#Luxury Salon Furniture

[glambross2345]

[saloonchair]

How You Can Transform Your Salon with Luxury Furniture Pieces

Imagine walking into a salon and feeling an immediate sense of relaxation, luxury, and elegance. This isn't just because of the skilled stylists or the range of services offered but also because of the inviting and stylish furniture that adorns the space. From comfy chairs to chic coffee tables, the right furniture can set the tone for the entire experience your customers will have. In this article, we will explore how choosing top-notch luxury salon furniture pieces can completely transform your salon, setting you apart from the competition and bringing a touch of sophistication that keeps clients coming back.

Upgrade Your Seating Arrangement

One of the first things your clients interact with is the seating. Swapping out run-of-the-mill chairs for plush, comfortable options can make a world of difference. When your customers feel like they are sitting in the lap of luxury, it elevates their entire experience. Pick chairs made from quality materials, giving that Italian Salon Furniture elegance and comfort everyone loves. Not only does it make your clients feel pampered, but it also makes a lasting impression.

Enhance the Ambiance

Creating the right atmosphere is key to any successful salon. Opt for coffee tables, magazine racks, and other furniture that oozes high-end appeal. Even small touches, like elegant lampshades or classy wall pieces, can complement the luxurious seating and other furniture to create a holistic, upscale environment.

Invest in Durability and Functionality

It's not just about looks; your furniture should also be durable and functional. Investing in long-lasting pieces from trustworthy manufacturers ensures that your luxury salon furniture stands the test of time. You can have the most glamorous-looking pieces, but if they start to wear and tear quickly, it will reflect poorly on your salon's reputation.

Aesthetic and Theme Consistency

To make the most impact, ensure that your furniture follows a consistent theme. Whether it's modern, vintage, or classic, the important thing is uniformity. When you mix and match high-end pieces that follow a singular style, it gives your salon a cohesive and sophisticated look that clients will remember.

The Importance of Layout

Finally, make sure that you arrange the furniture in a way that optimizes space while not sacrificing the experience. Clients should be able to move freely and comfortably. Effective use of space can be as inviting as the furniture itself, so consider the layout as part of your overall strategy for creating an opulent atmosphere.

Space for Individual Experience

Adding special areas within your salon can dramatically increase the feeling of luxury and personal attention. Whether it's a secluded corner with comfy armchairs for individual consultations or a dedicated space for premium services, using well-crafted furniture can make these areas feel exclusive. To elevate these spaces, consider Italian salon furniture, which showcases craftsmanship and luxury design, ensuring that even these smaller, more intimate settings reflect the high standards of your salon.

Lighting and Accessories

Don't underestimate the impact of smaller details like lighting and accessories. You might have all the key furniture pieces in place, but without the right lighting, the ambience can fall flat. Opt for lighting fixtures that highlight the luxurious vibe of your salon. Moreover, accessories like mirrors or small tables should be in sync with the overall theme of your salon. If you're aiming for opulence, you can't go wrong with accessories that are in tune with best luxury salon furniture manufacturers who specialize in salon-specific pieces.

Conclusion

Upgrading your salon isn't just about new chairs or tables; it's about creating an entire experience that screams luxury and comfort from every corner. From the seats, your clients will relax into the atmosphere and smaller details like lighting and individual spaces; everything should be in harmony. And in this journey of transformation, choosing furniture pieces that are not just eye-catching but also durable and functional can make all the difference. 

So go ahead and redefine luxury in your salon. A visit to Glamtrix Furniture might just offer the missing puzzle piece you've been searching for in this grand transformation of your salon. They have been going strong for many years and have raving reviews. Visit their website to know more: - Glamsalonfurniture.com.

FAQs

How can luxury furniture transform the overall ambience of my salon? 

Luxury furniture brings an air of sophistication and elegance to your salon. The fine craftsmanship, premium materials, and attention to detail in luxury pieces elevate the entire space, creating an atmosphere that resonates with opulence and comfort.

What types of luxury furniture are popular for salon transformations? 

Luxury salon furniture encompasses a wide range of pieces, including plush salon chairs, ornate mirrors, stylish reception desks, elegant waiting area sofas, and intricately designed styling stations. Each piece contributes to the upscale aesthetic you desire.

[hungryfacesart]

Fashion Meets Design at Fuori Salone 2024 Playground

Imagine strolling through the lively streets of Milan, where every corner holds a new surprise and each building whispers tales of elegance and innovation. This is the essence of Fuori Salone Design Week, an annual extravaganza that transforms Milan into a hub of creativity and style. And this year, the spotlight shines brightly on fashion houses, as they weave their distinctive flair into the…

[lomuarredi]

In 2024, furnishing your home will be all about embracing the past. Say hello to cozy nostalgia with Cassina’s classic pieces. Learn more!

[top10bharat]

Luxury Salon Furniture Manufacturer & Supplier in India

Marc Salon Furniture & Beauty Equipments, a premier name in the realm of salon furnishings and beauty equipment, stands as the Luxury Salon Furniture Manufacturer & Supplier in India. As a distinguished manufacturer and supplier, we specialize in crafting exquisite salon furniture that exudes elegance and sophistication. Our extensive range encompasses everything from plush salon chairs to state-of-the-art beauty equipment, designed to elevate any salon space to unparalleled levels of opulence. With an unwavering commitment to excellence, we cater to the discerning needs of salon owners and professionals, providing them with unparalleled craftsmanship, durability, and style that define the essence of luxury.

[furniturehub]

Furniture Hub تقدم لك اكبر تشكيلة صالونات كلاسيك ومودرن بأجود أنواع الاخشاب الزان وبضمان يصل الى عشر سنوات.

