#Lata Rafi Asha And Kishore Hit Songs

[thecrazyinktrovert]

Love English music all you want, but NOTHING, I repeat NOTHING, hits harder than desi music. Like every single singer has their own trademark genre which they can execute PERFECTLY?? 

Can we talk about Arijit’s Mai gehra tamas tu sunehra sawera main tera in Kalank? 

or his Tum sath ho ya na ho kya fark hai, bedard thi zindagi bedard hai in Agar tum sath ho? 

or Tujh sang sukhi roti bhaye in Mast Magan? Ok leave that. 

Lets talk about Atif’s Khayalon me lakho baaten yun toh keh gaya, bola kuch na tere saamne in Tu jaane na?

or Rafta rafta tera hua, tere bin mai hu benishan in Tera hua?

or Tenu lakhan ton chhupa ke rakhaan akkhaan te sajaa ke tu ae meri wafaa, rakh apna bana ke main tere layi aan yaara in Dil Diyan Gallan? Ok leave that

Let's talk about KK's Chaand Teri roshni ka halka sa ek saaya hai in Ajab Si?

Or dil kyun yeh mera shor kare, idhar nahi udhar nahi teri orr chale in Dil Kyu Yeh Mera?

Or lut Gaye hum teri mohabbat me in Tadap Tadap? Ok leave that.

Let's talk about Jubin Nautiyal's tum se jo mil gaye, Mausam khil gaye, khudse ladne Lage hum sawarne lage in sawarne lage?

Or Mausam mohabbaton ke, lamhe ye chahaton ke apne liya bane hai maan le in Gazab ka hai din?

Or tere bina main na rahu mere bina tu in raatan lambiyan? Fine, leave that as well. 

Lets talk about Shreya Ghoshal's kaise huzurji ye lab dikhlaaye, chuppi lagake bhi gazab hai yeh dhaye in saibo.

Or Ye ishq haaye baithe bithaaye jannat dikhaye hain in ye ishq?

Or Dil bharta nahi, aankhen rajjti nahi, chaahe kitna bhi dekhti jaaun, waqt jaaye main rok na paaun in Thodi Der?

And DO NOT get me started on Mohammad Rafi, Kishore Kumar, Lata Ji, Asha ji and Sonu Nigam. Desi songs are peak lyrics, romance, emotion and vocals. You're straight up wrong if you think ANYTHING can beat that. I love Taylor, 1D and all, but Hindi songs? Absolutely unmatched!

Comment/reblog you favourite lyrics below!

[musicverse11]

Mohammed Rafi and the Magic of Romantic Melodies

When we think of Bollywood’s golden era, a few names stand out as legends who shaped its identity. Among them, Mohammed Rafi holds a special place as a singer whose voice transcended generations. Born on December 24, 1924, in Kotla Sultan Singh near Amritsar, Rafi’s journey from a small village to becoming the most celebrated playback singer in Indian cinema is nothing short of extraordinary. His melodious voice, incredible versatility, and dedication to his craft made him an icon whose songs continue to touch millions of hearts worldwide.

This article explores how Rafi defined an era of Indian music, his contributions to Bollywood, and the lasting legacy of his unmatched talent.

A Humble Beginning

Mohammed Rafi’s life began in a modest household in Punjab, where his love for music was evident from a young age. Legend has it that Rafi was inspired by a wandering fakir who sang soulful tunes in his village. This early exposure to music planted the seeds of a passion that would later blossom into a legendary career.

Rafi’s family recognized his potential and supported his ambitions, leading him to train under esteemed musicians like Ustad Bade Ghulam Ali Khan and Firoze Nizami. His rigorous training in classical music became the foundation of his versatile singing style, which allowed him to perform effortlessly across various genres. Despite his growing talent, Rafi remained humble, a trait that endeared him to colleagues and fans alike.

Rise to Stardom in Bollywood

Rafi’s Bollywood journey began in 1944 when he sang for the Punjabi film Gul Baloch. However, his big break came in 1946 with the song “Tera Khilona Toota Balak” in Anmol Ghadi, composed by Naushad Ali. This marked the beginning of a partnership that would produce some of the most iconic songs in Indian cinema.

