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#LOVE YOU๐Ÿ˜™๐Ÿ˜™๐Ÿ˜™๐Ÿ˜™๐Ÿ˜™
myokk ยท 21 days
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commission for @versailles-black โœจ๐Ÿ’˜
THANK YOU SO SO SO MUCH !!!!
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theghooligan ยท 3 months
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aemond: i love that my uncle tried to murder me in my own bed. heโ€™s soooooooo afraid of meโ€”
daemon, living it up in harrenhall:
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weirdglassthing ยท 2 months
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ouaw doodle dump!!
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chirpsythismorning ยท 4 months
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El being *12 hours earlier* than the Cali timeline when she arrives at Nina. Will saying โ€˜itโ€™s been 9 hrsโ€™ in the scene following his monologue in the van.
We know that at some point their timelines merged when they arrived to save herโ€ฆ
But we donโ€™t know when exactly those alignments took place when they were still apartโ€ฆ which just makes you wonderโ€ฆ
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#byler#something something#elโ€™s not stupid#she heard everything at rink o mania which included mike deflecting about not calling Will#she heard Dustin say mike was being annoying about Joyceโ€™s telemarketing job#she got her powers back roughly around the time the van scene was happening we can presumeโ€ฆ#why would she not check on Mike and Will after finding out about the Hawkins gang?#she was literally with them last and it would make sense for her to want to know where they are/what they are doing#and since the timeline is off with el at Ninaโ€ฆ just makes you wonder#the sad painful looks el makes during Mikeโ€™s monologueโ€ฆ#if she heard anything from that van scene..#whether it be mike saying it wasnโ€™t fate/destiny and was just simple dumb luckโ€ฆ#if she heard Will emotionally play off deep feelings he harbors as elโ€™s#even writing off his painting as being commissioned by herโ€ฆ#oh and the heart??#if she heard that and heard will encourage mike with it before telling her he loved her#no wonder she looked miserable#and left dude on read at the end instead to focus on max#both after his monologue and at the cabin ๐Ÿ˜™#this line from s2 is so insane in the context of this tooโ€ฆ#bc if she saw them in the van and saw Willโ€™s speechโ€ฆ#she also saw mikeโ€™s reaction which was blurred for usโ€ฆ#Joyce: heโ€™s not doing wellโ€ฆ#El: I know. I saw.#Joyce: what else did you see?#El: ๐Ÿ‘€#delusional but free
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sparxyv ยท 2 months
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Milena Student ID ๐Ÿ’œ๐Ÿฆ…
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I decided to finally issue a proper introduction to Milena Chase for you guys so she doesn't remain a face without a story any longer ๐Ÿ˜ค
Thank you for the template @kiwiplaetzchen !! ๐Ÿซถ
Brace yourself for a big infodump - here is Milena's backstory etc etc ๐Ÿซ 
Family
Milena Jacqueline Chase was born in 1874 to a French muggle, Henri Marie Chase, and a Japanese witch, Miyuki Hoshino.
Milena is the oldest of seven siblings.
The Chase Familyโ„ข is extremely rich, like, buttloads of money rich. Coming from a long line of vintners, they founded one of the leading brands of the best quality wines in Europe, as well as owned a luxury hotel in central Paris.
Milena's grandparents on her mother's side lived in Feldcroft, and still do. They often watched over the Sallow twins after their parents death when Solomon was busy. (Milena does not know her grandparents. ๐Ÿ‘)
Miyuki - Milena's mother - was a Slytherin in Hogwarts, and was friends with Solomon Sallow.
Life Before Hogwarts
Growing up, Milena and her siblings resided in their family's hotel in Paris, France. Since their parents were too busy with business and galas, they were raised by the housekeepers and servants that worked at the hotel.
Milena was homeschooled, undergoing typical muggle education with many tutors over the years. She gained a passion for learning early on, intensively studying practically anything that piqued her interest! (my little Matilda LOL)
Milena did NOT go to Beauxbatons, yet showed signs of magic very early on. The only reason she was aware of magic and wizardkind because of her mother's house elf, Teeley. (we love Teeley ๐Ÿซถ)
She had so much free time on her hands that she'd mastered and studied so many different things, making her a true jack of all trades! Some of these things include - Chess, fencing, horseback riding, painting, embroidery, baking, PLUS she's fluent in German and Russian (in addition to English and French).
Relationships
I'm planning on going more in depth with Milena's relationships in a series of separate posts so I'm just going to list her closest friends ๐Ÿ’œ
Sebastian Sallow
Anne Sallow
Ominis Gaunt
Imelda Reyes
Athol 'Mousey' McGregor
Samantha Dale
Amit Thakkar
Natsai Onai
Garreth Weasley
Poppy Sweeting
Sacharissa Tugwood
Richard Jackdaw
Personality
MBTI - ENTJ-A
Alignment - Neutral Good
I really think of Milena's personality as close to the in-game MC as possible, but I do tend to wander from that sometimes.. ๐Ÿ˜—๐Ÿ˜—
Milena always strives to help out people when faced with trouble, but never actively seeks out problems to solve - they just always seem to find her. Nevertheless, she always takes on difficult situations and rises to the challenge.
It helps a lot that she's very self-assured, something that came out of spending most of her childhood alone and taking care of herself AND others. That being noted, she's a natural born leader. Milena is assertive and logical and can easily adjust and adapt to many different situations - which makes her the perfect person to deal with a certain Slytherin boy who's emotions control him and not the other way around.. ๐Ÿ‘€๐Ÿ‘€
Milena is an ambivert. While she enjoys socializing, she's also comfortable being alone. She doesn't exactly prefer one over the other though. Socializing comes easy to her, and she has a secure attachment style when it comes to her relationships, never really feeling insecure about them or getting jealous easily. Milena tends to be more mature, and she never internalizes things when people are rude - but because she's so calm and mellow, people are usually either drawn to her or intimidated by her.
As a Ravenclaw, Milena is naturally curious! She's constantly on the hunt to learn new things, which is why she enjoys exploring outside of Hogwarts so much, taking in everything she can about the hamlets and just the Highlands in general. Her curiousity helps her find wonder in even the smallest of things. She's very open-minded, yet nearly always at least slightly skeptical when it comes to new things. She can be very opinionated, but is always open to other perspectives.
Milena is not one to be overly expressive with her emotions (but to be clear - she doesn't hide them either ๐Ÿ˜—), yet she does have a side of her that naturally comes out only when she feels comfortable. With friends like Sebastian especially, she feels like she can let loose and be more playful as well as a bit snarky/sarcastic.
Additional Fun Facts!
I've already mentioned this before - but Milena's absolute favorite things in the world are BIRDS. Birds of all kinds. She knows everything about every species, and I mean everything. And somehow, birds naturally flock to her like she's some type of woodland princess.
Milena's hair is NOT naturally curly/wavy, nor is it naturally auburn! Prior to Hogwarts, she used a charm to change her hair color, but it seemed to have some extra effects on her hair texture too..
Milena doesn't often speak French after arriving at Hogwarts, but since it's her native language, she finds it much easier to express herself in French even though she speaks near-perfect English. She also enjoys sneaking in French phrases to occasionally mess with Sebastian since he has no idea what she's saying ๐Ÿฅฐ๐Ÿฅฐ
Her love language is gift-giving, but when it comes to receiving it would be acts of service and quality time.
Is VERY passionate about potion-making.
Becomes an animagus in the summer before sixth-year, her animagus form being a giant golden eagle!
Already mentioned but she's quite fearless, except for when it comes to mooncalves. (She's more creeped out by them than scared of them, though.)
More of a dog person - Raphael is the exception ๐Ÿ’œ
Seeker for Ravenclaw in her sixth-year!
