#Like I said not exactly good I think

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[brainrotcharacters]

"Not talking now, are ya?"

[vaperarmand]

The opening scene in season 3 should be Daniel snorting coke off someone's ass in a close-up shot and the camera slowly zooms to reveal it's Lestat's.

this is real TO ME

[its-just-hyper]

In anticipation for the ending of my hero academia, I gotta say: man, is anyone remembering that one time that one beloved book series about a wizarding school ended with the flawed government staying exactly the same, everyone having kids and naming them after killed off characters, and the protagonist becoming a cop?

[yuridovewing]

what i will always, alwaysss hate about the crowfeather discourse is how it got several people, even some people who i thought would know better than to spread such harmful rhetoric, to get up on their soapbox and say with their whole chest "child neglect is not abusive, breezepelt should get the fuck over it"

[sforzesco]

Crassus, Caelius, Cicero, Catiline, Conspiracy

boy howdy these four sure are something. not featured in this soup of C names, Caesar! what on earth happened here.

Plutarch, Crassus

Sallust on Crassus, Ronald Syme

Patron and Client, Father and Son in Cicero's "Pro Caelio"

Crassus' New Friends and Pompey's Return, Eve J. Parrish

Catullus and His World, T.P. Wiseman

Cicero's Catilinarians, D.H. Berry

[ahalliance]

American-validated Frenchge 🥖

transcript below

[Video Transcript begins:

[Video starts mid-sentence]

Etoiles: —and you put this face— next to the camera! Like this!

Foolish: (laughing) You’re so French!

Etoiles: I’m so French, that’s my main problem. Like I’m so French, I try sometimes to nerf myself and be like, less French

Etoiles: But that feels good to hear this because you say I’m so French and like, some racist people in France think I’m not because I’m Arabic too, so—

Foolish: Ohhhh

Etoiles: —that feels good too, you know

Foolish: No dude, you seem like a French ass French person—

Etoiles: (laughing)

Foolish: I don’t know how else to put it. Simply put

Etoiles: That feels good, man. I was saying hello to Tarik and all his chat was saying like Frenchge, the emote they are putting—

Foolish: Oh yeah

Etoiles: —the emote they are putting. Yeah, yeah, yeah

Video Transcript ends.]

[edwinisms]

banging my head against the wall every time I see someone reblogging a post of mine with tags mentioning the ‘unrequited confession’. we have been OVER this it is NOT a case of unrequited romantic love it is completely canonically up in the air as a possibility. listen to jayden revri himself and be enlightened i am begging you

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[august-writing]

"Not I," I said, "I love you."

Yet when blood was on your face I knew you not.

"Would you follow me, my child? Even in the dark?"

But when the light blew dim I fled.

You told me of the future, and of a joy to come 

You loved me and you taught me

"I know your heart, my child."

When you were weak and weary where was I to comfort?

When you cried out for the Father I hid my face.

I saw you. I saw your eyes and anguish.

O how it pierced me. How could I abandon you?

"Not I," I said, "I love you." But how could it be true?

I turned and left my lover.

Weak and twisted is the heart that claimed to live for you

How can it be, how can I live? I wish to love you.

Yet it is a dead heart that saw your face among the crowd.

A light flew across the distance. On the wings of your suffering.

O how it pierced me. My eyes have opened.

I don't deserve to be here, to sing and see the dawn

Lord let me live and love you

How I was meant to all along

[twilight-zoned-out]

Edwin Payne is a dweeb who gives terrible weak comebacks, who can be unnecessarily petty, or overly smug, who is inordinately pleased with himself when wearing detective gear and using scientific gear, the thought never crossing his mind that he might not look as cool as he thinks he does, who carries a continual and utter absolute delight at acting like the characters he loved to read about, who was enthralled by his magazine detective and adventure stories and who wears a similar smile when he sits on the bed watching Scooby Doo with Niko, 'these detectives are terribly clever,' whose board game collection is mostly variations of Clue, who requires payment (because any good detective is worth some kind of payment) but whose idea of payment is whatever interesting object the client offers to add to his collection, who has encyclopedic intelligence he clearly dedicated hours to learning, who has a particular way of acting and speaking like everything is of vital importance, because to him, it is.

