#Kristy Solomon

[altpick]

March 31st - Altpick Member Focus Round-Up

This week Altpick.com highlighted 4 talented members starting off with illustrator Kristy Solomon followed by Alex Nabaum and artist rep Salzman International and to complete the week we highlighted photographer Lisa Predko. Take a look and let us know what you think! KRISTY SOLOMON, ILLUSTRATOR ©Kristy Solomon ALEX NABAUM, ILLUSTRATOR ©Alex Nabaum SALZMAN INTERNATIONAL, Artist Rep ©Joey…

[battyaboutbooksreviews]

🌈 Queer Books Coming Out in October 2024 🌈

🌈 Good afternoon, my bookish bats! Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Happy reading!

❓What was the last queer book you read?

[ Release dates may have changed. List below! ]

❤️ Back in the Hunt - K. Sterling 🧡 The Connoisseur's Christmas Courtship - L.M. Bennett 💛 Shoestring Theory - Mariana Costa 💚 The Black Hunger - Nicholas Pullen 💙 Wild Fire - Radclyffe 💜 Because Fat Girl - Lauren Marie Fleming ❤️ The Ace and Aro Relationship Guide - Cody Daigle-Orians 🧡 Soul Survivors - River Kai 💛 Stolen Hearts - Michele Castleman 💙 Reverence - Milena McKay 💜 Love Immortal - Kit Vincent

❤️ Take a Sad Song - Ona Gritz 🧡 Showmance - Chad Beguelin 💛 Redundancies & Potentials - Dominique Dickey 💚 Alexander - Karla Nikole 💙 Rest in Peaches - Alex Brown 💜 Rise of the Wrecking Crew - Kalynn Bayron ❤️ Language Lessons - Sage Donnell 🧡 Legend of the White Snake - Sher Lee 💛 Sorcery and Small Magis - Maiga Doocy 💙 Cried Out - Kate Hawthorne 💜 Skysong - C.A. Wright 🌈 No Rules Tonight - Kim Hyun Sook, Ryan Estrada

❤️ My Mother's Ridiculous Rules for Dating - Philip William Stover 🧡 I Shall Never Fall in Love - Hari Conner 💛 Castle Swimmer - Wendy Martin 🧡 The Hollow and the Haunted - Camilla Raines 💙 How Does That Make You Feel, Magda Eklund? - Anna Montague 💜 The Arizona Triangle - Sydney Graves ❤️ Every Rule Undone - Nancy S.M. Waldman 🧡 Mister Nice - Jamie Jennings 💛 Under the Mistletoe with You - Lizzie Huxley-Jones 💙 How to Fall in Love in a Time of Unnameable Disaster - Muriel Leung 💜 The Snowball Effect - Haley Cass 🌈 This Will Be Fun - E.B. Asher

❤️ Our Evenings - Alan Hollinghurst 🧡 Don't Let the Forest In - C.G. Drews 💛 Finding Delaware - Bree Wiley 💚 The Reeds - Arjun Basu 💙 The Bloodless Princes - Charlotte Bond 💜 Women's Hotel - Daniel M. Lavery ❤️ Alex McKenna and the Academy of Souls - Vicki-Ann Bush 🧡 A Vile Season - David Ferraro 💛 Synchronicity - J.J. Hale 💙 Writ of Love - Cassidy Crane 💜 Di-Curious - Erin Branch 🌈 Swordcrossed - Freya Marske

❤️ Stand Up! - Tori Sharp 🧡 Haunt Me, Baby - Rose Santoriello 💚 Planet Drag: Uncover the Global Herstory - Various 💙 Until We Shatter - Kate Dylan 💜 Metal from Heaven - August Clarke ❤️ Vicious Fates and Vast Futures - Tilly Bramley 🧡 The Daughter of Danray - Natalia Hernandez 💛 If I Stopped Haunting You - Colby Wilkens 💙 The Darkness Behind The Door - Mira Gonzalez 💜 Hunt Monsters, Do Magic, and Fall in Love - A.M. Weald 🌈 Jasmine Is Haunted - Mark Oshiro

❤️ Model Home - Rivers Solomon 🧡 Haunting Melody - Chloe Spencer 💛 The Door in Lake Mallion - S.M. Beiko 💚 The City in Glass - Nghi Vo 💙 Fang Fiction - Kate Stayman-London 💜 The Merriest Misters - Timothy Janovsky ❤️ Make the Season Bright - Ashley Herring Blake 🧡 My Kind of Trouble - L.A. Schwartz 💛 To Become A Flower - CEON 💙 What Was Lost - Melissa Connelly 💜 The Forbidden Book - Sacha Lamb 🌈 This Dark Paradise - Erin Luken

❤️ The Sound of Storms - Anya Keeler 🧡 Country Queers - Rae Garringer 💛 A Spell for Heartsickness - Alistair Reeves 💚 The Stars Inside Us - Kristy Gardner 💙 October's Ocean - Delaine Coppock 💜 Haunt Your Heart Out - Amber Roberts ❤️ The Dark Becomes Her - Judy I. Lin 🧡 Power Pose - Emily Silver 💛 The Magic You Make - Jason June 💙 House of Elephants - Claribel A. Ortega 💜 Tegan and Sara: Crush - Tegan Quin, Sara Quin, Tillie Walden 🌈 The Brightness Between Us - Eliot Schrefer

❤️ The Spring before Obergefell - Benjamin S. Grossberg 🧡 Pray For Him - Tyler Battaglia 💛 Coup de Grâce - Sofia Ajram 💚 Coal Gets In Your Veins - Cat Rector 💙 He Who Bleeds - Dorian Valentine 💜 The Revenge of Captain Vessia - Leslie Allen ❤️ Camelot's Tower - Brooke Matthews 🧡 The Manor - Tiffany E. Taylor 💛 Arcanum - Ashlyn Drewek 💙 Strange Beasts - Susan J. Morris 💜 On Vicious Worlds - Bethany Jacobs 🌈 Death Song - B. Ripley

❤️ Best Hex Ever - Nadia El-Fassi 🧡 I'll Be Gone for Christmas - Georgia K. Boone 💛 Make My Wish Come True - Rachael Lippincott, Alyson Derrick 💚 Gentlest of Wild Things - Sarah Underwood 💙 Troth - E.H. Lupton 💜 Solis - Paola Mendoza & Abby Sher ❤️ Lucy, Uncensored - Mel Hammond, Teghan Hammond 🧡 Mama - Nikkya Hargrove 💛 Under All the Lights - Maya Ameyaw 💙 Reclaimed - Seth Haddon 💜 The Devil's Dilemma - Alex J. Adams 🌈 The Jovian Madrigals - Janneke de Beer

❤️ Blood Price - Nicole Evans 🧡 Worship Me - K.C. Blume 💛 All the Hearts You Eat - Hailey Piper 💚 The Nightmare Before Kissmas - Sara Raasch 💙 Rogue Community College - David R. Slayton 💜 Mistress of Hours - Emma Elizabeth ❤️ The Dog Trainer's Secret - Sav Uong 🧡 Most Wonderful - Georgia Clark 💛 Antenora - Dori Lumpkin 💙 House of Frank - Kay Synclaire 💜 Sir Callie and the Witch's War - Esme Symes-Smith 🌈 Prince of Fortune - Lisa Tirreno

[bogusavathepit]

A Full List For Anyone Looking to Make Twilight Sims 4 Characters

Eat your heart out, Meyer (jk, wouldn’t make any sense).

The Cullens

Carlisle Cullen -- Esme Cullen

Edward Cullen* -- Bella Cullen*

Rosalie Hale -- Emmett Cullen

Alice Cullen* -- Jasper Hale*

Renesmee Cullen*

The Swans

Isabella Swan* (Bella)

Charlie Swan*-/-Renee Dwyer*

Renee Dwyer*--Peter Dwyer

Helen Swan

The Black Family

Jacob Black

Billy Black -- Sarah Black

Rachel Black

Rebecca Black -- Solomon Finau

The Clearwaters

Sue Clearwater -- Harry Clearwater

Leah Clearwater

Seth Clearwater

The Pack(s) and Other Tribespeople

Sam Uley ~ Emily Young

Jared Cameron ~ Kim

Paul Lahote

Brady Fuller

Collin Littlesea

Quil Ataera

Embry Call

The Humans of Forks

Jessica Stanley

Angela Weber

Ben Cheney

Mike Newton

Tyler Crowley

Lauren Mallory

James' Coven

James* -- Victoria*

Laurent

The Volturi (Coven)

Aro* -- Sulplicia

Caius -- Athenodora

Marcus* -- Didyme*

The Volturi (Guard)

Jane*

Alec*

Demetri*

Felix

Heidi*

Chelsea* -- Afton*

Corin*

Santiago

Victoria's Former Coven

Hilda

Anne

Nicola

Victoria's Newborn Army

Riley

Bree

Fred*

Diego

Steve -- Shelly

Raoul*

Kristie

The Alaskan Coven/The Denalis

Tanya

Kate*

Irina

Eleazar* -- Carmen

Sasha

Vasilii

The Mexican Coven

Maria

Nettie

Lucy

These women's three canonically dead mates

Peter -- Charlotte

The Irish Coven

Siobhan* -- Liam

Maggie*

The Egyptian Coven

Amun -- Kebi

Benjamin* -- Tia

The Amazon Coven

Zafrina*

Senna

Kachiri

The Romanian Coven

Stefan

Vladimir

And their two canonically dead mates

 The Nomads

Garrett

Alistair*

Randall

Mary

Makenna -- Charles*

All Others

Eric Yorkie (Human Teen of Forks) -- “Somewhat awkward, Eric was generally acknowledged as the class geek. He wanted to be part of Mike’s popular crowd, so he tended to hang around them at lunch. After a while, he was considered one of the group. During his senior year, he and Katie Marshall started dating. Eric graduated as the valedictorian of Forks High School and planned to attend college the following fall.”

