#LIKE i actually don't have the words for how much she has impacted me in every way

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[lesbianbassline]

when margaret atwood dies i will simply drop dead as well. i love her so much our souls have to be tethered

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[telanadasvhenan]

thinking more about the psychological aspect of solavellan, and before I start, I'd like to stress that this is NOT CRITICAL of it, I actually think it's what makes part of the dynamic interesting. My word isn't the be all and end all, however, this is just my musings on the topic :] Also, REALLY long post! so, more under the read more lol

From Lavellan's point of view, I would personally struggle to see her trusting another lover or close one again for a long time, if ever again. I don't really think people ever talk about the real impact of the things she goes through, or what solas put her through, and the hurt as a result of it. The relationship is never defined between the two of them, it's always spoken about in vague undetermined words from their companions and poetic elvish between the two of them. Are they lovers? companions? partners? it's really up to the player. Leliana says that "you were close", Sera says Lavellan is "in it." Vhenan means home, heart, it's not a word said lightly imo and he tells you he loves her by their second kiss. It's never an official thing, so how secure can Lavellan truly feel?

This could go both ways when it comes to the break up. Crestwood, as a scene, is so interesting to me because the first portion seems like a man brought to his knees by weakness for the woman he loves. The two of them never cease to touch, fingers entwined, shoulders brushing, skin to skin. It's so reminiscent of how Lavellan matches his Hallelujah cadence. They're two parts of a song singing together. It's a gorgeous scene and it's understandable how so many are angry at how it ends because the whiplash between how it starts and what it leaves you with is severe. Imagine this from lavellan's shoes.

You're desperately in love with someone at odds with your people, who is wonderful and enticing and smart. Loving solas feels like loving the whole world, like being free and connected with the stars. But you don't know what this is. And, if you thought you did, how far can you presume? Is Lavellan always on edge, scared to love him deeper and richer than he loves her? or is she in a false sense of security, assuming his affection is forever hers. So when he not only breaks away your faith and trust in your history, plus potentially the vallaslin, she is clearly deeply upset. This isn't a minor fact that simply can be swept aside. The vallaslin is important. And Solas, even with the best intentions, has hurt her. He knows it and there's a reason why he apologises (bc he wimped out on the real truth). How much more does he know about her people that he has refused to tell her or kept from her by omission? Can you imagine the embarrassment, the utter humiliation of that secret? how many memories of them together where she replays his distaste for her people in her mind, knowing that he has access to knowledge that could change her perception of her past? Its ALOT. and thats even before the breakup.

Solas is not kind about the break up. It's rushed (impulsive to me) and doesn't do their connection justice. His composure cracks in places and it's very unlike him. It absolutely blindsides the player, so imagine being in Lavellan's place, AFTER THE VALLASLIN? personally, I wouldn't have been able to function. I half suspect that a sad, calm Lavellan is also in shock or disassociation. Because how else do you cope? The lack of communication between them alone is enough to raise my eyebrows. He promises answers. He confides that she saw through his mask and doesn't tell her what was real, and what was fake. He has given her a kernel truth whilst keeping her in the dark. Everything he told her could be a false, imaginary polite mask or it could be the truth. Where does it end? Where does he begin? Where does she stand?

I don't know if everyone has experienced what it's like to be ghosted or for a friend to simply disappear one day, but it changes you. I say this as someone who has both been avoidant as well as anxious, but you never recover. Someone disappearing like that makes you doubt any reassurance that people won't just evaporate from your life. So when Solas just disappears, the game's single conversation with Leliana feels a little lacking to me. I understand that they can't really dedicate a lot to it, I get that, so I'd like to fill it in. At first, it's search parties. Solas wouldn't just leave her like that. He promised her answers. He started another mural just before they left for corypheus. He didn't intend to just leave, surely.

Days, weeks and months pass. The question is worse than the truth. Is he dead? Did he use them? Was he being truthful when he spoke to her in those ruins, or another polite mask he could hide behind? Is it better if he's dead or better than he didn't deem her worthy enough to even say goodbye? We, as the players, obviously know this isn't true, but she doesn't know that. Does your lavellan assume the worst and be overcome with grief that her one love, her heart, her home, was nothing more than a lie of omission? or is there anger there at his betrayal of her trust once more? I seriously doubt it was easy to forget or dismiss. That kind of disappearance ruins your trust with people. Something. Anything would have been enough.

Again, this is all my opinion on how these emotions would play out and DEFINITELY NOT canon nor do they have to be! But I seriously struggle to see how Lavellan could even come to heal from these wounds within even a two year time skip. By the time of trespasser, almost everyone has left her side. She's almost entirely alone again, save Cullen and Josie (and leliana if she's not divine). And thats okay: they all have rich lives to return to. But that must just reaffirm to her that no one will stay. She is alone. How does she trust again?

And then there is Fen'harel. Lavellan's reaction to fen'harel has always lacked the fear I kind of hoped would be there? I mean this isn't just a minor deity, this IS THE antagonist of her entire faith. I'm assuming that she's lost hope in the gods, even though it's confirmed to her that they're real, but that message has been a part of her since childhood. So learning that he is the dreadwolf, again not from him, but from the fragments of his past must cut her deeply.

Her love was never who he said he was, she knows this, but who is the real man? She's never known him in a context where he can truly show her. Her love is fragmented between each identity he holds. Her trust that he is who he said he is fragments with it. The knowledge that not only has he been watching the inquisition, her, for years without a single hint that he lives or is okay must destroy her. Could you imagine how insignificant you must feel to him? And he essentially affirms to her that yes, in the greater scheme of things, his love and hers are inconsequential. They cannot matter to him because he cannot strive from his path. His indulgence was a mistake. And it's undeniably cruel. I love solas and I cannot argue that he was kind to Lavellan because he wasn't. To me, there is no way to see his actions as kind. Understandable, absolutely and definitely without malicious intent.

Lavellan learns that he loved her just as deeply, if not more. He loved her with all his heart and it did not matter. She changed him and it has only brought him more pain. He loves her too much to even allow her near him, to even give himself that weakness. They are apart from each other in an endless distance, only the two of them in the world. No one else.

Obviously, each Lavellan is different, and I've made a lot of assumptions, but I think it's worth considering. How do you love someone again after all of that? How much can you rebuild your faith after what you have learnt. Lavellan has loved a "god" (I know he's not a god, but for all intents and purposes, he has the power of a god and wears an evanuris crown.) and in turn, a god has loved her. And he left her with one last embrace that will leave its mark on her forever, then he leaves once more. Lavellan is alone.

Each love after is met with suspicion, distrust and comparison. Lavellan is entirely changed. How many pieces of her can be taken away until she is no longer herself? Each person wears a new mask she cannot determine. Where do they begin? Where can she find herself?

How lonely it must be to love someone like Solas and be at the other side of an endless distance.

[niningtori]

supermodel | part two

part one

pairing: choi beomgyu x you

summary: after finding out one of your closest friends sabotaged your relationship with beomgyu in hopes of having him all to herself, you end up spending a night with him. you may come to regret it when you realize beomgyu may not have been as innocent as he initially seemed.

genre: romance, angst, MELODRAMA, yandere, smut (MDNI!!!)

warnings: MDNI!!! yandere!gyu (super manipulative!gyu at least), more (justified imo) cheating, unprotected sex, oral (m. receiving), creampie, dacryphilia, praise, degradation, pregnancy kink, voyeurism (ig?), dom!gyu, sub!gyu, if i'm missing anything lmk

word count: 6.2k

notes: alright ;_; after much debate i'm reposting this probably only for a few days just so everyone who wanted to read can read it before i (probably) delete again! posting this made me feel rlly insecure for some reason but thanks to my moots and anons i feel a lot better ab it :) at least for a little bit. also, i know the direction may have taken quite the turn but this is genuinely just how it came out 😭 if you don't like it i'm sorry ( ཀ͝ ∧ ཀ͝ )

it’s hard to reason with beomgyu as he presses hot kisses down your neck, but it’s not like you’re not trying. you think you’re trying really hard, actually, but it’s nothing in comparison to the effort he’s putting in to make you lose your mind. you have no control over your moans when he sucks a hickey into your neck. you feel heat pooling in your stomach as he grabs your ass and snakes his other hand up your hoodie to catch one of your hardened nipples between his fingers. he’s finally tasted you and, like a man starved, he’ll be damned before someone takes away what’s his.

“b-beomie, we can’t! let’s go back to my place, at least,” you try to reason, but your resolve is weakening as you feel your pussy wetten under his caresses. 

“shh, hana’s not gonna be home tonight,” he whispers. “just want you so bad, can’t wait.” he looks so earnest, you can’t bear to part from him. his puppy eyes look devastated, so what else can you do besides relent? and he knows it, too. now he’s got you. 

he leads you to hana’s bedroom, where he’s spent countless nights listening to her talk about how much she loves him, has loved him for years. he wants to roll his eyes at this, but he doesn’t want you to misunderstand, so he keeps it to himself. he’ll admit, she really did pull the wool over his eyes when she said you didn’t like him, so he can’t wait to see her reaction when she realizes you two have finally figured it out. if she wants to play dirty, they can both try their hand and see who wins. 

and it feels an awful lot like he’s winning when he sees you undress once again, body bare with traces of him on every part of you. even if he hadn’t marked you up so much, and he has, there’s still evidence of his impact on you leaking out of your pussy. you letting him come inside was truly unexpected, but welcome, nonetheless. he knows, when you’ve sobered up from your lustful daze, you’ll ask him if he’s ever fucked hana raw. you’ll probably cry again and rush to get plan b, but he’ll tell you he’s not stupid. he’d never fuck anyone without protection, especially someone he likes as little as he likes hana. he just likes you so much, he couldn’t help but want to feel you. you’re everything he dared to wish you would be. even better, actually, and now that he’s tasted you, he never wants to stop. 

the feeling of wanting to be close to you reemerges when he sees you dropping to your knees for him. you fiddle with the zipper of his pants and he sighs when cool air meets his bare cock. and you're so perfect with your makeup smudged, hair in disarray, and mouth open, prettily presented for fucking.

you start with a lick of your lips and he’s already rock hard from the anticipation. you grab his base and tease little licks up and down his length. he never thought he’d be particularly into that, really, but you look so hungry for him it makes him whine. finally, you lick the precum off of his tip and he moans when you shallowly take in the tip of his cock, hollowing out your cheeks. you bob your head shallowly and it’s taking every ounce of self control he has not to grab the back of your head and shove himself down your throat. but he doesn’t want to hurt you, so he lets you tease him. for now, at least. you take more and more of him into your warm mouth until you can feel his tip searing the back of your throat. you can’t possibly fit all of him into your mouth, so you take the rest of him in your hands. you look up at him with watery eyes, almost like you’re asking for his approval, and his already thinning patience snaps. he grabs your hair and pumps himself in and out of you. you try to meet his thrusts with teasing swipes of your tongue, never once breaking eye contact. the combination of your gaze and the sight of your drool mixed with his precum dripping out of your mouth drives him crazy. 

“baby, look, you’re drooling all over my cock.” you hum in agreement, but a nasty thought crosses his mind as he remembers that you almost went out with another man tonight.

“mmm, who taught you how to use that slutty little mouth?” he asks, riling himself up for reasons unknown. the thought of someone else seeing you like this is enough to push him to madness. he fucks himself into your mouth mercilessly. you’re coughing and slobbering all over his cock, but it’s only when hot tears pour down your face that he registers what he’s doing. how can he bear to hurt you? he pulls out and you’re gasping for air. 

“shh, it’s okay, you’re okay. c’mere,” he coos, leading you to the bed.

you lay down shakily and he takes a moment just to admire your body and the work he’s done to it. he can’t control the want in his gaze when he sees your pussy dripping on hana’s comforter. it’s sick to see, in a way, but it excites him even more. 

“turn around,” he commands, and you would, you really, really would, but your limbs feel so weak, it’s a chore. he sighs and roughly turns you on your stomach himself. he manhandles you into kneeling on all fours and it’s all you can do not to buckle under such force, but you can’t deny the way it makes your pussy clench around nothing when he does this. as if he can read your mind, he lets out a soft laugh as he lines himself up with your entrance and pushes himself in. you’ve obviously just fucked, but you’re still as tight and hot as the first time. slowly, he feels you stretch and spasm to accommodate his length – pussy gripping him like a vise. he shakes when he feels himself completely sheathed in you. 

“g-good girl,” he praises. “so good for me.” then, without giving you another moment to adjust, he begins thrusting into you. his hips meet your ass and he’s awestruck by the sight of it as the tip of his cock kisses your cervix relentlessly. as he’s pumping into your heat, you don’t mean for your arms to give out from under you, but they do. he’s just fucking you so good you can’t help but feel weak. he chuckles at how you’re becoming undone after just a few strokes, but truthfully? he’s endeared. you were so brave in talking back to him earlier, but that attitude is completely gone as you lay there and let him take you over and over again. 

“nghh… not so hard, beomie,” you moan. 

“is it good, baby? i can feel you milking my cock. tell me it’s good, or i’ll stop,” he threatens.

“mmm, ‘s good! too good!”! you cry.

you’re so busy moaning out beomgyu’s name with your face mashed in the pillows, you really don’t hear the apartment door open and keys being thrown carelessly on the table, but as for beomgyu? he hears it all and it brings a mean, lopsided grin to his face. you’d think he would, at the very least, slow down, but he only rams harder and harder into you. the sound of wetness and skin slapping skin echo throughout the room. hana really wasn’t supposed to be home, this much is true, but what beomgyu didn’t tell you is that she had texted him saying her plans have changed and that he should come over. truly, he couldn’t have conjured up a better outcome than the one unfolding before him.

“beomgyu?!” hana shrieks. you’re so surprised you nearly jump out of beomgyu’s grasp, but he holds your ass in place as he continues his thrusts.

“don’t listen to her, just feel me,” he says in a raspy tone. and what can you do besides listen when he drills himself even harder into you? when you feel the veins of his cock dragging against your insides, you’re tuning out hana’s desperate cries, intentionally or not.

“coming inside, okay?” he, well, you would say ‘asks’, but it’s more of a statement of fact rather than a question. “take it all, baby,” he says as his hips begin to stutter. he smacks your ass — just because he can — and you feel it pulsate throughout your entire body as you clench around him, seeing nothing but white behind your eyelids as your release finally comes along with his.

you’re gasping for air when you finish. he carefully pulls out and watches as your cum and his mix together in the most sinful way. it’s a truly a sight to see, and if he had more time, he would be whipping out his phone and capturing the moment to revisit the next time he’s alone, but hana’s words are cutting into his bliss before he can fully appreciate the sight before him.

“b-beomie? w-what’s going on?” hana asks, tears streaming unabashedly down her pretty face. beomgyu is far too preoccupied to appreciate them, though, as he gently helps you sit up and thoughtfully wipes the drool and tears off of your face. 

“‘what’s going on?’” he begins mockingly. “do you really need me to show you again?” he sneers. 

meanwhile, you feel like a deer in headlights as you meet hana’s gaze. you feel dirty and small as you try your damndest to cover yourself up. hana’s soft eyes harden while she stares at you. 

“you. you did this, you fucking slut,” she spits. you break your gaze and stare down at your naked body. you feel incredibly vulnerable because, as you already know, she’s right. you feel your eyes heat up with tears, this time from guilt and humiliation rather than pleasure.

“you’d better watch your fucking mouth,” beomgyu says, eyebrows furrowed and voice even deeper than usual. 

“i just don’t understand. why? why her? and how could you do this to me? you said you loved me!” she shrieks, grabbing beomgyu’s arm. he harshly pulls away and instead collects your sweats and hoodie. you can’t help but stare. he said he loved her then he turned around and fucked you? oh no. 

“well, i lied, if that’s not clear enough,” he shrugs, gingerly dressing you like you’re some kind of catatonic doll. and, right now, you might as well be as you let him do what he wants. his callous words don’t match his gentle actions and it’s making your brain short-circuit. 

“if and when he does the same shit to you,” she says, looking at you with more hurt than you’ve ever seen on a person, “don’t you fucking dare come crying to me. or any of our friends, actually. just wait ‘til they hear what you fucking did.” you shiver at her ominous words. she’s right, after all. beomgyu dropped her the second you showed interest in him, who’s to say he won’t do the same to you? sure, he’s acting lovey dovey now, but you’ve seen firsthand how quickly his tune can change. you’re absolutely fucked. it’s your word against hers, and with the evidence of your betrayal seeping into her sheets, you don’t like your odds. you can’t help but stare at beomgyu, and, as if he’s reading your mind, he says his next words patiently.

“i love you. i would never hurt you like this.” he loves you now? you continue to look at him doubtfully. his words seem cheap after hana’s unforgiving speech, and he realizes he’s losing you when you don’t respond. hana doesn’t stop there, though.

“if he did this to me, i can’t wait to see what he’ll do to you,” she laughs. hana is, objectively speaking, a lot more of a catch than you are. and to the very bitter end, she won’t let you fucking forget it.

“shut your fucking mouth!” he exclaims and she flinches, as do you. you’ve never seen him so angry and it’s enough to scare you. 

“... i should go,” you croak.

“yeah, you should,” hana ridicules. you do an incredibly shaky walk of shame as you quickly gather your things. 

“hey, wait!” he pleads, but you’re already booking it out of the door. he goes to run after you, but hana grabs him forcefully by his shoulder and he spins around to face her. you slam the door, not wanting to know what kind of makeup sex they will probably be having relatively soon. as soon as you’re gone, hana begins.

“are you fucking crazy? her, of all people?!” she hisses.

“i thought i told you to watch how you talk about her,” he says lowly. his eyes are so intense, she’s momentarily stunned, but he’s crazy if he thinks that’ll shut her up. perhaps to her eventual regret, she says her next words.

“if i tell everyone, she’ll be fucking ruined. she’ll have nobody after this.” 

“so?” 

“so, stay with me,” she says softly, while, to his disgust, grabbing his hands and pleading with him. “stay with me, and i won’t tell anybody.” she looks as pathetic as a dog right now, and her words make him laugh in her face.

“tell them,” he says. 

“w-what?” she sputters.

“tell them all. i want you to tell them how i fucked one of your best friends and got her pregnant. tell them how i fucked her raw in your own bed. go on, i’d love to see their reactions when they find out.” 

“you’re… you’re fucking crazy,” she gasps.

“maybe, but not crazy enough to stay with you,” he shrugs. “i got what i wanted, i don’t need you anymore.” for once, she shuts her mouth. the puzzle pieces finally fit together and her jaw drops in awe.

“you did this on purpose?” 

“maybe you’re not as dumb as you look,” he sneers, and with that, he zips up his pants and pats her cheek. “you were okay in bed, but that’s about it.” 

her tears are falling, but that does nothing to mar her beauty. still, his heart remains unfazed. 

“when she finds out, she’ll leave you,” she sobs.

“and who will she believe? her ex friend who’s out to get her, or me? the only person she has left? i’d love to see who she believes.” his words leave her in even more tears, but he does nothing to placate her. he just grabs his shit and slams the door behind him.

-

hana wastes no time in telling your friends about your scandal. your incoming texts range from “what the fuck is wrong with you” to “is it true?” to “you’d better not show your face to us again”.

you attempt to explain yourself, but to no avail. even if hana lied to you first, you committed the ultimate betrayal with a smile on your face. nobody wants to hear your sob story about your forbidden love with beomgyu. nobody, not even your best friend, dares to defend you now.

the one person who’s on your side has been texting you relentlessly, though. beomgyu’s insistence on making sure you’re okay does little to quell the uneasiness in your heart. hana’s words resound in your head. “if he did this to me, i can’t wait to see what he does to you.” you don’t want to give him that chance, but your resolve is weakening when you feel yourself becoming more and more isolated from the people you used to call your friends. 

for days, you don’t leave your house except to go to work. where else can you go? you don’t have anyone to go out with you anymore. still, beomgyu texts and attempts to call you through it all. his messages are all about how much he loves you, how much he misses you, how much he needs you. how much he promises to make things right with you and how you’re the only one he’s wanted all along. more and more, you feel yourself slipping away. even though you never respond, you still sift through his messages and it’s enough to bring smiles, no matter how small, to your face. he loves you, wants you, needs you. who else do you have in your life to say things like that to you? 

still, the thought of trusting him scares you to your bones. what if he does the same shit to you? you don’t have a support system anymore. you don’t have anybody to rely on when he inevitably hurts you in the same way. why wouldn't he, after all? you’re no match for the kind of girls who come his way. what happens when he gets sick of you and wants to fuck another girl in your bed? you’re stuck with these thoughts as you nurse a bottle of vodka, alone in your apartment with nobody but yourself. this is what you deserve, you think. 

a knock on your door is enough to pull you out of your drunken haze. is it one of your friends? could they have finally gotten over their intial shock and disgust and understood that you didn’t mean for any of this to happen the way it did? you stumble to the door and you’re too drunk to even think about checking who it is before desperately swinging open the door. you are not met with the familiar face of one of your friends, however. instead, you see the face of the boy who’s been haunting your dreams for the past few nights.

“beomgyu?” he looks absolutely devastated, eyes reddened and wet with his face ghostly pale. he reeks of alcohol and he stands almost tremblingly. he doesn’t respond to you, just stares at you with the same intensity that entranced you from the very beginning.

“what are you doing here?” you ask. 

“can i come in? please?” you’ve never been able to say no to him, and you especially can’t in his current pathetic state. you move from the doorway to allow him access and quietly shut the door behind him.

“what do you want?” you try.

“want you,” he sobs, tears finally flowing from his sad brown eyes. “all i want is you.” your heart aches when you see him like this. you thought hana’s reaction was devastating enough, but he looks absolutely wrecked right now, putting her despair to shame, really. 

“i don’t know what to say,” you admit. “we fucked up, plain and simple. and i don’t know how i can trust you after what we did.” you’re not a victim in this, to be clear, but you’re far too vulnerable to accept the heart that he's holding out for you so carelessly. 

“i know, and i'm sorry. i'm so, so sorry. what can i do to make you trust me?” he begs. your already soft heart softens even more at his words, but you have to be realistic.

“i… i don’t think i can. if you had just talked to me in the first place things could've been different,” you reason. this only puts the boy in an even worse state. he’s almost wailing now, and he looks to you for comfort.

“p-please, just please. give me one chance,” he cries, looking absolutely frantic. “i’ll prove it to you, just let me.” he reaches for your face and you didn’t even realize you’re crying until he swipes away your tears. well, you’re already going to hell. what’s the point in atoning for your sins now? 

as if he can read your mind, he musters up a shaky smile before leaning in and giving you a chaste kiss. his lips taste salty, but sweet, and he’s kissing you with a passion you’ve never felt before. you almost believe him when he says you’re the only one. almost.

