#Life of an intern architect
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Today is the third time I'm going to a tiny town in east NM to present for a project proposal. It takes 3.5 hours to get there, we eat lunch, present for 2 hours, then get back on the road to go home.
We haven't even gotten the project, it's all still marketing/proposal work. But I've spent more time on it than projects we actually have a contract for 🙃
#I just don't understand why we have to go down there three times when we could have just have zoom meetings all three time#It's been ridiculous and I lowkey don't want us to get this project bc the 3.5 commute has been brutal#Life of an intern architect
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"Morningside Park, a beloved neighborhood park in Miami with sweeping views of Biscayne Bay, will soon pilot an innovative approach to coastal resilience.
BIOCAP tiles, a 3D-printed modular system designed to support marine life and reduce wave impact along urban seawalls, will be installed on the existing seawall there in spring 2025. BIOCAP stands for Biodiversity Improvement by Optimizing Coastal Adaptation and Performance.
Developed by our team of architects and marine biologists at Florida International University, the uniquely textured prototype tiles are designed to test a new approach for helping cities such as Miami adapt to rising sea levels while simultaneously restoring ecological balance along their shorelines...
Ecological costs of traditional seawalls
Seawalls have long served as a primary defense against coastal erosion and storm surges. Typically constructed of concrete and ranging from 6 to 10 feet in height, they are built along shorelines to block waves from eroding the land and flooding nearby urban areas.
However, they often come at an ecological cost. Seawalls disrupt natural shoreline dynamics and can wipe out the complex habitat zones that marine life relies on.
Marine organisms are crucial in maintaining coastal water quality by filtering excess nutrients, pollutants and suspended particles. A single adult oyster can filter 20-50 gallons of water daily, removing nitrogen, phosphorus and solids that would otherwise fuel harmful algal blooms. These blooms deplete oxygen levels and damage marine ecosystems.
Filter-feeding organisms also reduce turbidity, which is the cloudiness of water caused by suspended sediment and particles. Less water turbidity means more light can penetrate, which benefits seagrasses that require sunlight for photosynthesis. These seagrasses convert carbon dioxide into oxygen and energy-rich sugars while providing essential food and habitat for diverse marine species.
Swirling shapes, shaded grooves
Unlike the flat, lifeless surfaces of typical concrete seawalls, each BIOCAP tile is designed with shaded grooves, crevices and small, water-holding pockets. These textured features mimic natural shoreline conditions and create tiny homes for barnacles, oysters, sponges and other marine organisms that filter and improve water quality.
The tile’s swirling surface patterns increase the overall surface area, offering more space for colonization. The shaded recesses are intended to help regulate temperature by providing cooler, more stable microenvironments. This thermal buffering can support marine life in the face of rising water temperatures and more frequent heat events driven by climate change.
Another potential benefit of the tiles is reducing the impact of waves.
When waves hit a natural shoreline, their energy is gradually absorbed by irregular surfaces, tide pools and vegetation. In contrast, when waves strike vertical concrete seawalls, the energy is reflected back into the water rather than absorbed. This wave reflection – the bouncing back of wave energy – can amplify wave action, increase erosion at the base of the wall and create more hazardous conditions during storms.
The textured surfaces of the BIOCAP tiles are designed to help diffuse wave energy by mimicking the natural dissipation found on undisturbed shorelines.
The design of BIOCAP takes cues from nature. The tile shapes are based on how water interacts with different surfaces at high tide and low tide. Concave tiles, which curve inward, and convex tiles, which curve outward, are installed at different levels along the seawall. The goal is to deflect waves away from the seawall, reduce direct impact and help minimize erosion and turbulence around the wall’s foundation.A
How we will measure success
After the BIOCAP tiles are installed, we plan to assess how the seawall redesign enhances biodiversity, improves water quality and reduces wave energy. This two-year pilot phase will help assess the long-term value of ecologically designed infrastructure.
To evaluate biodiversity, we will use underwater cameras to capture time-lapse imagery of the marine life that colonizes the tile surfaces. These observations will aid in documenting species diversity and habitat use over time...
In the coming year, we’ll be watching with hope as the new BIOCAP tiles begin to welcome marine life, offering a glimpse into how nature might reclaim and thrive along our urban shorelines.
#ocean#seawall#florida#miami#climate adaptation#coastline#united states#north america#biodiversity#waves#ocean waves#good news#hope
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𝐘𝐨𝐮𝐫 𝐟𝐮𝐭𝐮𝐫𝐞 𝐬𝐩𝐨𝐮𝐬𝐞'𝐬 𝐜𝐚𝐫𝐞𝐞𝐫 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐀𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐲
Paid readings here
——————∘•···············•∘ʚ ♡ ɞ∘•················•∘——————
According to derivative Astrology, this works because the 7th house shows your future spouse, and the 10th house shows someone’s career. If you count ten houses starting from the 7th, you land on the 4th house. That’s why your 4th house can describe your future partner’s job and reputation.
Aries in the 4th House:
Your future spouse is likely a self-starter, someone who takes bold risks and thrives in competitive environments. They're known for their leadership, directness, and ability to initiate projects.
Careers may involve action, leadership, or danger: entrepreneurship, the military, emergency services, sports, surgery, or tech start-ups.
They may have a reputation for being brave, intense, or impulsive.
Taurus in the 4th House:
Your future spouse values security, consistency, and luxury. They likely work in a field that allows them to build wealth slowly and steadily. Stability is their strength.
Careers may include finance, banking, luxury goods, real estate, design, art, or hospitality.
They may be known for their patience, reliability, and refined taste.
Gemini in the 4th House:
Your spouse is quick-thinking, curious, and versatile. Their work likely involves communication, writing, multitasking, or networking.
They may work in media, journalism, education, tech, marketing, publishing, or sales.
They are known for being witty, social, and mentally agile, with a constantly evolving career.
Cancer in the 4th House:
Your spouse may have a nurturing, protective, and intuitive energy. Their career is often connected to care, emotions, and home-related matters.
They may work in counseling, medicine, education, childcare, food, social work, or real estate.
They’re seen as compassionate, private, and emotionally intelligent, but may have public mood shifts or protectiveness over their career.
Leo in the 4th House:
Your spouse is likely charismatic, confident, and drawn to creative or high-profile careers. They want to be admired and make a bold statement in their profession.
Careers may include entertainment, fashion, performance, leadership, branding, or entrepreneurship.
They’re known for their presence, ambition, and desire for recognition.
Virgo in the 4th House:
Your future spouse is precise, practical, and hardworking. Their career is focused on service, healing, or intellectual analysis.
They may be in healthcare, education, editing, science, research, tech, or administration.
They are perceived as reliable, intelligent, and reserved, with a need to perfect everything they do.
Libra in the 4th House:
Your spouse may be elegant, diplomatic, and image-conscious. Their career could center around beauty, harmony, justice, or social balance.
Potential careers: law, design, art, fashion, mediation, event planning, or public relations.
They are known for charm, grace, and the ability to maintain peace and aesthetics in any environment.
Scorpio in the 4th House:
Your spouse is intense, private, and powerful. Their career likely involves transformation, crisis, or depth psychology.
They may work in finance, therapy, investigation, psychology, forensics, or energy work.
They are known for mystery, depth, and emotional control in their professional life. A powerful but often hidden presence.
Sagittarius in the 4th House:
Your future spouse is optimistic, adventurous, and driven by truth and freedom. Their career likely involves travel, philosophy, teaching, or exploration.
They may be educators, travelers, authors, spiritual leaders, philosophers, or involved in international work.
They're seen as wise, inspiring, and sometimes restless or idealistic.
Capricorn in the 4th House:
Your spouse is career-focused, disciplined, and ambitious. Their work often revolves around status, authority, structure, or legacy.
They may be executives, politicians, lawyers, architects, surgeons, or corporate leaders.
They’re known as responsible, hard-working, and serious in their public role. They likely mature into success later in life.
Aquarius in the 4th House:
Your future spouse is unconventional, innovative, and forward-thinking. Their career is likely progressive, humanitarian, or tech-oriented.
They may work in science, tech, activism, innovation, astrology, or community work.
They're seen as eccentric, intellectual, and socially aware, often ahead of their time.
Pisces in the 4th House:
Your spouse is dreamy, artistic, or spiritual. Their career may involve healing, creativity, or emotional depth.
Fields may include music, film, art, spirituality, therapy, charity work, or ocean/marine-related fields.
They’re known for their sensitivity, compassion, and mystique. Their path may be fluid or nontraditional.
#astro notes#astro observations#astrology#manifestation#tarot#love#astro community#mercury#venus#astro memes#4th house#love langauges#love language#marriage#future spouse
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jeon jungkook - the price of desire (part one)

warnings ; none!
prompt ; in which you learn that your dignity has a price, and unfortunately, it looks a lot like Jeon Jungkook in Calvin Klein boxers.
note ; WELL WELL WELL my angels. we are back with ANOTHER series <3 i am not kidding, this story has had me tossing and turning and screaming and crying. they are such a nuanced duo(even more so than utcf) and if you know me, you know i only write characters that are flawed af and boy… do these two have flaws. also so excited bc my dream is to be a CMO so all that marketing jargon is literally ripped from my real life. this is def a slower burn more than utcf even was, so part one is just getting to know reader, a glimpse into jk and hers future dynamic. it will be giving cocky idol and grumpy girl boss reader… yall hate to see it.. anywho all your love and support is so appreciated and im SO excited to kick this one off <3
playlist here
series masterlist here
You learned at an early age that the world doesn’t hand power to people like you. You have to take it.
Born in Busan, raised in a home where every won had to stretch, you grew up with a hunger that never faded. Your parents worked tirelessly; it was long hours in dimly lit shops, silent tears in the living room over bills, doing everything they could to put food on the table. They wanted stability for you, a quiet life where everything was paid on time and there was no need to chase the impossible.
But you weren’t built for small dreams.
At 17, you won a coveted scholarship to a university in Seoul, a golden ticket out of the cycle that kept your family trapped. There, you became relentless. Top of your class, the kind of student professors whispered about, the one who never failed, never wavered. But no amount of late-night studying or overachieving could buy you the connections that children of chaebol heirs and international elites were born into.
So, you had to outwork them. By the time you graduated, you had one goal: to carve your name into an industry that had no place for you. You moved to America, leaving behind familiarity, comfort, and even your family, knowing that to rise, you had to go where power lived.
New York City became your battlefield.
You started at the bottom, fetching coffees, ghostwriting proposals, working eighteen-hour days just to prove you deserved to be in the same rooms as people who had never known struggle. You didn’t just climb the corporate ladder; you burned every rung behind you so there was no way back down.
It took a decade, but now the plaque hangs on the wall. The name plate rings true of all your dreams. You are the Chief Marketing Officer of Calvin Klein.
At 30, you sit at the helm of one of the most influential luxury brands in the world, the architect of campaigns that have redefined fashion and culture. Your name carries weight in boardrooms, your decisions shift global trends, and every executive in the industry knows you are untouchable.
Or at least, that’s what you tell yourself.
In a world like this, power is never permanent. The moment you hesitate, falter, let someone too close, they will take everything.
All that to say — Monday mornings in New York almost always smell like steel and ambition.
The skyline stretches endlessly beyond the glass walls of your office, the pulse of the city thrumming beneath you, yellow cabs blurring past, heels clicking against concrete, the quiet hum of wealth without ever making a sound. You barely had time to sleep after landing from Los Angeles last night, but exhaustion has never been an excuse.
You straighten your blazer, heels clicking against the marble floors as you stride into the Calvin Klein executive boardroom. The space is drenched in morning light, the Hudson River glinting in the distance, but there’s no warmth. Sharp minds and even sharper tongues, all waiting for you to take your seat at the head of the table.
“Let’s get started.” Your voice is crisp, cutting through the murmurs as the team scrambles to attention. Coffee cups are set down, postures shift. The room belongs to you now, like it always does.
This is your campaign, your bread and butter — the Fall Collection, one of the biggest of the year. And today, the decision needs to be made. Who will be the face of it? You’ve put it off as long as possible, especially after the last campaign that had you sleeping, eating and breathing the word ROI.
A junior executive clears his throat, flipping through a stack of polished portfolios. “We’ve compiled a list of potential candidates. Some of the usual names, established actors, a few models with strong followings…”
You take the folder from him, skimming past faces that blur into one another, all predictable choices, safe bets. Safe has never impressed you.
“We’re not looking for predictable,” you say, voice even. “We need someone who will shift the culture. Someone who doesn’t just wear the clothes, but makes people desperate to buy them.”
Silence. Then, the suggestions roll in. A high-profile supermodel. A rising actor from a Netflix hit. Some European footballer with global appeal.
You listen, nodding as they speak, but your silence is judgment. Each name is good but not enough. Polished and uninspired, in your opinion.
You shoot them down effortlessly. “No. We’ve used her before.
No. He doesn’t have the presence.
No. I don’t need another pretty face.”
The tension in the room grows. The team knows you expect brilliance, not silly little recycled ideas.
Then, your VP of Content leans forward, fingers steepled. “I have a name,” He says, measured, waiting for your reaction.
You lift a brow. “Then say it.”
“Jeon Jungkook.”
For the first time, there’s a halt of all noise. Light murmurs. Someone exhales sharply. You hear a scoff from the far end of the table.
“A Korean idol?” One of the senior execs frowns. “That’s a different market entirely.”
“Not just any idol,” your VP counters. “The biggest. Pretty much the frontman of BTS. His brand power is—”
“Unmatched,” You finish for him.
Because it is. Jeon Jungkook isn’t just a name, he’s a phenomenon. A face that sells out stadiums in minutes, a body carved in discipline, a force that transcends the music industry entirely.
Still, the pushback is immediate “Well, he’s never fronted a campaign of this scale.
Idol endorsements don’t always translate to luxury.
Do we want to take that kind of risk?”
Risk.
The word hangs in the air heavily. It should deter you. It should make you pause. But instead, you find yourself a tad intrigued.
What is Calvin Klein, if not bold? If not disruptive? The brand has always thrived on rebellion, on choosing icons that define eras rather than follow them.
Jeon Jungkook is undeniably that. Perhaps, so are you.
You let the murmurs settle before speaking. “What’s our engagement rate from the last campaign?” You ask, looking towards the analytics team.
“Thirty percent growth,” They answer immediately.
“And what’s BTS’s engagement on a single brand mention?”
A pause. A begrudging voice follows, “Higher.”
Exactly.
You glance around the room, seeing the uncertainty and hesitation. You’re about to give a speech greater than LeBron at the NBA Finals. You lean back in your chair, tapping a manicured nail against the armrest, already picturing it, the campaign, the impact, the sheer cultural shift this could create.
“I like it.”
Silence.
A ripple of realization moves through the room, as if with just three words, the decision has already been made.
。・:*:・゚★,。・:*:・゚☆
Securing a global superstar isn’t an easy task, not even for you. The next few days are a relentless blur of negotiations, contract rewrites, and back-to-back Zoom calls with a team so notoriously meticulous it nearly drives your own to the brink of madness.
The stakes are high. Deals like this don’t just happen. They are built, fought for, and secured with precision. And Calvin Klein doesn’t like to lose.
Your office pretty much transforms into a war room. Tables littered with printed pitch decks. Screens glowing with data analytics, engagement metrics, and market predictions. Your executives pouring over legal clauses, revising them so every word is airtight.
In the center of it all, you stand. Any normal human would be threatened but at this point, you’ve gone full robot. You take every call personally. A negotiation of this scale is your battlefield, and you don’t delegate wars.
Jungkook, obviously, is never on the calls. It doesn’t surprise you. Artists at his level rarely handle the business side of things. That’s what agents, lawyers, and managers are for. His team is professional, unshaken even when you push hard.
Still, you know who he is.
Of course you do. You may have spent the last decade buried in boardrooms, but you were born in Busan. You grew up watching the Hallyu wave explode, and though you never had the time for it, your little sister devoured everything BTS.
You remember the way she would beg for concert tickets, how she’d fall asleep with headphones on, listening to their debut on loop. You used to tease her for it— why the fuck are you crying over an idol?
Funny, looking back at it now. Considering that idol’s contract is currently giving you a migraine.
His team is smart. They have demands, and they don’t bend easily. They want creative control over his campaign image. They want scheduling flexibility due to his commitments. They want Calvin Klein to align with Jungkook’s existing partnerships… list goes on.
All reasonable, but not easy. You fight for compromises, push for adjustments, rewrite proposals until every angle is optimized for success. At the end of the day, you know one thing: This deal is worth it.
And then, one morning, before you’ve even had a sip of your morning coffee, it happens. At exactly 7:14 AM, an email lands in your inbox.
SUBJECT: FINAL APPROVAL – JEON JUNGKOOK x CALVIN KLEIN
We are pleased to confirm Jeon Jungkook’s official partnership with Calvin Klein for the upcoming Fall Collection campaign. Thank you for your patience and professionalism throughout the negotiation process. We look forward to working together!
Your eyes flicker over the words. Once. Twice. Three times. Four times before you think you might pass out.
Slowly, a smile curves on your lips. You step out of your office, and before you can say anything, someone sees your expression and knows.
“We got him.”
The room erupts. Your team, overworked and barely running on caffeine, comes alive. Cheers echo through the space, hands slap against the table in triumph, tension melting into borderline euphoria.
They know what this means. This isn’t just a campaign. This is the kind of collaboration that will hopefully bring the brand back to the forefront of everyone’s minds and not in some TJMaxx aisle.
You let them celebrate. You don’t smile often, but today… today, you do.
Just when you think the victory high has settled, a package arrives later in the day for you. It’s a black envelope, embossed with gold lettering. No company branding. No assistant delivery. Just your name.
You open it carefully. Inside is a thick, cream-colored card with an unmistakable touch of handwritten ink.
Thank you for having me.
I’m looking forward to it.
—JJK
You stare at the writing for a beat too long. It’s clean, elegant, but slightly tilted, like the hand behind it didn’t care about perfection. The inked letters feel unexpectedly personal, almost at odds with the meticulous contracts you spent days battling over.
A small, teeny weeny little part of you does wonder… What kind of man is Jeon Jungkook when he’s not just a name on a contract?
You shake the thought away real quick. It doesn’t matter. What matters is that the deal is done.
。・:*:・゚★,。・:*:・゚☆
Power has a way of softening the sharp edges of travel.
As Chief Marketing Officer, you rarely have to think about logistics. The world bends to accommodate you with first-class flights, black car service, five-star hotels with skyline views. When business demands your presence in another country, the details are handled before you even lift a finger.
This time is no different.
The moment Calvin Klein secured Jeon Jungkook, it became your responsibility to oversee the partnership firsthand. Deals of this magnitude require your attention, and no one executes anything better than you. So you fly to Korea, fly home. First class as always, because nothing less is expected.
The moment the plane lifts into the sky, you immerse yourself in Jeon Jungkook.
Not the man— you don’t know the man. His brand. The name that moves markets, the face that has sold out entire fashion lines with a single post, the lives that have cleaned out ramen packets in seconds.
Your screen is a kaleidoscope of him, any campaigns, endorsements, past collaborations. Streetwear in one ad, high fashion in another. His presence shifts effortlessly from youthful rebellion to refined masculinity. He is everything Calvin Klein thrives on, raw and provocative.
He’s perfect for this.
You land in Incheon to a city humming beneath dark light. Seoul is quieter than New York, but no less alive with neon signs flicker against sleek glass buildings, the scent of rain and street food hugging the air.
A black car waits for you at the terminal, an assistant from Calvin Klein’s Seoul office greeting you with a polite bow. The ride into the city is smooth, the world shifting past in a blur of muted grays and bright LED screens. Your body is exhausted, but your mind stays sharp.
Tomorrow is the first meeting. You should be thinking about logistics. Contractual points that still need finalizing. The creative vision. The structure of the campaign. But as your car glides past Itaewon’s winding streets, past districts that are both familiar and foreign, you think of something else. You haven’t called home in a while.
You keep telling yourself you’ve been busy with deadlines, meetings, strategy decks stacked higher than your appetite for guilt, but deep down, you know the truth.
You haven’t called because you don’t know how to explain it. How success swallowed you whole, how you traded in your accent for sharper vowels, your mother’s cooking for room service, the comfort of home for the cold glass walls of boardrooms.
What would you even say?
Hi, I made it. I’m tired. I miss you. I don’t know who I am anymore.
It still is the least of your concerns when you arrive to your destination.
Your hotel is one of Seoul’s finest, very discreet, a haven of understated luxury. Floor-to-ceiling windows frame the skyline, and the quiet hum of a jazz playlist fills the suite when you enter.
You shrug off your coat, kicking off your heels, stretching out the tension of the flight. Your mind wanders a little as you pour your nightly glass of wine out; you will meet Jeon Jungkook tomorrow. It’s an odd feeling, seeing as you’ve met more celebrities in your life than you can count. You’d be a horrible liar , though, if you said you weren’t the least bit curious.
。・:*:・゚★,。・:*:・゚☆
You wake before your alarm, the hush of Seoul stretching beyond the glass windows of your suite. The city moves gently at this hour before the rush, before the weight of the day settles onto its spine. For a moment, you allow yourself to breathe.
Discipline has always been your armor. You move through the motions with practiced ease, a cold rinse to shake off the last remnants of jet lag, a serum smoothed over skin (Laneige is the only right answer), a swipe of rouge on lips.
And today, more than ever, you need to be impeccable.
Your suit is white, tailored, almost impossible to ignore. It is a statement and a reminder that you are the architect of success.
However, when you step into the elevator, riding down to meet your driver, a flicker of something you haven’t felt in eons settles in your chest.
Nerves.
Not because you haven’t done this before. You have. You’ve met Hollywood A-listers, supermodels draped in couture, billionaires who own entire industries. You’ve handled them all.
It’s just… he does oddly remind you of home in some silly way.
You exit the hotel with the cool breeze of the morning air wrapping around you, the weight of the city’s movement already filling the space between you and the office. The car ride is smooth, twin reflections of New York’s controlled chaos and the quieter energy of Seoul. You barely notice the time passing as you mentally run through the agenda for the day, but there’s something about the looming meeting that sits heavier on your mind than it should.
The Calvin Klein Seoul office is small, nothing like the flagship headquarters in New York. The building is sleek but understated, a space that exists more for logistics than spectacle.
The moment you walk through the glass doors, the energy is so off. Your VP of International Marketing, a sharp-eyed executive named Daniel, greets you immediately. He is already speaking before you’ve fully crossed the threshold or even taken a breath of the office air.
“Everything’s set,” he says, handing you a sleek black folder. “Jungkook’s team will be here in twenty.”
You take the folder, skimming over the notes. “Any last-minute adjustments?”
“A few,” Daniel admits. “His schedule is tighter than expected, so we may need to shift some of the shoot days. And… his team wants final approval on every creative decision.”
You glance up at him, arching a brow. “They don’t trust us?”
“They trust us,” Daniel says, lips twitching. “They just trust him more.”
Fair. You figured they would play dirty at some point.
You nod, flipping the folder shut. “We’ll make it work.”
Daniel studies you for a beat, then smirks. “You nervous?”
You don’t hesitate. “No.”
You’re not. Not exactly. But as you settle into the conference room, as the clock ticks down to his arrival, you can’t shake the deadweight sitting on your chest. There’s not really a reason to be nervous, but suddenly, the fact that you sit at the head of the desk taunts you. It feels too official,, like every choice you’ve ever made has led to this exact chair, under these lights, and now everyone’s watching.
Daniel chuckles, stepping in behind you. “No need to act cool about it. I mean, dude is literally the most famous guy out there right now.”
You glance up at him. “Right,” you reply, settling into a chair at the table. “Do I give off fangirl vibes?”
“Fair play,” Daniel admits with a smirk. “It is also just business. He’s a client like any other.”
You raise an eyebrow, his words hanging in the air. “Sure,” you say, but something about the way you says it doesn’t quite feel right.
Daniel leans against the conference table, watching you with an expression that borders on amusement “So,” he muses, “are you ready to meet him, or are we keeping up this whole pretend you don’t care act the entire time?”
You shoot him a flat look, arms crossed. “I don’t pretend.”
He smirks. “Right. You just happen to be checking your watch every five seconds like we’re waiting for the President of South Korea.”
You exhale sharply, smoothing out an invisible crease in your sleeve. “You know I don’t care about the celebrity. I care about if my boss is happy.”
Daniel hums, unconvinced. “Riiiiight.” He tilts his head, watching you for another beat before flipping open a portfolio. “Alright, boss, walk me through it one more time. We’re running with the—“
Before he can finish, a soft knock at the door interrupts. The secretary peeks her head in, voice all smooth and professional. “He’s here.”
The words settle over the room. Daniel straightens up, giving you one last knowing glance before both of you move toward the head of the conference table. Your posture is perfect, composed, the picture of an executive who has done this a hundred times. Yet, for some reason, your palms are a little sweaty.
The door opens. A quiet hum of conversation drifts in first, footsteps soft against polished floors. And then, he steps through.