Rafi’s golden era coincided with Bollywood’s rise during the 1950s and 60s. Collaborating with renowned composers such as Shankar-Jaikishan, S.D. Burman, and O.P. Nayyar, Rafi lent his voice to leading actors like Dilip Kumar, Dev Anand, and Shammi Kapoor. His ability to adapt his singing style to suit the personality of the actor on screen was unparalleled, earning him the reputation of being Bollywood’s most versatile playback singer.

A Voice for Every Mood

One of Rafi’s greatest strengths was his ability to convey a spectrum of emotions. Whether it was the romantic charm in “Chaudhvin Ka Chand Ho,” the spiritual depth in “Man Tarpat Hari Darshan Ko Aaj,” or the playful mischief in “Sar Jo Tera Chakraye,” Rafi’s voice captured the essence of every mood.

He was equally adept at soulful ghazals, energetic dance numbers, and heart-wrenching ballads. Songs like “Kya Hua Tera Wada” and “Dil Deke Dekho” highlight his ability to evoke deep emotion, while tracks like “Yahoo! Chahe Koi Mujhe Junglee Kahe” demonstrate his knack for high-energy performances. This versatility set him apart from his contemporaries and ensured that his voice became the heartbeat of Bollywood music.

Timeless Collaborations

Rafi’s collaborations with composers and lyricists played a crucial role in shaping Bollywood’s musical landscape. His long association with Naushad resulted in evergreen classics like “O Duniya Ke Rakhwale” and “Madhuban Mein Radhika Nache Re.” His work with Shankar-Jaikishan gave us gems like “Baharon Phool Barsao.”

Notably, Rafi’s duets with female playback singers like Lata Mangeshkar and Asha Bhosle are considered some of the finest in Indian music history. Whether it was the romantic “Aaja Sanam” with Lata or the lively “Aankhon Hi Aankhon Mein” with Asha, Rafi’s voice complemented his co-singers perfectly, creating magical musical moments.

Challenges and Triumphs

Like any artist, Rafi faced challenges throughout his career. The rise of Kishore Kumar during the 1970s led to increased competition, yet Rafi’s resilience and dedication never wavered. He continued to deliver hits, such as “Pardah Hai Pardah” from Amar Akbar Anthony and “Main Zindagi Ka Saath” from Hum Dono. His humility and professional ethics won him admiration from peers and music directors alike.

Despite his immense success, Rafi remained grounded, always prioritizing his craft over personal gain. It is said that he would often refuse payment for songs if the producer faced financial difficulties, highlighting his generous and selfless nature.

The Legacy of a Legend

Rafi’s untimely death in 1980 left a void in the Indian music industry that remains unfilled. Yet, his legacy lives on through the countless songs he recorded over his career. He received several awards, including the Padma Shri in 1967, in recognition of his contribution to Indian music.

Today, Rafi’s songs continue to resonate with audiences of all ages. His music is a bridge between generations, played at family gatherings, weddings, and cultural events. Even decades after his passing, Rafi’s voice has an unmatched ability to evoke emotions and connect people through the universal language of music.

Conclusion

Mohammed Rafi voice is not just a part of Bollywood’s history; it is a symbol of its golden era. His ability to embody the essence of every song, combined with his humility and dedication, made him a legend whose influence extends far beyond the boundaries of cinema. As we listen to his timeless tracks today, we are reminded of a time when music was pure, heartfelt, and unforgettable.

Mohammed Rafi’s songs are more than just melodies; they are memories etched in time. Which Rafi classic is your favorite? Share your thoughts and memories in the comments below. And if you’re new to his music, take a journey through his discography to discover the magic of a voice that truly defined an era.

[desicinema20]

"The Magic of Music in Desi Cinema: How Songs Define the Soul of Indian Films"

Introduction: No other film industry in the world celebrates music as much as Desi Cinema. Whether it's the grand, orchestrated musical numbers of Bollywood or the soulful ballads in regional films, music is the heartbeat of Indian cinema. In this post, we'll take a deep dive into how music has shaped and defined desicinema, from its early beginnings to modern-day hits.

