#Latest Gospel Songs

[gospelhotspot]

[Album] Jesus - Odunayo Ojo-Onasanya

Odunayo Ojo-Onasanya returns with the second part of her special three-part album series titled “JESUS“, dedicated to the Holy Trinity – God, Jesus, and the Holy Spirit. Following the release of her first album, “GOD“, two years ago, Odunayo’s new album is here to lift the name of our Savior high. This 8-track album is a beautiful blend of English lyrics with African-inspired sounds that resonate…

[officialzedwap]

Suwilanji - Mulilonshi Mp3 Download

Suwilanji – Mulilonshi Mp3 Download ‘Mulilonshi‘ is yet another stunning uplifting soundtrack performed by Sensational Zambian female gospel musician, Suwilanji. “People may forsake you, and the world may turn against you. But God will always love you.” How’d folks here at Zedwap you can simply download any song of your choice from your favourite artists with just a simple click. We value our…

[lazudaafrique]

ARIENA BANDED SLIPPERS second image

[wordsmilt]

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https://youtu.be/aFuxasb8_kI DY PRODUCTIONS (+2348169333952) TRENDING GOSPEL ARTIST IN NIGERIA LATEST 2023 GOSPEL SONGS PRAISE AND WORSHIP ❤️❤️❤️ #DY #PRODUCTIONS (+2348169333952) #TRENDING #GOSPEL #ARTIST IN #NIGERIA #LATEST #2023 #GOSPEL #SONGS #PRAISE AND #WORSHIP #MUSIC (HIGH PRAISE)❤️❤️❤️ https://www.instagram.com/p/CmY8DVpDxDm/?igshid=NGJjMDIxMWI=

[dlstmxkakwldrlarchive]

Partly for the prolific volume of projects artists release each year and partly for the fluid definition of an album (running anywhere from three to 13 tracks), an annual ranking of K-pop albums is never easy. As South Korea continues to extend its global musical influence, certain projects transcend hit-song compilations, presenting larger visions and conceptual narratives.

In 2023, stars like V, WOODZ and ONEW used their latest solo projects to share the music that inspires them at their core as artists and let listeners settle into sonic worlds they’ve developed.

[...]

First Place: Onew, Circle The First Album

While it’s somewhat criminal to think that 15 years after ONEW’s debut with SHINee in 2008 we only just received his first full Korean album, the singer-songwriter himself would say that now was the perfect time for Circle. A musical journey unlike anything released this year, ONEW shared that he had attempted to record the album’s title track before dropping his Dice EP in early 2022, but felt it wasn’t at the level of perfection it deserved and held onto the song. ONEW then involved himself in every aspect of Circle‘s production process, from meticulous mixing and mastering to tuning, beats, recording and mastering, attesting to the singer-songwriter’s dedication to artistic expression.

The single “O (Circle)” opens the album with an intriguing blend of electronica and strings, while its gospel-tinged chorus emphasizes lyrics about the circular nature of life and how memories, feelings and dreams are all fleeting. The 10 tracks on Circle develop unique transformations from start to finish: the breezy melodies in “Cough” are paired with loneliness-themed lyrics and a melancholy instrumental breakdown, while “Rain on Me” starts with aggressive acoustic guitar strumming before transitioning into an atmospheric, percussive ballad. Sweet surprises abound, too: ONEW scats on the jazz-rap hybrid “Caramel” and gives a glimpse into his indie-rock side on “Parachute.”

The album’s effortless flow is anchored by ONEW’s famously solid yet understated vocals. As Circle concludes with the tender piano ballad “Always” which addresses themes of loyalty and resilience, the listener wonders if it’s an allegory for ONEW’s public journey through health challenges, including vocal cord surgery. Even without any writing credits on Circle, ONEW’s presence is undeniably felt in this seamless collection that boasts an emotional depth brought on by 15 years in the game. That’s the kind of introspection you can’t rush or doctor through A&R but need to cycle through and arrive at when the moment is right. From scheduling this album’s release to the messages on the final track, time is definitely on ONEW’s side to deliver such a project. — J.B.

source

[unbidden-yidden-deactivated20240]

To follow up on my Hosanna poll, I think before things go any further, it'd be good to actually explain and define it. I was initially going to wait until the end of the poll, but it seems that google is giving people a lot of bad and/or conflicting answers and I'd rather people walk away with the correct information.

