I have a bit of a love-hate relationship with film adaptations. I like that the written word and even comics still leaves space for the reader to fill in the blanks with their own imagination, and I think I sort of always write with that in mind.

15. How do you come up with titles for your fics/chapters?

I often seem to pick lines from songs. Not always, but it seems to be a safe thing to resort to when I don’t have other ideas. Sometimes something just forms as part of the creative process, sometimes I have to figure something out. For The Peridan Chronicles (the title of which is a sort of pun on the name of one of my fandoms and “The Methos Chronicles” from the other) I intentionally follow the “In Which…” naming convention for the chapters, namely “In Which Our Hero…” I did that for the first chapter because it was a fun way to play on the clash of worlds happening in it, basically, and I liked it so much I kept it. At some point in the story I intend to switch “our hero” to other designations marking where Peridan is at that point in his life, but I haven’t gotten there yet.

16. At what point in the process do you come up with titles?

Depends a lot. Sometimes a title forms quite soon - that was the case with The Peridan Chronicles, that title came to me basically right at the heels of the very idea of writing that particular crossover, and is pretty much inseparable from it. That seems to be the case sometimes where the story is a bit of a "high concept" story. Other titles are the very last thing I come up with. In many cases, I have a working title that eventually changes because the story grows under my hands and perhaps develops a "message" the original "high concept" did not yet have. I have a Painkiller AU WIP that started out with the punny title "Big Trouble in Little America" and the "high concept" of "Steve and the Howling Comamndoes team up with a Czech resistance group to deal with the Hydra base in Czechia that you can see in the maps in the film"; currently it bears the title "While the Winter Army Stands", which I suspect is the final one, but the story is still very far from finishing.

17. What’s something you’ve learned about while doing research for a fic?

Relative to the abvementioned WIP, probably the biggest thing I learned researching for a fic is the personal history of the Czech writer / songwriter / … Bob Hurikán (pseudonym), and various of his friends. And now I have FEELS about a flawed human being doing his best. In Real Life, he founded a resistance group we don't know much about because he kept it a bit independent. From my research, I strongly suspect he founded and named it as a tribute to a friend who joined the Resistance practically the moment Nazis rolled in, and perished in a concentration camp. Bob himself escaped execution only because it was scheduled for VE Day. Bob wasn't supposed to be the main character. Now he probably is.

18. What’s one of your favorite lines you’ve written in a fic?

"It felt like an eternity; it felt like far too short a time." - when Methos first sees Aslan.

19. Give us a small teaser from one of your WIPs.

“You have been Knighted,” Lucien observed and sipped his tea. The evening was growing colder.

“Under duress,” Zayne said. “And by a heretic Jedi who proceeded to turn Sith, subsequent return to the Light notwithstanding. I distinctly recall I told him ‘kriff you’ right after the ceremony, and walked away. I would have done it earlier in the process, but he had a lit lightsaber, so I figured he’d take it better if I let him go through with it. I don’t think it holds much water.”

“Under present circumstances?” Lucien retorted. “I don’t think anyone who could protest is still alive.”

Zayne sighed.

“At least two such people still are,” he said.

“You think I would protest?” Lucien asked, bemused.

“When the possibility first arose, you tried to kill me,” Zayne pointed out mildly, like it was a little inside joke and not one of Lucien’s greatest regrets.

20. What’s a favorite title for a fic you’ve written?

As a title, that must be The Peridan Chronicles. Succinct, to the point, says a lot about what the story is, leaves a lot of room for the story to become what it wants to be.