[imminent-danger-came]

So, this parallel, right.

That parallel and the 4x11 shadowpeach fight as a whole:

Macaque: "No that's YOU! You're the one always running off! Looking for more power, more sources of immortality—you're the one who wouldn't quit while were were ahead! Not the great sage, he's got to drag EVERYONE else into his mess!" Sun Wukong: "You're not in this mess, you're still free! Everything I did was for us!" Macaque: "You did it for yourself! You've become like this, obsessive demon! I told you going against the Jade Emperor was a bad idea, but no, Wukong doesn't listen to anyone! He just does whatever he wants! You put yourself here, not me."

(4x11 A Lifetime of Mistakes)

-

A large part of Wukong's motivation to keep getting more power was the freedom of it—the more power you have the easier it is to do whatever you want. It's easier to ignore everyone else and focus solely on yourself. It's also easier to ensure yourself and your loved one's are protected and have the ability to do what they want.

So, a punishment where the great Monkey King is imprisoned and trapped for hundreds of years? It's effective and tragic and fitting. Wukong wanted to have the freedom to protect the people he cared about, and in trying to reach for the power to do that, he completely had his freedom removed. He went from the mountain, to then the circlet, and then all of a sudden he had morals and was bound to those.

And then I think about his end of s3 choice to go face the Lady Bone Demon alone. Once again Wukong was trying to protect his loved ones (not to mention the whole reason he went after the Samadhi fire to begin with was to have the power, the freedom to stop LBD (which in itself is another case of SWK believing he needed to be stronger for such freedom)), but he also wanted to make sure MK and himself both had agency. He didn't want MK to have to fight LBD, and he didn't want LBD to end the world.

This is exactly the sentiment he tells Macaque in the 4x11 flashback:

Sun Wukong: "It's so we don't have to worry about anything or anyone ever again! Just living a lazy life, sitting in the sun, eatin' fruit, and doing whatever we want!"

But where does it all lead him?

To possession, imprisonment. Once again Wukong no longer had the freedom to do what he wanted (which is to protect the people he cares about). Once again in his attempts to help his loved one's, he only hurt them.

This can be applied to his relationship with Macaque, to MK in s2, hell, even Wukong trying to get the map in the first place left him powerless, which then led to him and the gang being imprisoned in 3x02. It's a familiar pattern, one we see with antagonist and protagonist alike.

MK in s2 trained to become more powerful, which in the end only strengthened LBD and forced him and his friends on the run. Mei in 3x12 protects MK by letting herself get captured and placed into LBD's crystal. Mei in 4x05 goes to protect MK, breaking her sword and leaving her vulnerable to being captured by Kui Mulang ("How am I supposed to protect everyone without my sword?"). DBK reached for more power and then became possessed by LBD, hurting his wife and son. Azure reached for the Jade Emperor's power and bound himself to that role, jeopardizing Peng and Yellowtusk in the process.

It's a cycle of reaching for power, endangering others, and then being imprisoned.

So anyways, here's why MK is going to lose control (his agency) next season and hurt his friends with his own- *get's shot*

[ltlemon]

by the way im like nearly halfway through season three of mob psycho and I see what the serizawa/reigen people are on now. like yeah you know what i do think two cripplingly lonely probably definitely gay guys in their early thirties would end up with Something happening if you put them in a room together for long enough. don’t get me wrong i honestly think it would suck at least a little bit, but there’s Something There, i hear you. there is a possibility of me getting more invested depending on how they interact in the future…there’s Stuff here i need to like place them next to each other and observe them. put them in like a petri dish.

[kindaasrikal]

Morro except after all the healing and growing he meets the preeminent again and she destroys his mental state, leaving him once again without his sanity.