شاهد صالونات . اشكال الصالونات . صالونات كلاسيك مودرن . اشكال صالونات . صالونات مودرن . اشكال صالونات مودرن . صور صالونات . صالونات كلاسيك . صالون فرنساوى . صالون مدهب فرنساوى . اسعار صالونات كلاسيك . صالون مدهب . صالون د��ياطي . صالون زان . صالون مودرن . صالون نيو كلاسيك . صالون كلاسيك . اشكال صالونات جديدة . صالون قطيفة . صالون كتان . صالون بيج . صالون بيبي بلو . صالون ازرق . صالون امريكي . صالون مينت جرين . اسعار صالونات دمياط . صالون خشب ابيض . صالون شامبين

[glamsalonfurnituredelhi]

#Barberchair

Glamsalonfurniture.com offers chic and comfortable barber chairs that will transform your salon. Examine both contemporary and traditional designs that enhance elegance and functionality. Come see us if your salon could use a little extra luxury!

Click here:-beauty salon equipment wholesale

[labuenosairesfrancaise]

Halton House

Hace un instante

Hi guys!!

I'm sharing Halton House. This is the 15th building for my English Collection and the second Rothchild house I recreated.

I decorated some interiors for reference, but I could not find the real distribution of the house, so I just worked with pictures I found.

You might be familiar to the central hall and stairs, as they are the ones used for Bridgerton House in the series.

I chose to build the version with the conservatory, as I think this was a glory lost to time.

History of the house: Halton House is a country house in the Chiltern Hills above the village of Halton in Buckinghamshire, England. It was built for Alfred Freiherr de Rothschild between 1880 and 1883. It is used as the main officers' mess for RAF Halton and is listed Grade II* on the National Heritage List for England.

There has been a manor house at Halton since the Norman Conquest, when it belonged to the Archbishop of Canterbury. Thomas Cranmer sold the manor to Henry Bradshaw, Solicitor-General in the mid-16th century. After remaining in the Bradshaw family for some considerable time, it was sold to Sir Francis Dashwood in 1720 and was then held in the Dashwood family for almost 150 years.

The site of the old Halton House, or Manor, was west of the church in Halton village. It had a large park, which was later bisected by the Grand Union Canal. In June 1849 Sir George Dashwood auctioned the contents and, in 1853, the estate was sold to Lionel Freiherr de Rothschild.

Lionel then left the estate to his son Alfred Freiherr de Rothschild in 1879. At this time the estate covered an approximately 1,500-acre (610-hectare) triangle between Wendover, Aston Clinton, and Weston Turville.

It is thought the architect was William R. Rodriguez (also known as Rogers), who worked in the design team of William Cubitt and Company, the firm commissioned to build and oversee the project in 1880. Just three years later the house was finished.

The house was widely criticised by members of the establishment. The architect Eustace Balfour, a nephew of the Marquess of Salisbury, described it as a "combination of French Chateau and gambling house", and one of Gladstone's private secretaries called it an "exaggerated nightmare".

At Halton all were entertained by Alfred Freiherr de Rothschild. However, Halton's glittering life lasted less than thirty years, with the last party being in 1914 at the outbreak of World War I. Devastated by the carnage of the war, Freiherr de Rothschild's health began to fail and he died in 1918. Alfred had no legitimate children, so the house was bequeathed to his nephew Lionel Nathan de Rothschild. He detested the place and sold the contents at auction in 1918. The house and by now diminished estate were purchased for the Royal Air Force by the Air Ministry for what was even then a low price of £115,000 (equivalent to £7.08 million in 2023 pounds).

Architecture

For the style of the house Alfred was probably influenced by that of plans for the nearly completed Waddesdon Manor, the home of Baron Ferdinand de Rothschild, his brother-in law. While not so large there is a resemblance, but other continental influences appear to have crept in: classical pediments jut from mansard roofs, spires and gables jostle for attention, and the whole is surmounted by a cupola. The front of the house features a porte-cochère. A Rothschild cousin described it as: "looking like a giant wedding cake".

If the outside was extravagant, the interior was no anti-climax. The central hall (not unlike the galleried two-storey hall at Mentmore Towers) was furnished as the "grand salon". Two further drawing rooms (the east and west) continued the luxurious theme. The dining and billiards rooms too were furnished with 18th-century panelling and boiseries. The theme continued up the grand, plaster panelled staircase to the bedrooms. The whole was furnished in what became known as "Le Style Rothschild", that is, 18th-century French furniture, boulle, ebony, and ormolu, complemented by Old Masters and fine porcelain.

A huge domed conservatory known as the winter garden was attached to the house.

For more info: https://en.wikipedia.org/wiki/Halton_House

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This house fits a 64x64  lot (You can fit the main building to the 50x50 or 50x40 lot if you lose the garden and conservatory)

I furnished just the principal rooms, so you get an idea. The rest is unfurnished so you create the interiors to your taste!

Hope you like it.

You will need the usual CC I use:

all Felixandre cc

all The Jim

SYB

Anachrosims

Regal Sims

King Falcon railing

The Golden Sanctuary

Cliffou

Dndr recolors

Harrie cc

Tuds

Lili's palace cc

Please enjoy, comment if you like it and share pictures with me if you use my creations!

Early access: 08/18/2024

DOWNLOAD: https://www.patreon.com/user?u=75230453

[saloonchair]

Trends in Salon Furniture: Stay Ahead of the Curve

The salon industry, with its intrinsic connection to aesthetics and style, is a world that never stops evolving. With each passing year, new trends emerge, making salons a vibrant and ever-changing landscape. One aspect often overlooked in this progression is salon furniture. Serving as the backbone of any salon's decor, choosing the right pieces can significantly enhance your clients' experience. This article will explore the latest trends in salon furniture, help you stay ahead of the curve, and identify leading suppliers of salon furniture in Delhi and likewise places.

Reimagining the Client Experience: Comfort Meets Style

Comfort has always been a primary concern when selecting salon furniture, but today's salons are redefining what comfort means. Now, it's not just about cushioning. Ergonomics plays an increasingly vital role, helping clients feel relaxed while ensuring the stylist can work effectively. Chairs and tables with adjustable heights, reclining features, and supportive designs are at the forefront of this trend, providing both comfort and style.