21. Have you ever deleted an entire scene after spending hours laboring over it? If so, why?

A couple times, sure. Often because it was something I wrote ahead in the story and by the time I got to that point, it no longer fit. I also wrote a whole long bit about Sarah Altmann exploring Frank and Steve's flat which I tried to turn into some sort of character exploration for One Hundred Tours (And Still Counting)... and it just got long and meandering and did not say much. But I still treasure the detail I came up with where they have post-its and schedules on the fridge door and one of them in Frank's hand says "Thu 1600 - Postpone eschaton". It's a sort of nerdy joke where Frank does something on Thursdays he does not want to miss (presumably helping out in the youth centre) and it basically means "Avengers-related apocalypses better NOT happen then", except that Frank has some theological knowledge and an Immortal kinsman who lived through Biblical times, and he knows that's not what the word "apocalypse" means, so he used the correct one. It might have been my other pick for my favourite line I have written, because I like how (unlike the rest of the piece) it says quite a lot about my version of Frank and where he is right now, in a very short space; but unfortunately it got cut.

22. Do you know how your fic will end before you start writing?

I prefer to at least start with a rough idea. It keeps me focused. The story may grow and demand a different ending after all, but generally speaking, I want to start at least with the gist / feeling of the ending. (Hope. It’s always hope.)

23. How do you choose where to end a chapter (if you have multi-chapter works)?

It tends to be a mixture of “where there is a logical place to end story-wise”, “how long the chapter already is”, “what I’m trying to have this particular chapter to say”, and things like that. Since my stories tend not to be particularly action-heavy, I tend not to have to grapple with things like cliffhangers, so I think actually it tends to be fairly easy for me - my stories often more or less already come to me in chapter-form, in terms of, yes, each chapter kind of trying to say something (even if they often grow more chapters than expected).

24. Share a moodboard for (one of) your current WIP(s).

I don’t do moodboards; though I do have a “Peridan Chronicles Inspiration Board” on Pinterest.

So here are some snapshots of that. These sections are largely concerned with what I picture Stormness Fast like, so it's also relevant to We Can't Fall Any Further, We Cannot Reach Any Higher. It doesn't cover all aspects of the house and its surroundings, but at least as a rough idea.

And the above are illustrations from books I read in my childhood, by Tony Wolf, which were definitely a strong influence on my focus on the smaller inhabitants of Narnia and their doings.

25. Have you ever upset yourself with your own writing?

Hm, I don’t know what exactly is meant by “upset”, but if it means “strong feelings I have to take some time to process”, then yes, definitely. Especially in recent years, every now and then a story takes a turn under my hands I didn't entirely expect, and a bit of a darker turn maybe, which I think is a reaction to how hard in many respects the past couple of years have been.

26. Is there something you’ve written that you would never want your family to see?

I don’t show most of my writing to my family, and I don’t think they know I write fanfiction (they do know I write things I don’t share with them). I don’t necessarily think they wouldn’t like it, but… Well, we’re a very analytical family, and I don’t think I want to be analysed to that extent. I am fine with strangers online seeing things in my fics I didn’t necessarily intend to put there, and often that sort of discussion is enriching; but I suspect some of my family members might the same way draw conclusions about me that I didn’t necessarily intend to put in there. (Would they find confirmation of their own ideas / points of view that I don’t actually necessarily share, or would never put the way they do if actually asked?) And that would be the exact opposite of enriching. I don’t really hide the side of myself I put in my fics from them - I just prefer to reveal it in normal conversations as relevant to our lives / as a relevant reaction to what they say / ...

27. Is there a fic you were nervous to post/share? Why?

Survivors (Bright with His Splendour remix), since it’s a remix of an existing work by another author that I poured a lot of heart into, before I even knew remixes were a thing, and it sat unfinished for years.

Te Choruk’la’kajir Aka (The Stone Table Mission), because it was a gift in a gift exchange, and a bit of a scrambling to have SOMETHING to post when my original idea exploded under my hands into something I had no chance of finishing on time.

Ceasefire, because it was - though I did not yet have the terminology for it, a reader years later named it and was spot on - a story from the POV of someone who dissociates a lot, and I had no idea how it would come across. I had a period like that myself, though in my case it had more to do with suffering from anaemia - so I knew what I was doing, but I didn’t know what I was doing, if you see what I mean. :D Considering that, I think it’s not a bad story - just not one that was easy to write, or is easy to read.