Max -- works for J.Jenks (of the Breaking Dawn book)

Jason Jenks/J.Jenks

Gianna (human working for the Volturi)

[eydika]

eydika’s name list 2.0

more... names because the first name list I made isn’t enough anymore

A

Abaddon

Abbey / Abbie

Abel

Ace

Ada

Adam

Adrien

Agnes

Aiden

Akari

Alaska

Alchemy

Alec / Alex / Alexa

Alessi / Alessia

Alexis

Aliana / Alianna

Alice

Alison

Alistair

Alivia

Allie / Ally

Alpha

Alya

Amber

Amelia

Amity

Amos

Amy

Andie / Andy

Andrew

Andromeda

Angel

Anita

Anna / Anne

Annabelle / Annie

Apollo

Apple

Apricot

April

Archer / Archie

Arden

Ares

Argus

Ariel

Aron / Aaron / Auron

Arrow

Artemis

Arthur

Artis

Arya

Ash / Asher

Aspen / Aspyn

Astrid

Athena

Atlas

Atticus

Aubrey / Audrey

Audio

Auger

Auggie

August

Aurelia

Aurora

Austin

Autumn

Ava / Avaline / Avalon / Aveline

Avery / Avrey

Aya

B

Baby

Barbie

Basil

Bea / Bee

Bean

Beatrice / Beatriz

Bébé

Beck / Beckett

Beetle

Bella / Belle

Beryl

Betty

Bijou

Billie

Birdie

Bishop

Bitter

Blair / Blaire

Blaise

Bloom

Blue / Blu

Boheme

Bonnie

Bowie

Briar

Bridget

Brina

Brody

Bryson

Bunny

Byron

C

Cade / Cadea / Caden

Cairo

Cal / Calum

Caleb

Callie

Calliope

Calvin

Cameron

Candace

Canopy

Carly / Carlie

Carol / Caroline

Carter

Casper

Cassandra

Cassius

Catherine

Celia

Cetus

Chance

Charlotte

Cherry

China

Chip

Chloe

Cian

Cinnamon

Civet

Clara / Clary / Clarabelle

Claire

Clementine

Cleo

Clover

Cobalt

Colby

Colt / Colten

Constance

Cooper

Cora

Corey

Corvus

Cosmo

Cricket

Cynthia

Cyra

Cyrus

D

Dacre

Daisy

Dakota

Dalia

Dallas

Damien

Dana

Dandelion

Dandy

Dante

Daphne

Darby / Darcy

Darius

Darla

Davina / Divina

Davos

Dawn

Deacon

Deb

December

Deja

Delaney

Delta

Demi

Denim

Denver

Desmond

Dexter

Diego

Digit

Dion / Dior

DJ

Doe

Domino

Donna

Doran

Dorothy / Dot / Dottie

Douglas

Dune

Dusk

Dylan

E

Eachan

Ebele

Ebony

Echo

Eden

Edris

Effi / Effie

Egan

Elijah

Eliza

Ella / Ellie

Elliot

Ellis

Elodie

Elsbeth / Elspeth

Elsie

Elyse

Embla

Emily

Emlyn

Emma

Emmett

Emory

Erica

Erin

Ernest

Ernie

Esryn

Estelle

Ethan

Eugene

Eva / Eve / Evie

Evan

Evangeline

F

Fae / Fee

Faith

Fawn

Fawke

Felix

Fenris

Fergus

Ferris

Fig / Figgy

Finbar

Fizz

Fletcher

Fleur

Flint

Flora / Florence

Forrest

Fox

Frankie

Freya

G

Gage

Gaia

Gavin

Gemma

Gene / Genesis / Genevieve

Gigi

Gil

Giselle

Gladys

Gloom

Gloria / Glory

Goldie

Grace / Gracie

Greta

Griffin

Gus

H

Hadley

Hailey

Hana

Harlow

Harmony

Harper

Hawk

Hayden

Hazel

Hector

Henley

Henry

Hera / Hero

Honey / Honeydew

Hope

Hunter

I

Ian / Ion

Idris

Ieni

Iesha

Illori

Ilya

Imelda

Imogen

Imp

India

Indira

Ingrid

Irina

Iris

Isaac

Isara

Isla

Ivory / Ivy

Izzy

J

Jack / Jackie

Jade

Jake

Janice / Janis

Jason

Jasper

Jay / Joy

Jenan

Jericho

Jerry

Jibo

Jill

Jinx

Joan

Jude / Judith

Juleka

Juli / Julip

June / Juno

Juniper

Jupiter

Justice

K

Kaiven

Kale

Kappa

Kayla

Kellen

Kelly

Kes

Kimber

Kitana

Kitty

Kiwi

Knox

Kris

Kristy / Kirsty

Krull

Kumo

L

Laken

Lana

Lapse

Lark

Laurel

Lavender

Lemon

Lenka

Leo / Leon / Leonie

Levitt

Liberty

Lilac

Lilith

Lima

Lindsey

Locus / Lotus

Lottie

Luca / Luka

Lucia / Lucie / Lucy

Lucille

Lucky

Luis

Luna / Louna

Luther

Lux

Lynn

M

Mabel / Mable / Maple

Madison

Mae / May

Maeve

Magnolia

Mango

Mantis

March

Marcia / Marcy

Margaux / Margo / Margot

Marina

Marion

Marley

Marmalade

Mars

Martha

Mary

Mason

Maude

Maura

Maxine

Maya

Meadow

Medea

Melancholia

Melba

Memphis

Mercedes

Mercy

Mick

Milan

Milla

Millenia

Milo

Mina / Mona

Minerva

Minnie

Minnow

Miron

Misery

Mona

Monday

Montgomery

Monty

Morrigan

Morwenna

Myrtle

N

Nana

Nancy

Nasira

Nate

Nathaniel

Naveed

Navy

Ned

Nefarian

Ness

Nestor

Never

Newt

Nikki

Noah

Nora

Norma

Nova

Nutmeg

Nye

Nyx

O

Octa

October

Odessa

Olive / Olivia

Ollie

Omega

Omen

Onyx

Opal

Ophelia

Oriana / Orion

Oscar / Oskar

Otis

Owen

Ozzy / Ozzie

P

Paige

Paisley

Parker

Pat / Pattie

Paula / Paola

Pea / Peach

Pebble

Penelope

Pepper

Pepsi

Percy

Petrichor

Philippa

Philomena

Phoebe

Phoenix

Piccolo

Pip / Piper

Pixie

Poe

Pollux

Pomeline

Poppy

Portia

Primrose

Q

Queen

Quentin

Quibble

Quincy

Quinn

R

Rachel

Radian

Ransom

Raven

Ray

Razzia

Rebus / Remus

Reverie

Rhubarb

Rick

Rider / Ryder

Rigby

Rilla

Roach

Robin

Rory

Rosa / Rosalie

Rose

Roux

Rowan

Roxanne / Roxie / Roxy

Ruben

Ruby

Rune

S

Sabina / Sabine / Sabrina

Sable

Sadie

Saffron

Sage / Saige

Salem

Sam / Samantha / Sammie

Savant

Savian

Scarlett

Scotty

Scout

Sean

Sesame

Shea

Skye / Skylar

Sloane

Solomon

Spencer

Sprout

Star

Stella

Sunny

Sybil

Syc

Symphony

T

Tabea

Tabitha / Tabs

Tali / Talia

Tasha

Tate

Tau

Temper

Tharan

Theodora / Theodosia

Theros

Thimble

Thirteen

Thorn

Tia

Tilda

Tina

Topaz

Tora / Torian

Trinity

Trixie

Trope

Tulip

Turnip

Twig

U

Ukiyo

Umara

Umbra

Ursa

V

Valentin

Valerie

Valora

Vargas

Vaughn

Vector

Vega / Vegas

Velvet

Venus

Vera

Vernon

Vesper

Vinette

Violet

Vivek

Volt

W

Waverly

Wednesday

Wendy

Wes

Whisper

William

Willow

Winnie

Winona

Winter

Wish

Wren

X + Y + Z

Xena / Xenia

Xeno / Xenos

Yuki

Yuri

Zafira

Zaria

Zephyr

Zero

Zoe / Zoelle

Zona

Zyra

LAST NAMES

Abbot

Abernathy

Alton

Arcanum

Ashe

Astor

Badger

Balker

Bass

Bennett

Benton

Blake

Bleu

Blunt

Blythe

Cable

Cabot

Cain

Carter

Carver

Castillo

Choi

Clemonte

Coldwell

Collins

Colt

Craft

Craven

Crimson

Croft

Dabney

Danvers

Dayholt

Delpy

Driver

Dyer

Eades

Edge

Epithet

Epps

Evert

Farley

Fell

Fenner

Fig

Finch

Findlay

Fletcher

Foley

Fowler

Fray

Freud

Frost

Geller

Gill

Guest

Hale

Hapley

Harp

Hart

Hearst

Hooper

Hunt

Hyde

Ivy

Jinx

Keller

Kersey

Kingsley

Knight

Knox

Kraft

Krav

Laveau

Lecter

Lock / Lockwood

Lowell

Lush

Marr

Mills

Mist

Morgan

Morrison

Murray

Myers

Oaks

Patel

Pierce

Pike

Powell

Price

Pruitt

Quint

Quiver

Random

Ripley

Ryder

Sears

Sloane

Sparks

Stele

Strom

Sutton

Talbot

Tate

Thorne

Twig

Twist

Tycho

Utley

Valentine

Vance

Vaughn

Vos

Walker

Wallow

Weaver

Webb

Wiley

Wilkes

Winston

Wreath

Wright

Wrong

York

Zella

Zepeda

[bookishlyjules]

2021 Anticipated Releases - The Books I Currently NEED In My Life!

I’ve never actually done a TBR check, or waiting on list, but these 2021 releases made me think long and hard about how I need to be sharing my excitement for them to come into the world!