The first thing you notice is that he is not what you expected. Or maybe, he is exactly what you expected. Tall, poised, effortlessly self-assured. He moves like someone accustomed to attention, yet unaffected by it, a presence that doesn’t need to demand the room because it already bends to him.
He is dressed in black from head to toe. Black jeans, a crisp button-up slightly unfastened at the top, revealing the barest hint of a toned chest beneath the collar. The sleeves are rolled up to his elbows, exposing a canvas of tattoos that swirl down one of his arms. Dark hair falls just over his brows, parted slightly. His skin is flawless, his lips full and plush, but it’s his round eyes that capture you first.
He has piercings, small silver hoops glinting in his ears, the metal just barely catching the light. And then, as he runs his tongue over his bottom lip, you notice it, the piercing there, too.
You inhale, the moment stretching far too long.
Jungkook’s team follows behind him, a carefully curated group of managers, assistants, and legal representatives. They all exude efficiency, dressed in business casual
Jungkook is not corporate. He is the complete fucking polar opposite of it. And yet, as he steps forward, his expression shifts, a polite smile.
He greets everyone kindly, taking the time to nod toward the executives flanking the room, shaking hands, offering soft pleasantries.
You are still staring. For the first time in your career, you cannot decide if the man standing before you is a masterpiece to be marketed or a storm brewing.
You need to get a grip on reality.
Jungkook’s gaze is assessing, but you don’t let it linger. Years of discipline have trained you to absorb impact, analyze it, and move forward. So you shift your attention to the team standing behind him, your posture sharpening as you step forward.
“Good morning,” you say smoothly, extending a hand to the first of his representatives. “I appreciate you all taking the time to meet today.”
His manager steps forward first, shaking your hand firmly. “Of course. We’ve been looking forward to this partnership.”
One by one, you go through the motions, firm grips, polite smiles, nods exchanged. These are the gatekeepers, the ones who make the real decisions behind the scenes. You commit each of their names to memory, cataloging their expressions, their temperaments.
You turn lastly to Jungkook, your expression unreadable. His lips are still curled in a faint smile, but you keep your own face neutral. Instead, you bow, just a crisp nod of acknowledgment.
"Jeon Jungkook-ssi," you say, voice poised. "It’s a pleasure to finally meet you.”
When you straighten, you see it, the flicker of amusement crossing his face. He tilts his head, tongue pressing briefly against the inside of his cheek before speaking. “The bow? That’s formal. Are we at a company dinner?”
A few quiet chuckles from his team. You refuse to laugh. Your expression remains steady, composed. “It’s standard when meeting someone for the first time.”
Jungkook watches you for a beat longer, as if testing to see if he can break through that calm exterior. But when you don’t waver, he simply lets out a quiet hmm, not quite disappointed or impressed.
“Now, let’s get started.” You step toward the table, signaling the meeting’s shift into motion. “We have a lot to go over, and I want to make sure we’re aligned on the creative direction before we finalize schedules.”
Jungkook’s team follows, the atmosphere shifting from introductions to strategy.
“As I’m sure you’re aware,” you continue, placing a sleek, black folder on the table, “this campaign is projected to be one of Calvin Klein’s biggest of the year. Our goal isn’t just to market a collection, we want to shape a cultural moment. With Jungkook’s presence, we have the ability to move beyond traditional advertising and into something far more influential.”
You feel Jungkook’s gaze on you, but you don’t acknowledge it. Instead, you focus on his team, keeping your voice measured and confident. “I know negotiations took time, but I want to personally express my excitement for this collaboration. We’re not here to simply slap a face on some storefronts… we’re here to build something iconic.”
Jungkook leans back in his chair, arms resting casually against the armrests. “Iconic, huh?”
You glance at him for a second. “That’s the standard.”
The meeting stretches into deep discussions and strategic analysis, the campaign unfolding across the polished mahogany of the conference table. You lead with precision, breaking down creative direction, discussing visual aesthetics, mapping out timelines with a ruthless efficiency.
Jungkook listens. Not just politely, not just because he has to, but the man actually listens.
You notice it in the way his eyes sharpen when you speak, the occasional flick of his gaze to the proposal documents, the way he leans forward slightly when something actually interests him.
“So, to sum it all up,” you continue, flipping a page, “this campaign will lean into Calvin Klein’s signature branding but with a more modernized edge. We’re emphasizing raw masculinity, effortless sensuality—”
“Effortless?” Jungkook interrupts smoothly in a teasing tone. “That’s an interesting way to put it.”
You look up. “You disagree?”
He tilts his head, considering. “I wouldn’t call it effortless.”
His voice is casual, but something in it makes the room halt slightly. You set your pen down. “Then what would you call it?”
Jungkook lets the silence breathe, holding your gaze a second longer than necessary. His team shifts slightly, waiting for his response. He smiles “Intentional.”
You hold his gaze for a moment before nodding. “Fair point.”
His lips twitch, like he wasn’t expecting you to concede so easily. But before the exchange lingers, you move forward. “We’ll finalize creative direction by next week. In the meantime, we’ll align schedules for fittings and shoot dates…”
By the time lunch rolls around, the energy in the room loosens slightly. It’s quite clear everyone is exhausted and would rather be two courses deep into a meal now. Jungkook’s team begins gathering their things, murmuring about reservations at a nearby restaurant. Daniel gives you a glance, knowing better than to invite you along.
You never take breaks.
As the last few executives file out, you remain in your seat, flipping through campaign notes, already highlighting sections for revision. The door closes behind them, leaving you alone in the quiet of the conference room.
You barely have a minute to yourself before a soft knock echoes through the space. You glance up, expecting Daniel, but instead… Jungkook.
He lingers in the doorway, one hand braced against the frame, the other tucked into the pocket of his jeans. His expression is unreadable, but he’s unmistakably casual in the way he stands there, like he has all the time in the world. “Mind if I come in?”
You hesitate. You have no idea why. It’s not that uncommon to be friendly with the campaign faces. You actually really liked working with Kendall Jenner, with her even inviting you to her home in Calabasas.
You study him for a moment, the way he leans against the doorframe, his presence too large for the quiet of the conference room. With bated breath, you gesture toward the chair across from you. “Suit yourself.”
Jungkook steps inside, the soft click of the door closing behind him echoing in the empty space. His gaze flickers over the neatly stacked papers, the highlighted notes, the sleek silver pen in your hand.
“You don’t take breaks?” He questions innocently, lowering himself into the chair.
“I don’t have time for them. And I assume you don’t either, considering you’re here instead of at lunch with your team,” You retort.
Jungkook hums, tilting his head slightly. “Maybe I just wanted to see if you’d actually crack a smile once everyone left.”
A slow, teasing grin tugs at his lips. “So far, not looking too good.”
You exhale through your nose, unimpressed. “Was there something you needed?”
Jungkook leans back, the crisp fabric of his shirt stretching over his frame. He looks at you, not in the way men usually do, not with arrogance or expectation, but with a calculated curiosity. “You don’t like me very much, do you?”
Great. You have an observer on your hands.
You blink once. “I don’t have to like you. Not in my job description, unfortunately. ”
His grin widens, slow and deliberate. “So cold. I think I like it.”
Your jaw tenses, but only slightly. He catches it. Most people flinch under scrutiny, but you don’t. You don’t shift, don’t fumble, don’t drop your gaze. Instead, you meet his stare with the same measured indifference you give to 55-year old men.
“Flirting with me won’t get you special treatment.” Your voice is detached, cool as a cucumber.
Jungkook lets out a quiet laugh, “Who said I was flirting?”
Your lips press into a thin line.
“Don’t worry,” he continues, propping an elbow on the armrest, “I don’t expect special treatment. Just the best. And from what I’ve seen so far…” he nods toward your documents, “…you don’t settle for anything less either.”
You don’t reply, but he’s hit the mark. Jungkook studies you for another beat, his gaze dipping, taking you apart piece by piece and seemingly trying to understand what makes you tick.
You hate to admit it, but he’s sharper than you expected. Most people in his position come into these meetings as faces, not minds. They sign the contracts, smile for the cameras, let their teams do the thinking.
You click your pen once. “If that’s all, I have work to do.”
Jungkook watches you for a moment longer, then moves a tad closer, just slightly, enough for you to catch the faint scent of expensive cologne, something clean and subtly musky.
His voice dips lower, softer now, but no less assured. “Tell me, do you always bet on things you know you’ll win?”
Your fingers still against the table. You set your pen down with deliberate precision, tilting your head slightly. “Only when the stakes are worth it.”
Jungkook’s mouth twitches, not quite a smile. The thing you’ll come to learn about Jungkook is this: the man cannot back down from a challenge. He loves games. Always has
It’s how he got here in the first place. Grit, obsession, the refusal to lose. Every accolade, every headline, every billboard was earned not just through talent, but by the sheer thrill of the chase.
Truth be told, he’s a little.. intrigued, in some weird way. To put it in even more cliche terms, you look like trouble.
And… well, Jungkook has always had a thing for playing with fire.
。・:*:・゚★,。・:*:・゚☆
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Courtship: Venus Signs (part 1)
Earth signs Desire commitment and a lasting partnership.
♑︎ Capricorn Venus:
Traits:
Loyal, protective, quietly romantic, reserved, thoughtful, and considerate in matters of love, romance, aesthetic, self-worth, and money.
Practical about themselves, understanding their worth in the material world and how others perceive them.
May appear aloof, but knows precisely what they want in a partner.
Will patiently wait for the right person who fulfills their needs and standards.
Prioritizes career or finances during single periods.
Potential imbalance if partnered with a water Mars sign, as they might yearn for love despite being comfortable alone.
Speaks highly of you, openly expressing affection and admiration.
Brings up your name in conversations, showcasing a deep pride and love.
Holds themselves to a standard of perfection, pushing for continuous improvement and sometimes feeling resentful for falling short.
Learns that self-worth is a gradual process, not a forced ascent.
Refined aesthetic taste with a strong inclination towards the arts, especially visual arts.
Enjoys concrete and physical expressions like sculpting, painting, and escaping into books.
Looks for love when it aligns with life plans and flows naturally.
Enjoys darker colors, earth tones, and may favor black without flashy appearances.
Dresses in a reserved, chic, professional, or vintage-inspired manner.
Appreciates rich earthy smells like coffee grounds, vetiver, and rainy woods, as well as clean spicy scents.
Loves food, particularly rich dishes with sentimental value.
Very good with money, enjoys it, and doesn't require much assistance.
Attraction Preferences:
Attracted to corporate types, mysterious, closed off, enigmatic, classy, and practical individuals.
May be drawn to businessmen, morticians, older people, architects, and mystics, venus in taurus, virgo, capricorn, scorpio & aquarius.
Romantic Behavior:
Takes love seriously with a guarded heart, feeling deeply in love.
Very romantic but often feels like gestures aren't sufficient, leading to inaction.
Shy and rarely flirts, but when they do it's straightforward and to the point.
Indicators of interest include trying to impress through achievements or appearance changes.
Finds dating challenging and tends to avoid it.
In relationships, seeks reassurance of worth, cherishment, and likes to be in charge but remains loyal for the long haul.
♉︎Taurus Venus:
Traits:
Intense, sweet, amorous, dependable, highly romantic, and artistic in matters of money, self-worth, and relationships.
Struggle with self-worth, often comparing themselves to a mental aesthetic and others' looks; need to recognize and appreciate their internal and external beauty.
Enjoys various creative pursuits, particularly art in all its forms, including poetry and fashion; may also have a love for cooking and music.
Craves pampering and security for genuine romantic love.
Adores style and cultivates a unique, expressive fashion sense rather than following trends.
Good with colors, with a preference for all colors, avoiding overly loud or aggressive shades.
Prefers luxurious and flavorful foods, often indulging in sweets; enjoys rich and intoxicating smells like vetiver and Spanish moss.
Envisions an ideal partner but may find it challenging to meet someone worthy.
Values luxury and comfort in relationships.
Willing to test suitors to identify the one truly devoted to love.
Surprisingly, adept at managing money; understands when to save and when to spend, with purchases typically substantial.
Attraction Preferences:
Looks for well-dressed, classy, debonair, and sturdy individuals who are reliable and appealing; may also be drawn to the starving artist.
Finds bankers, farmers, businesspeople, artists, singers, and chefs interesting romantically, as well as venus in capricorn, taurus, virgo, pisces and cancer.
Romantic Approach:
Shy and reticent in matters of the heart due to intense and deep feelings of love.
Signs of a Venus in Taurus crush include becoming soft-spoken, gentle, touchy, or direct stares.
Prefers silent coaxing and seduction, often not outwardly showing intentions but putting extra effort into appearance.
Enjoys giving little gifts and favors to catch someone's attention.
Loves being pursued, feeling special, and indulging in classical romance with all senses involved.
Like Capricorn, can wait patiently for the right match.
Envisions a future with you and strives to bring joy into your life.
Unable and unwilling to imagine a moment without you, showcasing deep emotional attachment
Craves physicality, contact, and commitment for a stable relationship; highly responsive and respects differences to achieve a harmonious equilibrium
♍︎ Virgo Venus:
Traits:
Analytical, helpful, idealistic, altruistic, and witty in dealing with aesthetic, self-worth, money, relationships, and romance.
Struggles with self-worth due to intense analysis of aesthetic and high expectations for perfection in artistic endeavors.
Needs to learn self-love by embracing flaws as part of the mortal experience.
May avoid Venusian activities out of fear of not being good enough, despite possessing skills in art, especially in sculpting, painting, gardening, and fitness.
Enjoys soft colors reminiscent of spring, woody browns, and greens.
Dresses in a conservative and professional style, conveying their identity concisely.
Prefers smells associated with comfort, cleanliness, citrus, vanilla, or fresh sheets.
Health-conscious and selective about food, considering taste and health reasons.
Analytical and good with money, excelling in facts, figures, and understanding the monetary value.
Attraction Preferences:
Attracted to practical, healing, intelligent, logical, and detail-oriented individuals.
Finds mechanics, scientists, doctors, researchers, and teachers attractive, venus in taurus, capricorn, virgo, cancer & scorpio.
Romantic Approach:
Shy and hesitant to initiate, prefers being pursued in romantic relationships.
Not inclined towards overt displays of affection or emotional expressions.
Tests partners subtly for devotion; silently contemplates moving on if betrayed.
Displays profound kindness, aiming to enhance your days with subtle yet impactful gestures.
May struggle with dating due to the ability to magnify minor flaws in others.
Indicates a crush by offering help with projects or problems, showing a genuine desire to assist.
Craves deep unconditional love and struggles with criticism due to self-critique.
Needs reassurance and to be cherished, emphasizing the existence of perfection through love.
Fire Signs: Seek thrill and excitement, desire an intoxicating romance.
♐Sagittarius Venus:
Traits:
Happy-go-lucky, adventurous, moralistic, and charitable in matters of self-worth, love, money, aesthetic, and romance.
Generally maintains a healthy self-worth with contagious perky confidence.
Enjoys flirting, playing the field, and has a childlike spirit, but must avoid becoming overly cocky.
Fondness for literature, poetry, spoken arts, and may engage in creative pursuits like music.
Views love as a game for entertainment.
Needs freedom; relationship flourishes with the right balance.
Prone to boredom and drawn to creative, unattainable partners.
Loves games, including sports or video games.
Looks for love randomly but avoids feeling tied down, keeping options open during the search.
Enjoys dramatic and vibrant colors that evoke a happy or jovial vibe.
Dresses in a comfortable and interesting sporty or hippy-esque manner.
Willing to compromise, recognizing the importance of give-and-take in maintaining the relationship.
Prioritizes the relationship over the desire for control.
Finds mentally stimulating and "foreign" foods delightful, especially spicy dishes.
Prefers earthy and floral smells, like fresh-cut flowers.
Attraction Preferences:
Attracted to different, free-thinking, scholarly, and jocular individuals.
May be drawn to professors, older people, athletes, large individuals, or sages, venus in sagittarius, leo, aries, aquarius and gemini.
Romantic Approach:
Doesn't take love too seriously and sees it as something to be enjoyed.
Expresses crush openly or tries to make the person laugh if attracted.
Enjoys dating, meeting new people, and tends to grow infatuated quickly.
Needs space and time to feel independent in romance.
Requires expansive and big gestures for true fulfillment.
Dislikes clichés, dense individuals, and clinginess.
Seeks a partner in crime and confidant for genuine engagement in a relationship.
♈︎Aries Venus:
Traits:
Pioneering, vivacious, unapologetic, and feisty in matters of self-worth, style, money, and relationships.
Healthy self-worth, with Venus influencing interests and self-definition.
In the arts for making striking, edgy statements rather than adhering to traditional beauty standards.
Fond of debate and mental combat; values independence and security for genuine love.
Striking style, athletic/provocative appearance, or an appearance that appears indifferent.
Fondness for warm colors and simple, comfortable fabrics; may enjoy spicy food and earthy smells.
Not overly concerned with money, views it as a necessity; can spend on expensive hobbies and toys.
Attraction Preferences:
Looks for spontaneous, fun-loving, extroverted, and exciting lovers; may find quiet but in-control individuals appealing.
Attracted to athletes, soldiers, mechanics (technical thinking), rebels, lawyers, construction workers, and rough individuals romantically and physically, venus in aries, leo, sagittarius, aquarius and gemini.
Romantic Approach:
Driven, direct, and open in the arena of love; willing to try anything once.
Sign of a Venus in Aries crush is teasing in good fun; loves to show off and impress the object of affection.
Enjoys the chase and seduction, though may grow bored quickly; awkwardly romantic and wants to pamper loved ones.
Enjoys the chase but may get bored once the conquest is achieved.
Requires physical and mental stimulation to stay in love.
In relationships, desires independence and control; dislikes being told what to do or competing.
Needy romantically, vocal, and somewhat pushy in expressing desires; values feeling appreciated and being treated as number one.
Reveals their vulnerable sides to you, emphasizing transparency and reciprocity.
Demonstrates an all-encompassing love once they've truly embraced their feelings for you.
♌︎Leo Venus:
Traits:
Bright, magnanimous, fun-loving, romantic, and superfluous in matters of self-worth, love, relationships, money, and aesthetic.
Self-worth can vary from low to overly high, often compensating and may appear arrogant.
Requires constant reassurance of self-value, sensitive to insults, and hides struggles behind a smile.
Enjoys the arts, excelling in activities where they can be in the spotlight, including sports and physical activities.
Seeks love when feeling unappreciated but waits for genuine needs.
Dresses in a sporty, casual, flashy, professional, or debonair style with a fondness for bright colors, gold, red, and occasionally black.
Enjoys giving attention and expects occasional reciprocity.
May become overwhelming when self-absorbed, needs grounding.
Loves spicy aromas, such as cinnamon, cardamom, and clove, as well as smooth scents like vanilla.
Enjoys indulging in various foods, especially childlike treats.
May spend generously, particularly for the enjoyment of others, requiring assistance in budgeting.
Attraction Preferences:
Attracted to showy, artistic, athletic, charismatic, and powerful individuals.
Loves glamour and grandiose declarations in relationships.
Seeks a loyal and committed partner who enhances their ego.
May find appeal in bosses, artists, actors, soldiers, royalty archetypes, and athletes.
Romantic Approach:
Goes all out in love, courting, pursuing, and wooing simultaneously.
Enjoys spectacular romance and is not shy about dating or the dating scene.
Expresses interest by going out of their way to impress and compliment, may straightforwardly communicate their feelings.
Desires to be treated like royalty, pampered, and made to feel special.
Expects reciprocity in passion, intensity, and drama to keep the relationship fresh.
Dislikes feeling unimportant and needs consistent expressions of love, yet maintains independence.
Water Signs: Seek a fairy tale romance, searching for a Prince or Princess.
♓︎Pisces Venus:
Traits:
Dreamy, romantic, loving, creative, and fantastical in matters of love, self-worth, money, relationships, and aesthetics.
May have a deluded sense of self, occasionally needing help to see themselves clearly.
Shy but enjoys occasional flirtation, especially in a playful context.
Attentively listens and remembers your words, valuing communication as a way to understand and love you better.
Enjoys hearing you talk, using it as an opportunity to deepen their understanding of you.
Enjoys art, particularly music, dance, and literature.
Often seeks love, viewing themselves as a part of a whole, searching for a profound connection.
Shy in pursuing but makes subtle gestures to be closer.
Needs to occasionally be more selfish in relationships.
Vulnerable to being taken advantage of due to an overly loving nature.
Loves colors reminiscent of the ocean and the sky, including dark to light blues, greens, purples, and black.
Fashion style can vary from free-flowing, ocean-breeze attire to trendy runway looks or understated appearances to avoid attention.
Enjoys aromas like the ocean, fruit, and candy.
Has a big appetite and loves seafood, sugary sweets, and food from different cultures.
Not overly materialistic but acquires money effortlessly, often spending it on loved ones.
Attraction Preferences:
Attracted to mystical, aloof, artistic, emotionally expressive, and structured individuals.
Compatibility with sailors, psychics, healers, artists, or therapists, venus in pisces, cancer, scorpio and maybe taurus.
Romantic Behavior:
Shy yet not afraid to initiate romantic gestures.
Signs of interest include leaving messages unread (a commitment test) and engaging in deep conversations beyond typical bedtime hours.
Prefers soulmate connections over casual dating.
Needs lots of love, affection, and care in a relationship.
Dislikes being perceived as overly dependent and can be disillusioned if their idealized image of a loved one shatters.
♋︎Cancer Venus:
Traits:
Affectionate, sentimental, sweet, romantic, and receptive in matters of self-worth, money, style, aesthetic, partnership, and love.
Healthy self-worth usually influenced by family perceptions and upbringing.
Tendency to become engrossed in memories, potentially distorting them, leading to psychic disharmony.
Enjoys emotionally fulfilling hobbies such as reading, acting, cooking, baking, gardening, and finds stimulation in architecture or interior design.
Looks for settling-down material in love, avoiding games.
Assumes the role of the nurturing mother in relationships.
Magnetic and alluring, attracts partners effortlessly.
Analyzes and evaluates relationships; values security and harmony.
Style may not always be fashionable but holds value and meaning, either following family styles or changing frequently to keep up with trends.
Fondness for pastels, silver shades, especially purple and blue, preferring a dapper look without being overly flashy.
Delighted by scents from home, ocean breeze, or a forest after rain, with a preference for earthy and fruity smells.
Loves cooking and food, attached to traditional dishes, with a craving for sweets and creamy treats.
Excellent with money, skilled in investment and business ownership.
Attraction Preferences:
Attracted to emotional, trustworthy, familiar, and loving individuals.
May also be drawn to sailors, travelers, royalty archetypes, poets, bodybuilders, and comedians, venus in cancer, scorpio, pisces, taurus and virgo.
Romantic Approach:
Shy but can pursue if necessary, values traditional romance and believes in love traditions like meeting the spouse's family.
Takes relationships seriously, finds letting go challenging.
Signs of a crush include blushing, bashfulness, attempts to talk, and revealing something emotional
Will push back if being used, prioritizes home harmony.
Invests considerable time in your company, fostering comfort and mutual ease.
Their presence brings a soothing calmness, contributing to a deep sense of connection.
Desires a fairy tale experience, appreciates sentimental mementos, and values cherishing shared memories.
Craves emotionality and feels hurt if emotions are disregarded, but can become clingy and manipulative if not moderated.
Extremely loyal and willing to weather the storm, not easily bored.
♏︎Scorpio Venus:
Traits:
Possessive, secretive, romantic, intense, loving, and creative in matters of self-worth, money, love, relationships, and mystique.
Tendency for relatively low self-worth, feeling unattractive, and presenting a facade to compensate, emphasizing the seriousness of love.
Craves cherishment and security for a safe and healthy self-worth.
Subconscious and energetically seductive, attracting both desired and unwanted things.
Displays creativity, viewing destruction as a form of creation, especially in music or activities involving breaking and destroying things.
Enjoys sports, video games, and may have various artistic talents.
Desires to merge and feel complete, often seeking love but may struggle when needing support.
Appreciates a variety of colors, with greens, purples, and blues drawing particular interest.
Dresses in a sporty, dark, artsy, or blending-in manner.
Prefers hypnotic and deep smells like dark chocolate, wine, and musky sea scents.
Enjoys spicy foods and exotic tastes that mentally and physically engage them.
Skilled with money and investing.
Attraction Preferences:
Attracted to intriguing, mysterious, closed-off, powerful, and emotionally intense individuals.
May find interest in surgeons, doctors, researchers, mystics, sailors, and chemists, venus scorpio, cancer, pisces, capricorn and virgo.
Romantic Approach:
Takes love seriously, aiming to make their significant other happy even if not overtly romantic.
Signs of a crush may include slight rudeness or playful power games, seeking attention harmlessly
Tests partners to determine worth, with potential psychological challenges.
Struggles to trust, but deepens emotionally when in love.
Sensitive to your emotions, quick to notice when you're feeling down.
Focuses on understanding and meeting your love language needs, especially during challenging times.
Serious about love, dating can be challenging.
Needs a partner who understands the intensity of their passions, values trust, and avoids deception.
Loyal and committed once invested in a relationship.
