#Lorimier

[empirearchives]

Portrait of Mme Marjolin, née Duval, c. 1800s

By Henriette Lorimier, French Artist

About the Artist:

Around 1800, more and more women took part in the French artistic life. Henriette Lorimier was a popular portraitist in Paris during the Napoleonic era. In 1805 Caroline Bonaparte-Murat, a sister of the Emperor, purchased “La Chèvre Nourricière” a painting exhibited at the 1804 Salon and in 1806 Henriette Lorimier was awarded a First Class Medal for her painting of “Jeanne de Navarre” which was then purchased by the Empress Josephine, consort of the Emperor Napoleon I.

[the-paintrist]

Henriette Lorimier - Portrait of Nicolas Lupot - 1805

Nicolas Lupot (4 December 1758 – 14 August 1824) was one of the most illustrious French luthiers (violin makers) of his time.

Lupot was born in Stuttgart. He was apprenticed to his father and worked in Orléans until 1794. Soon after, he moved to Paris, where he was appointed violin maker to the king (1815), and to the Conservatoire of Paris (1816). This latter post involved furnishing instruments (of the whole violin family) awarded to first-prize winners.

Lupot was ordered by King Louis XVIII to make an orchestra of stringed instruments which were to be decorated/embellished with the coat of arms of France. He ambitiously undertook in 1820 to replace all the instruments of the royal orchestra with new ones of his own make, but death in 1824 prevented him from fulfilling this plan.

He frequently received the title of "The French Stradivarius" and in Mirecourt there is a street named after him. Modeling (except a few after Guarnerius and Amati) always after that of Stradivarius and he imitated that genius more minutely than anybody else had or has ever done. This is why there is such a refreshing variety in his productions some of broad proportions, others more normal and some under the recognized full sizes as well as a few of long pattern.

"Lupot was an important French maker, modeling his instruments after Stradivari."

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

[spockvarietyhour]

Avenue de Lorimier, 1966

[dansmonlivre]

Être son manifeste… word!

(Be your own manifesto)

[the-paintrist]

François Charles Hugues Laurent Pouqueville (4 November 1770 – 20 December 1838) was a French diplomat, writer, explorer, physician and historian, and member of the Institut de France.

He traveled extensively throughout Ottoman-occupied Greece from 1798 to 1820; first as the Turkish sultan's hostage, then as Napoleon Bonaparte's general consul at the court of Ali Pasha of Ioannina.

With his far reaching diplomacy and writings, he became a prominent architect of the Philhellenism movement throughout Europe and contributed eminently to the liberation of the Greeks and the rebirth of the Greek nation.

The Greek War of Independence, also known as the Greek Revolution or the Greek Revolution of 1821, was a successful war of independence by Greek revolutionaries against the Ottoman Empire between 1821 and 1829. In 1826, the Greeks were assisted by the British Empire, Kingdom of France, and the Russian Empire, while the Ottomans were aided by their North African vassals. The war led to the formation of modern Greece, which would be expanded to its modern size in later years. The revolution is celebrated by Greeks around the world as independence day on 25 March.

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

1830 Henriette Lorimier - François Charles Hugues Laurent Pouqueville

(Palace of Versailles)

[urgetocreate]

Nathalie Maynard, Parc de Lorimier, Montreal, Canada, 2022, Acrylic on canvas

[artejoke]

I wanna be curated

1. Lavinia Fontana, Self-portrait, circa 1577-1585, Saragossa Museum 2. Friederike Julie Lisiewska, Self portrait of the artist, aged twenty-one, 1793, Staatliches Museum Schwerin 3. Na Hye-sok, Self-Portrait, c. 1928, Suwon Ipark Museum of Art 4. Elisa Counis, Self-portrait in Uffizi Gallery 1839, 1839, Galleria degli Uffizi 5. Marietta Robusti, Venecian lady, 16th century, Museo del Prado 6. Alice Pike Barney, Self-Portrait with Palette, 1906, Renwick Gallery 7. Elin Danielson-Gambogi, Self-Portrait, 1900, Konstmuseet Ateneum 8. Henriette Lorimier, Self-portrait, between 1804 and 1806, Musée Magnin 9. Lucia Anguissola, Self Portrait, 1557, Castello Sforzesco, Milan

[itsthebigguy123]

Hey guys, I made an OC with @kujikawaiiart's help

Her name is Shatterproof, AKA Vanessa de Lorimier. A Canadian Indigenous Mohawk engineer and chemist with shapeshifting powers, elastic abilities, and a genius level intellect, she has decided to be a force of justice in a world of superheroes - which includes a Japanese-Canadian magical girl, a Haitian samurai, and so, so much more.

