#Lepee

[relogioserelogios]

L'Epée 1839, in partnership with @ecal_ch and Juliette Lefèvre, presents Time Flies, a desk clock that honors aviation pioneers with an 8-day power reserve movement that follows the shape of an airplane. With 35.43 cm length, 44.2 cm width and 13.75 cm height, in steel and brass, it has 4 different colors and can be mounted on a pedestal. There are 99 pieces for each of the 4 versions. 💰 USD 30,550 . A L’Epée 1839, em parceria com a ECAL e Juliette Lefèvre, apresenta Time Flies, um relógio de mesa que homenageia os pioneiros da aviação com um movimento com 8 dias de reserva de marcha que acompanha as formas de um avião. Com 35,43 cm de comprimento, 44,2 cm de largura e 13,75 cm de altura, em aço e latão, tem 4 cores diferentes e pode ser montado em um pedestal. São 99 peças para cada uma das 4 versões. 💰 USD 30,550 📷 @lepee_1839 • • #lepee #lepee1839 #ecal #lepeetimeflies #timeflies #deskclock #clockmaking #relogioserelogios https://www.instagram.com/p/COtoB65lrby/?igshid=1c38m8ezd68ek

[gjbramer]

A great concert I visited last year from L’Epee @Paradiso 

[hraeth-ethile]

The Liturgy of nInlé, known much more commonly as The Book of Lepee or The Book of Midnight, is the true collection of rites, divine histories, theological laws and principles, and cultural stories for the rabbit folk religion known as Lapia or Lepee. It is ultimately seen and considered to be the Lepee bible. In practice, the tome is almost entirely a compendium of stories. These stories are a mix of historical and mythological, and together tell the entire written history of the rabbit species from a personal and theological viewpoint.

Unlike all other religious institutions, sects, or collectives, Lepee divines its morals, its laws, and its values from the stories that are found in the Liturgy of nInlé. While the stories, as a whole, impart collective reason and value to the reader, an individual story and its values can become someone's total spiritual focus. This can be as simple as simple finding special import in a story, its meanings, and its reliability. But it can, and often does, also lead to fanaticism and zeal.

These specific stories, in a way, act as sects of the rabbit folk religion. While the collective Lepee religion finds common ground and brotherhood in all the stories told in the Liturgy, every worshipper has their focus. This focus ties them to someone else in their community. Mostly, this includes discussion and camaraderie between individual worshippers and the community, but sometimes sects begin to appear in earnest. As rare as a Lepee group sect is, they are considered irrepressible at best (in the case of Hen-Row Host) and extremely dangerous at worst (in the case of The Order of the Eagle-killer).

Each story included in the Liturgy, of which the Liturgy is almost entirely comprised of, details a rich accounting of a Lepee rabbit's life, their victories and defeats, and their deaths. The first of these stories begins with the controversial Legend of Autumn Wind, and ends with the equally controversial Legend of Watercolour Brush. These legends, and all those between them, act as the driving force for the Lapian faith, pulling constant consultation and discussion, and fascinating nearly everyone - rabbit or otherwise - who has picked up a copy of the Liturgy and read one of its stories.

One such point of discussion is in the origin of the Liturgy's cover, where a red lightning bolt is depicted at striking the Lapine letter 'R.' A common belief holds that it simply means 'Rabbit', because of the origin story about how a bolt of red lightning, cast from Mari and her brother Tari, created the first rabbit. A different leading theory, however, is that it means 'Rah', which means 'supreme leader' in Lapine and could imply that the Liturgy itself leads all rabbitkind.

[lokalna-pekara-bnha-izjava]

kirishima:*walking around shirtless*

bakugou: bitch I swear to God if you catch a cold im not taking care of you

*5 Days later, kirishima got sick*

bakugou: are you alright, do you need me to make you something to eat

kirishima: you literally told me you wouldn't take care of me

bakugou: we all have our past

[certified-baddies]

🔥 Certified Baddies 🫡

Model: Maria Lepe; @MaariaLepe 🇲🇽

[ilovedamsels1962]

Ana Bertha Lepe with friend in Ship of Monsters (1960)

[mudwerks]

(via Ana Bertha Lepe - FamousFix)

[henk-heijmans]