Air Signs: Seek innovators and intellectual connection in romance.
♒Aquarius Venus:
Traits:
Impersonal, creative, original, universal, and shocking in matters of relationships, love, aesthetic, self-worth, and money.
Usually has a healthy, if not detached, self-worth.
May distance themselves from the concept of "the self," which could be psychologically challenging.
Friendly and may unintentionally flirt; aesthetic taste is intriguing, embracing individuality and the arts.
Finds beauty in dreamy, surreal colors like pastels and neons.
Enjoys music, visual arts, poetry, and activities involving the mind like video games.
Looks for love when feeling a lack of a true community and seeks one-on-one connections.
Dress style may be striking, eclectic, modern, or fitting a group aesthetic with a hint of a hippy flair.
Enjoys scents like the ocean, clean, light, breezy, and sweet aromas like cotton candy.
Appreciates complex and unique flavors for mental stimulation.
Good with money but prone to sudden spending sprees.
Preferences in Others:
Likes individuals who are aloof, idiosyncratic, distant, unattainable, intelligent, and humanitarian.
Attracted to musicians, scientists, researchers, astrologers/mystics, and philanthropists, venus in aquarius, gemini, libra, aries and saggitarius.
Romantic Behavior:
Cerebral about love but values its importance.
Indicators of interest are sporadic and confusing, ranging from acting like you don't exist to wanting to hang out.
Struggles with the balance between independence and craving companionship
Craves stability and loyalty despite a logical façade.
Expresses feelings through late-night texts, sharing thoughts they might hesitate to say in person.
Fickle in courtship; captivates with eccentricities.
Values freedom, loyalty, and stability; may become depressed without them.
Not particularly fond of dating and may see it as a waste of time.
In a relationship, seeks reliability paired with excitement and random, unexpected events.
Once committed, tends to stay, being a fixed sign.
♊︎Gemini Venus:
Traits:
Charming, poetic, sociable, witty, and cunning in matters of self-worth, love, aesthetic, finances, and relationships.
Self-worth tied to communication skills and fitting into the community, needing to learn that being liked doesn't equate to true beauty.
Enjoys various creative pursuits, including dance, music, poetry, and a genuine love for conversation; may also have a fondness for sports.
Requires stimulation in a relationship, finds love more fun than necessary.
Trendy in fashion, stylish, adaptable to changing trends; values fashion as a form of communication.
Likes bright colors, especially various shades of blues, and tends to shy away from dark colors.
Enjoys a variety of food, likes to be intellectually engaged with what they eat, with a fondness for sour and childlike sweet foods.
Attracted to citrusy, sharp, and clean smells, such as fresh sheets.
Doesn't overly focus on money, invests well, and can be impulsive with hobbies or travel urges
Thrives on communication; requires mental stimulation.
Loses interest if not intellectually engaged.
Easily uses people for temporary connections until captivated elsewhere.
Attraction Preferences:
Attracted to intellectual, well-informed, sporty, suave, and aesthetically pleasing individuals; may appreciate the "wholesome person next door" aesthetics.
Finds PR people, librarians, professors, bosses, writers, actors, athletes, or local individuals attractive, compatible with venus in aquarius, gemini, libra, sagittarius & aries.
Romantic Approach:
Flirty, fun-loving, and eager in romantic relationships.
Displays goofiness or attempts to make the other person laugh when they have a crush.
Enjoys intellectual play and wants a partner who can match their quickness.
Thrives on humor, eureka moments, and engagement of the mind.
Enjoys the thrill of the chase but may grow bored with monotony; long-distance relationships can work well.
Loves learning about their partner, so keeping them guessing and engaged is crucial.
♎Libra Venus:
Traits:
Harmonious, diplomatic, balanced, romantic, and idealistic in self-worth, money, love, and relationships.
Self-worth is influenced by how others treat them, seeking approval and universal love, but can struggle with feeling not good enough.
Needs to learn self-love and not rely solely on others for integral well-being.
Enjoys flirting and charm, finding exhilaration in social interactions and fun with potential mates and friends.
Naturally gifted in the arts, excelling in fashion, architecture, and textiles.
Actively looks for love, deeming it important and feeling lonely without it.
Ruled by Venus; loves beauty, luxury, comfort, and diplomacy.
Attracts potential partners effortlessly due to appealing qualities.Has varied color preferences based on cultural definitions of balance, avoiding reactions in people.
Trendy and hip in dressing, adapting to current aesthetics without growing overly fond of styles.
Enjoys bright, sunny smells like orange and mango, along with fruity, gentle, and sugary scents.
Adores sweet foods, indulges the senses, and may overspend on luxuries, requiring help in budgeting.
Attraction Preferences:
Attracted to polite, intelligent, artistic, and politically savvy individuals.
May find interest in lawyers, decorators, doctors, venus in libra, gemini, aquarius, leo and sagittarius.
Romantic Approach:
Ruled by social convention, enjoys romantic gestures seen in movies and media.
Can be passive romantically but enjoys playing cat and mouse games, flirting, and having fun, even if shyly.
Signs of a crush include compliments, offers to help, and extending invitations to social events.
Needs a fun, light, and very romantic partner to feel complete.
Values trust in friends and lovers, seeking someone to share both joy and dark times
May withdraw if harmony is disrupted; values care and nurturing.
Can harbor deep rage if pushed to the limit in a toxic relationship.
Communicates emotions through their eyes, conveying the depth of their love without words.
Enjoys the dating scene, finding joy in getting to know potential partners.
Dislikes crass or unpleasant partners who embarrass them.
Lives in a realm of pure ideals, exhibiting prince/princess charming-like qualities.
#astrology#venus#venus in the signs#venus in aries#venus in taurus#venus in gemini#venus in cancer#venus in leo#venus in virgo#venus in libra#venus in scorpio#venus in sagittarius#venus in capricorn#venus in aquarius#venus in pisces#astrology observations#astro community#astro notes#lunarianscorpio
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Iam Ola Abu El-ouf, lam 34 years old🚨🚨🚨
A distress call from Gaza...a family searching for safety🙏🇵🇸
A family trapped in Gaza asks for help to survive 🍉🙏🇵🇸
I need to raise money to restore a beautiful and stable life outside the Gaza Strip. Everything I say leaves only a small amount of the suffering we experience. Here is a glimpse into the contrast between our lives before the aggression and the nightmare we have been experiencing since its beginning. Thank you for your support
About my family:
It consists of a mother, a father, two brothers, and a separate sister. She has two children. My mother and father, who are 66 years old. We were displaced from the city of Rafah after the occupation bombed our house without taking any clothes, furniture, gas, or cover. We were protected from the cold of winter, and we live in a tent in the worst conditions in terms of cooking over fire and pollution. Water, waste collection, and lack of detergents. A 36-year-old brother, a 21-year-old brother, and children are in need of the minimum necessities of life in light of the difficult circumstances and tragedy in which we live.
We urgently need support to ensure our lives and live in peace and security






An architect, I used to work in an engineering office in the Gaza reconstruction and I aspired to complete my master’s degree, but my work and studies were halted due to the war. I am divorced and have two children, Amir, 8 years old, and Maryam, 7 years old.


@nabulsi @aces-and-angels @ibtisam @riding-with-the-wild-hunt @vakarians-babe @7amaspayrollmanager @fairuzfakhira @fallahsart @sayruq @humanvoreture @kaapstadgirly @sar-soor @dimonds456-art @plomegranate @commissions4aid-international @nabulsi @stil-macher @soon-palestine @communitythings @palestinegenocide @vakarians-babe @ghost-and-a-half
#all eyes on palestine#save palestine#gaza genocide#free gaza#gaza news#palestine news#gazaunderattack
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Amal's story
Donation Link
Amal was fired from her job months ago, around the same time she created her family’s GoFundMe campaign. Currently, she works three jobs—and essentially a fourth if we count her efforts to support her family online. She is overworked, overstressed, overtired, and needs help spreading the word and gathering donations to help her family survive in Egypt.
Earlier this year, Amal managed to evacuate her family. But as is well known, life in Egypt remains challenging for Palestinians: they cannot legally hold jobs, earn income, or access the same state services available to citizens. Amal’s family—her sisters and parents—are 100% dependent on her support.
Amal urgently needs financial assistance to cover her sister’s school fees, food, rent, and other essential needs. Her struggle has been compounded by a significant financial scam during her family’s displacement, which left her short of vital funds.
Eman, Amal’s younger sister, was studying German before the crisis began, and Tala, the youngest sister, is in high school, doing her best to study abroad in Egypt.
Although the family reached their initial financial goal for evacuation and managed to sustain themselves for several months, their funds are nearly depleted, and they now need additional support. Amal’s current goal is $5,000 to help her sister Eman afford university in Germany and to continue supporting her family in Egypt.
Please consider donating to support the Abushammala family. You can find Amal’s GoFundMe link on line 24 of the Vetted Gaza Evacuation Fundraiser List Spreadsheet.
€61,573 raised €65,000 target
@sakurai96
Thank you for your support.
@ot3 @mangocheesecakes @good-old-gossip @schoolhater @dragon-master-kai @vakarians-babe @prinnay @neptunerings @paper-mario-wiki @newsfrom-theworld @olovelymoon-read-pinned-post @brutaliakhoa @magnus-rhymes-with-swagness-blog @paparoach @celadonwanderer @girlinafairytale @lesbianmaxevans
@fading-event-608 @repulsion
@turian @sylvianritual @brokenbackmountain @dirhwangdaseul @appsa @postanagramgenerator @pcktknife @heritageposts @omegaversereloaded @theinconvenientlifestyle @punkitt-is-here @officialspec @transmutationisms @northgazaupdates2 @dormimi-zzz @dragondemoness @divortion
@commissions4aid-international @deathlonging @mazzikah @mahoushojoe @deepspaceboytoy
@anarcho-smarmyism @rhubarbspring @pcktknife @sawasawako @wellwaterhysteria
@post-brahminism @neechees @irhabiya
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Pretty Privilege [Alhaitham x reader]
A/N: not Alhaitham managing to sneak his way into my drafts for a third time, reader is from Kshahrewar, lovesick!Alhaitham (Alhaitham's a jerk to everyone but you, might be ooc), lowkey could connect to my other Alhaitham fics
Warnings: drinking mentioned but not alcohol, reader gets a little emotional if you squint (not used to affection)
──── ⋆⋅☆⋅⋆ ────
Your boyfriend Alhaitham was... something else. You were new to the whole relationship thing, so adjusting to the dating life was something you had to get used to. What you still couldn't fathom were the "perks" Alhaitham has granted you, as his partner.
"Alhaitham, what is this?"
His roommate Kaveh stood with his arms crossed, looking at the scene before him: You were sitting on the couch, meticulously making your model of your project due soon. It was clear from your eyes that sleep wanted to overtake you, but of course you couldn't give in. But the worst part was Alhaitham, who was sitting next to you- though it was more like behind you by the way he rested his chin on your shoulder.
Kaveh is all for supporting your relationship, and on a normal day he'd treat you guys like friends (he'd never say that to Alhaitham). But in this situation, there was something particular irritating.
"...what do you mean." Alhaitham asks in a bored manner.
"It is almost midnight and you're still up."
"So?"
"So, you're usually asleep by at least two hours ago."
"And?"
"...You- You'd usually complain about something like this! How many times have you bashed me for working on my projects this late, and now you're here with (y/n) staying up! Nothing against you (y/n), you know I'd understand." Kaveh adds in the last part quickly, seeing as his complaint might seem directed towards the wrong person.
"All good." You reply robotically, yawning right after.
"Remember what you said a few weeks ago about the lows of Kshahrewar? I sure hope you have something to explain that and the spot you're in right now, particularly taking back what you said."
"Mhm, Kshahrewar is the best darshan..." Alhaitham mumbles halfheartedly in a monotone voice, almost nuzzling his head closer into your neck.
"...Somehow I don't feel satisfied with that." Kaveh sighs, arms loosening from their crossed position. It was clear that the Scribe didn't actually mean it, or at least was occupied with other things that made his answer seem insincere. The architect leaves, not finding any solution to the issue.
However, the obvious bias doesn't end here. Something similar happened the next week, except the victim wasn't Kaveh (for once). You were waiting in line at a restaurant near the Akademiya.
It sure gets busy during lunch time... You think. And even busier because of the special gift they were giving away…
"(Y/n)." A familiar voice calls to you. You look up from your daze and realize it's your boyfriend.
"Alhaitham, what are you doing here?" Suddenly, you start to feel pairs of eyes drift to your conversation.
"More like what are you doing here." He replies sharply. You internally giggle at your boyfriend's sassiness, but don't fault him because there is an abnormally long line this time.
"Well... they're giving away a free TCG card with their new sandwich." You say shyly. You feel a sigh coming from him for lining up for a little thing, but...
"Why don't you just ask the owner? I know him." He replies.
"...What do you mean, ask the owner? You mean just go up to the front?" You ask.
"Yes."
"-Alhaitham. I can't just do that, I can't cut in line." You stammer. You can't believe your boyfriend would actually condone this type of behaviour. He shrugs and walks off. You huff, thinking how sometimes you can't read him.
A few minutes later, you see him walk back with... a sandwich and TCG card in hand.
"Alhaitham." You cross your arms and look right at him. However, of course it doesn't intimidate him, as he just stares right back with the same deadpan eyes.
"Yes?"
You walk out of line, quickly pushing him until you both reach a less crowded area. Because you're behind him trying to shove him by his stupidly large torso, he secretly smiles at how cute you are, trying to take control of the situation and how you puff your cheeks out because of it.
"Alhaitham, you did not just go to the front and ask for the sandwich." You say, starting to scold him.
"I got the card too." He says, waving it. You tsk, snatching the sandwich and card out of his hand. He snorts at your slight frustration in his literalness.
"Alhaitham, you didn't have to. I could have waited in line like a normal person." You pout, trying to make him see the bad sides of his actions.
"The owner would have kept one for me anyway. And I wouldn't let you stand outside for so long. Especially with how heavy your bag is- don’t Kshahrewar students carry bricks?" He explains, sitting down on the stone.
"That's not really the problem..." You say, even though that last part was quite true. "Even though the owner kept one aside, the people in line who saw that would have felt really mad at you for cutting."
"Why should I care about what they think?"
"Alhaitham!" Sometimes you hate how quick and blunt his responses are. You sigh again. By now you already knew about your boyfriend's habits and how straightforward he thinks- and most of the time he is right. At least you know he had good intentions.
"Don't do it again, please?" You say, sitting and putting your hands on his chest. "At least not without asking me first."
"Okay, fine." He's willing to make compromises, especially when you look at him so dearly. You eat your sandwich in peace, giving Alhaitham a few bites here and there, and talk about things that happened today.
Buuttttt, it still doesn't end there. A couple months later, the semester ends and you decide to go out and have drinks with your friends. Alhaitham also mentioned he was going to be there with his friends, but he'd be at another table. It's a win-win, plus it's good to have him there for safety.
"And then, he just brushed everyone off! So I don't think I'd ever have a chance with him." Your friend says sadly.
"I don't think anyone has a chance with him." Another chimes in. You and your friends laugh at the wittiness, happy to be enjoying each others presence after a long semester of working and studying.
"I've seen him carry an anemo vision." You say from passing by him a few times.
"I've seen that too!" Your friend remarks, and the rest nod along. "He's probably very strong."
"I hope you guys have been enjoying your night!" A waiter says as he comes to the table. "Here are your bills."
The waiter hands your friends their bills, but doesn't hand you one.
"Excuse me! You didn't give me mine." You say quickly, before he leaves again.
"Oh! Your boyfriend has already paid for yours." The waiter says, pointing to his table, then heading off. Your friends coo at how sweet you guys were, and suddenly you have a sense of deja vu. After your friends pay their bills for the night, you immediately walk over to Alhaitham's table.
"Alhaitham."
"Yes?" Once again, you're hating how deadpan he sounds when you know he knows what you're about to say.
"You didn't have to."
"I did." You frown again.
"I'll be outside, saying bye to my friends." You say after sighing. Alhaitham nods, and his friends can only smile when they see another occurrence of him spoiling you.
"Why is it that (y/n) gets much better treatment from Alhaitham, yet also doesn't approve of it?" It's Kaveh's turn to pout now.
"I think it's more of 'acceptance' for them, and let's be honest I'd have a hard time accepting kindness from Alhaitham." Cyno says matter-of-factly. Tighnari's ears perk up at Cyno's blunt yet witty remark, while Kaveh can only grumble in agreement. Alhaitham, surprisingly has a small smirk on his face despite the little jab from Cyno. Kaveh's frown deepens.
"I need another drink." Kaveh crosses his arms. Tighnari and Cyno look at each other confused.
Alhaitham abruptly bids his goodbyes, walking off with a satisfied smile. He joins you and catches up, hearing that you've just said goodbye to your friends as well. After a few minutes of walking, Alhaitham breaks the silence.
"The boys think I've been treating you a lot better than them." He says. You turn and look at your boyfriend, a little surprised that he's starting the conversation this time. Usually when you have time alone, you're the one who starts talking. But you close your eyes and smile, taking this as a sign that he's had a good time- even if he won't admit it.
"It's because you do." You say. You’re surprised he brought this up. You're aware of Alhaitham spoiling you since your relationship started, and it has pushed you into a realm of affection you didn't know of. It's still hard to grasp for you, since it is your first relationship, and he makes you happy.
"Is there a problem with it?" He asks.
"...no." You say shyly. The question he asks has a bit more of a unsure 'no' for an answer than you say, but Alhaitham seems to catch on. "It's just hard to get used to."
"Hard to get used to? You deserve it though." Alhaitham says. And you almost want to cry the way you know he's being genuine, but the words feel foreign to you. He senses your emotions, and brings you to a stop, just a few steps away from his house.
"Alhaitham..." You can barely croak out a sentence. He gives you a soft kiss on your forehead, running his fingers near the spot, soothing you.
"And besides, what they don't know is that I do treat everyone fairly. Including you." He says. You cock your head in confusion. His statement sounds normal, but you can't help but think he means otherwise. "Remember your overdue library book? I did hold you accountable that time."
You quirk your head in confusion. You do remember that, and how panicked you were when you realized after he pointed it out. But you were certain he did not hold you accountable, which was terrible especially with his role in the Akademiya now.
"No you didn't." You remark.
"I did. I told you to give me a kiss."
"Wh- a kiss is a romantic thing, not transactional! You mean to tell me that was conpensation?" You sputter in disbelief. He nods, and you can't stay mad to him. "Alhaitham, you're so mushy-"
"I agree. Add insufferable to that as well." A voice interrupts. Your head snaps to the source, which is of course a mopey looking Kaveh. "Also remind me next time, to walk twenty meters behind you guys instead, when walking home."
You open your mouth to say something, but end up staying silent when you watch Kaveh drag himself inside your shared home. You frown, and Alhaitham looks at you, knowing what you're thinking- the same you've thought several times by now.
"Do not." He says abruptly.
"I will buy Kaveh a cake." You say, not paying attention to your boyfriend. You were aware of their bickering, but a lot of times you can’t help but feel bad for Kaveh. Since you’re in the mix now, you feel partially responsible for the privilege you get from Alhaitham- even on his good side, it’s hard to watch others get ignored by him.
"No."
"And a coffee."
"No."
"Yes." You childishly protest against your boyfriend’s lack of empathy (which he does on purpose) towards who’s supposed to be, his best friend. “Tomorrow I will go buy him a cake and a coffee.”
“He can get his own cake and coffee.” He says sarcastically.
“Yes, but I’m sure it’ll make him much happier if he received it as a gift.” You explain.
“You don’t have to.” Alhaitham says, this time with a little bit of softness. You smile, recognizing his efforts to try and persuade you because you know he doesn’t understand why you care about these things. But this time, you won’t waver.
“But I will.” You retort, walking towards the entrance and grabbing the doorknob. “Besides, you said you hold me accountable, won’t you?”
Alhaitham smirks at your cheekiness as you sway your hips when you walk to leave him standing by himself, a satisfied look on your face after referencing the past conversation. He sighs and shakes his head, thinking of how bold you’ve become. He likes it.
“Of course I will.”
──── ⋆⋅☆⋅⋆ ────
Me: I love Diluc, he is my husband.
Also me: *writes 3 long ass finished fics on Alhaitham*
#genshin#genshin impact#genshin imagines#genshin fluff#genshin alhaitham#alhaitham#alhaitham x reader#alhaitham fluff#alhaitham oneshot
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I've been itching to read a fanfic of LaDS characters as modern rich kids going to College. It was at a point where I actually started drawing the thought in my previous post but that's still not enough to quench my mind so here's the idea. For anyone who wants to take this idea and actually make something out of it be my guest!✨
So I wanted to change things up a notch. My idea for this AU is that all of them are international students studying in the same Prestigious University but with different degrees:
Zayne - Bachelor of Medicine.
He'd be a chinese international student and follow in his parents footsteps of becoming a Doctor. He's actually around the same age as MC Here. He's famous for participating and winning many international competitions (e.g. math olympiad, chess championships, international science fairs, etc). He eventually got many scholarships and was accepted to many other prestigious schools but ultimately decided to settle for something unexpected. Many of his relatives are proud of him but he found very few things to enjoy during his youth thanks to the pressure he felt so it was hard for him to show or experience enjoyment in his life. His achievements go beyond his age and if he wanted, he could have actually probably graduated and become a doctor much younger than this. But he had a feeling that being patient would reward him with something more fulfilling.
Sylus - Bachelor of Mechanical Engineering
I think we can all agree he'd be a Chaebol but like, in a good way. His father is a Korean businessman(who he doesn't get along with) and his mother was a Russian model(he loves his strong-willed mother). He ultimately decided to go study abroad to piss off his dad who was trying to force him to follow in his shoes by studying under business. Everyone in his family back in Korea saw him as a thorn but they couldn't really do anything about his decisions since he was the only heir to his Father's company. His aura feels charismatic and assertive but he's surprisingly quiet and distant unless he's spoken to, he's also a nerd despite not looking the parts. He's running out of time and excuses to keep him from getting sent back to korea, but he was determined to not let go of his fulfilling life just yet.
Rafayel - Bachelor of Fine Arts
I don't really need to explain much about why he'd choose that degree in the first place. His Japanese Mom(Famous Architect) and Indonesian Dad(Business Man) would raise him in Indonesia for the majority of his childhood, but move back to Japan during his teens. He's actually already a pretty famous painter and has had his work displayed in art galleries during his youth, many of his paintings had already been exhibited but he tends to keep a low profile when it comes to himself due to a past incident he committed. He wanted to take it up a notch and see how far his passion for the arts could go so he decided to study abroad to find more inspiration as a fine arts students. Who knows, he might even find his muse if luck is on his side.
Xavier - Bachelor of Astrophysics
Though he doesn't act like it and doesn't seem to like talking about it, he is in-fact royalty by blood. You'd think he'd be part of the Brits when I mentioned he was royalty but you're wrong. He's a Spanish Baddie. His Mother is a Spanish Princess and his Father is a Chief Police Inspector. He didn't really have much freedom either considering his parents' positions. He grew up with strict discipline by both sides. He finally snapped and rebelled against his parents, ran away from home and stayed with his uncle and aunt(his temporary guardians) for the meantime after getting an approved scholarship at the university he aimed for. He always had an interest for space, stars, and the cosmic frontier. Now that he was no longer bound as "Prince Lumiere of Spain" he could be anything he wanted for the meantime. And he wanted to savor that as much as he could.
Caleb - Bachelor of Aerospace Engineering
I don't have to explain this all that much either. The concept of him still being MCs childhood friend is still there. His Filipino Mother(Aircraft Pilot) and Chinese Father(NASA Scientist) were previously immigrants who grew up in the country they immigrated im. They moved into a nice neighborhood after having Caleb, eventually meeting the neighbors(MCs parent). His love for the skies was always in his heart since childhood so when he received a scholarship to go to his dream school he was livid. He became very popular around the campus pretty quickly. By the time MC entered the same school he already had a lot of connections, secrets, admirers, and was actually part of a fraternity. So many things changed but one thing was for sure, his memories with the ones he loved will stay forever.
Plot wise it can honestly lead to anything but the main idea is they're all studying in the same university with different passions they're pursuing but despite everything, they still manage to get themselves intertwined with her whether they like it or not. It's a concept that's full of drama with a hint of romance, in-depth understanding of each character, how far they're willing to go to reach their goals, and how they show what kind of person they are with handling each situation they're in. I'm not gonna put MCs degree so people can have creative freedom with her based on their interest lol.
