#LONG ASS POST SORRY

[florshedworf]

i know i dont pay enough attention to the alien infiltrator but there’s something that “vanessa” says that i feel like hasn’t been entirely revealed yet.

they say that shiny has some sort of weapon that would “destroy them.” and sure it could’ve been something like the rainbow beam or the GUT instinct but in the final episode, neither overlord master or the alien infiltrator said anything about shiny having this deadly destructive weapon that would destroy them.

so here’s my super epic theory. i think this is a weapon that hasn’t been revealed yet, and assumedly shiny himself doesn’t even know about it. it has to be a weapon specifically in his arsenal, because they don’t mention/refer thunder despite seemingly having a bigger arsenal. so what if this weapon is going to help defeat that megatron looking thing we see at the very end of the season 1 finale.

and i have so many questions. like what would the weapon even be? shiny’s already turned into a bomb so him being the weapon seems less likely (but i would not be surprised), so it has to be something he HAS.

[dont-hug-me-its-yuri]

If you had to rank all the ships involving Coffin (like Doomsday, Dead End Job, Deathbed + others) how would you rank them and why?

I’m a multishipper so I don’t really hate any ship unless it’s like…weird…so this is gonna be more of me explaining my dynamics for them ^_^

Doomsday/Time of death (Tony x Coffin)

I really like Tony and Coffin as a duo a lot due to time and death being linked together in a way, I don’t think I’ve mentioned this but Coffin definitely views death as a reward of some kind, they don’t think life is meaningless or horrible, they just view death as a reward for getting through life and its many obstacle

While Tony views time almost like some ethereal god like being that controls every waking moment of the puppets lives, they get along through their outlooks on life and how they both think Time is great and amazing (Coffin doesn’t view it as something ethereal like Tony though she views it in a much more natural way)

I think Tony would definitely develop a crush on Coffin of some kind mainly because he hasn’t met anyone that actual cared about time on a similar level to him (also in my mind they’re queerplatonic partners but shhhh)

Dead end job (Briefcase x Coffin)

They are getting their own post. You will wait for my madness.

Tissue Box x Coffin (I don’t think it has a name)

I view them as found/foster siblings so I don’t personally ship it myself but I do like the trope of old married couple that care a lot about each other that I usually see it presented as

But in my mind they were those siblings that always seemed to absolutely hate each other as kids and fought all the time and then mellowed out completely in their adult years and are now chill around each other

Deathbed/Foreversleep (Lamp x Coffin)

like Doomsday, I think this is one where their lessons are kinda connected in this case, by Coffins words “Death is just like an extra long nap so it’s like infinite dreams!” I think they would be friends but on more terms of “if their the only person who’s available and they wants to hang out, I’ll do it.”

They definitely have smoked weed together before. I never told you guys Coffin wasn't a stoner.

Bluescreen (Colin x Coffin)

Coffin and Colin would get along cause they’re both kinda nerdy and have a dislike for being touched out of nowhere, Coffin would actually be one of the few allowed to mess around in Colin’s digital world with him since Colin would feel comfortable enough around her and knows Coffin probably won’t install a virus in him somehow

Lethal love/Till death do us part (Shrignold x Coffin)

I’ve already talked about them being fucked up little frenemies but there is a bit of romantic subtext to it like Coffin is Shrignolds semi-lesbian awakening like Shrignold just looks at Coffin laughing or doing something and thinks “Wow, she’s pretty…” before calling themselves several slurs internally

I think that’s all the Coffin ships, that I’ve seen at least, if I missed any just tell me and I’ll put it in the comments :3

tldr

dead end job

Doomsday

Deathbed

Bluescreen

Lethal Love

Tissue box x Coffin

literally do not hate any of these btw ship what you want idk you are welcome here

[useless-englandfacts]

In light of all the horrid stuff going on in this country lately, I would just like to remind everyone that england isn’t a totally terrible place!!

This country is full of beautiful architecture, art, literature, and natural beauties that are sometimes hard to believe are real.

This is the Major Oak of Sherwood Forest, and is estimated to be as much as 1100 years old!! It is estimated at 23 tons, and is 33 feet in girth/10 metres. According to local folklore, it is the tree where Robin Hood and his merry men slept when in the forest.