1. You Have a Match - Emma Lord

By NO surprise at all, the first book I’m excited for is Emma Lord’s second title YOU HAVE A MATCH! I absolutely loved Tweet Cute (and still claim to be it’s number 1 fan) so knowing Emma is coming out with another title made me shake from excitement!

“A new love, a secret sister, and a summer she'll never forget. When Abby signs up for a DNA service, it’s mainly to give her friend and secret love interest, Leo, a nudge. After all, she knows who she is already: Avid photographer. Injury-prone tree climber. Best friend to Leo and Connie…although ever since the B.E.I. (Big Embarrassing Incident) with Leo, things have been awkward on that front. But she didn’t know she’s a younger sister.”

Edit: I wrote this list without posting it and I have since read YOU HAVE A MATCH and it met all of my expectations and MORE! And lucky news for you it’s OUT NOW! (full review coming soon!)

2. We Can’t Keep Meeting Like This - Rachel Lynn Solomon

Another book that should not surprise anyone is Rachel Lynn Solomon’s next YA book, WE CAN’T KEEP MEETING LIKE THIS! 

“A wedding harpist disillusioned with love and a hopeless romantic cater-waiter flirt and fight their way through a summer of weddings” 

sign me UP!

3. Last Chance Books - Kelsey Rodkey

A first DEBUT on my list is LAST CHANCE BOOKS by Kelsey Rodkey! If you are on Book Twitter this name will sound familiar and we finally get a chance to read something from an up and coming star. 

“Don’t you just love the smell of old books in the morning?

Madeline Moore does. Books & Moore, the musty bookstore her family has owned for generations, is where she feels most herself. Nothing is going to stop her from coming back after college to take over the store from her beloved aunt.

Nothing, that is—until a chain bookstore called Prologue opens across the street and threatens to shut them down.

Madeline sets out to demolish the competition, but Jasper, the guy who works over at Prologue, seems intent on ruining her life. Not only is he taking her customers, he has the unbelievable audacity to be… extremely cute.

But that doesn’t matter. Jasper is the enemy and he will be destroyed. After all—all’s fair in love and (book) wars.”

I’m getting such ‘Recommended for You’ vibes and I canNOT wait to dive right in!

4. Hot British Boyfriend - Kristy Boyce

The cover and title were really enough to seal the deal for me needing this book TBH.

“After a horrifying public rejection by her crush, Ellie Nichols does what any girl would do: she flees the country. To be more precise, she joins her high school’s study abroad trip to England. While most of her classmates are there to take honors courses and pad their college applications, Ellie is on a quest to rebuild her reputation and self-confidence. And nothing is more of a confidence booster than getting a hot British boyfriend”

5. Cool for the summer - Dahlia Adler

Bisexual representation and Jewish representation are all I need to scream YES to this book (doesn’t even matter that it comes out the day after my birthday).

Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.

6. The Ex Talk - Rachel Lynn Solomon

I mean she’s already on this list once so I had to put her on it again when I found out she was writing her first Romance being published by Berkley! I adore Rachel and her words and I can’t wait to read her older audience stuff. Her YA stuff is already brilliant so I have no doubt this will be magnificent.

“Shay Goldstein has been a producer at her Seattle public radio station for nearly a decade, and she can't imagine working anywhere else. But lately it's been a constant clash between her and her newest colleague, Dominic Yun, who's fresh off a journalism master's program and convinced he knows everything about public radio...”

7. The Intimacy Experiment - Rosie Danan

This is a follow up to The Roommate which blew my socks off (and many others I’m sure). I’m excited for the Jewish rep and to dive right back into this world!

“Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won't hire her. Ethan Cohen has recently received two honors: LA Mag named him one of the city's hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they'll close the doors of his synagogue for good. Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems--until they discover a new one--their growing attraction to each other. They've built the syllabus for love's latest experiment, but neither of them expected they'd be the ones putting it to the test.”

There are SO MANY more books coming out in 2021 that I know this will either be updated or I’ll have to make a whole other post but these are the books that are on the tip of my tongue and I cannot wait to read them!

[talesofafangirlwithadvr]

JULY PICKS!

You heard me correctly, I said JULY! Whoosh, this year is going by fast-but not in a good way if you know what I mean. This will be my last monthly wrap up where I am strictly staying home in quarantine as this upcoming week I’m heading back to work in person. Wish me luck!

We had quite the range this month from newly released, reality, musical and then some favorites from last month that I’ve continued watching. Without further ado here we go....

There’s going to be PLENTY of SPOILERS this go round. ESPECIALLY with my first pick of Stargirl. You’ve been warned!!!

DC’S STARGIRL

I need to talk about 1x10 or I’m going to burst!!! As stated above there will be A LOT of SPOILERS IN THIS POST!! So scroll down to the next picture if you don’t want it to be spoiled. 

You’ve been warned...again.

IT CANNOT END LIKE THAT!!! ARE YOU KIDDING ME???? Henry! Wow! 1) Epic fighting 2) The backstory and how he wasn’t going to give up on his dad AND THEN how he wouldn’t give into his dad. 3) HE DIED RATHER THAN JOIN HIS SIDE OR PRETEND (which I honestly felt was going to happen). His character arc and I can’t believe it’s over!!! 4) His speech at the end: *weeping.* I knew Brainwave was going to say he killed his mother. It just felt like the build up. Brainwave Jr. would have been a GREAT ADDITION TO THE JSA! AND OMG THE WAY THE REST OF THEM FOUGHT FOR HIM! I loved how they framed it so you could still see them in the back when Henry spoke to his father. Super heartbreaking. Man, it feels like a lot of people have been killed off this first season (or am I just still thinking about Joey?) 

Side note: Check out the Instagram Live between father and son Brainwave on Stargirl’s CW page. Jake Austin Walker did an AWESOME interview in his take over.

This was one of the strongest episodes overall and definitely one of my favorites so far. I agree with many others that while it is SOO GOOD and I want to rewatch it again, I don’t know if I can emotionally yet. I can’t remember the last time I felt that way about a show. 

Some other thoughts this episode: WAY TO GO BARBARA! Way to record them to translate later (such an awesome app btw, how do I get it?). I’m glad her and Pat came more to an understanding because I love them especially with that glimpse into how they met. Jordan’s parents give me the creeps, like the couple from The Visit vibes. I feel like Mike’s got to find out ASAP, especially because he’s spent time in the garage. Something’s got to show him the truth; because I’m really feeling he figures it out rather than being told. Very curious to see what his reaction will be. SOLOMON GRUNDY. Thank God Beth talked Rick down. She really is like Chuck in being the voice of reason. She did really well in the cafeteria too. While I still don’t believe Starman is Courtney’s dad, how cute was it when she put together her and Henry were cousins? Speaking of Court’s dad, who else didn’t feel like Starman was her dad until they saw that upcoming promo? I don’t know who that impostor is but he is not her dad. Something’s fishy.

Loving this show. So happy it’s renewed for a second season!! 

THE 100

From a show I can’t get enough of to one whose final season is a disappointment. I’m not going to spend too much time talking about The 100 because I feel I’ll just be repeating myself from previous posts. However, I did want to include it because I haven’t spoken much about the previous 2 episodes that I wound up watching back to back and I didn’t overly dislike them. 

As many have complained, when you have a final season you shouldn’t introduce SO MANY new characters and just push aside your originals (or the ones who are left). You also shouldn’t include so many confusing plots that are making it look like were the main points overall (like this many world concept was around since the first grounders) and playing with time in so many episodes is hard to keep up with too. Having so many people separated makes it difficult to remember what just happened to this specific group because I haven’t seen them in forever. ANYWAY, I did promise some positives. I didn’t except to like 7x08 because of it being a flashback episode with brand new people that was just going to feel like a potential spin-off pilot. Well...I actually really enjoyed it and the concept that the bunker was used before One Crew. The characters were easy to like and it was cool seeing Allie again (and this time not as the villain). While it felt forced including the orb (is that what it’s called? If not that’s what I’m calling it), but I liked how all the other pieces fit together (ex: the flame, the grounders’ language). Honestly, I surprise myself to say this, but I’d watch another episode. For 7x09, I liked being on Bardo and watching Octavia, Echo, Diyoza and Hope slowly get “brainwashed” I mean trained. We all knew it wouldn’t work for Hope and if I was them I would rather be on Sky Ring than Bardo (but then I guess I’d go crazy, so...) I enjoy the Octavia and Levitt relationship and would love them to work out, but if this show taught you anything it’s to be skeptical. I also want to shift to the Primes plot, just to showcase John Murphy for a second. THAT MAN! What a character development he’s had on this show. From the first season where I was like come on Murphy to now me awaiting his scenes. From cockroach to someone who won’t view himself as a hero. So good and something that is fantastic about this final season. They might have forgotten about other characters, but they’re doing it right by Murphy. 