#love and deepspace#lads#college au#lads sylus#lads zayne#lads caleb#lads xavier#lads rafayel#I just really wanna read something like this#fanfic ideas#idk if someone will actually understand what I'm daying lmao
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Astrocartography notes
🌍 Do you want to study abroad? Work abroad? Your MC lines show what domain to pursue:
Sun MC: photographer, actor; check the planet ruling your Sun's zodiac sign for more details
Moon MC: nurse, preschool/elementary teacher, childcare worker/nanny, doula, housekeeper
Mercury MC: librarian, language teacher, speech language pathologist, translator, working in academia, journalist, PR agent, receptionist, secretary, architect, economist, comedian
Venus MC: modelling, artist, fashion designer, hairstylist, makeup artist, art director, interior designer, garden designer, florist, wedding planner
Mars MC: surgeon, firefighter, working at the police, sportsman (the type of sport depends on the zodiac sign Mars is in your birth chart, for ex. Mars in Pisces = football, swimming; Mars in Libra = gymnastics); fitness instructor
Jupiter MC: international driver (driving to your Jupiter MC line brings bonusess💰💰), flight attendant, hotel manager, tour guide, philosopher
Saturn MC: general practitioner, dentist, law, working in the Parliament, working in public institutions, business (CEO), historian, construction worker
Uranus MC: STEM (engineering, ecology sciences, biology), electrician, weather presenter, astronomer/astrophysicist, astrologer, sociology, social worker, advocate for human rights/activist
Neptune MC: choreographer, scenographer, film/theater director, actor, ballet dancer, music composer, rehabilitation worker, bartender, yoga instructor, meditation teacher, reiki practitioner
Pluto MC: adult actor, therapist, psychiatrist, any job regarding forensics (detective, toxicologist, forensic accountant etc.), embalmer, funeral director, loan officer, research analyst
🌍 If you have no astrocartography lines passing through the country you lived for most of your life, you probably don't feel at home in that country and have always wanted to relocate to another country
🌍 When you have atleast 2 lines "conjuncting" each other through a certain country, the planet that is more dominant in your birth chart will have a higher effect in astrocartography
🌍 Mercury IC line can show where one of your siblings or cousins relocate at some point during their life
🌍 If you're a girl and you have daddy issues (hey, we don't judge here!!), travelling to Saturn DSC line will likely bring you lots of opportunities of meeting your perfect partner, but also harsh lessons regarding control in a relationship (this is a good line for you to heal your daddy issues)
🌍 If you want to meet your future spouse and you (personally) find international guys attractive, travelling to Jupiter DSC line is a very good idea. Your future spouse might also be a foreigner in that country, just like you :)
🌍 Sun ASC line shows you where you can find your life's purpose. Also your depression:📉📉 0%, while your happiness:📈📈 100% (unless your Sun is in your 8th or 12th house, then the mental health effect is the complete opposite)
🌍 You could give birth on your Moon IC line😳 or your mom could have given birth to you on that line
🌍 Venus ASC line shows you where you could take lots of pictures (of yourself, of the sightseeings). Also, where you could get diabetes where you will want to try every type of sweets you find there
🌍 You will either get very drunk, consume drugs or smoke some weird shit on your Neptune ASC line (pls take care of your health)
🌍 You could randomly meet an ex or someone who resembles your ex while travelling to your Chiron DSC line
#astro#astro community#astrology#astro placements#astro observations#astro posts#astroblr#astro blog#astro notes#astrocartography#zodiac
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The Betrayal of Nick Blaine: How The Handmaid’s Tale Undermined Its Own Storytelling
INTRODUCTION
As a university professor with a PhD in literature, I’ve dedicated my career to analyzing narrative structure, character arcs, and thematic coherence. And I can say this with full confidence: what the writers did to Nick Blaine in Season 6 of The Handmaid’s Tale was not bold, subversive, or daring — it was a narrative betrayal.
And just to be clear: I’m not a shipper. I didn’t love Nick because of his romance with June. I appreciated him as a deeply layered character — one whose quiet resistance stood in stark contrast to the more performative defiance of others. Not every act of heroism is loud. Nick’s resistance began long before June entered his life, and for several seasons, the writers honored that. Until they didn’t.
Nick represented something rare on television: a portrayal of a man caught inside a brutal system, not loud or showy, but quietly working to survive while retaining his humanity and fighting back in the ways available to him. His arc was thoughtful, subtle, and realistic — and it offered a necessary counterpoint to the broader, more visible forms of rebellion in the series. That narrative was coherent, moving, and consistent — until Season 6 shattered it for the sake of shock value.
A HISTORY OF RESISTANCE — CAREFULLY BUILT
Nick’s arc was never centered on power. In fact, he resisted it. He smuggled contraband to Jezebels, joined the Eyes in order to report predatory Commanders (after Waterford’s first Handmaid died by suicide), and helped take down Commander Guthrie, one of the architects of the Handmaid system. These weren’t incidental moments — they were intentional signs of internal rebellion that the show carefully planted over multiple seasons. This reading of Nick is also explicitly supported by writer Kira Snyder, who explained:
“Part of the fun of that episode was to kind of peel back the mystery of this young man and see where he came from, how he got recruited, and how his idealism was turned against him, how it was curdled by the corrupt system of Gilead. How he keeps trying to find something to believe in, some way to make things work, make things good. Which is what we see with his becoming an Eye; he doesn’t have a lot of ways to strike back at the Commander, but through his role as part of the secret police informer network he has ability to try to keep a check on the man.” (The Art and Making of The Handmaid’s Tale, p. 73)
After meeting June, Nick continued to act strategically. He was the one who secretly smuggled the Jezebels letters out of Gilead and delivered them to Luke in Canada — an act that directly led to Canada refusing to sign a diplomatic agreement with Gilead. And crucially, Nick did this without June asking him to or even knowing about it. At the time, June was in a terrible mental state, so desperate that she tried to burn the letters in the sink. Nick hid the Jezebels letters in his apartment before Eden moved in — making it all the more risky once she arrived and began snooping through his things.
His promotions weren’t rewards but consequences. Serena arranged his marriage to Eden out of jealousy. His rise to Commander wasn’t a reward for loyalty — it was a consequence of his decision to pull a gun on Fred to help June and Nicole escape, as even Joseph Fiennes has confirmed in interviews. Even his marriage to Rose served a clear purpose: to get closer to Hannah’s captors, the Mackenzies, and position himself in a place where he could act.
Importantly, the Marthas in Season 4 speak to Nick like an equal, not like someone they fear. One even asks him, “Is this business as usual?” — a small but significant clue that Nick had been working with the Martha network for a long time. This wasn’t a sudden shift. His ties to the resistance were consistent and deliberate. In the same season, we also see Nick handing June a file he compiled himself — a dossier on Hannah, including a recent photo taken by “friendlies.” This not only shows Nick’s continued efforts to help June behind the scenes but also hints at his possible collaboration with the Colorado resistance. In Season 6, other Commanders derisively call him a “boy scout,” suggesting his reputation for moral rigidity and reluctance to embrace their cruelty. These were not throwaway lines; they were narrative breadcrumbs.
Even visual cues deepened his characterization. In his apartment, we glimpse Love in the Time of Cholera by Gabriel García Márquez — a novel about endurance, love, and defiance. As Bruce Miller notes in The Art and Making of The Handmaid’s Tale:
“We were very careful about what books he reads, what books he has, and where we got them.” (p. 34)
These creative decisions weren’t arbitrary — they were part of a deliberate effort to paint Nick as a man of quiet conscience.
In fact, some of the clearest evidence of Nick’s resistance came from scenes that were never aired but remain preserved in official scripts. A deleted scene from Season 3 shows Nick having secured a position alongside Commander Mackenzie at the front — a calculated move that placed him close to Hannah’s captors and demonstrated his embedded strategy — not complicity. Another cut scene during the rise of Gilead shows a young Nick visibly horrified by the violence, acting only out of fear and instinct. In a later aired moment, Nick returns a salute from Gilead soldiers — and the script notes explicitly describe him as “hating all the choices that led him here.”
These were not the actions of a man embracing Gilead’s ideology. They were the marks of someone surviving within a regime while trying, however imperfectly, to resist it from within.
And yet, all of this was abruptly discarded in Season 6. The Mackenzies disappeared. His resistance ties were erased. His marriage to Rose was stripped of meaning. And most egregiously, the carefully built narrative of moral tension was replaced with a lazy recharacterization of Nick as a complicit actor — despite years of evidence to the contrary. The show contradicted not only its own canon but its own creators, who had once framed Nick as someone trying to do the right thing under impossible circumstances.
WHAT THE CREATORS & ACTOR SAY
Before Season 6, both the creators of The Handmaid’s Tale and actor Max Minghella consistently described Nick as a fundamentally decent man — a character carefully constructed to be morally complex, but not complicit in Gilead’s ideology.
Max Minghella, who portrayed Nick, made his view of the character clear as early as 2018:
“I trust Nick. I stand by him … at the root of Nick, he’s a good person. Whether he always does the right thing is a different question.” (Glamour, 2018)
Minghella recognized Nick as morally conflicted but ultimately decent — a man navigating impossible choices in an impossible world. His performance was built on the understanding that Nick was not a villain, but a man trapped by circumstances beyond his control, revealing himself through small gestures and quiet decisions.
In 2022, at the end of Season 5, showrunner Bruce Miller reinforced this characterization:
“I know what we’re setting up for Nick, which is exactly what you think it is. He’s the guy who we think he is. And even if he tries not to be the guy he thinks he is, it’s either going to be very uncomfortable for him like he is with Rose, or it’s going to fail and he’s going to end up not being able to stop himself from punching Lawrence. I think the nice thing is he follows his heart, and the scary thing is he follows his heart.” (Deadline, June 2022)
This statement from Miller is especially revealing in light of what ultimately unfolded in Season 6. His words confirm that as of the end of Season 5, Nick was intended to remain exactly as the audience understood him: a man driven by emotion, not ideology; someone uncomfortable when forced to conform; someone who couldn’t suppress his decency even when doing so put him at risk.
However, after Season 6, Miller’s commentary took on a different tone, attempting to reframe Nick’s arc:
“Nick isn’t choosing Gilead as a sudden endorsement of its beliefs and practices, but rather a belief that there’s no beating this regime; it’s better to protect yourself by moving with it rather than against it.” “Nick was trying to stay out of trouble … thinking about how to keep himself safe for his family.” (TV Insider, 2025)
These post-finale remarks sought to justify Nick’s sudden portrayal as complicit in Gilead’s horrors, but they stand in stark contrast to Miller’s earlier statements. What happened in Season 6 was not the culmination of a long-planned character journey; it was a last-minute pivot that abandoned Nick’s carefully built arc. Miller, for his part, keeps defending Nick in post-finale commentary, yet given that he wrote the final episode himself — the script that framed Nick’s death as reaping what he sowed after a life of dishonesty and violence — these remarks read less as a sincere clarification of the character’s arc and more as post-hoc damage control in response to fan backlash.
Even Minghella was surprised by the shift in Nick’s moral framing, as he revealed in an interview with ELLE in 2025:
“Transparently, I was surprised … I thought it was a really bold and interesting choice to bring that story into this more nihilistic viewpoint.” “Maybe I hadn’t been playing this character correctly the whole time… there was probably a darker side to him that I didn’t realize was there.”
When even the actor playing Nick for six seasons no longer recognizes the character he’s portraying, it highlights how drastic and jarring the shift in writing was. Nick’s final arc wasn’t the result of a gradual, coherent evolution — it was a sudden, dissonant rewrite that undermined everything the audience, and even the show’s own team, had come to understand about him.
Where once the creators framed Nick as a survivor and quiet resistor, they later attempted to retroactively paint him as complicit. This contradiction is not just a failure of internal consistency — it’s a betrayal of the character they themselves had worked so carefully to build.
A SHIFT BEHIND THE SCENES — AND ONSCREEN
The betrayal of Nick’s arc didn’t happen in a vacuum. It was the result of major shifts behind the scenes that dramatically altered the show’s direction and tone, particularly in Season 6.
After Season 4, there were significant changes in the writers’ room, and after Season 5, Bruce Miller — who had been the showrunner and primary architect of the series’ complex moral landscape — stepped down as showrunner to focus on developing The Testaments adaptation. What followed was a tonal and narrative shift that was most starkly reflected in the treatment of Nick’s character.
In Season 5, the writers appeared to be setting up Commander Lawrence as the morally compromised figure whose choices would catch up with him. Lawrence, after all, had designed Gilead. He was one of its architects — a man who wielded enormous power and made decisions that cost thousands of lives, including the bombing of Chicago and the systemic torture of women. He was unwilling to help June find Hannah, even when she begged him, and he stood by as Gilead shot down American planes attempting to raid Hannah’s school. He didn’t intervene to stop this act of brutality, just as he never truly opposed the suggestions of other Commanders to have June killed when she became too much of a threat. But reportedly, Bradley Whitford — who plays Lawrence — pushed back against having his character face the full consequences of those choices.
So what did the writers do instead? They redirected that arc onto Nick. Rather than grappling with the moral failings of Gilead’s true architects, the show chose to scapegoat the one male character who had consistently resisted, quietly and at great personal risk, from the inside.
The result was a jarring pivot in Season 6, where Nick was denied the nuance and complexity afforded to characters like Serena, Lydia, Lawrence, and even Naomi Putnam. Naomi, a character who had benefitted enormously from Gilead’s brutal hierarchy and who had always relished her privileged position, was suddenly handed a redemption arc without narrative justification. Her decision to give Charlotte to Janine came out of nowhere, contradicting everything we had seen of her character before.
Meanwhile, Nick — who had quietly resisted for years, who had risked his life for June, Nicole, and the resistance — was given no such grace. His entire arc was collapsed into a simplistic and inconsistent portrayal of complicity, as if all his sacrifices and small acts of rebellion had never happened.
The complexity that had once made The Handmaid’s Tale so compelling was flattened in favor of a reductive, black-and-white view of its characters — one that betrayed both Nick and the show’s own core themes.
THE GASLIGHTING OF FANS
To make matters worse, in the wake of justified fan backlash over the abrupt and illogical rewriting of Nick’s character, the public statements from the show’s creators, writers, directors, and even lead actor felt like gaslighting. Rather than acknowledging the inconsistency or taking responsibility for the narrative pivot, they shifted blame onto the audience — particularly the female fans who had thoughtfully engaged with Nick’s arc for years.
The writers claimed that viewers misunderstood Nick because “we don’t see 95% of the things Nick does in Gilead.” This was offered as an explanation for why fans were supposedly confused — suggesting that any contradictions in Nick’s character came not from inconsistent storytelling, but from unseen off-screen actions. Yahlin Chang even added that Nick “has done some bad things that weren’t shown, so it’s convenient to forget.” But how can viewers be faulted for forgetting something they were never shown? How can fans be blamed for not accounting for actions that supposedly happened off-screen, when the writers themselves failed to depict or meaningfully hint at them? Rather than admitting to the abrupt, unearned shift in Nick’s arc, these kinds of statements simply deflect responsibility onto the audience, as if the failure lies in our perception rather than in the storytelling itself.
The writers also implied that fans had misjudged Nick because they saw him primarily through June’s eyes, and that her love for him clouded both her perception and, by extension, that of the audience. This framing felt deeply patronizing. It reduced thoughtful, critical engagement with the character to the idea that fans (especially women) were simply too emotionally attached to see the truth. The creative team further argued that Nick had plenty of chances to leave Gilead but chose not to, reinforcing their revisionist narrative. What makes this claim especially disingenuous is that the show itself repeatedly demonstrated how difficult, if not impossible, it was to leave Gilead. Even Lawrence — a man with immense power — tried to leave in Season 3 and couldn’t. To suggest that Nick could have simply walked away contradicts the very world-building the writers established.
And then Eric Tuchman went on to claim:
“Even though Nick is a wonderful savior and protector for June and Max Minghella is an incredibly charismatic actor with wonderful chemistry with Elisabeth Moss, Nick has a life beyond June in Gilead. We’ve known since Season 1 he was an Eye, as well as a driver. The Swiss didn’t want to talk to Nick because he was a war criminal and couldn’t be trusted. Serena told June, ‘Didn’t Nick tell you what he did? To help create Gilead?’ — and it was something ominous. June chose not to ask any further questions. We know that he bombed Chicago and a lot of innocent people were killed — June and Janine were there. Yes, he was following orders, but Nick has always been a fully willing participant in Gilead. He’s always embraced Gilead. The only times he ever helped the resistance were because of his connection to June. She has been his beacon to do the right thing. Nick’s betrayal was proof he wasn’t really part of the resistance.” (Cast Q&A, @handmaidsonhulu on Threads, 2025)
But these statements are deeply misleading. They ignore what the actual canon of the show established and contradict the very material the writers originally produced. The Swiss refused to talk to Nick not because of war crimes, but because of optics and politics — as shown in official deleted scenes and the scripts archived at the Writers Guild. In those cut scenes, Nick is portrayed during the rise of Gilead not as a war criminal, but as a minor guard, visibly horrified, described as “looking sick” at the violence unfolding around him. When a comrade is killed, Nick fires back “out of instinct” — hardly the mark of a man shaping or embracing the regime.
Another scene — one that did air — shows Nick returning a salute from Gilead troops. In the official script, this moment is described with a crucial note: Nick is “hating all the choices that led him here.” His internal conflict is explicitly spelled out, revealing that even in this small gesture of outward compliance, he is burdened by regret and trapped by circumstances. This wasn’t a man embracing Gilead’s ideology. It was a man caught in a web he couldn’t easily escape, trying to survive while carrying the weight of every decision that brought him to that point.
Bruce Miller himself confirmed that Serena’s ominous comment to June about Nick’s role in creating Gilead was a lie, meant to hurt her emotionally. And we know from canon that Nick objected to bombing Chicago, but didn’t have the power to stop it.
Director Daina Reid added fuel to the fire, directly targeting women in the fandom. In her Eyes on Gilead podcast interview, she said she “doesn’t understand these women who still defend Nick.” She went even further, claiming that viewers “invent scenes” to justify Nick’s actions — as if fans who had paid close attention to his arc were simply imagining things to excuse him. In doing so, she dismissed female fans specifically — implying that their continued support for Nick was irrational or misguided, and reducing thoughtful engagement with the character to naive emotionalism. This wasn’t just dismissive; it was a troubling attack on a loyal, thoughtful fanbase that had engaged deeply with the show’s themes of resistance, complicity, and survival.
Even Elisabeth Moss, who plays June, contributed to this gaslighting. In interviews, she misremembered key parts of the story — for instance, forgetting that Eden suspected Nick’s lack of sexual interest in her and feared he might be a gender traitor. This was a significant part of Eden’s arc, yet Moss appeared unaware of it, undermining her credibility when discussing Nick and June’s relationship. Moss also insisted in interviews that June “absolutely did not want Nick to die,” while simultaneously suggesting that June could never forgive Nick for his so-called betrayal — despite the fact that if Nick hadn’t made that difficult choice in the moment, he would have died on the spot. The logic simply doesn’t hold: how can June not want him dead but also not forgive him for the very act that saved his life?
If we’re now expected to view Nick as a villain based on things we never saw, it’s not the audience inventing scenes — it’s the creators retroactively rewriting them. That’s not a failure of interpretation on the part of the fans; it’s a failure of storytelling on the part of the writers.
Adding to the irony, Elisabeth Moss recently explained in interviews that in respecting the book, they wanted to preserve a sense of open-endedness — to “keep a lot of loose ends” as the novel itself ends on a cliffhanger. Yet in doing so, they chose to alter one of the most crucial threads from the book: Nick’s arc. If they were willing to deviate so drastically as to completely rewrite one of the novel’s most important characters, why stop there? Why not give Hannah back to June, as so many viewers had hoped? It’s baffling that the showrunners still don’t seem to understand that fans resent unnecessary deviations from the source material — when has that ever served a story well? Nick was a vital symbol, as Atwood herself emphasized repeatedly in interviews and public talks, including the historical notes and symposiums tied to the books. She also described the love story as an essential part of the novel, yet now the showrunners tell us it was never truly about romantic love at all.
Adding to this contradiction, Bruce Miller himself asserted:
“I think the series has been good in large part because I chose to follow the story and tonal spirit of the novel as much as possible.” (Deadline, 2025)
If preserving the spirit of the book was truly the goal, they would have honored Nick’s role as Atwood envisioned it: a symbol of survival, moral conflict, and quiet rebellion.
What’s most telling is how drastically the messaging from the creative team has shifted. The Nick who was once described by Bruce Miller as a good man — someone who listens to his heart and ultimately does the right thing — has, after Season 6, been reframed as a willing and eager participant in Gilead’s horrors. And when this portrayal drew backlash, the narrative shifted again: suddenly, Nick was said to be a man trapped between impossible choices, aligning with Gilead out of necessity rather than conviction. This contradiction stripped Nick’s character of its coherence and damaged the moral framework the show had worked so hard to establish.
ATWOOD’S VISION, THE BOOKS, AND THE DANGER OF THIS REWRITE
Resistance from within is a hallmark of dystopian literature. From 1984 to The Hunger Games, these narratives often explore how individuals embedded in oppressive systems work quietly, strategically, and at great personal risk to undermine them. These characters are complex, morally ambiguous, and realistic — because real-world resistance is rarely loud or simple. The Handmaid’s Tale, as originally written by Margaret Atwood, understood this nuance, and Nick Blaine was designed to embody it.
Atwood herself envisioned Nick as a figure of internal dissent — a man trapped by circumstances, but capable of moral clarity and quiet rebellion. In The Testaments, set fifteen years after the events of The Handmaid’s Tale, Nick is still alive, still inside Gilead, and still working as part of the underground resistance. We see him reunite with Nicole, the daughter he risked everything to save, and we see that his arc was meant to reflect the endurance of hope and the power of resistance that survives even in the darkest places.
The show, for five seasons, respected this vision. Nick stayed in Gilead because that was his purpose — to help destroy it from within. His positioning near Hannah’s captors reinforced his role as an inside man. The writers kept him in Gilead because he was meant to be there, playing the long game. Until Tuchman and Chang decided they knew better than Atwood and discarded this crucial thread.
Atwood has been outspoken in her view that dystopian systems like Gilead harm everyone — men and women alike. As she has said:
“Patriarchy hurts men too. Totalitarianism hurts everyone — men and women alike.” (CBC, 2017)
And on feminism:
“Feminism is not about demonizing men. It’s about working with men so that everyone has the same rights.” (New York Times, 2018)
The show’s final season abandoned this fundamental ethos. Instead of portraying the complexities of complicity and resistance across genders, it simplified its moral world: all Commanders were framed as irredeemable, while even characters like Naomi Putnam — who had thrived under Gilead’s brutality — were suddenly offered redemption with no coherent justification. This flattening of moral nuance betrayed the depth and realism that had defined the show’s earlier seasons.
By erasing Nick’s internal resistance arc, the show not only disrespected Atwood’s source material but also weakened its own critique of authoritarianism. The danger of this rewrite isn’t just that it harmed a character — it’s that it undermined the very lessons dystopian literature is meant to teach us. It replaced complex truths about power, survival, and quiet resistance with simplistic, black-and-white moral judgments that serve neither feminism nor thoughtful storytelling.
Nick’s character was supposed to remind us that even those caught inside the machinery of oppression can still fight back in their own way. Erasing that lesson robbed the audience of hope — the most vital tool dystopian fiction can offer.
NICK’S ATTRACTIVENESS AND THE MISOGYNY BEHIND THE CRITICISM
One of the most troubling aspects of the backlash against Nick’s character — and against the fans who continue to care for him — is the way his physical attractiveness has been weaponized as a reason to dismiss thoughtful engagement with his arc. Critics, including members of the show’s creative team, have implied that fans (especially women) only care about Nick because of his looks — as if audiences are too shallow or simple to appreciate deeper qualities.
Disturbingly, this attitude wasn’t just reflected in off-screen commentary. It became embedded in the writing of the final season itself. After five seasons in which no character ever explicitly commented on Nick’s appearance, Season 6 abruptly shifted focus, framing his physical attractiveness as the defining reason June loved him. For the first time, June says that she would have noticed Nick even if he were bagging groceries or driving for Uber because he was very handsome. Moira joins in, comparing Nick’s looks to Rihanna’s and rating his hotness as if she were judging a celebrity. Even Lawrence remarks that June was “swept away” by Nick’s “smothering looks.”
This was no accident. The writers deliberately chose to center Nick’s attractiveness in a way they had never done before — as if to validate their own revisionist narrative that June’s love for Nick was shallow, and that fans’ attachment to him was based only on surface-level traits. In doing so, they reduced what had been a deeply layered, emotionally rich relationship to a matter of lust and superficiality — diminishing not only Nick’s character, but June’s as well.
As brilliantly articulated in the Above the Garage podcast’s cathartic essay on Nick:
“Nick’s physical attractiveness has nothing to do with the reason we love his character. Women are not as simple and shallow as you’re making them out to be. No matter how someone may try to shame you, it is not antifeminist to believe in, and care about, romantic love. Our protagonist herself has said, many times, that it is for love that she lives. Love is empowering, and we thought that was a message the show understood.”
What Nick represents is not some idealized, flawless hero. No one who values Nick as a character denies his flaws or excuses his moments of complicity. What Nick offers is a vision of the human capacity for joy, tenderness, and compassion in the bleakest circumstances. His quiet support of June, his ability to love and be loved amid horror, reflects the reality that even in war, oppression, and captivity, people have found ways to fall in love, to marry, to create art, to dream of a better world. Nick’s story was an opportunity to show how resistance can be sustained not just through defiance, but through humanity and connection.
