#Laura Aguilar
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Nude in nature, par Laura Aguilar
#Laura Aguilar#allure#noir et blanc#fine art nude#women photographers#Femme photographe#female photographers#rondeurs
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Grounded 106, Photo by Laura Aguilar, 2006-07
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Vibeke Løkkeberg - The Revelation (1977)
Laura Aguilar - Nature Self-Portrait #2 (1996)
#comparison#film#Vibeke Løkkeberg#Paul René Roestad#The Revelation#Åpenbaringen#1977#art#photography#laura aguilar#nature self portrait#1996
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Laura Aguilar, In Sandy's Room, 1990. Gelatin silver print.
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Laura Aguilar, Angie, from the series Latina Lesbians, 1987, gelatin silver print, sheet: 14 × 11 in. (35.6 × 27.9 cm), Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative, 2021.27.5, © 2016, Laura Aguilar Trust
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when im so sad i think i dont even have to bother with killing myself because ill die of a broken heart any day now. sometimes the last resort is to just look at laura aguilar's work. truly saves me over and over
#i love photography i love images i love my degree#i am so proud to have studied what i think is the greatest and most empathetic medium#and i am so moved by her work she will always be my number one#saving me always and forever#laura aguilar#i heart images#photography
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L-Laura Aguilar
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Stillness #26, 1999, Gelatin silver print, 11 x 14 in.
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Nude in nature, par Laura Aguilar
Laura Aguilar a utilisé le médium photographique et son corps pour renverser les normes de beauté occidentales et bouleverser la relation entre la forme féminine et le paysage.
https://loeildelaphotographie.com/fr/phoenix-art-museum-laura-aguilar-nus-dans-la-nature/
#Laura Aguilar#allure#fine art nude#nude portrait#women photographers#Femme photographe#female photographers
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"I used to worry about being different. Now I realize my differences are my strengths."
Laura Aguilar. Carla from Latina Lesbians, 1989.
#for those who cant read the handwriting#this is a photoseries I definitely want to look further into and the rest of her photography as well#latina lesbians#laura aguilar#photos#looks#butch
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Cerdita (Piggy)
Movies watched in 2023
Cerdita (Piggy) (2022, Spain)
Director & Writer: Carlota Pereda
Mini-review:
I loved this way more than I thought I would. The representation probably isn't perfect, but it portrays fatphobia in a really harsh and unflinching light. Some people might find it too much, but I think Carlota Pereda made the right choice, showing how bullying and abuse can affect a person's psyche. Oh, and it was a fantastic move to show that fatphobia can happen at home as much as it happens outside. While there are strong doses of dark humor here and there, the movie is a pretty hard watch at times, so be warned.
All that being said, the movie's true power rests entirely on Laura Galán's bravura performance. She perfectly conveys her character's anxiety, confusion and terror. I couldn't help but relate to her, even as her situation escalates into something pretty crazy. Also, Carmen Machi's acting is as excellent as always, but I already expected that. Finally, I wanted to mention the cinematography and the sound design. The movie flawlessly captures the vibes of summer life in a small, rural-ish Spanish town, from the light to the background noises. So yeah, I will definitely keep an eye out for Pereda and Galán's future work.
#cerdita#piggy#piggy movie#carlota pereda#laura galán#laura galan#richard holmes#carmen machi#claudia salas#irene ferreiro#camille aguilar#josé pastor#jose pastor#pilar castro#julián valcárcel#julian valcarcel#horror#fatphobia#tw fatphobia#fatphobia tw#blood#tw blood#blood tw#blood cw#cw blood#horror tw#tw horror#cw horror#movies watched in 2023
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Laura Aguilar, Three Eagles Flying, 1990. Gelatin silver print.
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Laura Aguilar, Nature Self-Portrait #11, 1996, gelatin silver print, 16 x 20 in. (40.6 × 50.8 cm), Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative, 2021.27.4, © 2016, Laura Aguilar Trust
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Calorcito.
Laura Aguilar/Laura Aguilar Trust , “In Sandy’s Room” (1989). UCLA Chicano Studies Research Center
https://www.nytimes.com/2021/04/22/arts/design/laura-aguilar-review.html
https://www.artnews.com/feature/laura-aguilar-who-is-she-1202684828/
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Laura Aguilar from Show and Tell
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