I'm barely an artist, I'm still learning. But this is the kind of character whose stories I'd tell if I could. Imagine Luffy meets Mr Fantastic meets Peter Parker for her personality.

FYI I'm not indigenous myself.

[the-paintrist]

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

At that time, Henriette Lorimier met Francois Pouqueville who had just returned from his adventures as a prisoner of the Ottoman Empire, and she concentrated on studying and perfecting her painting technique until she felt ready again to exhibit her newer work by 1810. They lived together until his death in 1838.

The couple was frequently seen in the various "salons" where the intellectual and artistic gentry of Paris was meeting, notably at the Comtesse de Segur's salon. They befriended many influential figures of the Empire and of the Restoration, such as Chateaubriand, Alexandre Dumas, Ingres, Arago, and David d'Angers, to name but a few.

Henriette Lorimier, Autoportrait (1807)

[todaysdocument]

“ . . . we are now placed in an alarming and unpleasant situation Betrayed in our Confidence and deprived of our just rights fairly acquired . . . “ 1/3/1818. 

Letter to the President from the Shawnee and Delaware Tribes residing west of the Mississippi requesting the suspension of public sale of the land that was granted to them. 

Record Group 11: General Records of the United States Government

Series: Indian Treaties

File Unit: Ratified Indian Treaty 143A: Documents Accompanying the Message Transmitting the Osage, Kansa and Shawnee Treaties, 1825 (Ratified Indian Treaties 126, 127, and 143) to the 19th Congress

Transcription:

[added] 0-31

         4 [/added]

TO THE PRESIDENT OF THE UNITED STATES

We the undernamed Chiefs and Headmen of the Shawanoe and Delaware Tribes of Indians residing on the West side of the Mississippi river, after having held Consultation in Common Council, determined to address you on the subject of our concern and  represent the [?ails] on which they are predicated.

About the year 1788, the Shawanoe and Delaware Tribes whom we represent were invited by the Officers of the Spanish Government in the upper part of their Colony of Louisiana to remove and settle on the West side of the Mississippi.  This measure was consented to and we went to reside at first near the St. Louis.  The protection which we afforded to the Spanish Settlements against the frequent incursions of the Osage Nation was doubtless the policy of the Spanish Government in soliciting us to settle in this Country.  We were offered by them a district of Country on the Mississippi wherever we might think proper to settle it, between the mouth of the Missouri and Arkansa Rivers.  No permanent settlements was how-er made by us until about 1797 when two of our principal men, having obtained a recommendation from the Spanish Officers in the upper Country went with it to

[page 2]

the Governor and Intendant at New Orleans.  In the Spring following they returned with a Concession from the Spanish Government to the Shawanoe and Delaware Indians for all the tract of Country within the following boundaries, beginning at the mouth of the Creek just above Cape Girardeau thence up the Mississippi to Cape Cinque Home Creek, thence up that Creek and a branch thereof on which is a noted Big Spring thence from that Spring across to and up the South fork of saline creek to opposite the Head of White Water Creek, thence across to White Water  Creek and down the same to opposite the head of the first mentioned Creek, thence across to the Head of said first mentioned creek and down the same to the Beginning.

This grant was read and Interpreted to us by Louis Lorimier the Commandant at Cape Girardeau who was also our Agent, and not having any safe way of keeping the paper, we requested Lorimier to keep it for us, as he was a man of our greatest confidence, sometime afterwards Lorimier brought to us the Original paper and a copy and told us that we had better deposit them with some of our particular friends we accordingly gave to him the original and the copy we gave to Francis Valle the Commandant at the Ste. Genevieve some time afterwards as we are told, the Commandant at New Bourbon took all the papers which related to his district from the Commandant at Ste. Genevieve and amongst others, the copy of the concession.