Paria river drainage sunset, 2001 - by Leping Zha, Chinese/American

[weirdlookindog]

La nave de los monstruos (1960)

[dansnaturepictures]

The eleventh and final post of my 2022 wildlife and photography highlights blogs: My bird and butterfly year in numbers

I wanted to end this year’s highlights blog thread by doing something I did enjoy doing from my old style highlights posts before I ended them, say a bit about the numbers of my year for my two most seriously taken year lists birds and butterflies which are always going to be a big factor of any assessment of the success of my wildlife watching year. And 2022 has been a hugely successful year for me, with my bird year list currently on 206 making it my highest ever bird year list which is something I am incredibly proud of. It has been a year of wonderful birding adventures and I have taken immense joy in building up this bird year list, really competing and ultimately beating my past year lists. For butterflies I saw 45 species making it my joint highest ever year list alongside 2021 and 2019. Repeating this was a delicate task as there’s only so many species I can afford not to see before it becomes not doable such is how much I saw in previous years and I had such fun getting everything lined up with species seen throughout the spring and summer months.

For my bird year list similarly to previous years it was a strong start, I saw my second highest ever amount of species after one day on New Year’s Day and I ended January on 125 species seen, my highest ever after a month of the year and level with my 2011 total which I was pleased with. It kept pace with my highest past year lists after that but the big moment to look back on was our April Pembrokeshire holiday where with the star seabird species targets of that week mixed in with migrant species we picked up it made my year list race ahead of where all of my others had been on those dates and it kept this position throughout my year after that which felt like something so special.

My butterfly year list kept pace with where my previous year lists had been on given dates and it was another year of butterflies for species seen I was over the moon with. For my three other year lists I keep; my dragonfly/damselfly year list this year is my joint second highest ever total alongside last year, my mammal year list is my joint highest ever total alongside 2019 and whilst I only began doing these again/seriously last year my moth year list this year is my highest ever with 40 species seen as in my amazing year of seeing moths this year they really came to the core of my interest. Of course it’s so much more than species names on a list, each entry represents a strong moment of connection to nature in seeing a species and a lot when considering every species of course I saw more than once. I love doing year lists and when I look back throughout my hobby in 2011 when I decided to start year lists mostly a birdwatching thing but I did it for the others too, it’s one of the best decisions I’ve made. The lists this year help paint the picture of why 2022 has been a phenomenal year of wildlife watching and photos for me and one of my best ever.

Finally, building on my other highlights posts the past few weeks; I have seen some sensational bird and butterfly species this year. From notable for patch Shoveler and Snipe at Lakeside, to Black-browed Albatross and Bee-eaters in Yorkshire and Norfolk, with Honey Buzzard, Bittern and Black-necked Grebe other highlights in between I have seen so many fantastic species. Purple Sandpiper, Whimbrel, Hobby, Black-throated Diver, Glossy Ibis, my 100th bird of the year Common Crane and 200th Wryneck, Brambling, Slavonian Grebe, Woodlark, Whooper Swan, Temminck’s Stint and Garganey were some of the many other standout species I saw this year. For butterflies ten key species I saw were Duke of Burgundy, my first ever Essex Skipper, Silver-spotted Skipper, Lulworth Skipper, Small Pearl-bordered Fritillary, Clouded Yellow, Purple Hairstreak, Purple Emperor, White Admiral and Marsh Fritillary. I took the first five pictures in this photoset of Wryneck at Lepe in September, Pied Flycatcher at Portland that month too, Water Rail at Rutland Water in July, Lapwing at Pig Bush in the New Forest in April and Black-headed Gull at Lakeside Country Park in October. I also took the final five pictures in this photoset of Grizzled Skipper at Martin Down in May, Speckled Wood at Lakeside in September, Holly Blue at Lakeside in May, Chalkhill Blue at Stockbridge Down in July and Dingy Skipper at Stackpole in April.