Well, that was more than I was expecting. ;)   

THE CIRCLE

It feels like I haven’t watched a lot of reality TV this year, which makes sense because of our quarantine situation (but then again I’m watching World of Dance, but that’s a different because it’s more of a competition/dance show. I’ll stop rambling). The Circle is a reality ‘game’ show that could be easily completed during quarantine and social distancing because the contestants do not see each other in person. They each have an apartment in this complex and only communicate with each other on a social media platform called the Circle. The objective is to become the most popular and an influencer who gets power over who stays and who goes in the competition. There’s some side contests throughout, but most of the show is just people chatting through an insta messenger and trying to learn as much as they can. Alliances are formed and cat fishes try to thrive all for the grand prize of $100,000. (Wow, that’s a lot!) It is SUPER addicting and very funny. Having a voice-over narrator really makes it even funnier because she says what we’re all thinking. Just about every episode a contestant leaves and then is able to meet one other person in their apartment. It’s been cool seeing their reactions as oftentimes it’s someone they did not expect AT ALL. I can’t wait to finish it. If you’re a fan of Big Brother than this is definitely for you. Looks like there will be a second season, which I am excited about.  

THE BABYSITTERS CLUB

Jumping from one Netflix show to another. Released on Netflix on July 3rd, I tried not to binge it all in one day because then it would be over (and we still don’t know if there will be a second season yet). This is definitely my feel good watch for July. If you want something that’s a quick watch and just wholesome and fun to escape our current world than this is for you. I always felt so happy after watching and couldn’t wait to watch another. While I was familiar with the franchise--the 90s movie and of course the books (although I was more of a Babysitter Little Sister fan, so I was very excited to see Karen), you don’t have to have any knowledge of the Babysitters Club to enjoy this show. I was hooked just about right away by this new series shown by me watching the first three episodes back to back. I really like how they set up each episode with one girl as the main focus (just like in the books) where she takes over the voice-over narration. Great representation and made modern to fit in with our current times. The first example that comes to mind is when Mary Ann babysits Bailey who is transgender. I liked how Bailey says those are her old clothes while they’re playing. It’s shown in a way that explains the situation without feeling like a lecture. It fits so naturally into the episode. And then Mary Ann’s speech at the hospital is super powerful for both Bailey and herself. This is just one example of how well represented this show is. Extremely strong cast and actresses who are the proper ages. I also love the adult casting and how they threw in a Clueless reference from Alicia Sliverstone (who plays Kristy’s Mom). As someone who is writing for this age group, I really liked hearing and seeing how authentic this show is. 

FEEL THE BEAT

A Netflix original movie that has been on my list for a while that I just got around to watching. It didn’t come out too long ago. In the film, Sofia Carson’s character is a dancer who is a perfectionist. She gets on the bad side of a big NYC producer when she not only leaves her in the rain as she steals her taxi, but also knocks her, accidentally, off stage and becomes a viral video-this basically blackmails her in Broadway. This all happens within about the first 10 minutes of the film and the majority takes place back in her small home town (very Hallmark-like) in Wisconsin. While there her old dancing teacher wants her to share her Broadway wisdom with her young students. Meanwhile Carson has only been a chorus girl, so she doesn’t really have any. What draws her to helping the young girls is the chance to perform in front of a big choreographer that could get her to be the star she always dreamed of. The catch is that it’s the teacher dance in the childrens dance competition. While this might sound like a movie you’ve watched many times before, it was still worth it and a really fun watch. I think the kids really make the movie. They are adorable, funny and super talented. You feel connected with them really fast and want to see them succeed. I loved Dickie and how he joined the group. I think he was my favorite overall. I loved how inclusive the cast was here too (just like BSC) from a mixed race family, to single parents and even a student who was Deaf. It was great seeing the other actors sign to her. Carson’s character, April, can be annoying at times, but you understand it’s her character and something she needs to overcome. As I said before the plot may seem familiar, but the ending was something I didn’t see coming. Overall, wholesome, feel good and fun for the whole family. You can consider to watch while babysitting. (See what I did there??)  

VIOLETTA SEASON 2

She’s back! I know last month when I included Violetta it was mainly me being excited to see the second season FINALLY streaming on Disney Plus. I had watched a few episodes (remember there’s 80 altogether, so even if I watched 20 that’s still very early on and just a dent in the season) and was still getting used to this season. Well, now I’m happy to report I am in the 40s and more than half way. For a bit I was watching many of these episodes a day, which told me that I was loving it again. Recently, I feel I need a little more of a push to watch, but it’s mainly because of certain story-lines that feel like they’re dragging. (For example: Violetta’s voice. One minute it’s fine and the next she’s like dying). For this section I have two words: LOVE TRIANGLES. And I’m not just talking about Violetta, Diego and Leon. For a bit it felt like each character had their own love triangle, which honestly I was loving. These characters have definitely developed a lot from last season, which allows this to happen. Olga was in a love triangle, which just recently got resolved. I think German is still in one because of his alter ego Jeremias. Jackie was “kind of” in one. For her it was more of a misunderstanding, which is very classic on this show. Lots more secrets have been uncovered in these episodes as well as songs! You know how excited I am for those. Overall, I think I’m still enjoying season 1 songs more (which get referenced enough in this season), but some of the season 2 ones are really growing on me. Specifically Leon’s Entre dos mundos and when he sings with Diego Euphoria in English. Also, Yo Soy Asi has been real catchy. I know Frederico will be coming back soon and I can’t wait to see him again!  

HAMILTON

Like many I watched Hamilton this month-actually on the day it came out. It’s been a musical that I’ve been intrigued by, but never thought I’d get a chance to watch because of how popular and expensive it is to see on Broadway. So, I was very excited to hear I’d get the chance when it was to be released in theaters for a special event. Then because of Corona it was released to Disney Plus, which was EVEN more convenient and exciting. I really enjoyed it and watched it twice within the same week. I immediately downloaded the playlist and started singing it around the house. I do this a lot with many of the plays I see, but depending how good they are is shown by how long I listen to the soundtrack. (Some of my top ones are Bandstand, Once, Newsies and Anastasia.) Because there are so many songs in Hamilton it is taking me a little longer to know all the words, but I feel pretty confident with the first act. It was the perfect timing for this to be released on Disney Plus. Not only because it was July 3rd, but also because of the world we are living in. Lin’s diverse cast brings to life the world of 1776 and the revolutionary war (as well as the time after it), but it’s such a strong commentary on our world today. This is something I am continually noticing with historical dramas/pieces being released within the last 5-10 years. It feels like there’s more we can say in this genre than in a commentary piece. I also like all the analysis videos I’ve seen popping up, which just make it even more powerful. (Like it being Eliza’s story and her putting herself back in the narrative. That the play Hamilton is named for both her and Alexander.) I don’t know if all of what I see were intentional, but  either way well done. I hope it doesn’t leave Disney Plus soon. 

1917

And lastly, 1917. I promised quite the range this month and you can see that’s definitely the case. I always enjoy watching war films and with 1917 there was so much hype (both before it came out and after) that I was interested to give it a watch. Giving the movie to my dad for father’s day felt like the perfect excuse to be able to watch it. Even though our DVD stuck in a few places (still don’t know if it was the player or the DVD itself), the film was very entertaining and I would suggest it to anyone who is a history/film buff. Taking place in WWI, we follow two British soldiers as they attempt to deliver a message about an upcoming ambush that could take countless lives. I feel that I often watch more films revolving around WWII, so it was very interesting to be immersed in the first great war. After watching I am not surprised that the film was up for so many Oscars. While cinematography is the first thing everyone discusses when it comes to this movie (and it should be because the one shot/long shot is sooo impressive and beautiful to watch. It really brings you into the scene and has a way of making you feel like you’re there too. There’s a realness to it that’s raw and new compared to other war films I’ve watched in the past), there’s so much more to this film too. First, I like how it connects back to Sam Mendes’ grandfather, so while it’s not a true story it has real facts in it. I LOVE the score and music to this film. In the scene where George Mackay runs at night through those ruined buildings I could really hear how well the music worked with the action. Because of this I made sure to listen to some of the soundtrack and now I’ve added some of the songs into my writing playlist. I have chills just thinking about it. The other point I want to bring up is the cast! While there are SO MANY big names in this film from Colin Firth to Benedict Cumberbatch, the two main characters are played by George Mackay and Dean Charles Chapman and they are the ones with the most screen time. If their chemistry and acting wasn’t so great then the movie wouldn’t be as successful as it is. Because of this I have been watching non-stop YouTube interviews of the two of them for this film. 

They are so well-spoken, stand-up guys and I can’t get enough of their dialogues with each other and others. (You should watch these interviews too). While familiar with Chapman’s time on Game of Thrones, I haven’t seen him in much else, so I’m excited to see what he’ll have in the future (as well as checking out his IMDB page). For Mckay, I’ve seen him before when I just watched Ophelia earlier this summer so that was my first time watching him act. After that film I was curious what else he was in, but it was only after 1917 that I started doing more research. So far, I’ve only been able to watch the short film he was in called Infinite. While only 17 minutes it was very strong and deep. I highly recommend. As I’ve shared on this page already, in another post, the more I hear him talk the more of a crush I am developing. It’s been a long time since I’ve experienced a celebrity crush this strong so soon. This quarantine has to end so I can make it to England to just casually bump into him like one does. :) 

[ucflibrary]

May is Asian Pacific American Heritage Month!