After the cession of Louisiana to the United States we were informed that it was necessary to lay our Claim before the United States Commissioners at St. Louis; But to our disappointment we have not been able to find the Original nor copy for the Concession.  Consequently we are told our claim cannot be sanctioned.

We immagine the reason why our papers cannot be found may be seen  in that of a grant being subsequently obtained from the Spanish Government for 30,000 of Land in the district granted to us by the man who possessed our greatest confidence and who had care of our paper.  Ever since the grant was made to us we have residence on the land and whenever any encroachments have been made upon it the intruders have been removed by order of the Spanish and American Governments until since it has been known that our grant has been lost or mislaid and a number of lines of the surveys of the United States have been lately run, and we are now placed in an alarming and unpleasant situation Betrayed in our Confidence and deprived of our just rights fairly acquired, and now likely to be driven from our Towns and possessions without a country or a home.  We therefore appeal to the justice and magnanimity of the United States whom we have heretofore found to be reasonable and generous.

We deem it but a reasonable request that you would suspend from public sale all the land comprized in

[page 3]

the boundaries of the grant made to us, until we can have an opportunity of being heard upon the merits of our claim, before some equitable tribunal to decide upon this case, and that you will use measures best calculated to have such a tribunal appointed, and in the meantime restrain the encroachments of settlers upon our Land.  Whatever the decision may  be when fairly made we shall be contented to abide and acquiesce in

 St. Genevieve  Jany 3th 1868

Wapipilessi + or the White Bird

Pepiguoi   + " the Flute

Cousaissa + " the Fire

Kishhalawa  + " the Speaker

Lathowais X

Sawaguichica  +

Wawelleni - X

Tacchica --- X

Signed Duplicat

[the-paintrist]

Henriette Lorimier - L'Enfant reconnaissant (The Grateful Child) - 1810

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

[renee00124]

*Activist Post: NSA Whistleblower Reveals Covert Torture Program – Pulitzer Prize Winning, Chris Hedges Interview*

[the-paintrist]

The painting depicts Jeanne of Évreux-Navarre, daughter of Charles II (King of Navarre) and widow of Jean V of Montfort Duke of Brittany who died in 1399 and whose third spouse she was. She is here with her second son, Arthur, future Duke of Brittany. It is considered as exemplifying the mother, inasmuch as the Duchess fulfills her educational duty towards her son and teaches him filial piety.

Exhibited at the 1806 Salon, this painting gained an immense success. Empress Joséphine purchased it outright for her paintings gallery at the Malmaison castle where it remained until her death in 1814. It is now on permanent display in the Empress' music room.

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism.

She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

(Henriette Lorimier, Joana of Navarre and her son Arthur near the tomb of her husband and his father, Jean V of Bretagne)

[blimmo]

Demandes de dérogations mineures qui seront présentées au conseil du 27 août 2024 - 41, Rue De Lorimier (Hull) 41, Rue De Lorimier (Hull) https://www.gatineau.ca/portail/lien.aspx?t=rssfeed&u=/upload/avis_publics/202482013325_-715183867_41__rue_de_lorimier.pdf

[bobmorane]

« Ma patrie – puisse-t-elle ne jamais oublier que nous sommes morts pour elle sur l’échafaud! Nous avons vécu en patriotes et nous mourrons en patriotes! A bas les tyrans! Leur règne achève. »

François-Marie-Thomas-Chevalier de Lorimier, 1839.

[the-paintrist]

Elisabeth Henriette Marthe Lorimier (7 August 1775, Paris – 1 April 1854) was a popular portraitist in Paris at the beginning of Romanticism. She lived with the French diplomat and philhellene writer Francois Pouqueville (1770–1838).

Philhellenism ("the love of Greek culture") was an intellectual movement prominent mostly at the turn of the 19th century. It contributed to the sentiments that led Europeans such as Lord Byron, Charles Nicolas Fabvier and Richard Church to advocate for Greek independence from the Ottoman Empire.

The later 19th-century European philhellenism was largely to be found among the Classicists.

Henriette Lorimier, Self-Portrait (1801) (x)