The Role of Music in the Golden Age:

The 1950s and 1960s were a defining period for Indian film music. Music directors like S.D. Burman, Shankar Jaikishan, and Naushad composed melodies that became immortal. Songs from films like Mughal-e-Azam (1960), Awaara (1951), and Pyaasa (1957) didn’t just complement the narrative but enhanced the emotional depth of the story.

The early Bollywood musicals were often built around the songs themselves. Bollywood songs became a language in their own right, often conveying emotions too complex to be expressed through dialogue. Lata Mangeshkar and Kishore Kumar, the voices of the era, gave life to these songs, making them iconic.

The '70s and '80s: The Rise of Disco & Playback Singing:

The 1970s and 1980s saw an interesting shift in Bollywood’s musical landscape. Disco music entered the scene with tracks like I’m Your Baby Tonight from The Burning Train (1980) and Disco Dancer (1982), marking a more international sound. Meanwhile, playback singers like Kishore Kumar, Mohammad Rafi, and Asha Bhosle dominated the scene, creating songs that were as iconic as the films themselves.

In the 1980s, films like Sholay (1975), Amar Akbar Anthony (1977), and Qurbani (1980) brought forward energetic numbers that resonated with the masses, giving Bollywood a new sound. But it wasn’t just the music; the choreography, the costumes, and the setting also came to define the genre. The popularity of the "item number" emerged around this time, a tradition that continues to define Bollywood today.

The '90s: The Era of Romance and Soundtracks:

The 1990s were marked by an explosion of musical blockbusters. The classic pairing of melodious love songs with visual grandeur became a hallmark of Bollywood during this period. Composers like Jatin-Lalit, Nadeem-Shravan, and A.R. Rahman introduced a range of sounds, from the soulful romantic ballads of Dilwale Dulhania Le Jayenge (1995) to the more contemporary pop-infused melodies of Dil Se (1998).

A.R. Rahman, in particular, revolutionized the industry with his fusion of Western and Indian music, creating scores that broke conventional barriers. His iconic work in Roja (1992) and Taal (1999) not only changed the music industry but also brought a new era of musical experimentation in Indian films.

Modern Day: The Fusion of Genres and Global Influence:

Today, Desi Cinema is characterized by a mix of traditional music with international styles. Composers like Pritam, Amit Trivedi, and A.R. Rahman continue to dominate the soundscape, but the influence of global genres like hip-hop, rap, electronic dance music (EDM), and even reggaeton can be felt in contemporary tracks. Bollywood soundtracks now embrace a wider range of genres, reflecting the evolving tastes of global audiences.

The rise of digital music platforms like Spotify and YouTube has made desicinemas film music more accessible than ever before, allowing audiences to discover and enjoy songs from all over India. In the past decade, regional cinema has seen a rise in musical experimentation as well, with composers like Ilaiyaraaja (Tamil).

Conclusion:

Music is the lifeblood of Desi Cinema. It’s what makes us laugh, cry, and dream alongside our favorite characters. From the majestic orchestral compositions of the 50s to the pulsating beats of today, the role of music in Indian cinema cannot be overstated. In Desi films, music is not just a background element—it’s an essential part of the narrative, blending seamlessly with the story to create an experience that is distinctly Indian, yet universally relatable. Whether you're humming a tune from a Bollywood blockbuster or tapping your feet to a Tamil chartbuster, music continues to be the soul of Indian cinema.

[bollywoodirect]

"Ek pardesi mera dil le gaya Jaate jaate mithha Mithha gham de gaya Ek pardesi mera dil le gaya"

Remembering Qamar Jalalabadi today on his 21st death anniversary (09/01/2003).

He was an amazing poet and lyricist for Hindi movie songs. Born Om Prakash Bhandari in 1917 in Jalalabad, near Amritsar, he started writing Urdu poetry at just seven years old. Even without support at home, he found encouragement from a traveling poet, Amar, who gave him the pen name Qamar, meaning 'moon', and added 'Jalalabadi' from his hometown.