So! Hosanna is an anglicized version of the Hebrew words "hosha na" [הושע נא or as a contraction הושענא]. Hosha na is a little enigmatic and hard to translate, but the simplest translation is probably "save us, please." It's traditionally used as an exclamation to G-d to rescue us, but it also has shades of being a triumphant shout (the implication being confidence that G-d will save us.)

Jews say "hoshanot" (the plural of hosha na) as part of our traditional Sukkot liturgy, and is something we do still today.

For us, the multi-faceted meaning of the root word allows us to have multiple layers of meaning. During Sukkot, we start praying for rain in its proper season and amounts, and we shake the lulav and etrog as part of these processions and liturgy. On Hoshana Rabba [the "great hoshana"], the last day of Sukkot, we process around the bimah (front lectern) seven times as a completion of our season of repentance and our starting of the new year with abundant blessings.

My siddur (prayer book) Lev Shalem has this as an explanation and translation:

[Image ID is of the Lev Shalem siddur, pages 382 & 383 - I tried hard to find a pdf of this that would be readable using a screen reader, but the versions I'm finding cut off at pg. 376 at the latest. If anyone has bandwidth to type this up, I would greatly appreciate it]

For the curious, here is a recording of the Hoshanot liturgy and procession:

Christians mostly know the word from the gospels and hymns.

Here is what Wikipedia says about its use in Christianity:

Historical meaning

Since those welcoming Jesus were Jewish, as of course Jesus himself was, some would interpret the cry of "Hosanna" on the entry of Jesus in its proper meaning, as a cry by the people for salvation and rescue.

Christian reinterpretation

"Hosanna" many interpret as a shout of praise or adoration made in recognition of the messiahship of Jesus on his entry into Jerusalem

It is applied in numerous verses of the New Testament, including "Hosanna! blessed is the one who comes in the name of the Lᴏʀᴅ!" (Matthew 21:9,15; Mark 11:9–10; John 12:13), which forms part of the Sanctus prayer; "hosanna in the highest" (Mark 11.10); and "hosanna to the Son of David" (Matt 21:9). These quotations, however, are of words in the Jewish Psalm 118. Although not used in the book of Luke, the testimony of Jesus' entry into Jerusalem is recorded in Luke 19.

In church music

The "Hosanna Anthem", based on the phrase Hosanna, is a traditional Moravian Church anthem written by Bishop Christian Gregor of Herrnhut sung on Palm Sunday and the first Sunday of Advent. It is antiphonal, i.e. a call-and-response song; traditionally, it is sung between the children and adult congregation, though it is not unheard of for it to be done in other ways, such as between choir and congregation, or played between trombone choirs.

The bottom line:

Jews and Christians have different connections, associations, and meanings attached to this word as expressions of our different theologies and texts. The word is derived from a Hebrew word and was created by Jews and is still used by us today. (Like literally today - we are currently in the middle of the Sukkot festival.) Christians changed the meaning to fit within their own context, and pronunciation of the word evolved with linguistic drift over time. In the same way that there's not a reason to pitch a fit over saying Jesus rather than Yeshua, there's no compelling reason to change hosanna back to hosha na; if anything, the distinction helps make it clear that it's effectively a different word and concept from ours.

On the other hand, I do think Christians ought to know the original meaning of the word if they're going to use it. To only ever know their version when it was derived from ours is yet another small way of playing into supercessionism by erasing and replacing the Jewish context of things that were originated in Judaism that Christians have embedded in Christianity. While the Christians of today cannot unwind the supercessionism of Christian history, they *can* choose to understand their present Christianity in ways that do not play into supercessionism and that respect the Jewish community of today.

I hope this was helpful and gives folks a new perspective on an obscure Hebrew word!

[inkwolvesandcoffee]

Bakery Love Story Headcanons w/ Papa Solomons

And a wee bit of a CoD crossover

TH Masterlist

He knows you hate closing shifts, but asks you to work them regardless if he’s on them too.