Plus I now have several WIPs where I know I will be nervous about posting them when (if) I eventually get around to it, because the themes are darker than usual for me, or, in the case of the WW2 story, I'm dealing with real people, and… I think mainly I’m worried that I might downplay some issues, or depict them incorrectly.

28. Have you ever tagged a fic “Dead Dove: Do Not Eat”?

No. :D Is that some sort of meme?

29.  Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.)

“His classmates started calling him "Flagpole Kallus". He grew like a weed. He was, now, the tallest human in the class.

He had also gained a reputation as a fierce, street-smart fighter.

None of them were entirely sure what "street-smart" actually meant; but in their sheltered world, Alexsandr Kallus definitely came closest. He won fights, even fights with people larger than himself, he could fight dirty, and he displayed a certain insouciant, cocky, aloof charm that was only heightened by his ability to win fights without getting too ruffled.

None of them were aware how easily that mask slid off once he returned home from school. None of them knew of the moments throughout the day, behind corners and closed doors, when he sagged, and sighed, and racked his brains for ways to do better.

Nothing he ever did was good enough.

And then the war came. And nothing anyone did would ever quite hold the candle to Chancellor Palpatine in Senator Menelaus Kallus' eyes. The Chancellor said this. The Chancellor said that. The Chancellor was doing this and that. The Chancellor would save the Republic.

The Chancellor did not save the Republic. But by that point, the Republic was not good enough.

The Empire would do better.”

It’s from my latest posted effort. I briefly considered starting with a chapter from Kallus’ childhood, but ultimately decided it would throw the structure of the fic out of whack and it would be better to reveal the things from his childhood gradually. Some of the above may still find its way there (some of it already has).

30. Ask anything!

Eh… I don’t really know. :-)

I’m Bored and Anxious So I Slapped Together a List of Fan Fic Writer Asks

1. Share a song that makes you think of [fic title] 2. Do you read/reread your own fics? 3. What’s your favorite fic that you’ve written? 4. How many WIPs do you have right now? 5. What’s a fic idea you’ve had that you will never write? 6. Are there any fics from others you reread all the time? 7. How many ideas for fics do you have right now? 8. What project(s) are you currently working on? 9. Do you write every day? If you wrote today, share a sentence of what you’ve written! 10. Is there a fic that got a different response than you were expecting? 11. Do you have specific playlists for writing fics? 12. Do you have a playlist for your current WIP(s)? Share it! 13. How much planning do you do before writing? 14. If you could see one of your fics adapted into a visual medium, such as comic or film, which fan fic would you pick? 15. How do you come up with titles for your fics/chapters? 16. At what point in the process do you come up with titles? 17. What’s something you’ve learned about while doing research for a fic? 18. What’s one of your favorite lines you’ve written in a fic? 19. Give us a small teaser from one of your WIPs. 20. What’s a favorite title for a fic you’ve written? 21. Have you ever deleted an entire scene after spending hours laboring over it? If so, why? 22. Do you know how your fic will end before you start writing? 23. How do you choose where to end a chapter (if you have multi-chapter works)? 24. Share a moodboard for (one of) your current WIP(s). 25. Have you ever upset yourself with your own writing? 26. Is there something you’ve written that you would never want your family to see? 27. Is there a fic you were nervous to post/share? Why? 28. Have you ever tagged a fic “Dead Dove: Do Not Eat”? 29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.) 30. Ask anything!