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a-clown-with-wings ยท 9 months
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RAAAA
DID IT
YIPPEE
LUV HIJINKS ๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐ŸŽ‰๐ŸŽ‰๐Ÿ—ฃ๏ธ๐Ÿ—ฃ๏ธ๐Ÿ—ฃ๏ธ
SCREAMING CRYING TURNING INTO A CEILING FAN THAAAANK YOOOUU
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๐—‰๐—ˆ๐—๐—๐—’ ๐—†๐—ˆ๐—Ž๐—๐—
โฅ๐—Œ๐—‡๐—‚๐—‰๐—‰๐–พ๐— : ๐—Œ๐—๐—ˆ๐—๐–บ ๐–ป๐–พ๐—‚๐—‡๐—€ ๐—Œ๐—๐—ˆ๐–ผ๐—„๐–พ๐–ฝ ๐–ป๐—’ ๐—’๐—ˆ๐—Ž๐—‹ ๐–ผ๐—๐—‚๐—…๐–ฝโ€™๐—Œ ๐—…๐–บ๐—‡๐—€๐—Ž๐–บ๐—€๐–พ ๐—๐—๐–พ๐—‡ ๐—๐–พ ๐—‹๐–พ๐—†๐–พ๐—†๐–ป๐–พ๐—‹๐—Œ ๐—๐—๐—ˆ ๐–ป๐—‚๐—‹๐—๐—๐–พ๐–ฝ ๐—๐–พ๐—‹.
{ ๐—๐–บ๐—‹๐—‡๐—‚๐—‡๐—€๐—Œ โ€” ๐–ป๐—…๐–บ๐–ผ๐—„ ๐–ผ๐—ˆ๐–ฝ๐–พ๐–ฝ ๐–ฟ๐–พ๐—†๐–บ๐—…๐–พ ๐—‹๐–พ๐–บ๐–ฝ๐–พ๐—‹, ๐–ฟ๐—…๐—Ž๐–ฟ๐–ฟ, ๐–พ๐—Œ๐—๐–บ๐–ป๐—…๐—‚๐—Œ๐—๐–พ๐–ฝ ๐—†๐–บ๐—‹๐—‹๐—‚๐–บ๐—€๐–พ, ๐—†๐—ˆ๐—๐—๐–พ๐—‹ ๐—‹๐–พ๐–บ๐–ฝ๐–พ๐—‹, ๐–ผ๐—Ž๐—‹๐—Œ๐—‚๐—‡๐—€ ๐–ป๐–บ๐–ป๐—’. }
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heโ€™s not really surprised that she said it, cuz you say it all the time, calling him a "dumbass/hoe ass nigga" or telling him "nigga shut the fuck up." and aizawa teaching black students (mina and deku) and having a few black coworkers (mirko, rock lock and orca) he hears it all the time himself.
but heโ€™s downright flabbergasted when and how she says it right to his face at that; after you told her to go get her father to come here and yk how kids be, adding extra words nobody told them to say. so your kid stands in front of him with a mischievous smile on her face and glint in her dark brown eyes as she says "mommy said to tell you โ€˜nigga bring your light bright ass down to the kitchen foโ€™ you donโ€™t get no damn dinnerโ€™ so are you coming daddy?โ€
and he pauses for a moment having your black mother mannerisms come out of him. โ€œd/n? whatchu just say to me?โ€ she pales a bit โ€œno daddy! thatโ€™s what mommy said.โ€ he calls for you yelling your name. "aye y/n cmere!" you shout a "what!" from your place in the kitchen and he repeats himself. the sound of your slippers hitting the tile as you approach your shared bedroom, the anger in your steps ever so evident, belly protruding cause of your second child as you grumble loudly all the way to the door.
"nigga what? i told d/n to come getโ€™chu for a reason na' my damn feet hurt โ€˜n all I wanted tโ€™ do was cook." you look at him with an attitude hand resting on your wide hip as you leaned on the doorway. "whatchu want shota?" you take in the situation, your husband sitting on the bed a displeased expression on his face and your baby girl got tears welling up in her big brown eyes as she fiddle with her fingers.
"why my baby bout tโ€™ cry?" you walk further into the room standing beside your daughter and in front of aizawa with your arms folded, he rubs on your belly looking up at your frustrated eyes. "โ€™m sorry mama." he kissed your belly. "making you walk all the way back here but what did you tell her to tell me?" you suck your teeth when he kisses your belly again 'ainโ€™t this just what i said earlier??'
sighing out your frustration you continued. "i told her to tell you โ€˜bring your light bright ass down fore you donโ€™t eat dinner.โ€™ got me walking all up โ€˜n down this damn house when you know how fat yoโ€™ damn babies are." he rubs you again "โ€™m sorry.. again itโ€™s just your daughter cursing me out." you snicker before he looks at you with dead eyes.
"oh you was forreal? what did she say?" shota and you both look at your five year old her tears still threatening to fall. "tell your mama what you said." she whimpers while repeating what she told her father earlier, itโ€™s a moment or two of silence before you burst out laughing. "fuck i gotta pee ima pee on myself."
you waddled to the bathroom giggling as shota rolled his eyes this is not the right outcome you came out the bathroom wiping the excess water on the cami as tears filled your ducts "โ€™m sorry baby itโ€™s just that shit was too funny." you sat on the bed next to him as you picked up d/n placing her on shotaโ€™s lap. "youโ€™re supposed to tell her that she shouldnโ€™t be saying those words at her young age."
you pat his face leaning forward to kiss your daughter on both her chubby cheeks fixing around her bonnet. "those arenโ€™t even the extra bad ones.." you caress her cheek with your thumb. "you know not to say those words to your teachers and the grownups outside the house right? unless they need to hear it.." shota nudges your shoulder and you exclaimed playfully. "what sho i donโ€™t think itโ€™s that serious i think itโ€™s quite hilarious in fact."
he shakes his head from side to side kissing the top of your daughtersโ€™ cap "just donโ€™t get used to saying words like that yaโ€™ hear me d/n." she nods her head and yโ€™all stay there for a minute or two loving up on her before you you spoke interrupting the silence. "so baby girl.. say another curse word." "y/n!" you cackle at shotaโ€™s face getting ready to get up.
"iโ€™m just kidding.. alright letโ€™s go i wasnโ€™t slavinโ€™ over that hot ass stove for nothin." your daughter jumped off shotaโ€™s lap running towards the kitchen. aizawa gets up grabbing you by your hand, pulling you towards him minding your belly, your arms wrap around his shoulders stroking the hairs on the back of his neck as he slaps your ass then grabs it. "she gets it from you yaโ€™ know. you need to stop cursing."
you hum pulling him down kissing him tenderly before pulling away, dragging your hands from his shoulders to pat his chest as you look deeply into his eyes. "i ainโ€™t gotta do a fuck thing.. pretty ass nigga." you peck his lips before waddling away.
you turn your head, sticking your tongue and middle finger out at him before crossing the doorway, your husband shook his head know something like that was coming his way as soon as he said those words. 'these girls are finna be the death of me i hope this next girl isnโ€™t so troublesome.'
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๐—Œ๐—‰๐–บ๐—† ๐—…๐—‚๐—„๐–พ๐—Œ, ๐—‹๐–พ๐–ป๐—…๐—ˆ๐—€๐—Œ ๐–บ๐—‡๐–ฝ ๐–ผ๐—ˆ๐—†๐—†๐–พ๐—‡๐—๐—Œ. ๐–ฃ๐–ฎ๐–ญ๐–ณ ๐—Œ๐—๐–พ๐–บ๐—…, ๐–ผ๐—ˆ๐—‰๐—’ ๐—ˆ๐—‹ ๐—‰๐—ˆ๐—Œ๐— ๐–บ๐—‡๐—’๐—๐—๐–พ๐—‹๐–พ ๐–พ๐—…๐—Œ๐–พ. ยฉ๐–ผ๐—‚๐—๐—’๐—‰๐—‹๐–พ๐—Œ๐—‚๐–ฝ๐–พ๐—‡๐—๐—‚๐–บ๐—…
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luckycharms1701 ยท 6 months
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Lucky I write down potential asks in my notes and literally just scribbled this today so the fact hur open now is a wild coincidence and also ily /p have a great night !!! Drink fluids !!