Truth be told, you don’t mind when it’s just you two because you get on surprisingly well in spite of your differences.

Alfie keeps you out of the bakery’s kitchen as much as possible. Partially because he doesn’t want you around the ovens lest you burn yourself. It’s fine for bread to burn, but your skin?

ABSOLUTELY FUCKING NOT!

So you stay out front or only venture there to help Alfie carry bread or pastries or prepare sandwiches. Otherwise, you’re in the front as a barista.

He only trusts Ollie with your company.

Takes you with him when he goes ingredient shopping. He’ll pick you up at the crack of dawn to go to Borough Market with him.

However, those morning ventures aren’t solely about food. Various recent reviews have mentioned the wee bouquets dotted around the place, which has helped increase business. So he also needs your help with choosing this week’s flowers.

Although, it’s better to say they’re your responsibility since you’re the one who offered the golden idea. The price tag doesn’t matter, he’ll pay since your word is gospel to him.

He makes you breakfast when you have to open as well. It’s rare for you to work so early in the morning, but if you do it’s with Alfie. He doesn’t mind having to leave the house a little earlier to pick you up. After all, even at dawn and especially during the first hours of a winter morning, London isn’t safe.

What boss lets his female employee take such risk?

That’s the angle Alfie forces himself to take. Yet, despite the effort and struggle he hides because of it, it’s not a perspective he can maintain. Henceforth, he often finds himself following the train of thought he can’t shake off.

What king puts his queen in danger? What absolutely fucking sodden bastard leaves his girl to her own devices amongst predators and shadows?

NOT the King of Camden.

He likes how you hum or quietly sing along to Ed Sheeran’s songs. Alfie absolutely still doesn’t like the style nor genre, but he does if it’s you providing the vocals. In fact, he likes it so much he occasionally catches himself blatantly staring at you, utterly mesmerized by your presence.

Regardless of whether you’ve had your allotted breaks, as soon as he notices a dip in your energy, he’ll kindly coerce you to take one. Alfie especially likes the ones when it’s you two leaning against the counter, observing the customers while having a cuppa.

And the customers like to keep an eye on you two as well. The latest hot gossip is all about “the bird and the King” and how “there’ll perhaps be a gentler reign of the borough”.

Maybe there will be. Alfie tries to reign himself in when he’s around you, finds serenity in the feeling of your hand on his shoulder to signal to pipe down or let you take over lest things get out of control.

Lately he’s been into hugs. Like, he’ll pick you up and the first thing your groggy head has to deal with is a bear hug and sometimes being lifted into the air.

He can’t stop replaying the moment you compared hands. Can’t stop thinking about the confirmation of the size difference between you, yours much smaller than his. Ever since, Alfie sometimes allows to indulge himself by holding hands.

Out of sight of the other men, of course! Can’t have them tattering on like elderly ladies during afternoon high tea.

But his dreaming always gets rudely interrupted when a particular customer comes in. It doesn’t take long for Alfie to figure out who the stranger is because he needs “to know who comes in and out of me bloody kingdom” and the King has plenty of ears in the streets. So it doesn’t take long for him to acquire a name and the man’s background.

John Price, a captain in the British Army who went through enough to drive any man insane. Saw Hell itself.

Damaged beyond repair like him.

Yet a good man who’s trying to court his secret favourite dove.

A good man who can offer her more than an old gang boss can.

Nonetheless, there’s the toxic burn of jealousy mixed with seething rage whenever he sees you two talk. Sees how well you get along.

Alfie has to force himself to walk away, to rampage in the background among the men when he sees how Price makes you smile and blush. Fortunately, there’s soundproofing in the building. Otherwise, the customers and you would find out his anger is even more white hot than the ovens.

And he reaches the boiling point more often from the day the captain’s cologne becomes more noticeable on you. It’s an unfair trigger to pull on an honourable man. Or so he keeps grumbling and effin and blindin about despite knowing better.

Despite knowing he’s simply too late.

He hates how you’re inconsolable when John’s sent out on a mission. Doesn’t matter how long or short it is.