[brookstonalmanac]

Events 3.25 (after 1920)

1924 – On the anniversary of Greek Independence, Alexandros Papanastasiou proclaims the Second Hellenic Republic. 1931 – The Scottsboro Boys are arrested in Alabama and charged with rape. 1932 – The famous Tomb of the Unknown Soldier is unveiled in Athens. 1941 – The Kingdom of Yugoslavia joins the Axis powers with the signing of the Tripartite Pact. 1947 – An explosion in a coal mine in Centralia, Illinois kills 111. 1948 – The first successful tornado forecast predicts that a tornado will strike Tinker Air Force Base, Oklahoma. 1949 – More than 92,000 kulaks are suddenly deported from the Baltic states to Siberia. 1957 – United States Customs seizes copies of Allen Ginsberg's poem "Howl" on obscenity grounds. 1957 – The European Economic Community is established with West Germany, France, Italy, Belgium, Netherlands and Luxembourg as the first members. 1959 – Chain Island is sold by the State of California to Russell Gallaway III, a Sacramento businessman who plans to use it as a "hunting and fishing retreat", for $5,258.20 ($52,784 in 2022). 1965 – Civil rights activists led by Martin Luther King Jr. successfully complete their 4-day 50-mile (80 km) march from Selma to the capitol in Montgomery, Alabama. 1971 – The Army of the Republic of Vietnam abandon an attempt to cut off the Ho Chi Minh trail in Laos. 1975 – Faisal of Saudi Arabia is shot and killed by his nephew. 1979 – The first fully functional Space Shuttle orbiter, Columbia, is delivered to the John F. Kennedy Space Center to be prepared for its first launch. 1988 – The Candle demonstration in Bratislava is the first mass demonstration of the 1980s against the communist regime in Czechoslovakia. 1995 – WikiWikiWeb, the world's first wiki, and part of the Portland Pattern Repository, is made public by Ward Cunningham. 1996 – The European Union's Veterinarian Committee bans the export of British beef and its by-products as a result of mad cow disease (Bovine spongiform encephalopathy). 2006 – Capitol Hill massacre: A gunman kills six people before taking his own life at a party in Seattle's Capitol Hill neighborhood. 2006 – Protesters demanding a new election in Belarus, following the rigged 2006 Belarusian presidential election, clash with riot police. Opposition leader Aleksander Kozulin is among several protesters arrested. 2018 – Syrian civil war: Following the completion of the Afrin offensive, the Syrian Democratic Forces (SDF) initiate an insurgency against the Turkish occupation of the Afrin District.

[thewarmestplacetohide]

Dread by the Decade: Best of the 1930s

👻 You can support or commission me on Ko-Fi! ❤️

Dracula (1931 | USA): a doctor and young man must defeat a powerful vampire. ★★★★½ Review | Screenshots | Facts

See below the cut for the rest of the list!

Frankenstein (1931 | USA): a scientist unnaturally creates life. ★★★★★ Review | Screenshots | Facts

Dr. Jekyll and Mr. Hyde (1931 | USA): a doctor makes a potion that turns him into a violent sadist. ★★★★ Review | Screenshots | Facts

M (1931 | Germany): the people of Berlin search for a child murderer. ★★★★½ Review | Screenshots | Facts

Freaks (1932 | USA): sideshow performers must save their friend from a cruel trapeze artist. ★★★★ Review | Screenshots | Facts

Island of Lost Souls (1932 | USA): a man is stranded on a mad scientist's island. ★★★★ Review | Screenshots | Facts

The Old Dark House (1932 | USA): people shelter in a strange home. ★★★½ Review | Screenshots | Facts

Vampyr – Der Traum des Allan Gray (1932 | Germany): a man must save women from a vampire's curse. ★★★ Review | Screenshots | Facts

Doctor X (1932 | USA): a doctor tries to catch a serial killer. ★★★ Review | Screenshots | Facts

La Llorona (1933 | Mexico): a man fears ghosts have cursed his family. ★★★½ Review | Screenshots | Facts

King Kong (1933 | USA): an actress is abducted by a giant ape. ★★★ Review | Screenshots | Facts

The Invisible Man (1933 | USA): a scientist is driven mad by an experiment that turns him invisible. ★★★★ Review | Screenshots | Facts