This is Durdle Door, in Dorset. It’s a natural limestone formation on the jurrassic coast, which was deemed “of such international geographic importance” that it was England’s first foray natural World Heritage site with UNESCO in 2001, joining the Grand Canyon and the Great Barrier Reef (visit-dorset.com)

As for architecture, we have the iconic Highclere Castle

Most well known for its use in iconic historical drama Downton Abbey, first written records of the Highclere estate date back to the year 749 when the estate was granted to the bishops of Winchester. In the late 14th century the bishop of Winchester William of Wykeham built himself a palace on the property, and was taken by Edward VI during the reformation in 1551. It was then granted to the Fitzwilliam family, rebuilt in 1679 by then owner Sir Robert Sawyer, who then bequeathed it to his daughter Margaret, first wife to the 8th earl of Pembroke, Thomas herbert, and it remains in the hands of the Herbert family to date, albeit the branch that resulted in the current Earl of Carnarvon. It was redesigned in the years 1842-49 to the facade we know today. (Quick side note, I am directly related to the herbert family through my great grandfather, so carnarvon I’m coming for you watch out)

We also have of course, the ever iconic Chatsworth house

IYKYK. Jk this incredible house is most well known for its use as Pemberley, the Derbyshire residence of Mr Darcy in the 2005 production of Pride and Prejudice (the best film ever made thank you very much).

The Manor of Chetesuorde is listed in the Domesday Book of 1086 as property of the crown in the custody of William de Peverel. Chatsworth ceased to be a large estate until the 15th century when it was purchased by the Leche family. They enclosed the first park and built a house on what is now the south east part of the gardens. The lands were sold in 1549 to Sir William Cavendish, husband of Bess of Hardwick (who was the “keeper” of Mary Queen of Scots while imprisoned. Also apparently her grandson married ANOTHER of my ancestors so I’m related to her too?? What the fuck I need to stop learning family history on the fly). Bess began to build her own home on the property from 1553 to the 1560s.

The home was renovated a truly mindboggling amount of times, as is the amount of times it changed hands. So I’ll keep it simple. A great number of important changes were made by the 4th duke of Devonshire, greatly changing the layout of the home. His son would marry Georgiana Spencer, 4 times great aunt of princess Diana (and YET ANOTHER RELATIVE OF MINE! From another branch of the family!! I need to call my mother. And update my ancestry.com).

In 1811 the 6th duke of Devonshire inherited Chatsworth, and proceeded to transform it into the wonderful beacon of regency romance we know and adore today over the course of his stewardship over the property.

These are only four incredible natural and historical landmarks in England. There are so many more that I could spend 3 life times researching!! (And so many more that have nothing to do with my family history, I promise. Swear I wasn’t doing this on purpose lmao)

This country can be a fucking nightmare, but it’s also a beautiful country with incredible sights and history, and I think we do ourselves a disservice when we forget that. It’s okay to love England (I fucking adore this country you have no idea, wouldn’t be running a blog if I didn’t!), you aren’t a bad person or supporting the bad shit we’ve done if you are proud of being English.

Because don’t get me wrong this country has perpetrated some of the worst shit in history, but we’ve also contributed some of the most important literature and scientific discoveries ever!!

Mary Anning revolutionised the field of paleontology!! Mary Shelley started the entire sci fi genre. Steven hawkin, Charles Darwin, Dorothy Hodgkin and Rosalind franklin discovered DNA! Isaac Newton, William Blake, John Keats, Byron, Alan Turing, Branwell, Charlotte, Emily, and Anne bronte, Dante Gabriel Rossetti, John Everett Millais, John William Waterhouse, to name a few merely off the top of my head!

England can be a wonderful place, and our heritage can be incredible and a legacy to be truly proud of. It would not do to forget, however, that a lot of our history would not have been possible without queer and ethnic minority groups. We all know a good deal of English wealth came from the slave trade, female scientists and artists often had credit for their work stripped from them and given to husbands or even strangers, and a good number of our most influential scientists and artists were very notably queer who were treated incredibly poorly and sometimes killed, and these are facts that can and do exist simultaneously.

Our heritage is wonderful, but it is still being made today. Things that we do now will be landmark events for our descendants, and it is our duty to do better for this country than our ancestors.

[friedri-ce]

THE LAST SUPPER || comic

[pandorashearts]

another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[cowardlykrow]

Stop light shenanigans

Extra:

[demigods-posts]

headcanon that after tlo. kronos's soul returned to tartarus and all of the demigods who survived the war just chose not to think about it. and then when percy and annabeth inevitably fall into tartarus a year later. they come face to face with luke castellan. because his and kronos's soul inhabited the same dying body.