Now, the King of Camden is a master when it comes to the art of masks so the front you try to put up is nothing but a crumbling act to him. Dips in energy, distant gazes, little eating, they’re all tell-tale signs you miss your captain. Nonetheless, being an opportunist, Alfie uses the circumstances to his advantage by cooking and cleaning for you. Sometimes he even stays the night, but only when you ask him to. To others it may sound odd, asking your boss to stay with you, but to you it doesn’t because Alfie isn’t simply your boss.

He’s a very dear friend.

(And your protector, your “guardian fucking golem”)

Alfie doesn’t ask about your dates, but will occasionally indulge you when he notices you’re afraid to talk about them even though you really want to.

“‘Ow was your date?” he asks on such a morning while cleaning up the dishes of your impromptu breakfast. That small moment during which you shared the food he prepared. Those few minutes in which it was just you two. Together.

“It was really nice. We got coffee and walked around Kensington Gardens and Hyde Park for a bit.” As per usual, you don’t dare meet his gaze because you fear your happiness and excitement will wear him down. It’s part of the reason you avoid using John’s name. After all, the badly concealed frown hasn’t gone unnoticed.

“I ‘ope ‘e’s the one who paid.”

“He did.”

“‘E treating you well?”

“Yeah, he does.”

“Good. That’s good.”

“Alfie, alright?”

“Yeah, just… just in me own noggin. You know me. I’m glad you ‘ad a good time. Otherwise I’d ban ‘im from the bakery. The whole fucking borough. ‘E’d be-“

“Thank you.”

Alfie’s surprised you cut him off. Had it been anyone else, they’d likely be face flat on the ground and a wiser person for it, but if it’s you he doesn’t mind. In fact, when the conversation turns towards your love life and John, he’s glad you shut him up. After all, what do you care for his feelings? They’re unreciprocated anyways. “For what?”

“For letting me talk about him. I… I got the impression you didn’t want me to.”

“You let me talk about whatever, so why wouldn’t I return the favour? But enough chit chat. Come on, we got work to do.”

If only to forget about the plot he might have for a new Edna Specter novel.

The Tragedy of Alfie Solomons.

The Baker with a broken heart.

Bonus:

Oh gods, imagine Alfie and Price having a stare-off when Alfie picks you up at your place and John stayed the night. To make matters worse, the captain knows about the King’s feelings for you.🙀

P.S: I’m sorry, but I have to include more Barry Sloane because this man has me in an ABSOLUTE CHOKEHOLD🥵😻

Tag list: @zablife @vir-tual @dreamlandcreations @rose-like-the-phoenix @hecatemoon87 @potter-solomons @liliac-dreamer @mollybegger-blog @hoodeddreams13 @babaohhhriley

[revenancy]

impossible fires || the post.

One hundred twenty years ago, the starship Atalanta left a shattered Earth behind.

Designed by an anomalous intelligence calling herself the Matriarch – something from beyond the scope of human understanding – the mission of the Atalanta was clear from the start: Survive long enough to find a new home for humanity.

Thirteen decades in, doubtful whispers are building. The Matriarch isn't concerned about humanity, they say. The ship doesn't have a destination. There is nothing outside the Atalanta but the void of space, and empty galaxies beyond.

One thing is clear: It's too late to turn back now.

[[ under serious construction ]]

setting

The Atalanta is a layered ship – society given structure, some might call it. Everyone else would call those people apologists. If they're being nice about it.

The odd levels – L1, L3, and L5 – are reserved for the engineers and other scientists that work to keep the microcosm in balance. They follow the Matriarch's vision and commands. L3 is also home to the R&D divisions of most companies on the ship, and is a veritable hive of corporate wealth. L5 is poorer – home to an elite class of engineers that have an innate understanding of the Atalanta's inner workings, that doesn't stop it from being home to the steepest poverty rate and addiction levels on the ship.

L2 is a city of prosperity. French bistros and film studios, pet shops reclaiming nearly-lost species, a vibrant emergency response service and well-trained police force – this is home to the hundred people important enough to have their name printed in the press, and the forty thousand people under them who serve to create a stunning tableau of postmodern life.