The Black Cat (1934 | USA): a WWI POW seeks the man who betrayed him. ★★★½ Review | Screenshots | Facts

El fantasma del convento (1934 | Mexico): three people shelter in a strange monastery. ★★★½ Review | Screenshots | Facts

The Black Room (1935 | USA): a prophecy foretells that a baron's twin will kill him. ★★★★ Review | Screenshots

The Bride of Frankenstein (1935 | USA): Frankenstein is forced to build his monster a bride. ★★★★½ Review | Screenshots | Facts

Mad Love (1935 | USA): a mad doctor replaces a pianist’s hands with a murderer’s. ★★★½ Review | Screenshots | Facts

The Raven (1935 | USA): a doctor becomes obsessed with a young dancer. ★★★ Review | Screenshots | Facts

Werewolf of London (1935 | USA): a botanist is cursed. ★★★★ Review | Screenshots | Facts

The Devil-Doll (1936 | USA): a man uses a shrinking potion to seek revenge. ★★★½ Review | Screenshots | Facts

Fährmann Maria (1936 | Germany): a ferryman ushers Death across the river. ★★★ Review | Screenshots | Facts

Dracula's Daughter (1936 | USA): Dracula's daughter tries to undo her curse. ★★★ Review | Screenshots | Facts

Le Golem (1936 | Czechoslovakia): a rabbi reawakens a golem to save his people. ★★★★ Review | Screenshots | Facts

夜半歌声 (1937 | Republic of China): an actor believes he is being tutored by a ghost. ★★★★ Review | Screenshots | Facts

The Cat and the Canary (1939; USA): a millionaire's heirs are stalked by a killer. ★★★★ Review | Screenshots | Facts

[quotesfrommyreading]

And that brings us to today. The first thing to understand is: We are in a better place than we were during the Cold War in many ways. During the Cold War, we had tens of thousands of weapons pointed at each other. Now by treaty, the United States and the Russian Federation each have about 1,500 nuclear weapons deployed and ready to go. Now, that’s a lot of nuclear weapons, but 1,500 is a lot better than 30,000 or 40,000.

Nonetheless, we are dealing with a much more dangerous Russian regime with this mafia state led by Vladimir Putin.

Putin is a mafia boss. There is no one to stop him from doing whatever he wants. And he has really convinced himself that he is some kind of great world historical figure who is going to reestablish this Christian Slavic empire throughout the former Soviet Union and remnants of the old Russian empire. And that makes him uniquely dangerous.

People might wonder why Putin is even bothering with nuclear threats, because we’ve always thought of Russia as this giant conventional power because that’s the legacy of the Cold War. We were outnumbered. NATO at the time was only 16 countries. We were totally outnumbered by the Soviets and the Warsaw Pact in everything—men, tanks, artillery—and of course, the only way we could have repulsed an attack by the Soviet Union into Europe would’ve been to use nuclear weapons.

I know earlier I mentioned the movie Octopussy. We’ve come a long way from the days when that mad Russian general could say, If only we got rid of nuclear weapons and NATO’s nuclear weapons, we could roll our tanks from Czechoslovakia to Poland through Germany and on into France.

What people need to understand is that Russia is now the weaker conventional power. The Russians are now the ones saying, Listen, if things go really badly for us and we’re losing, we reserve the right to use nuclear weapons. The difference between Russia now and NATO then is: NATO was threatening these nuclear weapons if they were invaded and they were being just rolled over by Soviet tanks on their way to the English channel. The Russians today are saying, We started this war, and if it goes badly for us, we reserve the right to use nuclear weapons to get ourselves out of a jam.

This conventional weakness is actually what makes them more dangerous, because they’re now continually being humiliated in the field. And a country that had gotten by by convincing people that they were a great conventional power, that they had a lot of conventional capability, they’re being revealed now as a hollow power. They can’t even defeat a country a third of their own size.