The suggestion that shipping Nick and June, or simply caring about Nick as a character, is somehow naive or antifeminist, fundamentally misunderstands the complexity of these relationships. As the essay points out, the show could have leaned into Nick and June’s profound connection — a connection that empowered June, supported her agency, and could have stood as one of television’s greatest romances, without undermining the power of her friendships or her other relationships. Life is not either/or. Women can value deep friendships and romantic love. The audience can appreciate both without one diminishing the other.
Finally, it’s important to call out the hypocrisy in how romantic love is treated. As the essay puts it:
“You know who else thought romantic love was naive and silly? Our old friend, Fred Waterford. May he rest in peace.”
Dismissing viewers who value love and connection as naive is not progressive — it echoes the mindset of the very villains the story sought to critique. It is not antifeminist to care about love, or to see beauty and strength in a character who represents its survival under tyranny. And it is certainly not a weakness or character flaw to find meaning in these narratives.
THE DANGEROUS MISLABELING: NICK AS A “NAZI”
Among the most concerning narrative choices in Season 6 was the deployment of the term “Nazi” by characters such as June’s mother, Holly, and Luke in reference to Nick — a label that invokes complex historical and ethical implications. This label was not used in earlier seasons, despite Nick’s long-standing position within Gilead’s structures. It was introduced only in Season 6, coinciding with the writers’ abrupt pivot toward framing Nick as complicit and irredeemable.
The comparison is not only morally and historically inaccurate — it is dangerous. Nick is not portrayed as an architect of genocide, nor as a willing enforcer of Gilead’s ideology. As the show itself spent five seasons establishing, Nick is a survivor — a man who joined the Eyes not to impose tyranny, but to report on and take down predatory Commanders after witnessing the suicide of Waterford’s first Handmaid. He smuggled contraband, helped the resistance, facilitated June’s and Nicole’s escape, and positioned himself near Hannah’s captors in hopes of aiding in her rescue. These are not the actions of a true believer in the system; they are the actions of a man trapped within it, trying to undermine it where he can.
Calling Nick a Nazi collapses the moral complexity that The Handmaid’s Tale once prided itself on. It flattens the nuances of complicity, survival, and resistance into simplistic, black-and-white thinking that does a disservice not only to Nick’s character but to the audience’s understanding of history. Gilead is a fictional regime meant to reflect elements of real-world authoritarianism, but equating every man in a uniform with a Nazi trivializes both the horrors of the Holocaust and the lived realities of people trapped within oppressive systems who did not have the power to change them, but found small, courageous ways to resist.
It’s also worth noting that the writers making these choices surely have not lived under totalitarian regimes themselves — which cannot be said about many of the show’s viewers. For those who have experienced or have family histories marked by real-world authoritarian rule, these labels are not just inaccurate; they are deeply offensive and reflect a dangerous misunderstanding of what life under such regimes actually entails.
It seems no coincidence that the writers chose to have multiple characters label Nick a “Nazi” — a term that has, regrettably, become fashionable in today’s social media and cultural discourse. On platforms where complexity is often sacrificed for immediacy, “Nazi” has become a catch-all slur, casually applied to signal absolute villainy, regardless of historical accuracy or ethical appropriateness. The emotional weight and instant recognizability of the term make it an appealing — if irresponsible — tool for simplifying moral judgments. This is likely why the showrunners resorted to using it: not because it accurately reflected Nick’s actions or beliefs, but because it aligned with a broader trend of flattening complex characters into easily digestible archetypes. This lazy labeling serves neither history, feminism, nor good storytelling. It reduces complex questions about survival, complicity, and moral ambiguity to cheap, inflammatory rhetoric — the opposite of what dystopian fiction is meant to encourage us to grapple with.
WHY THIS MATTERS
Nick didn’t need a heroic ending. But he deserved a consistent one. His arc represented a type of resistance that is rarely shown on screen: strategic, quiet, and deeply human. Nick’s story gave voice to the reality that not all acts of rebellion are loud, and not all heroes stand on podiums. His form of dissent — subtle, calculated, often invisible — was no less important than June’s louder, more visible defiance. In fact, it reflected the kind of resistance that most people caught inside authoritarian regimes actually engage in: the quiet, careful acts that chip away at power without drawing lethal attention.
More than that, Nick was the show’s most realistic character. He was an ordinary man swept up by the rise of Gilead — lured into the Sons of Jacob not out of malice or ideology, but because of the brutal socio-economic conditions that preceded Gilead’s rise. Like many who find themselves caught in the machinery of authoritarian systems, Nick became increasingly trapped as the years passed. But crucially, Nick almost immediately saw Gilead for what it was. He recognized the horror. And despite the danger, he chose to resist in the ways available to him — quietly, strategically, and at great personal cost.
We needed that Nick. His arc was supposed to remind us that even those inside the system, even those who have made mistakes, can choose to act with compassion, courage, and moral clarity. His story offered a rare and vital kind of hope: that decency can survive in the darkest of places, and that ordinary people can make extraordinary choices even when the odds are against them.
In the difficult times we live in, as extremism and authoritarianism rise in the real world, Nick’s story could have served as a reminder of the importance of quiet resistance — of the fact that the fight against oppression doesn’t always look like a revolution, but can begin with small, courageous acts.
By collapsing his arc into a simplistic tale of complicity, the writers not only betrayed Nick as a character but stripped the audience of that hope. What happened to him wasn’t just a sad ending. It was bad writing. And it was a missed opportunity — a failure to honor both the character they had built and the powerful tradition of resistance that dystopian fiction exists to celebrate.
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Got to a job site before the Owners get there and the contractor and I start talking about progress and he goes:
Don't tell the owners but the elevator isn't getting here until middle of May. We don't want them to freak out about the schedule.
And I'm like got it 🫡🤐. And when our progress meeting is over I walk out with the Owners and HE goes:
Don't tell the contractor but the elevator is getting pushed back three weeks. We don't want them to use that as an excuse to slow down on work.
And I'm just like, my dudes, you guys are on the same page. But I'll keep the same exact info a secret for you guys.
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WE GREW UP SOMEWHERE ALONG THE WAY | 02
˗ˏˋcorporate hellscape & theoretical arrangements ˎˊ˗
"Despite every rational thought screaming at you to shut this down, you hear yourself agreeing to the most ridiculous professional arrangement in the history of professional arrangements."
next | index
⋆。°✩ chapter details ✩°。⋆
word count: 7.5k
content: corporate hellscape survival, Dave Davidson (yes that's his real name), theoretical modeling arrangements that feel less theoretical by the minute, meeting Momo the sugar glider, apartment tours, domestic intimacy disguised as friendship, emotional whiplash, and Y/N making questionable life decisions while simultaneously insisting they're purely professional.
Kiki Nation's discussion thread for this chapter.
✧ author's note ✧
Okay so first of all *turns microphone on, taps twice, clears throat aggressively* 🚨 WE HAVE AN OUTLINE FOR WGU, PEOPLE. I REPEAT. WE HAVE AN OUTLINE. 🚨
Which means this fic is now officially going to be 30 chapters long and highly likely somewhere between 200-250k+ words, so buckle your seatbelt, tighten your shoelaces, and kiss your emotionally stability goodbye. We're going full send.
This is wild because… I never outline. I’m not built like that. I am a write-by-the-vibes, stream-of-consciousness, playlist-induced fugue state kind of girl. I daydream entire scenes while brushing my teeth and then rearrange them mentally like a madman pinning red thread to a corkboard. The closest I’ve come to a “structure” before this is just knowing what general direction I want things to go—like I might know, “at some point they’ll kiss in the rain,” but no clue if that’s Chapter 5 or Chapter 17 or a hallucination I made up in REM sleep.
But now? Now I know what happens in every chapter. Not just plot beats, but character turns, internal shifts, thematic echoes. And y’all… it’s life-changing. It lets me plant narrative seeds that will grow into devastatingly beautiful emotional collapses later. Like, suddenly I feel like an actual architect instead of a raccoon with a pen. Still feral. But, you know. Feral with a floorplan.
And because I'm me, this story is now also structured into four volumes, because it needed to be arch-y like that. Big arc energy. Arcs that make you cry in the club. I genuinely think this might become my most emotionally textured fic—because I'm working with intent instead of just instinct. Both are good. But together? They go feral. Together they write this fic.
I love it so much. I love them so much.
NOW. About this chapter.
I absolutely love their interactions in here. The way Y/N is simultaneously trying to maintain professional distance while also being completely unable to resist Hoseok's chaos is so her. She's all "this is purely professional" while literally agreeing to the most unprofessional arrangement imaginable. And Hoseok! God, Hoseok in this chapter made my heart ache. The way he talks about his work—trying so hard to convince himself and everyone else that it has artistic merit while clearly struggling with what he's had to compromise to survive. There's this beautiful tension between his genuine artistic passion and the reality of what pays his bills. When he talks about wanting to draw "realistic" expressions and movements, you can see how much he actually cares about his craft, even when it's wrapped up in work he's ambivalent about.
The corporate office scenes were painful to write because they're so real. Dave Davidson (and yes, his parents really were that creative) represents everything soul-crushing about modern work culture. Y/N's first day is this perfect encapsulation of how foreign everything feels when you're trying to build a new life—not just the language barriers but the social dynamics, the unspoken rules, the way exhaustion seeps into everything when you're constantly translating your existence for other people.
But then we get to the izakaya scene and everything shifts. The alcohol loosens Y/N's defenses just enough for her to make this completely insane offer that sounds professional on the surface but is loaded with so much subtext. She tells herself it's just helping a friend with a work problem, but we all know there's so much more brewing underneath. The way she rationalizes it—"it's just work, it's professional, it's no different from life drawing class"—while simultaneously knowing she's crossing a line she can't uncross.
And Momo! Sweet little Momo who immediately sees through Y/N's bullshit and gives her the cold shoulder. There's something so perfect about Hoseok having this tiny, discerning creature who's protective of him. It adds this domestic layer to his character that makes him feel so much more real and vulnerable. Plus the way Y/N gets personally offended by being rejected by a sugar glider is peak Y/N behavior.
Next chapter we get to see this "professional arrangement" in action, and let me tell you, the tension is about to become unbearable. Y/N thinks she can maintain clinical distance while posing for intimate scenes. Hoseok thinks he can separate his artistic process from his growing feelings. They're both about to learn how wrong they are.
Thanks for reading, and prepare your emotions because we're just getting started.
⋆。°✩ read on ✩°。⋆
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Your alarm goes off at 6:30 AM sharp, dragging you from dreams about okonomiyaki and stupid orange beanies.
The corporate world of Osaka doesn't give a shit about your jet lag, your existential crisis, or the fact that you spent half the night staring at the ceiling wondering why Jung Hoseok draws porn for a living.
You stumble through your morning routine in the cramped bathroom, squinting at yourself in the mirror that's too small and positioned at the wrong height. Your reflection looks like it's been through a blender—hair doing its own thing, eyes puffy from restless sleep, and that general air of 'please don't perceive me' that seems to be your default setting these days.
The shower barely produces lukewarm water, and you're starting to understand why rent was so cheap. Everything in this apartment operates on the principle of 'technically functional but aggressively mediocre.'
You throw on your most professional-looking outfit—a navy blazer and matching pants that felt impressive in Sydney but now seem inadequate for whatever corporate hell awaits you. The fabric wrinkles the moment you sit down, because apparently even your clothes are nervous.
The commute to Umeda is a forty-minute journey that involves two train transfers and a ten-minute walk through streets that all look identical in the early morning light.
Everyone around you moves like they're on a mission or part of a James Bond movie (hard to tell, honestly)—briefcases and designer handbags clutched like weapons, faces set in expressions of determined politeness.
You study the other foreigners on the train—scattered among the sea of black-haired commuters like misplaced chess pieces. A few Western faces here and there, all wearing the same slightly overwhelmed expression you suspect is plastered across your own face.
The building housing Synergy International Marketing is a gleaming tower of glass and steel that probably looked cutting-edge in 1995 but now seems like it's trying too hard.
The lobby has that corporate smell—air freshener mixed with coffee and the faint anxiety sweat of people pretending they know what they're doing.
You present yourself to reception, where an immaculately dressed Japanese woman greets you with the kind of professional smile that reaches exactly nowhere near her eyes.
"Y/N-san? Welcome. Please wait here. Tanaka-san will escort you to orientation."
Tanaka-san turns out to be a harried-looking man in his forties who speaks English like he's translating every word in his head before letting it out.
He leads you through a maze of cubicles and conference rooms, explaining company policies in a tone that suggests he's given this speech approximately ten thousand times.
"International Communications Department is on seventh floor. Your desk will be in shared workspace with other English-speaking staff. Please maintain professional appearance and punctuality at all times."
The elevator ride up is silent except for generic jazz music that makes you want to throw yourself out a window.
The seventh floor is an open-plan nightmare of beige cubicles, warm lighting, and the aggressive clicking of keyboards.
It's honestly like someone took every stereotype about corporate offices and decided to make them reality.
Your desk is a small corner space next to a window that looks out onto another building approximately six feet away
The previous occupant has left behind a stress ball shaped like a hamburger and a coffee mug with 'I want to drown in coffee' printed on it in faded letters.
Inspiring.
"Your immediate supervisor is Davidson-san," Tanaka explains, gesturing toward a tall man with prematurely gray hair who's currently engaged in what appears to be a heated phone conversation in English. "He will explain your duties. Please make good impression."
Davidson finishes his call and approaches with the kind of smile that suggests he's simultaneously relieved to see you and already exhausted by your presence.
"You must be our new copywriter! Dave Davidson, department head. I know, I know, my parents were very creative." His handshake is firm but sweaty. "Ready to dive into the wonderful world of international marketing?"
Aaaand… That's how you spend the next three hours in meetings that could have been emails, learning about 'synergistic brand integration' and 'cross-cultural consumer engagement strategies.'
Your role, as it turns out, involves translating Japanese marketing concepts into English copy that doesn't sound like it was written by robots having a nervous breakdown.
Your colleagues are honestly a mixed bag—two other foreigners who look like they've been here long enough to develop thousand-yard stares, and several Japanese staff members who speak perfect English but seem perpetually confused by your presence.
Lunch is a sad bento box eaten at your desk while reviewing client briefs for companies you've never heard of selling products you don't understand.
The work itself isn't terrible, just mind-numbingly ordinary.
Write copy for a new line of beauty products. Edit brochures for a tech company. Make everything sound 'dynamic' and 'innovative' without actually saying anything meaningful.
Marketing, as it is.
By 3 PM, you're wondering if this is what death feels like—slow, bureaucratic, and accompanied by the sound of printers jamming.
Your phone buzzes with a message that makes several of your new colleagues glance over disapprovingly.
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝙷𝚘𝚠'𝚜 𝚝𝚑𝚎 𝚌𝚘𝚛𝚙𝚘𝚛𝚊𝚝𝚎 𝚜𝚕𝚊𝚟𝚎 𝚕𝚒𝚏𝚎 𝚝𝚛𝚎𝚊𝚝𝚒𝚗𝚐 𝚢𝚘𝚞, 𝙲𝚊𝚙𝚢? 𝙰𝚛𝚎 𝚢𝚘𝚞 𝚠𝚎𝚊𝚛𝚒𝚗𝚐 𝚊 𝚜𝚞𝚒𝚝? 𝙸 𝚋𝚎𝚝 𝚢𝚘𝚞 𝚕𝚘𝚘𝚔 𝚟𝚎𝚛𝚢 𝚜𝚎𝚛𝚒𝚘𝚞𝚜 𝚊𝚗𝚍 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝! (◕‿◕)
You glance around to make sure no one's watching before typing back:
𝐘𝐨𝐮: 𝙸'𝚖 𝚕𝚒𝚝𝚎𝚛𝚊𝚕𝚕𝚢 𝚍𝚢𝚒𝚗𝚐 𝚘𝚏 𝚋𝚘𝚛𝚎𝚍𝚘𝚖. 𝚃𝚑𝚒𝚜 𝚙𝚕𝚊𝚌𝚎 𝚖𝚊𝚔𝚎𝚜 𝚜𝚝𝚞𝚍𝚢𝚒𝚗𝚐 𝚜𝚎𝚎𝚖 𝚎𝚡𝚌𝚒𝚝𝚒𝚗𝚐.
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝙰𝚠𝚠𝚠 𝚙𝚘𝚘𝚛 𝚋𝚊𝚋𝚢 𝙲𝚊𝚙𝚢! 𝙰𝚕𝚕 𝚍𝚛𝚎𝚜𝚜𝚎𝚍 𝚞𝚙 𝚠𝚒𝚝𝚑 𝚗𝚘 𝚘𝚗𝚎 𝚝𝚘 𝚒𝚗𝚜𝚞𝚕𝚝! (╥﹏╥)
𝐘𝐨𝐮: 𝙸 𝚌𝚊𝚗 𝚒𝚗𝚜𝚞𝚕𝚝 𝚢𝚘𝚞 𝚛𝚒𝚐𝚑𝚝 𝚗𝚘𝚠 𝚒𝚏 𝚒𝚝 𝚠𝚘𝚞𝚕𝚍 𝚑𝚎𝚕𝚙. 𝚈𝚘𝚞𝚛 𝚎𝚖𝚘𝚝𝚒𝚌𝚘𝚗𝚜 𝚊𝚛𝚎 𝚐𝚒𝚟𝚒𝚗𝚐 𝚖𝚎 𝚜𝚎𝚌𝚘𝚗𝚍𝚑𝚊𝚗𝚍 𝚎𝚖𝚋𝚊𝚛𝚛𝚊𝚜𝚜𝚖𝚎𝚗𝚝.
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝚃𝚑𝚎𝚛𝚎 𝚜𝚑𝚎 𝚒𝚜! 𝙸 𝚠𝚊𝚜 𝚠𝚘𝚛𝚛𝚒𝚎𝚍 𝚌𝚘𝚛𝚙𝚘𝚛𝚊𝚝𝚎 𝚕𝚒𝚏𝚎 𝚑𝚊𝚍 𝚜𝚞𝚌𝚔𝚎𝚍 𝚘𝚞𝚝 𝚢𝚘𝚞𝚛 𝚜𝚘𝚞𝚕 𝚊𝚕𝚛𝚎𝚊𝚍𝚢! 𝚆𝚑𝚊𝚝 𝚝𝚒𝚖𝚎 𝚍𝚘 𝚢𝚘𝚞 𝚏𝚒𝚗𝚒𝚜𝚑? 𝙸 𝚙𝚛𝚘𝚖𝚒𝚜𝚎𝚍 𝚍𝚒𝚗𝚗𝚎𝚛, 𝚛𝚎𝚖𝚎𝚖𝚋𝚎𝚛!
You look around the office—at Davidson explaining synergy to a potted plant, at your coworkers staring at their screens with the enthusiasm of people watching their own funerals.
It feels like watching dead insects.
𝐘𝐨𝐮: 𝟻:𝟹𝟶 𝚒𝚏 𝙸'𝚖 𝚕𝚞𝚌𝚔𝚢. 𝟼 𝚒𝚏 𝙳𝚊𝚟𝚒𝚍𝚜𝚘𝚗 𝚍𝚎𝚌𝚒𝚍𝚎𝚜 𝚝𝚘 𝚑𝚘𝚕𝚍 𝚊𝚗𝚘𝚝𝚑𝚎𝚛 '𝚒𝚖𝚙𝚛𝚘𝚖𝚙𝚝𝚞 𝚋𝚛𝚊𝚒𝚗𝚜𝚝𝚘𝚛𝚖𝚒𝚗𝚐 𝚜𝚎𝚜𝚜𝚒𝚘𝚗' 𝚊𝚋𝚘𝚞𝚝 𝚋𝚛𝚊𝚗𝚍 𝚌𝚘𝚑𝚎𝚜𝚒𝚘𝚗.
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝙿𝚎𝚛𝚏𝚎𝚌𝚝! 𝙸'𝚕𝚕 𝚖𝚎𝚎𝚝 𝚢𝚘𝚞 𝚒𝚗 𝚝𝚑𝚎 𝚕𝚘𝚋𝚋𝚢 𝚊𝚝 𝟼! 𝙳𝚘𝚗'𝚝 𝚝𝚛𝚢 𝚝𝚘 𝚎𝚜𝚌𝚊𝚙𝚎 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚑𝚎 𝚋𝚊𝚌𝚔 𝚎𝚡𝚒𝚝, 𝙸'𝚕𝚕 𝚏𝚒𝚗𝚍 𝚢𝚘𝚞!
𝐘𝐨𝐮: 𝙷𝚘𝚠 𝚍𝚘 𝚢𝚘𝚞 𝚔𝚗𝚘𝚠 𝚠𝚑𝚎𝚛𝚎 𝙸 𝚠𝚘𝚛𝚔?
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝙷𝚊 𝚑𝚊, 𝚜𝚘 𝚏𝚞𝚗𝚗𝚢, 𝙲𝚊𝚙𝚢. 𝚈𝚘𝚞 𝚝𝚘𝚕𝚍 𝚖𝚎 𝚕𝚊𝚜𝚝 𝚗𝚒𝚐𝚑𝚝. 𝙰𝚕𝚜𝚘 𝙸 𝚖𝚊𝚢 𝚑𝚊𝚟𝚎 𝚐𝚘𝚘𝚐𝚕𝚎𝚍 𝚒𝚝. 𝙳𝚘𝚗'𝚝 𝚋𝚎 𝚠𝚎𝚒𝚛𝚍, 𝙸 𝚐𝚘𝚘𝚐𝚕𝚎 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐.
𝐘𝐨𝐮: 𝙲𝚛𝚎𝚎𝚙𝚢. 𝙱𝚞𝚝 𝚏𝚒𝚗𝚎. 𝙳𝚘𝚗'𝚝 𝚖𝚊𝚔𝚎 𝚖𝚎 𝚠𝚊𝚒𝚝.
𝐉𝐮𝐧𝐠 𝐇𝐨𝐬𝐞𝐨𝐤: 𝚆𝚘𝚞𝚕𝚍 𝙸 𝚎𝚟𝚎𝚛 𝚖𝚊𝚔𝚎 𝚝𝚑𝚎 𝚐𝚛𝚎𝚊𝚝 𝙲𝚊𝚙𝚢𝚋𝚊𝚛𝚊 𝚠𝚊𝚒𝚝? (𝙸 𝚊𝚋𝚜𝚘𝚕𝚞𝚝𝚎𝚕𝚢 𝚠𝚘𝚞𝚕𝚍 𝚋𝚞𝚝 𝙸'𝚕𝚕 𝚝𝚛𝚢 𝚗𝚘𝚝 𝚝𝚘!!)
You put your phone away and try to focus on the task at hand—writing compelling copy for a line of anti-aging moisturizers targeted at 'modern Japanese women who demand excellence.'
The irony isn't lost on you.

At exactly 6:07 PM, you escape the corporate hellscape and find Hoseok lounging in the lobby like he actually belongs there.
He's wearing ripped jeans, a faded band t-shirt, and that same orange beanie, looking like he wandered in from a completely different universe.
Several security guards eye him suspiciously.
"Capy!" He jumps up (and you want to slap him) from the leather chair he's been sprawled across. "You survived! I wasn't sure you would make it out alive."
"Barely," you mutter, adjusting your blazer. "This place is where souls go to die."
"Harsh. But accurate, probably." He looks you up and down with an expression you can't quite read. "You look very... professional. Like you could fire someone and feel nothing."
"Don't tempt me. I already have a list."
He laughs, falling into step beside you as you head toward the exit.
"That bad, huh?"
"I spent six hours learning about 'consumer-focused brand narratives' and I still don't know what that means. Also, my desk faces a wall."
"Sounds like you need alcohol and carbohydrates. Lucky for you, I know just the place."
You follow him out into the early evening chaos of Umeda, where salary men in identical dark suits stream past like schools of depressed fish.
The contrast between Hoseok's chaotic energy and the rigid corporate atmosphere is so stark it's almost funny.
Almost.
"So," he says as you navigate through the crowd, "tell me about your coworkers. Anyone interesting? Any office romances brewing? Workplace drama?"
"It's been one day, Ott. I barely learned where the bathroom is."
"Details, Capy! I need details! Is your boss hot? Is there office gossip? Do people eat lunch at their desks like sad robots?"
"Yes to the sad robot lunches. No to everything else." You side-step a group of tourists taking photos of street signs. "Although Davidson—that's my boss—seems like the type who has strong opinions about proper email formatting."
"Davidson? What kind of name is Davidson for a boss? He sounds like a middle management villain."
"Davidson Davidson, actually."
Hoseok stops walking entirely.
"You're joking."
"I am not joking. His parents named him Dave Davidson. He acknowledged the lack of creativity himself."
"That's the most tragic thing I've ever heard. No wonder you looked dead inside when I picked you up."
"I didn't look dead inside."
"Capy, you looked like someone had surgically removed your will to live. Which, honestly, is understandable after spending eight hours with a man named Dave Davidson."
You can't argue with that assessment.