“h-how do i know you’re not going to do the same thing to me?” you ask unsteadily. 

“i would never,” he says immediately. “i would never hurt you.” at least, not like this. but you don’t know that yet. 

-

in the weeks following his drunken appearance at your door, being with beomgyu is even better than you thought it would be. it’s like a switch has been turned back on and he’s back to treating you like a princess, almost like the months since your “breakup” never happened. he randomly brings you flowers, showers you with kisses, and he can’t seem to keep his hands off of you along with declarations of love, which you never directly reciprocate. no matter how well he treats you, though, there’s an underlying sense of unease. you still find it difficult to fully trust him, and he can tell. it’s driving him to the brink of madness trying to come up with ways to show you how much he cares.

you’re in the middle of pensively reevaluating the nature of your relationship with beomgyu for the 100th time when you hear a knock on your door. at this point, you don't even bother checking who it is because you already know it'll be beomgyu. no matter how desperately you wish it were one of your ex-friends, you’re always met with his face, instead. you open the door and you’re shocked, to put it mildly. standing before you is not the beomgyu you know and (probably) love, but hana.

“we need to talk,” she grumbles. almost as if you’re possessed, you let her in without much fuss. is she here to rekindle your friendship? to tell you she’ll forgive you after what you’ve done to her? 

“hana, listen i’m so incredibly sor—” 

“save it,” she says, lifting her hand. “i’m only here ‘cause i have something i need to say to you. it took me weeks to come here because i don’t even wanna look at you.” you gulp and nod, genuinely anxious as to what she has in store for you.

“i’m just going to tell you straight up. beomgyu’s not who you think he is,” she deadpans. 

“w-what do you mean?” if she’s talking about how he’ll eventually betray you, you’ve already thought of that. why she thinks this is news to you, you don’t know.

“listen to me, he planned this whole fucking thing.” what could she possibly mean by that? he planned to get caught by her? that doesn’t even make sense. “i told him i’d be home the night that i walked in on you.” your jaw drops in horror, but she continues as if she doesn’t notice.

“i think… i think he heard us over the phone and knew you’d be there before meeting with jay. he told me he wanted our friends to find out and to see who you’d believe if i told you. whether you believe me or not, i really don’t give a fuck, but it’s true. he said he got what he wanted, so he doesn’t need me anymore.” she chokes on her last words and you can't help but feel sorry for her, but that feeling is overshadowed by the feelings of anger towards beomgyu. you don’t think hana would lie about this. she looks so flustered and heartbroken, you don’t believe for a second that she’s lying just to rile you up. before you can reply, the door opens and beomgyu’s figure appears in your doorway. he has a smile on his face, but it drops lightning fast when he sees who’s standing there.

“what the fuck are you doing here?” he says with a scowl.

“i’m on my way out,” hana mumbles, pushing past him. he doesn’t even attempt to stop her. he registers the mixed emotions on your face and he can guess what she said to you without much effort.

“let me explain,” he says lowly, already heading towards you to placate you like you’re some sort of wild animal he has to coax. and you’re so angry, you might as well be.

“explain what? that you ruined my fucking life?” you spit. he flinches at your tone, even more so at your next words. “what i don’t understand is why? is my life a fucking game to you?” his face crumbles at this. 

“n-no! never!” he sputters.

“then what is this? what’s your reason for planning for hana to walk in us? is this a kink or something?” he shakes his head frantically. 

“you don’t understand, i just wanted it to be us,” he pleads. “i don’t like them. they’ll just try to take you away from me.” 

“take me away from you? beomgyu, i’m not some fucking toy. i’m a person. a person whose life you fucking ruined for no reason!” you exclaim. you’re so frustrated you could cry, so you do. does he not realize how badly he fucked you over? “you promised you’d never hurt me,” you sob.

“i-i did it for us! they wouldn’t care about how we feel… they’d just take hana’s side without even thinking about it!” he argues, grabbing your hands. you want to pull away, but if you do, that means you’ll be completely alone. 

“you didn’t even give them a chance,” you reason. “now it’s really over,” you say between sobs. “i… i could’ve talked to them, but you ruined it!” 

“i just want you all to myself, is that so bad?” he asks, as if he genuinely can't understand why you’re so upset. he’s actually sick in the head.

“why?!” you ask again, ripping your hands from his grasp.

“because i love you,” he says desperately. “i just love you so much. i’m sorry, i’ll never do anything like this again,” he promises. 

“yeah, you won’t,” you reply bitterly. “because i won’t give you that chance.” 

“w-what do you mean?” he asks, lips trembling and eyes red.

“i’m not doing this with you anymore. this whole thing was doomed from the start,” you reply firmly. he shakes his head as if denying it with fervor will undo what you’ve said, tears now flowing freely from his reddened eyes.

“no, p-please,” he cries. “i only did it because i love you so much. ever since i first saw you, i only ever wanted to be with you. i… i know i fucked up, but it was the only way. believe me, please.” your already soft heart is softening even more as you listen to the desperation in his voice. he sounds so lost and scared, as if he really doesn’t know what he’ll do if you tell him no. you briefly wonder if he’s ever heard the words: “no, beomgyu. you’ve gone too far this time.” but as you watch him come undone before you, you don’t think you’ll be able to be the one who tells him no, anyway. 

“i’m giving you one, and i mean one, last chance. if you fuck up this time, i promise you, you’ll never see me again,” you declare. you don't know what you’re expecting, really, but the sight of even more tears streaming down his face is not it. he grabs you and pulls you in his warm and trembling embrace.

“th-thank you,” he cries. “you won’t regret this.” 

“i’d better not,” you mumble. even if you do, you can’t deny the way your heart skips a beat at his pure, unadulterated need for you. even if you do come to regret it, it’s impossible to look at him right now and say he’s not being sincere. he pulls away from you and hurriedly captures your mouth, and as if your next words will take back what you said, he seals them in your throat before you can manage to get anything more out. as the kiss becomes more heated, you feel something hard and angry poking into your stomach.

“already?” you tease. he actually blushes at this.

“can’t help it. need you,” he replies sheepishly. 

“you need me, huh? is that why you’ve been so bad?” you ask, palming him deliciously through his pants.

“n-not bad! just love you so much, couldn’t stop myself.” your temper actually flares a little at this. you palm him more harshly and his breath catches when you do.

“really? but you’ve been so bad, i don’t think you deserve me,” you say menacingly, pulling your hand away. he audibly whimpers at this.

“no, no, no, please! i’ll be good from now on,” he pleads as he grabs your hand and begins to snake it under the waistband of his pants. you let him, but you don’t take his hardened length into your hand like you usually would. instead, you tease the sensitive area around it, even going so far as to ghost your fingers over his balls, but you conveniently avoid giving him any sort of friction or attention, so he’s gasping when you give him a mean and unexpected tug. 

“p-please stop teasing me,” he cries, eyes so beautiful and watery. “i know i’ve been bad, but i can make you feel so good.” he’s right, in a way. you’ve never and will never feel as good as you do when beomgyu pumps into you and shoots his hot load in your pussy, but he’s deranged if he thinks you’ll let him have you so easily tonight. not after what he’s done.

“hmm, i’m not so sure about that,” you hum. you lead him to your bedroom as if he’s hypnotized. you haven’t even let him enter you yet, if you’re going to let him do so at all, but he’s already acting like he’s drunk on you. 

“strip,” you command simply. without any questions or doubts, he eagerly takes off his hoodie and shoves his pants down, stepping out of them and closer to you. it’s sickeningly sweet to see how possessed he is by you. he tries to take your own clothes off, but you smack his hand away. 

“bad boy,” you say, and he whines like a dog. “lay down.” he does what you say, lying completely exposed on your bed as he gives a few pulls on his throbbing cock. “stop fucking touching yourself or you’re not getting anything from me,” you add, and he whines even louder. 

“please touch me,” he begs, cock standing all red and weeping. 

“you don’t deserve it,” you shrug. you take off your pants and he leches at the image of your pussy dripping wet for him, and so soon. all he can think about is how warm it is and how fervently he wants to be in it. he thinks you’re going to sit on his cock, because that would be the most natural course of action, but all you do is lay next to him and pull something out of your nightstand drawer. a vibrator. are you fucking serious? 

“no!” he begs, already knowing how this is going to go.

“you can take what you get from me or you can beat it,” you bite back. that shuts him up. he’s biting his lip, trying not to get scolded again, but he can’t help but whine again when you spread your legs and turn your vibrator on. 

“ah,” you moan as the rubber tip hits your clit. “feels so good.” 

“i’d feel better,” he insists, eyes widened and desperate like a madman. 

“touch yourself,” you say in response. “i'm not touching that dirty cock of yours, so take care of it yourself.” he doesn’t need to be told twice. he immediately spits on his hand and begins to wildly jerk his weeping cock. he whines at the friction. you, however, are so lost in the feeling of the vibrations pulsating throughout your pussy, you couldn’t seem to care less about what he does. this only makes him whine even louder. he’s experiencing pleasure, sure, but the sounds coming from him are exaggerated and theatrical. he’s just trying to get a rise out of you. he just wants you to look at him, is that too much to ask?

you open your eyes at his petulant noise and say your next words so quietly, if he wasn’t paying more attention, he’d miss them. “kiss me.” so he does. the kiss is filthy and nothing more than the tangling of tongues, but that combined with the stimulation on your poor pussy is enough to make you near the edge. 

beomgyu can tell you’re close, and his kisses become even more heated as he abuses his cock under his hand. he’s moaning into your mouth, showing you, in no uncertain terms, just how badly he wants to be in you instead. 

“let me do it,” he begs. “come around me, instead. it’ll feel so much better.” his dirty words break you out of your trance and you annoyedly shut the vibrator off while tossing it god knows where. you tear his hand away from his cock and mount him, teasingly rubbing yourself against him, but refusing to put it in. he whines and pouts, but you’re far too busy trying to get yourself off to appease him. then, as if he’s possessed, he raises his hips and his tip catches on your entrance. you both gasp at his shallow intrusion. 

“p-please sit on it, it hurts,” he asks rather pathetically. 

“i can’t, beomie. you haven’t even fingered me yet — you’ll break me in half,” you say provocatively. he whimpers at the imagery. “and you've been so bad, how can i let you get what you want? you’ll never learn if i do that.” 

“i’ve learned! i promise, i’ve learned! just, please, help me,” he cries, bucking his hips up and holding your waist so hard you’ll know he’ll leave bruises. 

“mmm, i don’t knowwww,” you drawl.

“please!” and with that, you angle your hips and begin to sink on his thick length. the stretch burns and you can’t help but cry out as you feel your pussy enveloping every inch of him mercilessly. he’s in tears when he feels you throbbing around him, pussy stretching to accommodate how big he is. when you finally, finally take him all in, he can’t help but begin to fuck into you wantonly. 

“b-beomie, slow down!” 

“c-can’t! feels so good,” he says, tears streaming down his pretty face. he grabs your waist even tighter and flips you around so you’re lying beneath him. his cock continues to hammer into you and you’re seeing stars. his mouth is open, drool pooling out of the corners of his lips, and he’s moaning out your name like a prayer.

“pussy so good, so perfect,” he babbles. “missed this. missed feeling you like this.” 

“i missed it too,” you admit. 

“wanted you, wanted you for so long,” he continues. you don’t even think he knows what he’s saying, but you can tell he means every word. he reaches to your stomach and presses down where his cock is ramming into you. your eyes roll back at the pleasure that comes with the pressure. 

“my baby could be in here,” he muses. “our baby.” this should scare you into sobriety, but it does nothing of the sort. you find yourself tightening even further at the thought of him breeding you like a bitch. 

“i’ll take care of you, i swear,” he says as he thrusts so hard your head nearly meets the headboard. “i’ll give you everything you need. sh-shit, baby, wanna fill you up so good you feel me for days,” those words in addition to his sloppy thrusts are what send you over the edge. you clench around him and he hisses at how you’re even tighter than usual. you feel his thrusts become even more sporadic and he’s emptying himself into you unceremoniously. as he softens, he pulls out and you wince at the feeling. to your surprise, he moves down to your pussy and begins to lap up all of the cum like a starving animal. then, he pulls you in for one last nasty kiss. 

-

you don’t know if you necessarily trust beomgyu, but it’s hard not to at least try to when he basically prostrates himself in front of you on a daily basis. he lets you walk all over him, really. if you call him, he comes running. if you’re mad or upset, he soothes you. when you’re being unreasonable, he reasons, anyway. you still haven’t heard from your friends, but you’re starting to accept the fact that you never will. he introduces you to his friends, and surprisingly, they actually welcome you with open arms. apparently, they didn’t like hana very much and knew beomgyu always had a thing for you. you’re not sure how to feel about that, but you’re flattered, nonetheless. 

you call beomgyu crazy, and maybe he is, but he always says it's because he's crazy in love with you. you want to playfully smack him when he says such cheesy words, but you're starting to really believe him.

[steviewashere]

Thinking about a fic idea right now where Steve comes out (maybe with a little Steddie...maybe; might be best to start them pre-relationship in this). Walk with me here.

Steve Harrington who has always been a huge Wham! fan. And then eventually a huge George Michael fan. He's got all their albums. Collects magazines with interviews in them (y'know, if there's a U.S. release). So, he's pretty much up to date with all news, music info; that kind of thing. He's always on the money about when interviews are.

George Michael who comes out publicly in 1998 after his arrest. Which, you can watch the clip from the interview here. He's thirty-four at the time, had been private about his sexuality and romantic life up until then.

Steve who's freshly in his thirties.

He's thirty-one. He's had some thoughts in regards to his sexuality for years now. Since Robin came out to him in 1985, he's thought about little things. The way certain guys walked that caught his attention, maybe the plushness of their lips, how they styled their hair. She's introduced him to queer culture at the time—pride parades & protests, some lingo, the handkerchief code, etc. So, he's well aware of a lot of things before the CNN interview airs. He hasn't made any hard connections between his sexuality and the thoughts in his head; maybe he's had a few, soft, questioning moments like: Am I gay? Am I bisexual? Is this what I really think or am I searching for something I don't actually want? Am I just being too observant?

(Okay, thinking about pre-Steddie now. And a lot of platonic soulmates Stobin. Also, I totally (accidentally) half-wrote a fic. Stay with me here.)

Eddie's been a part of Steve's life since 1986. Somehow he survives (don't ask me the fine details, I don't know). And Steve tries his hand at being Eddie's friend because he kind of—no, really—wants a guy friend who's around his age. Cue their shenanigans: the chaos they cause together, the pranks they pull on their other friends, the shit Eddie makes Steve get into (drag racing (cars), stealing scrap from the junkyard, throwing rocks over the quarry to guess the impact they made, other little town shit). Eddie who learns that Steve's a true ally to Robin, so he comes out to Steve, too. They all form a very great, deep bond of solidarity. Become roommates outside of Hawkins, somewhere a little more progressive. They protect each other. Listen to each other.

Cue the day in 1998 when the CNN interview is being aired live, unseen up until then. Steve's already ready to watch, having taken up the middle cushion on the couch. Robin's on his left, criss-cross and making a set of beaded bracelets for the three of them. Eddie's on Steve's right, uncapping a couple bottles of beer to pass over. And they're watching with Steve because Steve likes George Michael and, well, they like Steve and his interests. So they're all there when George Michael comes out. They're all there when the words are said live.

Robin and Eddie are wide-eyed, then laughing something a bit triumphant, high-fiving over Steve's head, maybe chanting something: "One of us! One of us!" Maybe becoming huge George Michael fans as they speak. But, Steve's silent. He's sitting on the edge of his cushion, palms down on his thighs, staring off into nothing. All the celebration stops as the interview continues, words being missed. And Robin and Eddie share an odd glance, a questioning one. Until, finally, Robin asks, "Steve-O? You OD over there?"

Steve blinks back into existence. Mutters, "Did George Michael just come out on live TV?" Eddie answers him truthfully, voice a bit soft and concerned. Steve licks his lips, doesn't move his eyes from his socked feet. "...He knew for a little while," he comments. "Right? He knew for a while."

"Sure, Steve," Eddie answers again. "He probably knew about himself for a long time. Probably...Honestly, probably while he was still in Wham."

Maybe Steve nods at that. Maybe he just stays kind of stoic, thinking too hard. "He's thirty-four," Steve points out.

"That he is," Robin answers this time. "Thirty-four and proudly out."

Steve hums some sort of acknowledgement and then goes back to watching the TV, moment drifting away. He sort of watches in a daze. Up until he turns in for the night. Well after Robin has slumped over on the couch and Eddie's gone to bed earlier—because he has work, or so Eddie's said. And Steve maybe sits in his bedroom, up at his headboard, looking down at his albums. At his Wham! and George Michael albums. Turning the tapes over in his hands, reading the track lists, maybe tracing the edges of the cases with his thumbs. Thinking about how George had said he was telling his life story, even through some of his earlier solo work. He's thinking about how successful George Michael has been. And then he thinks about how George Michael came out later in his life. In his thirties, not in his twenties, not in his teens. Sure, yes, it was definitely more negatively criticized to do so, but it means something to Steve. To be thirty-four and freshly out. And he thinks, too, about being thirty-one and things clicking into shiny clarity—he's into guys, too. He's into women, but he's into guys. That word, "bisexual" looking like the final jigsaw piece. To be thirty-one and proudly out, too.

And he's comforted in that thought, as he drifts off to sleep.

And when he wakes up in the morning, he bustles around Eddie and Robin in the kitchen. They make a shared breakfast of scrambled eggs and sausage and toast with jam. They sit at the dining table, forks against plates, shooting the shit back and forth.

Steve cuts a slice of sausage, puts it in his mouth, eats as usual. And just as the conversation is beginning to drift again, he finally speaks what's on his mind. "I'm bisexual," he's able to proudly state.

Maybe Eddie and Robin cheer, too for that. They ask him for his taste in guys. Maybe they tease him a little. Maybe Eddie realizes he fits the bill a little; maybe he waits a little bit before taking a shot, but he still does eventually.

And right before they head off for their respective, regular lives outside of the comfortable space of their apartment, Robin knocks their shoulders together. "Proud of you," she states. "Thirty-one and proudly out. How does it feel?"

They're in the kitchen, washing and drying the dishes because Eddie left for work already with a promise to bring home pizza for dinner. They're in the kitchen, the lights a little fluorescent like the Starcourt bathroom. They're in the kitchen, in each other's orbits, two friends who've seen it all and will continue to see the world together.

"It feels...I feel good. Excited."

Robin smiles at him, something soft and understanding. And as his focus goes back to the plate he's about to hand off, she snorts. "So, Eddie, huh?" And he scoffs, rolling his eyes. She just laughs to herself. Then, when she's calmed a little bit, she states, "He kind of looks like Rowlf. You and I have a thing for Muppets, Stevie. Muppets."

And after their laughter dies down and they live out the rest of the day, Steve thinks about how he can send a letter of thanks to George Michael. And maybe he cherishes those albums a little closer. And he is confident in himself for the first time in a while, all because the representation he didn't know he was seeking, is finally right in his face.

Sorry that got long. But I'm just thinking about Steve who comes out later in his life. Maybe he couldn't make those connections because he didn't have the safe atmosphere to do so; feared the worst if his parents ever realized he didn't care too much about women sometimes, if his eyes drifted to men a little too much, fearing that they'd catch his contemplation. Maybe he found his safe space through Robin and Eddie, but needed a little more of a push and he just didn't find it yet. Up until now.

[vamossainz55]

let's just drive (charles leclerc x reader)

inspired by a request from an anon: would you like to write one for Charles where he can't drive his normal car (for whatever reason), so he asks the reader for help, but she's kind of nervous and thinks there will be some judging? a/n: i took the liberty of making her scared she'll crash, i hope that's okay. i just feel like it fit the prompt better (+ there's something that I don't like about this but idky- so my sincere apologies if you also feel it)

“Here you go,” Charles says, casually dropping the keys in your hand before giving your cheek a kiss. You’re not sure if he doesn’t notice the way all your blood has drained out of your face, or if he’s choosing to ignore it because he doesn’t mention it. Instead he circles around the car to go into the passenger seat.

He fumbles a bit with the door before closing it, having to awkwardly reach over with his left arm to pull the seat belt from the right. He struggles over the cast that’s wrapped around his arm, and for a second you feel sorry for him, but all of this goes away the moment he looks over at you expectantly. 

“Come on,” He says. You notice the smile he attempts to fight back, the way he sucks his bottom lip between his teeth and looks away. So he did notice I look nervous, you think to yourself. Dickhead. 

Passenger princess. That is what all your friends had decided to call you once you had started dating your boyfriend. It had been an off-handed joke at first, one that was pegged because of your boyfriend’s career, but here you were almost two years into your relationship and the nickname had stuck.

Over the last two years you found yourself behind the wheel less and less, whilst finding more and more comfort in riding shotgun. It’s not that you hated driving, far from that, but he just loved it, offering to take you wherever you needed to go. 

That is exactly why the sight of his 488 Pista is making you feel sick, extremely sick. 

Regardless of your nerves, you somehow find yourself in the driver’s seat, pulling the seat forward to adjust for your own height. Somehow the car feels even scarier from the inside and you wonder whether calling an uber could be a choice.

“Did you really have to break your arm this week?” You ask as you turn the key. Of course you’re joking, well kind of. You just didn’t understand why you were the one who had to drive. The car roars as soon as the engine is on, and you try not to think how much power it actually has. You can feel your boyfriend’s eyes on you, amused by your whole ordeal. 

Your hands are clammy as you hold the steering wheel, looking into the wing mirror. You’re about to change gears, eyes shifting back to the rearview mirror. Reverse, I can do it, you think. There’s a small second of silence right when you’re about to step on the clutch and you can practically feel Charles’ eyes burning into you. 

The car reverses, only for a moment before it rocks back forward. You instantly wince, raising your shoulders to your face to wait for the impact that never comes. You hear a snicker from next to you and you exhale a breath you didn’t even realize you were holding. 

“You cannot be staring at me like that!” You say, cheeks flushed red, looking at him. Charles only continues to look at you, a smile playing on his lips as he shakes his head. He reaches over to hold your arm, thumb slowly rubbing at your skin. The touch sends a shiver down your spine. 

“You’re acting like you don’t drive when I’m off racing.” Charles laughs in between his words, letting out a soft wheeze. 

“Yeah- I drive my car. Not a ferrari.” You murmur, trying your best to let the heat leave your cheeks.

“You’re not going to crash it you know?” 

“But what if I do?” Your question comes out high pitched and whiny, a stark contrast to how relaxed and laid back Charles seemed. He sucks a sharp breath between his teeth before letting it out with a shake of his head and a smile on his lips. 