The set up premise might be.. different? so ignore if inspiration doesn't tickle ur scrote but I am a person who eats spicy food on a daily basis and if it's painful enough it can look like a damn sexual experience(panting, sweating, flushed face, gr/moaning(in pain), whines, milk spills, the works). I can see bay Mikey doing some kind of prank or dare without knowing what would stir within until suddenly ur being dragged off to his bedroom trading one heat for another-
I'd hoped this was just about blurbish length and that I make sense ;-; (I am so nervous about sending request asks in I am ill)
(-gornack but anon cuz if i sound nonsensical I don't want the embarrassment of having my account attached)
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^ how i felt reading this ask
there is nothing to be embarrassed about here!!
sorry for the fade to black but hope you enjoy anyway!
It takes exactly three wings for you to realize that youโ€™ve made a mistake. You pause when the heat hits your tongue, and that is another mistake. You swallow without tasting anything and look at Mikeyโ€™s expectant face with a shaky smile. โ€œNo problem!โ€ You give him a thumbs up, hoping heโ€™ll ignore the increasing redness you can feel in your face.
When Mikey came to you, begging to recreate those videos he was obsessed with where people eat progressively spicier food, you knew this would happen. You knew. But one look into those tearful puppy dog eyes and you folded faster than wet cardboard. Now you (and your relatively low spice tolerance) find yourself wishing that you werenโ€™t head over heels for him.
โ€œYes!โ€ Mikey cheers with his hands in the air, and all the pain you are about to endure is immediately worth it. Damn him. You look back down at the remainder of the wing in your hand and both dread and determination run through your veins. Well, mama didnโ€™t raise no quitter. You bring the little bomb to your mouth and eat the rest of it, trying and failing to keep the sauce off your lips. Shit.
You nibble on some bread to help with the heat, saving the milk for later when youโ€™re truly suffering. Your fingers tap along to the beat of the music Mikey put on as you look for the next spicy little enemy. Instead of offering you the next saucy wing, Mikey is staring. At your lips, specifically. You touch them hesitantly. They feel a little inflamed but dry. โ€œDid I miss some sauce or something?โ€ Mikey shakes his head with an unusually (even for him) loud โ€œNo! Youโ€™re fine.โ€ You shrug and reach for the wing he offers you.
Sweat forms on your brow before the heat hits, and you brace yourself just in time. A breathy โ€œohโ€ leaves your parted lips as the heat rolls through your mouth like thunder. You give in and reach for the milk as the heat crests, gulping a little too quickly and spilling some. When the teasing you expect from your best friend doesnโ€™t manifest, you try to contain your panting and look up to find him once again staring at your mouth. โ€œOkay, I know whatโ€™s up with me, but whatโ€™s up with you?โ€ You reach up and swipe at the line of milk dribbling down your chin with your thumb, and Mikey visibly swallows.
โ€œN-nothing, angel. Just wondering if youโ€™re still up for this. You lookโ€ฆ heated.โ€ You groan loudly at what you assume is a very bad pun, holding out your hand for the next torture device. The heat in your mouth is now at an alarmingly high steady burn, but you are trying to ignore that in favor of getting through this ordeal.
โ€œHit me, Michelangelo.โ€ He mutters something under his breath that you canโ€™t hear over the music, and you study him as he hands you the next wing. He is twitchy, eyes dark as he watches your fingers wrap around the meat. Wondering why Mikey is acting so weird is a good distraction from the pain in your mouth, so you continue to observe him as you raise the fifth wing to your mouth.
It seems almost like Mikey is the one on the spot, you muse as you chew, with the way he canโ€™t sit still. Heโ€™s looking everywhere except at you now, fingers tapping agitatedly on the can of Orange Crush in between his hands on the table. Then the heat hits you like a brick wall, and there is no room in your head for anything except the stinging pain. Tears fill your eyes as you whimper.
Mikeyโ€™s chair scraping across the floor startles you as you chug some milk, and you spill some again. Your whimper turns into a groan as more milk dribbles down your chin. How embarrassing. The milk pools in your hand as you try in vain to keep it from getting everywhere.
โ€œOkay, thatโ€™s it!โ€
Before you can process whatโ€™s happening beyond the fire raging in your mouth, Mikey rounds the table and picks you up. You stutter his name, hands flailing, beyond bewildered. He ignores you and beelines for his room, squeezing you firmly against his plastron.The door closes with an ominous snick, and you brace yourself, still panting from the heat of the wings. The tension leaves you though, as Mikey tosses you on the bed and shows you exactly why he was acting so weird. Oh. Ohhhhh. OH.
~~~
head bonks: @yorshie @avery73 @justalotoffanfiction @thejudiciousneurotic @writinandcrying @xnorthstar3x @morenovix218 @donniesgirlie @gornackeaterofworlds
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wateryrealm ยท 7 months
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closing of marina tsvetaevaโ€™s โ€˜poem of the mountainโ€™
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myokk ยท 18 days
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๐Ÿ’˜
#this might be the most scribble thing I post here yet bahahahahahahahahahahaaha#I still like how the hands turned out even though I didnโ€™t finish them๐Ÿ˜‡#but itโ€™s pretty messy and the hands might be the only part I like๐Ÿฅฒ#but since this blog is my art journey documentation here you are#I was pretty busy today so no good art but maybe tomorrow weโ€™ll see#I am preparing things to FINALLY answer my asks๐Ÿฅน#& if you tagged me in anything I actually have been meaning to respond!!!!!!!! my notifications are the WORST and so confusing on here๐Ÿ˜ตโ€๐Ÿ’ซ#and Iโ€™m technology grandmaโ€ฆ#hope u all have had an amazing day !!!! ๐Ÿซถ#my brother in law has been fishing and catching SO MANY sargo#(sargo = sea bream for the animal crossing playing English speakers๐Ÿ˜™)#AND ITS LITERALLY SOOOOOOOOO DELICIOUS !!!!!#i cook it in the weirdest way possible#you just have to gut the fish and cut off its fins etc#then you put it in a wet salt bed and cover it upโ€ฆcook it for 30 minโ€ฆAND VOILA ITS DONE !!!!!#I donโ€™t add any spicesโ€ฆNOTHINGโ€ฆand this fish literally has the taste and texture of crab covered in butter#LIKEโ€ฆ๐Ÿ˜ณ it might be my favorite food/fav thing to cook these days bc itโ€™s so easy and fresh caught fish is just delicious๐Ÿ˜ซ#well that was my grandma cooking show of the day๐Ÿ‘ฉโ€๐Ÿณ#now you know how to cook sargo a la sal ๐Ÿ‘ฉโ€๐Ÿณ#also going back to the drawing๐Ÿฅน I just love these two so muchโ€ฆ#I love thinking of sweet momentsโ€ฆmost of my angst is confined to writinc๐Ÿ˜†#the chapter Iโ€™m writing right now is SO ANGST DEPRESSING (sorry Eloise)#it will get betterโ€ฆI promiseโ€ฆ#hogwarts legacy#hogwarts legacy fanart#hogwarts legacy oc#hogwarts legacy mc#eloise babbit#sebastian sallow#sebastian sallow x mc
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holdingontoheadache ยท 9 months
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Happy 2024, lovelies!! ๐Ÿฅณ๐Ÿฅ‚โœจ
As one year comes to an end and another begins, I just want to thank all of the people Iโ€™ve had the pleasure of getting to talk to/interact with, those I have yet to meet, and those that Iโ€™ve never interacted with but consider very good pals!! For as long as Iโ€™ve had this blog (and itโ€™s been very long ๐Ÿ˜ตโ€๐Ÿ’ซ), I was never really active in fandom spaces the way I am in this current iteration of the 1d/solo music space and itโ€™s all thanks to the community Iโ€™ve surrounded myself with!! Love you all so much!! Sending you all so much love and prosperity your way!! Hereโ€™s to another year of shenanigans and surprises yet to come!! ๐Ÿฅ‚โœจ
Shout out to the lovely mutuals (and non-mutuals) that have made my year a little brighter:
@kiimmyko @tommos @naomismcpherson @louisgrayhairs @uwulouis @louisgayvodka @wecantalktomorrow @greeneyesfriedrice @alphalouis @braverytattoos @louiscommonpeople @505louis @alloutime @callouiee @writtenallcver @goldenkinglouis @wishingforloushair @pop-punklouis @stonerosestank @1dhq @eepyjay @1ouis @wlwtomlinson @ayalabida @redpantslouis @moon-sun-thyme @moonslust @itsnotreal @stephron @quickpauseinconversations @usergf @girlfriendrrys @heartshaped-lou @medicinelarrie @aestheticlarrie @ms-softgoods @satelliteee28 @cherrygarden @lovelikealandslide @night-is-a-feeling @foolishlovers @gottoohighlife @xmoreofwhatwasoncemine @inandoutoffocus @harrylights @stylesbandshirts @louisarmpits @whatagreatproblemtohave @princeofyorkshire @rainbenrry23
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chrlie-cox ยท 2 years
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HAPPY BIRTHDAY CHARLIE THOMAS COX โค๏ธโ€๐Ÿ”ฅ๏ธ (December 15, 1982)
as Tristan Thorn in STARDUST (2007) as Ian Hamilton in STONE OF DESTINY (2008) as Owen Sleater in BOARDWALK EMPIRE (2010-2014) as Duke of Crowborough in DOWNTON ABBEY (2010-2015) as Jonathan Hellyer Jones in THE THEORY OF EVERYTHING (2014) as Matthew Murdock in DAREDEVIL (2015-2018) as Michael Kinsella in KIN (2021--)
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thetomorrowshow ยท 6 months
Text
for a light
okay I PROMISE that comfort is coming I PROMISE
~
Scott stares Xornoth down from across the plateau, wind whipping the demon's hair and robes, black streaking out from him like some decaying flag.