He leads you to a small izakaya tucked between a convenience store and a shop selling nothing but different types of socks.
The interior is all dark wood and paper lanterns, with the kind of cramped seating that forces strangers to become uncomfortably intimate with each other's elbows.
"This place doesn't look like much," Hoseok says, sliding into a booth that's clearly designed for people smaller than either of you, "but they have the best karaage in the city, and the beer is cheap enough that you can afford to forget about Dave Davidson's existence."
"I can't get drunk. I have to work tomorrow."
"Who said anything about getting drunk? I said forgetting Dave Davidson exists. That only requires like, two beers, max."
The waitress appears—a woman who looks like she's been working here since the restaurant opened sometime in the Meiji era.
Hoseok jumps in, ordering in fluent Japanese that flows so naturally you almost forget he's half-Australian.
His mom made sure he was bilingual from the start, but hearing it now, surrounded by the actual language and culture, makes you realize how much more connected to this place he is than you.
"What did you order?" you ask when she leaves.
"Food. Beer. Trust me."
"That's not an answer."
"It is now, Capy. Live a little."
You lean back against the booth, feeling some of the day's tension leave your shoulders.
The izakaya is warm and dim, filled with the comfortable buzz of people unwinding after work.
It's the first time all day you've felt like you could breathe properly.
"So," you say, "how's the porn business?"
Hoseok nearly chokes on the water he's sipping.
"Jesus, warn a guy before you just blurt that out."
"What? You brought it up yesterday. I'm just making conversation."
"It's... fine. Good, actually. I just finished a commission that's probably going to pay my rent for the next two months."
"What was it? Wait, do I want to know?"
He grins.
"Probably not. But I'll tell you anyway. It was a twelve-page story about a librarian who discovers that late-night study sessions can be... educational."
"Oh god."
"Hey, don't knock it! The characterization was surprisingly deep. She had a whole backstory about her graduate thesis on medieval literature. Very sophisticated stuff."
"You're defending the artistic merit of librarian porn to me."
"I'm defending the artistic merit of all my work. Just because it's explicit doesn't mean it lacks substance."
The food arrives—platters of fried chicken, grilled fish, pickled vegetables, and enough beer to drown a horse.
Hoseok immediately starts dissecting the chicken with the precision of a surgeon.
"The thing is," he continues, apparently not done with his professional defense, "most hentai is garbage. No character development, ridiculous scenarios, anatomy that defies physics. But I try to make mine actually... realistic, you know? Like, what would these people actually be thinking? How would they really react?"
You take a long drink of beer.
"Realistic hentai. That's your niche."
"Mock all you want, but it's harder than you think. Especially drawing women. Like, actually making them look like real people instead of inflatable dolls with anatomically impossible proportions."
"I imagine that is challenging."
"It is! I spend hours looking at reference photos trying to get facial expressions right during…" He clears his throat. "…intimate moments. And body language! How do people actually hold themselves when they're vulnerable? What do real emotions look like on someone's face when they're—"
He stops mid-sentence, looking suddenly self-conscious.
"When they're what?" you prompt, more curious than you want to admit.
"When they're... you know. Experiencing pleasure. Real pleasure."
There's something in his voice—a genuine frustration that catches you off guard. Like this actually matters to him beyond just paying rent.
"That does sound complicated," you say, surprising yourself with the sincerity.
"It is. I mean, I can draw bodies fine. Anatomy, positioning, all that technical stuff. But making it feel real? Making the characters seem like actual people instead of just... vessels for fantasy? That's the hard part."
The beer is making you bolder than usual.
"So what's the problem exactly?"
Hoseok fidgets with his chopsticks.
"I think... I think I draw women the way I assume they should look and feel, instead of how they actually do. Does that make sense?"
"Sort of. Like you're working from secondhand information instead of... primary sources?"
"Exactly!" He leans forward, animated again. "I'm always guessing. What would her face actually look like in this moment? How would she really move? What would be going through her head?"
You take another drink, processing this unexpected insight into his work.
"And you can't just... I don't know, watch porn for reference?"
"Porn is the worst reference possible. It's all performance. Fake expressions, exaggerated reactions, completely unrealistic scenarios. If I based my work on porn, it would be just as terrible as everyone else's."
"Huh."
"Yeah, huh." He picks at his food, suddenly looking younger than his twenty-six years. "Sometimes I wonder if I should just give up on trying to make it realistic and just draw ridiculous tentacle monsters like everyone expects."
"Don't do that."
The words come out more forcefully than you intended, and he looks up with surprise.
"I mean," you backtrack, "if you think realistic is better, then... keep trying to make it realistic. Right?"
"But how? I can't exactly ask random women to model for explicit manga. That would be weird and probably illegal."
You're quiet for a moment, an idea forming that you immediately try to dismiss.
But the beer and the warmth of the izakaya and the genuine frustration in his voice make you consider it.
"What if..." you start, then stop.
"What if what?"
"Nothing. Never mind."
"Capy, what were you going to say?"
You drain half your beer in one go.
"I was going to say, what if you had someone to model for you? Like, someone you trust who could give you actual realistic reference?"
Hoseok stares at you. Frowns, like genuinely, actually frowns (and isn't that the first time in his adult face you've seen it?)
"Are you... are you offering?"
"I'm not offering anything. I'm just saying hypothetically, if you had access to realistic references, your work would probably improve."
"Hypothetically."
"Hypothetically."
"And this hypothetical reference model would be...?"
You feel heat rising in your cheeks and blame it on the alcohol.
"I don't know. Someone who understands that it's just work. Professional."
"Professional reference modeling for hentai manga."
"It's not any weirder than your current career path."
He's quiet for a long moment, studying your face like he's trying to solve a puzzle.
"You're serious," he says finally.
"I'm drunk," you correct. "There's a difference."
"But you're serious about being drunk."
"Shut up, Ott."
But he's grinning now, that stupid, wide grin that takes over his entire face.
"Capy wants to model for my sexy manga!"
"Keep your voice down!" You glance around the izakaya, but everyone seems too absorbed in their own conversations to care about yours. "And I didn't say I wanted to do anything. I said hypothetically—"
"You offered to pose for me."
"I offered a theoretical solution to your creative problem."
"By posing for me."
"By... providing realistic reference materials in a professional capacity."
"For my hentai manga."
"For your... adult-oriented sequential art."
He's laughing now, delighted by your obvious discomfort. "This is the best day of my life. Capy is going to be my muse!"
"I am not going to be your muse. And stop calling it that."
"What should I call it? My artistic collaborator? My reference consultant? My—"
"Your friend who's had too much beer and suggested something stupid."
"My friend who's going to help me create the most realistic romantic manga Osaka has never seen."
That stops you.
Because he…
He's just said the word 'friend'.
And you hate how that made something twist in your chest.
"I haven't agreed to anything," you insist. "We were just talking theoretically."
"Theoretically, when would you be available for our first session?"
"Theoretically, you're an idiot."
"Theoretically, you're avoiding the question."
You finish your beer and immediately signal for another.
"If—and I mean if—I were to consider this theoretical arrangement, it would be purely professional. No weirdness."
"Define weirdness."
"You know what I mean."
"I really don't. Are we talking about no inappropriate comments? No lingering stares? No—"
"All of the above. It would be like... like life drawing class. Clinical. Professional."
"Have you ever taken a life drawing class?"
"That's not the point."
"Because life drawing classes can get pretty—"
"Hoseok."
"Right. Clinical. Professional. Got it." He's still grinning. "So when do we start?"
"We don't start anything because this is a hypothetical conversation about a theoretical arrangement that will never actually happen."
"But if it were to happen theoretically?"
You look at him across the table—flushed from beer and excitement, eyes bright with possibility, that stupid beanie slightly askew.
He looks exactly like the kid who used to convince you to climb fences and steal apples from the neighbor's tree, all mischief and misplaced confidence.
And despite every rational thought in your head screaming at you to shut this down, you hear yourself saying:
"Tomorrow night. After work. Your place."
His grin could power the entire city.
"Theoretically?" he asks.
"Theoretically."
"This is going to be amazing, Capy."
You signal for another beer.
You're going to need it.
The thing is, he looks genuinely excited. Not the performative, over-the-top excitement he uses to annoy you—but the real kind.
The kind that makes his eyes go bright and his whole body lean forward like he can't contain whatever stupid idea is bouncing around in his head.
It's the same look he used to get when he'd convince you to sneak out and explore the construction site behind your neighborhood, or when he'd drag you to that weird arcade with the broken claw machines that somehow always gave him exactly what he wanted.
Which means this theoretical modeling arrangement is either going to be completely innocent or a complete disaster.
Probably both.
"You know what?" he says, peeling the label off his new beer bottle in strips, "you should see my place tonight. Get the full Osaka experience."
You nearly choke on your karaage. Because what did this nuthead just say?
"What? No. Absolutely not."
"Why not? It's still early!"
"It's past nine, Ott. That's not early. That's nighttime. When normal people go home to their sad apartments and contemplate their life choices."
"Since when are we normal people?" He grins, that stupid, infectious grin that probably got him out of trouble his entire childhood. "Come on, Capy. When's the last time you had a proper house tour?"
When's the last time you crashed at a guy's place just because he asked? When's the last time you did anything without calculating the exact social implications and potential for regret?
"When's the last time you cleaned your house?" you counter instead.
"That's… irrelevant."
"Everything about you is irrelevant."
"Harsh but fair."
The waitress brings your beer, and you immediately take a long drink because this conversation is heading somewhere you're not sure you want to follow.
The alcohol has made everything slightly fuzzy around the edges, but not fuzzy enough to make this seem like a good idea.
Actually, that's a lie.
The alcohol is making it seem like exactly the kind of stupid, impulsive thing you would have done when you were seventeen and thought the worst thing that could happen was your parents finding out.
Now you know better.
Now you know that the worst things are usually the ones that feel like coming home.
"I'm not going to your apartment at nine-thirty at night after we just agreed to some theoretical professional arrangement that I'm already regretting," you say, but your voice lacks conviction.
"But you haven't seen where the magic happens! Where your theoretical modeling will theoretically take place!"
"The magic happens in your bedroom, doesn't it."
"Well, yeah. Better lighting by the window, and I can spread all my references out on the bed—" He stops mid-sentence, apparently realizing how that sounds. "Wait, that came out wrong."
"Everything you say comes out wrong."
"Fair point." He demolishes another piece of chicken. "But seriously, you should see the place. I've got it set up pretty nice now. Real drawing desk, proper lamp, even organized my reference materials into folders like a functioning adult."
"Your porn collection, you mean."
"My professional research library," he corrects with mock dignity. "Very different thing. Alphabetized and everything."
The image of Hoseok carefully organizing hentai manga by genre and artistic merit is so ridiculous you almost smile.
"Plus," he continues, voice quiet and not meeting your eyes while he picks at the label on his bottle, "you could crash there tonight. Save yourself the train ride back to your shoebox apartment."
And there it is. The real reason behind this sudden house tour enthusiasm.
"My apartment isn't a shoebox."
"Capy, you described it yesterday as 'slightly larger than a coffin but with worse lighting.'"
"That was… accurate but not the point."
"The point is you're probably dreading going back there alone. New city, new job, everything unfamiliar." His voice gets softer, less performative. "Wouldn't hurt to have somewhere comfortable to crash."
There it is again—that stupid, genuine concern that always catches you off guard. The way he can shift from ridiculous to sincere in half a sentence, like he's got some kind of emotional whiplash disorder.
It's the same tone he used when you were thirteen and crying because your parents were fighting again, when he climbed through your window and sat on your floor for three hours without saying a word. Just… present.
Just there.
And that's the problem, isn't it?
Because it's been five years since anyone was just there for you. Five years of being the competent one, the reliable one, the one who has her shit together and doesn't need anyone to sit on her floor and not say anything.
Five years of being completely, utterly alone.
"I'm not crashing at your place, Hoseok."
"Why not? We're friends, right?"
There's that word again—friends.
Like it's simple. Like five years of radio silence and separate lives can be erased with one dinner and too much beer.
Like you can just slip back into being the people you were before you grew up and moved away and learned how to be strangers.
"Are we?" you ask before you can stop yourself.
He looks up from his bottle, label half-peeled and hanging like a sad flag of surrender.
"What do you mean?"
"I mean…" You gesture vaguely between you, encompassing the izakaya, the theoretical modeling arrangement, the way he's looking at you like you're still seventeen and nothing has changed. "This. Whatever this is. Are we friends? Or are we just two people who used to know each other pretending nothing's changed?"
He blinks at you. You blink at him. And suddenly the two seconds of silence that pass by feel like an eternity.
"Do you want to be friends?" he finally asks quietly.
"I don't know." The honesty surprises you. "I mean, yes. I think. But I don't know if we can just… pick up where we left off."
"We don't have to pick up anywhere. We can start over."
"Start over as what?"
"As…" He shrugs, that careful casualness that means he's thinking harder than he's letting on. "As whatever we want to be."
But that's the problem—because you don't know what you want to be.
You don't know if you want to be the girl who crashes at her old friend's apartment because she's too lonely to go home, or the woman who keeps appropriate boundaries and doesn't complicate things.
You don't know if you want to be someone who can trust that easily again.
"You still bite your lip when you're thinking too hard," he observes.
"I do not."
"You're doing it right now."
You immediately stop biting your lip, which only makes him grin wider.
"Some things don't change, Capy. Even when everything else does."
"Don't get philosophical on me, Ott. It doesn't suit you."
"What does suit me?"
The question catches you off guard.
You look at him—really look at him—taking in the way five years have sharpened some edges and softened others.
The boy you knew is still there, buried under layers of adult experience and professional disappointment and whatever other things happen to people when they stop being kids and start pretending they know what they're doing.
He's still too thin, still too energetic, still wearing clothes that look like he grabbed them off his bedroom floor.
But there's something different in his eyes now.
As if he's been waiting for something for a long time and isn't sure it's coming.
"Chaos," you say finally. "Chaos suits you."
He laughs, loud enough that several other customers glance over.
"I'll take it."
"Good, because that's all you're getting."
"For now."
There's something in the way he says it that makes your stomach do a small, traitorous flip.
You blame the beer and the warm lighting and the fact that you've barely slept in three days.
"I should go home," you say, but you don't move to leave.
"You should come see my apartment."
"Those are opposite things, Ott."
"Not if you crash at mine."
"I'm not crashing at your place."
"Why not?"
"Because…" You fumble for a reason that doesn't sound ridiculous. "Because it's weird. We just reconnected yesterday. Normal people don't sleep over at their childhood friend's house after one dinner."
Because it feels too much like before.
Because you're scared of how easy it would be to fall back into old patterns, old dependencies, old ways of needing someone.
Because you've spent five years learning how to be alone, and one night on his couch might undo all of that.
"Normal people don't agree to model for hentai manga either, but here we are."
"That's different. That's professional."
"Right. Professional." He draws out the word like it's a foreign concept. "Professional modeling, professional friendship, professional distance. Everything professional."
"There's nothing wrong with professional."
"Course not. Very sensible. Very mature."
He's grinning again, but there's something underneath it that you can't quite identify.
You feel, surprisingly, it's shaped like disappointment.
"Very unlike the Capy I remember."
That makes you swallow.
It's unfair, how he can say shit like that and have your chest cave in.
"People change, Ott. We're not kids anymore."
"No," he agrees, and his voice goes quiet. "We're not."
The way he says it makes you look at him again, and what you see in his eyes looks like he's grieving for those kids too. Like he misses them as much as you do.
Like maybe he's been just as lost without them as you have.
"I have a surprise," he says suddenly, changing direction so fast you get conversational whiplash.
"I hate surprises."
"I know. That's what makes this one perfect."
"That logic makes no sense."
"Trust me."
"I don't trust you. You tried to convince me that eating chocolate for breakfast was a balanced meal because it contained milk."
"It does contain milk! And calcium! Very nutritious!"
"You were seventeen, Hoseok. You should have known better."
"I was a growing boy! I needed nutrients!"
You laugh despite yourself, and the sound echoes off the low ceiling of the izakaya.
It's embarrassing how easy it is to fall back into this rhythm with him, like your brain has been storing all these conversation patterns for five years just waiting for him to come back.
"What kind of surprise?"
"The kind you'll only find out if you come see my apartment."
"That's manipulation."
"That's incentive."
"That's emotional blackmail."
"That's friendship."
Fucker.
You drain the rest of your beer in one long pull, partly for courage and partly to delay having to respond. The alcohol seems to have erased your usually reliable sense of self-preservation.
And maybe that's what you need right now. Maybe you need to stop protecting yourself from every possible disappointment and just… see what happens.
Maybe you need to remember what it feels like to trust someone who used to know all your secrets.
"If I come see your place," you say carefully, "and if I hate your surprise, I'm leaving immediately."
"Deal. But you won't hate it."
"I probably will."
"You definitely won't."
"I have a very high hate-to-like ratio when it comes to surprises. Remember my sixteenth birthday?"
His face changes. "Oh. Shit. Yeah, I remember."
Of course he remembers.
He's the one who spent three hours sitting outside the bathroom door, talking to you through the wood while you had a complete meltdown because your mom had thrown you a surprise party and invited half your class and you couldn't handle being the center of attention like that.
"Your mom meant well," he says quietly.
"I know she meant well. But I told her I didn't want a party, and she threw one anyway because she thought I was just being shy. And then I locked myself in the bathroom like a lunatic while twenty people ate cake and wondered where the birthday girl went."
"You weren't a lunatic. You were overwhelmed."
"I was pathetic."
"You were sixteen and dealing with more shit than anyone knew." His voice has gone serious in a way that makes you uncomfortable. "And I should have known better than to help her plan it."
"You were just being a good friend."
"I'm still trying to be a good friend," he says, and there's something in his tone that makes you look up from your beer.
This man who used to be a boy who used to climb through your bedroom window just to sit on your floor and read comics. Who used to walk you home from school even though his house was in the opposite direction. Who used to know exactly what to say to make you laugh when you were crying about some stupid teenage drama.
Who disappeared from your life for five years and somehow found his way back in the span of twenty-four hours.
"Fine," you say, and immediately regret it. "But I'm taking the couch."
His smile is so bright it should be illegal.
"Deal. But you're gonna love the surprise, Capy. I promise."
"I doubt that."
"You love being wrong about things."
"I love being right about you being an idiot."
"Same thing, really."
He signals for the check, already bouncing slightly in his seat with excitement.
You watch him count out bills with the kind of gesture that suggests his porn money isn't quite as abundant as he likes to pretend.
His apartment is probably just as small and depressing as yours.
He's probably just as lost and lonely as you are.
He's probably just as scared of growing up and becoming a real person with real responsibilities and real consequences.
But at least you can be lost and scared together.
At least for tonight.
"Ott?"
"Yeah?"
"Do you still like strawberry milk?"
The question comes out of nowhere, surprising both of you.
But something about the beer and the warm light and the familiar rhythm of your bickering has loosened something in your chest, some speck of control you've been maintaining since you walked into that izakaya.
His smile goes soft around the edges.
"Yeah. I do. Do you still put way too much sugar in your coffee?"
"Yeah."
"Good."
It's such a small thing—strawberry milk and oversweetened coffee—but somehow it feels enormous.
Like proof that some essential part of each of you has remained unchanged despite everything else that's shifted and grown and broken apart.
Like maybe those kids are still in there somewhere, waiting to be found again.
"Ready to go?" he asks, standing and pulling on his jacket.
"No. But let's go anyway."
"That's the spirit, Capy."
You follow him out into the cool Osaka night, where the neon signs reflect off wet pavement and streets are full of people pretending they know where they're going.
And for the first time since you moved here, you think maybe you don't need to know where you're going.
Maybe you just need to trust that wherever Hoseok is leading you, it'll be worth the trip.
Even if it scares the hell out of you.

Four flights of stairs later, you're questioning every life choice that led to this moment.
"Exercise," you mutter, gripping the railing as Hoseok bounds ahead like some kind of demented mountain goat. "Right. Because what this night needed was cardio."
"Almost there!" he calls back, not even slightly winded. "Just think of it as pre-modeling conditioning!"
"I'm thinking of it as cruel and unusual punishment."
His apartment door is covered in stickers—anime characters you don't recognize, band logos from groups that probably broke up in 2001, and what appears to be a holographic Pikachu giving a thumbs up.
It's aggressively juvenile and somehow perfectly him.
"Don't judge the door art," he says, fumbling with his keys. "It came with the apartment."
"It absolutely did not."
"Okay, fine, I may have added some personality over the years. Sue me."
The door swings open and you step into what can only be described as organized chaos.
The apartment is small but noticeably bigger than your shoebox—which isn't saying much, but still manages to feel spacious by comparison.
Manga volumes are stacked in towering columns against every wall, art supplies scattered across a desk positioned near the window, and clothes draped over furniture like fabric ghosts.
"Welcome to Casa de Ott!" he announces, spreading his arms wide and nearly knocking over a lamp in the process. "Home sweet chaotic home."
You scan the space, taking in the details.
The couch looks like it was salvaged from a 1980s office waiting room. There's a small TV balanced precariously on a stack of manga, and the kitchen is basically a corner with a mini-fridge and what might generously be called a stove.
"It's…" you start.
"Terrible? Depressing? A fire hazard?"
"I was going to say small."
"Small is a nice way of putting it. I prefer 'cozy' or 'efficiently designed.'"
Your eyes land on a red sketchbook lying open on the low table, pages covered in detailed drawings that make you stop mid-step. You can't make out the specifics from this distance, but before you can guess the contents, Hoseok is screeching.
"Oh shit," Hoseok says, following your gaze. He lunges forward and slams the sketchbook closed, clutching it to his chest like a shield. "Those are, uh, not for virgin eyes."
"Virgin eyes?" You raise an eyebrow. "I'm twenty-six, Ott. I've seen naked people before."
"Yeah, but not my naked people. These are my professionally naked people. Very different."
"I'm literally going to model for this stuff, remember?"
He freezes, sketchbook still pressed against his chest.
"So we're not doing hypothetical anymore?"
Shit, he's right—somewhere between the beer and the banter and the way he looked at you when you called him your friend, the theoretical became decidedly less theoretical.
"I…" You falter, suddenly aware of how close you're standing. "Beer. You mentioned beer."
"Right. Beer. Very important. Life-sustaining beverage." He's still holding the sketchbook like a security blanket. "Kitchen's over there. Help yourself. I'm just going to put this away where it can't traumatize anyone."
He disappears down a narrow hallway, and you make your way to the kitchen area.
The refrigerator is covered in delivery menus and what appears to be a drawing of a cat wearing a top hat.
Inside, there are exactly three items: beer, leftover ramen, and a container of something that might once have been vegetables.
"Your food situation is concerning," you call out.
"I survive on convenience store cuisine and pure artistic passion!" comes his muffled reply from what you assume is his bedroom.
You grab two beers and settle onto the couch, which is actually more comfortable than it looks.
The apartment feels lived-in despite its chaos—or maybe because of it.
There's something appealingly unpretentious about the space, like Hoseok just exists here without trying to impress anyone.
"Okay," he says, emerging from the hallway with his hands behind his back and a grin that should probably be illegal. "Ready for your surprise?"
Every muscle in your body tenses. "I told you I hate surprises."
"And I told you this one's different. This one's going to change your entire worldview on surprises."
"My worldview on surprises is based on sound psychological principles and extensive personal trauma. One cute whatever-it-is isn't going to—"
He brings his hands forward, revealing a small, furry creature with enormous dark eyes and a long, fluffy tail.
You stop breathing.
"Capy," he says, his voice soft with obvious pride, "meet Momo."
The sugar glider—because that's clearly what she is—sits perfectly still in his cupped palms, studying you with the kind of intense curiosity usually reserved for wildlife documentaries.
She's tiny, maybe the size of a hamster, with gray fur and cream markings that make her look like she's wearing a tiny vest.
"Holy shit," you whisper.
"Language," Hoseok scolds, but he's grinning. "She's a lady."
"You have a sugar glider."
"I have Momo. She's not just any sugar glider. She's the most perfect sugar glider in the history of sugar gliders."
As if hearing her cue, Momo shifts slightly in his palms, studying you with what can only be described as deep suspicion.
"Can I…" you start, then stop. "Is she friendly?"
"She's cautious with new people, but she's never actually bitten anyone. Well, except that one time with my neighbor, but he deserved it."
"What did your neighbor do?"
"Tried to pet her without permission. Momo has very strong opinions about consent."
You extend one finger slowly, and Momo sniffs it delicately, her tiny nose twitching as she processes your scent.
After a moment of consideration, she pulls back and immediately scurries up Hoseok's arm to perch on his shoulder, as far from you as possible.
"Well," you say, trying to keep your voice casual, "that's… fine. I don't care if a rodent likes me or not."
"She's a marsupial, actually. And she just needs time to warm up to new people."
"I said I don't care."
But there's something distinctly annoying about being rejected by something the size of a hamster.
You're a perfectly likeable person. You've never done anything to offend small mammals.
"She's very discerning," Hoseok says, clearly trying not to laugh at your obvious wounded pride. "High standards."