 Asian Pacific American as a topic covers vast oceans of identity and information. By definition, an Asian Pacific American is an American (whether born, naturalized, or other) who was born on or has heritage from anywhere on the Asian continent and the Pacific islands of Melanesia (New Guinea, New Caledonia, Vanuatu, Fiji and the Solomon Islands), Micronesia (Marianas, Guam, Wake Island, Palau, Marshall Islands, Kiribati, Nauru and the Federated States of Micronesia) and Polynesia (New Zealand, Hawaiian Islands, Rotuma, Midway Islands, Samoa, American Samoa, Tonga, Tuvalu, Cook Islands, French Polynesia and Easter Island). These areas cover a wide array of languages, cultures, religions, and ethnicities that have brought countless skills, hopes and dreams to the United States.

 UCF Libraries faculty and staff have (very enthusiastically) suggested 24 books and movies within the library’s collection by or about Asian Pacific Americans. Click the link below to see the full list, descriptions, and catalog links. These, and additional titles, are also on the Featured Bookshelf display on the second (main) floor next to the bank of two elevators.

A Concise History of China by J. A. G. Roberts

In this overarching book, J. A. G. Roberts refers to recent archeological finds--the caches of bronze vessels found at Sanxingdui--and to new documentary reevaluations--the reassessment of Manchu documentation. The first half of the book provides an up-to-date interpretation of China's early and imperial history, while the second half concentrates on the modern period and provides an interpretive account of major developments--the impact of Western imperialism, the rise of Chinese Communism, and the record of the People's Republic of China since 1949.

Suggested by Richard Harrison, Research & Information Services

 A Tragedy of Democracy: Japanese confinement in North America by Greg Robinson

Most remarkably, A Tragedy of Democracy is the first book to analyze official policy toward West Coast Japanese Americans within a North American context. Robinson studies confinement on the mainland alongside events in wartime Hawaii, where fears of Japanese Americans justified Army dictatorship, suspension of the Constitution, and the imposition of military tribunals. He similarly reads the treatment of Japanese Americans against Canada's confinement of 22,000 citizens and residents of Japanese ancestry from British Columbia. A Tragedy of Democracy recounts the expulsion of almost 5,000 Japanese from Mexico's Pacific Coast and the poignant story of the Japanese Latin Americans who were kidnapped from their homes and interned in the United States

Suggested by Richard Harrison, Research & Information Services

 An Artist of the Floating World by Kazuo Ishiguro

In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

Suggested by Rachel Edford, Teaching & Engagement

 Born Confused by Tanuja Desair Hidier

Seventeen-year-old Dimple, whose family is from India, discovers that she is not Indian enough for the Indians and not American enough for the Americans, as she sees her hypnotically beautiful, manipulative best friend taking possession of both her heritage and the boy she likes.

Suggested by Sara Duff, Acquisitions & Collections

 Cora Cooks Pancit written by Dorina Lazo Gilmore and illustrated by Kristi Valiant

When all her older siblings are away, Cora's mother finally lets her help make pancit, a Filipino noodle dish. Includes recipe for pancit.

Suggested by Cindy Dancel, Research & Information Services

 Dance Dance Revolution by Cathy Park Hong

Named one of the Los Angeles Times's Best Science Fiction Books in 2007, Dance Dance Revolution is a genre-bending tour de force told from the perspective of the Guide, a former dissident and tour guide of an imagined desert city.

Suggested by Sara Duff, Acquisitions & Collections

 Darius the Great is Not Okay by Adib Khorram

Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab.

Suggested by Peter Spyers-Duran, Cataloging

 Everything I Never Told You by Celeste Ng

“Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.

Suggested by Rachel Edford, Teaching & Engagement

 Fa Mulan: the story of a woman warrior by Robert D. San Souci

A retelling of the original Chinese poem in which a brave young girl masquerades as a boy and fights the Tartars in the Khan's army.

Suggested by Peggy Nuhn, Connect Libraries

Front Desk by Kelly Yang

Mia Tang has a lot of secrets. Number 1: She lives in a motel, not a big house. Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests. Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they've been letting them stay in the empty rooms for free, the Tangs will be doomed. Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language? It will take all of Mia's courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams?

Suggested by Peter Spyers-Duran, Cataloging

 Impounded: Dorothea Lange and the censored images of Japanese American internment by Dorothea Lange

Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army―the majority of which have never been published―Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps.

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 John Okada: the life & rediscovered work of the author of No-no boy edited by Frank Abe, Greg Robinson, and Floyd Cheung

No-No Boy, John Okada's only published novel, centers on a Japanese American who refuses to fight for the country that incarcerated him and his people in World War II and is cast out by his divided community. The novel faced a similar rejection until it was rediscovered and reissued in 1976, becoming a classic of American literature. As a result of Okada's untimely death at age forty-seven, the author's life and other works have remained obscure. This collection offers the first full-length examination of Okada's development as an artist, placing recently discovered writing by Okada alongside essays that reassess his legacy. Meticulously researched biographical details, insight from friends and relatives, and a trove of photographs illuminate Okada's life in Seattle, military service, and careers as a public librarian, technical writer, and ad man. This volume is an essential companion to No-No Boy.

Suggested by Missy Murphey, Research & Information Services

 Little Fires Everywhere: a novel by Celeste Ng

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned -- from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren -- an enigmatic artist and single mother -- who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community. When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town -- and puts Mia and Elena on opposing sides.

Suggested by Sandy Avila, Research & Information Services

 Memoirs of a Geisha by Arthur Golden

In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.

Suggested by Peggy Nuhn, Connect Libraries

 Music for Alice by Allen Say

As a girl, Alice loved to dance, but the rhythms of her life offered little opportunity for a foxtrot, let alone a waltz. World War II erupted soon after she was married. Alice and her husband, along with many other Japanese Americans, were forced to leave their homes and report to assembly centers around the country. Undaunted, Alice and her husband learned to make the most of every circumstance, from their stall in the old stockyard in Portland to the decrepit farm in the Oregon desert, with its field of stones. Like a pair of skilled dancers, they sidestepped adversity to land gracefully amid golden opportunity. Together they turned a barren wasteland into a field of endless flowers. Such achievements did not come without effort and sacrifice, though, and Alice often thought her dancing days were long behind her.

Suggested by Peggy Nuhn, Connect Libraries

 No-no Boy by John Okada

No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys." Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro’s "obsessive, tormented" voice subverts Japanese postwar "model-minority" stereotypes, showing a fractured community and one man’s "threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world."

Suggested by Missy Murphey, Research & Information Services

 Severance by Ling Ma

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she's had her fill of uncertainty. She's content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won't be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They're traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

Suggested by Sara Duff, Acquisitions & Collections

 The Astonishing Color of After by Emily X. R. Pan

Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird. Leigh, who is half Asian and half white, travels to Taiwan to meet her maternal grandparents for the first time. There, she is determined to find her mother, the bird. In her search, she winds up chasing after ghosts, uncovering family secrets, and forging a new relationship with her grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secret crush, Axel, her mother was taking her own life.

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 The Chinese Exclusion Act by directed by Ric Burns and Li-Shin Yu

Examine the origin, history and impact of the 1882 law that made it illegal for Chinese workers to come to America and for Chinese nationals already here ever to become U.S. citizens. The first in a long line of acts targeting the Chinese for exclusion, it remained in force for more than 60 years.

Suggested by Richard Harrison, Research & Information Services

 The Making of Asian America: a history by Erika Lee

The definitive history of Asian Americans by one of the nation's preeminent scholars on the subject. In the past fifty years, Asian Americans have helped change the face of America and are now the fastest growing group in the United States. But as award-winning historian Erika Lee reminds us, Asian Americans also have deep roots in the country. The Making of Asian America tells the little-known history of Asian Americans and their role in American life, from the arrival of the first Asians in the Americas to the present-day. An epic history of global journeys and new beginnings, this book shows how generations of Asian immigrants and their American-born descendants have made and remade Asian American life in the United States: sailors who came on the first trans-Pacific ships in the 1500s; indentured "coolies" who worked alongside African slaves in the Caribbean; and Chinese, Japanese, Filipino, Korean, and South Asian immigrants who were recruited to work in the United States only to face massive racial discrimination, Asian exclusion laws, and for Japanese Americans, incarceration during World War II. No longer a "despised minority," Asian Americans are now held up as America's "model minorities" in ways that reveal the complicated role that race still plays in the United States.

Suggested by Missy Murphey, Research & Information Services

 The Night Tiger by Yangsze Choo

Quick-witted, ambitious Ji Lin is stuck as an apprentice dressmaker, moonlighting as a dance-hall girl to help pay off her mother's mahjong debts. But when one of her dance partners accidentally leaves behind a gruesome souvenir, Ji Lin plunges into a dark adventure: a mirror world of secrets and superstitions. Eleven-year-old Chinese houseboy Ren also has a secret, a promise he must fulfill to his dead master; to find his master's severed finger and bury it with his body. Ren has forty-nine days to do so, or his master's soul will wander the earth forever. Dazzling and propulsive, The Night Tiger is the coming-of-age of a child and a young woman, each searching for their place in a society that would rather they stay invisible.

Suggested by Sandy Avila, Research & Information Services

 The Way You Make Me Feel by Maurene Goo

Clara Shin lives for pranks and disruption. When she takes one joke too far, her dad sentences her to a summer working on his food truck, the KoBra, alongside her uptight classmate Rose Carver. Not the carefree summer Clara had imagined. But maybe Rose isn't so bad. Maybe the boy named Hamlet (yes, Hamlet) crushing on her is pretty cute. Maybe Clara actually feels invested in her dad’s business. What if taking this summer seriously means that Clara has to leave her old self behind?