They're alone, just the two of them, so far away (ndisu ndikitรก'รกna).
He's here.
It's time.
He sets the crown of antlers upon his head.
His fingers tighten on the thin grip of his sword.
-
Scott hisses as his finger bumps the pot, drops his hold and sticks the finger in his mouth. He was just trying to shift it to settle it better in the coals. Stupid cloth slipping.
Right. There's literally snow right there.
Scott removes his finger from his mouth, digs it into the snow beside him. The burn cools, eventually going numb.
That's one upside to living in a permanent winter. There's snow everywhere.
This little clearing in the woods that he took used to have a tent pitched in the center, grass and trees and wildflowers all around.
The tent is long gone, having collapsed under the weight of the snow and ice that collected upon it. Scott replaced it with an ice hut of sorts, which he thinks he created while asleep because he's not exactly sure how he did it. It's kind of ugly, but it has four walls and a roof and a little hole for a door, and it works.
The grass and plants aren't really visible anymore, the ground covered in a thick blanket of snow. Scott's not sure how, but someone had managed to get him a good pair of elven work boots, insulated and sturdy, so that he can tromp through the six or seven inches of snow without much issue. He's cold, this old, patched coat not quite enough to block out the chill, but the gloves keep his fingers from feeling too much like ice and the hand-knit hat prevents a majority of the headaches that his frozen ears cause. He's not too badly off, to be honest. There's just so much . . . cold.
And if he could get it to melt, that would be great.
He can make ice and snow appear just fine. There's plenty of snow, and he can point and ice spikes will shoot up out of the ground, and he can picture a cube of ice and watch as it forms in front of him, but that just means that now he has a little pile of ice cubes and a ludicrous amount of spikes the size of a tree. He can't get rid of anything.
And sure, he has a modicum of control. He can form ice cubes, and spikes, or whatever. But he can't turn off the way ice and snow just grows around him, or the freeze that blasts from him when he waves his arms.
He's been here for two weeks, figuring absolutely nothing out, and he doesn't have much hope for the future.
It feels like there's a wall in his head, a literal barrier keeping him from finding the way to draw back the ice. He's spent hours, days, even, pushing and shoving and just sitting against this wall, trying to force it to work.
It won't give. It's exhausting, day-in and day-out, to try again and again and again as the ice and snow just build up around him.
"Scott!"
Jimmy.
They haven't really . . . talked. Of course, Jimmy turns up every day without fail, bringing with him food and supplies. He always stands on the fringe of the clearing, shares news of the camp, of their latest excursion, of the fight they have planned.
Scott never really says much. He doesn't know how to respond, and Jimmy always leaves with his shoulders sagging the slightest bit.
What is he supposed to say?
I mourned you. I cried for you every day, because I knew I'd never see you again. I attended your funeral. I comforted your sister. I wore a depressing mimicry of what we once wore together, covering myself in the same darkness that took you. I lost you.
You didn't die, you survived, and I still lost you.
How is he supposed to tell Jimmy that what hurts more than anything about this situation is that he never tried to disabuse Scott of the notion that he was dead?
He thinks he still loves Jimmy. Their hearts were made for each other. They've been through too much together to just let go of everything they had.
But there were forty-two of the worst days of Scott's life, in which Scott believed his betrothed to be dead. He can't forget that. He can't pretend that Jimmy even attempted to contact him.
His mind always returns to that. Why didn't he? What reasons has he given, other than his ominous โ€œit wasn't time yetโ€? Why?
And now they're here, in this horribly awkward phase where they haven't even discussed whether or not they're still an item (Scott's desperately in love with Jimmy but he isn't sure he can even stand to see him it hurts so much) or if that's even something they want to pursue right now (Scott wants so badly just to hold his hand but he can't let himself hurt Jimmy).
"Hey, Scott!"
Scott straightens (his wings shudder under the weight of the ice coating them, but none of it cracks), shakes the snow off his hands, and turns, stomach twisting.
Jimmy is standing there, a good ten feet away, leaning out from between the trees.ย 
It's just Jimmy. Hair still too long, beard still obstinately there, an anxious smile on his pockmarked face.
Doesn't he have anything better to do, rather than visit Scott every day?
Jimmy holds up a bundle of cloth.
"I brought some bread and . . . venison, I think? I forgot to ask what it was. Does that sound good?"
Scott tugs his scarf up a bit higher on his cheeks. "Sounds fine," he calls back, voice muffled by the fabric.
Jimmy tosses it; Scott catches the bundle, grimaces when it frosts over the moment it touches his hands.
"What are you cooking?" Jimmy asks, stuffing his hands in his pockets. Scott glances back at his little pot on the dying coals.
"Just porridge," he says. That's all Jimmy gave him yesterday, after all. The grain for whatever chunky porridge it is that they eat at the camp all the time.
"That's . . . that's cool," says Jimmy. Dear Aeor, he looks so unbearably awkward. What does he want?
Thankfully, Jimmy gets straight to the point, no more hobbling around small talk.
"We're going on a mission," he says, the words coming out in puffs of frozen air. "There's a village about a day's walk from here, the largest we've gone for yet. They're going to be a huge asset to our rebellion."
Scott nods a couple of times. "Okay. How long until you're back?"
Jimmy chews on his lipโ€”the way he always does when he's anxious, or isn't sure how to approach a problem. "That's . . . well, I wanted to see if you would come, actually."
It takes Scott a few seconds to process that, but when he does, he almost laughs out loud.
He's out of his mind if he thinks Scott will risk something like that. He can't control this! He's had to separate himself from the rest of the camp because there's a ten foot radius of winter wonderland that appears around him!
He has to be joking.
"You have to be joking," Scott says.
Jimmy shrugs. "I talked about it with the others that are coming on the mission, and they're all fine with it. If it makes you feel betterโ€”"
"No, I'm dangerousโ€”"
"โ€”we can walk apart from you, andโ€”"
"โ€”you don't understand, I hurt Gem, I'llโ€”"
"โ€”was just thinking that it can't be good for you toโ€”"
"Jimmy, I said no!"
And childishly, to emphasize his point, Scott stamps his foot.
Ice crackles along the ground like a whip, shooting up in little spikes, a ten-inch wall down the middle of his little clearing.