[waluigis-elbow]

Ty for tagging me Costco!

last song: red flags by Tom cardy

fav color: yello

last show: amphibia I think

fav flavour: sour!

last google: toh thanks to them screenshots

current obsession(s): omori, tdac, toh

tags:

@zorrpu @junimoodi uhhhh idk any other people off the top of my head

Nine people I'd like to get to know better

Tagged by @meghawhopp <33

Last song: Down by the River by Borislav Slavov from the Baldur’s Gate 3 Soundtrack (or more specifically the cover of Down by the River by Nerissa Ravencroft)

Favorite color: Blue and purple!

Last movie/TV show: Seinfeld, I’m currently on season four!

Sweet/spicy/savory?: I have a huge sweet tooth, so sweet things

Relationship status: Single

Last thing I googled: I searched up the show “Arthur” because I was trying to find that one meme where Buster was like “You really think someone would do that, just go on the internet and spread lies?”

Current obsession: Fragaria memories and tears of themis mostly^^

Tag Nine People: @kyaruun @xinieeee @deadmansbistro @florapot @hunita812 @scuffle-with-spirals @rexonalapis @maxellera @manicpixiedoomedgirl

[gin-juice-tonic]

im on my hating mens and "unisex" shirts tangent again

[robo-milky]

Paper doll Rollo!

Hehe his hat is detachable- I really wanted an excuse to make his ahoge and show it

Oddly enough for my first paperdoll (I’ve made paper children before), I just gotta recreate one of the most complex designs for some reason idk why??? Rollo was meant to be practice and goddamn did struggling on him force me to problem solve- I do hope to make Rook and Cloche <3

[Process] (In the form of IG stories + ramblings)

[brotherconstant]

INTERVIEW WITH THE VAMPIRE | 2x03 No Pain Jacob Anderson as LOUIS DE POINTE DU LAC Assad Zaman as ARMAND Sam Reid as LESTAT DE LIONCOURT

[valgeristik]

This scene for Gale triggered for me in the funniest place possible

[rendevok]

Bite me <3

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[devxoid]

regarding dr ratio's team join voiceline with aventurine

idk where it originated from but i've been seeing this notion that the ENG voiceline is horribly mistranslated and ratio is much more caring and friendly in the original CN. THIS IS LITERALLY NOT TRUE HE IS JUST AS BITCHY IN BOTH LANGUAGES

as a native chinese speaker i actually really love hsr's localisation and i would like to clarify the misconception + explain the cultural nuance/context behind this particular voiceline

i think this tweet might've been the original source for this misconception? op's translation of the CN line is very literal and completely lacking in cultural nuance. while the sentence 管好你自己 does literally translate to "take care of yourself", it lacks the automatic positive connotation that this sentence has in ENG. CN is a high context language -- aka the meaning of a sentence can be totally different based on context clues like tone, body language, etc.

ratio's tone in this line is not the tone of someone who is concerned for a friend. it's standoffish. when said in this kind of tone, the meaning of 管好你自己 is closer to "mind your own business", making the ENG "keep to yourself" a more accurate localisation.

in addition, the word 管 has connotations of controlling/managing something -- directly translating this to "take care of yourself" means it's missing a lot of important nuance.

granted, the second half of the line is a bit unnecessarily aggressive in ENG. the CN is more like "I have no need for your concern", and explicitly saying that he believes aven's concern to be "false" in ENG is definitely a lot ruder than the original line.

However. in my opinion it's not Too far off base. the way he emphasises the second half of that voiceline in CN carries an implication that he actually disdains aven's concern; we can extrapolate from context clues that he feels this way because aven's concern is just an act. tldr; eng line explicitly saying "false display" does make it ruder than CN but it didn't just come from nowhere -- the implication is already there in CN

this is not to say that ratio doesn't care about aven or see him as a friend. imo the reason ratio is so standoffish in this line is because any display of concern from aven here has the clear intention of teasing ratio. they both know ratio can take care of himself perfectly well. this is just how their dynamic works -- aven makes silly playful comments and ratio deflects them by acting cold.

in conclusion: ENG voiceline is not a mistranslation. hsr localisation is definitely not perfect but in this particular case i feel they've done a fairly good job of conveying the original meaning. thank you for coming to my ted talk