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 Thich Nhat Hanh: essential writings by Thicht Than

Zen master, poet, monk and peace advocate, Thich Nhat Hanh is a Vietnamese Buddhist monk who has lived in exile in France for 30 years. Through his writings and retreats he has helped countless people of all religious backgrounds to live mindfully in the present moment, to uproot sources of anger and distrust, and to achieve relationships of love and understanding.

Suggested by Cindy Dancel, Research & Information Services

To the Stars: the autobiography of George Takei, Star Trek's Mr. Sulu by George Takei

This is the autobiography of one of Star Trek's most popular stars, George Takei. It tells of his triumph over adversity and of his huge success, despite an inauspicious start in a wartime US Asian relocation camp. In his lifetime, he has become an actor, a successful businessman, a writer, and a man deeply involved in politics and the democratic process. His story also includes his early days as an actor when he had brushes with greats like Alec Guinness, Burt Lancaster and Bruce Lee, as well as his first meeting with a writer/producer named Gene Roddenberry.

Suggested by Tim Walker, Information Technology & Digital Initiatives

[virtchandmoir]

Friday, October 12th 2018

After winning their last Olympic gold, Canada's most decorated figure skaters wanted to say thanks. They're doing that with a massive, cross-country tour. Tessa Virtue and Scott Moir join guest host Kristy Cameron!

Source: (x)

[sophygurl]

WisCon 43 panel Mental Illness in SFF

Speculative fiction is fruitful grounds for stereotypes and tropes related to mental illness. We have mad scientists on the one hand and mad gods on the other. We have robots representing one kind of neurodivergency in the science realm and the fae or fae-touched doing similar in fantasy worlds. We have creatures that feed on sanity and medications that cure mental illnesses, and the drugs or plants that cause them. What's going on with mental illness in SFF genres? When are these depictions and metaphors helpful and which ones are just plain harmful?

Moderator: Jason Finn. Panelists:  Ira Alexandre, Kristy Eagar, Clara Cecilia Abnet Holden, Kiersty Lemon-Rogers. [also Autumn was added to the panel - I didn’t catch if she wanted to be known beyond her first name however] [additionally, a member of the audience named Cassie eventually joined the panel as well, but I wasn’t able to catch anything beyond her first name]

Disclaimers: These are only the notes I was personally able to jot down on paper during the panel. I absolutely did not get everything, and may even have some things wrong. Corrections by panelists or other audience members always welcome. I name the mod and panelists because they are publicly listed, but will remove/change names if asked. I do not name audience members unless specifically asked by them to be named. If I mix up a pronouns or name spelling or anything else, please tell me and I’ll fix it!

Notes:

Kristy introduced herself by saying “I like to say I’m seven kinds of crazy” - she has a wide array of mental illnesses/neurodivergency.

Ira said they are “also seven kinds of crazy”, specifically mentioned Bipolar II, autism, and ADHD.

Kiersty said she’s liking the term “mentally weird” for herself, that not everything is officially diagnosed “for reasons”, and that she likes to see people like herself in fiction.

Clara said she also likes the “seven kinds of crazy” and mentioned OCD, GAD, autism, and severe depression. She gets excited to see characters even close to being like her.

Autumn said she finished her master’s degree in counseling and also holds multiple diagnoses. She writes “queer mental illness trash romance”, and has created the games Player 2 and Self Interview.

Autumn also said she wanted to hold space for people who don’t like the word crazy, for whom it’s not something they’re reclaiming.

Jason said he has a family history of mental illness. He started the panelists off asking about representation that they have feelings about.

Ira said they wrote about the Vorkosigan Saga with a focus on Miles, who is more known for his physical differences but who is also neurodivergent. Miles is also a vet with PTSD - which is not handled very well in the story. There is another character who has PTSD who gets the help that he needs, however.

Ira also likes Murderbot (I’m guessing by a quick search this means The Murderbot Diaries by Martha Wells), as well as Chidi from The Good Place. The fork in the garbage disposal line really speaks to them.

Kristy also loves and relates to Chidi. She noted that there is no therapeutic help available in the afterlife. She also talked about the show Monk - the detective with OCD. Monk often described his OCD as being both a blessing and a curse. Monk made her feel seen, however she felt depressed at the end of each episode. She noted that his OCD gave him a sort of superpower where hers did not. Instead of framing it in terms of blessing and curse, and feeling like she only has the curse, she likes to think of it as neither - it just is.

Clara talked about characters like Monk where the superpower is just that the see the world differently.

Kristy also talked about how most of us don’t have a personal assistance to come around and help us interface with the world.

Clara added that other shows do this, as well - Sherlock, House, The Good Doctor. There is an exceptional cis white male with an ability that is valued enough that his inability to interface with the world on his own is seen as okay.

Autumn said she is sensitive to characters being read as autistic but the story doesn’t tell us that they are. Example was a Canadian show, Strange Empire.

Autumn also talked about Jacqueline Koyanagi’s Ascension - the main character is both physically and mentally disabled. Strong rec. [I agree!!]

Kiersty mentioned Rick Riordan’s Percy Jackson series as being decent rep for someone with ADHD as a sort of superpower. Also An Unkindness of Ghosts by Rivers Solomon reads as neurodivergent.

Kiersty added an example that was not well done, which I didn’t catch the name of. She loves the work but the representation was bad. Another work I didn’t catch the name of [ugh my handwriting] has tokenization. The queer mentally ill character has psychopathy and is treated unkindly within the story. This was the focus of Kiersty’s graduate work - it can be hard for her to analyze critically because she loves and respects the author overall, but there are serious issues here.

Ira went back to the idea of the helper character (like for Monk, Sherlock, etc.) - there are labor issues here as well. These helpers are paid for their work to make the character more palatable to the world. Sometimes the exceptional genius character gets taught how to treat others kindly along the way.

Kristy said this is a classic trope in the detective genre - the neurodivergent genuis detective and the person who explains what they mean to the rest of the world. Nero Wolf is another example of this - being a massive genius somehow entitles these men to treat others poorly.

Kristy talked about The Good Doctor as a combination of good and bad representation. Often, another doctor or nurse or even patient will explain things to or for the main character, which can lead to the idea that he is unable to learn these things on his own. One episode had the example of “I can’t be racist, I’m disabled!” which is a very bad take.

Kristy noted that the interfacer is also the one who is seen as having the “burden” of being in relationship with the person with the mental illness.

Ira talked about Murderbot - the first book at least was a positive example - that it’s okay to interact with people differently instead of trying to correct how you naturally relate to people. It’s a more adaptive relationship,

Kiersty talked about Data in Star Trek and the whole “I just want to be human” trope. When that type of character is coded as neuroatypical, it can be problematic. Kiersty will fight anyone who questions Data’s personhood. She relates to him very strongly.

Kiersty also talked about Deanna and how she would tell Data that he does have emotions - he just expresses them differently. He didn’t need to have an emotion chip or whatever. He already had connections and relationships with others, even if they looked different.

Autumn talked about Kingpin in Daredevil as a possibly divisive example because he’s a villain. But his villainy was not related to his autism. They both just existed. This is also an example where the translator character is a man and also paid for his services, so it is not unpaid labor. And Kingpin’s romantic interest, Vanessa, accepts him as he is.

Clara added “Kingpin is definitely not a good person, but I love him.” She also agreed his character was handled well and is over the common trope of mental illness being the reason for the villainy.  

Clara talked about how so many villains are characters with anti-social personality disorders - the all villains are psychopaths trope. Then there is Sherlock who said in the first episode that he was a sociopath but no, he wasn’t, and portraying him that way is a problem. Rec’s the book and film I Am Not a Serial Killer - good depiction of someone with anti-social PD who is not a villain and not violent and who gets a diagnosis and therapy.

Ira said, in regards to villains, mental illness as a driving force for the plot becomes the reason for their villainy. There is a fascination in pop culture for the display of a villain’s psyche’s in a way that there isn’t for other types of characters.

Kristy talked about the debates between psychopathy and sociopathy. With the Sherlock thing that Clara mentioned - Kristy thought it was plausible because of the spectrum of disconnect in emotions involved. There is a problem in portraying all psychopaths as serial killers - many are CEO’s, accountants, soccer mom’s, etc. There are positives - the emotional disconnect can make someone with psychopathy good at hiring and firing people, for example.

Clara said that she likes depictions where anti-social characters can be helpful and useful.

Autumn spent the past year working with people with anti-social PD - people who require full time care. Incarcerated people tend to have it as a diagnosis but it’s not always a good diagnosis because part of the diagnostic criteria includes “criminal behavior.” The context of criminal behavior is not always taken into consideration.

Autumn said that the people she worked with had empathy but their feelings of guilt were so overwhelming that they melted down when they tried to tune into them. The problem is that this disconnect becomes habituated - it becomes a refusal to take responsibility for their actions at all because they can’t let the feelings in.

Jason asked the panelists to talk about depictions of therapy. This was Deanna’s whole job. He is unhappy with Barclay’s treatment in the series a lot of the time.

Ira commented that there are too few space therapists. In fantasy - therapists usually have another role in addition to the therapy.

Autumn talked more about Deanna as a professional empath. In seasons 6 and 7, the show started portraying therapy more realistically - the way therapy actually happened during the time the series originally aired. Autumn also added that Dax was unqualified for the role as councilor on DS9.

Kristy talked about therapy in speculative fiction sometimes being specifically therapy. Then there is Guinan in The Next Generation who did a lot of unpaid labor as a therapist for everybody, exemplifying the magical black woman trope as well. There are a couple of episodes focused on her character and her feelings, but not a lot.