Materials and Finishes: A Symphony of Textures

The choice of materials for salon furniture has expanded enormously. From rustic wood to sleek metal, from plush upholstery to polished marble, there's a wider range than ever before. For instance, a salon aiming for a luxurious and high-end aesthetic might opt for leather chairs from a reputable manufacturer, while those seeking a minimalistic approach might choose pieces with clean lines and neutral tones.

Sustainable Choices: Towards Greener Salons

With growing awareness about our planet's well-being, more salons are leaning towards environmentally friendly furniture. This shift includes choosing pieces made from recycled materials, sourced sustainably, or designed to be long-lasting. The green trend is not just about helping the environment; it also communicates to clients that your salon cares about the bigger picture.

Technology Integration: The Future at Your Fingertips

Today, salon furniture is not just about providing a place to sit or a surface to work on. Many pieces are now integrated with technology to enhance the client's experience and improve the stylist's efficiency. This can include built-in outlets for charging devices, touch-screen mirrors, and even chairs with embedded massaging features.

Transforming Spaces Beyond

Remember, your furniture is not just a place to sit; it's a statement about your brand. Make that statement a compelling one with the right choices. In cosmopolitan hubs like Delhi and other places, these trends are taking root quickly, shaping the future of salons. Manufacturers in the region are also rising to the occasion, producing top quality salon furniture that caters to these evolving demands.

Conclusion: Embracing Change with Glamtrix Furniture

As the salon industry evolves, so must your furniture. Embrace the trends of comfort, diverse materials, sustainability, and technology integration to create a space that's not just visually appealing but also provides an exceptional client experience. When you're thinking of updating your salon, remember the role that a great Salon Chair Manufacturer can play. Companies like Glambross Salon & Beauty Equipments Pvt. Ltd. are at the forefront of these trends, helping salons stay ahead of the curve. They offer quality salon furniture, delivering on both style and substance. 

[hungryfacesart]

Design Delights, what to see at Fuori Salone Milan Design Week 2024

Fuori Salone Design Week is a colorful celebration of creation that takes place in the busy streets of Milan, where history meets innovation. You will be really taken aback by the dazzling exhibitions and installations that offered a glimpse into the future of design as we started to explore this creative extravaganza. Неделя дизайна Fuori Salone – это, больше чем красочный праздник творчества,…

[baesimss]

lido marina village, brindleton bay, simmisota ✨

welcome to lido! brindleton bay's premiere shopping outlets. filled with stylish boutiques, fine eateries and even a gym. locals and tourists love coming here for the chic and relaxed ambience.

guys, this is my most ambitious build project thus far. i've never referred to myself as a builder, but i am proud of the work i've put into this! it's, of course, based on the very real lido marina village in newport beach, california. definitely one of my favorite places in cali so it was a joy to bring it to life in my game!

more pictures + directory under the cut.

shops, eateries & more:

nobu | michelin star rated japanese restaurant. inspired by the real nobu at lido marina village.

curl fitness | a private members-only gym. inspired by the real curl fitness at lido marina village.

loveshackfancy | a women's clothing boutique that specializes in romantic and floral designs. inspired by the real loveshackfancy at lido marina village.

therealreal | a luxury consignment boutique. inspired by the real therealreal at lido marina village.

floral selfie wall | a place for sims to pose for pics! inspired by the real floral wall at lido marina village.

skating rink | a fun activity for kids (or any age sims) to partake in while their parents shop. there is no skating rink at the real lido marina village.

public restrooms with vending machines & water fountains.

kimber | luxury furniture store. inspired by serena + lily at lido marina village.

roller rabbit | a whimsical children's boutique. inspired by the real roller rabbit at lido marina village, except the real store doesn't cater specifically to children.

tress salon | a hair & nail salon for the bougie sims. inspired by the real tress salon at lido marina village.

lido bookstore & coffee shop | coffee shop with a bookstore upstairs and outdoor areas to eat and read. there is a real bookstore at lido marina village, but mine isn't really based on that one.

twitter | tiktok | instagram| patreon

[blueiscoool]

The 170-Foot Sailing Yacht 'Reposado'

'Reposado' is available for charter in the Med, with rates starting at roughly $146,800 per week.

The custom 170-footer, which was recently delivered by Tramontana and listed for charter with IYC, combines the cruising capabilities of a high-tech sailer with the lavish amenities of a luxury superyacht.

Penned by the Croatian yard’s in-house team, Reposado features a sleek, contemporary exterior and an expansive, light-filled interior. The vessel is centered around a generous main salon that showcases elegant decor and bespoke furniture inspired by nature. The warm, inviting space is adorned with a plush L-shaped sofa, a coffee table, and a sophisticated bar from which you can enjoy your favorite reposado. Forward of the salon lies a formal dining area with a custom 12-seat table.

The Reposado can sleep 12 in six convertible cabins. Both the owner’s suite and the VIP measure the full width of the 28-foot beam. Seafarers (and any furry friends) will be attended to by a highly experienced crew of 10.

The exterior decks are geared toward entertaining. The sundeck is adorned with a wet bar, a fire pit, and an alfresco dining table at one end and a huge lounge at the other. Toward the center of the deck, an eight-seat Jacuzzi and sizeable sun pad sit beneath one of the two towering masts. At the aft, Reposado is outfitted with a giant beach club that gives guests direct access to the sea. The vessel also has a full arsenal of water toys, including a chase boat and Jet Skis.

In terms of grunt, Reposado is powered by twin Caterpillar C18 engines that enable a cruising speed of 12 knots and a top speed of 14 knots.

[dropbear-sims]

Welcome to Mt. Cavaro! Pt. 1

This mountain plateau was once nothing but a small seasonal hunting town. Over the last 50 years however, developers took notice of the potential of this location and now, it is a bustling upcoming town. Families and sims have moved in droves to start business opportunities or to take advantage of those who are. Some however, are just enjoying the quiet scenic views and good people.