“First off all- you won’t,” He says as he reaches to turn off the car before reaching for your hand. “And second of all, so what if you do?” Charles asks, snorting at the shocked expression you give him. 

“I’m sorry- are we forgetting how much your car costs?” You try to pull your hand away, wanting to prove your point about how stressed you actually are. He doesn’t let you though, only giving your clammy hand a squeeze.

“Actually, I don’t know how much it costs,” Charles says matter-of-factly. You can only groan, because of course Charles Leclerc does not know how much his Ferrari costs. 

“Over two hundred thousand euros Charles.” His brow raises slightly, showing slight surprise and you’re a bit relieved by it, hoping that it would be enough for the idea of you driving to stray away. It doesn’t seem to work in your favor though. 

“Wait- did you google how much my car costs before this?” 

“How could I not?” Charles is back to laughing again, shaking his head in amusement. =

“Amour, it is going to be okay,” Charles promises. “I trust you.” His words are enough to get your shoulders to relax a bit, and for you to take a deep breath. 

“But you love your car so much- what if anything happens?” You watch the way he brings your hand to his face, leaning down to pepper kisses into your knuckles. It helps in relaxing you, allowing you to let out a soft breath. 

“Come on now, I love my car, but- I love you more.” He smiles at you as he gently puts your hand back down, but you don’t give in, only continuing to look at him with your lips pulled down into a pout. “If you crash it- which I am not saying you will, I won’t be mad. I’m the one that asked you to drive it,” Your silence fills the car and he squeezes your hand again to catch your attention. “Hm?” 

“Are you sure?” You ask and Charles only laughs, rolling his eyes before pecking your lips. 

“I,” he says before giving you another kiss, “promise that,” and another, “I love you” and another, “more than my stupid car” he finishes, sealing the promise with one last kiss. He takes his time with this one, enjoying the way your lips had curved up into a small smile. Bingo.

“Now will you drive?” He claims victory when you nod in response, pulling away to lean back onto his seat. There’s a moment of silence as your fingers shadow to start the car, but another thought enters your mind. 

“Can I have one more kiss?” He knows you’re stalling, and at this point you’ll both be more than twenty minutes late, but he smiles anyways. 

“Of course,” He answers, coming closer again. Who’s to blame him though, he did love you most.  

[trippinsorrows]

looking through your eyes + seventeen

authors note: this chapter covers the aftermath of solana's attempt in the previous chapter. please heed to content warnings in order to make an informed decision regarding reading this chapter.

i'm going to handle solana's experience in the hospital as realistically as i can, but there are creative liberties taken as well. and don't come for me for the ending either. :/

cw/tw: angst, discussion and coverage of the aftermath of a suicide attempt, mental health discussions.

song inspo: ‘looking through your eyes’ by leann rimes

masterlist

words: 15k

Roman has a long to-do list. He always does and always will. But, this is by far one of the last things he wants to do. 

He’s going on 24 hours of no sleep, which isn’t the first time he’s done as such, but it’s the first time he’s done as such and actually felt the impact of the sleep deprivation. And truth be told, deep down he knows the exhaustion that he feels is more mental than anything.

It’s the result of the toll that finding out Solana tried to kill herself has taken on him. 

Is taking on him.

But, he can’t deal with that shit right now. He can’t deal with it because he’s got his Wise Man, Rikishi, Solo, Jimmy and Jey all sitting around him, wearing various levels of confused expressions. Which only irritates Roman more because Rikishi and Paul are the only ones who should be confused. The twins have been with him dealing with all of the shit the past 24 hours. 

Solo too.

Rikishi is the first to speak, studying Roman. The Tribal Chief is more than sure he noticed the grimace on Roman’s face as he went to roll his shoulders, remembering yet again of the wound that probably won’t heal as quickly as predicted given the fact he’s done the complete opposite of ‘taking it easy.’

“You gonna tell us what happened or—”

“There was an assassination attempt on Solana’s life last night.” Roman’s sentence is matter-of-fact and to the point, nevermind the fact that his right hand forms into a fist at just saying as such. 

Rikishi and Paul share shocked expressions, Roman’s older cousin being the one to ask, “is she—”

“Bullet hit me instead. Didn’t lodge. I’ll be fine.” Roman only adds that last part because of the horrified look on Paul’s face, already knowing his Wise Man will bombard him with questions about his injury. “Xavier Miller and his boy were behind the attempt. I’m handling them now.” 

“But sir, why would Miller want his own daughter dead?”

Roman closes his eyes and rolls his neck, working to settle his rising temper. He hates talking about this shit. It only spikes his eagerness to get his hands on Miller and rip him apart limb by limb. “Because she didn’t go along with his plan.”

Rikishi speaks up again. “Plan?”

Roman’s jaw clenches. “He wanted her to kill me.” 

The rest of the men look equally shocked, Paul gasping loudly, asking, “she’s a traitor?”

If looks could kill, Paul would be six feet under. Roman has to mentally restrain from acting out on his suddenly murderous urges. “She’s my wife.”

Rikishi, however, seemingly tosses his longtime friend a lifeline, trying to reason with his younger cousin. “Uce, that doesn’t mean she can’t be both—”

“What I’m hearing….” Solo surprises the men around the table as he sits forward. “—is that she can’t be trusted.”

Roman isn’t sure just how much of his anger and rage at the accusations being slung against Solana is showing, his Solana, but it must be enough for the twins, of all people, to try and de-escalate.

“Come on now, this is Soso we talking about.” Jimmy is the first to kick off peacemaking. He looks at his father, “pops, you was there when we first met her. She was nervous as shit. Ain’t nothing about that girl dangerous.”

Jey chimes in, handling Solo. “And you of all people should definitely know that’s not Solana. She would never hurt nobody, let alone kill nobody.”

Solo, however, simply scoffs. “Like she ain’t hurt her brother?”

“What was she supposed to do? Let him beat her?” Jimmy is the one to snap, shouting back with a suck of his teeth, “man, that bitch deserved it!”

Rikishi jumps in, defending his younger son. “I think what Solo is trying to say is that it proves she is, in fact, capable of hurting someone if she wanted to.”

“Why would she want to hurt Roman? That don’t even make no—”

“Enough!” Roman’s fist slams down on the table. “The next person to say one more negative thing about my wife is getting a bullet in their fucking skull.” There’s a blanket of silence, all of the men knowing that Roman would absolutely carry through on this threat. A promise, really. 

Roman swallows, both from anger and something else he can’t pinpoint. “Solana tried to kill herself last night. What in the fuck about that presents a danger?” He doesn’t care enough to observe the reactions of that news. Doesn’t give a fuck. “The only person she’s a danger to is herself.”

Paul is the brave soul, or perhaps just stupidly and naively asking, “is she—okay?” 

“I said tried, didn’t I?” Roman snaps, forcing the pudgy man to recoil back in his seat. Roman clenches his jaw yet again, directing his statement to the next older man. “Rikishi.” He runs a hand over his face. “Meet with the Elders. Tell them about the assassination attempt. That it was Miller. Nothing about the plan. And leave it at that.”

Rikishi removes his glasses, sitting up at the table. “Roman, the Elders should know—” 

“The Elders know what I want them to know, and I want them to know that someone tried to kill my wife, and I’m handling it. That’s it.” Incapable of dealing with any more of this shit, Roman stands up from the chair, turning his back on the rest of his family. “Wise Man, let’s go.”

The obese man also shoots up from the chair, nearly tripping over his feet as he wordlessly follows Roman out of the room. 

Left alone is just Rikishi and his sons, the patriarch asking, “she tried to kill herself?”

Jimmy and Jey wear similar frowns, recalling the horrific truth they learned about their ‘Soso’ just hours prior. Jimmy shuts his eyes, unable to push away the memory of a hysterical Naomi throwing herself into his chest at the memory of finding Solana unconscious. 

“It’s….it’s a long story,” Jey answers in a low voice, wanting to be respectful. Aware or not, Solana’s story is hers to tell and hers only. 

Truthfully, he’s slightly surprised Roman even disclosed that part of the past 24 hours. 

“Yeah, there’s a lot of the story that Roman left out,” Solo suddenly finds his voice again, sharing directly to his father and brothers. “Like the fact that Roman took that bullet for her.”

“What?” Riksihi asks, shock stamped all over his voice. 

“I was right there. I saw the whole thing. He pushed her out the way.”

Jimmy shrugs. “He protected his wife. What’s wrong with that? We all would have done the same.”

Jey nods in agreement. Rikishi looks torn. 

Solo continues, pointing out. “But, Roman ain’t like us. He’s the Tribal Chief. He needs to act like it.”

“Careful, son,” Rikishi cautions, seemingly breaking from his conflicted state. “Your Uce sits at the head of the table for a reason. His ways may be unorthodox at times, but his reign won’t be questioned. We won’t disrespect him.”

Solo scoffs. “But you’ll disrespect the other Elders by lying for him?”

Jey jumps in, chiding, “man, what’s up with you tonight?”

Solo scoffs, pointing to himself. “Me? I’m not the one whose judgment is clouded. We all know if this was one of us and the roles were reversed with our wives, Roman would want them executed. He’s not thinking straight.” Solo looks around the room, noticing there’s a brief second of silence. “Ya’ll see it too. I’m just the only one who’s willing to say it. Roman is losing focus—”

“That’s enough, Solo.” Rikishi raises his voice, firmer, that of a father. “You’re out of line, son.” 

Solo looks around the room, halfway waiting for his older brothers to jump to his defense, to agree with what they have to know is the truth. But, when that doesn’t happen, he also shoots up from the table, rocking it in the process, leaving the room without another word.

Once gone, Jimmy motions with his thumb. “Man, he is tripping.” He shakes his head, asking his father, “you want us to talk to him?”

“No.” Rikishi answers almost immediately, sighing heavily, running his hand over his face. “I’ll do it….you all just….watch Roman.” He stands up, as Jey mutters something about having the hard job. “And sons….this conversation doesn’t leave this room, understood?” Jimmy and Jey look slightly confused and taken back, Rikishi explaining, “I know you’re both closer with Roman. But, he’s just your cousin. Solo is your brother. He’s definitely tripping, but he’s still your family too, and there’s nothing more important than brotherhood, alright?”

________

Roman awakens with a heavy sigh that’s followed by his eyes closing. 

His sleep has been shit the past few days, and it’s been solely because his bed is cold and empty on the other side. Because he’s sleeping alone, something he once cherished but now can barely tolerate. He didn’t realize just how much he enjoyed Solana’s soft body pressed up against him, the satisfaction he felt waking up to her every morning.

Now, he just awakens to silence or the sound of Dulce whimpering or barking. 

Dulce’s whimpers on the side of the bed remind him of the fact that she’s still sleeping in his room. In their room. On Solana’s side.

Her empty side.

Moving the blankets off, Roman swings his big body over the side of the bed and walks over to motion for her to follow him. “Come on.”

He knows she has to empty her bladder, but he’s grateful for a reason to leave the space that reeks of Solana, a constant reminder of her absence. 

It’s….an experience, to say the least. 

Picking her up, he carries her down the steps, through the house, and out the back sliding door by the kitchen. Roman places her in the grass, letting her do her business as he goes to sit down on the edge of one of the chaise lounge.

He closes his eyes.

Love. 

Suck a weird fucking thing. Something he’s never really understood. 

Or felt. 

Not….not in this aspect at least. 

He’s always been confounded by the emotion that makes people act so outside of their character, clouds their judgment, and seizes their brain in crippling ways. He never saw the appeal in it. Never wanted it.

And then came Solana. 

If someone had told him four months ago that he’d not only be married to a woman he actually cares about let alone would end up loving, he’d probably knock them flat on their ass. Harshly criticize their stupidity at the very least. 

Falling in love with Solana was never the plan. He never wanted this for himself. He just needed to marry to create an official heir. And that was it. She would do her thing, taking care of the kid and whatnot. And he would still do him, continuing his life of commitment free sexual relations with whoever was his flavor of the week. Or day. 

And yet all of that, just the thought of it, sours his expression. 

He doesn’t want anyone other than Solana. Doesn’t desire to be intimate with anyone other than her. It’s her he wants to wake up to every morning, her he wants to make happy. He just wants her. Nobody else.

Because he loves her.

And it’s a shocking, life changing realization he finally stumbled into while sitting at her hospital bed. An epiphany he’s certain was heavily transitioned from subconscious to conscious given the events that transpired that night.

She almost died, was almost shot, and there’s not a fucking part of him would do anything differently. He’d take that bullet and any other bullet for her anytime. 

Because he loves her.

He stood between her and her piece of shit father, not thinking twice about it, only knowing that decision would forever negatively change her life. Thinking how he promised her he would never let her end up in that position. 

Because he loves her. 

And he sat at her hospital bed, holding her hand, pouring his heart out to her because the second those infamous words left Jey’s mouth, his world nearly collapsed. He couldn’t think straight as he rushed to the hospital, uncaring and uninterested in anything except being with her, holding her, catering to her. Whatever she needed. He just needs her to be okay. 

Because he loves her.

Roman’s head tilts back, the weight of all this lying on his chest. 

He can’t deny it. Can’t deny he loves her. Not to himself, at least. He just doesn’t know what the fuck to do about it.

There’s…..there’s no room for love in his life. No place for it. Love is weakness, and Roman has never and can never be weak. He’s the Tribal Chief. The Head of the Table. The leader of the Bloodline and Cosa Nostra. There is no space for weakness.

Or love. 

And yet….it’s there.

It’s there for her. 

Dulce walking over to the chaise lounge that Roman realizes is usually the one she sits on when she’s writing brings him back to the sadness that creeps in at her absence. Dulce must feel the same as she lays down, ears also down, whimpering.

Roman beckons her over, watching as she slowly walks over to his feet, ears still down as he picks her up and places her on his lap. It’s something not even a week ago he would probably do. But, that was then, and this is now. 

And now, he almost feels a sense of duty to Solana’s puppy. 

Because it’s this same puppy, he’s learned, that barked nonstop at Bayley and Naomi, running over to Solana and starting to cry, effectively alerting them that something was wrong.

Very wrong.

With an uncharacteristic level of emotion, Roman gently strokes the top of her head. “You saved her life….” For his own mental sanity, Roman chooses not to think about what the alternative could have been. What his reality would be if this small, five pound animal didn’t have such a close, protective bond to her human. “Thank you.”

Dulce whimpers in response, laying her body on his lap, staring at the empty pool chair. 

Roman sighs, eyes shutting again. 

The emotion is undeniable as he acknowledges in a soft voice. “I miss her too..”

This shit is much harder than he realized. 

________

Roman: How are you doing? 

Solana glances at her lock screen at hearing the familiar, personalized notification sound. The sound she set specifically for texts from her husband. Her smile is already set on her face but settles into something deeper as another message slides in.

Roman: Do you need me to come home?

Placing the pencil down on the nearest surface, she swaps out her task at hand for a brief break to respond to the question she anticipated would be proposed at some point in the day. 

Just not this soon, perhaps.

Solana wipes one hand on her shorts, the other unlocking her phone to open his thread. Preparing to reply, her gaze shifts over to her sweet baby boy, sleeping peacefully in his infant pillow. Low, relaxing music plays from her Alexa on the nightstand, lulling and keeping him in his slumber. Similarly, Dulce lays peacefully in her bed on Solana’s side of the bed, curled into a little ball.

The smile somehow grows deeper.

Solana: I’m okay. You don’t need to come home, really.

Solana quickly snaps a photo of the baby and includes it with her next message.

Solana: We’re good. :) 

Solana brings her finger to gently caress her son’s cheek. He has such a calm disposition about him. Even at 6 weeks. She can just see he’s taken on more of her demeanor than his dad’s. Granted, she also noticed the same thing about her oldest twin, only for her to gradually be morphing into the female version of her father.

Roman hearting the photo captures her attention once again followed by his reply, which seems to be the result of long distance mind reading.

Roman: He’s been a lot easier than the girls were. But, time will tell. 

Roman: Where are they?

She giggles, imagining his elongated sigh as he considers what could be in store for them once their son starts to get bigger and older. Can move around and get into things with his sisters. It’s more likely than not bound to happen.

Solana: In their playrooms. They’ve been surprisingly quiet too….for now. Lol

Solana knows her girls well enough to know silence with them, mostly when they’re together, isn’t usually long lived. The quieter of the two is very much like Solana, able to stay and keep to herself just fine without making much or any noise. Her sister, however, older by 6 minutes exactly, is not.

She is rambunctious and loud and loves to be moving. And when they’re together, that adventurous nature rubs off on Solana’s twin, usually resulting in them getting into something. More often than not.

Roman: I talked to them last night. Reminded them it's important they listen and help you out.

This is something she already knew, having overheard as he put them to bed while she catered to their newborn. He’s done that a lot since the birth of their son. Really taken over as much as he can with helping the girls, when it’s something he can do. And if he can’t do it, like them wanting to do art with her or bake something, usually the youngest vs the oldest, he’s on baby duty. 

Whether he realizes it or not, he truly is great at being a dad. Though something tells her, always has, that even three kids deep, he struggles with that insecurity at not being good at it.

Not being good enough.

Roman: I still think it was too early for me to come back to work and leave you alone with everything.

And there it is. What Solana already knew he was thinking but is happy to see him finally admit. Roman’s been working from home the past six weeks, since the birth of their son. And while she’s appreciated having him home, helping her out with managing their growing family, it was time for him to return back to the ‘office.’ 

She knows he worries about her, worries about her feeling overwhelmed, but she’s been good the past few years with being open with him. That hasn’t and won’t change. 

Solana: You were going to have to go back eventually, Ro. I’m okay, really. The girls really don’t cause me any issues. And he’s easy.

Solana: Outside of when he’s groping and squeezing the mess out of my breast. 😅

Breastfeeding has never been much of an issue for Solana. And, while it was definitely a bit of a challenge breastfeeding twins, there was never a pressing enough problem for her to not consider doing the same for her third child.

Granted, unlike the girls who, at most, felt around her breast while getting their fill, her son is more handsy. His little palms often slapping, squeezing and even scratching with his nails she makes sure to try to keep cut low. 

She chuckles, thinking about how this could very much be another small sign she’s in store for yet another energetic child. It lines up though. Even when he’s sleepy, little scowl on his face, she sees Roman. In all of the children, really. But with him, the way his little lips dip and light eyebrows cave into a look of unmistakable disapproval, usually when she takes too long to pick him up or feed him, that’s all Roman.

Roman: Smart kid. 

She giggles, sending out a reply that’s a result of years of growing more comfortable with teetering the lines of risque topics and innuendos.

Solana: Your kid, clearly. 😅

Roman: Damn straight.

Chewing on her bottom lip, she keeps the conversation going with another risky text. 

Solana: Just two more weeks until I’m….cleared. 

Over the years, and as she’s continued to heal, Solana has found herself with a sexual appetite that’s nowhere near her husband’s nor most women her age, but it’s there. Coming and going. Ebbing and flowing. And lately, it’s been on the flowing side.

Roman: We should wait longer. 

Roman: I’m not taking any risks.

She sighs at his reply that’s not entirely unsurprising. He absolutely would want to go past the recommended 8 weeks that she was told by her doctor that they would need to wait to resume intimacy. An extended period of time than the usual 6 weeks due to the second degree tear she sustained while birthing her third child. A thing that can happen during childbirth and wasn’t anything too serious, but something she knows her husband sees as just that.

Thus him wanting to not ‘take any risks.’ 

Solana: I understand.

Understanding is different from agreeing, but she won’t push him on it. 

Solana: Besides, don’t want to risk another baby.

Solana: Just yet anyway….

Having this conversation over text probably isn’t the way to go, but she has no doubt he’ll talk with her about it more in person when he comes home tonight, after all three kids are down for bed.

That doesn’t mean they can’t start it now, at least, though.

Roman: Seriously? You really want another baby?

Roman: He isn’t even a year yet.

Roman: You forget I’m 10 years older than you. I’m getting too old for all these kids, Solana.

It’s true they just welcomed their baby boy not even two months ago. And Roman is aging. He’s older, the gray in his beard spreading by the day, but he’s still just as active and fit into his forties as he was when they met years prior. Thus, he’s exaggerating. 

Solana: No, you’re not.

Solana: And that wasn’t a no…..

His reply comes in a bit quicker than she was anticipating. 

Roman: It wasn’t. 

She smiles. Solana has learned her husband well over the years. Knows him well enough to know that if there wasn’t a part of him also interested in maybe having another child, he would be clear about his standpoint. He would express his disagreement. 

So his comment would suggest he’s not team no. That he’s open, and his following texts confirm as such.

Roman: But, this would be it. Four is more than enough.

She smiles, knowing that this definitely will still be discussed in person tonight but happy that he’s unwilling to deny himself. Solana’s love for him has only deepened since seeing him step into the role of fatherhood. 

She just wishes she could get him to see how good he is at this. The girls wouldn’t adore him as much as they do if he was bad at it, per se.

But, he’s not.

If only he could see it. 

Solana: Unless we get another set of twins….😅

Roman: Jesus Christ 

Solana giggles, imagining the look he must have on his face. Probably similar to when they found out about the girls. She wasn’t entirely surprised given how strongly twins run on his side of the family.

But, he most certainly was.

A quiet knock pulls her from the conversation as she lays her eyes on the twins who are waiting by the door with hesitant expressions. She waves them over, placing her finger over her mouth to remind them to be quiet to avoid waking up the still sleeping baby.

They tip toe over to her, moving to her side of the bed, leaning over and looking at him. The oldest is the one to ask, whispering, “why does he sleep so much, mama?”

Solana chuckles. “That’s what babies do. They need a lot of sleep to grow big and strong.”

The quieter of the two of them deviates from her usual silence to predict, “he’s gonna be big and strong like papa.”

The oldest, however, doesn’t hesitate to reiterate. “I’m still gonna be the tribal chief though.”

Solana has such a torn reaction she does well at hiding. As much as she loves how much her technically first born admires Roman and wants to be just like him, she also has no idea just what it is that Roman really does. The true weight that comes with wearing the Ula Fala. 

Or the fact that by his family’s laws and traditions, their son is the true heir to the Bloodline. Granted, she also suspects it’s those same laws and traditions Roman will fight tooth and nail to change should their daughter, even after knowing the truth about the Bloodline, still want to pursue taking his place when the time comes for him to step down.

Roman would do anything to give her just as much a chance to the keys to the kingdom as her brother.

But, that’s so far down the line, and Solana doesn’t like thinking about it too much. She just wants to enjoy her children as they are now, innocent and oblivious.

Ms. Quiet stays on her talking streak, asking quietly, “can we still go to aunt Bayley’s house today?”

Solana nods. She briefly forgot about that, but it’s still very much doable. “Of course.” 

The girls gasp and look at each other, Solana already knowing another request is about to follow. Roman’s little twin ends up being the one to ask, “mama, can we go see papa at his office before?”

