#Live for their age difference
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nyc3 · 1 month ago
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Giulio said it's a real free state
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Also technically it's a spring fling but whatever, Deku is going to get a real taste of Italy and I'm not talking about wine or spaghetti 👅
i hope everyone who's said this abt giulio and ship deku w giulio learn that giulio is an adult in like his 20's or smth i dont remember what age he is and that izuku is still 17 and i hope they get embarrassed and im giulio x deku's #1 hater rody's better rody's better rody's better rody's better rody's better rody's better
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also no hate to giulio AT ALL, i haven't watched the movie yet but ever since his art and all that came out i've loved his design and he seems like a cool character. i just HATE people who say he's “deku’s next summer fling” or ship him with deku 😭.
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dailyhatsune · 7 months ago
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the old uncle who refuses to wear headphones on the train
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hinamie · 8 months ago
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I'm always pushing you away from me / but you come back with gravity / and when I call, you come home
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theshitpostcalligrapher · 4 days ago
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text from my sister from a week or so ago.
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it took some years but i'm glad my family is finally getting my vibes
(this will be a pain to get from norway tho im ngl)
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tenowls · 3 months ago
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rivals
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gaddaboutgriffon · 5 months ago
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The Year of the Dragon.
(Name edited, credit to @jedipirateking for the suggestion.)
A joke the fandom has been making for a while is that Tim is forever stuck at 17. What if we make that something the rest of the Batclan notice too? (I am not following cannon.)
It was just after the annual Family picture day and the new group portrait was taking the place of last year’s and looking at it they noticed 15 year old Damian is now almost the same height as Tim. And Tim is pretty much the same as last year.
Jason and Damian take the opportunity to tease Tim calling him a shrimp and other short jokes. Which Tim rolls his eyes and goes to work on a case or something with Wayne industries. But Bruce, Dick, and Alfred are more concerned, may feel guilty thinking letting him be a vigilante stunted his growth. And looking back at the photos they have of him notice that he wasn’t growing as much as a normal teen boy should have.
Bruce decides he is going to be more active in running Wayne Enterprises while Alfred plots to cut back Tim’s coffee limit. And Dick is going to help out coordinate the patrols. (He had to move back to Gotham when the Bludhaven city spirit forced all the people out before the city got blown up. It’s a long story but dick has been really down and unmotivated after that.)
Tim is not taking any of this well, and feels like his family being stifling. So he decided to start going through the basement and vault of Drake manor. Which he has been putting off since he didn’t really have time for it between patrols and WE. And in the family heirlooms vault, shoved way in the back with covered in dust and many other things sitting on top, he finds an oak box with an ornately caved dragon on it. Opening it up he finds it is velvet lined and has a large pendant that looks a silver dragon curled deep violet amethyst egg. And next to the pendant is a scroll made of thin leather.
He pulled out the scroll first and tried to read it but it was too faint of lettering to make out in the somewhat dim vault light. But what little he could make out it it was really old 14th century English and mentioned something about a coming of age. He rolls it back up and puts it aside to instead pick up the pendant. When he touches it there is a faint static shock that surprises him other then that the silver and purple necklace doesn’t seem out of the ordinary.
His phone lets off a chime to remind him that diner is in an hour, so he pack the pendant and scroll back in the box and places it in his bag with a few other items he finds interesting and wanted to look into more later. Then returns to Wayne manor to eat before patrol. It isn’t until he wakes up the next morning he realizes that he should have probably read the scroll before touching the pendant.
He wakes up to knocking on his bedroom door and someone yelling at him to get up. He had gotten into the habit of locking his door back when Damian first moved in. He yelps in surprise, falling over because his center of balance is all out of whack when he tried to stand. Now he is fully awake and takes stock of himself.
Scales?
Scales! Why are his arms covered in scales?! His hands look like a mix of paws and talons. He struggles out of the sheets to look at the rest of himself. His pjs are stretched and torn in places to accommodate the new digigrade shape of his legs. Not to mention he now has a long tail and wings and a longer neck. He rushes to his personal bathroom and awkwardly stands up on his two legs so he can get a good look in the mirror. And yep that is a distressed dragon face looking back at him. He catches himself making a weird keening sound as he plops down to sit on the bathroom floor.
Moments later he hears the sound of his bedroom door’s lock being picked. Bruce calling his name and Duke explaining he had heard animal noises from the room. Tim scrabbles to try and get the balcony door unlocked so he can escape and find a way to change back before anyone can see him, but moving on all fours and the new talon hands he is not used too take up too much time and the bedroom door is open.