After finishing school in Amritsar, he wrote for Lahore newspapers like Daily Milap and Daily Pratap. Moving to Pune in the 1940s, he started his film career. His first big hit was in the 1942 movie Zamindar. The song "Duniya me garibonko aaraam nahi milta" became a big hit.

He then went to Bombay, writing songs for almost 40 years. Famous singers like Mohammad Rafi and Lata Mangeshkar sang his songs, and he worked with composers like S.D. Burman. Some of his hits include "sunti nahi duniya kabhi fariyaad kissi ki" and "Dil kis liye rota hai".

Some of his memorable songs from his early include "sunti nahi duniya kabhi fariyaad kissi ki" (Renuka, 1947) and the ghazal "Dil kis liye rota hai...pyar ki duniya me, aisa hi hota hai" (sung by Naseem Banu for the film Mulaquat in 1947). The noted dancer Sitara Devi performed some of his songs in Chand (1944). Chand was one of the earliest of Qamarji's successful and memorable films.

As a lyricist, Qamar Jalalabadi was very versatile. On one hand he wrote mesmeric duets like "sun meri saanwari mujhko kahin tum bhool na jana…" sung by Lata Mangeshkar and Mohd. Rafi (film: Aansoo 1953) and on the other hand he penned comic relief songs like “khush hai zamana aaj pehli tarikh hai” endured with full throttle gusto by Kishore Kumar (film: Pehli Tarikh-1954). This song turned into veritable anthem and was played on Radio Ceylon on the first of every month for decades, and it probably still is.

The film Howrah Bridge (1954) skyrocketed his career as lyricist to unpredescented heights. Songs like "Mera Naam Chin Chin Chu" (Geeta Dutt) and "aaiye meherbaan, baithiye janejaan…." (Asha Bhonsle) became highly popular. In his long career span he worked for several Film Companies like; Prabhat Film Company, Pancholi Pictures, Filmistan Ltd., Famous Pictures, Minerva Movietone, Prakash Pictures, Wadia Films Ltd., Filmkar Ltd., Sippy Films, N.C Sippy Films, Shri Shakti Films, Mitra Productions and many more.

He worked with many film companies and was a founder member of the Film Writers Association & IPRS in Mumbai. He also read poetry at mushairas across India. A true legend, his work still inspires many.

[saregamaindia]

Top 10 Valentine’s Day Songs

Valentine’s Day is a special occasion for couples to express their love and appreciation for each other. Music is a wonderful way to enhance the romantic atmosphere of the day.

  Saregama has brought you a great collection of Valentine’s Day songs that will make your special day even more memorable. Here’s a list of the top 10 Valentine’s Day songs to download from Saregama.

“Tere Bina Zindagi Se” by Lata Mangeshkar and Kishore Kumar: This timeless classic is sure to get your heart racing with its sweet lyrics and romantic melody.

“Karvaten Badalte Rahe” by Lata Mangeshkar and Kishore Kumar: This beautiful song reminds you of the special bond between lovers and how much they miss each other.

“Ek Ladki Ko Dekha Song” by Kumar Sanu: The song depicts the feelings that go through the mind of a young lover who sees his love for the first time.

“Pehla Nasha” by Sadhana Sargam and Udit Narayan: This beautiful duet will have you daydreaming about about your first love.

“Agar Tum Mil Jao” by Shreya Ghoshal: This classic song from the hit movie of the same name will bring you back to that time.

“Tu Mile Dil Khile” by Stebin Ben and Asees Kaur: This song will make you want to spend eternity with your special someone.

“Chura Liya Hai Tumne” by Asha Bhosle and Mohd. Rafi: This melodious duet will make you feel the love between two people.

“Dil Kya Kare” by Lata Mangeshkar and Kishore Kumar: This classic song is sure to make you feel like you’re in a romantic Bollywood movie.

“Abhi Na Jao Chhod Kar” by Mohammed Rafi and Asha Bhosle: This sweet song will make you feel like you’re in a dreamy paradise.

“Tum Hi Ho” by Arijit Singh: This romantic song will make you feel like you’re the only two people in the world.