She shouldn’t be surprised. One of their favorite things to do is stop by and see Roman while he’s at work. Something she hasn’t done in some time, not since the birth of her son and even then, it had been a few months.

Solana starts to text and ask him if he’s busy, but one look at the happiness on the girls’ faces at being able to see their dad, and she knows she doesn’t need to.

She knows there’s no way on God’s green earth that he would turn them away, even if he stopped or canceled a meeting just to interact with them.

That’s just the kind of father he is.

His kids come first. 

With excitement bubbling in her stomach at seeing her husband, Solana takes a glance at her son, smile growing as he stirs, clearly just as ready to see daddy. 

She then looks back at her just excited girls, sharing, “time to go see papa.”

“Time to get up.”

Solana has to blink a couple of times to reorient herself, almost entirely due to the shocking nature of her dream. A dream she’s now had every night since being admitted to the hospital, glimpses, and what feels like peeks, into the future.

Her future.

But, at the same time, it’s a distant thing that seems unattainable and unrealistic given where she is now. On a legally mandated psychiatric hold after attempting to die by suicide.

“You up, sweetie?”

Solana nods and sits up in the bed, accepting the water and pills in the small medicine bowl. She doesn’t hesitate to swallow all three, offering a small smile to the nurse who’s been assigned to her, making sure she takes her medication as prescribed.

The nurse, Carol, she thinks, reminds, “breakfast starts in twenty.”

Solana nods, pushing back some of her hair, waiting for the older woman to leave before she lays back down on the bed. 

She shuts her eyes. 

The past few days have been…..an experience. An emotional ride unlike any she’s been on in years. The last time she can recall struggling and feeling as heavy as she was was when she woke up from her coma and had it confirmed that her mother was dead. Something she knew but held onto the invisible string of hope that Nina somehow survived. 

Even though Solana still recalls the moment she heard and saw her mother take her last breath. 

It’s a weight that’s lessened tremendously over the past couple of days, since she woke up yet a second time, less irrational, not as hysterical. Part of her reaction was most definitely due to still feeling suicidal, still believing that being dead would be better for everyone. But her reaction was exacerbated by the fact that two male nurses moved to restrain her as she tried to move from the hospital bed. Having male hands on her like that was triggering and made her emotions that much more difficult to manage in an already tense situation.

But the second time she awoke, Solana saw nothing but women. Truth be told, she’s only had women on her care team since being admitted. It’s made such a big difference. 

All of it has.

Being in this space, so separated from the outside world. It’s been both difficult and welcomed. A nice escape from a recently draining reality but also a heavy separation that she’s brought up a couple times now in her individual therapy sessions with her therapist, Gail.

That is the difficulty in being separated from Roman. It’s a dichotomy. As much as she wants to see and talk to him, she wants to hide and avoid him. She wants to explain yet also never have to discuss it again. An avoidance behavior that is typical for survivors of suicide attempts, another thing she’s learned in therapy thus far. 

But more than anything, Solana just wants to talk to him. She remembers from when she was admitted as a teen following her first attempt that communication is typically cut off from the outside. She just didn’t realize it would be the same protocol as an adult. 

Something intended to avoid patients from being re-triggered. She gets that, but it doesn't make her miss him any less. 

This is the first time they’ve been separated from one another since before the wedding, and it’s not a fun experience. 

But yet….

It’s not a horrible experience either.

No one wants to be in the hospital. And no one definitely wants to be in the hospital on a legal hold because they’ve been deemed a danger to themselves and thus needs 24/7 supervision.

That part sucks, but what hasn’t sucked for Solana is being able to be as honest and vulnerable as she needs to be. To cry and fully acknowledge the extent of her feelings, to be as raw as she’s been in her therapy sessions thus far with Gail. The woman whose kind smile, non-judgemental and self-disclosure of also being violated has created such a safe space for her. 

Solana knew, knows, that she can talk to Roman. That he’s made it clear there’s nothing she can’t discuss with him. But, there’s something about speaking to another woman, someone who’s also sadly been through something similar that’s….that’s healing, almost. 

Knowing Carol will be back for another reminder about breakfast, Solana pulls from her thoughts and leaves her bed to start her day.

Everything in the hospital is planned, time cut out for everything from meds, breakfast, group therapy, individual therapy and more. There’s only so much time in the day that’s reserved as ‘free time,’ though being hospitalized doesn’t present a ton of options for one to choose from during said ‘free time.’

However, Solana has always been able to occupy herself and keep herself busy, and this is no different. 

Later that day, she’s in one of the common areas, utilizing her free time with one of her favorite coping mechanisms. One she’s recently revisited and brought back to lean on. Pencil in hand, Solana uses the sketchbook she was given by Gail. No particular drawing in mind, it’s not missed on her how the bare bones outline of the face she’s drawing has very similar features to that of her husband.

“Hey.”

Solana lifts her head from the page, landing on two women who she’s seen in passing and up close in her group therapy. Both are brunette with similar heights yet different builds. The shorter one looks like she keeps herself in the gym, slender muscles visible even with the hospital provided clothing they all wear. The other is a few inches taller and curvier, her breast stretched against the material. The shorter one is the one who spoke. One looks amenable, the other does not. The one who spoke is, unfortunately, not the one with the friendly expression.

Solana swallows, gaze somewhat traveling as she sees one of the orderlies already watching the interaction. Closely. He’s a big man whose size looks disproportionate to the job he holds here, and she’s noticed him watching her a couple of times. Yet, it’s never been a predatory gaze. Almost…..protective.

“Solana, right?” She nods as the two women plop on the other sofa adjacent to the one Solana sits on. “I’m AJ, and this is Candice.” She gestures to the other woman with her thumb, the brunette waving and smiling almost giddily. Before Solana can say anything else, AJ is leaned over, asking in a low voice. “You’re Roman’s wife, right?”

Solana tenses. For some reason, that rubs her the wrong way, sends an unfamiliar chill up her spine. Something in her tells her to lie, but it’s no use in denying the obvious. “Yes.”

AJ snorts and sits back, arm lazily lounged up on the top of the sofa. “Well, I was gonna ask you how’d you end up here, but I guess that’s an obvious answer.” AJ laughs darkly, making her comment to Candice but directing it towards Solana. “I’d try to off myself too if I had to be married to that son of a bitch.”

Clearly, Solana has not been in a good place recently, hence her current situation. Her emotions have been all over the place. That’s why she chalks up her next actions to the fact that she’s still coming down from her relapse. 

Closing up the sketchpad, Solana sits up and doesn't stutter as she states clearly and concisely to AJ, “you have no idea what the hell you’re talking about, so why don’t you just shut up and leave me alone?” 

Candice's shock matches that of Solana’s, but the former doesn’t back down. Doesn’t suddenly regret her statement. Maybe it’s adrenaline. Maybe it’s the fact that Solana feels the anger stirring inside her at even the insinuation that Roman could ever be the cause of her trying to end her life.

When he’s the one that saved it. 

AJ, however, doesn’t look shocked. She looks pissed off.

And then she’s smiling. 

“Oh, sweetie, you have no idea who you’re messing with.” AJ starts to stand up, Candice following suit though she looks more confused and dumbfounded than anything. Like she’s there but not here. “Your psychopath husband isn’t here to save you—”

“You lay one hand on her, and I’ll snap your fucking neck like a twig.”

Three sets of eyes land on the figure who’s way too big for them to have not heard his footsteps, but that’s exactly what’s happened. The orderly who Solana has noticed watching her since her admission is standing almost protectively beside where she still sits on the sofa. His gaze and voice are hard as steel, focused on AJ and Candice. “I suggest you leave. Now. And stay the hell away from her.”

Solana looks between this man who, for some reason, is defending her and AJ, who still looks more amused than anything. She scoffs. “Of course.” Frowning, Solana is still stuck on the fact that this orderly who’s working in a psychiatric wing for women who’ve tried to kill themselves just threatened to kill another woman when AJ simply turns to walk away, Candice hot on her heel.

And as soon as they're out of the vicinity, the man steps back, as if wanting to grant Solana space. He then exclaims, further deepening her shock, “you’ll be safe here, Mrs. Reigns. You have my word.” 

Mrs. Reigns…..

Solana is suddenly taken back to her birthday trip, the way she was addressed by the pilots, the chef, and anyone else that Roman hired to assist them on their vacation. And that’s when it hits her.

“Bloodline…..” It makes so much sense. Why he’s always seemed to be around when she’s not in her room, the way he’s watched her almost nonstop since she arrived, the way he intervened just now. “You’re Bloodline.”

“Dave.” He offers a small, respectful smile that’s all the answer she needs. “But everyone calls me by my last name, Bautista.”

________

“Hey.”

It’s interesting how a simple word can bring on such a reaction.

Just yesterday, the same word was said to her and followed up with a not terrible but strange interaction.

She can only pray this time around is different. 

Solana takes a second to pause and shut her eyes before she looks up from her inner arm where she works on the assignment given in her first group therapy session.

Her eyes land on three women, all familiar faces because they’re all in her group. However, she’s never directly spoken to them prior to now.

Solana swallows and offers a small smile. “Hi….” 

Solana studies all of them, different in skintones, builds, hair colors and even facial expressions. The one who spoke first pushes her raven hair over shoulder and clears her throat, asking, “is it—is it true that your husband had the orderlies and security replaced with Bloodline members?”

The question takes her back, Solana unsure of how to respond, not because she doesn’t know the answer. She does. Baustista indirectly confirming that he was sent by her husband to watch over her has made Solana realize that it’s not just him who she catches watching her whenever she’s not in her room. It’s other men as well. Big, strong, much too in shape for a job like this.

The only logical thing that makes sense to her is that Roman is, once again, looking out for her. As he always does. 

“That’s pretty fucking cool. If so.” Another one comments, her brunette pulled to the side of her neck as she sits down on the sofa opposite Solana. “It was even better seeing AJ put in her place.”

Solana swallows, quite unsure just how to respond to that. “I—I don’t want to cause any problems.”

The first woman scoffs, also sitting down next to the other lady. “You might not, but AJ does. I honestly don’t know why they don’t put her in the other wing with Victoria.”

“The other wing?”

The third woman breaks her silence, explaining, her voice quiet and typical for her equally unassuming demeanor. “There’s two psychiatric wings here. The one we’re in and another for more….severe cases.”

“I.e. the really crazy bitches.”

“Melina!” The woman with brunette hair shakes her head, smiling a little as she formally introduces everyone. “I’m Mickey. This is Melina, and that’s Cameron, but we call her Cam.”

For some reasons, the names fit all of them, Solana moving to the side as Cam gestures to the space next to her and takes an almost apprehensive seat. 

“Solana—”

“Oh, everyone knows who you are, girl.” Mickey snickers, leaning back into the sofa and crossing her legs over one another. “You might just be my new favorite person.”

Solana frowns, completely lost at this seemingly random title. “I don’t—-I don’t understand.”

“AJ thinks she runs shit around here. Her and that dumbass friend of hers, Candice Michelle.” Melina explains, shaking her head. “AJ definitely should be in the other ward with Victoria. She’s the psychiatrist that runs it. Doesn’t put up with shit. Almost polar opposite of Dr. Stratus.”

Solana doesn’t know much beyond what’s being said, but something tells her she’s most definitely in the better of two places. Even if just getting to have Dr. Stratus manages her meds. She really likes her. 

However, this conversation brings up a very valid question that Solana doesn’t exactly know how to word very well but finds it in her to ask. “So you all….you’ve been here before?” 

It’s obvious, given the fact that they’re all so familiar with each other and dynamics. Same with this AJ and Candice person, but Solana doesn’t want to assume.

There’s a silence that falls over the women, and Solana instantly feels bad, feels silly for not recognizing how invasive that question is. However, before she can apologize, Cam is the one to speak up.

Shrugging, her smile is tight and undeniably sad as she says so simply, “demons are hard to kill.”

And just like that, Solana has never related to something more.

Feeling overcome with an almost duty to share, her eyes drop to her arms, the intricate outlines of butterflies camouflaging the scars that will never fully go away. “I get that……I really do.”

Looking up, Solana feels the set of understanding gazes on her, instantly knowing without any of them needing to share specifics that they just get it. They understand the specific and tragic ways one can end up in a place like this, oftentimes due to demons beyond their slaughtering capabilities. 

Mickey clears her throat, gesturing to Solana’s arm. “You’re really good.”

She glances down at her still unfinished art, a small smile falling on her face. “Thank you.” An idea crosses her mind as she notices each of them attempted to follow through on the assignment as well but clearly struggled. “I can—I can help, if you want?” 

Cam gasps, obviously excited by the idea of it. “Really?”

Solana’s smile grows as she explains, “I—I love art.”

Mickey squeals almost and pulls out a black sharpie from her bra, shrugging with a playful smile. 

“We were kinda hoping you said that.”

________

“You’re quiet today.” Gail’s assessment continues as she asks in a gentle voice, “are you nervous?”

Nervous is an understatement. Solana fidgets on the sofa, running her hands down her sweats. “I—I haven’t seen or spoken to him since….you know.”

Gail presses her lips together, nodding. “You don’t know what to expect.”

Solana nods, eyes starting to water. “I don’t—I don’t want him to be upset with me.” 

It’s officially been a week since Solana has been admitted into the psychiatric ward. An interesting experience, to say the least. She’s made enemies, made ‘friends’, worked through and started to process with a professional so much of her trauma, and more. And while her longing for seeing and speaking to her husband has only continued to grow by the day. The day finally being here where she’s allowed a visitor, where he will come to see her this evening feels almost….it feels too soon.

She’s just so nervous, unsure of what that reunion is going to look like. 

Gail sees the thoughts brewing in her client’s head as she asks in an attempt to redirect, “are you responsible for his emotions?”

“No, but….but I—” When she struggles to get out a coherent response, Gail presents a thought provoking question.

“Solana, based upon what you know about Roman, what’s more likely? That he’ll be upset with you or that he’ll just be happy that you’re alive?”

It’s such a good question, one that has the emotion bubbling in the back of her throat, emotion she shows as silent tears begin to fall. “I—I want him to be happy, but…..”

“You’re still struggling with feeling like a burden to him….” It’s an assessment by her therapist that is wholly correct, but one Solana can’t verbally comment on, only offering her agreement with a silent head nod. “Do you remember the exercise we did a couple of sessions ago about faulty thinking? About the ways your trauma influences your thinking.” 

Solana reflects back on that session, so heavy yet so helpful. It provided her such insight on just how deeply her experiences have painted her view of so much. Of everything, really. Including how she so lowly views herself sometimes. 

“I want you to think about that and compare it to the thoughts that you’re having now……where are they coming from?”

Solana closes her eyes and blows out a breath. “My…my fear.”

“And if your fear was a living, breathing entity sitting opposite beside you right now, how would you combat it? Think about the cognitive challenging we discussed.”

Keeping her eyes shut, Solana travels back to that session, utilizing the skills and tips and knowledge she’s learned since her admission.

She takes an ‘efficient breath’, as Gail calls them. “I’d tell my fear that….that you don’t get to control me anymore.”

Gail smiles softly, gently encouraging the young woman to continue. “What else?”

Silent tears continue to fall, but Solana’s voice remains firm and unwavering. “And that….that Roman cares about me and just wants me to be okay and….and get better.”

Gail hasn’t felt so proud and pleased with a client’s response to the empty chair exercise in quite a while. “Exactly.” She sits back in her own chair, jotting down some notes. “Can I ask what you’re feeling right now?”

Solana finally opens her eyes and wipes at her eyes, scoffing quietly. “A…a little better, actually.” She motions to her chest. “It doesn’t….it doesn’t feel as heavy.”

“Good.” Gail makes note of this and starts to ask a follow up processing question when Solana’s soft voice beats her to it.

“Can…..can I talk about something with you?”

Gail’s grin is warm and welcoming as she offers genuine assurance. “Solana, there’s nothing we can’t discuss here.” She’s pleased to see Solana’s smile grow at this reassurance. “What would you like to talk about?”

Feeling on the spot all of a sudden, despite being the one who initiated the conversation, Solana does her best to manage and push through her anxiety. “I—I’ve been….I’ve been having dreams since I got here.”

Gail is mindful of her expression as she asks in a soft voice, “dreams or…..”

Sensing what she’s asking, Solana quickly shakes her head. “No. Not those. Not nightmares. They….they really are dreams. Good dreams, I—I think.”

Studying her, Gail assesses. “You seem unsure.” 

Deciding to bite the bullet, Solana shares in a low voice, “they’re dreams of me in the future…..as….as a mother.”

Gail nods. “I see.” She makes note of one of Solana’s nonverbals. “You’re smiling right now.”

Sniffling, Solana continues to share and exhibit so much vulnerability, most of which is solely because of how safe and non-judged Gail has made her feel. “In the dreams, we have three kids. Twin girls and a baby boy.” She wipes at her nose and swallows deeply. “I—I want to be a mom someday, but I don’t….I don’t want to be a bad mom.”

If these dreams have shown her anything, it’s that she wants more than anything to be a positive influence in her future child, or children's, lives. She doesn’t want to cause them even a fraction of the parental trauma she’s experienced. 

And deep down, Solana knows that she’s absolutely nothing like her father.

But, she knows she’s very much been deeply impacted by her fathers’ abuse. By all of her trauma. And the last thing she wants is for any of that to negatively influence her children. 

“Solana, what makes you think you could ever be a bad mother?” She shrugs, shutting down a bit. Gail sighs lowly, offering words of affirmation and support. “You are not a bad person. You are not a broken person. Not a damaged person. Just a person who’s been dealt some not so  great cards, but you’re here, working on these things. Working on becoming a healthier version of yourself.” Gail chuckles, pointing out, “that doesn’t sound like a bad future mother to me.”

Really sitting on the words of encouragement and doing her best to not let the self-doubt creep in, Solana asks in a voice barely above a whisper, “do you….do you really think I could be a good mother?”

Gail’s response is almost immediate, not a thought to be had as she answers honestly, “Solana, I think you could be a damn good mother.” 

Solana laughs, emotion seeping in as she nods, utterly grateful for such kind words. “Thank….thank you. That….that means a lot to me.”

“Of course.” Gail would like to process this more, maybe get into some additional trauma work, but there’s another important thing on her agenda for this session. “Solana, as you know, your hold will be up exactly one week from now, meaning you’ll be officially discharged and allowed to return home.”

Solana eyes lighten up at that, an expected reaction as Gail gently slides into a deeper conversation pertaining to her release. “But, there’s something I would like to speak to you about.”

________

Roman doesn’t think twice as he walks into the room that’s suspiciously quiet to be located in a hospital, decorated just as one would expect a therapist’s office to look. He only briefly takes a look around before plopping his big body down on the sofa. 

He didn’t even pay any attention to the fact that Gail was attempting to extend an olive branch, offering a handshake that he so rudely ignored, clearly ready to get this over with.

She keeps her togetherness, offering a verbal introduction. “Thank you for com—”

“This has to do with Solana, right?”

Gail makes a face, pressing her lips together as she chuckles quietly. “Of course.”

“Then get to it.” Roman is quick with the demands, asking, “how is she doing?”

Gail offers a tight smile. “I’m Gail Kim, the therapist on staff who’s been handling Solana’s individual therapy sessions.”

“Did I ask you who you were?” His stare is cold and uninterested. “I asked you how she’s doing.”

Sighing, Gail refers to the tablet on her lap, opening up the notes she’s happy that she prepared ahead of time. This is going exactly as she predicted it would. “Your wife is no longer endorsing suicidal ideation which means she’s denying any thoughts and plans to take her life, which is significant progress considering it’s only been a week—”

There’s a hint of hopefulness in both his expression and voice as he asks, “so, she’s ready to come home?”

Gail hesitates. “Not exactly.”

The previous hopefulness melts into something cold and harsh. Roman is visibly and understandably irritated. “You just said she’s not suicidal anymore.”

“Yes, but it’s not that simple. Solana is….she’s an interesting case. Her trauma history is significant. Though she seems to be on the way to stabilization, there’s still a lot of work that needs to be done. She needs continued professional help.”

“Isn’t that why she’s here with you?” His tone is cruel and condescending. “If you’re too fucking incompetent to help her, let me take her home, so I can.”

Gail bites the inside of her cheek. If this was anyone else, she would set them straight on the importance of mutual respect. But, this isn’t just anyone. This is Roman Reigns, and she’s well aware of the fact that one wrong statement or sign of disrespect could very well end her life, so she does her best to remain calm and professional. And she tries an alternative approach. 

“You know, one of the exercises she did in an individual session asks about what safe spaces she has, sources of support and whatnot. And you know what she put down for almost every answer?” Gail gives a small, closed mouth smile. “You.” Well trained in reading nonverbals, she picks up on the brief giveaway sign of emotion that flashes in Roman’s eyes at this. “She put down that you are her number one reason for wanting to live.” 

There’s a good minute of silence before Roman asks in an uncharacteristically low voice. “So why did she do it?”

Gail's smile shifts into a solemn frown. “I’ll leave that discussion to the two of you. She’s expressed wanting to talk with you about that directly.”

“I’m asking you.”

Gail leans back in her chair and goes a different route. “It’s okay to be upset with her. To be angry at her. To be angry at and blame yourself.” Gail catches just a glimpse of surprise in his eyes at the last part. “To actually feel your feelings.”

Roman, however, is uninterested in any of this. Offended even. “Why the hell would I be angry at her?”

“Why wouldn’t you be? She tried to leave you. That’s essentially what suicide is. Escapism. It provides the patient with the peace they’re looking for but leaves the loved ones left behind with a world of questions and emotions.” She explains, mindful of her tone and voice. “Two truths can exist in the same universe. You can be happy she wasn’t successful and still angry at her for trying in the first place.”

Roman is quiet for a good two minutes, Gail wondering if she should transition to another topic when he breaks said silence in that same low voice. 

“I don’t understand why she didn’t call me. I told her to tell me if…..if those thoughts ever returned.”

“But she didn’t…..” Gail’s voice softens as she adds, almost empathetically. “I think you’ll find talking with her will give you some of the answers you’re looking for. But, they truly should come from her.”

Roman won’t push. He wants to, but won’t. If this is something Solana wants to discuss with him herself, he’ll respect that. So long as it’s not triggering to her, which it seems, surprisingly, it’s not. 

Gail clears her throat and transitions to the next section. “Dr. Stratus started her on a medication regimen of Sertraline, 50mg and Wellbutrin, 100mg, once a day in the morning as well as Hydroxyzine, PRN, which means as needed. The Sertraline and Wellbutrin are antidepressants, and Hydroxyzine can be taken when she starts to feel overwhelmed or triggered. So far, she’s responding well, though it typically takes 4 to 6 weeks for patients to truly notice the full benefits.” 