Simply explaining and showing the Community lots in each of my districts. Business, Entertainment & Residential. I will be showing the Families in Detail in Pt. 2

The Business District

Businesses:

Flast Luxury Dealership | The dealership for those who want to impress their neighbours. Fancy, reliable and with the Flast signature of quality. The Luxury Dealership is for those who only want the very best automotives.

'New You' Salon & Spa | The luxurious Salon & Spa on the edge of Byrn Street. Need a haircut? A new makeup look? A massage? Maybe you just want to spend some time relaxing in the sauna, It's here at the 'New You' Salon & Spa

Gemstone Gallery Jewellery | Need a gift for a lover? Want to buy yourself something nice? Gemstone Gallery has a wide selection of the top-quality jewellery, with options to fit any budget.

Great Times Party Supplies | Everything you need for your next big bash of a party! Weddings, birthdays or when the parents are out for the weekend!

Polar Caps Creamery | In need of a tasty cold treat on a hot day? Or a cold treat on a cold day? (We wont judge). Come down to Polar Caps to get a delicious gourmet icecream! Or serve yourself to a nice, overly processed soft serve!

Mt. Cavaro Real Estate | The main (and only) spot to purchase your new home in the lovely Mt. Cavaro. Owned by Mr. Rodney Flast, its where many suspect the majority of his fortune originated.

Mountain Rescue Pet Centre | A sanctuary for all pets in need of a loving home and Sims who need supplies for their furry friends! Opened and funded solely by Velma Aster.

Hobby Land | Muhammad and Siti Saad love their creative endeavours, and thought they should share that with the rest of Mt. Cavaro. There's a large variety of hobby items ready for purchase!

Health Plus Pharmacy | Dr. Sato's very own pharmacy that has everything you need for your ailments.

Flast Furniture | This massive warehouse holds every new and in-style piece of furniture you could ever want. Come take a stroll through our kitchen and bathroom sets, you'll leave wishing it was your home! Have a chat with our friendly staff and discuss possible home renovations.

Cavaro Family Grocery | A new development built by Ahan and Navya Bhatt, a massive gamble that paid off- its now the 'One Stop Shop' for all things your household needs regularly!… to the dismay of the local monopoly, Rodney Flast.

Speedway Motors | Ahan and Navya Bhatt's first dip into the world of business owning, buying an old rundown shed and turning it into a Car Dealership! It only has cheaper locomotives but they still run fine!… most of the time.

Spark Electronics | Need a Phone? Computer? Speaker? Spark Electronics has everything a Sim in need of a good electronic item!

'The Look' Clothing Superstore | The most popular department store for clothing in Mt. Cavaro! So popular it's run all of the small indie boutiques and rival brands out of town. I guess having great prices and a wide selection does that!

Reel N' Sons Fish Market | For the past 20 years the Reel family have been catching and selling their fresh fish here every Sunday.

Cavaro Natural Arrangements | A small shutdown florist that has been recently revamped by Velma Aster, her once buried love for plants and flowers reignited.

Bub N' Co Children's Superstore | The absolute hub for all essential baby, toddler and children's items. Everything you could need is right here!

Misc:

Community Lots that aren't a business inside the business district:

Cavaro Community Centre | The newly renovated community centre is now open! The once old and dingy town library is stocked with new books, a new computer lab has been opened and with government funding, the employment office has been revamped. All with a new cafeteria on the second floor!

Fit & Fast | Fit & Fast is the best spot to get your workout on! There's a wide variety of machines and amenities.

Cavaro Garden & Parklands | This quaint little park has a community garden run by the local gardening association, if you ever want to grab some delicious fresh veggies and fruit it's all completely free! Too the side theres also a quaint wedding area, the perfect setting to say 'I do'.

The Entertainment District

Activities:

The Colosseum Casino | Feeling lucky? The Colleseum Casino is for both the casual evening and the (habitual) high rollers, try a game of cards, or perhaps the slots?

Cavaro Performance Lounge | Think you've got the guts to go on stage? This cozy lounge is for anyone who wants to watch or be a local talent! No need to bring your own equipment, the lounge is already stocked with all instruments and microphones!

Valley Fine Dining | The Valley is newly revamped! Don't worry however, we still keep our 5 star rating for quality, cuisine and service! The dining spot for sims with cash to spare! I downloaded this lot from:

I changed quite a bit about this lot to make it fit the vibe and aesthetic of my hood, but this is a great remodel!

Cavaro National Museum | Have a love for history? Want a day out activity? The National Museum is full of historic relics from the past. Current open exhibits: Ancient Sculptures & Fossils

Cavaro National Gallery | An Extension of the National Museum, this location has Art Pieces from all over the globe, featuring some of the best and upcoming artists of the past 5 years!

Bowling Time! | Who doesn't love a game of bowling? This colourful alley is great for a night out or afterschool activity! Competitions each Sunday!

Boxing Roo | Go the Roos! Go the Roos! Want to have a drink, watch the game and show your sporting pride? Boxing Roo is a cozy little bar for all sport lovers!

Cavaro Community Pool | For all those hot summer days or practicing for that big competition coming up. Free entry on weekends and toddler swimming lessons available all week.

In Motion Dance Studio | Dance lessons on wednesday and thursday from 5pm. Recruitments for the dance troop on Saturday 10am. The best spot to practice or perfect your next routine.

Game On! Internet Cafe | Internet being shoddy? Want to group up with some friends, drink some coffee, eat snacks and play your favourite games? This is the place! PC's loaded with SSX3, The Sims: Bustin Out, FIFA 08 and Spore!

Film House Cinema | Watch the biggest current blockbusters on the big screen! Help yourself to the concessions (for a horribly expensive price) and relax in the comfy new recliner seats!

8-bit Arcade | Nerd sims unite! The best spot to play games until your curfew, all new arcade and pinball machines have been installed, all machines set to 1 simoleon!

District Basketball Court | The best spot to shoot some hoops and vs your friends.

The Hare's Foot | I wouldn't exactly call the Hare's Foot the fanciest (or cleanest) Bar in town. Happy hour is 8pm! Also… make sure to wipe down the photobooth seats before sitting.