L4 is barely a city. Formed of six fragmented quarters, the people of L4 are crowded and filthy and passionate about their home and their faith in the Matriarch. The last century has seen churches built in her honor, and her priests have come to enjoy some semblance of social security. Hundreds of thousands of people are stacked on top of each other, each clawing for survival, clinging to their hope for a better tomorrow.

That doesn't mean there aren't dissenters. Somewhere in L4 is the base of the Stillwater Gospel – a doomsday cult that disavows every promise the Matriarch has made. Followers of the Gospel still their own tongues, communicating solely with the aid of auxiliary radio transmitters installed in them by their leader. They believe the end is coming, faster by the day – and they will do everything in their power to bring it about.

plot

Someone is lighting fires. Building feeds cut. All surveillance down. There are no hints to their identity, their motives, their desires – they're a non-entity, and the all-knowing Matriarch hasn't said a word about them. Instead she's set the police on their trail: Hunt. Find. Apprehend.

On L4, there's a buzz around the latest fires, as rumors start to spread: I heard it's the Gospel.

I heard they're trying to burn it down.

characters

Marley Haight → an engineer, turned dropout. Haunted by her past, searching for her next high, walking out of dead-end jobs – and crashing with whatever friends she has left.

Jacín Rial → an atheist cleric. He inherited the congregation from his father, and he can't turn his back on the hundred people who need him most – or, when an old friend comes knocking, Marley.

Nile Whist → a ghost with a fake name. Pulled back from the brink of death thirteen years ago, he owes his life to the Gospel that saved him, and he would do anything to repay that debt.

Song Liran → an artist and, reluctantly, a daughter. Born into wealth and forced to play into her parents' wishes, she finds herself apathetic at the thought of whatever future they want for her.

Katsura Yukimori → a police inspector and tabloid personality. Betrothed to Liran since they were eleven years old, he's trying to talk himself into being happy about that. He'd rather just work.

Eliza Fallon → chairwoman-elect of her family's company. It took two years to outgrow the title of Yuki Katsura's ex – now the bios call her a devoted wife and mother. But when Yuki needs help, she's there.

—

more to come.

[kemetic-dreams]

Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.

Go-go was originated by African-American musicians in Washington, D.C., during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C., in February 2020.

Performers associated with the development of the style include Rare Essence, EU, Trouble Funk, and singer-guitarist Chuck Brown. Modern artists like Charles "Shorty Corleone" Garris continue the go-go tradition in D.C.

Origins

Although Chuck Brown is known as "the Godfather of Go-Go", go-go is a musical movement that cannot be traced back to one single person, as there were so many bands that flourished during the beginning of this era that they collectively created the sound that is recognized as go-go of today. Artists such as Marvin Gaye, Van McCoy, Billy Stewart, Peaches & Herb, Black Heat,Experience Unlimited (E.U.), Vernon Burch, Sir Joe Quarterman & the Free Soul, the Moments, Ray, Goodman & Brown, True Reflection, the Unifics, Terry Huff & Special Delivery, Act 1, the Dynamic Superiors, Skip Mahoney & the Casuals, the Choice Four, and the Fuzz that played soul music during pre-go-go era.

The term "gogo" (as it applies to a music venue) originated in France in the early 1960s, at the Whiskyagogo nightclub, named after the French title for the British comedy "Whisky Galore!".The club also featured go-go dancers. In January 1964, capitalizing on the emerging popularity of "go-go dancers", the name was licensed to a Los Angeles club, the Whisky a Go Go, and from there the term "go-go" spread nationwideThe Cafe Au Go Go in NYC was also in business during that time, gaining notoriety when Lenny Bruce was arrested there in April 1964. By 1965, "go-go" was a recognized word for a music club, as evidenced by the TV show Hollywood A Go-Go (march 1965-1966), or the song title of that year's hit Going to a Go-Go by Smokey Robinson & the Miracles (released November 1965). At a go-go club, dancers could expect to hear the latest top 40 hits, performed by local bands and DJ's. (The French Whiskyagogo had been one of the first venues in the world to replace live music with records selected by a disc jockey.)