Roman nods, as Gina or whatever her name is, continues to explain what’s otherwise obvious. 

“We’ve been administering her medication and given how she attempted to take her life, Dr. Stratus and I strongly advise that you or someone else take over that administration upon her discharge—”

“Do you honestly think I’m stupid enough to allow her to have unmonitored access to pills again?” Roman doesn’t even try, not that he was before, to hide his frustration and irritation. She’s acting like he’s stupid. His degrees may be in business, but one doesn’t need to have a degree in behavioral health to know thatyou don’t give a formerly suicidal person free access to the same method they used to take their life. 

Gail, however, decides to not feed into it. “You know, anger is sometimes just anger. Just people mad as hell. But sometimes….sometimes it’s what we call a blanket emotion, meaning there are other feelings hiding beneath it, being presented as anger.”

Roma sits forward. “Just what the hell are you trying to insinuate?”

“Nothing at all, Mr. Reigns.” A small smile falls on her face, and that only pisses him off even more. Is this bitch trying to patronize him or something? “But, you should know that we offer support for spouses and loved ones like yourself who are supporting—”

“The only thing I need for you to do is to help my wife, so I can get her the hell out of this place and home where she belongs.”

Gail takes a deep breath. 

It was worth a try. 

“I want to show you something.” She stands up from her chair, moving to her desk as she pulls out a key to unlock the drawer. “Solana signed a full release authorizing us to share all details regarding her care with you. But, there are some things she’s explicitly expressed you not being okay with knowing and seeing. This is not one of them. And I think you would find it interesting….”

If not for the fact that the therapist already made it clear that safety concerns and suicidality are exceptions to confidentiality, Roman would be concerned, wondering just what exactly Solana doesn’t want him to know.

But something tells him she’s perhaps opened up in therapy about specifics regarding her trauma more than she has with him, and if that’s the case, his only hope is that this woman knows what she’s doing and doesn’t trigger Solana further.

She walks back over, handing him a set of sheets. Roman takes them, immediately noticing the handwriting. 

Solana’s handwriting. 

He gets to reading the bolded question that each has answers of varying length.

Who is your safe person? What makes this person safe?

My husband. He’s the first man in my life to not hurt me. The first man I’ve ever trusted.

On a scale of 1 to 10, how much do you trust this person with 1 being none and 10 being absolute trust?

 10

How does this person make you feel safe?

He’s patient with me and listens to me and makes me feel beautiful.

How does this person serve as a member of your support system?

He listens to me and always checks on me. 

How long have you experienced thoughts/urges/practices of self-harming behavior including suicidal ideation and/or attempts?

The first time I felt like I didn't want to be alive anymore was when I was ten. I woke up from my coma and realized my mother was dead. I just wanted to be with her. But it’s my brother constantly telling me I should kill myself after my mom’s murder that made me seriously think about doing it. 

He would tell me that it should have been me who died, and I should just kill myself because no one wanted me.

And I started to believe him. 

It’s been on and off since then.

Has there been a point in time where you have not had these thoughts/urges?

Yes. For the past four months. 

If you answered yes to the previous question, what caused or contributed to the cessation of these thoughts/urges?

I met my husband. I had real friends for the first time. I found myself having a real family for the first time in a long time. 

I was happy.

Prior to this gap, when was the last time you experienced any of these thoughts? What triggered them?

The day of my wedding. This was before I got to know my husband. I was scared he was going to beat me like my dad and brother.

What happened to re-trigger you? If uncomfortable sharing, list the emotions you felt during this episode. 

Sadness. Anger. Confusion.

Do you remember what thoughts you were experiencing before the suicidal and self-harming ideation returned? What were they?

I couldn’t stop thinking about my rape and my mother’s murder. It was like I was reliving them over and over again, and I couldn’t get the memories and flashbacks to stop. It felt like all my progress was reversed, and I’d have to start over, and I didn’t want to put my husband and family through that, as they’re the reason I even started to heal.

I just didn’t want to be in pain anymore, and I thought everyone would be happier if I was dead. I didn’t want to be a burden to my husband.

Looking back and reflecting on your thoughts, have they changed? And if so, how?

I don’t want to die. I still don’t feel as good as I was feeling before I found out the truth, but I’m not thinking or wanting to kill myself anymore. I still have a lot of things I want to do. I’m not ready to be done here. Just want to get better.

 Do you wish you would have done something different? What could you have done differently?

Yes.

Called my husband. 

Can you identify at least one reason your life is worth living?

Roman 

Roman has oscillated through so many different emotions reading through this worksheet from beginning to end. Anger seems like the dominant emotion, his jaw clenching as he learns how close to the paternal tree Solana’s bitch brother remained..

He’s not much better than Xavier. 

If not worse. 

And Roman is determined to find even more, additional ways to make that fucker suffer the way he made Solana suffer for so many years.

He’s also livid and something else unknown that on a day that should have been special for her, she was considering taking her own life.

And he hates himself for putting her in that position in the first place. He was the one who wanted to speed everything up, not even considering how traumatic that process could have been for her. 

But he especially doesn’t know how to feel reading just how highly Solana views and feels about him. She hasn’t been very quiet regarding how much she cares about him, but reading her words, her writing, her honesty, it makes him aware of just how much she cares. 

“You mean a lot to her. And her healing and progress moving forward will require your support.” Gail cuts in, voice calm and almost soothing. “One of the things I ask clients all the time is who their support system is and is there anything else they need from this person or persons….she couldn’t tell me a single thing she needs from you that you don’t already give her.” Roman says nothing, not even offering a nonverbal gesture or movement for her to analyze. Thus, Gail continues, reviewing her notes of topics she wanted to touch on with him prior to his seeing Solana in a few hours. “Now, I will say, Solana does exhibit strong codependent tendencies. Specifically with you. She’s extremely attached to you, and while that should probably be addressed at some point, her stabilization is the priority.”

Roman doesn’t pay much, or any, mind to that last part. He doesn’t care what this woman says. Whatever Solana needs, she’ll get. 

Especially if what she wants is him.

Cause he wants her just as much. 

________

Roman doesn’t get nervous. 

Ever.

But, he’s certain what he’s feeling in his fucking stomach is some level of nerves.

And he hates that shit.

Cause why the fuck is he at his grown age feeling anxious about seeing his wife? Perhaps it’s the fact that it’ll be the first time in a week that he’s actually laid eyes on her, seeing her not lying unconscious in a hospital bed. That he’ll be able to have her big brown eyes focused on him. Hear the sound of her voice, so soft and light.

He shuts his eyes.

Fucking nerves.

He decides to pull out his phone as a distraction while security escorts her to him in the visitors section, remembering a text from Paul that he should probably respond to. Not that he wants to, but it’s better standing here feeling fucking stupid and—

“Roman…”

He wasn’t sure just sure how he would respond or react or even feel seeing her for the first time in a week, but Solana is barely able to get his name out of his mouth when Roman snaps his head up from the phone in his hand to the direction of which the voice came. 

It happens a bit too fast for him to even process. The rise and easy falter of her smile, the gloss of her eyes, the tiny scoff of disbelief that leaves her mouth before she’s running toward him.  Roman wastes not a single fucking second to pick her up the minute she throws her body against him. And just like that, almost every trace of irritation, of vexation, of anger melts away.

Roman’s eyes shut as he holds her close against him, noticing how tightly she’s holding him back. 

Her voice cracks followed by a sniffle as she murmurs against his shoulder. “I’ve missed you….”

For a brief second, he’s angry again. Angry because has she been asking for him? And if so, why was he not informed? Stratus has been texting him frequent general updates. That she’s been consistently opening up in individual therapy, not as open in group sessions, often writes and draws during their designated free time, etc.

But nothing about her asking for him. 

He makes a mental note to ask Stratus about that shit, but not now. Now, his focus is entirely focused on the woman in his arms.

“I missed you too.” Saying he missed her feels like an understatement. Roman has been fucking miserable without her around, but what good would it serve her to share as such? So, he keeps it simple but still accurate.

He ignores the small part of him that dislikes when she finally pulls away, but that dissatisfaction is easily shoved to the side when he sees her eyes watering. “I’m so sorry. I—I didn't mean. I just—”

Roman’s focus is now solely honed in on stopping her from crying. He can’t see her upset. Not after what happened. He moves his hands to her face, gently cupping her cheeks and brushing away her tears. “Let’s talk, okay?”

She nods, stepping back, forcing his hands to drop but easily sliding her hand into one of his as she leads them in the direction from where she came. Roman won’t lie. He’s not paying attention to much in passing. Just her. It’s like there’s a blurred lens on them, distorting everything around them except his wife.

And he has zero issues with this. 

He has zero issues until they’re walking past a group of three women who seem to notice that Solana is crying and stop her, the one who almost looks like she could be Hispanic asks Solana, “are you alright?”

Who the fuck is this? Roman would most definitely ask as such as well as tell her to stay out of their damn business if not for the fact that Solana answers almost reassuringly. 

“Yes, of course.” 

To make matters worse, this irritating ass stranger has the audacity to almost send a suspicious damn near glare his way. Just who the fuck does she think she is? 

The woman on her right suddenly asks, her quiet voice strangely reminding him of Solana. Right off the bat, he can see they have similar demeanors. “You’re still joining us for breakfast, right?”

Solana answers right away, shaking her head. “Of course.”

Joining for breakfast? What the fuck is this? A psychiatric ward or summer camp?

The women all seem to give Solana that ‘call us if you need anything’ nod before finally leaving him alone with his wife. Roman has to keep his sigh to himself.

Only Solana would make ‘friends’ at a damn hospital.

She finally leads him into what he would guess is her ‘room.’ He’s instantly not impressed and annoyed because he directly instructed Stratus to make sure she had the best this place has to offer.

This clearly ain’t it. He adds it to his list of complaints to bring up to the psychiatrist. He’s also annoyed by the ‘sheet’ that serves at the door, irritated that they won’t have total privacy. But, he understands. It’s a psychiatric ward. Not the Four Seasons. 

Roman allows Solana to guide him over to her bed where she motions for him to sit down. He does as such, partially surprised when she climbs onto his lap, legs on either side. He doesn’t protest though, simply holds her by his hips as he shifts so that his back against the wall. 

Solana, however, keeps her head down, her hands scrunching the bottom of his shirt as she seems to force out, “I don’t want to talk about this—”

That’s an easy thing, Roman quickly moving to remind her of her autonomy. “Then don’t—”

She cuts him off. “But, I need to.” She finally lifts her gaze, and my God, he’s missed staring into those pretty eyes, seeing her pretty face. “I can’t—I won’t avoid it.” She takes a deep breath, asking, “what do you want to know?”

He’s partially surprised by how direct she’s being, but in his defense, the last time he spoke to her directly, she was in such a different place. A much darker place.

That doesn’t seem to be the case anymore, but he knows looks can be deceiving, so he remains cautious. His voice is surprisingly gentle, as he answers, “I think you already know the answer to that, Sol.”

Her eyes shut again, and he can’t tell if it’s because of his use of his nickname for her or the emotionality of it all. 

Both, probably. 

She brings her gaze back on him, and he hates seeing the emotion building back up. Logically, he knows that there’s no way to have this kind of conversation and emotion not be present. Doesn’t mean he has to like it though. “I just….I couldn’t think straight that night, Roman. I just kept reliving every bad thing that’s happened to me but now with the knowledge that it was my own father that was responsible. And I just….I couldn't handle it.”

This is the part he can barely handle. The knowing of the role, a large role, he played in what landed her here. He feels like shit about it and prepares to take ownership when she continues. 

“And I thought….I felt like….I felt like all the progress I had made was now gone and that I’d have to start over, and I just—-I couldn’t fathom going through all that again.” She swallows, tears starting to fall. “I felt like I would just be a burden to you and that….it would just be easier for you if I was dead.”

Gutted. Reading it was one thing, but hearing it is an entirely different experience. To know this is truly how she felt, the thought process that led to her making the decision she made. The most likely reason she didn’t call him.

Because she thought she was a burden.

It kills him.

She drops her head, and he moves his hands back to her face. “Solana, look at me.” When she continues to keep her head down, he repeats himself, voice still low and gentle. “Look at me.” She seems to hesitate but follows through, Roman hating how devastated she looks. “Nothing about my life would be easier without you in it. You are never a burden to me. You never have been, and you never will be. I want to help you. Listen to you. Whatever it is you need, I’ll do. I just need you to tell me.” This time, he’s the one swallowing back unfamiliar and uncomfortable emotions. “I just need you to not leave me, alright?” She seems slightly taken back by his honesty and vulnerability. Truthfully, so is he. It was one thing to be so honest with her while she was unconscious, but it’s another when she sits before him, aware and conscious and hanging onto every word. “I’m sorry I didn’t tell you about your father. I should have—”

“No. Please—please don’t.” She shakes her head, interrupting him with that same small voice. “I’m glad you didn’t.” The ‘shocked’ ball is back in his court as she explains, “I don’t….I don’t think I would have ever wanted to know the truth. It’s….it’s been too hard to have to deal with that.” 

Clearly. He can’t even begin to imagine what that’s like for her. To be stuck with the knowledge that her own flesh and blood could be so cruel, so hateful, so evil as to do what Xavier has done to his own daughter.

“The therapy has….it’s helped.” He believes it. Roman has noticed the sheets of paper that have positive affirmations and what he would guess are coping skills taped to the wall opposite her bed. She cracks a small, sad smile. “It’s….it’s been good for me.”

He believes that, too. He can see that. There’s a stark difference in her appearance, even with her being emotional as she is with the conversation at hand. She doesn’t look as fractured as the last time he saw her.

She looks stronger. Happier, even. It makes his chest swell with yet another unfamiliar sentiment.

Love, perhaps?

Just thinking about it has Roman clearing his throat, needing to focus on something other than that right now. “Have they been treating you okay?” This has been pretty high up, if not the highest, thing on his priority list.

She nods, Roman noticing and grateful that her tears are starting to dry up. “Yes. I….how many Bloodline men do you have here?”

“Enough.” She doesn’t need to know the full extent of just how above and beyond he went to ensure no one on staff at this hospital could be questionable about their intentions towards her. “I’m always gonna look out for you, baby. Always.”

Her eyes shut, not from feeling overwhelmed but something else. Something that seems less heavy and more comforting. 

Solana moves around on top of him, Roman somehow sensing what she’s trying to do, and he has zero hesitations.

He shifts his body, so he’s laying on her bed, his feet dangling off the edge of the bed, but it makes no difference to him as soon as she lays on top of him, her head cradled in his neck, her arms around him.’

“I’ve missed you.” Her arm laid against him, Roman reading to close his eyes when he catches onto something for the first time. He doesn’t know he missed it either, because it stands out. Roman gently takes her arm, turning it over.

On her inner forearm are a set of beautifully drawn butterflies of various sizes and colors, the largest being a dark blue color and the smaller one next to it, different shades of red and pinks. There are three much smaller butterflies under the two larger ones, two of them pink and the smallest also that same dark blue.

She looks up at him, offering a small smile. “It’s something they have us do in group therapy. They call it The Butterfly Project.” She shifts her body to show him her other forearm, revealing additional butterflies before she lays back down as she was. “You draw butterflies that represent the people in your life you care about and every time…you think of wanting to self-harm, you remember that you’re killing the butterflies. It’s like….like a reminder that people care about you.”

It’s an interesting concept, and judging by the emotion in her voice, a concept she resonates with deeply. Roman’s long index finger ghosts over the larger blue one as he asks, “who is this one for?” 

Solana’s smile deepens. “You.” He’s grateful that she continues to explain so he doesn't have to think much about that sentiment very similar to love that comes up at that admission. “And this one,” she gestures to the pink and red one. “--is me. My future self.” 

That doesn’t help the building emotion, so he again goes for distraction, motioning to the remaining three, asking, “and those?”

She swallows, something flashing in her eyes he can’t identify, answering gently, “I’ll tell you when I’m ready.”

Her answer confuses him. He doesn’t know what to make of it, but he doesn’t want to push her either. 

“How is Dulce?” She asks suddenly, the sadness in her voice returning.

Roman won’t tell her the way her puppy sometimes sits by the front door around the time she usually gets home from work or the way she whimpers at night every so often, clearly missing her owner. He’ll spare her that, offering only a morsel of the truth. 

“The usual. Sleeping most of the day. You can tell she misses you.” 

Solana frowns. “I miss her too.” She licks her lips, asking almost nervously, “how are Bay—”

Roman is quick to shut that down, a hint of harshness in his voice. “I don’t want to talk about them.”

Truth be told, he’s not sure if he’ll ever be able to look or view them the same ever again. It may be a bit irrational and unfair, but it’s how he feels. And truthfully speaking, he’s got ten million other things on his mind and in his heart he’s trying to sort through. 

“Roman…..” Solana sits up a bit, and he’s taken back for a second by how fucking beautiful she is. Even with the sadness in her eyes. “It wasn’t their fa—”

“Not now, Sol.” His tone takes on a gentler tone as he adds on, for good measure, “please. I just want to enjoy you.”

He knows she’ll bring it up again. She cares too much about the two women who Roman will never trust her with again to just let it go permanently. “Okay.” She lays herself back down on top of him, and Roman kisses the top of her head.

“How are you?”

He’s not quite sure why her question surprises him. But, the answer is an automatic, “fine.”

He’s far from fine, but she doesn't need to know that.

Again, Solana sits up, that frown almost deepening. “Are you sleeping?” She reaches over and caresses his beard. “You look tired. H–have you been taking your medicine?”

Roman is truly dumbfounded. She is the one who is currently a legally mandated patient in a psychiatric ward because she was actively suicidal only a week ago, and yet, she’s laying here worried about him. 

Roman has to push back that love feeling that’s returning. 

“I keep telling you not to worry about me,” he reminds, once again wanting and almost needing to stress to her that worrying about him should be the last thing on her plate.. “I just want you to focus on yourself.”

Her retort surprises him, bold and almost uncharacteristic of her. “And I keep telling you that I’m always going to worry about you.”

Roman chuckles, commenting, “you’re becoming more outspoken….”

She gives him a small smile. “I told you the therapy has been helping.”

Roman scoffs. She’s right. Maybe that Gemma woman does know what she’s doing. 

“Do you need anything?”

Solana says nothing, just lays back down against him, her hand moving over his chest, resting on his heart. “Just you.” She must glance at the clock on the wall as she comments, “we only have 40 minutes left….”

He knows she’s referring to the one hour time block allotted for visitors. Something he absolutely couldn't give two shits about. “I’ll stay as long as you want me to.“ He’d stay the whole night if that was what she wanted. 

“Roman….” It’s funny how he already knows what she’s going to say. “The rules—”

His interruption is sharp, but it’s not aimed towards her. And she knows that. “I don’t give a fuck about rules when it comes to you.” She sighs into his chest, offering no protest, saying nothing else.

Conversation is intermittent over the next two or so hours, Solana eventually falling asleep on top of him. He doesn’t mind. As much as he enjoys talking to her, having her body on top of his is an easy, acceptable alternative.

He’s missed this. Missed being with and around her. Roman is just now realizing just how much he benefits from having her around. He’s been a complete nightmare for everyone around him outside of Dulce, even more temperamental than his usual default setting.

But the minute he laid eyes on her, saw her innocent smile, had her in his arms, everything suddenly felt so better.

That’s what she does for him. What she is for him. 

Medicine. 

An antidote. Something he never knew he was missing until he met her. It seems like it was almost impossible for him to not fall in love with her. 

Love….

Thinking about it again brings a frown to his handsome face, forcing him to face a reality that’s so easy to escape when he’s with her.

Roman may love Solana, but….he can never act on it. Not really. Can never tell her he loves her. That makes it official. That confirms that he finally has something his enemies can use against him, a distraction, a weakness.

Loving her openly would make him vulnerable, would put her at risk, and he couldn’t do that. Not just for himself but most definitely not to her. 

To be with her like this, open and vulnerable, behind closed doors is one thing. It’s an entirely different ballpark though to make that visible and public, even with just telling her.

Feeling her stir against him, Roman kisses the top of her head, tugging her closer. 

He won’t deny that he loves her. 

But, he can’t act on it either. 

He’s just going to have to find someway to push that down, tuck it away for safekeeping.

It’s just better that way. 

________

Roman stays for about two hours, Solana waking up and reluctantly expressing her okayness with him leaving. It’s not what she wants, definitely not what he wants, but it’s what’s necessary.

If even for the fact that Dulce can’t be left alone for too long.  

Solana holds onto his arm as she walks him out, Bautista not too far behind to escort her back to her room.

But, it’s when he turns to tell her bye, Roman about to ask her when she wants him to come see her again (fuck visting days), she surprises him by reaching behind her back and pulling out a sealed envelope. 

Brows furrowed, Roman is curious just how the hell he missed that when she presses it against his chest. “Promise me you won’t read it until you get home.” 

Now he’s extremely confused. It’s been a while since Solana has written to thim. They’ve progressed way past that, and it does concern him a bit that she didn’t just talk to him about whatever lies between the lines of this letter. 

But, he also knows she’s been working hard in therapy and even in being able to open up to him about what happened that night had to have been a lot for her, so he won’t push it and will respect it.

Accepting the letter, he simply says, “okay.”

She offers a close mouthed smile, a sign of appreciation and moves to hug him once more, mumbling something in Spanish against his chest that he can’t make out. When she pulls back, he doesn’t hesitate to cup her cheek, reiterating, “you need anything, you let me know, alright?” They’d already briefly discussed how she had picked up on the fact that he had his men stationed strategically all over this place, and any of them were able to get a message to him. 

She nods, repeating to him, “okay.” Solana tugs on his shirt and leans up to kiss his cheek, murmuring against his ear, “bye, Roman.”

It seems saying goodbye is difficult for her just as much as it is for him, Roman unable to reciprocate it, only letting his gaze follow her retreating form until Bautista gives him a nod and closes the door behind them. 

He stands there for a good minute or two before actually leaving.

Fuck. Leaving her seems to be getting harder and harder. 

Roman is barely in the SUV, door not even shut when his long fingers are moving with all the determination to open up the envelope. He unfolds the piece of paper, unsurprised to find her neat handwriting. 

Roman,

I need to ask you to do something for me, but I need you to please hear me out before you settle on an answer. And please know I wouldn’t be asking this of you if I didn’t believe it’s something I really need. 

I’m so sorry for putting you through this. I never want to cause you any stress or create any problems for you. 

I wasn’t in a good place, and this experience has made me realize there’s still a lot of parts of me that still need to heal. I still have a lot to work through. 

That’s why I’m asking.

Gail mentioned a treatment facility she runs about an hour away. It’s a 6 week program for women coming out of the hospital like I will be. 

Roman, I think I should go. 