Kristy is also interested in the idea of the holodeck being used as therapy. Also, in fantasy novels, the priest often plays the role of therapist. It’s worth asking who is doing the labor and who is getting paid for the labor and who is benefiting from the labor, especially through lenses of race and gender.

Ira talked some about the movement of getting therapy from your own demographic (for example, black and queer therapists treating their own people), and how that could be an interesting concept to explore in spec. fic.

An audience member talked about the white cis male frame that mental illness is often looked at through in fiction. As a counter example, brought up Nnedi Okorafor’s Binti and Akata Witch, as well as Andrea Hairston’s Will Do Magic for Small Change - which delve into black and brown ideas of not being allowed to feel and the harm that therapy can do. Horror, as a genre, looks at this sometimes, too.

Autumn said the issue is complex - the thing about therapy with someone who shares your demographic can work because the most important thing in success of therapy is a shared rapport, and often that can be found with people you share things with.

Autumn also shared that in real life, schizophrenia cuts equally across the population, but diagnostically that doesn’t show. Black and brown people have more distrust of authority for obvious reasons, and that can be viewed as mental illness. Similarly, Russia used anti-psychotics on people who didn’t trust the state - but they had good reason not to have that trust.

Kristy noted that the panel is all white and that this is a problem. An audience member began asking the panelists questions in regards to race, and was asked if she wanted to join the panel to speak on that and she did (everyone applauded - this felt very needed, although the panelists were doing their best to address the issues).

The audience member introduced herself as Cassie, and this was her first WisCon - she said this kind of thing happens to her a lot because being at cons sparks her hypomania.

Cassie talked about the TV show Insecure where one of the black main characters is seen in therapy with a black therapist and how amazing that is.

She also talked about the issue of black people being scared of being shot at by police and that getting a diagnosis of delusion slapped on them, but this is a very realistic fear. Also - black expression of depression is often anger.

As far as people with anti-social PD, the white ones tend to end up as CEO’s, the black ones end up in prison.

Cassie rec’d Binti as well and talked about the depiction of PTSD, isolation from one’s own community. The character does see a therapist, but there is so much misunderstanding due to cultural differences. There are access issues around therapy - both in real life and in SFF.

Clara talked about strict and narrow depictions of “otherness” in fiction and how we can only have one margliazation in a character. As if it’s unrealistic for someone to be both black and mentally ill.

An audience member commented - “I guess cishet white men have no trouble empathizing with others.”

Kristy talked about Shonda Rhimes shows, specifically How To Get Away With Murder has a bisexual black woman with mental illness as a main character.

Kristy also mentioned Hannibal - “I love relationships where the therapist ends up eating their patient, or vice versa.”

“If you love cannibalism and mental illness....”

Jason - and we’re out of time and have to end it there. [lol]

[So. This was a really good and really interesting panel for a lot of reasons, but I’m left feeling a little frustrated about the focus of it, only because well - I wrote this one up too and was thinking about it specifically touching on ways that SF and fantasy use the tropes of their genres to portray mental illness and when those are used well or poorly. The panel did a little bit of that, but it feels like it veered off a lot into other genres, discussing mental illnesses in general, and even when focused on SFF - it was more listing off works and what they did vs. exploring the idea of SFF tropes specifically in regards to mental illness. But perhaps I need to narrow the focus of the panel description more if that’s the panel I want to see? IDK. It really was interesting and I liked how they just invited the audience member to the panel mid-way through to gain her perspective. Also some cool recs!]

[adventuresinclientservice]

How to be the court of first and last resort for clients and colleagues.

I was doing a workout in a much sought-after health club -- The Solomon Fitness Emporium – so exclusive it has just two members, Roberta and me; its location, our garage – when I felt something pop in my left shoulder.  The injury -- rebellious, stubborn, chronic – refused to heal, so, I made an appointment with a doctor.  Not a specialist, but rather the general practitioner we routinely see.

That office visit and its aftermath prompted the expected steps:  an exam and a preliminary, possible diagnosis followed by physical therapy, then a visit to a shoulder surgeon, an MRI, and, ultimately, months later, a final, definitive diagnosis:  

“You have a full-thickness tear of your supraspinatus tendon,” said the surgeon.

“In English, please,” I replied.

“You have a torn rotator cuff.”

Torn rotator cuffs require an operation, then a long and perilous rehabilitation that would mean my left shoulder --- the side I write with, shave with, do everything with – would need to be fully immobilized for weeks, if not months.   I asked about pain:  “On a scale of one to ten, it’s ten,” warned the doc.  “That’s kill-me-now pain; you’re kidding, right?,” came my disbelieving reply.

“I am not,” was the answer that brought conversation to an end.

Notwithstanding my imagining pain beyond comprehension, I went ahead and booked the surgery, then had second thoughts, so I made another appointment with my GP.  I asked questions; he spoke; I listened.  I cancelled the surgery, booked more physical therapy sessions, and set about to preserve the remaining three tendons that keep my shoulder working, if not perfectly, at least functionally.

Apologies for this too long, too boring, and too seemingly irrelevant pre-amble, but truth be told, this isn’t really about my shoulder; it’s about working with clients and colleagues.

It can be hard to describe what Account Managers and client service people do.  My friend Kristi Faulkner likens us to “a ringmaster, a quarterback, a shrink, a cheerleader, a peace negotiator, a political strategist, a public defender and a field Marshall all in one;” others take a more sanguine view, seeing us as general contractors, or maybe architects, or even orchestra conductors, whatever metaphor is apt.  

All of these work well enough, but I think of us differently, as general practitioners, having written about this before. 

In the shoulder business, my GP was the first person I saw.  He was the last person I saw.

In our business, I want to be the person a client or colleague turns to whenever there is a problem that needs rectifying, an opportunity that needs to be exploited, a question that needs to be answered, an anxiety that needs to be calmed, an anger that needs to be defused, or an account that needs to be saved.

Just as it is with medical care, we still need specialists in our business -- the Planners, Producers, Media people, Analysts, other experts -- those with more knowledge than most of us likely have.  

But when a situation arises with a colleague or more importantly, a client, I want to be that person, the one they rely on for whatever it is they need.  That is the surest way to prove your worth to colleagues, and even more importantly, to clients.

[battyaboutbooksreviews]

Young Adult Book Releases - June 2024

🦇 Good morning, my bookish bats. I hope you have a good book, hot cuppa, and sweet snack within reach! No TBR is complete without a few young adult novels, and plenty were released in June! Here are a few YA releases to consider adding to your shelves.

🩷 June 4 🩷 ✨ Looking for Smoke - K. A. Cobell ✨ Moonstorm - Yoon Ha Lee ✨ Now, Conjurers - Freddie Kölsch ✨ Heiress Takes All - Emily Wibberley & Austin Siegemund-Broka ✨ Two Sides to Every Murder - Danielle Valentine ✨ Wish You Weren't Here - Erin Baldwin ✨ Four Eids and a Funeral - Faridah Àbíké-Íyímídé & Adiba Jaigirdar ✨ Annie LeBlanc Is Not Dead Yet - Molly Morris ✨ Past Present Future - Rachel Lynn Solomon ✨ Storm: Dawn of a Goddess - Tiffany D. Jackson ✨ London on My Mind - Clara Alves ✨ The Breakup Artists - Adriana Mather ✨ One Killer Problem - Justine Pucella Winans ✨ Lockjaw - Matteo L. Cerilli ✨ If You Can't Take the Heat - Michael Ruhlman ✨ Louder Than Words - Ashley Woodfolk & Lexi Underwood

🩷 June 11 🩷 ✨ Six More Months of June - Daisy Garrison ✨ Hearts of Fire and Snow - David Bowles & Guadalupe Garcia McCall ✨ Love, Off the Record - Samantha Markum ✨ How to Get Over Your (Best Friend's) Ex - Kristi McManus ✨ The Ghost of Us - James L. Sutter ✨ There Is a Door in This Darkness - Kristin Cashore ✨ The Wilderness of Girls - Madeline Claire Franklin ✨ Dead Girls Talking - Megan Cooley Peterson ✨ Icon and Inferno - Marie Lu ✨ Furious - Jamie Pacton & Rebecca Podos ✨ The Color of a Lie - Kim Johnson

🩷 June 18 🩷 ✨ Bad Graces - Kyrie McCauley ✨ Old Palmetto Drive - S.E. Reed ✨ Masquerade of the Heart - Katy Rose Pool ✨ With Love, Miss Americanah - Jane Igharo ✨ Hearts That Cut - Kika Hatzopoulou ✨ The Calculation of You and Me - Serena Kaylor ✨ All Roads Lead to Rome - Sabrina Fedel

🩷 June 25 🩷 ✨ Markless - C.G. Malburi ✨ We Shall Be Monsters - Tara Sim ✨ Children of Anguish and Anarchy - Tomi Adeyemi ✨ Crashing into You - Rocky Callen ✨ Six of Sorrow - Amanda Linsmeier

[evolutiontopeacefulmystic]