In Washington D.C., minor group Wornell Jones and the Young Senators were formed in 1965, beginning a fierce competition with Chuck Brown and Black Heat on the local club circuit. The Young Senators later became known for their song "Jungle" released in 1970 by Innovation Records. Guitarist and bandleader Chuck Brown is widely regarded as "the Godfather of Go-Go".

Chuck Brown was a fixture on Washington and Maryland music scene with his band Los Lotinos as far back as 1966. By the mid-1970s, he had changed the group's name to The Soul Searchers, and developed a laid-back, rhythm-heavy style of funk performed with one song blending into the next (in order to keep people on the dance floor). The beat was based on Grover Washington Jr.'s song "Mr. Magic," though Brown has said in interviews that both he and Washington had adapted the beat from a gospel music beat found in African churches.

Washington, D.C., funk's early national chart action came when Black Heat (the first D.C. go-go band to be signed by a major record label) released their Billboard top 100 hit "No Time To Burn" from their second album on Atlantic Records in 1974. They then toured with such national acts as Earth Wind & Fire, Parliament Funkadelic, Ohio Players, The Commodores, and others. In 1976, James Funk, a young DJ who spun at clubs in between Soul Searchers sets, was inspired (and encouraged by Brown himself) to start a band—called Rare Essence (originally the Young Dynamos)—that played the same kind of music.

[beautifulpersonpeach]

You know what I love so much about BTS's music is when you've not listened to a song or album for a while and when you do not only are you reminded of how good it is, but also sometimes songs you already like and have heard countless times before you suddenly latch onto unexpectedly. It happens to me often with their music, the latest song for me being Let me know. It just got it's claws into me on my Dark and Wild revisit and I've had it on repeatedly the past few days. I don't know what it is about them or their music that manages to just keep grabbing at you the way it does, maybe it's because their discography is so large and varied, but whatever it is I'm very grateful.

***

That’s the thing about excellent quality: it’s timeless. It doesn’t matter how old their songs are, how much you replay them, or whatever. When you listen to BTS’s music, you know it’s good because it feels incredible.

Your experience with Let Me Know is one I relate to so hard. That song was released in 2014 you know. BTS were really dropping bangers right out the gate. Like, it’s no surprise they blew up the way they did because they just had the best music point blank period.

They still do.

The songs I’ve revisited recently that made me feel similarly to you are:

- Mikrokosmos: Not a bad song at all, but one I usually skip and don’t add to my playlists because it’s not exactly my taste and it often reminds me of BTS concerts and that’s a sore topic for me recently. But I was traveling this past weekend and browsing music on the plane, and saw it then played it on a whim. And man, it hit me again just how good that song is. BTS knows how to make good music and execute it perfectly every time.

- I NEED U (Remix): There’s this view in the fandom that BTS only recently started putting out several remixes, but while they’ve certainly put out more in recent years to match pace with Western practices, they’ve also always kinda been into remixes. And back in my day, the fandom actually made it a point to enjoy the remixes. I Need U remix is one such remix I used to jam out to back then, and while playing some of my older lists recently to prepare for Hobi’s birthday, this song played and the nostalgia hit me like a truck.

- Lost: This is the most underrated song in BTS’s discography. It’s one of the songs where you just have to watch the live performance and see the choreography. It’s just too good. In fact, Lost > The Truth Untold. By a mile. Jungkook’s voice and insane runs in that song are something you just have to experience for yourself.

They dropped that banger 3 years after their debut.

- Go Go: This song is what solidified BTS’s success in 2017. Not DNA imo. Just listen to their voices in this song. Listen to how they sing, how unrefined and passionate it is. They sound like they’re having fun. I forgot about Go Go until a few weeks ago and it’s in my rotation again.

- Fly to my Room: Songs like this is why BTS is on top of the k-pop food chain. Nobody in the entire industry can arrange and pull off a song like this: choir/gospel with a fuckass organ + gutter trap + Hoseok’s verse… like, god. Those whispered harmonies in the final chorus before the crescendo outro. Jimin’s high notes…. It’s just such a serve of a song. They killed it.