I don’t think I should come home just yet.

I don’t feel ready. I’m not having those thoughts or urges anymore, but there’s still things I think I need to work through. I don’t ever want to put you through something like this again. I don’t ever want to end up back here again, but the only way I can do that is by making sure I’m good before I leave.

And I don’t know if another week can do that. 

I miss you. So much. It’s been hard being away from you and Dulce and everyone else. But, I feel like I have to do this. I need to do this. 

For us. 

But mostly for me. 

I want to get better.

Please let me.

Te quiero mucho,

Solana

BTW, I’m saying ‘I love you very much’ in Spanish. 

Because I do. 

I love you, Ro.

And I don’t need you to say it back or feel the same. With what you’ve been through, I’d never expect or ask that of you.

I just need you. Your continued support. That’s all. That’s enough.

With all my love,

Solana

________

“I’m so sick of your bloody fuckin’ shit, Seth! It’s the same fuckin’ thing over and over again, and I’m done!” 

The cadence, melody, and even tone of his wife’s rant serves as the perfect resources for Seth who is lazily sprawled out across their sofa, beer in one hand, the other hand moving as if conducting an orchestra. 

And he is.

Because this has become a song and dance with his fiery tempered, Irish wife.

Seconds later, she’s practically stomping in the living room, their daughter in hand who is most definitely old enough to remember this little spat. He cackles to himself. How unfortunate.

However, Becky’s enraged gaze is focused on him, disgust plastered all over. “Were you even listenin’ to me?”

He makes a sound, unbothered eyes falling on her, that infamous smile growing. “Of course, dear.”

Becky, however, knows better. Has been with this man long enough to know better. And she’s done. “Ya know, I thought you were getting better, yeah? But then that bloke Breaker comes over here looking for you, and I—” Becky cuts herself off, refusing to start yelling with her daughter in her arms. Her accent is even thicker, as she shares while adjusting the bag on her other shoulder, “I’m gonna go stay with Charlotte til’ I can figure out just what I’m gonna do.”

What she’s not saying is that she’ll stay with her closest American friend until she can find the funds and resources to move back home. 

She’s just done.

Seth, however, seems unconcerned by the fact that she’s leaving with their kid. “Okay, dear.” He snorts, falling into that all too familiar maniacal laugh. The one that typically accompanies the reckless and dangerous behavior that has her packed and ready to go. It was one thing when it was just the two of them, but with a child now, Becky has a responsibility to keep her daughter safe.

And there is nothing safe about her husband rekindling ties with the Nightmare Factory.

Not wanting him to see the pending tears, Becky kisses her daughter’s cheek and heads for the door, not allowing herself to hesitate as she rips it open only for her jaw to drop.

She scoffs. Unbelievable. With even more support for her decision to leave, Becky looks over her shoulder at her husband who climbs to his feet. “First the Nightmare Factory, and now the fuckin’ Bloodline?” She shakes her head. “Yeah, you dig your own fuckin’ grave, Seth.” 

And with that, she moves past the figures, determined to not look back this time.

Meanwhile, a massive smile grows on Seth’s unshaven face, delight dancing in his dark eyes.

This is certainly proving to be such an eventful day. 

He practically stumbles over but manages to stand firm as he takes a swig of his beer, burping loudly and then asking with all of the excitement, evil smile on his face.

“How can I help you?”

[yuugen-benni]

''...Excuse me ?''

Prompt: Getting hit on in front of your lover Fandom: Bungou Stray dogs and Genshin Impact Characters: Ayatsuji Yukito, Fyodor, Dazai - Freminet, Wanderer, Dehya Gn!Reader (They/them)

Ayatsuji Yukito: I feel sorry for anyone who likes jealous boyfriends because Ayatsuji is not one. While a random man is hitting on you, he will literally be standing next to you, as if testing to see if the man will realize that he is your lover. But this obviously failed. Ayatsuji is now staring at the man, raising an eyebrow and you can tell he is mentally cursing the man in a clever way. If the person gets too close, or does something that makes you even more uncomfortable, he pokes the tip, still hot, of the kiseru pipe on their forehead and push them back.

''How long will I have to listen to this ?...*sigh*... Sir, use your last remaining neuron to realize that: they're with me''

Fyodor: He laughs…HE LAUGHS. Fyodor is surprised, that you got hit? Maybe, but he's actually surprised by the man's boldness. I mean...he is scary, he exudes death so if someone is by his side it is either his partner in crime or maybe his lover.

When the ''conversation'' becomes more suggestive, he decides not to watch the show anymore and literally just take you out of there.

''It was really fun to watch, but now leave my lover alone if you don't want your heart to stop beating''

Dazai: He's a son of a b!tch, but a lovable one. Dazai will act like he's just a friend and started telling the guy about you (or rather, lie about you to protect your privacy) pretending to help the guy hit on you. Yes, he's just taking advantage of the situation; BUT YES, Dazai is also protecting you so don't be mad at him. At the end of all this performance, he will play his final card: ''They're great people, aren't they? Having them as a lover must be wonderful and guess what? They are my partner!''

-

Freminet: Poor thing, he doesn't know what to do! Does he explain?, Does he just push the guy?, Does he grab your hand and run away??? I believe the last option is more effective. Freminet isn't even used to talking to strangers, let alone someone hitting on his lover. But he tries, he tries hard. And when the guy becomes more invasive, he acts on impulse and pushes you to his side.

''...O-okay, I'm sorry but- you're being extremely disrespectful with my partner''

Wanderer/Scaramouche: This little man here is trying not to beat the ass of the person who is hitting on you. He's holding on so tight that his fists are white. But, as always, Wanderer pretends he's not jealous and then lets you handle the situation… before he does something he shouldn't-- but if the person is very insistent on ''having your heart'' he will definitely do something he shouldn't. He will use words… bad, horrible words or even opt for physical aggression... well you at least are safe now.

Dehya: This is a somewhat unlikely event because once you are under her gaze, nothing bad will happen to you. But, maybe, at some point when you two are shopping, and you end up distancing yourself a little, it can happen. She's prepared… a little too much, but she won't hesitate to confront the guy/girl who has started to make you uncomfortable. At this point, she won't even care if she's being overprotective or not, as long as you're okay.

''Are you blind or something? Can't you see that they're not interested ?''

[melodic-haze]

Hmm i just had a thought about the recent fic w Arlecchino

What if she had a muzzle on w bunny suit🧐

☆ — DEMO TRACK: sub!Arlecchino x dom!Reader

☆ — TYPE: NSFW

☆ — CONTENT WARNINGS: Breeding, size kink, reader has a cock/strap referred to as such

☆ — NOTES: I'm ngl it's been several Arle fics now that idk which one you were on ab but it's okay gwenchana. Anyway you lot really want to breed her huh (same though)

Good luck convincing Arlecchino to wear a bunny suit actually HAHAHA

She'd do anything for you, really she will!!!! She's so dedicated to you—worshipping you in the same way a diety was meant to be worshipped—that it's actually scary for the both of you, how much of a hold you have on her. But she has some reservations about such a risqué bit of clothing 💀

Not like you blame her though, considering how it wasn't usually her style. Lucky for you, however, YOU get special treatment :3 all it takes is one look at the outfit, one look at her and some time and voila!!! She'll concede—hell, she might even surprise you :3

"You're.. you're sure, right? I know you were kinda against it at first—I feel bad if I ended up forcing you into something you-- mm."

A finger was on your lips, the gesture's message quite clear as your beloved spoke amidst your commanded silence, "I'm sure, yes. I admit I am.. apprehensive, but your longing gaze is more than enough to convince me to, ah.. experiment."

"Really..?"

"Yes. You do not take me for my word?"

"No, I do! It's just..." You huffed out a sigh as you gently took the hand on your lip and took it in your own, "I just don't want you to feel as if you were obligated to entertain my every whim."

You see her eyes soften at your concern and she squeezes your hand as a form of reassurance from your often-so-stoic lover, "You should know better than to believe I would ever compromise my own comfort for something like this."

"And besides," she continues, "surprisingly, I've come to enjoy being.. well, your prey of sorts. Perhaps the outfit may elevate the interest to another level, hm?"

You couldn't help but stare at her, boldness practically radiating off of your lover despite the position you both know she truly holds within the privacy of your bedroom walls. Such boldness prompted an imagined flash of images in your mind—blackened hands all tied up, drool escaping her lips within confining barriers, tears escaping as sinful noises of wet skin-to-skin impact echo along with her moans—and you feel something akin to a hot flash within your core.

Ever so observant, her eyes go half-lidded as she looks up at you, her grin a touch sharper than before, "I see that I have awakened your imagination."

"Maybe."

"You need not imagine it, my beloved." Her voice reduces itself to something of a low purr, "All you need to do is command me, and I will do whatever you wish."

"That's a dangerous promise to make."

"Coming from a dangerous woman such as I, I dare say it balances the scales."

I love dialogue lol anyway tell her to do so and she will do it ☺️☺️☺️☺️☺️ and next thing you know you're facing a woman much shorter than you've always known her to be, clad in such a revealing outfit and a muzzle to prevent her from biting so much. She had 'protested' against the latter at first, but you both know from the way that she so very easily accepted such a thing that she was all for the extra torture, not being able to make a mark on you (she forgets that her nails'll probably do the job for her anyway LMAO)

When she's laid out 'helplessly' on the bed as you tower over her, when you put your hand on the flat of her stomach and the both of you see the clear size difference, when you look at her and see so much anticipation and carnal lust practically glazing her eyes? Oh god the both of you KNOW you're not going out this room for a WHILE

She is COMPLETELY at your mercy—you can toy with her all you want, alternating between overstimulation and edging her with whatever is at your disposal until she can't take it anymore so she has to actually beg you to fuck her dumb and reduce all trains of thought into mush. She considers begging as below her, and yet she can't help but let out these reluctant pleas that only seem to gain a more.......willing quality with them in due time. Just make sure to torture her until her composure snaps, giving her her own sort of medicine and having her experience her very own mindbreak through overwhelming pleasure

To see this woman, who is so utterly feared to the point where crowds would part for her in fear that she would plunge her blackened hands into their chest and staining them red, cling to you and hump your cock like a bitch in heat is such a harrowing contrast.......but there is certainly that feeling of something more

Perhaps it's the fact that there was the urge to pin her down into a mating press and stuff her silly until she gets kids on her own ☺️ seeing her take all these children in at the Hearth and not having any herself.....why, for some reason you found yourself feeling like you just had to give her some children of her own. She seems to adore them, so whyever not ☺️☺️☺️☺️☺️

Even as dazed-out as she is, she can see something change inside you as your objective goes from fucking her silly to something a lot more feral. Doesn't necessarily help that, yk, you have her in a bunny suit. And yk how bunnies just love to breed

As much as Arlecchino had tried to tell you to slow down for a brief moment, it's as if all noise has been blocked out from your senses, save for the sounds your lover makes and the sinfully wet noises that are produced as you piston into her again and again and again and again.

You roughly pushed her down into the matress, now damp and messy from a mixture of your bodily fluids, as you made sure to bottom out inside her as quickly as you drew back—the harsh assault on her hole had hit spots within her she didn't even realise you could hit, not to mention the force of your movements being more than enough to easily stretch her out and mold her insides to fit you and only you.

It was obvious that there was no way any mercy was going to be given to her. The Harbinger could only lay there and take everything you give her like some kind of fleshlight, the 'fight' within her long gone (if she even had some left in her to begin with).

God I need to separate these bc I can't just choose one thank yew bc both are very very very VERY good

If you had a dick:

You were so utterly determined to fill her and making sure your seed takes by the end of your session. If it meant basting her insides with white-hot cum and having it all stuffed inside her to the point where it has no where to go but out by force, then you'll cum inside her over and over again until you can't anymore.

And when your hand goes to press down on her abdomen, you can see the mixture of cum inside her practically spray out at the edges. She can't take it anymore, even she says so, and yet you can't help but wonder just why is her pussy still milking you as if her life depended on it?

Because she's greedy.

Because right now, no longer was she Arlecchino—she was your very own rabbit, hungry for your potent seed.

If you're using a strap:

You know of your limitations—without anything extra such as magical means, you cannot actually have her bare your children. But whyever would you let that stop you, especially when you had benefits that more than makes up for your lack of organic appendages?

If you had the real thing then you could stuff her silly until it takes (and even beyond that), but one can easily make up for it in other qualities such as size and shape.

And really, whatever's stopping you from filling her to the brim with artificial cum instead?

The world is your oyster, and Peruere was nothing but your very own porcelain fuckdoll at this point.

I need to breed her every which way idc if I don't have a dick, if there's a will there's a way

When she realises what you're trying to do, she can't help that sudden jolt that completely overtakes her—her hips practically shoot from the bed, pushing your cock in even deeper, before you push her back down while she lets out a silent scream. By GOD the fact you want to breed her, fill her, make sure a child of YOURS growing inside her, making a mark beyond just her skin.........oh it gets her going in ways she never would've fathomed before

By the end of your VERY long and productive session, it's VERY clear you've both fucked like rabbits from the mess all over the place and the liquid practically gushing from her abused hole. After everything, you finally take off her muzzle, only for you to lead her drool-coated mouth all the way down to the base of your cock to clean it up. She doesn't even protest either, easily taking it like a good girl and making sure that she does a good job in cleaning you up and finishing you off. All you need to do is plug her up properly, feeling all the cum stuffed inside her through the small pauch of her abdomen, where her womb is 🫶

"..I had known this was a possible outcome, and yet I cannot help but be surprised by your control, or lack thereof."

You groaned, covering your face with your hands as you rolled on your side, "I'm so sorry, I don't know what came over me! You just looked so irresistible and before I knew it I just--"

"Don't take my words as a form of reprimand, darling." You feel her hands take your own from your face, her lips finally kissing them—you—after a long time of having it muzzled, "I enjoyed it. You are already aware of my.. likes and dislikes, especially when it comes to the rougher parts of the activity. I gave you control, and you willingly seized it."

"I guess..."

"And besides," she muses with a small smile on her face, "I am.. not necessarily opposed to the thought of it."

"Of what?"

"Getting bred."

A warm flush spreads through your cheeks as you gave her a light swat, "You! You are so shameless! What happened to being polite and cryptic?!"

"Do we really need such pleasantries by this point? Seeing that you were rather determined to take me all for yourself, after all..."

"Oh my god."

A deep laugh rumbles within her, the sound so rare and precious that you'd want to keep it all to yourself, and you can't help but laugh along with her as you bask in the afterglow. When your laughter settles down, the two of you end up with your legs tangled up together as you lay there in companionable silence.

Though eventually she decides to break it, "Shall I go and run us a bath?"

"You can stand after all that? Geez, seems like I did a bad job," you joked.

Arlecchino huffed out lightly with a smile, "No, you've rendered me utterly near-useless—a feeling that I don't usually enjoy. Yet the fact that I don't seem to mind it all that much should show that you are special to me."

You feel that heat in your cheeks again at the proclamation, "Archons, and when I aim to have you all sappy like that in public you don't even dare move a muscle."

"Time and place, dear. Time and place. Now," she questions again, "shall I run us a bath? We can take care of the mess later."

You nodded, "Mm, if you don't mind then. But can we take it together?"

You see her eyes crinkle, the glow that the red crosses within them softening like a tender flame, "Of course. I shall be back in a few moments, then."

She gets up, and you pride yourself for being the reason why your lover temporarily goes off balance from a sudden tremor in her legs before collecting yourself.. and you can't help but stare at the remaining cum staining the sides of the plug and the apex of her thighs as she walks off.

She doesn't take the plug off when you go and take the bath together. Wonder why 😋

[frigidwife]

i would like to ask ur opinion on this bc u are one of maybe 5-6 iwtv blogs that i trust and i don't know if i am simply biased but i think u are very thoughtful and fair in ur analysis of iwtv. because even among self-proclaimed louis lovers/understanders, i have seen the idea that louis "could not and would not" save claudia from the fire, or choose her over armand, or that louis was also abusive to claudia if not the Most abusive, or that he "let" lestat/armand destroy her. and i agree that louis failed claudia in some ways (though saying that feels much too vague at this point) and that liking characters doesn't mean apologizing for their flaws and i understand the reflex to spotlight claudia's mistreatment as many fans are so quick to dismiss her importance. but i think people get so caught up in emphasizing claudia's tragedy that they end up falling into victim-blaming rhetoric and ironically de-legitimizing really important aspects of her character and impact. so i wanted to ask though, how do you think louis actually did fail claudia? and should we call claudia's death louis' failure?

ty for valuing my opinion 🥹 i agree w you completely people emphasize claudia's tragedy at total expense of her personality...which sucks bc i love her personality...i think louis actually primarily failed claudia in the exact way that every single parent fails their child. if you've read frankenstein it's about the inherent monstrosity of creation--inherent hubris of creating something whether it's a creature, a work of art (the novel itself!), or a child (shelley's miscarriages and her relationship with her parents haunt the novel). you create something that is a part of you and a mirror of you, you confer your expectations as naturally as breathing, even with the best of intentions, but now the creature/novel/child exists outside of you, outside of your body and your imagination, autonomous, with desires and effects you couldn't have dreamt of, and there is something terrifying and painful in that chasm even in the best of conditions. and this is more broadly true of loving anyone. and in that sense i don't think louis's turning of claudia is really more selfish than having a child ever is. it's not an aberrant or evil desire. so that's one layer.

and then the next layer is the conditions. louis cannot stop seeing claudia as his daughter, even if he calls her sister. she'll always be his daughter. and again this is an almost fundamental condition of being a parent. even if ur parents make an effort--and louis is making an effort--to see you as equals, that foundation is underlying it and can't come undone. the problem is that normally, even if maybe you're always a baby to your mom deep down, you're also functionally an adult in the real world. but claudia is an adult who is constantly belittled and condescended to and treated as a child from all corners. so she goes from louis who can't see her as her own person because he cant stop being her parent to an outside world that can't see her as her own person bc it's structured to deny children's autonomy, and girls' in particular, and especially black girls'. AND THEN the abuse. “you chose lestat over her again and again” i think people take daniel as word of god a lot even when the show has demonstrated that daniel is less than careful talking and thinking about abuse, when it comes to both louis and claudia. Louis chooses to take lestat back, can’t kill him for good, chooses to commit to armand, tells her to put up with the coven’s abuse. those are choices that hurt claudia terribly. but they also exist in the context of abuse. over two decades of debilitating destroying violence and then a new man who tracks him down and dangles his and claudia’s life over him as penalty from the jump. louis is constantly calculating risk based on what they’ve experienced and the same way claudia’s trauma drives her into the waiting arms of a cult, louis’s means he sees enduring as his strongest means of survival . and even from before that from keeping his family afloat under jim crow —performance, self sacrifice at the expense of closeness with grace and paul; using “weakness to rise”. so when louis tells claudia to endure its bc he cannot imagine a way out. which is a failure sure and something claudia can and does resent him deeply for but is entirely and categorically different from what lestat and armand inflict on her . his “choosing armand” is never really about him liking armand particularly it’s him deciding he knows what’s best for both of them—again seeing claudia as his child—to the extent that he won’t even tell her about armand knowing their secret.

this isn’t selfless it’s foolish it’s prideful but the story very clearly is not Louis picking a man over his daughter. (claudia calls out what he wants in a companion in 2.01—“if he can’t call you pretty and take you ballroom dancing” Armand won’t even light his cigarette). i think people have constructed this narrative which funnily enough is the exact same one armand uses to gaslight louis with in 2.05 ("you threw around her name for cover, but you always went back to talking about him" or something like that). Which is really obviously a victim blaming narrative lol like the amount of joke posts that r essentially saying Maybe if louis wasn’t so cock hungry his daughter wouldn’t be dead. Okay?? i think its absolutely fucking insane to call her death louis's particular failure when she was lynched. by armand

and you can tell by episode 6 claudia has realized louis isn’t picking armand over her. her frustration with him is with this martyrdom that she never asked for or wanted, that clearly isn’t “you and me” either. Like you cannot tell me she believes “imagine me without the burden of her” means louis is happy and relieved to see her go Bc she’s not stupid and she’s seen him happy before. If she really thought he meant something like that she wouldn’t behave towards him as she does in the rest of ep 6 and doing the trial. completely ignoring her personality

there is also a hopefully really small subset of people who think pointing out how patriarchy works Is gender essentialism who posit louis as the primary perpetrator of misogynoir in order to justify their fundamental queer human right to call lestat femme . and then expect pats on the back for acknowledging #intersectionality . which is. absurd.

[ninii-winchester]

Dusk till Dawn

Pairing : Dean Winchester X Reader

Word count : 1.7k

Warnings : angst, violence demon dean, language, illusions to sex (nothing explicit)

Part 2 to I don’t wanna live forever

I DO NOT GIVE PERMISSION TO COPY MY WORK, TRANSLATE IT OR POST IT TO ANY OTHER PLATFORM. REBLOGS ARE APPRECIATED.

But you'll never be alone

I'll be with you from dusk till dawn

Baby, I'm right here

Sam had finally managed to track down Dean and has brought him back to the Bunker. Y/n wasn't scared of him but she wasn't excited to see him again in his demon form either. Sam had Dean cuffed inside the dungeon and she could hear him scream every time Sam injected him with human blood.

She knew she'd have to face him sooner or later, so two hours later, she decided that she'd go see him. She entered the dungeon and she watched as Dean thrashed around in the chair he was tied to, he spewed hurtful words at Sam and the latter retorted by telling him this isn't his brother speaking.

Dean eyes landed on Y/n as she walked inside, her arm still in a cast. He turned his eyes black before turning them back to normal. He threw her a smirk and she visibly tensed. She knew he was tied and Sam was in the room as well but she couldn't help but shrink under his gaze.

"How's the arm?" He mocked.

"I'll live." She replied curtly. He laughed evilly before speaking again.

"Hm I wonder why Crowley saved you, were you fucking him? I mean you do look like a skank.." She felt herself tear up at his harsh comment, this isn't my Dean she kept repeating to herself. "I mean I wouldn't put it past you-"

"Dean shut up." Sam intervened.

"What you fucking her too?" Dean cackled. "Cmon Sammy you can do bette- argh" Dean growled loudly as Sam interrupted him by giving him another shot. He groaned breathing heavily.

Y/n felt her heart thudding inside her chest, she wondered if part of Dean actually thought all those things, how long can she hold on and believe that this is the demon talking. Sam noticed the apprehension on her face and pulled her outside.

"Hey..you can't let him get to you, that's not Dean." Sam said holding her good arm. "He's trying to rile you up, don't fall for it."

"Yeah..!" She nodded her head, seemingly out of it. "Yeah I know Sam." She snapped herself back.