It stops just short of Jimmy, the last little spike rising just inches from his boots, and Scott almost wants to go and shove him out of the way because Jimmy doesn't even move!
Doesn't he have any sense of self-preservation?
Jimmy doesn't seem scared when he looks up at Scott. He just seems sad.
"That's why I can't," Scott bites out, wrapping his arms around himself. His scarf is slipping, nose exposed to the cold. "I'm not safe. I don't want to hurt someone."
"Okay. Can I explain myself, though?"
Before Scott can give an answer, Jimmy takes a small step forward, boot crunching on snow.
Scott takes a step back.
"We know how to keep ourselves safe," he says. "Most of the people here escaped terrible conditions where one wrong move could kill them. They know how to recognize threats and keep a safe distance. It wouldn't even be an issue to travel with you."
Scott wants to argue, but Jimmy takes another step. Scott quickly steps back, swallowing down the fear that rises in his throat, burning like bile.
"We would travel kind of separately, and it wouldn't even be a long journey. Two days at most, I think. So the main group would stick together, and you would stay within sight off to the side. We usually move quietly, so you wouldn't miss out on conversation or anything."
Okay, that's probably what Scott would do if they were forced to travel. He's pretty sure that he can cause ice issues outside of the ten foot radius, if he tries, but it doesn't automatically happen. Travel plans like that might actually work.
Which doesn't mean they're good. They aren't. They just might work.
"This village has a lot of soldiers, from what we can tell. Way more than there ought to be. They're beginning to figure out our game. We usually wouldn't go for someplace so risky, but there's so many people there. If we freed them, we could easily add two hundred to our able fighters."
Is Jimmy stupid?
"It's a trap," Scott says, pointing out what seems obvious. "Why would they have so many Mythlanders there if not to wait for you?"
Jimmy scoffs. "We know it's a trap," he says. "That's why we want you. We want to avoid fights if possibleโ€”and if you were there, we would have a really decent chance of getting in and out without losing anyone."
"You're forgetting that I can't really control this," Scott says icily, and as if to match his tone, it spontaneously begins to snow. "I'm just as likely to hurt one of you."
"We just need you to make it as cold as possible. The Cod will surviveโ€”we're pretty good with cold temperatures. But humans are a bit more sensitive to that kind of thing. So we thoughtโ€”if you could freeze over the village, then all the guards would go inside and we could sneak everyone out!"
That. . . .
That is a monumentally idiotic plan.
Scott blinks several times, just to make sure it really is Jimmy in front of him and not some hallucination induced by so much time alone.
"Or we could not do that," he says. "Just a suggestion."
Jimmy laughs a little. "I kind of figured you'd say that," he says. "But it's worth a shot, right? And if it doesn't work, we can go back to camp and figure out something else. No harm done, right?"
"Other than the possible harm that my very presence could cause," Scott says. "Do you really think that staying ten feet away while traveling would work? Just because that's my snowglobe radius doesn't mean anyone is safe outside of it."
He re-crosses his arms, waits for Jimmy to meet his eyes.
Jimmy's quiet for a long time, looking around at the unintentional ice spikes and piles of snow. Long enough that Scott turns away, tosses the sack from Jimmy into his ice hut.
That's that, then. He and Jimmy aren't going to talk about any of their real issues. Jimmy's so focused on this inconsequential rebellion of his that he won't even think about the fact that Xornoth may be controlling the world by now. Gem might be deadโ€”literally any of them could be dead, Lizzie or Shubble or Joel all could have fallenโ€”and Xornoth has control of half of the empires or all of them. And the only way to stop him didn't work.
Yet all Jimmy will even give thought to is his stupid little rebellion.
"I know it's hard," Jimmy says, voice awkwardly too-loud, rousing Scott from his thoughts. "It's really, really hard. I know that you don't trust yourself, and that you're hurting, and there's so much tangled up between us that I don't really understand but I know isn't making any of this easier for you. But I know you want to get better. I know you, Scott. And I know you will do everything in your power to keep those people safe."
Scott doesn't say anything, blinks back the sudden tears. He doesn't need this. He doesn't need Jimmy telling him what he feels.
Even if he's right.
He would do everything to keep the others safe.
He just can't guarantee that it would work.
"I trust you," Jimmy says firmly. "We trust you. I wouldn't have even brought it up if I hadn't cleared it with everyone else. And if it doesn't work, I'll never ask you to do it again. But please, Scott. If not for the people suffering, do it for me."
He doesn't owe Jimmy anything.
As a ruler, he pledged to defend his people, and he failed. What about when he fails again? Will he even be able to live with himself?
Will he be able to live with himself if he doesn't try?
In the grand scheme of things, a rebel attack to evacuate citizens of a small town in the Codlands is absolutely nothing. It will likely not contribute at all to the ending of the war.
But it's somewhere to start. Jimmy's always talking about how if they're still alive after everything, they ought to be doing something good with it. If he wants to eventually try to launch some sort of hopeless attack on Xornoth, he has to start somewhere. He has to figure this ice stuff out.
"Okay," he says eventually, reluctantly. "I don't . . . I don't want to. I don't think it will go well."
"If you can't trust yourself, you can trust me," offers Jimmy, and Scott grimaces at the hope in his voice.
He doesn't respond.ย 
He wants to trust Jimmy. He wishes nothing had ever broken the trust that was there.
He isn't sure what did break it. He can't exactly blame Jimmy for not dying.
"I'll come get you tomorrow around midmorning, okay? We're hoping to arrive when it's dark the next day, then just have you freeze it overnight and get the Cod out before sunrise. Sound good?"
Scott shrugs. "It's your plan," he says. "Does it sound good to you?"
Jimmy doesn't respond, glancing over his shoulder. "I need to go finish prepping," he says when he turns back. "Take care. I . . . I'll see you tomorrow."
Scott doesn't move (frozen to the spot, he thinks idly), just watches Jimmy go, picking his way back between the trees.
What has he agreed to?
-
The journey goes exactly as Jimmy had laid out. Jimmy travels in a band of thirty-two people (Scott counts them during one of their fifteen minute rests), all able young Cod, some with cobbled-together armor or swords, others with nothing but the clothes on their back and improvised weapons. Scott sees two hand-made slings, one little hunting bow, and a couple of large branches shaped into clubs. All from afar, of course.
Scott walks a good thirty or forty feet away from the group, shying away whenever someone accidentally veers a little close. They always hurry back to the others, shivering and rubbing their arms.
Jimmy, of course, comes close on purpose. He keeps trailing along on the edges of the group, giving Scott terribly hopeful glances.
Scott just keeps his eyes on the snowy ground before him and wishes he could figure out how to talk to him.
Does he even want to talk to him?
Of course he does. Of course he wants to talk to his . . . to Jimmy.
He just can't. He can't risk hurting him. He can't risk getting hurt.
And soon enough, they've arrived at the town.
Scott has somehow managed to avoid hurting anyone, though one Cod only narrowly avoids getting stabbed by a flying ice spike when Scott gets startled by a bee.
He isn't sure how powerful he is, just that he's managed to tie it down and lash it to himself. But Scott, more often than not, feels like there's a thin door being battered and blown by a terrible snowstorm, ice seeping in through the cracks, and soon enough he'll have to try to open the door just a little bit. He can only imagine it blasting it open and sending bursts of unstoppable power out, forever unable to be closed.
Jimmy approaches him as Scott finishes up eating a cold supper, and even though it's dark Scott knows it's Jimmy because he knows Jimmy, he knows his habits and his tendencies and just weeks ago that had been painful, precious knowledge and now it means nothing significant.
"We're about ready," Jimmy says, not looking at Scott. He's looking out over the ridge that they're hidden behind, toward the town below. Scott wants to shake him, scream at him, drag him down to the ground. Doesn't he know he'll be seen? That his outline against the darkening sky will be obstinately visible?
"I'll take you down there in about a half hour. Then you just need to drop the temperatures to about freezing, all right? We'll do everything from there."
Scott doesn't answer. He doesn't have anything to say.