[avesta-asiwa]

Yazı dizimizin son bölümüyle yeniden sizlerleyiz. Önceki bölümlerde Only Watch’ın bu yılki hayır müzayedesinin toplanma amacıdan ve tanıtım organizasyolarından bahsettik. Tekrar hatırlatalım; büyük organizasyon Christie’s müzayede kuruluşunun işbirliği ile 9 Kasım’da Cenevre’de sonlanacak. Önceki bölümlerimizde Only Watch 2019 için tasarlanan 30 saat markasına yer vermiştik. Bu bölümde organizasyonun diğer 20 saat modellerini tanıtmaya devam ediyoruz. Keyifli okumalar. 👇🏼 https://mrsagel.com/only-watch-2019un-50-saati-gorucuye-cikti-bolum-iii/ ( #onlywatch #onlywatch2019 ##watchauction #watch #watches #christies #jaegerlecoultre #konstantinchaykin #louismoinet #louisvuitton #mauricelacroix #mbandf #lepee #montblanc #moritzgrossman #patekphilippe #piaget #rebellion #richardmille #rj #singerreimagined #speakemarin #trilobe #tudor #voutilainen #ulyssenardin #zenith ) https://www.instagram.com/p/B3zGXNkFviU/?igshid=4vfwn4qlkokw

[trollingyoualways]

[hraeth-ethile]

The Temporae Calendarium is a modern date-keeping and cultural preservation project that collects time-keeping history and historical methods and uses it to publicly catalogue and report its findings on their website (tc.org) as an open study.

It can trace its roots to the Royal Society of Saturn - an English club of cultural scholars that existed between 1740-1810 whose purpose was finding scientific and societal challenges and attempting to meet them, no matter what they were. The Society's third challenge became its sole focus until its dissolution: dating. Because of the many different species and their varied creation myths, each species had their own form of time-keeping. The formation of the ab urbe condita, however, and then the Julian calendar thereafter made this a challenge that the Society would never fully succeed against. The Temporae Calendarium project, which was taken-up by public interest almost immediately after the Society's dissolution, began to publish the Society's findings in a series of leaflets and eventually magazines. While the project was just intended as a means to show interest in lost history, it soon came to invigorate cultural movements that were starved for any kind of recognition in a world of constant Imperialist warfare, resettling, and slave trades. Of the species religious and cultural groups that were especially keen to follow the old dating systems were the Lepee (Rabbit), the Cestians (Fennec), the Usarh (Marsupial), the Háalemamid (Cervine), and the Ôzvom (Feline) - also known collectively as 'The Five'.

Today, the website is frequented most by teachers and cultural groups, still most-often by Lepee, Cestians, Usarh, Háalemamid, and the Ôzvom users.

[gringolet]

I have a question about your namesake, Gringolet the horse! He’s described as having “distinctive ears,” though I can’t find anything more descriptive than that. Were they distinctive in color? Size? Shape?

If it’s shape, could Gringolet have been inspired by the curly-eared Marwari and Marwari-adjacent breeds in South Asia?

Sincerely,

your local horsewoman

ohhhhhhh thats a really neat question! i believe he has red ears and a lighter body, presumably a grey? hes described that way in one of the french romances and im cursing myself for not remembering which one. its either perilous cemetary or knight with the sword. which is interesting bc the cwn annwyn, dogs in welsh mythology, have a white body and red ears, so there must be some connection. i wish i could remember what text that was in.

on the other hand that would be SO cool i just looked up pictures of these dudes and they are so cool looking.i do know in terms of origin that in the vulgate he was stolen by gawain from a saxon warrior. the saxons engaged in extensive trading, including from places like constantinople, so its very possible a breed from south asia could have ended up in the hands of a powerful saxon leader

[certified-baddies]

The end though?! 😍😍😍

🔥 Certified Baddies 🫡

Model: Maria Lepe; @MaariaLepe

[ujrakezdesnelkuled]

Te vagy az aki megmentett újra a teljes zuhanástól. Nem tudom leírni azokat az érzéseket amiket irántad érzek, nem éreztem egy személy közelségében sem ezt a teljes megnyugvást, és boldogságot. Melletted minden gondom bajom elszállt, és minden nehéz pillanatom megláttad az álarcom mögött, még senki se látott ennyire belém. Te vagy az aki a régóta tartó szomorúságot és bánatot elhajtod mellőlem...szépen lassan, fokozatosan❣️ köszönöm, hogy vagy nekem. Talán most jöttünk rá mind a ketten ki is az a lelkitarsunk az életben.

Lelkitarsam 🥰