Four hours later Y/n was in the kitchen when she heard it, Dean's voice. But it wasn't him groaning or screaming, it wasn't coming from the dungeon either. It was closer. She ducked and ran out of the kitchen hoping to find Sam before Dean finds either of them.

Dean continued to call out for Sam, asking him to come out and talk with his big brother, his voice was scaring the wits out of her and she hoped she doesn't run into him. But just because she's so lucky she rounded a corner and saw him. Dean stood right in front on her with a hammer in his hand.

"Well hello there, sweetheart." Dean smirked. She backed away and he took a step forward. Suddenly the power in the bunker went out and the emergency lights were turned on. "That's smart little brother, locking the place down." Dean yelled. "But you see I don't want to leave." Well at least now she knows where's Sam. But the control room is a bit too far from where they were and she's on her own here. "You're gonna have to wait for me, Sammy. I gotta finish what I couldn't last time."

Y/n knew there's no point running, so she did what she thought was the best. She moved towards him. Dean glared at her before grabbing her hair and slamming her in the wall. A smirk plastered on her face. "You can go ahead and kill me, but just so you know, Sam's gonna cure you. He won't stop until he does." She prayed that Sam finds them soom or it's gonna get ugly pretty fast.

"I can see right through your brave girl act." Dean sneered. "This is gonna be so much fun." Dean grabbed her injured arm and pressed hard making her scream.

Dean let her go and held the hammer with both his hands, he raised it above his head and Y/n braced herself for the impact but it never came. Sam had tackled Dean to the ground, the hammer falling from his hands. Dean struggled in Sam's hold. "Let me go." He growled slamming Sam into the ground. Thankfully Castiel appeared and caught hold of Dean.

The two men hauled him back to the dungeon and Sam completed the ritual. Dean was finally back. Sam threw holy water on his face and the lack of sizzling flesh brought relief to Sam and Cas' face. "Welcome back, Dean." Sam said with smile. Dean's face flashed an array of expressions, but he was happy to be back.

While Sam helped Dean get back to his room, Cas found Y/n in the same hallway they had left her in.

"Cas?" She groaned holding her arm, slumped against the wall. Castiel kneeled in front of her, he placed his hand on her arm and eradicated the pain. "Cas, Dean-"

"He's not a demon anymore." Castiel informed and she sighed in relief. He nodded and helped her up. The two of them went to the library. Sam was hyper excited that his brother was back and he told them he's going to bring his brother lots of cheeseburgers now that's he's hungry again. Y/n's smiled dropped when Cas mentioned the elephant in the room, that Dean still has the mark.

"One thing at a time Cas." She replied before leaving the library.

Cause I wanna touch you, baby

And I wanna feel you too

I wanna see the sun rise on your sins

Just me and you

To think everything would go back to normal after Dean was cured was wishful thinking on Y/n's part. She hasn't seen him ever since he turned back. He's been avoiding her. She knows he feels guilty and is beating himself up for whatever happened but she needs him to know that she forgave him because it wasn't him.

Y/n was in the kitchen, her hand wrapped around a steaming cup coffee. She was lost in thought but she heard the sound of footsteps approaching the kitchen. Dean entered the kitchen, stopping mid way as he noticed her figure and turned back to leave. But her voice stopped him.

"How long are you planning to continue this?" She asked, her voice filled with hurt. He didn't turn back or answer her question. She has had enough of him ignoring, she moved to grab his hand and turn him towards her. "Talk to me, please." A tear dropped down her cheek as she looked at his face while he looked at the ground avoiding eye contact.

Dean gently shrugged her hand off his arm, he wanted to reach out and wipe that tear off her face but he was scared to touch her, afraid to hurt her or worse break her. He has already done enough and he'd be damned if he does it again. She lifted his chin with her fingers to make him look at her and he relished in her touch. Her face was healed but a few scratches were visible and he felt nauseous knowing he did that.

"I hurt you." Dean spoke for the first time. She shook her head.

"It wasn't you."

"It was me, those were my hands on you, I hurt you physically and emotionally. I said those vile words to you, about you. It was me. But none of it was true, you’re not- " He couldn’t continue further. A few tears escaped his eyes.

"I forgive you, Dean. I love you." She said cupping his cheek and wiping his tears.

"You shouldn't." He whispered.

"The only time you’re allowed to tell me what to do is, in bed." She teased hoping he'd loosen up a bit but he didn't. His gaze lingered on the cast on her arm. "Dean look at me." She said with authority and smiled when he obeyed. "Can you answer some questions for me?" He nodded. "Do you blame Sam for what happened to Kevin?" She asked softly.

"No. It was Gadreel. Not Sam." Dean replied in an instant.

"Exactly. If you don't blame Sam for Kevin, why can't you stop blaming yourself."

"That's different." He shook his head.

"Do you love me, Dean?" Dean looked offended she'd even asked but he replied without a beat.

"With everything I have. I love you so much."

"Can you forgive yourself for me, then?" Dean stayed silent "please, baby."

"I don't wanna hurt you again." He confessed.

"You won't. I know you're only capable of loving me unless you're being controlled by some stupid curse. And I know you tried to fight it."

"I did." He placed his hands on her waist and she sighed in relief hugging him as tightly as she could with one arm. "I really did."

Light it up, on the run

Let's make love tonight

Make it up, fall in love, try

She pressed her lips to his and he kissed back ever so softly. His lips moved against her with fervour. He wanted to breath her in, imprint her on his mind. He snaked his hand around her waist and picked her up. And she wrapped her legs around him, not wanting to break the kiss. She needed him as much as he needed her. He pressed kisses to her face and jaw, he sat her on the table and stood between her legs.

"I'm sorry." He dropped feather light kisses to her neck. "I'm so sorry." He held onto her tightly as if she'd disappear if he let go.

"I'm right here baby." She assured him. "I love you."

"I love you, sweetheart." Dean made love to her, with his soft and gentle touches, he made it up to her, his actions showed her how much he loved her, how sorry he was. As their breathing slowed, they held each other close, savouring the moment. In the silence that followed, they knew they were far from okay but they would be okay together.

Tags:

@s0urw00lf @spnfamily-j2 @deangirl96

[hollowingearth]

I'm sorry but the more I think about the Rebirth ending the more I love it actually like. The whole trilogy has been a meta commentary of sorts and, specially, Aerith's death is at the epicenter of it. She both dies and doesn't die exactly because us, as an audience, want both things to happen.

People have been clamoring to be able to save Aerith since 1997, there were fake hidden hacks, AU fictions, retellings, everything. Everyone has been at Squeenix's doorsteps begging them to let us save her. Like, it's at a point where the "Square will let us save Aerith if you pay for the DLC" joke is much more than a decade old.

On the other side, there's this very expressive unwant for any change whatsoever from the source material. It's not a feeling that is exclusive to FF7 either, there's this very clear pushback against any new remake/adaptation that deviates, even slightly, from it's original. People don't want new content, they want the old one they experienced when they were younger, but prettier, they want to both feel the nostalgia and experience everything as if for the first time again.

From that camp, I think the most prominent argument is that FF7 is about loss, right? And they're not wrong. Aerith's death is the crux of the story, it's the very thing that made FF7 as known as it is, there would be no actual weight to what it's trying to tell if the heroine doesn't die in the middle of it, an unexpected, hurtful, avoidable death. What's the point of a narrative about grief if you can just... avoid losing someone? Avoid having it be cruelly taken from you?

And yet, you see, if want someone to die, if you want something to be taken from you, are you really losing it? In the original, part of the impact was that no one could see it coming, it was a straight representation about how death is sudden and takes away opportunity from you. Aerith doesn't go into the sleeping forest willing to make a sacrifice for the greater good, she has barely started her adventure, she makes a promise to go on the highwind, the group is one location away from finding out more about her ancestry and her family.

That's not true for the remake, tho. Everyone knows about her fate, about what is going to happen to her. That's probably the most spoiled moment in video game history. I personally knew about her death before I truly understood what Final Fantasy even was. So now we have an audience that is extremely aware of what, when and how her death is going to happen. That's why the Confluence of Worlds is put at that moment, because it's the single most expected moment in the entire triology, it's the one moment that made the narrative resonate so well.

The impact is impossible to recreate now, even for newer fans of the series. People want a 1:1 retranslation but such a thing would always be a gimmicky shadow of it's original. It's why the focus shifts, now the most emotionally impactful scene is not the killing of her but of her goodbye, in the church after the dream date. "Thank you," Aerith echoes "It's been fun", a callback to her conclusion on Remake where she says "I'm grateful for all the words we shared. All the moments and the memories. You've made me more happy than you know."

So she dies and she doesn't, both at the same time. Effectively in limbo now, narratively explained by lifestream shenaningans. We put her there ourselves, by refusing to move on, refusing to accept her death but also refusing to change, allowing a different outcome. I don't think that's necessarily a bad thing, at least, Aerith's words sound like the very sincere feelings of the developers, who are grateful for all the love we all have powered into their work all these years.

I just love it so much, I could spend hours talking about it.

[smallmightsupremacy]

Why we are getting a dvk3

So. The war is over now, and everything is supposed to go back to normal, right?

Wrong. I don't know about you, but this recent chapter was... a roller coaster of emotions, to say the least. We went from the highs of graduation to a mysterious new character all the way to some panels showing how Izuku isn't doing well mentally. And I have a lot of thoughts about that last point in particular. Especially for what this means for Izuku and Katsuki's relationship going forward. So, well before reading this chapter, I was a firm believer that we were going to get a dvk3. It just makes sense, right? Every pivotal moment of their relationship has been a dvk moment, so it wouldn't be a stretch to assume that the third pivotal moment of them becoming true equals would be a dvk too. Not convinced? Well, I'm going to breakdown one specific moment in this chapter and explain why this makes me even more sure that we're getting a dvk3 The moment I'm referring too is Izuku's interaction with Ochako:

We start off with Izuku looking off into the distance after hearing the words "why I wanted to become a hero" from Mawata. It wouldn't be a stretch to assume that those words were enough to make him reflect on himself and beliefs; to reflect on his own why. Why exactly did he become a hero?

Well, we already know the answer to that: to save people with a smile.

But in the final war, did Izuku actually achieve that? He doesn't seem fully convinced about that idea:

He believes that he didn't fully save Tenko, and those feelings of self-hatred, of not being good enough rose to the surface when the why of becoming a hero was brought up. Hence, his pensive expression in that first frame. Clearly Izuku's going through some turmoil right now. Self-hatred, emptiness, probably no sense of direction about where he wants to go in his life now that he's quirkless... the list goes on. So what does he decide to do about it? He approaches Ochako:

Maybe it's to talk about her moment on the UA rooftop which was referenced just before, but it doesn't seem that way. They've already talked about that moment already, why bring it up again? I mean, you could argue that it's Izuku telling her not to be so humble or embarrassed over that moment, but his reaction when she changes the direction of the conversation says otherwise:

He looks so upset, like he wanted to truly talk about his feelings with a trusted friend. The war is over. There's no need for him to control his heart again. He can finally talk about his feelings... yet he gets brushed off.

The fact that this panel of him frowning is right next to one of Ochako laughing says A LOT too It wasn't an accident that this panel of Izuku was put next to one of Ochako smiling. This was done for a reason. I think that reason is to showcase Izuku reaching a realization-- the realization that everyone is starting to move on from the war and smile again while he's stuck in a slump. I think it's in that panel, where he decides that he won't try to talk about his feelings again. If he does, then he'll bring down the mood and no one will be smiling anyone. Remember, Izuku still blames himself for the reason why his class got targeted, so he probably blames himself for them getting injured and upset from the war too. In his mind, the least he can do is keep quiet about his feelings and suffer in silence at the gain of everyone else's happiness. That being said, this is by no means an attack on Ochako's character at all. She's a great friend to Izuku- hell, that's probably the reason why he decided to go to her specifically to talk about his feelings -but I think there's a part of her that doesn't want to talk about what happened in the war either.

Even if there was, she still would've said something or shown concern if she could truly see how much the war was impacting Izuku. Instead, she misses it. She misses it because, as close as they are, she's the person from class 1A that knows Izuku second best. So that leaves only one person who can help Izuku process his feelings: the one person that knows Izuku best; the one person that will be able to see through his guise of pretending to be alright and save him before he reaches the point of self-destruction; the same person that has proven that they can and will do something like that time and time again. Sound familiar? Yeah. Katsuki is the only one that can help Izuku right now.

But it's not going to pretty. I'm not necessarily saying that dvk3 will involve a fight. On the contrary, I think that's the last thing that should happen for a multitude of reasons: Katsuki is still recovering, their relationship is at the point where they can have vulnerable conversations without throwing punches (read: the hospital scene), and it wouldn't make sense at all to have them throwing punches. Izuku hasn't got a quirk anymore; against Katsuki, he doesn't stand a chance of winning the fight. And that just negates all their growth of becoming equals. So perhaps we shouldn't call it Deku vs Kacchan 3, but rather Deku AND Kacchan 3 It's going to be a fight of them accepting feelings; both each other's and their own. There's going to be crying and tears and so much pain, but it's going to end up with Katsuki reaching out to Izuku so we can get that long awaited and incredibly foreshadowed handhold. So we can see that Katsuki still sees Izuku as an equal, quirk or no quirk.

At least, that's what I hope. I'd love to hear your thoughts about this too!!

[accirax]

hey! i was wondering about eden’s emotional cg scenes with teruko at the end of ep14; if eden does happen to be the culprit, how would it affect her characterisation? personally, i can’t help but see it in a negative light, one which dampens her impact on arei, teruko and others with her ‘rational optimism’ and general kindness. if eden believed arei wanted to be friends with her, and was willing to reciprocate it, would eden really kill her in cold blood?? if her tears at the end of ep14 were genuine, would it go against her ultimately being the blackened?

tl:dr: how would you justify eden’s last moments at the end of ep14, if she were the culprit? it felt truly genuine to me, but i can’t help but notice her suspicious behaviour and inconsistencies in regards to the ch2 murder :(

(sorry, i’ve never done an ask before!! apologies if this is worded poorly.)

Can Eden Still Be the Culprit (Again)?

Haha, it figures that, even if I didn't choose to cover it in my Episode 14 Dissection, I'd still wind up analyzing what was going on in that scene anyways. Glad you're curious to hear my thoughts! (And don't worry, you phrased everything perfectly!)

The truth is, I didn't initially go over it because I wanted to post my thoughts on the day after the episode aired I, too, am somewhat confused as to how Eden could say all of that and still potentially be the blackened. However, as someone who still believes that Eden could be the blackened, it's probably a good idea if I figure out for myself what the hell this scene means in the context of DRDT at large if votes for Eden are close at hand. And potentially preempt some of the backlash that might arise if they are.

Just know that I, too, think that some of my points might be a bit of a stretch sometimes. We cool? Cool. Let's get analyzing.

SPOILERS for DRDT through Chapter 12 Episode 14, as well as Chapter 2 of THH and Chapter 1 of SDR2, and a WARNING that we will (obviously) be discussing Eden!culprit throughout this post.

For Eden's words and actions to make sense under the preconception that she is the killer, I think there are only three major roads you can take.

NUMBER ONE: EDEN IS A LYING, MANIPULATIVE, SCUMBAGGY PIECE OF SHIT

This option... is not great. Everybody agrees that it is not great. I hesitate to use the word "bad," because I think that people are way too hasty to call things "bad writing" (especially before they've even happened), but... I'm not gonna lie, it's pretty bad.

Basically, what it says on the tin. Just like David, Eden has actually been a liar and a manipulator the whole time. She doesn't actually believe anything she said about optimism or the power of friendship, and was 100% using that attitude the whole time to get everybody's guards down. A character like that would have no problem saying whatever the hell she needed to say in order to get others to pity and therefore not vote for her.

I don't like this one because it fully invalidates everything that we've seen from Eden so far. For someone like David-- or, say, Nagito-- even in the midst of their big heel turn, there are parts of their previous characterization that are still salvageable. Teruko caught David being a hater on literally Day 1, and it was easy to read into his outbursts of anger and insane nosiness to expect that his personality wasn't really as bright as his stars. Similarly, even if Hajime got along with Nagito, he was still sort of a creepy and off-putting guy, and everything about his love of hope stayed as strong as ever. For Eden to suddenly turn to the dark side would truly come out of nowhere. Other than... I don't know, liking to bake?, I don't think there are any aspects of Eden's former characterization that would remain. Not that her character would remain in the story for much longer, but, whatever.

I'm going to discount this option because I have faith in DRDTdev's writing, and I don't think he would suddenly want to abandon the Eden character he's been strongly developing over the past two chapters. Again, I refuse to call anything bad writing until the Chapter at least, if not the story as a whole, is wrapped up, but there's a reason why everyone's first instinct is to hate this idea.

NUMBER TWO: EDEN IS THE BLACKENED BUT DOESN'T KNOW IT

Basically, Eden is able to be so genuine because she either forgot or didn't know that she was the one to kill Arei, but we'll still be able to convict her in the end because all of the evidence points to her. How would this work? Well, sorastar6 came up with a theory that Eden might have killed Arei but blocked it out of her memory. It could also be something where, like, someone else put her up to it and she accidentally let go of the rope or whatever to kill Arei without realizing it. (That idea is loosely based off of a-student-out-of-time's theory of David manipulating Hu to kill J-dressed-as-Arei-- hopefully if they read this, they won't mind me using their theory as a logistical basis off of which to accuse Eden 😅)

However, I don't think either of these cases are particularly likely either. The murder method is so complicated and clearly premeditated that it would be really hard to trick someone into operating it without realizing it at all. And, if Eden killing Arei traumatized her so much that she lost multiple hours of memory then you'd think she'd just... not do it. I respect the hard work and creativity of both of these theorists, but I'll be passing on this option as well.

NUMBER THREE: EDEN FEELS REALLY, REALLY GUILTY ABOUT IT

Okay, so I maybe-sorta-lied: there are probably other ways that you could interpret Eden's emotional reactions to talking about Arei's death other than specifically her being guilty. However, given that guilt was already the justification I reached for the first Eden mini-breakdown in my Episode 13 Dissection, it may not come as a surprise that I'm staying on theme.

Before, I summarized that what Eden was saying to Levi was basically what she wanted to say or already said to herself. She knows that killing Arei was "wrong," so even though she thought it was the right thing to do, she wants to always remember Arei and acknowledge her faults as a form of penance. Also importantly, one facet of why Eden might be breaking down now is because (under the theory) she only learned that Arei truly wanted to change and be her friend in the Trial when David told her. It makes her feel extra guilty now knowing that she killed someone who wasn't just her bully, but someone who wanted to be better than that.

We're going to keep that rationale in mind as we now look through everything that Eden has to say at the end of Episode 14. The only thing of note that I will have to concede is that, even if Eden isn't a liar or a manipulator overall, any time she says anything along the lines of "I'm innocent!" or "I didn't kill Arei!", it has to be a boldface lie. Sorry, I don't like it either, but there's no way around it (outside of something like option 2). I otherwise want to claim that Eden is straight-up lying as little as possible, but this was kind of a gimme. But hey, that's why I have my doubts that any of this will turn out to be true as well.

Since this is its own post and not part of the Episode 14 Dissection, it means that I get 30 images to use on just this subject, hooray!

This is certainly a softball to start this defense off on. Eden can just be confused/upset that her efforts to evade being the blackened aren't working all of a sudden.

Similarly, this is just her rephrasing/challenging everyone's thoughts. Perhaps I should have cut out some of these beginning statements, but I'm always one for being thorough.

Don't worry, this is the last of these three. I will note, though, something that I actually only noticed on this watch-through. I was aware that Teruko and David both had shots that only showed their mouths and torsos with their eyes obscured in this episode, but apparently, Eden has one too. Of course, this could go either way: these shots could be reserved for the "major players" of this chapter-- the protagonist, killer, and someone who's clearly getting extra focus-- or, it could be more of a protag/antag/support thing. Or maybe DRDTdev just decided to start using this for highly emotional scenes.

Well, given that I'm trying to throw Eden under the bus in this post, it's clearly the first of the three. Don't listen to any clowns (<- me) who might tell you otherwise. (/j)

"Hold myself together" isn't as innocent-coded as it might seem on the surface. It seems pretty clear to me that Eden feels genuine sadness over Arei's passing no matter her role in Arei's death. However, being the blackened and having to keep a secret throughout the Trial might make coping with those emotions even more difficult. Fully breaking down in grief would be bad enough as an innocent, but as a blackened, it would basically be game over. Arei's death is the cause of her discomposure, which can still be equally true if she was the one to kill Arei.

This is quite possibly the line that I have the hardest time justifying in the context of Eden being guilty. I could obviously just say that she's lying here, but as I said at the start, I want to call what Eden says lies as minimally as possible. So, what are our other options?

Nico said earlier this episode that attempting to kill Ace was "the worst choice that [they'd] made in [their] life," so it could be fitting for both of our killers this chapter to feel the same way. After seeing what it was like to kill Arei and have everyone suspect you, Eden decides that whatever her motive for killing was wasn't worth it in the end. However, now that she's in this situation, she still has to stick with her initial plan (unless she wants to just die on the spot) because she can't go back, no matter how hard she tries--

For DRDT to enter its third chapter with the cast at their most hostile and downtrodden but also only having one killer who did so accidentally and two killers who deeply regretted it would be very interesting indeed.

Alternatively (or perhaps in combination), this could also be Eden being somewhat of a pessimist. If you're a blackened, you're generally hoping/expecting that everyone other than you will die. However, only one person's death is actually guaranteed-- your victim's. (Or two people's deaths if you kill two people, but that's not important to this case.) In theory, Eden choosing to kill Arei in particular doesn't really matter, because if she won the Class Trial, Arei would die anyways. However, now that Teruko has accused Eden, reality might be setting in for Eden as her dreams of being the one to escape flit away. In that case, she may be regretting her choice to victimize Arei-- if she's going to die for her attempt, she might at least wish that Arei got to live over some others.

I think the first option is probably the best from a thematic perspective, although both options certainly have their counterarguments.

Eden's (stellar) read on the "Why?" line definitely implies that she's frustrated, which could go either way. It's equally possible that she could be mad that people are suspecting her when she's innocent, or that she's upset that everyone is suddenly hounding her when she thought she was putting up a good front.

As for her leading question, if Eden is the killer, we've already seen her subtly mine for information at least once before. The conclusion of her last breakdown was her trying to ask David what really happened between him and Arei in the Relaxation Room. Now, asking this question might be intended to either shore up arguments she hopes to defend herself against, or force other people to "concede" that there are no reasons why Eden would have killed Arei. A bit of a dangerous gambit, but it's arguably more dangerous to have to come up with justifications about unknown arguments on the spot, especially when emotionally struggling.