You left me you died to me I lost you and you were here. You were here this whole time and I've been hurting, and I'm still hurting and you just don't care. Why didn't you comfort me? Why aren't you helping me? Why won't you listen to everything I can't say?
Jimmy doesn't say anything, either, despite Scott's silent cries. He just stands there awkwardly, then gives Scott a nod and jogs back over to the main group.
Scott flexes his fingers in their gloves, blows on his hands, relishes the momentary warmth that brings him. He's always so cold these days. For good reason, of courseโ€”and despite all that, elves naturally run colder than humans, with the climate of their dwellingโ€”, but he doesn't have to like it.
How is he meant to freeze an entire town without accidentally doing more damage than intended?
At this point, Scott has absolutely zero doubt that he'll be able to freeze the town. Piece of cake. The problem is drawing back the power after it's been extended.
It doesn't help that he doesn't know what he's doing. It doesn't help that all he's done for the past two weeks is try to not explode. He hasn't actually learned anything about control, or using the magic to his advantage.
And now he has to save a town. Use this untamable magic in moderation.
He's going to fail so badly.
And yet, when Jimmy returns not long later, Scott readjusts the little knapsack that hangs off his shoulder and sets off around the ridge, following Jimmy from a safe distance.
They skirt around their little camp on the side of the ridge, giving the refugees a wide berth so as to avoid getting any of them mixed up in Scott's personal snowstorm. That wouldn't help anything about this situation.
The ice hasn't been unfreezing behind him, either. That's been kind of concerning. He'd assumed, back in his little patch of the forest, that the ice hadn't gone away because he hadn't gone away. But now there's just a path of frost and snow through the long grasses of the outer Codlands, a trail leading directly to the rebel camp.
Scott really hopes it melts with time. It wouldn't be good to have one of fWhip's flying fish spies follow it and discover the camp.
He gets pulled from his thoughts by necessity as they approach the town, Jimmy making sure to keep them to the shadows, out of range of the torchlight from the perimeter guards. They crouch down behind some bushes (Jimmy beckons Scott closer, miming something about talking, and Scott reluctantly settles down close enough beside himโ€”about five feet away, the closest to anyone he's been in weeks), peering between the brambles. Sure enough, there's more guards than a small border town ought to haveโ€”Scott counts at least four that patrol by the edge of town in the five minutes that they sit there and watch.
"We need to give my people a few more minutes, probably," Jimmy whispers, glancing up at the sky. The moon hasn't risen yet, so Scott's really not sure what he's checking. "But if you want to start the freeze, you can."
Right. Freezing an entire town.
Scott reaches inside himself for . . . for something. He isn't sure what. It's not like there's anything in there. Just his aching heart.
He legitimately feels fatigued from holding back the magic the best he can, but he doesn't know how to let go. He doesn't have any sort of point of reference for this. What is he supposed to do?
After several long minutes of indecision, of pulling at different parts of his mind to see if something just releases the switch, Scott gives up on figuring it out and just pushes.
He's not sure if the dam is broken, but a little flurry of snowflakes shoots out of his hands and he imagines the town, water in barrels and canals slowly freezing over, the temperatures dropping, the night air becoming frigid and biting.
Why does it have to be him?
"Nice," Jimmy whispers beside him. Scott blinks, looks up.
It's snowing. All across the town is snowing.
He didn't mean to make it snow. He only wanted to make it cold.
And it is cold. His fingers through their gloves are aching, the exposed skin on his face burns as a gust of freezing wind blows past.
"Was that too much?" he whispers, twisting his hands together. "I didn't mean forโ€”"
Jimmy breathes out a near-silent laugh, gives him a grin. "I knew you could do it. I knew it!"
He made Jimmy happy.
Despite all the confusing hurt keeping them apart, that still makes Scott's heart squeeze in the best way possible.
The guards glance around at the fat flakes of snow, clearly confused. There's some shouting person to person, and within torchlight on the edge of town, a cluster of guards gather, rubbing their hands together and stamping their feet and pointing back to the center of town as they talk.
There's no way this will work. If his guards at Rivendell left their posts because it got a little cold, they would be in severe trouble with their captain.
But as Scott watches, one by one, the guards begin to trail away, heading toward what Scott assumes to be the inn.
There's no way. There's no way this is actually working. This can't be real.
Jimmy takes in a near-silent breath, lets it out in a low, loud, whoop/whistle. It sounds strikingly like the call of an owl that Scott has heard occasionally in these parts, late at night.
When did Jimmy learn bird calls?
It's a small thing. It's not even anything that matters. It's tiny and unimportant and Scott really shouldn't be close to tears right now.
It's like he doesn't even know Jimmy. He doesn't want to be upset, but he can't seem to stop it.
Jimmy still loves him and wants him; Jimmy wants them to be in love again.
How is it so hard?
Every guard has gone inside now, the town quiet.
The snow continues to fall, slow, drifting gently onto a peaceful street, becoming a picturesque winter scene.
Yet staring at it doesn't bring Scott peace. He only grows more and more anxious, eyes scanning from point to point, as though he might miss the operation entirely if he only watches the snow.
And after five or so minutes of waiting, Scott sees, past the falling snow, camouflaged people stealing through the streets, peering in windows, tapping lightly on doors.
The Cod residents are quick and quiet to answer, which is absolutely absurd.
It's actually working.
The other day, this was the most ridiculous plan Scott had ever heard. He never would have believed that any part of it would actually come to any sort of fruition.
And here they are.
He continues to watch as entire families sneak out of houses, glancing left and right before stepping out into the street, some bundled up in layers of clothing and others with nothing but a thin tunic protecting them from the weather.
The rebels move in phases, ushering out first this side street, then that one, making sure each sector of the town doesn't leave without instruction.
Scott watches, and something within him marvels.
This is the work. This had seemed so inconsequential to him just days agoโ€”there are much larger things to worry about, after allโ€”but now he can see how this had become Jimmy's whole world.
There's so many of them. They're moving house-by-house, sending one group before beckoning the next, but the streets are still close to packed.
There's a woman, hands covering her mouth as tears stream down her face, following a group into an alley. A shirtless man, carrying two children at once, his shirt draped over the both of them. A childโ€”a tiny slip of a girl, surely not older than eight, clinging to her parent's leg, the torchlight from the abandoned guard posts illuminating her face just enough that Scott can see a hand-shaped bruise spanning her cheek.
The people are malnourished, injured, terrified. Theyโ€™ve been desperately praying that someone will rescue them, someone will come along and deliver them from this darkness.
And here Jimmy is, a shining light, their once-dead king returned to save them specifically, as unimportant as they feel they are.
It makes sense. Jimmy's forces aren't strong enough to take on Xornoth, so why should he even focus on something so unattainable?
This, while not easy, is doable, and something that both strengthens his numbers and helps his people.
Scott gets it. It's about hope. It's about remembering the lost. It's about finding strength and life in this world of corruption.
"Scott," Jimmy whispers, pulling him from his realization.
Scott blinks, looks over at him. Jimmy's teeth are chattering, his nose pink, his lips pale of color. His arms are clutched around himself, doing nothing to hide the way his entire body trembles.
"You can reel it back in, a bit," Jimmy says, clearly going for humor, but the words fall flat when his lips can't even twitch up in some semblance of a smile.
Oh.
Scott looks back to the town, and now, he doesn't just see the wonder of it all. He sees how slowly everyone is moving, the way the rebels look up fearfully at the quickening snow, the way none of them are wearing any proper winter gear.
It's cold out. It's very, very cold out. It's definitely far below freezing, icicles already hanging from buildings, a thick layer of snow blanketing the ground.
It's too cold. He sees, all at once, three children collapse, and their caretakers pick them up but can barely keep going.
It's too much. It's too cold, so cold that a man stumbles and falls, and those around him are too cold to stop and help.
"Scott, make it stop," Jimmy whispers with increasing urgency. "It's too cold. Scott, stop."
He can't stop.
The door has been opened, and Scott doesn't know how to close it.