Living in a family of vigilantes, their reaction time and fight or flight instincts are quick, and Tim is tackled to the floor by Duke while the others start looking at every inch of the room for clues as to what happened to their seemingly missing brother.
Bruce is looking at the dragon in Tim’s pajamas for a second before saying, “Tim? Is that you chum?”
Tim tries to answer but all that comes out is a warbling chuff. Which takes Tim by surprise and has him nearly start to cry in panic. He can’t Talk!
“Hey, you’re ok Tim. Deep breaths. Duke get off him. Breath with me Tim. In 1, 2, 3, 4. Out 1, 2, 3, 4.” Bruce spoke in his soothing a scared child voice. Tim was half annoyed at himself for how much it helped.
“B, Look at this!” Dick said holding the box with the scroll and dragon pendent instead open. Now the gem is a very pale see through purple with only a sliver on the bottom the original color.
They take it down to the bat cave and get to work deciphering the scroll. Turns out the Drake family line are descendants of some ancient medieval prince named Aragorn and that there was a family tradition that on the sixteenth birthday the child would have to live a year in dragon form to let it catch up in maturity. But after the dragon form catches up they will be able to freely shift between forms. But if they don’t follow the tradition they don’t age properly, and the longer they put off the tradition the longer they have to spend as a dragon.
And that is all I had time for before bed. So who does this affect the family dynamic? What about the relationship between Tim and Damian? How do we bring Danny Phantom into this? Does he think Tim is a ghost dragon at first?
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wabart · 2 months ago
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really love all the content people have been making of Rook borrowing (or stealing) Lucanis's clothes and him getting all weird about it... please also consider, Lucanis borrowing clothes back accidentally
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chalkrub · 2 months ago
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pwyw com from last month ! these are closed now but i will open again at the end of feb maybe
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zutarawasrobbed · 1 year ago
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I’m sorry, but the Netflix showrunner referring to Kataang as an “issue to tackle” in the future is some of the funniest shit I’ve ever read/heard.
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vaguely-concerned · 1 month ago
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This might be due to the fact that on my first playthrough I ended up creating a Rook more emotionally guarded than any of the companions except Minrathous-route Lucanis and perhaps Neve, so I was primed to look for it, but I never got the sense that the companions don’t care for Rook (the thought never even occurred to me until I saw other people post about it) — to me it seems much more like it’s Rook who keeps the last bit of distance, Rook who pulls away when the companions try to extend their care or worry too directly, who keeps themselves slightly apart. (Rook who is so full of grief they cannot know as grief and thus process that there’s no room inside them to let anything else all the way in, perhaps.) They deflect and flinch back when someone gets too close or approaches them too overtly about their feelings — especially when it brushes up against the theme of grief. They can offer care to all the companions who are grieving, come along to any number of funerals as emotional support, but the moment someone turns that towards them they shut that shit down Immediately, like when Taash almost gives the whole game away with ‘Like you’d know? You act like you haven’t lost anyone!’ and Rook just blandly responds ‘We’re talking about you’ and doesn’t engage. But they can also admit that they struggle with accepting compliments, or knowing what to say, or having confidence in themselves without Varric’s help.
Despite all their determination and even in their most stoic no-nonsense incarnation, Rook is awkward, with the struggles that entails. Someone who is eager and happy to be the helper wherever they can, and helplessly unequipped to know how to be the helpee, as it were. It’s not that the companions don’t return Rook’s attachment to them, there’s MUCH more of a ‘okay so what are the ways you will allow me to be good to you??’ desperation of care vibe behind all their invitations to conversations and hangouts together, to my mind. They bring Rook to their favourite places and share the things they love with them, they ask to spend time together (many times just to have their company, not because they have a problem they need help with! Sometimes the problem arises anyway b/c video game quest narrative of course), they bring them out for some direly needed grass touching, they introduce them to their families. Everyone is clearly getting the sense that Rook does Not want to talk about Varric especially (this is in fact what Harding says in banter, if she’s still alive after the reveal :’( ), but they are absolutely SCRAMBLING to find ways to show that they’re there for them even so. AND from the companions’ perspective, with the situation as they have the means to understand it, accepting that Rook isn’t ready to have that conversation and backing off is also a kind thing to do. (tl;dr: To Me Rook is that weirdly socialized friend who is a great hang once they’re actually there but you have to directly invite them or they don’t quite know how to initiate the contact themselves lol) 