And so when they’re running out of options, you can understand at that point where Putin says, Well, the only way to scramble the deck and to get a do-over here is to use some small nuclear weapon in that area to kind of sober everybody up and shock them into coming to the table or giving me what I want.

Now, I think that would be incredibly stupid. And I think a lot of people around the world, including China and other countries, have told Putin that would be a really bad idea. But I think one thing we’ve learned from this war is that Putin is a really lousy strategist who takes dumb chances because he’s just not very competent.

And that comes back to the Cold War lesson—that you don’t worry about someone starting World War III as much as you worry about bumbling into World War III because of a bunch of really dumb decisions by people who thought they were doing something smart and didn’t understand that they were actually doing something really dangerous.

  —  Radio Atlantic: This Is Not Your Parents’ Cold War

[jozefsquare]

(via Movie Poster - The Hunchback of Notre Dame, Karel Teissig, 1974)

The Hunchback of Notre Dame movie poster.

title: The Hunchback of Notre Dame | France, 1956

director: Jean Delannoy

with: Gina Lollobrigida, Anthony Quinn, Jean Danet

writer: Victor Hugo (novel)

poster designer: Karel Teissig, Czechoslovakia, 1974

For poster shop and blog highlights please subscribe to our daily or weekly newsletter: http://eepurl.com/RvXo9 (25% OFF for Students).

[vizreef]

Mad keyboard on this IQ 151 Personal Computer from ‘85 Czechoslovakia.

It’s chunky, it’s yellow, there’s a single red button and check out those expanding modules !

(The monitor is a ‘85 Tesla 4160AB "Merkur" )

via

[lgbtpopcult]

What We're Looking Forward to From WLW Entertainment in 2022!

Movies

Untitled Hulu romance movie

The debut of our lesbian superhero America Chavez in Dr Strange in the Multiverse of Madness

We get our first lesbians in the Scream franchise in Scream 5

AM I OK? Premiering at Sundance 2022

The Chambermaid

The film follows Anka, a maidservant for a respectable family from Vienna, and depicts her relationship with the daughter of the house. The story is set against the backdrop of the fall of the Austro-Hungarian monarchy and the creation of Czechoslovakia during 1914–1918. Anne and Theresa, two girls born on different sides of the social ladder, become best friends, lovers and the only light in a world dominated by men. The release in cinemas is planned for 27 October 2022, on the occasion of the 104th anniversary of the founding of the first Czechoslovak Republic.

The Girls I've Been movie adaptation

Thor Love and Thunder

Thompson’s character Valkyrie "needs to find her queen, so that will be her first order of business." The actress said and according to reports the movie will indeed provide us with the first confirmed on screen female gay of the MCU.

So damn easy going

TV

The Last of Us, hbo

A league of their own, amazon

Paper Girls, Amazon

First Kill, Netflix

Harley Quinn Season 3, Hbomax

Chosen, Netflix

Killing Eve, final season

Lot's of other great shows are confirmed to come back like: Derry Girls for its final season, Batwoman, Motherland Fort Salem, Fantasy Island, For All Mankind, Yellowjackets, Wheel of Time, Station 19, Legends of Tomorrow and Leverage: Redemption.

Hopefully more of our 2021 favorites will be renewed.

Video Games

Life is Strange and Life is Strange Before the Storm remastered

Rune Factory 5 (The Japanese version of Rune Factory 5 specifically did not contain same-sex marriage, but the English, French, and German versions will include it)

Full version of Waylanders. Romance in the game has "no limitations in terms of race, class, or gender."

Dear Althea

Spirit Swap: Lofi Beats to Match-3 To

Cast spells, be queer, & crash the biggest concert of the year! Spirit Swap is an action-puzzle game set in a lush, narrative-driven world of witchy demons. Bond with a cast of witches and demons. Plan a pizza party together, crash a concert, maybe even smooch!

We're also looking forward to several visual novels including a sequel to Arcade Spirits, Arcade Spirits: The New Challengers.