​   Make your Valentine’s Day extra special with these romantic songs from Saregama. Download your favorites today and enjoy a romantic evening with your special someone.

​    Saregama is a great source for finding the perfect Valentine’s Day songs. With a wide selection of romantic songs to choose from, you’re sure to find the perfect one to express your love. Whether you’re looking for a classic or a modern song, Saregama has got you covered.

Download your favorite Valentine’s Day songs today and make your day even more special.

[shankarjaikishanfansassnintl]

Remembering Shakti Samantha on his birth anniversary. Jaikishan and Shakti Samanta In a career that spanned over four decades, producer/director, Shakti Samanta, worked in forty movies, four of them with Shankar Jaikishan. Singapore (1960): The suspense movie was an Indo-Malay co-production. It was produced by F. C. Mehra and directed by Shakti Samanta. It was shot extensively on location in Singapore and has Shammi Kapoor and Padmini in the lead. There are eight songs in the album. Shailendra and Hasrat wrote four each. Lata sang three solos and three duets with Rafi, while Rafi and Mukesh sang a solo each. An Evening in Paris (1967): Shakti Samanta produced and directed the super hit romantic drama. It has been shot extensively in Paris. Shammi Kapoor was cast in the lead opposite Sharmila Tagore. There are nine chartbusters in the album. Hasrat wrote five songs and Shailendra four. Rafi sang six solos and one duet with Asha while the latter and Sharda sang a solo each. Pagla Kahin Ka (1970): Directed by Shakti Samanta, the romantic movie has Shammi Kapoor and Asha Parekh play key roles. There are six songs in the album. Hasrat wrote five and S. H. Bihari wrote one. Rafi sang three solos with one being a tandem number sung by Lata. Manna Dey and Asha sang a solo each. Jaane Anjane (1971): The drama was directed by Shakti Samanta with Shammi Kapoor, Vinod Khanna and Leena Chandavarkar in key roles. There are seven songs in the album. Hasrat wrote four, S. H. Bihari two and Gulshan Bawra one. Kishore Kumar, Manna Dey, Asha, Sharda and Lata sang a solo each. Lata sang a duet with Rafi and Manna sang one with Suman Kalyanpur. It should be noted that all four movies by Shakti Samanta had Shammi Kapoor in the lead. Not surprisingly, he dropped SJ after Kapoor alienated himself with the composer duo. Seen in the picture below are (L-R): #shaktisamantha #Jaikishan of #shankarjaikishanduo , #SharmilaTagore #HasratJaipuri, #Rafi and #MinooKatrak at the recording of Aasman Se Aaya Farishta for An Evening In Paris. https://www.instagram.com/p/CnWuuU9s6Lv/?igshid=NGJjMDIxMWI=

[strikinglyawesome-blog]

Visit my website

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[helpdickstuckintoastergettinghot]

Yall remember those hitler reacts youtube videos lmao wtf was that

[musicverse11]

Bappi Lahiri’s Collaborations: A Melodic Journey with Legends

Bappi Lahiri, often referred to as the “Disco King” of India, holds a special place in the hearts of music lovers across the globe. A pioneer in introducing disco music to Bollywood, Bappi Lahiri’s unique style redefined the Indian music scene in the 1970s and 1980s. Known for his peppy beats, iconic melodies, and vibrant persona, he left an indelible mark on Indian cinema and music. This article explores his journey, his contributions to the world of music, and the legacy he has left behind.

Early Life and Musical Beginnings

Born Alokesh Lahiri on November 27, 1952, in Jalpaiguri, West Bengal, Bappi Lahiri grew up in a musically enriched family. His father, Aparesh Lahiri, was a renowned Bengali classical singer, while his mother, Bansari Lahiri, was well-versed in classical music and Shyama Sangeet. Surrounded by music, Bappi started learning the tabla at the tender age of three, showcasing a natural flair for rhythm and melody. It was clear early on that he was destined for a life immersed in music.

Bappi drew inspiration from global music trends, particularly Western pop and disco, which were gaining popularity during his youth. This influence would later define his career and establish him as a trailblazer in Bollywood music.