Lil' Putter Minigolf | Wanna Impress 'The Boss'? Wanna 'impress' your friends? 6 Holes included each with their own theme and decor!

The Drip - Retro Beanclub | Are you an absolute coffee snob? An alternative music snob? Well The Drip is for 'real fans', no normies allowed! Now selling our own Beans!

Svensson Homestyle Bistro | Opened by Lars Svensson, this bistro is for all those casual nights out with the family or a modest meal with the one you love. Featuring homely recipes you'll remember without having ever tasted! 'Homestyle' is in the name!

The Rhythm - Disco Skating | The Rhytm is the best spot for a nice family activity, or a cute date idea. Listen to the 70's disco and skate away! New Skaters welcome aswell, classes each tuesday!

The Pink Flamingo | The Pink Flamingo is the hottest spot in Mt. Cavaro, new music, good drinks and open pretty much 24/7. If you want to dance and drink the night (or day) away, the pink flamingo is your spot.

Sky High Park | A VERY normal park… for very unsuspicious bubble blowing- Nothing else, juuuust "bubble blowing".

School of Art Creative Studio | Want to practice your creative skills with a bunch of like-minded sims? The SOA Creative Studio is the spot to be, there are pottery, music and painting classes!

Lasting Connections Courthouse | If the weather isn't on your side, or you just want an indoor wedding: the Lasting Connections Courthouse will be your first choice. Stocked with everything you need to throw an awesome wedding party.

Misc:

Community lots that aren't entertainment/activities in the Entertainment District:

Empty Lot | Simply an Empty lot I have no idea what to fill with, will put in something when I get an idea.

The Residential District

Cavaro Residential Sports Oval | Soccer games each Friday at 5pm! Ages 6+ teams available!

Lil' Ones Family Playground | Simply a small playground for children.

Misc Lots

(Lots that are not in any district)

Mt. Cavaro Fishing Club | The Mt. Cavaro Fishing Club has been around since this place was simply a small hunting town. There's also a cozy little campsite if you want to spend the night outdoors! Or a cabin if you do not.

'The Tip' | Simply the garbage tip for all of Cavaro. No trespassing!.. Unless you're good at tresspassing. (Who knows, there might be some good stuff to scavenge).

(I dont know why the ground is pink, it is normal grass lol)

Cavaro Memorial Cemetary | A place to remember the Sims of the past. You may not want to visit after dark, there have been rumors of people seeing the sims who should've been long gone. I downloaded this lot from:

I changed a few things, such as swapping out the trees and adding more pavement.

Apologies for not taking Screenshots of the exterior/Interior of each lot, I didn't want to bog down this post TO much (Even though I believe its already pretty beefy. I simply wanted to share what community lots are in my hood. I will be playing this town rotationally and posting what happens, if that interests you I'd love for you to follow this blog and join me on this journey :)

[chic-a-gigot]

An essay on modern decoration.

By Thérèse Magniant. La Mode illustrée, no. 26, 27 juin 1897, Paris. Ville de Paris / Bibliothèque Forney.

For several years, a transformation has taken place in furniture and decoration. Traditional tapestries were followed by simpler fabrics, with less conventional ornamentation and inspired more directly by nature. The scientific discoveries of this century, by upsetting our morals and our lives, have led us to also modify our taste. Not only are the means of transport no longer the same, but our clothes and our homes have undergone radical transformations. Our apartments, which are more cheerful, brighter, more comfortable, and enjoying much better lighting, require new decorations. Also, modern art has taken care to replace the Louis XV, the Louis XVI, all this learned and complicated decoration which corresponded to the sumptuous luxury of the last century, to the floral dresses of our grandmothers, to the jabots of our grandfathers, but which formed such a singular contrast with our dark clothes and our woolen suits!

There is a very strong need on all sides to transform the environment in which we live

There is a very strong need on all sides to transform the environment in which we live: we would also like to put our readers in a position to follow the new path which is opening up in the art of decoration, and allow them to bring their personal touch to their furnishings.

Instead of copying Louis XV or Louis XVI subjects, by disfiguring them, which inevitably happens, even to the most skillful, would it not be more pleasant for them to choose, for example, their favorite flower, to compose decorative motifs for their living room and thus leave a bit of themselves in everything around them? How many banal salons through the repetition of the "déjà vu" could finally disappear and make way for original and interesting furnishings, the different pieces of which would only be variations of the same theme.

There are very few young girls who do not know, for having wished to see the walls of their room hung with them, these fresh fabrics, the initiator of which in France was Liberty. Wouldn't it be nice to be able to recall in the multitude of tapestry or embroidery accessories that adorn our apartments (cushions, chair tops, piano tops, centerpieces, etc.) the decoration of the hanging, but simplified and appropriate to the shape of the object to be decorated?

This is the pleasure that will be easily obtained by those of our readers who are willing to lend us a little of their attention and follow the advice that we are going to give them. The task is easy: all it takes is a little good will to see it through.

I.

Decoration of a flat surface.

When we have a surface to decorate, we must first look for the general aspect that the decoration must have, the shape that we want it to affect. This done, it will be necessary to divide this surface by lines of construction: these lines will determine a certain number of parts intended to receive, in a general way, the same reason for decoration.

Construction lines are temporary, but still essential; for, in drawing, as in all things, one must prepare one's work well to obtain good results. These lines are to composition what scaffolding is to the construction of a house. There can be neither regularity nor precision without them, and far from complicating the work, they simplify and make it easy.

Consider plate 1, representing a square that we want to adorn with four motifs, starting from the center and ending at the corners of the square.

If we draw the lines A B and C D, we obtain the surfaces I, II, III, IV, which will allow us to determine exactly the size of the pattern to be sought. Draw the diagonals E H, G F, from the square, and we will have the middle of these motifs: we therefore only have half a motif left to find. The lines we have just built have therefore saved us a lot of trial and error and difficulty.