- Spinebreaker: Someone asked me recently how the rapline became my bias, if I started with one rapline member then the rest followed, or if it was all at once. I didn’t answer that ask but anon if you’re reading this, the answer is all at once. I’d liked the rapline since debut but I think it was this song that did it for me. All of them on this track are insane. From the moment I heard Joon’s voice at the start I just accepted my fate.

Anyway, thanks for this ask Anon. BTS are so loved because they put their heart and soul into the music they make and it shows. It’s why streaming their stuff has never felt like a chore for me. I look forward to listening to their music every day I wake up. It makes my life better. I’m happy it seems to be at least a bit similar for you too.

[eptodaytommorowforever]

Events In The History And Of The Life Of Elvis Presley Today On The 29th Of July In 1976.

Elvis Presley The Civic Center, Springfield, Mass July 29, 1976

By Sam Hoffman Springfield Daily News July 29th, 1976

Elvis Presley is still the entertainer of the century. The singing monarch strode into Springfield Civic Center tonight and spent better than am hour on stage, entertaining his subjects and making just about everyone there happy with a bag of his oldies, goodies and Goldies, as well as his latest hit single I'm Hurt, which ought to net the King a few more riches... and deservingly so. It was a paunchy looking Elvis Presley this year and even a large belt failed to hide the fact that even the King probably can't say 'No' to a second helping at the dinner table. Musically, The Elvis Presley Show was a smasheroo. The one disappointment - a big one in our books - was his failure to include that beautiful ballad Love Me Tender on the program. Aside from that note, Elvis Presley did his thing and the audience showed its pleasure with screams and cries of 'Elvis Presley's hand-clapping, foot-stomping, and those who could whistle, did. There aren't many performers today who can hold audience attention from start to finish. Elvis Presley is one who does it every time and anywhere he appears. Last the audience was under their King's spell of song, charm, chatter and a toss of a scarf. The latter is a fixture in a Elvis Presley performance and some of the lucky persons who grabbed off scarves had to pay with a kiss. The Civic Center may have been in semi-darkness but the moment Elvis Presley stepped on stage, an endless barrage of camera flashes made night look like day.

Elvis may have slowed down his pelvis gyrations some but his program of song was right on target. From opener C.C. Rider the singing monarch moved quickly into Is It All Right? and Amen, a couple of hand-clappers. The bag of songs included Please Love Me, If You Love Me, Give Me a Mountain and Help Me. There were also some older Goldies such as I'm All Shook Up, Don't Be Cruel, Jailhouse Rock, You Ain't Nothing But a Hound Dog and Only Fools Rush In. Unlike most Presley concerts this one was minus a religious flavor. There were several religious songs on the program but they were delivered by a gospel group which preceded the King.

Elvis Presley usually sings them himself. He did offer up a neat version of America the Beautiful, a big vocal and musical sound. There was no question the audience showed their affection to the man. They did it in so many ways - with flowers and a variety of gifts which somehow made their way on stage.

There were sings hoisted aloft telling Elvis Presley he was loved and some parents who brought their youngsters edged close to the stage and held their offspring up high to get a closer look at the singing monarch. We asked a few people in the audience if they felt it was worth plunking down the price of a ticket to see Elvis Presley and the chorus was unanimously 'Yes'. Our sentiments exactly.

Rare Live Candid Elvis Presley Photo's Wearing Here The Two Piece White And Blue Egyptian Bird Jumpsuit And The Matching Belt Captured Here By Reporter Journalist Springfield News Sam Hoffman. Who Attendd This Show Performance Concert.

[gospelhotspot]

[Music + Video] Yahweh - Jerry Praise Ft. Ema Onyx

Following his latest release in July titled Your Grace, Abuja-based Christian music artist, singer, songwriter, and entrepreneur Jerry Praise returns with a new single, ‘Yahweh‘. Originally released in 2021, this new version is a remix, featuring fellow Abuja-based gospel singer Ema Onyx, known for the hit song, You No Dey Use Me Play, which continues to bless lives. Together, Jerry Praise and…

[3rdeyeblaque]

Yesterday we venerated Ancestor Rosetta Tharpe on her 108th birthday. 🎉

Definitively crowned as THE Godmother of Rock N Roll, Sister Rosetta Tharpe was a trailblazing pioneer whose legacy continues to inspire, revolutionize, & cement our footprint in America's arguably longest standing music genres.