Just as a crushing sense of responsibility for their family is a trait that is built into Hawke no matter how you play them or how you make them respond to that, I feel like Rook — however helpful and earnest, warm, charming, jocular, stoic or straightforward they seem at a surface glance — is always someone who struggles deeply with connecting to themselves and other people. (Emotional Intimacy, the Final Frontier.) As, indeed, is the case with all of the Veilguard companions too! It’s clearly a deliberate theme. These are all lonely people struggling with their sense of identity and belonging in some sort of way. AND having, working on and eventually starting to overcome these difficulties also makes Rook a direct foil for Solas, who doesn’t learn that lesson unless you corner him at the end of the world to force feed him his medicine lmao. They don’t manage to break out of the regret prison under their own steam, it’s because even struggling and grieving they have managed to create mutual bonds with other people who show up for them in turn now — and with all the protective walls of denial around what happened to Varric crumbling and making them less of a stranger to themselves, Rook is finally able to let them. An outcome Solas seemingly didn’t even consider to guard against, because he’s become that deeply entrenched in his loneliness, the utter isolation of the self — he can no longer truly imagine an alternative. (It’s not that he can’t form these bonds, obviously, it’s that he resolutely refuses to value them. Whether it’s because he feels like he doesn’t deserve it or out of a need for control or the martyr complex where he must sacrifice everything he loves on the sacrificial pyre of fixing his mistakes, all of the above and more, the result is the same. Mind!Varric, who I think is mostly Solas speaking, even calls this out directly. So yet again a situation where he has some self awareness about it and it doesn’t help At All haha. Solas falls to the temptation of making people into tools again and again and again, no matter how many times it comes back to bite him in the ass and the eternal solitude it traps him in.) 
And that deep deep loneliness… There but for the grace of… well the theological state of thedas being what it is right now, let’s just go with the grace of Something, Presumably go you as well, Rook. The same capacity/tendency to pull away from connection clearly lives in them as well in some form (again, for whatever reason and with whatever motivations and instincts behind it for any individual Rook). Solas and Rook coming together to create a blood magic paper doll of the mind Varric in response to acute loss and loneliness is one of the most deep , deeply fucked up and invasive acts of intimacy I’ve ever contemplated. I don’t think that’s accidental, there’s something There’s Something Wrong With You (there’s something wrong with you that’s also wrong with me (derogatory)) here that resonates no matter how both parties would hate to hear it. (A fitting legacy for Varric and his wild ‘I made my best friend into a story because it’s the only way I know how to love with this desperation of sincerity’ brain to leave in the narrative, methinks. I feel he’d appreciate it on a craft level, if nothing else.)
If you read through all of Rook’s potential backstories, one of the common threads through all of them, along with a certain maverick ‘I’ll do whatever it takes’ streak, is a sense of profound alienation. They did something or have some sort of quality that made it hard for them to fit in with the group they’re from, causing a conflict that cuts them off from parts of their identity as it’s been up until now. All of which also adds to how important Varric is to them — he was clearly able to break/see through some of that and be closer with them, even in the relatively short time they spent together. No matter what else goes to shit, they can trust that a) Varric sees them, b) he genuinely likes them and believes in them not despite who they are, but for it, and c) he’s got their back, we’re in this together kid. And then he is gone, and it takes them the whole game to be able to bring themselves to accept that and know themselves again, be able to let new relationships in fully. The very understandable ‘the last time I let someone in, they got stabbed before my eyes and the world ended’ flinch away, even if they’re not consciously aware that’s what it is. Anyway I love Rook. So much space to play around in here as to WHY they might feel or react like this, even when the framework is more defined.
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#rook#solas#varric tethras#dragon age meta#some of the same stuff around how bellara feels like rare representation of the good AND the bad of being neurodivergent#and the ongoing nature of it -- there's no easy resolution or solution to this just ways to live with it both in joy and despair --#going on with rook being Like This. their bumbling awkwardness can be endearing and funny but it does also genuinely hinder them#(awkwardness can mean bluntness or insecurity or constant deflective quips or what have you it comes from the same source)#I personally like a slightly more set protagonist like this (as well as both Hawke and Ryder) -- it's more interesting to me#to have a specific person in a specific situation to build on than the more sandbox approach. but I think that's very much#just a personal preference thing I don't think there's a right or wrong thing here from either the creator's side or the player#just different things people respond to differently etc. I feel like rook's backstories are quite a good balance of set vs. open#to start to build a character within!#I do wish. perhaps. that there was more willingness in certain quarters to look at it with that kind of nuance and generosity#rather than having to read 'x is OBJECTIVELY a bad protagonist and everyone agrees!!' again and again. but you know.#at least I can focus on what brings ME joy (if people are determined to be wrong it's not within my power or responsibility#to change their minds jfskda)
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balleater · 8 months ago
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it's pretty funny actually how ludinus uses his age as proof that he knows what he's talking about when the bright queen is older than him by at least a few centuries and that doesn't seem to change the fact he has absolutely no respect for her and her experiences
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snowyfrostshadows · 1 year ago
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So.