Is it a question of sewing in this same square? It will be necessary to change the arrangement of the lines of construction and to establish them as in plate 2. We divide the sides of the square into as many parts as we want to repeat the motifs many times and we join the opposite points.

In addition to the provisional construction lines, it is possible, with the help of geometry, to compose ornaments which will be preserved in the final execution, and which, without altering the clarity of the design, will lend more richness to the whole of the decoration. These ornaments are used a lot in embroidery and tapestry, either to give variety in the background tones, or to separate the decorative motifs and bring out the different parts. This is how in plate 3, which represents geometric constructions inscribed in a square, the flowers will be arranged in the free spaces.

In summary, to make an ornamental composition, one must:

Look for the general aspect that you want to give to the decoration:

Divide the surface by construction lines subordinate to this aspect.

Look for the decoration pattern.

II.

The decorative pattern.

We will always borrow the decorative motif from natural elements, that is to say from flowers, fruits, insects: we will see that this field is vast enough to satisfy all tastes, meet all needs, and all abilities. Those of our readers who have not made special drawing studies will choose uncomplicated motifs, and it will often be the prettiest flowers, such as the narcissus, the primrose, which will come to offer themselves to them and console them for their lack of knowledge: in the composition of an ornament the simplest flowers indeed most of the time give the happiest results. Those of our readers who are already familiar with the study of drawing will be able to involve several kinds of flowers in the same composition: but, for some as for others, all that is needed is a little taste, attention and care to achieve equally charming decoration patterns.

We are going to begin the study of natural elements with that of the plant, which can be reproduced as we see it, that is to say natural, or which can be interpreted.

When drawing the natural plant as was done in Plate IV, choose a model that is as perfect as possible, for example do not take a damaged flower or one that is missing petals. It should also be remembered that single flowers are the most decorative: this is how the rose and the double dahlia are difficult to use in decorative designs, while the rose hip and the single dahlia lend themselves to the most graceful combinations. But, whatever the model we want to draw, we must carefully observe its character and try to reproduce it exactly. In decoration, as in all other parts of art, it is never permissible to alter the truth, and nature is always the best guide.

However, the natural plant alone cannot provide enough varied and interesting patterns, and the decoration would quickly become monotonous. This is why it is preferable to interpret it and to draw from it compositions, to which one can give a personal and original character, and where the imagination can give free rein. Besides, this does not exclude the natural plant, which can find its place in a composition alongside the same interpreted plant.

Interpretation of the plant.

To interpret a plant, you must first know how to decompose it. In order to make our explanations clearer, we will take as an example the primrose flower, which is easy to obtain.

Plate 5 shows us the successive phases of this work:

Let's start by tearing off a petal and drawing it: this is what was done in Figure 1.

The set of petals gives us the corolla. Observation reveals to us that it can fit into a circumference and that it is made up of five petals of equal size. We therefore describe a circumference (fig. 2) which we divide into five parts. We will thus obtain the points 1, 2, 3, 4, 5. Join these points in the center. We only have to inscribe in each of these divisions a petal as we have drawn it in figure 1, taking into account however that, in the flower, each petal encroaches slightly on its neighbor. We thus obtain figure 2 which gives us the flower from the front.

Let's remove the corolla: we see that the petals are fused together. This is a character that we will make appear, by drawing it in profile.

Figure 3 gives us this profile: we obtain it geometrically, drawing a horizontal line A B (fig. 3), the size of the diameter of the corolla, and a vertical C D, the height of the corolla, ending at the middle of A B. Let's divide A C and C B into two equal parts: the two middle parts will give us the petal seen from the front and the two extreme parts the petals seen from the side.

The calyx is established in figure 4 by construction lines, as in the previous figures. Let us draw the line A B, which will serve as an axis; carry on it the total height; then draw the lines C D and E F, on which we will carry the widths.

By joining figures 3 and 4, we will have the complete profile of the flower; but it must be observed that, in the example which we have chosen, the corolla occupies a third of the total height of the line A B (fig. 5).

Figure 6 shows a completely closed bud and Figure 7 a bud where the flower is beginning to appear. Figure 8 shows how the small stems that carry each flower are attached to the main stem. We observe, at the foot of each of these stems, a tiny leaf which hides the point of insertion from us.

This preliminary study of the plant is absolutely essential in order to be able to interpret it correctly: the drawings that we have just made of each of its elements will form the documents that must always be kept in view for the composition of the decorative pattern.

Now that we know how to decompose the plant, it will be easy for us to use it for ornamentation by interpreting it. To do this, let's take the square shown in plate 1. Let's draw the construction lines: they will divide the square into four parts. In one of these parts, let's combine a pattern with the elements we just drew. It is here that the imagination of our readers will be able to give free rein, and that they will show their taste. A thousand combinations are available to them: I am convinced that they will be able to choose very graceful ones. For those who would be too embarrassed, Plate VI gives the example of a compound motif with the primrose. From the center starts the foot of the plant: to the right and left of the diagonal are grouped, in a desired symmetry, the stems, the flowers seen in profile and the buds. In the corner of the square, we placed the flower seen from the front. The motif was repeated, in an identical manner, in the other three parts. One can vary the arrangement of the decoration ad infinitum, making it richer or simpler, according to the nature of the object or the taste of each person. The board, as we have designed it, can be used to decorate a pincushion, a lamp base or a cushion.

As it is easy to realize from plate VI, the interpretation is not the exact reproduction, the copy of the plant, but the adaptation of this plant to the pattern to be composed. It is necessary that the character be respected, but, either to make the composition more elegant, or to fill a void, or to allow a more interesting play of colors, it is allowed to amplify or diminish the importance of such or such part of the plant. Thus in plate VI, the corollas of the flowers in profile have been placed further outside the chalice than they actually are, in order to give more decorative elegance to the flower and less void in the composition, that the buds where the flower begins to appear, have more importance than in nature, while the completely closed buds, less interesting from the point of view of color, have retained their real size. The leaves hiding the attachment points have been enlarged and thus allowed us to reduce what was excessive for the eye the length of the stems and to finish the pattern near the center.