"So you rescued a sugar glider."
"I rescued the most perfect sugar glider."
"You keep saying that."
"Because it's true. Look at her little hands! And her tail! And the way she tilts her head when she's thinking!"
You look at him instead—at the way his entire face lights up when he talks about Momo, the gentle way he cradles her, the obvious pride in his voice.
This is a side of Hoseok you've never seen before, tender and protective and completely unguarded.
It's dangerous how much you like it.
"She's nocturnal," he continues, settling onto the couch beside you with Momo still in his hands. "So she's most active when I'm working late. She keeps me company during those long drawing sessions."
"Does she approve of your career choices?"
"She's very supportive of the arts. Aren't you, princess?"
Momo makes a soft chittering sound that might be agreement or might be a request for food.
Either way, you can't deny it's adorable.
"How long have you had her?"
"About eighteen months. She was really skittish at first—wouldn't let me touch her for weeks. But now…" He strokes her tiny back with one finger. "Now she's spoiled rotten."
You watch as Momo climbs onto his shoulder, then leaps gracefully to the back of the couch. The movement is so fluid it barely registers as motion—one second she's with Hoseok, the next she's exploring the cushions near your head.
"She's showing off," he says fondly. "She likes to glide around the apartment when she's skittish."
"Glide?"
"Sugar gliders have these membranes between their legs—see? She can glide from the bookshelf to the couch, couch to the desk, basically anywhere she wants to go. It's like having a tiny flying squirrel roommate."
As if to demonstrate, Momo launches herself from the couch back to Hoseok's shoulder, the movement so quick and graceful you barely catch it.
"That's incredible."
"I know. She's basically a superhero. A tiny, adorable superhero who costs me a fortune in specialized food and vet bills."
The beer is wearing off, leaving you feeling suddenly, acutely sober.
Clear-headed enough to realize what you've gotten yourself into tonight—agreeing to pose for Hoseok's hentai manga, coming to his apartment, letting yourself get charmed by his ridiculous pet.
"Ott," you say carefully.
"Yeah?"
"I was drunk earlier. When I said I'd… help with your reference situation."
His face doesn't change, but something shifts in his posture.
"How drunk?"
"Drunk enough to suggest something stupid."
"And now?"
"Now I'm sober enough to know it was stupid."
He's quiet for a moment, watching Momo explore the couch cushions.
When he speaks, his voice is casual in a way that doesn't fool either of you. "Too late, Capy. I'm already planning our first session."
"Hoseok—"
"Think about it. Professional artistic collaboration between old friends. Very sophisticated. Very mature."
"Nothing about this situation is mature."
"I'm hurt. Deeply wounded by your lack of faith in my professionalism."
Despite yourself, you feel a smile tugging at your lips. "Your professionalism in drawing pornographic manga."
"Adult-oriented sequential art with emotional depth and realistic character development."
"You keep saying that like it makes it sound more legitimate."
"Because it is more legitimate. You'll see when we start working together."
The assumption in his voice—that you will, in fact, go through with this insane arrangement—should annoy you.
Instead, it makes something flutter in your chest that you absolutely refuse to acknowledge.
"I didn't actually agree to anything," you say, but the protest sounds weak even to you.
"You suggested it. I accepted. Contract sealed."
"That's not how contracts work."
"It's how friendship contracts work."
Friendship contracts.
As if you're still twelve and sealing deals with pinky promises and shared secrets.
Except you're not twelve anymore, and this isn't about friendship.
Or maybe it is, and that's what makes it dangerous.
"I should get going," you say, making no move to actually leave.
"It's late. Train's probably stopped running."
"It's not even eleven."
"But you're comfortable now. Look, Momo likes you."
You glance down to find the sugar glider eyeing you from the floor.
"She's still giving me the cold shoulder."
"She usually hides when strangers are here, so this is actually progress."
"Great. I've been upgraded from 'immediate threat' to 'tolerable presence.'"
"It's a very exclusive club. You should feel honored. You've basically been officially approved for apartment privileges."
"What kind of privileges?"
"Sleeping on the couch when you're too tired to go home. Raiding my refrigerator. Critiquing my life choices in person instead of via text."
The casual way he lists these domestic intimacies makes your chest tight.
Like he's already decided you belong here, in his chaos, part of his routine.
"I'm not sleeping on your couch, Ott."
"Why not? It's surprisingly comfortable. And I'll be in my room working when you get lonely and need someone to bother."
"I don't get lonely."
He gives you a look that suggests he sees right through that particular lie.
"Fine," you say, because arguing seems more exhausting than just giving in. "Now shut up and give me another beer."
"Can't. You said you're sober now. Can't have you making any more questionable decisions."
"I make excellent decisions."
"Says the woman who just agreed to sleep on a stranger's couch."
"You're not a stranger. You're Ott. Annoying but familiar."
He grins at that, wide and pleased, like being called annoying is the highest compliment you could give him.
And maybe, in your particular language, it is.

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【📂】 summary: wonwoo’s life is upended when his ex, jiyeon, reappears and demands answers to their unresolved past. struggling between his feelings for jiyeon and his commitment to you, he must decide if he can truly move on or if his history with jiyeon will tear apart his future. 【🖇️】 pairing: chef!wonwoo x gn!chef!reader. 【💿】 genre: romance, angst, fluff, based on movie. 【🧺】 tags: established relationship; ex-girlfriend coming back; implied cheating; unconditional love; forgiveness. 【📦】 w/c: *8.3k+
📬 — author’s note!this story is based on the filipino movie “starting over again.” (some lines are taken directly from the movie--so go watch it to have a better understanding). i admired patty’s mature view on love. she is the embodiment of unconditional love.
UPDATED 03/01/‘25*
« main masterlist | till there was you »
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wonwoo had never expected it to be this way—heartbroken and alone after his five-year relationship ended so suddenly. his ex-girlfriend, jiyeon, left him without any explanation. no closure, no reasons. just an empty space where their future once seemed so certain. the pain of that loss had been suffocating, leaving him unsure about love for years. but then, you came into his life.
it wasn’t immediate. you started as friends—no expectations, no pressure. but over time, as you cooked together in the kitchen, spent late nights talking about food and life, and shared a small but steady bond, something deeper bloomed between you. slowly, he let his guard down, and before he knew it, he fell for you. six years later, you had built something solid.
during that time, wonwoo knew he was ready to take the next step. he was planning to propose to you. he had no doubts.
but life, as it often does, threw a curveball when jiyeon suddenly returned. seven years had passed since their breakup, but jiyeon was back in his life, and this time, she wanted something. as an architect, she had started working on the renovation of the shared restaurant that you and wonwoo owned, which brought her back into wonwoo's life. what seemed like an innocent project became a difficult reminder of a past that wonwoo thought he had long buried.
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jiyeon’s point of view. internal dialogue.
when i think back to those days, it’s as though i’m remembering a different version of myself—someone who believed in love so deeply that i thought it could last forever. wonwoo and i were young. we were each other’s first love, naïve and full of hope, ready to conquer the world together. we had dreams, and they were intertwined—like our fingers and hearts. it felt so natural, like we were meant to be. i never questioned it.
but somewhere along the way, i started to see changes in him. it was subtle at first—a slight dulling of his once-bright eyes, a lack of spark in his smile. and then it grew. he stopped talking about the things he was passionate about. he didn’t talk about his dreams anymore, or the things that used to excite him. it felt like he was fading—into something that felt too familiar. he became like my father, a man who lost his hopes, his drive, his sense of purpose.
i couldn’t stand it. i tried to hold on, comfort him, and remind him of the person he used to be, but it was like talking to a wall. i didn’t know how to fix it, and i realized i couldn’t save him if he didn’t want to save himself. he wasn’t the boy i fell in love with anymore. he was a shadow, and i was suffocating in the silence between us. i didn’t want to become like my mother, always staying in a place that drained me. i wasn’t ready to be stuck in a life like that, so i left.
i didn’t give him an explanation. i didn’t know how. the words wouldn’t come out, and part of me didn’t want him to hate me for leaving. i didn’t want him to feel like i was abandoning him, but the truth was, i couldn’t watch him spiral any further. i left without a word, hoping he’d understand, but knowing deep down that he wouldn’t. i thought it would be the only way to move on—without looking back.
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but jiyeon couldn’t let go of the past. she couldn’t accept that what they once had was over. every attempt to reach out to wonwoo, every pleading question—“do we still have a chance?” and “do you think our love story deserves a better ending?”—pushed him further into himself. the constant pressure, the relentless pursuit of answers he didn’t have, wore him down.
one night, she cornered him in the restaurant’s quiet, her eyes filled with desperation and yearning. the weight of her words was too much for him to carry anymore. he had tried to move on, but she wouldn’t let him. when jiyeon kissed him, her lips demanding what she refused to give up, something inside him snapped.
“is this what you wanted?” he muttered harshly, his breath ragged, before his hands gripped her and he kissed her back forcefully, the line between love and frustration blurring.
in that charged moment, all the unresolved emotions—love, regret, anger, and longing—took over. what followed was a blur of need and bitterness, both searching for something neither could give: closure. the aftermath was a painful reminder of how far they had fallen.
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the bathroom was eerily quiet, save for the constant hiss of the bathtub faucet, water steadily rising in the porcelain tub. steam filled the air, curling in delicate wisps as it mingled with the coldness of wonwoo’s racing thoughts. he sat on the edge of the tub, hands clasped tightly in front of him, eyes fixed on the running water as if it could cleanse him and wash away the weight of what had just happened.
the sound of his breathing was loud in his ears, the air thick with regret and self-loathing. he could still feel jiyeon’s presence lingering in the space between them—how her touch, and desperation had burned him in ways he wasn’t ready to confront. he knew that things had gone too far. he’d given into something he shouldn’t have, and now everything felt broken beyond repair.
but he couldn't bring himself to face it.
outside the bathroom, the room was quiet. the faint light from the hallway filtered through the crack under the door, casting a soft glow on the darkened bedroom. wonwoo’s phone rested on the nightstand beside the bed, illuminated suddenly by an incoming call.
the screen flashed in the dim room. a contact photo appeared, glowing in the night, but the name—just out of reach, too far for wonwoo to see from the bathroom—flashed in and out of view, its meaning lost on him in his haze.
on the other side of the door, jiyeon stood motionless for a moment. she had heard the phone ring, seen the name. she knew exactly whose photo lit up the screen.
her chest tightened, a slow wave of confusion and sadness washing over her. her eyes lingered on the phone one last time before she turned, her movements slow and deliberate. her footsteps echoed softly in the hallway, the sound growing faint as she left the room.
the air in the bathroom felt heavier as wonwoo remained unaware, lost in his thoughts, the sound of the water still running, the steam fogging the mirrors, as he continued to sit in the quiet. the phone’s glow faded, the call unanswered, as jiyeon quietly slipped out of his life again.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
wonwoo couldn’t escape the image of jiyeon’s eyes—those eyes filled with desperation and longing—her touch lingering on his skin like a ghost. he had given in. he had allowed the past to creep back into his life when he knew better. he had promised himself he was over her, but that kiss had broken something inside of him that he didn’t even know was fragile.
he didn’t know how to fix it, or if it could even be fixed. he had ruined everything. his relationship with you and his future with you was now in jeopardy because of one impulsive moment of weakness.
and now, more than ever, he needed to confess and tell you everything. but how could he? how could he look you in the eyes and explain the mess he had made?
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
you had noticed the change in him these past few days. wonwoo had always been quiet, but now he seemed to be hovering around you more than usual. his touch lingered just a little too long when he reached for something or kissed your forehead. his presence felt overwhelming, yet there was something different in the way he was acting—a subtle shift you couldn’t quite place.
at first, you brushed it off, telling yourself it was because you had just returned from a short business trip. it had been only two days, but you could tell that he was clinging to you as if he was afraid of losing you, of something slipping away. you didn’t want to question it too much. after all, he had missed you, and that was understandable.
but there was something in his eyes, the ways he would look at you; there was something almost frantic that made your stomach turn in ways you couldn’t explain.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
you and wonwoo were in the kitchen at your friend's grand opening event, cooking for the occasion.
the kitchen was filled with the usual chaos of preparation—pans sizzling, knives chopping, the soft hum of staff moving around in organized frenzy. but amidst it all, there was a quiet, undeniable shift.
wonwoo had been standing by the counter, his hands working absentmindedly, but his gaze constantly drifted to you, who were busy organizing ingredients. it had been like this for years—your connection, always strong, never needing words. but today, there was an added softness in the air, a shared understanding between you that made everything else disappear.
you glanced up, catching his gaze for a fleeting moment, your lips curving into a small, tender smile. something unspoken passed between you, and in that moment, the entire world seemed to still. without thinking, wonwoo moved toward you, stepping closer until he was standing right in front of you, his presence a calm contrast to the busyness of the kitchen.
without a word, he reached for you, his hand gently cupping your cheek. you looked up at him, your eyes reflecting the years you had shared—the struggles, the victories, and the deep, quiet love that had blossomed in your time together. and just like that, he leaned down and kissed you without hesitation.
the kiss was slow, tender, like the comfort of returning home after a long journey. it was a kiss that said everything you’ve never needed to say, anchoring you to the present, to the certainty of your love.
unbeknownst to you, from the corner of the room, through an open door, jiyeon watched. her breath caught in her throat as she stood frozen, her gaze fixed on you two. the warmth of the kitchen, the busy voices of the staff—it all seemed distant now. she could only focus the sight of you and wonwoo sharing such a quiet, intimate moment. her heart twisted, the sharp pang of jealousy gnawing at her chest.
she had thought—no, she had hoped—that seeing wonwoo move on would be easier, and wouldn’t hurt this much. but the reality was crushing. she had walked away from him years ago, without an explanation, without giving him the chance to fight for their relationship. and now, seeing him so utterly content with you—seeing that love between you two—brought back memories she wasn’t ready to confront. she had been the one to walk away from wonwoo, after all. she had been the one who left without giving him any closure. now, seeing him with someone else, it was as though that pain was fresh again.
when the kiss ended, wonwoo pulled away, his face soft with affection. he didn’t notice jiyeon’s presence, nor did he care at that moment. but jiyeon couldn’t bear to watch any longer, so she turned and walked away, her footsteps firm and resolute as she stepped outside, seeking a moment of calm.
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the evening passed, and wonwoo soon returned to your shared restaurant to check on things, leaving you alone in the kitchen to finish the last preparations. you focused on the task at hand—decorating a cake, carefully placing each delicate detail.
jiyeon walked in, her eyes locking onto you with an intensity that made the room feel smaller. she wasn’t here for the event or the food. no, she was here for one thing only—to confront the person who now shared a life with the man she had once loved.
you didn’t look up immediately when jiyeon entered the kitchen. you continued to work as if nothing had changed. but you had known, deep down, that this confrontation was inevitable. jiyeon had been watching you, and she would come for answers.
"i... i loved him first, (y/n)," jiyeon said, her voice barely above a whisper. there was no anger, no confrontation in her words. just the sound of someone holding on to something for too long. "i loved him when he didn’t know what love was. i loved him when he needed someone, and i gave him everything. everything."
you stopped for a moment, looking at her. your expression was steady, but your heart twisted. you felt sympathetic towards her. however, you didn’t respond. instead, you returned to the cake, placing the last finishing touches.
"how sure are you about him, (y/n)? i mean... really," jiyeon’s voice had changed, no longer just soft, but filled with a bitter kind of urgency. "if there’s any doubt in your heart, you need to ask yourself—why hold on? let him go. let him be with the one he truly wants."
you didn’t look at her again, just focused on your task. "are you okay, jiyeon?"
she laughed, but it was hollow. "do you even get it, (y/n)? it’s not about us anymore. it’s about him. if you're not certain about this, don’t make him stay. don't let him settle for something less."
she walked closer, her steps echoing in the silence. "you don’t even realize it, do you? if you let him go now, you could save the both of you from a future of regret. a life of ‘what ifs.’"
you couldn’t stop the pang that shot through you. you turned, your eyes narrowing. "are you sick, jiyeon?"
"come on," she snapped, shaking her head, "stop pretending like we can be nice about this. we both know better than that."
you stared at her, your voice steady but sharp, "and why’s that?"
"because i’m his past," jiyeon said, the words cutting like a knife. "i loved him first. i’ll always own a piece of him that you’ll never have. no matter what."
you pulled back slightly, retreating to the other side of the counter, trying to focus on anything else. but jiyeon wasn’t done. she wasn’t backing down.
"so what, (y/n)? you’re just going to act like it doesn’t matter?" her voice was louder now, more frantic. "don’t tell me you’ve never felt threatened by me. don’t tell me you’ve never wondered if i could still take him back."
her words hit hard, but you stood your ground, meeting her gaze steadily.
jiyeon took a step closer, desperation rising in her voice. "what if you’re just a rebound, huh? what if he’s just settling for you because he couldn’t have me anymore? you don’t think that’s a possibility?"
you met her challenge without flinching, your voice low but firm. "you let go of your chance, jiyeon."
tears welled in her eyes, and she spoke again, voice cracking with emotion. "but i still love him. and he still loves me. please, (y/n). let him go. just set him free."
the words burned. you stared at her, trying to swallow the lump in your throat. you spoke slowly, the quiet pain in your words evident. "shouldn't he be the one telling me this?"
jiyeon’s eyes blazed now, her voice sharp and fierce. "you know him better than that. he’s not the type to hurt anyone on purpose."
your heart ached, but you held firm, shaking your head slightly. "so how sure are you that he loves you more?"
her voice softened, a tinge of sadness in her words. "because i saw it in his eyes. i felt it when he touched me... when he held me... when he kissed me... that kiss... slowly, passionately. a kiss that tells you everything. a kiss that tells you that he feels the same."
your world stopped. for a moment, you couldn’t breathe. "do you mean…?"
"yes, (y/n)," jiyeon whispered, her words like daggers. "more than you think."
a sharp pain shot through you as her words hit. you froze, the air in your lungs thick and suffocating. you blinked quickly, trying to hold back the sting of tears. hearing it from her, so bluntly, felt like a blow to the chest. you tried to push past it, but you couldn’t ignore the tremble in your hands as you set the knife down. "you must have a really lonely life.”
you grabbed a tissue from the counter, wiping away the tears that had begun to fall. "you know, jiyeon... wonwoo and i... we don’t have that kind of grand, epic love story. ours started quietly. as friends. our love may not be exciting, but it’s sure. it’s steady."
jiyeon’s lips trembled, but she wiped at her face quickly, trying to regain composure.
"you see," you continued, your voice growing steadier, "with the right amount of trust, respect, and room for mistakes... that’s what makes our love what it is."
you took a breath, letting the weight of your words settle for a second, before finally speaking again. "i love him, jiyeon," you said, your voice quieter but unwavering. "and in love, there is no fear. i hope one day you’ll find that, too."
with that, you opened the door and left the kitchen, stepping into the hallway, where the cool air felt like a stark contrast to the tension you’d just left behind. you leaned against the wall momentarily, trying to calm your racing heart, and only then did the tears come. you let them fall freely, the weight of everything finally hitting you.
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before you and wonwoo had become what you were now, there had been a time when things were… uncertain. you could still remember that night so clearly—an evening filled with quiet sadness and unspoken words.
it had been a few weeks since wonwoo had started to pull away. his usual calm demeanor had shifted into something more fragile, like a delicate glass that could shatter at the slightest touch. you hadn’t known the full extent of his pain, not at first, but it was impossible to ignore the weight that seemed to hang around him. he had become quieter, withdrawn, and though he still laughed with you, his eyes no longer held the same spark they once had.
one evening, after closing up the restaurant, you found him sitting alone in the dim light of the back office, his gaze unfocused, staring at nothing. you hadn’t asked him about it right away. it was obvious that something was off, but you knew better than to press him when he wasn’t ready to talk.
instead, you had simply sat beside him in silence. time had passed, minutes or hours, it didn’t matter. the quiet between you was comfortable in a way—it was your way of letting him know that you were there, without needing to fill the space with words.
his eyes were cast downward, his fingers lightly gripping the edge of the chair as though he needed something solid to hold onto. and then, almost like a confession, he finally spoke, his voice raw with emotion.
"i don’t know who i am without her. i don’t even know how to let go."
it took a moment for you to process what he was saying. you had a feeling, but hearing the words—spoken so softly, yet so full of pain—shocked you to your core. wonwoo had never been one to speak of his past openly, especially not the parts that had clearly left scars.
he didn’t look up at you at first, his face twisted with emotion that he couldn’t quite control. you felt helpless, wanting to ease his pain but not knowing how.
and then, finally, his eyes met yours.
his eyes were filled with a vulnerability you had never seen before. "i don’t know how to move on, (y/n). i don’t know how to let go of something that feels like it was supposed to be everything."
your heart broke for him at that moment. you wanted to take away his pain, to make everything okay again, but you knew it wasn’t that simple. sometimes, the things we had to let go of were the hardest to part with.
"i know it’s hard," you whispered, squeezing his hand gently. "but you can’t keep living in the past. you deserve to find peace, wonwoo. you deserve to be happy again."
the silence stretched on again, but this time, it was different. it wasn’t filled with sorrow. it was filled with understanding. he didn’t have to speak anymore; the two of you simply existed in the quiet presence of one another, both navigating the complexities of a world that seemed too big to manage alone.
that night, when you said your goodbyes, you left him with a small but genuine smile. you didn’t push him to open up further, but you left him with something more important: the understanding that, no matter how broken he felt, he didn’t have to face it by himself.
*
though you never pushed him to talk, you knew the weight of unspoken things, the quiet ache of carrying a broken heart. you had known that kind of pain before, in your own way, and you couldn’t let him bear it alone. you stayed close, offering him the space to grieve and process, but also ensuring he knew that he wasn’t isolated in his feelings. every step, every silent moment where he needed someone to just be there—that was what you were offering him.
even if you didn’t fully understand the depth of his connection to his past, you could still empathize with the emotional struggle. you weren’t trying to take the pain away or fill the void left by what he had lost—you were simply offering him the one thing he needed most: the comfort of knowing that, no matter how dark it got, you wouldn’t let him face it alone.
and as the days passed, your presence became a steady anchor for him, slowly helping him find his way back. you didn’t pressure him to let go of his past or tell him to forget; instead, you let him grieve in his own time, providing the kind of support that only someone who truly understood could offer. you knew exactly how he felt because, in your own way, you had felt that kind of emptiness, the feeling of being left behind.
but you never wanted him to face that loneliness alone—just as you had never wanted to face your own.
and somewhere in the depths of his sadness, you had hoped that he would realize, in time, that he could find love again. but for now, you would just be there for him, quietly, patiently—because sometimes, that was all someone needed to start healing.
slowly, over time, you became his safe space, the person he could trust to stand by him, no matter what, through the pain and uncertainty.
that was the bond between you two, built not on grand declarations or sweeping gestures but on the quiet, steadfast presence of someone who understood, who stayed—every single time.
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as you walked outside, still processing the weight of your conversation with jiyeon, you couldn’t shake the feeling of exhaustion that had settled deep in your bones. the confrontation had taken everything from you. you had never been one to lash out or let yourself be consumed by anger, but the weight of jiyeon’s desperation, her need for something that wasn’t hers anymore, left you defeated.
jiyeon, on the other hand, wasn’t ready to let go.
jiyeon couldn't bear the feeling of the weight of her actions pressed on her chest like a suffocating vice.
in a sudden, frantic moment of regret, jiyeon ran after you, her heart racing. "y/n, wait! please!" she called out, grabbing your arm with force, her fingers digging into your skin. "i’m sorry. i never meant to hurt you. i just... i just wanted him back. i was wrong."
your breath caught in your throat, and you turned to face jiyeon again. your heart was heavy with compassion for this woman who had been broken by her choices. yet, as much as you wanted to ease her pain, you couldn’t lose sight of your peace.