We went from this for Starclan Cats:
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To.
This:
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Biggest downgrade of my life.
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guacamolleee · 1 month ago
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One thing I liked about Veilguard, and not something I see a lot of people talk about, is the fact Emmrich does think marriage and family was possible for him.
As a mage.
In Thedas.
He brings it up in banter not in an "if only it were allowed" sort of way, but in a "I thought it definitely would have happened by now" way
We're told in past games that marriage is greatly discouraged (not outright illegal, but you know how this goes...) in the circles, along with having children. And if children were born, they're taken away quickly from their parents. And if/when magical abilities show up, they aren't even allowed to be in the same circle as each other.
So Emmrich's remark about marriage and family tells me that either:
1) Nevarra (or northern Thedas in general) is different. That there's an open-mindedness about mages we simply do not see in the south, where the foothold of the Orlesian Chantry is much stronger. That's something supported by what we know about Nevarran traditions, the sway of the Mortalitasi in the country, and so on.
Or
2) Alternatively, we could also maybe say that somewhere in the last two decades since Origins that the idea of marriage and family for mages shifted somewhere in the *whole* of Thedas. That we, at least, are now in a world where it's possible for mages to love, marry, and have the families they want without the threat of the Chantry tearing them apart. I can especially see that in world states where the Warden, Hawke, and Inquisitor were pro-mage, and if Leliana is Divine.
The most likely reason is probably the first one. But isn't it so nice to think about the second? That Thedas has progressed enough in the last few decades that this is something possible for mages? And for an Emmrich-romancing Rook, that Emmrich *can* take them home, *can* marry them, and *can* have a family if they so wished? That the question of marriage/family was not an if but a when?
There's something reassuring about that to me.
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silverbriseis · 2 months ago
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99% of tomarrymort antis are so hilarious like whenever theyre complaining about how ""bad"" and ""immoral"" the ship is, they always point to the age difference and not... the murders😭😭😭 Tom literally murders Harrys parents and orphans him, attempts to murder everyone he knows then tries to take over the wizarding world all while ALSO attempting to murder him— so I feel like there's a very more obvious pressing issue here then their unrealistic age gap😭😭😭It's like those ppl complaining about hannigram and making top 10 lists about how problematic it is yet the fact that Hannibal is a cannibal and murderer never made it onto the lists😭😭😭
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aprito · 5 months ago
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sos month day 10: rivalry
let's be real, the pool of other people fighting for sakura's (romantic) attention is not that big. in fact, it's just those three. and they're very insistent on making their distaste for the latest member of the pool known!!
bonus
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mylastmoleculeofserotonin · 6 months ago
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I’m convinced that people who hate Mabel have a) never watched the show and/or b) don’t have siblings. Because until they encountered Bill Cipher for the first time, there was nothing to suggest Dipper’s obsession with the journals was more important or valid than Mabel just wanted to have a normal summer with a whirlwind romance. And even after incident with the portal Dipper and Ford actively keep everything secret from Mabel and Stan so she has no idea of the stakes or what Bill is capable of. Add to that that her dreams of the future were all suddenly crumbling around her all at once, and it is perfectly reasonable if not expected that she would fall for an immortal chaos demon’s tricks.
Also, most of the stuff involving the journal that goes wrong is Dipper’s fault but he still pretends like he and Mabel are in it together. And those of you who are siblings know that Mabel takes it extremely well. Like if I had accidentally sold my body as a puppet to a demon and the only way I could ask my sibling for help was through a sock puppet, I would expect them to help, but only after they spent a good half hour laughing and making fun of me with the additional consequence would be that any time I ask them for a small favor in the future, they would remind me that they were the one to save me from my stupid mistake, so no, they won’t pass me the salt.
(Also, can we just take a moment to see the giant double standards when it comes to the romances that Dipper and Mabel’s have. When Mabel pursues a romantic people treat it as irrelevant and getting in the way of the plot even when it doesn’t. But when Dipper tries to win Wendy’s affection, people expect Mabel to drop everything, sacrifice her pet, mess with time travel to help set up a scenario which Dipper can win a carnival game as a flex.)
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