However, while exaggerating certain parts, it should never be done in such a way as to produce a shocking result for the viewer as a whole: the decorator must conceal his artifices and be the only one, so to speak, to know the modifications that he subjected the plant to it.

As far as dimensions are concerned, the plant is not always used in its real size: it can be used on a larger or smaller scale than life; but, when a scale has been adopted in an ornamentation, it must be kept throughout the whole, and not put, for example, a flower smaller than life next to another whose size has been doubled or tripled greatness.

III.

Choosing colors.

The composition is done; we have our pattern drawn. It is now a question of choosing the colors so as to form a pleasant ornamentation.

In decoration, color obeys special laws, which at first sight seem conventional, but which have been indicated by experience and scientifically verified. The main rule is to find the most appropriate tone either for the object to be decorated or for what surrounds it. This is how we will refrain from using violet for the decoration of a cushion intended to be placed on a red armchair. The two colors, thus associated, would produce a most shocking effect. It would be the same with violet and blue, while on the contrary violet and yellow, red and green, blue and orange agree perfectly together.

Some explanation is needed here.

We know that the seven colors of the prism fall into two categories; those which have been called the primary colors, which are red, yellow and blue, and those which have been called the secondary or binary colors, because they are each formed from the union of two primary colors, and which are orange, green and violet: orange formed from red and yellow, green from yellow and blue, violet formed from red and blue.

Now, an experience of several centuries has demonstrated that the primitive colors, in their pure state, are without harmony among themselves, whether they are united two by two, or whether they are considered all three together. If, on the contrary, we place next to one of the primary colors, a secondary color formed by mixing two other primary colors, we obtain a completely harmonious assembly of tone: this secondary color, which thus completes the primary color , has been called the complementary of this color. From these data, it is easy to establish the range of complements: red has green as its complement, composed of blue and yellow; blue has orange as its complement, composed of red and yellow; yellow has violet as its complement, made up of red and blue.

If you want to realize the role of the complementary vis-à-vis the primary color, embroider a violet strip with yellow: the violet will acquire its maximum intensity; it will be the same if you border a red fabric with a green border, or a blue fabric with an orange border.

But these observations are no longer so narrowly applied when the colors are not in their pure state, that is to say, such as they are given by a ray of sunlight refracted by the prism. It is the taste alone which can decide what effect a pink will produce next to a straw yellow or a light blue, whereas a pure red in opposition to an equally pure blue or yellow would give a certainly bad effect. Our readers, who are women, will be able to put, I am sure, as much discernment in the choice of their colors as they bring in that of a hat or a ribbon. It will not be necessary for them to have recourse to the remarkable works of M. Chevreul on this subject to fix their ideas.

The colors once chosen, it is a question of applying them on the drawing.

The first concern must be to determine the values that they will have to keep between them: this is how the background must be either lighter or darker than the decorative pattern, so that it stands out frankly. We advise, to begin with, to lay the tones flat, that is to say without worrying about the shadows which it is very difficult and often useless to render in decoration.

To replace the shadows, and to make the decorative pattern stand out more, each of the elements that make it up is surrounded by a "serti", that is to say either a thick line or a border, or even a soutache, depending on whether it is a painting, an embroidery or a tapestry. This setting can be a shade lighter or darker than the pattern it surrounds. The setting will be very useful for us, for example, if we have to draw a sheet turned over on itself: a flat tone would prevent us from indicating this movement, while using the setting, we can highlight it. In plate 6, if we cover the flower seen from the front with a flat tone, the setting will be essential to mark the distinction between the petals that compose it: otherwise, to make them stand out, we would have to use the drop shadow.

These are the general principles that must never be lost sight of in the composition of a decorative motif, whatever the object for which it is intended.

Translation via Google Translate with editorial revisions for clarity.

[redwayfarers]

(you) restless son - continued

Fandom: FFXIV Ship: Nika/Artoirel Characters: Nika Perseis (WoL), Artoirel de Fortemps Word count: 1533 Rating: Teen Note: Part two to this. Snippet was posted to Decembhyur. Here's the whole thing which, if I may say, is quite charming too.

Somehow, possibly through Fury’s grace alone, one of them had enough wherewithal to suggest moving from the salon’s opulent settees to have sex. The source of the proposal disappeared in the larger scope of the night’s events. Desperate kisses in the hallways that were suddenly too long for Artoirel’s liking, Nika’s surprised oh when Artoirel finally slammed the door shut behind them and kissed him with all the passion he had in his body mattered much more than who’d spoken the words first. 

Although, Artoirel thinks in the morning, it would’ve been so terribly entertaining if it was Nika. Reckless as the man is, maybe he does care about the Fortemps manor’s furniture. Even if he recalls how often Nika calls just about anything in the house overpriced. The furniture speaks of refined taste in Artoirel’s view, but Nika did not grow up in luxury. He speaks so little of his early life, but he’s said enough to suggest as much. 

Artoirel would’ve been annoyed with anyone else for such words, but there is no point arguing with Nika on it. It is what it is. 

Ironically enough, he is quick enough to cover himself in Artoirel’s fur coat on a mildly cold Ishgardian morning. It drags on the ground behind him as he sips his coffee by the window, a stark contrast against his white boots and the small pink cup in his hand. And yet, his hair blends with the darkness of the fur around the neck of the coat. Nika’s face sometimes breaks into a small, shy smile, only to disappear as soon as he notices Artoirel looking from his desk and later come again. It’s like he cannot contain it, try as hard as he might. 

Nika looks different like this, younger. He looks younger than he usually does, scowling and disinterested. Now, he resembles a young man - which he is, even if Artoirel isn’t old , for fuck’s sake. It’s as if a weight has been lifted from his shoulders for a little while, and in Artoirel’s big coat, with messy hair and a brightness in his eyes, Nika makes him want to come over and pull him to his chest, breathe in the scent of his hair and guard that private moment nobody really gets to see. 