Rise to Stardom in Bollywood

Bappi Lahiri’s Bollywood journey began in the early 1970s when he composed music for the Bengali film Daadu in 1972. He soon transitioned to Hindi cinema, making his debut as a music director in the film Nanha Shikari (1973). However, his breakthrough came with the 1975 movie Zakhmee, where he not only composed the music but also lent his voice to a few tracks. The songs from this movie became instant hits, showcasing his ability to create memorable melodies.

It was during the late 1970s and early 1980s that Bappi Lahiri truly rose to prominence. Films like Chalte Chalte (1976) and Disco Dancer (1982) cemented his reputation as a hitmaker. The song “Chalte Chalte Mere Yeh Geet Yaad Rakhna” became a timeless classic, while “I Am a Disco Dancer” became an anthem for a generation. His ability to infuse Indian melodies with Western disco beats created a distinct sound that was both innovative and appealing.

The Disco Era and Iconic Contributions

Bappi Lahiri is best remembered for ushering in the disco revolution in India. During the late 1970s and early 1980s, he introduced the high-energy, danceable beats of disco to Bollywood, making the genre a household name. His soundtracks for movies like Namak Halaal (1982), Sharaabi (1984), and Himmatwala (1983) were filled with catchy tunes that quickly climbed the music charts.

Songs like “Pag Ghunghroo Bandh,” “Yaar Bina Chain Kahan Re,” and “Jimmy Jimmy Aaja Aaja” became instant classics. His innovative use of synthesizers, drum machines, and electronic instruments gave his compositions a modern edge. These tracks weren’t just songs; they were cultural phenomena that defined an era in Indian cinema.

Collaborations and Versatility

While Bappi Lahiri is often celebrated as the Disco King, his musical repertoire extended far beyond disco. He was a versatile composer who collaborated with legendary singers like Kishore Kumar, Mohammed Rafi, Lata Mangeshkar, and Asha Bhosle. Each collaboration brought out a different facet of his musical genius.

One of his most memorable collaborations was with Kishore Kumar, with whom he created evergreen hits like “Chalte Chalte” and “Pag Ghunghroo Bandh.” Bappi Lahiri’s ability to blend Western influences with traditional Indian music showcased his range as a composer.

Achievements and Global Recognition

Bappi Lahiri’s contributions to music earned him recognition not just in India but globally. In 1986, he set a Guinness World Record for recording more than 180 songs in a single year, a testament to his prolific output. His song “Jimmy Jimmy Aaja Aaja” gained international acclaim, becoming a hit in countries like Russia and China and even being featured in Hollywood productions.

His work transcended linguistic and cultural boundaries, making him one of India’s first music directors to gain a global audience. Bappi Lahiri also contributed to the soundtracks of several international films, further cementing his status as a global music icon.

The Man Behind the Music

Beyond his music, Bappi Lahiri was known for his larger-than-life persona. His love for gold jewelry, flashy outfits, and sunglasses became his signature look, making him a style icon of his time. This flamboyant image complemented his vibrant music and endeared him to fans worldwide.

Despite his fame, Bappi remained a humble and dedicated musician, always striving to push the boundaries of his craft. His passion for music was evident in every composition, and his ability to adapt to changing trends kept him relevant over the decades.

Legacy and Influence

Bappi Lahiri’s impact on Indian music is undeniable. His innovative approach to music paved the way for future generations of composers to experiment with new sounds and genres. Many contemporary music directors credit Bappi Lahiri as an inspiration for their work.

Even after his passing in February 2022, his music continues to resonate with audiences. His timeless melodies, infectious beats, and groundbreaking innovations have left a legacy that will be cherished for generations to come.

Conclusion

Bappi Lahiri journey from a young tabla player in West Bengal to the Disco King of Bollywood is a story of passion, innovation, and relentless dedication to his craft. His ability to create music that transcended genres, languages, and generations is a testament to his genius. As we celebrate his life and legacy, it is clear that Bappi Lahiri will forever remain an integral part of India’s musical heritage.