"you’re not alone, jiyeon," you said, your voice quieter now. "but you can’t drag me down with you. let go."
jiyeon didn’t want to hear it. in a desperate attempt to make you listen, she held on harder, her grip tightening as she clung to you with all her might. the scaffolding above them, already unstable from the ongoing construction, groaned ominously under the weight of their struggle. neither one of you noticed the danger until it was too late.
the next moment, everything collapsed.
the scaffolding gave way with a deafening crash. metal and wood splintered, falling violently around them. the deafening sound of the collapse filled the air, and you and jiyeon were caught in the wreckage.
you screamed as the debris hit you, and pain shot through her body like a wave of fire. jiyeon cried out too, but the chaos drowned her voice. the world spun into a blur of pain and confusion. both of you were pinned beneath the fallen structure, but you had taken the brunt of the impact. blood trickled from your forehead, and your breath came in shallow gasps.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
this wasn’t the first time you had found yourself in a life-or-death situation. you’d learned long ago that in moments of true danger, fear could cripple you if you let it. and you had learned not to let it.
years ago, you had been in a car accident—a wreck so violent that you had only vague memories of the impact. you remembered the screech of tires, the shattering of glass, and everything going dark. when you woke up, it was to the sterile white walls of a hospital room, your body battered, your mind foggy, but your heart somehow still beating.
the doctors had said you were lucky to be alive. but luck, in your experience, was something that often ran out. and so, after that accident, you learned to live with a quiet understanding of life’s fragility. you learned how to stay calm in the face of chaos, to keep your head when everything else around you was falling apart. you had seen the fragility of existence firsthand, making you resilient. the panic, the fear—those emotions were fleeting, useless. what mattered in those moments was action. what mattered was getting through it.
your love for wonwoo, the life you had built with him, and the bond you shared all came rushing to the forefront. this was what you were fighting for.
as you lay there, your body aching, the memory of your past experiences—the accident, the recovery, the time it had taken for you to heal both physically and emotionally—pushed through your foggy thoughts. you knew what it was like to fight for your life, to fight for the ones you loved. this moment, as painful and terrifying as it was, felt like a distant echo compared to that dark chapter.
you had been given a second chance then, and you were determined to make the most of it. that’s why you were here now, still fighting, still holding on—not just for your own sake, but for those you loved.
for wonwoo, for your future.
and even for jiyeon, whose broken heart you wished you could mend.
in the silence of your mind, amidst the wreckage and chaos, you held onto that resolve. you had been through worse—and you would get through this, too.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
wonwoo had barely processed the call when he was rushing through the hospital halls, panic rising with every step. you and jiyeon had been rushed in after an accident during the renovation, but the details were vague. his only concern was you, the person he had loved for six years.
when he arrived at the er (emergency room), his heart stopped. multiple nurses hurriedly pushed two stretchers, one carrying you and the other jiyeon.
jiyeon was closest to him, her face pale, her body bruised.
she stirred slightly, but her eyes fluttered open only for a moment. "i’m sorry," she whispered, her voice weak. "i didn’t mean for this to happen."
wonwoo felt a stab of guilt, but there was no time for lingering. he stood up quickly, turning toward your stretcher. his heart broke when he saw you lying unconscious, your body battered and bruised from the fall. his world narrowed down to you—his thoughts centered on nothing but your safety.
he moved to your side, his hand taking yours tightly. "(y/n)," he whispered, his voice desperate. "please, stay with me."
but you didn’t respond.
as time seemed to stretch, wonwoo stayed by your side, unable to leave. his heart ached with every passing second, the weight of his decisions pressing heavily on him. he hadn’t realized how much you had come to mean to him, how much you had become the center of his world.
and now, seeing you like this, so fragile, so vulnerable, he couldn’t imagine a life without you. the thought of losing you was more terrifying than any pain he had ever known.
"please," he whispered, tears threatening to fall. "i can’t lose you."
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
the soft glow of the evening light filtered through the curtains, casting a warm, golden hue over the room. you and wonwoo lay in bed, your heads resting against the same pillow, the comforting silence of the space wrapping around you like a blanket. it had been a long, tiring week, but at this moment, lying beside him, everything felt peaceful.
you hadn’t realized how much you needed this—just to be close to him and feel his presence beside you after the chaos of everyday life. the quiet rhythm of his breathing was like a lullaby, grounding you, helping you to unwind.
“you know,” you began softly, your voice barely above a whisper, “i had a dream last night.”
wonwoo stirred beside you, turning his head toward you with a slight shift of his body. his fingers brushed gently over the back of your hand, an action so familiar it always comforted you. “what about?” he asked, his voice low and sleepy but still attentive.
you took a deep breath before you answered, your gaze shifting toward the ceiling as the memory of the dream replayed in your mind. “it was about you," you said quietly, your voice laced with hesitation. "i dreamed that you… you died.”
wonwoo’s body tensed slightly at the weight of your words. he shifted to face you more fully, concern flickering in his eyes. “really?” his voice was soft, but there was an edge to it, as if he was trying to understand why such a dream had come to you.
“i don’t know," you said, shaking your head slightly, your fingers picking at the blanket. "it felt so real. you were gone, and i couldn’t save you. i cried a lot, and it hurt so much, more than anything i’ve ever felt before.”
a quiet pause hung between you both as the weight of your words sank in. for a moment, the room felt heavier, as though the dream had cast a shadow over the both of you. you could feel wonwoo’s gaze on you, but he didn’t immediately speak. instead, his hand found yours under the covers, his touch warm and reassuring, as if silently offering comfort.
“i heard dreams like that symbolize good luck,” he said after a while, his voice softer now, trying to ease the tension. "it's a lucky dream, (y/n)."
you looked at him then, the weight of your dream still lingering, and you sighed. “i guess it’s just the fear of losing you,” you admitted, your voice steady but carrying the underlying vulnerability. “i’ve always known life is fragile. but the thought of losing you… i don’t know, it just scared me so much in that moment.”
wonwoo watched you with a quiet intensity, as if trying to understand the depth of your feelings. he ran his thumb gently over the back of your hand, his gaze softening as he spoke. “i’m not going anywhere, (y/n),” he said, his voice calm and filled with warmth. “you don’t have to be afraid of that.”
you let out a shaky breath, trying to brush the lingering discomfort away, but his words seemed to settle the weight on your chest. it wasn’t the first time you’d had a fear like this, and knowing he was there, that you didn’t have to face that fear alone, meant everything to you.
after a moment, he let out a small, almost teasing sigh, his lips curling into a faint smile as he spoke again. “thank you. i’m glad i have someone who'll cry when i die.”
you laughed softly at his attempt to lighten the mood, but you could hear the unspoken vulnerability in his voice. it was almost as if he was testing the waters, trying to make light of something he didn’t want to confront.
you turned to face him fully now, reaching out to gently cup his cheek. your thumb brushed over his skin, and your heart ached at how deeply he felt things, even when he tried to hide it behind humor. “what’s that supposed to mean?” you asked with a quiet smile, your voice tender.
he shrugged, his gaze shifting to the ceiling as he sighed softly. “i don’t know. life just feels… fragile sometimes. you never really know when it’s all going to end, and it’s hard not to think about it.”
you squeezed his hand softly, letting the silence linger for just a moment before responding. “wonwoo,” you said quietly, your voice steady and warm, “i’m not going anywhere. not if i can help it.”
he turned to face you, his eyes searching yours for something, maybe reassurance, maybe comfort, but when he spoke, there was a gentle sincerity in his voice. “you really think so?”
you nodded without hesitation, the certainty in your heart clear. “i do. i don’t care what happens, i’m not going to let you go through anything alone.”
for a long moment, wonwoo didn’t say anything. he simply looked at you, as if processing your words, before his lips finally curled into a soft, genuine smile. slowly, he leaned in and kissed your forehead—gentle, like a promise.
“you’re right,” he murmured, his voice soft with affection. “i wouldn’t want to go through anything without you.”
and in that simple, quiet moment, as you lay there beside him, everything felt right. you both knew life was fragile, uncertain, and full of unknowns, but as long as you had each other, you would face it all together. no matter what came your way, you would hold onto each other, never letting go.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
you woke in a sterile, quiet hospital room, the sound of beeping machines surrounding you. the sharp pain in your side made you wince, and you could feel the weight of the bandages wrapped around you. but when you opened my eyes, you saw him.
wonwoo was sitting beside you, holding my hand. his face was pale, his eyes wide with concern.
you winced faintly, though the pain still lingered. "wonwoo," you whispered, your voice barely audible.
he squeezed your hand tighter, the tears finally spilling over. "you’re here. you’re safe."
"why didn't you tell me?"
"i’m sorry," he said, his voice thick with emotion. "i'm sorry. i didn't know how to—"
"my love is greater than your failures, wonwoo, but don’t play with my feelings," you interrupted, your voice hoarse. "be fair. tell me your honest feelings because i can accept whatever your choice may be. if it’s me, then it’s me. if it’s her, then it’s her. but you have to make a choice."
wonwoo’s face contorted with guilt, but before he could say anything, you held up a hand. "i’m not asking for an answer now, wonwoo. i just need you to be honest with me, because i deserve that."
he looked at you, his eyes filled with pain, but you could see something else there, too. a recognition. a quiet realization of how far you've come together, and how much you've built.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
it was a warm summer day, and wonwoo and jiyeon were sitting on a park bench, the late afternoon sunlight casting long shadows over them. jiyeon’s laughter echoed through the park, carefree and light, but there was a quiet tension beneath the surface of the conversation.
wonwoo was looking at her, his eyes distant, as if he were searching for something in her words. he had never been one to openly share his thoughts, but something had been weighing on him for days.
“ji, why do relationships fail?” wonwoo asked suddenly, his voice quiet but filled with curiosity.
jiyeon turned to him with a bright, innocent smile. she didn’t seem to sense the weight of his question. “huh? why?” she asked, a hint of confusion in her tone.
“my best friend just got dumped by his girlfriend all of a sudden…” wonwoo trailed off, clearly trying to understand the reasons behind it. “they seemed perfect. so... why?”
jiyeon let out a short laugh, brushing her hair back and looking at him like the question was too simple. “oh, well, relationships fail because people get bored, right? or maybe they just don’t have the same level of commitment. you can’t just expect everything to stay the same forever, wonwoo.” she giggled, her voice light and carefree. “people change, things happen. that’s just how it is. nothing lasts forever, you know?”
wonwoo’s gaze softened as he processed her words, but something about her answer didn’t sit right with him. he couldn’t shake the feeling that relationships were more complicated than that—more fragile and nuanced than the simple, childlike reasoning jiyeon seemed to offer.
*
it was one of those quiet evenings where the world felt at peace—just the two of you. the soft glow of streetlights outside the window illuminated the cozy apartment, casting long shadows on the walls. you were sitting on the couch, your legs tucked underneath you, as wonwoo sat beside you, his hand resting on your knee. it was still early in your relationship, when you were both discovering the rhythms of each other’s lives, learning about each other’s pasts, and figuring out how to fit together in a way that felt right.
the conversation between you both had been lighthearted, filled with laughter and easy moments. but as always with him, there was a certain depth to his quietness, a thoughtful quality that lingered long after the jokes faded. he had been staring out the window for a few moments, deep in thought, when he suddenly turned toward you, catching your attention.
“(y/n),” wonwoo began, his voice softer than usual, as if he was testing the weight of the question in his mind before speaking it aloud. “why do relationships fail?”
you tilted your head slightly, surprised by the abruptness of the question, but you could see the sincerity in his eyes—the kind of quiet uncertainty that made you realize he was asking this more for himself than anything else. he wasn't looking for something flippant or simple.
you thought for a moment before answering. “i think… sometimes people forget how to communicate. they let small things build up until it feels like too much. or maybe they start taking each other for granted.” you paused, giving him a small smile. “i guess sometimes love just isn't enough when people stop trying.”
wonwoo absorbed your words, his gaze soft, contemplative. there was something so genuine in the way he was looking at you, like he was piecing together something important. then, after a beat of silence, he let out a small sigh and looked away, a faint smile tugging at the corner of his lips.
“yeah,” he said quietly, his voice laced with the slightest trace of a bittersweet understanding. “i guess that makes sense.”
he seemed distant for a moment, as though his mind had drifted to somewhere far away. you could tell there was more behind his words, but you didn’t press him. instead, you reached out, gently nudging his shoulder, a reminder that you were here. "hey, you okay?" you asked, your voice soft, always attuned to the way he closed himself off when something troubled him.
he smiled faintly and nodded, though you could still see that flicker of uncertainty in his eyes. "yeah, i’m just thinking."
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
the next day, wonwoo held the flowers carefully in his hands, his steps slow as he approached the door.
wonwoo sat quietly beside jiyeon’s hospital bed, the room dimly lit. the soft beeping of the machines was the only sound that filled the silence between them. he held the bouquet in his hands, almost as if unsure of what to do with them.
jiyeon’s gaze flickered up, her eyes searching for reassurance. "how are they?"
"they're okay... it's just going to take time for them to heal."
her expression softened, a mix of regret and sorrow clouding her features. "i'm really sorry."
his eyes lingered on jiyeon for a long moment before he finally spoke, his voice steady but filled with something deeper—something raw.
"i know this might be difficult for you to hear," he said, choosing his words carefully, "but every time i think about everything that happened... i always end up thinking about them. about (y/n)."
jiyeon’s eyes flickered to him, her gaze sharpening slightly, almost as if she was testing his sincerity.
he took a deep breath, his eyes drifting to the floor for a moment. "back then, i thought i had everything with you. i thought we were going to be together forever. but when you left... you left without a word, jiyeon. without any explanation. no reason. it just... happened. and i was left behind, questioning everything. i wanted to hold on, to fight for us, but you just... you walked away."
his voice caught briefly, a painful silence filling the space between them. he swallowed hard, gathering himself before continuing.
"i don’t think i’ve ever told you this before, but when you left, it felt like a part of me died, jiyeon. i was empty. i didn’t know how to move forward. you were the person i thought i’d spend my life with, and you just... vanished. i couldn’t understand it. and for a long time, i carried that weight—wondering if i could have done something differently. wondering if i missed something. but you never gave me the chance to know, and that’s something i’ve had to live with."
wonwoo’s grip tightened around the bouquet, his knuckles whitening.
"but then i met (y/n)," he continued, his voice growing steadier, the weight of his words anchoring him in truth. "and for the first time in a long time, i felt like i wasn’t broken anymore. (y/n) was there when i was at my lowest. they didn’t walk away. they didn’t leave me to figure things out on my own. they helped me rebuild myself—not by telling me everything would be okay, but by showing me how to heal."
he let out a breath, his eyes locked with jiyeon’s now, a fierce, unwavering resolve behind them. "that’s why i’m here now, jiyeon. not because i need closure from you, but because i need you to understand that what we had is gone. when i look at (y/n), i don’t just see a person i’m in love with. i see my future. they're the one i want to grow old with. they're the one who taught me what real love looks like. and now... when i think about losing them? i can’t even begin to imagine it. the thought of losing them—it would feel like dying a second time. i wouldn’t survive that, jiyeon. not after everything we’ve been through together. not after everything they've done for me."
his voice softened, but there was no mistaking the conviction in it.
"(y/n) has become my everything. they're the person who makes me feel like i’m enough, even on my worst days. and i realized something—true love isn’t about clinging to something that’s already fallen apart. it’s about being willing to let go of what doesn’t serve you anymore, and choosing the person who brings out the best in you, who builds with you, who loves you even when you’re at your worst. that person is (y/n)."
he took another deep breath before continuing, his tone quieter now, but resolute. "for that reason, jiyeon, i’m sorry. i’m sorry for how things ended between us, but i’m not going back. i’m not going to turn away from the life i’ve built with them. i’ve made my choice. and that choice is (y/n)."
for a long moment, jiyeon remained silent. the faintest flicker of something—perhaps a trace of regret—passed over her face, but she didn’t say anything. she only looked away, her eyes welling up with tears that she quickly blinked away. maybe she had expected this. maybe part of her had known all along that this day would come.
wonwoo stood up, his legs stiff from sitting so long, and carefully placed the bouquet on the side table. he didn’t look back at jiyeon as he turned to leave the room.
before he reached the door, jiyeon’s voice broke through the quiet, barely audible but filled with emotion. "wonwoo..." she said, trembling slightly. "i... i hope you’re happy with them."
wonwoo paused for a moment, his hand resting on the doorframe. his heart ached for her, but there was no uncertainty in him. he had decided.
"i am," he said quietly, his voice resolute, but with a trace of gentleness. "i really am."
for the first time in a long while, wonwoo realized something that brought him a profound sense of peace: healing wasn’t about forgetting; it was about embracing the scars, the memories, and choosing to love despite them. true love, he understood, was never about perfection. it was about fighting for something worth holding onto, day after day. love wasn’t defined by who loved first or who loved more. it was about the daily decision to choose each other. and as long as that choice was made, nothing else mattered.
with his heart at ease, he stepped into a new chapter, ready to continue writing his story—not as a man defined by the past, but as one who had found his way forward, not by looking back, but by moving on.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
it had been some time since the accident, and you were healing—physically, emotionally, and mentally. the scars left from that day were not just on your body, but deep within your soul. yet, every step of recovery had been made easier with wonwoo by your side. he had never left you. not even when the past had come calling, and not when he was facing the hardest decisions of his life.
life after your hospital discharge was slow, but steady. the quiet days were spent together, learning to rediscover each other without the weight of past regrets hanging over you both. you could see it—the way he looked at you with a newfound softness, the way his actions spoke louder than words ever could. wonwoo had chosen you, and that was all that mattered. there were no more questions, no more lingering doubts.
one morning, as you both sat at the kitchen table, drinking coffee and talking about the mundane things in life, you noticed something different. wonwoo was sitting a little taller, his gaze a little steadier.
"you know," he said, almost as if he was speaking to himself, but you knew he wanted you to hear it too. "i never really understood how much of me was tied up in the past... until i met you. until i realized that none of it mattered anymore. not with you in my life."
you looked up at him, a soft smile on your lips. "i know," you said quietly. "you’ve been through a lot. but you’re not that man anymore, wonwoo. you’ve shown me what love can really be. i’m proud of you."
he smiled back, his hand reaching across the table to find yours. "i’m just trying to be the man you deserve," he said, squeezing your fingers gently. "i’m still learning, but i’m committed to being better for you. every day. i’m not running from the past anymore. i’m not letting it control me. i’m focused on us, on the future."
you felt warmth bloom in your chest, the sincerity in his words something that made you believe in him all over again. this wasn’t just the man who had been lost in a web of unresolved feelings for jiyeon. this was the man who had walked through fire and come out the other side, determined to create something real and lasting with you.
you had both grown together, and the future now seemed like an open road.
୨:୧┈┈┈┈┈┈┈┈┈ · · ┈┈┈┈┈┈┈┈┈୨:୧
wonwoo was on his knee, looking up at you with eyes full of quiet determination.
"will you marry me?" he asked, his voice steady, yet his eyes shimmered with emotion so raw it left you breathless. his hands, slightly trembling, held out the ring to you as if it were the most precious thing in the world.
your heart skipped a beat, and the world around you seemed to fall away into a serene silence. all that mattered was him—the man who had been your strength, your comfort, your home. the man you had chosen to love, no matter the hurdles life had thrown your way.
"yes." the word came out as a soft whisper, but it carried a weight that filled the room with warmth. overcome with joy, you cupped his face in your hands, searching his eyes for the countless moments of love he'd given you, the depth of everything you'd shared. and then, without hesitation, you kissed him—soft at first, but filled with all the love you had been holding onto. your lips, a promise of forever.
— fin.
#acrosstheujiverse#one shots#seventeen#svt#svt x reader#seventeen fanfic#seventeen oneshot#seventeen fluff#seventeen angst#au#svt wonwoo#wonwoo#jeon wonwoo#wonwoo x reader#seventeen wonwoo#wonwoo x you#wonwoo imagines#wonwoo fluff#wonwoo angst#based on movie#unconditional love#Spotify
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CRIMSON VEIN
TRACK 00: the ones worth ruining your life over
TRACKLIST TRACK 00 | TRACK 01 ▷
⟢ NANAMI KENTO x FORMER MODEL!READER You were once the darling of the fashion world, statuesque and unreadable, the kind of woman whose face sold a fantasy and whose silence made people fill in the blanks. You weren’t warm, but you were unforgettable. That all changed after a scandal, a supposed affair with a married designer that turned into a media frenzy. You never confirmed nor denied it; you simply disappeared. Years later, you live like a myth, low-profile and fiercely private. You take on styling work selectively and only create when it feels right. The clients you accept are few and carefully chosen. The circles you move in are even smaller, one of which includes a beloved actress.
He doesn’t look twice at you, not at your name’s weight or the rumors. Instead, he gives you a curt nod, his attention already on the file in his hand. He is efficient and dry, a man who measures his words and moves as if every second must be earned. But over time, you start existing in the same spaces. Not talking, exactly. Just breathing beside each other. You notice how he makes time for people without trying to be liked and speaks to interns like he does to executives, firm, fair, unbothered by hierarchy. There’s no arrogance in him, only discipline.
⟢ SUGURU GETO x SOLO ARTIST!READER You aren’t just another solo artist; you are a storm dressed in velvet. Your music walks the tightrope between sacred and obscene, every track a slow striptease of lyricism, layered in innuendo and aching restraint. People can’t tell if you’re crooning about God or your last lover, and that’s the point. You don’t explain your art; you let the world misinterpret it and stay untouchable.
Suguru noticed you long before you noticed him. He called your voice "a temptation turned into sound" and half-joked in interviews that if you ever collaborated, he would ruin his life over you. He knew he wanted to sing with you when he started working on a deeply personal solo project, raw and cinematic, stripped of Crimson Vein’s usual rage and swagger.
⟢ RYOMEN SUKUNA x ACTRESS!READER You are the industry’s golden girl, beloved, brilliant, and always in demand. Your range has earned you awards, and your restraint has earned you respect. You smile when it serves you and stay silent when it doesn’t. You are grace incarnate to the world, elegant, enigmatic, and unreachable. You didn’t climb the ranks; you walked through doors as if they were always meant to open for you. People whispered, admired, and assumed. You let them, because no one ever saw the version of you that wasn’t performing, and that’s exactly how you liked it.
He plays like a god, daring the world to return his gaze. With a bass in hand, he commands the stage with a presence that makes people forget how to breathe. He doesn’t flirt; he provokes. He doesn’t chase; he circles. And when he finds something that doesn’t flinch, he never lets it go. He will never let go of you.
⟢ TOJI FUSHIGURO x STAGE MANAGER!READER You are the stage manager, the person who ensures that the shows run smoothly. You are not the band’s babysitter or their manager. You don’t plan the tours; you execute them. This includes load-ins, tech checks, cue calls, and venue coordination. Every moving part is your responsibility, from lighting rigs to last-minute costume changes. You don’t have time for egos or excuses.
And Toji? He’s the worst of them all. He struts into soundchecks as if the drums were made to be punished. With bloodied knuckles, a busted head, and a thousand-yard stare, he only softens when you are in the room. He irritates everyone, but he listens to you. Only you.
⟢ CHOSO KAMO x STYLIST!READER You are the band’s stylist—the unseen architect of their image, wielding a sharp eye and skilled hands. Every fabric you choose, every cut you tailor, and every accessory you add is a deliberate stroke in a masterpiece only you can see. You know how to balance rebellion with refinement and chaos with control. You are why they look like they do, providing protection, expression, and identity.
He’s quiet and almost unreadable to most, but with you, something shifts. He notices how you move behind the scenes, the care in your hands, and the calm in your presence. He trusts you like no one else, allowing you to see the edges he hides from the world. Without words, you’ve become his anchor, the steady pulse beneath the noise. Your touch and patience ground him when he’s lost in the chaos of the stage and the tour.
author's note: this is just an overview of the characters, specifically how the readers for each of them were inspired. ➜ suguru's part where he is working on solo work is inspired by Atsushi Sakurai from Buck-Tick. ➜ the band itself, how i envision them, is inspired by DADAROMA and JILUKA. ➜ the actress!reader is Yuri Kosaka/Asami Matsumoto from NANA. ➜ the former model!reader is Miu Shinoda from NANA.
taglist is open since the posting schedule for this would be irregular. pls comment to be added!
taglist: @humeysaga
#jjk smau#jjk angst#suguru x reader#nanami x reader#toji x reader#sukuna x reader#choso x reader#shiu x reader#hiromi x reader#nanami kento x reader#suguru geto x reader#toji fushigro x reader#ryomen sukuna x reader#choso kamo x reader#shiu kong x reader#hiromi higuruma x reader#jjk fluff#jjk men x reader#jjk x reader#jjk x you
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Osaka Expo ‘70 and Metabolism
Expo 70 was a world fair placed in Osaka prefecture in 1970, the first one ever held in Japan (and even Asia). It consisted of an outsized international exhibition about countries' accomplishments in terms of architecture, technologies, and economic development. Themed after the slogan Progress and Harmony for Mankind, the event aimed to display new promises of technology to achieve peace and stability to the world. This post is a replica of the linked article.

The master plan of the expo was commissioned to Kenzo Tange, a prominent figure in contemporary Japanese architecture. With the help of another 12 architects - Metabolist group included - they designed and organized several elements for the fair.
Osaka became a playground for Metabolism, an empty field to test their ideas about future, equipment, and organic development. The results astonished, streets became full of life with space-age installations, colors flooded all 330 hectares of responsible terrain. Wonders built as a forecast of the future about to come.






As a central piece of the fair, the designers conceptualized a place where people from around the globe could interact and socialize. The thoughts of a cover unified space where attendants could meet each other, they named it the Symbol Zone, a large plaza covered by a gigantic metal-framed roof:

In the middle of the plaza, you could find the Tower of Sun, a monumental sculpture made by Taro Okamoto. The 70-meter-high tower was a representation of the different faces of the sun during seasons.

With more than 64 million attendees, and 77 countries invited to participate, the event was a complete success. Besides Japanese-designed installations, other nations had the opportunity to showcase their pavilions, and they did not disappoint at all.


Swiss pavilion & Australian pavilion ^


Soviet pavilion & British pavilion (orly?) ^


French & Italian pavilions ^


The Dutch pavilion ^^
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