#LET THIS DIE

[hellslilteaser]

I know something you don’t know and it’s to do with niiiiiiicky

This is STILL going on? Come on y’all 🙄

[blankglassyqueensss]

I hate you cunts

[lastoneout]

I just love it when video games let you do really stupid shit that kills you immediately. I love being like "oh this is a terrible idea" and being able to do it and then die. It's good game design.

[gregoriahlover]

one of the most heartbreaking victims of anti culture (for me personally) is thegreatrogue, aka the creator of the babtqftim comic and a lot of undertale comics as well if i’m not mistaken. babtqftim was the biggest influence on my art style that i had growing up and it was my biggest inspiration for art and writing. i loved indie games when i was about 11 or 12 and babtqftim was like a huge mashup of everything i loved and i loved thegreatrogue’s art style and i literally would spend hours tracing her art trying to make mine look as close to hers as possible. you might notice if you google thegreatrogue and look for her drawings of bendy and then look at my doodles of gregoriah that the shape of the horns is very similar (very angular and kinda blocky)- yeah that’s all her influence. point is she was my biggest inspiration but she hardly posts now and when she does you’re given comments from people saying “i know what you did” and “friendly reminder!!! this person drew cp and rape” SHUT THE FUCK UP !!!!!!!! nothing she ever drew was harmful to anybody in any way. she made a rape joke and her stories include shit like abuse and suicide. who gives a shit. fucking scroll away, there’s this button on the upper screen of your computer on the left and if you hover over it it should say “back” or “previous”- if you press that button all that bad scary stuff you don’t like goes away 🤯 thegreatrogue isn’t my favorite artist by any means and i’ve definitely grown out of her comics but it doesn’t feel good at all to see your biggest childhood influence become a victim of purity standards when she wasn’t even hugely popular to begin with and has caused zero real world harm. antis fucking love smear campaigns, they’d rather see an artist who draws scawy stuff become a legitimate pedophile than give them the benefit of the doubt that they’re a good person, they just draw shit that’s out of pocket sometimes. it’s sickening

[symphonyofsilence]

Let the poor man rest.

[sangrefae]

i love getting to see day one expac launch bugs such as "eating pizza breaks male au ra faces" and "syrcus tower now has savage level difficulty mechanics"

[naomistares]

another tlt comic, ianthe's new arm.

(guys this took me 60 plus hours... please say something nice to me..)

[njk-mr]

HIMMMMMMMMM

[hinamie]

ṇ̵̛̱͌̅̃͛̔o̴̮̓̀͂́̃_̴̛̲́s̷͈̋̈́̄̋͠ị̶͔̗̐͐̐̒̕g̵̛̱̘̣̑͂ņ̴̰͔̘͇̏̒̓̇͠͝a̸̜̥̩̭͋̌ḷ̶͔̖͗͋͛͛̃͆

[nova-rpv]

death leech shadoo.....

design by @galaxylover06

[roadstostray]

oh jeez. so much broken glass. ill get the vacuum

bonus facts about this piece under the cut

ANYA: I gave her the nighttime screen because shes associated primarily with it. but in addition to that, I chose the nightscreen for her death being the brightest thing for her in the darkest time (why the moon is on hery) she takes power away from jimmy by making that choice. If you look in her eyes, you will see a bottle of pills. yeah. you get it. The glass shatter also represents her death

SWANSEA: first of all, I've grown up drawing nothing but twinks and furries. drawing swansea was the most fun ive ever had drawing something completely new. fat old man supremacy. okay, but i chose the sunset screen for swansea as he is a fading light. still bright, sticking around, but "on his way out." i added some pink to the water reflection to represent Daisuke and his influence on Swansea. Also there is a gun in his eyes. and the bullet hole glass. It's chaotic due to the nature of the wound (thanks jimbus) and for the fact i couldn't figure out how to do two bullet wounds.

DAISUKE (🎉): i picked the daylight screen for daisuke because of his bright personality. the clouds represent his doubt in being on the tulpar, but insistence on making the most of it. he has a slit on his brow and i hand it to you to decide which you like more. Either a scar from skateboarding that he tells people is from getting into a fight, or alternatively just something he does to be cool. he has an axe highlight in his eyes, in addition to the glass shatter being that of an axe hitting glass. chaotic, messy, but ensuring a mercy kill. thats why it's not clean at all.

Jimmy and Curly: Originally, jimmy was facing the viewer, and curly was also looking to the viewer. after an artistic fit of mania, i completely restructured him to turn his back on both the tulpar crew and the viewer. he looks to the viewer instead of curly, because he wants to be seen. even if he cannot face his actions (or us, the player.) I decided to put him in the blood ocean in curly's nightmares. jimmy displaces himself from a place of friendship to one belonging in nightmares. specifically for his treatment of curly. he invades curly's greatest fears as an unseen horror. i also realized curly would be looking to jimmy, as he never looks away from him in the game. gunshot glass shatter for jimmy too. its especially pretty because it was the best thing his ass could have done (i just thought it looked cool. no symbolism there)

stupid fun facts, to get references for jimmy i used vrchat.

bonus these as icons/wallpapers. use em with credit

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[corkinavoid]

DDxDC The More The Merrier

Exactly a year after Talia brought Damian to Bruce, she shows up again. With another child. That looks like a carbon copy of Damian. She introduces him as Danyal, Damian's twin that was in an undercover mission for the last few years.

Bruce's eye twitches, but he deals with it. At least it's not a clone - Damian proved his mother's words to be true, Danyal really is his twin brother. So the Bats are just kind of forced to accept the fact. And the kid.

Danyal is a literal fucking menace. Contrary to Damian, he doesn't stab or bite, but he is absolutely chaotic. And, in addition to that, he has zero self-preservation instincts. None of it. The only two people in the family he has a truce with are Cass and Steph. Cass, because he has yet to take her by surprise, and Steph, because she is his partner in crime. Tim, though, Tim is on the verge of going insane with two little assassin bats running around the manor.

A year later, on the anniversary of Damian and Danyal's arrival, Talia shows up again. With, you guessed it, another kid. This one is a bit older - sixteen or so - and he has an angry glare that can be compared only to Jason's on a warpath. Dante, he calls himself, and the Demon Twins narrow their eyes on him. Bruce knows this look intimately. Sibling rivalry at its finest.

The next year is full of said sibling rivalry, performed by three highly skilled assassins. Dick is constantly worried one day one of them will die, and not because of a Rogue attack. The kids are fucking wild, acting like rabid dogs on steroids. They destroyed a wall once by throwing Dante through it. Alfred gave them a lecture. It didn't help.

The next year, Bruce opens the door to Talia even before she rings the doorbell. He looks at the four-year-old girl that looks like a mirror image of Damian, Danyal and Dante, and asks, tired and defeated:

"How many more?"

Talia only smiles. The girl looks at him with big, innocent puppy eyes that don't fool Bruce anymore.

Tim, who watches the scene through the surveillance cameras in the Batcave, pulls up a file and starts drafting his last will.

[konakoro]

The world was so ungrateful to you...

[endlessmidnights]

I hate when people say suicide is the easy way out, they have no idea the pain you must be in to want to end your own life