And he almost does, when the realization dawns on him. There is chaos around Nika at all times, but it’s of a dangerous sort, one word away from breaking someone’s heart or attacking. This chaos, though, feels like winter's first tentative snowflake. And it fell into Artoirel’s hands. His chest warms up. Not that long ago, he wanted Nika dead. Now, he’s rejoicing in Nika’s small pleasures and whatever domesticity a chronic evader like him can have. 

“Why are you looking at me?” Nika suddenly asks. He’s looking deeply into the contents of his cup. 

“We have seen each other naked, Nika. Am I not allowed to look at you while clothed?” Artoirel leans against the table. His cheeks burn a little, from embarrassment and happiness both, and taps his nails against the surface in a rhythm. 

“‘M not talking about that,” Nika mumbles. “Also, that’s a very good beat.” He starts tapping against the porcelain in tandem. “That’s the song you wanted to show me last night?” 

“Yes. Of course, wood and porcelain are bad replacements for an actual instrument, but yes.” Artoirel clears his throat. 

“You’d be surprised what you can do with wood and porcelain. Not everyone’s fancy enough to have a grand piano.” Nika smiles. “Besides, it’s fun. I used to play with my mom’s pots like that when I was a kid. Before she’d take them away and shake a finger at me. ‘I need those to make lunch, Nika!’ ‘But we can eat music!’ Can we eat music, Artoirel? Can we eat music?” 

“Does.. spirit eat music? And literature, theatre, painting, and other arts?” 

“You tell me. You’re the one who grew up with those stupidly pretty Halonic chants. Me, I’m just a little bard of Gridanian tradition. The fact I have a magical voice is a side benefit.” 

“We have to go to the theatre sometime, Nika. Since you’re in Ishgard, you might as well enjoy the culture. I think an exception will be made for your hats, too.” Artoirel laughs, but Nika’s giggle echoes around the room. 

“Oh no, not the hats! I would have burned this whole place down ages ago if it discriminated against my hats!” 

Nika’s voice sounds young, Artoirel suddenly thinks. Young and happy. He looks him over, from the oversized coat, the high boots, the cup in his hand, the unbrushed mess of his hair, and the way sunlight hits his eyes differently, bright and creased around the edges. His scar creases, as well, around his nose and spreads to give way to a smile.

Artoirel’s chest feels tight and warm. There have been few times in his life where he’s felt like this. He recalls a then unmarried countess he had had a mind to court some years ago, of a striking beauty; she had a birthmark on her cheek, and he’d longed to kiss it someday. Nika’s scar is less graceful than the countess’ birthmark, but Artoirel wants to kiss it all the same. He wants to have Nika’s hand around his arm, by his side. He wants to kiss his hands, even if they are not gentle. Nika would laugh at flowers, but does one give flowers when courting a man? 

How does one court a man anyway? And more importantly, how does Artoirel de Fortemps court Nikita Perseis? 

“You’re doing it again,” Nika says. “Looking at me so intensely. Like I’m.. Like you’re in love with me, or something.” He laughs, awkwardly. “Are you in love with me, Artoirel?” 

Artoirel purses his lips and looks away. He stands up and runs a finger over the surface of the desk. “I am fond of you, yes. That much is obvious.” 

“Being fond and being in love are two completely different things!” Nika puts his cup down on the windowsill and rubs his face. “Artoirel, I.. You are not like everyone else. You are dear to me, and I care for you, and–” He takes a deep breath. “I care for you more than I should. And twelve help me, everything else I’ve done feels like– fucking foreplay for the main thing. Which is–” Nika waves his hands around. “All of this.” 

There’s something that goes unsaid. Us, Nika wants to say, but his throat seems to have closed up. Artoirel swallows. His heart beats wildly in his chest and he takes a step closer. 

“In Ishgard,” Artoirel starts, “to announce our serious intentions in pursuing someone, we court.” Nika squints. And Artoirel stands before him and swallows again. “Please let me finish, Nika. Ordinarily it would lead to marriage, and ordinarily we would not have slept together beforehand, but this is no ordinary situation. But I do wish to– to court you. To show you I am serious. We don’t have to say anything yet.” 

Artoirel reaches for Nika’s hand, yet allows his fingers to dangle in the air. Nika looks down, away, anywhere but Artoirel’s face, and pouts. 

“We can just try and see where this leads us,” Artoirel offers softly. “I want to think this meant something for you. I want to think that I mean as much to you as you do to me.” 

“You do,” Nika says after a while, almost inaudible. Artoirel’s hands itch to wrap around Nika’s, yet he refrains. Not yet. Not until Nika gives his consent. He will not force his affections on him. Yet, Artoirel can’t look away from the emotions that fight on his face, from the way he trembles. Artoirel trembles too, the patter of his heart drowns all other noise but Nika’s voice, and his stomach ties in innumerable knots. 

They sit like that for what feels like an eternity, on the precipice, ready to walk away or fall together. Eventually, Nika lifts his hand. Artoirel squeezes it. 

“We can give this courting thing a chance,” Nika says, breathless. “Because, I–we– yeah.” 

Artoirel breathes out. “Fury take you, Nika,” he mouths, and kisses him. Nika rises on the tips of his toes and kisses him back, draws him close, and Artoirel holds onto him, his grip strong enough to almost lift him off the ground. 

When they part, Nika’s eyes are wide and round, as they were last night. Artoirel’s cheeks burn like a furnace, but he doesn’t care; it’s his first day of courtship, as unusual as it may be. He can’t find it in him to let go of Nika, and if it were up to him, he’d rather see Eorzea aflame than let Nika go to save it. 

He knows Nika doesn’t like that anyway. 

Frankly, Eorzea doesn’t matter anymore. What does is the way Nika clings to him, and the way his hair smells, and the warmth of his body against Artoirel’s. What matters is them watching the city move about, away from it all, standing by the window together. Together. 

The rest of it really does not stand a chance whatsoever.