He can't make it warm up, he can't even stop it from getting colder. The night sky is growing steadily darker as more clouds roll in, the snow falling harder and fasterโ€”there's actual ice spreading, visibly spreading, crawling out from the bushes where he and Jimmy are crouched, heading toward the town and Scott can't stop itโ€”
"Scottโ€”"
"I can't stop it," breathes Scott, and it's nothing but the truth. He can't just turn it off, that isn't something he knows how to doโ€”he doesn't know how to do anything, this is a curse and he hates it and nothing will ever be right again!
"I can't stop it," he says again, louder, voice shaking. "I can'tโ€”I can't do it, I told you I can't, I don't know howโ€”"
"Just try," Jimmy says over him, hands held up. "I know you can do it, I trust youโ€”"
"Justโ€”just stop!" Scott bursts out, finally, all those terrible emotions rising to his tongue. "You keep sayingโ€”you keepโ€”you were dead, you left me and you don't get toโ€”you can't tell me what I can and can't do, I don'tโ€”"
"Scott," Jimmy says, something horribly placating in his voice, and it sounds just like the old Jimmy, just like the one who diedโ€”
Scott stumbles up, backing away from Jimmy. He can'tโ€”he doesn't wantโ€”this is all too much, too much, he's ruined everything and it's too muchโ€”
Jimmy stands as well, taking a couple of steps toward him. "Scott, I'm going to touch you, okay?"
"No!" Scott bites out. The wind is whistling in his ears, he can barely hear Jimmy over itโ€”he can barely see Jimmy through the snow, there's so much of it, and Scott can't make it stop! He can't fix this! "Don't touch me, I don'tโ€”I don't even know you, I'll hurt you!"
"Scottโ€”"
"Getโ€”awayโ€”" Jimmy's just coming closer, one step at a time, and Scott doesn't want him, that's not his Jimmy, he doesn't want to hurt himโ€”
The storm is rapidly getting worse, the snow beating down on his face with little pellets of ice, he had never meant to make it snow let alone storm, he's cursed, he's forever cursed, there's no way he can make things right, there's no way anything will ever be right againโ€”!
And then there are arms around him.
Jimmy squeezes him tightly, good pressure and tightly enough that his brain is forced to settle into a more peaceful state, despite his surroundings.
His lover is warm against him, and Scott instinctively buries his face in the crook of Jimmy's shoulder where it belongs and perfectly fits.
Something inside doesn't really click into place. It doesn't quite work. It's close, but it's just not where it needs to be.
But it does slide together nicely, and Scott somehow finds a slippery grasp on the cold and tugs it back in.
He hadn't even been able to have this before. He hadn't even been able to feel a way to control it, let alone actually take hold.
But there's some kind of power positively radiating from Jimmy, something that Scott can feel and recognize in this entirely new world of magic that he never even knew existed.
It's got to be Jimmy's love.
Jimmy loves him so so much that it overpowers the curse.
And Scott, for the first time in weeks, feels warm.
He feels warm. Jimmy's here, his arms wrapped around Scott, and he feels warm.
A sob rises in his chest.
This is his Jimmy.
His Jimmy is holding him, and loves him, and is so very warm.
"There we go," Jimmy whispers into his hair, voice slightly muffled. "Not too much, now.ย  We still need a little bit of snow coming down."
Right.
Scott doesn't think he has the emotional capacity to pay attention to anything but Jimmy, but he loosens his grip on the ice just a little, enough that the snow doesn't stop.
The sob bursts out of his mouth, and Scott clutches Jimmy as close to him as possible.
His Jimmy is here. He's actually here.
And Scott can feel his fingers again, warmth washing over every part of his body.
They don't move for a long time. Jimmy watches the exodus over his shoulder as Scott cries into his chest, letting all of the emotions that he's been feeling for the past two months pour out onto Jimmy's coat.
They stand there, and Scott sobs.
After too long, long enough that the tears on Scott's face become more sticky than wet (they aren't freezing on his cheeks, like they've been doing, and isn't that just a miracle), Jimmy pulls away.
Scott feels his tenuous control slip from his graspโ€”too cold again, too coldโ€”and he launches himself back into Jimmy's arms.
"Don't go," he chokes out.
"Okay."
"Please . . . I can'tโ€”I can't do this without you."
"Okay."
Scott takes in a shuddering breath. He's stronger than this. He can do this.
"Do you think you can stop the snow?"
Scott nods, his nose wiping across Jimmy's coat. Then, with a mustering of what little strength he has, he shuts that imaginary door.
It almost doesn't shut. Scott strains against it in his mind, inch by inch, but eventually it clicks shut.
He can't lock it. But holding to Jimmy keeps it shut, and Scott doesn't plan on letting go.
Jimmy's right here.
Jimmy is real.
He's alive.
"You died," Scott sniffles, tears burning at the corners of his eyes. "You died!"
"I know," Jimmy murmurs, sounding absolutely heartbroken. "I know. I'm here."
"You weren't there, though. Youโ€”you left me! I was soโ€”so alone!"
"I know," Jimmy says again. "I'm so sorry, Scott. I'm so sorry."
Jimmy's crying too, Scott realizes. They're in snow up to their knees, in full view of the town, and they're both just standing here crying.
Scott. . . .
Scott doesn't really care.
His heart, broken by the weight of the grief hanging so heavily on it, is finally beginning to heal.
That's more important than anything else around.
-
Scott doesn't let go of Jimmy's hand the entire trip back.
They walk back to the camp, bringing up the rear of a long crowd of refugees. Scott's trail of frost is barely-there, and he never feels like he's a danger to anyone while Jimmy is at his side.
They arrive back at the camp almost three days later, the group slower-moving with the addition of a good three hundred people. The camp is thrown into chaos, more than doubled in size, and Jimmy's pulled every which way by every person possible as they try to make arrangements and adjustments on such a large scale.
Scott stays with him through it all. He presses himself into Jimmy's side during a hurried meeting about leadership for splitting into several camps; he clings to him while Jimmy directs new refugees to food; he holds his hand through long hours of pointing people this way and that.
Jimmy doesn't end up being forced to bed until past midnight, a young Cod practically pushing him and Scott to his tent. Jimmy goes reluctantly, walk stumbling and eyes bloodshot. Scott can't imagine that he looks any betterโ€”he can feel how oily his hair is, limp after being literally frozen for so long, his wings unkempt and dragging. He can barely stay upright, and relief floods him when they finally reach Jimmy's tent.
Jimmy collapses onto his bedroll without even taking off his boots or unbuckling the enchanted sword on his back, and Scott is just able to manage loosening the laces of his own boots and kicking them off before he falls down beside him.
"There's still so much to do," mumbles Jimmy, and instinctively, they wrap around each other, knees slotting perfectly and arms weaving just right.
It's like nothing changed.
It's like everything is right again.
"I missed you," Scott whispers, though his throat threatens to choke on the words.
He lost Jimmy. Forty-two days of mourning, of the worst torture he's ever been subjected to.
He lost him, and it still hurts. Everything still feels so terribly hopeless, so dark, and Jimmy forsook him for so long.
But he's back. He's here, and alive, and through his thin tunic under the hilt of the sword Scott can feel a new scar just below the nape of his neck (Jimmy shudders as his fingers trace it, but doesn't pull away) but he's alive and in Scott's arms.
He died. Jimmy died, and it must have been terribly traumatic for him in ways that Scott hasn't even considered.
But by some miracle, he's here. He's okay.
He is, isn't he?
"Are you all right?" Scott asks quietly, seized by the need to know that his love is well. He doesn't know the specifics, not reallyโ€”but Jimmy said he'd been stabbed several times, and that can't have been easy to recover fromโ€”and Scott had made it awfully cold earlier, and he knows that some of the refugees suffered because of it, and Jimmy only had that thin coat on.
Jimmy doesn't respond, though, breathing slow and even, and Scott eventually relaxes, assuming that he's asleep. He can get his answer tomorrow, after all. He can fuss over him all he wants.
Scott honestly can't believe that he let himself drift so far from Jimmy. He let his feelings of abandonment and despair and everything else get in the way of being here, holding his beloved, giving him comfort and receiving it in bucketloads.