Sister Rosetta Tharpe's musical genius is found at the crossroads between the old church house & 40s nightclubs. Born to a family of traditional evangelists & cotton pickers, she grew up in a world immersed in music & performance. She'd go on to engineer an infusion of Delta Blue's, New Orleans Jazz, & Gospel. Her unique playing style paired with her striking range in voice was both enthralling to her fans & appalling to her church family & folks. As if being a woman & Negro holding a guitar wasn't enough, her audacity compelled her to find the sweet harmonious center in secular themed music. Her sexually charged songs lined with faithful praise and gritty giration marked a collective shift in the midst of the Prohibition Era & WWII in what was viewed as popular music among Black and Mixed audiences.

She is the powerhouse that gave voice, sound, & style to the legendary likes of Chuck Berry, Little Richard, Aretha Franlkin - and to the leeching likes of Elvis & Johnny Cash who began to sample her blueprint at the downswing of her 40 year long career. It was the swing of her hips paired with the strum of her guitar that ignited the international sensation that we call, Rock, today & the array of subgenres that stem from it. We owe it ALL to Sister Rosetta Tharpe.

"Can't no man play like me!” - Sister Tharpe

We pour libations & give Sister Rosetta Tharpe her due 💐 for her fearless heart & raw talent, who's ripple effect charted our course in music history.

Offering suggestions: play her music, a COGIC Bible verse, & libations of whiskey or gin.

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[popentertainmentconcertreviews]

Hozier – Hollywood Bowl – Los Angeles, CA – November 4, 2023

It’s impossible not to get enveloped in a dreamy, mesmerizing trance as soon as Irish singer-songwriter Hozier takes the stage to kick off the start of his set for the Unreal Unearth tour. 

On this particular night, the air felt markedly different since it was the closing show for Hozier’s first full North American tour in years. Amidst a sold-out crowd of over 17,000 passionate fans, the audience went all out in their enthusiasm for the singer-songwriter, embracing him with rapturous applause and cheering throughout the night.

Much like the start of the album, the concert begins with the seamless two-part opener, “Del Selby (Part 1)” and “Del Selby (Part 2).” Hozier showered the crowd with his soulful vocals, surrounded by shimmering lights that circled around him in the background, while a sole spotlight illuminated him and his immense talent that has spanned over a decade in the public eye.

Many first became familiar with Hozier when his breakout hit single in 2013, “Take Me to Church,” shot to the top of the charts and dominated in an unprecedented streak. Spending 23 consecutive weeks at the top of the Hot Rock Songs charts, the single was tied for the longest running #1 in the chart’s history at the time.

Yet, the release of his latest album, Unreal Unearth, proves that while Hozier’s journey is continually a work in progress, he still has so much to give as an artist — and one with longevity. The album loosely draws on the epic of Dante’s Inferno to provide an inspired telling of going through grief, reckoning, love, and the human experience.

Hozier wasn’t shy to perform songs that spanned across his discography, much to the delight of his fans. Heads bobbed up and down to the catchy beat in “From Eden,” a sea of hands swayed in the air to the haunting folk melody in “Like Real People Do,” and continued on through the encore as he belted the gospel-influenced “Nina Cried Power.”

Effortlessly commanding the stage throughout the night, Hozier expressed his bittersweet gratitude that the North American tour was coming to an end and made sure to dedicate the last part of his concert to shouting out all the names of his diligent crew that helped make the tour happen.

If you were unable to catch Hozier on this run, you have another chance in the coming months. Due to overwhelming positive reception, the singer-songwriter recently announced that he is extending his Unreal Unearth North American tour from April through September 2024. With such a unique and show-stopping voice, Hozier is an artist you don’t want to miss out on seeing live.

Larisa Jiao

Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: November 6, 2023.

Photos by Larisa Jiao © 2023. All rights reserved.