Not gonna lie, though, the fact that she immediately followed up "why do you think I killed her" with "I cared about her!" also slants towards an innocent read. If you really were the culprit, I feel like you would start trying to argue against some of the solid evidence that people just presented (such as Levi bringing up the information required to write that note) with evidence of your own. Instead, Eden shoots straight for the emotional defense, even though no one was arguing that Eden never cared about Arei leading into this speech. (Arturo brings up her connection to Arei, but he never directly says it was because she didn't care.) It could speak to the fact that she was fully unprepared to be accused (because she didn't do it and had no idea about the tape).

However, Eden has always been a very emotional person, and it's possible that a big part of her intended defense was to say that she cared about Arei. Another interpretation is that Eden brought this up now because it's something she's insecure about. It sort of goes back to my idea that Eden is still desperately trying to cling to the idea that she's a "good person" despite her choice to kill. If that's true, the way that Eden is perceived as the killer might be very important to her. Like, obviously surviving the Trial itself is the most important thing, but Eden doesn't want anyone to misinterpret her as a monster on her path to the finish line.

I already explained why this line was sus as hell to me:

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

This is one of the lines that makes me most think that she is the blackened in this monologue. Because, seriously, why would she not have just said "Arei was my friend!" if there wasn't any doubt in her mind?

Alright, I think that about now is a good time for me to drop the thesis I've developed whilst reflecting on Eden's behavior and how to put all of the pieces together. Should I have said it earlier? Maybe, but where's the drama in that?

Basically, for starters, I don't think that Eden fully believed that Arei genuinely wanted to be her friend. As I've said before, Arei saving Eden from Arturo happened mere hours after Arei denounced her entire personality. It's super believable that Eden might think that Arei was just using her usual manipulative tricks to make Eden look like the fool again. However, despite all that, I don't think that Eden hated Arei, either. They were just in the exact same state that they were in before-- Arei as the bully and Eden as her target-- which Eden had never hated Arei for before. Eden wanted to help her and wanted to be friends with her, as she says in this screenshot, but that doesn't mean it could actually happen. Tragically, Eden determined that Arei wouldn't be able to change while being trapped in this killing game.

After that, Eden decides that she needs to kill to escape the school. The exact motives of which have puzzled Eden!culprit theorists for months, with current speculations still being that it may either have to do with her secret, the girl she kissed, or her family, who she told Levi she couldn't imagine living without. We've got time to cook on that in the post-Trial, if Eden is the killer. However, I also don't think that we should discount how scary the killing game has become.

Let's run through the events of Day 6 again, because it's a truly terrible day for Eden:

Eden wakes up in the morning and goes to rouse Teruko, who she has to blackmail in order to even get her to consider attending breakfast with the others. She tries to convince Teruko about the value of optimism, but Teruko only tells her that her worldview makes Teruko even less inclined to be her friend. Speaking of lack of friendship, Eden's chances at a peaceful breakfast-- which she had been hoping to use to bring everyone together-- are dashed when there are three separate shouting matches going on in the Dining Hall. Eden tries to assign her associates to break up the fights, but it goes terribly-- all she does is get Arturo and J mad at her, while Veronika only makes the situation between Ace and Nico worse.

After David's plan causes Charles (who has been making some of the most progress so far) to recall his traumatic past, Eden tries to invite Teruko and Arei to a fun event to brighten everyone's moods and right her wrongs of the past. Except that, when she does, Arei rejects her offer outright and brings up some of her biggest insecurities, causing Eden to run out of the room crying. Neither Teruko, who Eden has been trying super hard to befriend, nor David, who has (theoretically) been acting in the name of harmony and cooperation, run after her to offer her any comfort.

Despite David's lack of support, though, she still decides to support him by following his idea to let Arturo know about his secret. Trying to do so nearly costs her her life. She's just one unarmed 5'2" clockmaker against a clearly agitated 6'3" surgeon with a scalpel, and she's only saved by the bully who just said that Eden "utterly disgust[ed] her in every way." Arei now claims that she'd do anything for Eden, but is that just another setup through which Arei can make fun of her trusting nature in the future...? Eden wants to hope, but it's hard to do so when the person who just saved you was the one who told you you shouldn't.

Anyways, even despite a long afternoon of Nico being outed and a long night of being stalked by probably-Arturo, Eden is still trying to help Teruko pick up her clothes when she runs into Teruko in the Dress-Up Room. But since nothing can go right for Eden today, it's then when she and Teruko hear a loud noise, and they stumble upon Ace's body in the Gym-- the second murder attempt Eden has seen today. Nico is standing over Ace, really making it look like they killed him. Gosh, if only someone had been able to talk to the two of them this morning in a productive way, instead of making things worse. Thankfully, Ace is still alive, but less thankfully, he's now a convert to killing and wants to eliminate Nico. The day ends with Ace saying that this place is worse than death and Levi-- who Eden had just been praising for being kind and reliable-- giving up on his former friend.

Are you starting to see why Eden started planning murder and picked up the tape when she did?

Looking at it through that perspective, I don't even know if Eden needs a reason outside of the killing game to want to be the blackened and escape. If we can accept that Ace's motive would be to escape the situation in which he almost died, it feels like we should be able to acknowledge that Eden could be motivated by the exact same thing.

Obviously, it's harder to believe that Eden would kill than Ace, because Eden generally cares about everybody and Ace (other than Levi, once) didn't really like anyone. However, I, at least, don't think it would be totally narratively unsatisfying for Eden's reason for killing to be that her bandwidth for caring for others was overloaded, and with no one supporting her (and at least one party actively attacking her), her fears of the killing game got the better of her, if only just for a moment.

Getting back on track, Eden's terrible awful no good very bad day has inspired her to kill, but who does she take down as her victim? Well, as we've established before, if Eden wins, everyone will die anyways, so it's not like she's really "sparing anyone's life" by not killing them here. She's already made her peace with everyone as she knows them dying. And after that, despite the care she still has for Arei, she chooses Arei as her victim because of what Arei told her after Arturo attacked Eden. But, I'll reiterate, Eden doesn't hate Arei. Instead, Eden chooses Arei because she thinks Arei is the victim that will make her look the least suspicious.

Just because Eden doesn't believe that Arei really wanted to be her friend doesn't mean that other people won't. In fact, I think that Arturo would definitely believe that the two of them had turned over a new leaf. In this situation, Eden is aware that her best path to innocence is to play up her kindhearted personality in order to lead people to believe that she would never hurt a fly. Therefore, she decides to leave the note behind so that people will hear about the story of Arturo attacking her. In my Episode 14 dissection, I was spinning my wheels trying to figure out why Eden would possibly want anyone to find that note. However, this option would create a reason why Eden would want others to read the note. The mere fact that Arei decided to come to the Playground would serve as evidence that Arei really did care about Eden, and therefore make Eden seem more innocent. Maybe she overstepped a bit on revealing so much about Arturo's secret in the note, but given that everyone seems to believe that the killer overhearing the conversation was possible anyways, it's not a huge deal.

However, there is a contradiction here that you may have picked up on. Why would Eden count on using a note to draw Arei out to the Playground if she didn't believe that Arei would actually listen to her? I raise you a new idea: who says that note was actually real?

For those who believe that Eden isn't the killer, the thought that someone falsified writing that note isn't anything revolutionary. However, if other culprits could plant that note as a fake, who's to say that Eden didn't do the same?

I believe it was demodraws606 who recently raised the question of why Eden would even bother writing a note to Arei when she could have just gone up and knocked on her door. (Apologies, I tried to find the post in which they said that but I couldn't track it down 😔) That excellent question set off the domino chain that made me think... well, maybe she did.

Eden works through the night (14 hour shifts, baby) setting up the pieces of her murder contraption in the Playground and writing a fake note that she "sent" to Arei. However, instead of sending that note to Arei, she goes to Arei's room herself and knocks on her door at, like, 7 AM or something. Eden doesn't necessarily believe that Arei will answer, but, if she doesn't-- that's not the worst thing in the world, right? It's not like she's particularly pressed about the secrets deadline, and she left herself with enough time to put away her murder scheme if necessary. Unfortunate, but assuming that she lives another day, she can try again some other time. However, instead, Arei opens the door (because, unbeknownst to Arei, she really did want to be friends with Eden), sealing her fate.

This also opens the opportunity for the scene of knocking Arei out to be in the doorway of Arei's room, instead of in the Playground. I always wondered how the scuffs on the floor would be so contained to one area near the entrance to the Playground. Like, the whole rope setup must have been at least somewhat set up by the time Arei entered the Playground, right? If Arei saw that, why wouldn't she start running away? And, in the case of Eden as the culprit specifically, would she really be able to subdue Arei in such a small area? If Arei was knocked out in her room, we wouldn't be able to see any evidence of that happening, because no one searched her room. That also leaves open the opportunity for Eden to have tossed any items she used to knock out Arei into Arei's room, where no one would be able to find them. And, hell, let's rope the glove into this, too! If Arei was never even intending to get dressed up to the level of leaving her room, maybe she hadn't yet put on her glove when Eden taped her wrists! It's weak reasoning, but it's a reasoning, at least!

(Also, if you're wondering how the scuffs on the ground could have gotten there if Arei wasn't subdued in the Playground, sorastar6 also recently made a theory that the ground was actually scuffed up after the jugs broke and the turf became wet, and it was the killer walking through a puddle that messed up the ground.)

After that, yada yada, ropes and carousel, Arei dies, investigation, Class Trial.

Eden is trying her best to just lay low and survive the Class Trial, but a wrench is thrown her way when David reveals to her that, after she left the Playground, Arei confessed to David and Teruko that she actually wanted to change. This goes against everything that Eden thought. Part of her reason for murder was that no one was willing to work with her, and now she learns that she just killed the one person who actually was? That's terrible! It can't be! David, please tell me the rest of that story!!!

At this point, you might wonder why, if Eden feels horribly guilty about killing Arei and unsure of her former conviction that the best thing she could do would be to get out of here alive, she wouldn't just confess to the crime already. Beyond her desire to survive herself, I think it could be because she wants Arei's death to have meaning.

If Eden gives up, it means that she killed Arei for no reason. She made the huge, irreversible decision to kill Arei, and then decided to throw it away when things got tough. But she won't let herself brush away the deaths she caused just because it was inconvenient for her.

She won't let her emotions take precedence over the harm that she caused.

She has to acknowledge that Arei's death was her fault.

Which means that, just like Min did, she has to fight like a proper blackened would if she wants to prove that she cared about enough Arei to believe that her life had meaning.

And that's why Eden is so insistent that she didn't kill Arei because she hated her. She isn't someone who believed that Arei was fully incapable of change, and she still cared about Arei a lot. And so, she'll honor Arei's legacy by taking to heart what Arei said to her.

Those are my general thoughts on how to justify Eden's breakdown at the end of the episode-- although, obviously, we still have more to go. That awkward middle placement strikes again, huh? But, I do think it has its benefits, which is why I'm keeping it here. We get to balance some buildup before the point with the lens of seeing some of the dialogue after the point. Let's wrap up the rest of this a bit quicker, shall we?

Since we're a while from the start, let me just issue a refresher that this post is assuming that every time Eden says "I didn't kill Arei" she is just lying. Yes, it assumes that Eden is willing to lie in a Class Trial, but I think that any 18 year old would be capable of pulling that off if their life was at stake, no matter how sweet they may seem.

This could also be another instance of Eden assessing the situation via asking a question.

This line would be tying back to the assumption that Eden's main plan for getting away with the crime (other than possibly framing Nico with the murder method) was to pull the emotional defense that others wouldn't believe that she killed. The tears could still absolutely be borne of genuine fear, but the choice to reach for help from Teruko could be her planned fallback if things got dicey. If she is the killer, then the evidence should stack against her, meaning that "belief" is her best way out of receiving votes. This is her hail mary.

"This trial has been cruel to me" is 100% right if she is the blackened who got jumpscared by knowing that Arei cared. After she initially acted against her instincts to kill for the sake of her life, she then has to face consequences that she didn't even think were possible, all while keeping a straight face. For whoever the killer is, can you imagine how stressful it must have been to have David extend the Trial for so much longer with his nonsense? (Mondo with Byakuya vibes in Ch2, honestly. The THH parallels never rest.)

Again, we're saying "I didn't kill her" is a lie, while "I just wanted to help her" was the truth. Something more along the lines of "I just wanted to help Arei, but she seemingly rejected my every effort, so I killed her but without the knowledge that my help was actually getting through to her" is what we're aiming for here.

I decided to combine these two together because I didn't have much to say about the first one on its own. One interesting thing to note here is what thebadjoe pointed out: Eden says that friends are supposed to help each other out, yet in Chapter 2 Episode 3, she was the one telling Teruko that relationships aren't transactional. What changed between now and then?

Well, this is much more in keeping with Arei's "that's what friends do" philosophy, which could either be a further indication that she was taking Arei's words to heart (for better or for worse) or that she's just desperate enough that she needs to count on Teruko in this moment if she wants to survive (again, whether genuinely innocent or guilty). It could mean nothing, but it could also be an indication of Eden's more manipulative side, if she's making an emotional argument that goes against her own philosophy just because she knows it'll strike a chord with Teruko.

(Of course, you can basically counterbalance this "inconsistency" with the one that one post (yet ANOTHER post I cannot fucking re-find) pointed out with Ace saying "I would never commit a murder of my own" with him previously saying that he was "about to commit a murder of his own" on Nico. They can't both be the killer unless something really weird is going on, so at least one of these "inconsistencies" has to mean nothing.)

Also, while I wouldn't go so far as to say that Eden is faking her tears over Arei (because that's clearly not true) there's also room for Eden to be crying here because she feels bad about manipulating Teruko, but as established before, still feels like she has to go through with it. Her acting doesn't have to be impeccable if the crying is covering up the crying she would already be doing.

'Cause sometimes, the breaks you take in between sniffles can conceal the breaks you would be taking as you struggle to lie to Teruko's face! Hypothetically.

"Please trust me, Teruko. You're my only hope."

In this hypothetical, I think we have to assume that Eden is just genuinely surprised that the super-smart Teruko wasn't able to see through her act. It might come as a shock that the same Teruko who said that Eden's kindness made her want to stay farther away would now see Eden's pleading as a sign to protect her. (Another judgment of character that Eden made incorrectly.)

And now, for the other hardest part to justify...

With the combination of the soft music (the same music that plays during the "kindness isn't weakness" scene, mind you) and the bokeh lights and the line deliveries and everything, this does feel like pretty convincing evidence that Eden is not the killer. But, if we're talking about the world in which she is, I do think that she still feels genuinely relieved here. The hug isn't directly manipulative, it's just thanking Teruko for giving her another shot at life.

Furthermore, it's a confirmation that, in Teruko's eyes, Eden still isn't a "bad person"-- at least not yet. Eden needs to continue believing that she's a good person with good ideas if she wants to have any hopes of fighting back against the cold and cruel world she was telling Teruko about. If she's become just as cold and cruel as the rest of them, then there's no way for her to be optimistic or kind, and therefore, no way to escape the grief that's haunting her. Eden has yet to learn that a good person is not gold, so that's the only world that she sees.

And, that's Eden's last line of the episode! Before we wrap up, though, I do want to talk about how Eden being the culprit would affect the story as a whole, as you touched upon that in your ask. Mainly, I want to talk about the big problem that many people have with Eden being the killer: what would happen to Teruko if it's proven that one of her closest allies is the killer again? We don't want a repeat of Chapter 1, but how do you avoid that after that hug?

As is my M.O., I'm here to argue that there are two ways you can make the situation different: by making it better or making it worse. In terms of making it better, I think that thefandomenchantress argued for it well in this post. If Eden's gotten her most desperate moment out of the way now, she might have room to be a bit more accepting in her final moments, and be able to reassure Teruko that just because she killed doesn't mean nobody is worthy of trust. In fact, Eden is so sad now because she didn't have enough trust in Arei, and look where that landed her! We could end Eden off on at least being happy that she and Arei were both able to change in the ways that the other wanted for them (Arei becoming more helpful and Eden becoming more responsible) and her being happy that at least the other students get to live.

On the other hand, you could make it worse. Venus-is-thinking and I have discussed together before how different Min and Eden's situations are, because while Min only really tried getting close to Teruko after her crime was already committed, Eden has been trying to become Teruko's friend for ages, before the idea to murder even crossed her mind. This death would be even more personal, as it can more so be argued that Teruko's lack of trust is part of what drove Eden to kill, whereas with Min, it was just that Teruko initially trusting Min opened her more up to hurt. You might argue that this would just cause Teruko to pull away even more harshly (which is still bad), but that's not necessarily the case. Maybe her breakdown this time drives her to get in people's faces so that they'll die even faster and she can rip the bandage off. Along those lines, maybe she'd even try to get closer to those she least trusts right now (like David) because clearly, her curse will cause those who she spends the most time with to die. The circumstances around Teruko have changed, which means that we can't expect the same sort of pressure to necessarily yield the same result.

As for your concerns about Eden's impact on Arei and genuine-seeming emotions, hopefully my main dissertation answers how I'd explain that ^_^

If you're wondering how I feel... well, despite everything that I wrote, I'm honestly kinda thinking that it's Ace at this point. Don't get me wrong, I think that the Eden read is still out there, but given how seemingly little time we have until the culprit is revealed, there may not be enough time to unpack anything close to this before the gavel comes down. Everyone keeps posting their polls about who people think is the killer, and I keep flip-flopping on whether I choose Eden or Ace as my answer. I wouldn't be surprised if either of them did it, except that--

Well, let's be honest. At this point, I'm going to be flabbergasted by whoever the culprit is, just because it's them.

Thank you for the ask, and see you on Friday!

[finalvortex]

Completely overanalysing Shadow Generations: Dark Beginnings Episode 1

The opening is a deliberate parallel to the scene leading into Maria's death (images taken here from Shadow '05, although this scene is also in SA2). If you're paying attention you can immediately tell it's a fakeout, though: there's no alarm blaring, the lighting is blue rather than red, and Maria is pulling Shadow along instead of the other way around.

It's the aurora borealis. You can only see them from certain latitudes down there, but up here, we can see the whole...

Maria's a nerd.

Shadow is immediately prepared to catch Maria when she collapses.

The low gravity here only keeps your condition in remission. You should know better than to exert yourself.

This is new information I think? I don't think this makes scientific sense but I guess it provides a justification for why Maria is up here aboard the ARK beyond 'that's where the research is being done'. Only, the ARK was a space colony, there were other civilians aboard it as well, like the future GUN commander.

I can't wait for the day when we can finally return. I was created here. I don't know if there's a place for me on Earth.

I just wanted to highlight this exchange as significant to Shadow's overall character arc across his history, being one where he has carved out a place for himself on earth.

Love the way Maria comforts shadow here.

You and grandfather are doing your best. I'm just as happy to spend time with you here, while you both research-

I think this is just awkward wording, but surely Shadow isn't doing any researching?

My boyyyy

Hull breach in the experimental weapons wing! Multiple subjects are free of containment!

Multiple subjects? Given the events of Lost Impact, things are just escaping from here all the time, huh.

Here's the entries on this incident from Gerald's journal in Sonic Battle:

The higher ups are threatening to shut down this research facility. I had no choice but to hand them the Gizoid to buy more time for my research. I tried to be careful and commanded it to never absorb any dangerous technologies. However, I have heard that other researchers have been making the Gizoid absorb weapons. Apparently, the way to cause the Gizoid to form a new "Link" is to show it power that surpasses that of its former master. While this poses immense danger, I cannot risk losing Maria.

My worst fears have come true. The Gizoid has absorbed enough weaponry and technology that it has started to go out of control. The resulting rampage resulted in the destruction of most of the "Ark." ... I have deciphered the rest of the stone tablet. It says, "When the Gizoid had learned all that it could, it became a god of wrath, and all was destroyed." The researchers somehow managed to subdue the Gizoid and sealed it away.

That robot was heading towards Grandfather's lab! Shadow, you have to save him!

Why was Emerl - uh, well, I guess Project Gizoid at this point - headed directly for Gerald? If he was overloaded with power, like at the end of Sonic Battle, he should just be destroying things indiscriminately, right? So... was this a deliberate ploy by GUN to get rid of Gerald?

Maria grabbing Shadow's hand breaks the illusion briefly and triggers a trauma-induced flashback (forward?) to the GUN soldier shooting her. Compare with the actual scene from Shadow '05:

Again, why is Emerl specifically targeting Gerald here?

Not much to say about the fight scene aside from the fact that it's really well animated, and it happens with no background music to emphasize the weight of the blows being thrown. It's also really cool how Emerl copies Shadow's spin attack - you don't need to know how the Gizoid functions for that to be a cool visual, but it's a nice nod if you do.

Ok this is really confusing me. Is there any mention of GUN having a space fleet anywhere? Where did these things come from? They don't even share the same aesthetic as other GUN vehicles, they look more like the Egg Fleet.

Nice look at Shadow's Air Shoes from below the glass floor.

Next Shadow lands into Gerald's cell on Prison Island, which raises the question: why is this in Shadow's memories? Is this just his memory of the recording from SA2? Or was Shadow not put on ice until after Gerald's execution? We know it wasn't immediately after the ARK was destroyed, since he was around long enough for Gerald to alter his memories.

There is a bit of static distortion here, with an analog effect that implies it might just be the video.

On the other hand, we actually get these very brief flashes of Gerald's execution here, which we don't see in SA2 itself.

The professor gets farther and farther away from Shadow. He can no longer reach him.

Shadow then falls into a red sky, with bits of debris floating all around him, reflecting the final battle against Devil Doom in Shadow '05.

Interestingly, this scene is mixing imagery from both Gerald and Maria's deaths. The image of the GUN soldiers is the firing line that killed Gerald, and the sound of the lightning turns into automatic gunfire, as opposed to the single pistol shot that killed Maria.

Finally, Shadow falls into the giant face and outstretched hands of Black Doom.

Waking up from his nightmare in a panic, Shadow uses that damn fourth chaos emerald* to Chaos Spear this unfortunate tree.

*Okay, the fourth chaos emerald was the white one.

The moon looks so good.

Shadow stands in a field surrounded by lilies, a flower which can be used to symbolise purity as well as death, and is a flower commonly used at funerals. In particular, they are often placed on the graves of children.

That was no mere nightmare. And it all began in view of the ARK. Could he have survived? No, that can't be. I need answers.

Shadow seems to think the sight of the ARK is what triggered this nightmare. I think the only 'he' that makes sense here is Black Doom, since Gerald and Emerl are both pretty definitively dead.

Based on the trailer, I think from here Shadow is going to collect Team Dark to raid an Eggman base so they can obtain a rocket to get up to the ARK.

The song that plays over the credits is a remix of Throw it All Away. I have no idea why it shows footage of the biolizard fight, beyond "this is the Sonic Adventure 2 focused episode".