He was so wrapped up in losing Jimmy the first time, he almost lost him again.
Then Jimmy shifts in his arms, sighs a little bit. "I'm okay," he finally replies. "That's what you asked, right?"
Scott nods against his shoulder, and Jimmy lets out a low chuckle. "My good ear is pressed to the pillow, sorry," he says by way of explanation. "Couldn't quite hear you. Are you okay?"
Is he okay?
He's not physically injured. And he's not quite so coldโ€”with Jimmy's love warming him, he can keep a lid on the ice magic, stopping it from spreading beyond his fingertips.
Everything about this situation still hurts. Everything's still so terrible, and there's no way to overcome it.
But Jimmy's here now, and he loves Scott.
And Scott loves him.
"I'm all right," he says eventually, before burying his face deeper into Jimmy's shoulder.
And he thinks, for the moment, that it's true.
-
Scott dreams that night.
He dreams of a plateau, ice, wind whipping dark robes every which way.
He dreams of his hand tightening around a sword hilt.
He dreams of a crown upon his head.
Inka kuuna ndikitรก'รกna.
-
It's just barely past dawn, and a young girl with mousy brown hair and scales smattered across her face like freckles is wandering down to the river to collect water.
It's a bit of a long walk, but Lithi doesn't mindโ€”it's preferable to the walk back, when the empty waterskin strapped to her back will be filled with water.
She's a girl forced to grow up too fast, barely in her teens, yet made to take up her mother's armor and flee into exile.
But she doesn't cry. Lithi never cries, and it's a point of pride for her. Her peers seem to be constantly crying, after all. She isn't going to let herself be perceived as a weak little girl. Not after everything her people have been through.
The ground beneath her bare feet becomes squishy, pockmarked with little puddles of water, and she veers right. Her course has taken her too near the slow, swampy portion of the river, and while she longs to go splash about in the swamp, she knows that the water there isn't clear enough to use back at camp. Not to mention, the Codfather wants them to avoid the swamps, for some reason.
She misses the marshes of home. They all doโ€”Cod aren't made to spend all their lives on land.
She knows the swamp misses them, too.
And that reminds her of the folk song that her mother taught her, and her mother's parents taught her, and their parents taught them.
So, while the girl walks, she sings.
The sun is brighting,
Children, come home!
The grass is sighing,
Children, come home!
Where the water's dark and deep
There her children will find sleep
The marsh is calling,
Children, come home!
The frogs are croaking,
Children, come home!
The critters woken,
Children, come home!
Where the water's dark and deep
There her children will find sleep
The marsh is calling,
Children, come home!
The birds are singing,
Children, come home!
The trees are ringing
Children, come home!
Where the water's dark and deep
There her children will find sleep
The marsh is calling,
Children, come home!
The fries are playing,
Children, come home!
The wind is saying,
Children, come home!
Where the water's dark and deep
There her children will find sleep
The marsh is calling,
Children, come home!
The marsh is calling,
Children, come home!
The night is falling,
Children, come home!
Where the water's dark and deep
There her children will find sleep
The marsh is crying,
Children, come home!
She reaches the riverbank as the song comes to a close, singing the last line over and over again, in a myriad of styles and keys.
She shrugs the waterskin off her shoulders, clumsily dips it into the water. The riverbank is uncomfortably dry and sandy between her toes, which long for the mud of home.
Why can't they go to the swamp? Not that she would ever rebel against their Codfather, but she just wants to feel at peace again.
The waterskin isn't totally full, but she draws it up out of the water and ties it closed, arms shaking, straining to hold it up. And now she has to make the long walk back to camp with this heavy load, the leather straps cutting into her shoulder blades with every step.
So maybe she dawdles by the river. Maybe she dips her fingers into the water, swishes it around.
It's that distraction, perhaps, that changes everything.
Because had Lithi not lingered, she wouldn't have seen the glimpse of bright green caught under a rock in the water. She wouldn't have levied up the rock, pulled loose the thing. She wouldn't have held up the sodden leather bag, beautifully embroidered with a bright green cod and a sky blue stag.
And most importantly of all, she wouldn't have opened the bag to find a thin, Oceanic book, nor caught a glimpse of gold shimmering in the silty mud beneath where the bag had lain.
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cherrybeetle ยท 11 months
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I can confidently say that the Crane Wives could have written all of Shakespeare but Shakespeare could not have written the moon will sing
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yell0wsalt ยท 7 months
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Linzin canon or Linzin second chances?
As long as theyโ€™d be endgame, thatโ€™d be my life blood.
HOWEVER, when deciding between the two, I would have to vote for Linzin canon.
There were years when she was getting screwed over by her relationships with her family and her romantic relationship slowly crumbling. She needed a break!
Letโ€™s think more on her relationship with Tenzin. Try to stay with me bc I know this will likely have raggedy flow, but anywaysโ€”
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I am one of the biggest fans of child-free Linzin. Childless is a deeper subject that one can roll with, but them feeling like they can be free in a relationship without kids in general I thoroughly enjoy. That you donโ€™t need children to have a fulfilling life. Being able to spend your life with your partner is what matters most.
With them specifically, itโ€™s their own struggles and pressures when it comes to a legacy I think about a lot when it comes to their relationship. Lin being the daughter of one of, if not the greatest Earth benders alive. And Tenzin, him being a son of the Avatar and the sole Air bender of Aang and Kataraโ€™s kids.
Tenzin, not only had to cope with the stress of carrying a whole cultureโ€™s history and practices when his father died, but then thereโ€™s the question:
Whatโ€™s going to happen when Tenzin dies?
Cue the looming thought of kids getting darker and heavier over the two.
He was at the time in a long term relationship with Lin, and surely she had similar thoughts running through her mind.
In general with the Avatar verse, the passing on of โ€œbending genesโ€ isnโ€™t so clear, so with Linzin itโ€™s hard to stay what kind of benders their kids would be, if any.
Thatโ€™s a lot of stress and anxiety for a couple going through the grieving process and one member of the relationship not wanting children (something I want to respect and keep in mind with this argument) and the other likely worried about air bender children.
If they were canon, that would mean amidst everything, Tenzin was able to face his struggles with asserting his own identity and not necessarily giving into societal expectations.
He chose her.
Over everything.
Thatโ€™s an incredibly serious and powerful gesture.
Taking a step back to go to the show when Lin destroyed ATI, it was more than blind rage of being cast aside for a โ€œyounger model whoโ€™d want to have his kids.โ€ But also a destruction of the institution that contributed to forcing her and Tenzin apart.
Thatโ€™s awful. Them being canon would be an answer to those expectations.
There may or may not be issues with the events of Harmonic Convergence and Jinora being a key element in how it turned out, but letโ€™s not talk about that ๐Ÿ’€ Butterfly effect so who knows what would happen.
****
Now letโ€™s look at post canon Linzin. I am a sucker for second chance love stories and people getting together later in life. Tenzin would have gotten the children he wanted and eventually be with the person he loves. And Lin had the time and space to heal from her own issues and be with the one she loves. Plus, sheโ€™s done well as a mother-figure to a lot of the kids/young adults. Whether she cares to admit it or not, so props to her.
It would be interesting to see how their lives would meld together after the years apart and taking on a more maternal role to Tenzinโ€™s bio-kids.
In short, post canon Linzin is cute and intriguing, but them being canon all the way will have me sobbing in a grocery store parking lot.
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Ask me anything
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hayaku14 ยท 2 years
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funniest thing about hakuba meeting shinichi is that he thinks, "a decent detective who also has appreciation for sherlock holmes? FINALLY someone who understands."
but then he quickly realizes that he's best friends with hattori hot-head heiji and for some reason he's dating kuroba the fucking menace kaito. of all the people to surround himself with, shinichi chose the two people on earth who gives hakuba the biggest headaches and i think that's fucking hilarious.
also hakuba going from "oh well at least kudou will keep kuroba in check" to "oh shit oh FUCK i was wrong, there's two of them now FUC K"
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