STRENGTH & OUR MOST HANDSOME ATHLETIC DIVINE PRE-ETERNAL BISHOP LORD YESHUA THE MESSIAH OF NAZARETH 

Luke 2:40= And the child (Yeshua the Messiah) grew and became strong, filled with wisdom; and the favor of God was upon him. Luke 2:52= And Jesus (Yeshua the Messiah) increased in wisdom and in stature, and in favor with God and man. Revelation 1:14-16= ...His head and his hair were white as white wool, white as snow; his eyes were like a flame of fire, his feet were like burnished bronze, refined as in a furnace, and his voice was like the sound of many waters; in his right hand he held seven stars, from his mouth issued a sharp two-edged sword, and his face was like the sun shining in full strength. प्रभु यीशु मसीह, परमेश्वर के सन्तान, हम पर दया कर! Olu Jesu Kristi, Omo Oluwa, Shanu Wa! Bwana Yesu Kristo, Mwana wa Mungu, utuhurumie. Seigneur Yeshoua le Messie, Fils d’Allah, aie pitié de nous! Abetu Geta Eyesus Kristos ye Egziabher lij yiqir belen!+ Song of Songs/ Song of Solomon 5:10-16= My beloved is a shining and fiery light, Chosen from countless thousands. His head is like refined gold; His locks of hair are shiny and black, Like a raven’s feathers. His eyes are like those of doves sitting by pools of water, having eyes bathed in milk and fitly set. His cheeks are like bowls of spices pouring forth perfumes. [His face is rugged, his beard smells like sage, His voice, his words, warm and reassuring.] His lips are lilies dripping choice myrrh. His hands are like elaborate gold set with precious stones. His stomach is like an ivory tablet inlaid with sapphire stones. His legs are like pillars or marble established on golden feet. His appearance is like Lebanon, choice as the cedar trees. His mouth is most sweet and altogether desirable. This is my beloved, my companion, O daughters of Jerusalem! Господи Иисусе Христе, Сыне Божий, помилуй нас грешники! Κύριε Ἰησοῦ Χριστέ, Προαιώνιος επίσκοπος (Πραγματικός Αρχηγός της Εκκλησίας), ἐλέησον ἡμᾶς. Inkosi Yesu Kristu, Mongameli, senzele inceba. Nkosi Jesu Kristu, iNdodana kaNkulunkulu, ngihawukele kithi, izoni. Ishe Jesu Kristu, Murayiridzi, tinzwireiwo ngoni! Panginoong Yeshua ang Mesiyas (Panginoong Hesukristo), Anak ng Bathala (Anak ng Diyos), maawâ po Kayò sa amin. प्रभु यीशु मसीह, परमेश्वर के सन्तान, हम पर दया कर! Job 40:16= Behold, his strength in his loins, and his power in the muscles of his belly. Psalm 29:11= May the Lord give strength to his people! May the Lord bless his people with peace! 1 Corinthians 10:31= So, whether you eat or drink, or whatever you do, do all to the glory of God. Philippians 4:13= I can do all things in him who strengthens me. Ephesians 6:10= Finally, be strong in the Lord and in the strength of his might. ጌታችንና መድሀኒታችን ኢየሱስ ክርስቶስ የቅድስት ቤተክርስቲያን የማዕዘን ራስ እና መሪዋ ነው ። አምላካችን ሆይ ለኛ ለሀጢያተኞቹ ቸርነት ምህረትህ ትደረግልን ለዘለአለሙ አሜን ።

[susierpt]

Hi. Could you please suggest some first and last names for a Rihanna?(And an playable age range for her if it isn't too much trouble) Thank you in advance.

I think she’d be playable from about 22 - 29. As for names...

FIRST

Scarlett

Satine

Lydia

Cora

Ariel

Sierra

Kristy

Brooklyn

Avery

Kaley

Naveah

Kyra

Cleo

Cadence

Alma

Mira

Akira

Kendall

Lucille

Sage

Lorelai

Angelina

Misa

Dylan

Beatrice

Lila

Ivy

Alessandra

Valentina

Lyric

Laurel

Lacey

LAST

Reilly

Bolt

Lock

Darcy

Owen

Patel

Hugh

Wise

Ewing

Kane

Hall

Schmidt 

Carney

Maynard

Foley

Pollard

Packard

Palmer

Ellis

Hines

French

Ballard

Hunt

Park

Potter

Bush

Harrell

Solomon

Day

Bloch

Wolf

Harrington

White

I hope some of these work for you!

[bahamas-paradise-island]

Funeral service for the late Rev. Dr. Everette Joenathan Brown JP age 56 years of #92 Joe Farrington Road will be held on Sunday, March 22nd, 2020 at 1:00 p.m. at The New Bethlehem Baptist Church, Independence Drive. Officiating will be Rev. Dr. William L. Thompson, Rev. Dr. A. Shelton Higgs, Rev. Dr. Stephen Thompson, Rev. Dr. Arthur Charlton and Rev. Tyrone Laing assisted by Other Ministers. Interment will follow in Woodlawn Gardens, Soldier Road. Left to cherish his fond memories are his loving and devoted wife of 34 years, Rev. Sheila Brown. Son: Everette Brown Jr., Daughters: Yvette (Bruce) Clarke Jr, Ebony Brown. Mother: Miriam Brown. Sisters: Ms. Valerie Hepburn, Mrs. Antoinette (Frank) Moss, Nurse Jenniemae Stuart, Shandia Smith, Tina (Jermaine) Hepburn and Anita Smith.  Brothers: Rev. Clifton (Betty) Hepburn, Valentino Brown, Stephen (Melissa) Brown, Bernard Brown, Ian Smith. Uncles: Solomon (Judy) Rolle, Danny Moxey. Aunts: Elizabeth (Sam) Pratt, Julia (Hartley) Neilly, Donna Moxey, Dedrie Francis. Sisters-in-law: Leona (John) Albury, Evang. Rudell (Elder Parker) Cornish, Judymae McPhee, Louise McPhee. Brothers-in-law: Elder Kendal (Deac. Linda), Minister Randy and (Min. Chantel) McPhee; Nephews: Damien Hepburn, Franz Moss, D’Angelo Brown, Andrew, Kenrick, Jerome (Shonte), Lenward (Latonia), Javon, Jamaal McPhee, Dashawn Edgecombe. Nieces: Danielle and Jade Brown, Nadia Hepburn, Joyann McPhee, Annalise (Andrew) Davis, Simone, Katis, Patricia, Latoya Albury, Natassia, Felicia Moss, Charmaine (Antonio) Burrows, Natasha (Jermaine) Beneby, Lynessa Bullard, Garnell (Troy) Pratt, Lashante McPhee. Cousins: Fabian (Enid) Stuart, Bernard, ASP Bradley Pratt, Shamell (Amanrah) Ford, Maranda, Wayne (Pamala), Kimberley Munroe, Kristy (Corey) Williams, Duran, Christopher Moxey Jr., Lashanna Gittens, Telnear (Miguel) Cartwright, Dwayne Mackey, Eugene Stuart, Hazel Gordon, Betty Bullard, Darvin, Sean, Julian, Darnell Rolle, Icella Hepburn, Macy Hanna, Rose Johnson, Beverley Rolle, Icella Burrows, Rhoda King, Dewey and Luella Dawkins. Numerous Grand Nieces & nephews too many to mention. Other relatives and friends include the officers and members of the New Bethlehem Baptist Church, the Bahamas National Baptist Association, the Bahamas National Baptist Missionary and Educational Convention, the Dawkins, McPhee and Brown families. Rev. Howard T. G. (Patricia) Smith and family; Pastor Glendon Rolle and the Zion Yamacraw Baptist Church Family; Pastor Craig Johnson and the St. Stephen’s Baptist Church, Hatchet Bay, Eleuthera; Rev. Dr. Jim Holly and the  Historic Little Rock Baptist Church, Detroit Michigan; Bishop David (Rev. Alfreda) McPhee  and the Hour of Power family; Pastor Paul (Min. Helen) McPhee and Carmichael Baptist Holiness Church family; The administrative staff and the security department of the Bahamas Baptist Community College and Jordan Prince William High School, St. Cecilia’s Catholic Church Family, Deac. Robert Farquharson and Family, A. F. Adderley Class of 1980, Fellow colleagues of Selma University, Sis. Clarista Williams and Family, Portia Taylor and Cecily Seymour and Family, Sis. Lydia Armaly and Family, Min. Virginia Moss and family, Min. Mable Farquharson and family, Sis. Daisy Armbrister and Family, Sis. Myrtle Deveaux and Family, Rev. Tyrone Laing and family, Deac. Dwight Charlow and family, Elder Elcie Mackey and Family, Elder Cora McPhee and family, Dr. Charles Osazuwa and the Sea grapes medical team, Dr. Dellarese Woods Isaacs, Dr. Roland Hamilton and Nursing Officer Kayla Douglas, The Yellow Elder and Bozene Town Communities, the Community of Walting Street and other relatives and friend too numerous to mention.   Viewing will be held at the William Thompson Auditorium, Jean Street on Friday from 11:00 am to 4:00 pm and again at the New Bethlehem Baptist Church, Independence Drive on Saturday from 11:00 am to 4:00 pm and at the church on Sunday from 11:30 a.m. until service time. The post Everette Joenathan Brown | Funeral Service appeared first on The Nassau Guardian. source https://thenassauguardian.com/2020/03/19/everette-joenathan-brown-funeral-service/

http://scuba-ct.blogspot.com/2020/03/everette-joenathan-brown-funeral-service.html

[gussolomonsjrtest]

PAUL TAYLOR AMERICAN MODERN DANCE

Paul Taylor American Modern Dance, now under the artistic direction of Michael Novak performed its annual New York season at Lincoln Center, October 29 – November 17. Attempting to hone its new image and mission for the 21st century without its founding director, the company is offering free performances and special curations. One of those took place Monday, 11.11, Veteran’s Day, featuring Taylor’s collaborations with visual artist Alex Katz. A four-ballet program made for a long evening, starting at 6:30pm and lasting about two-and a half hours. It was a feast for fans of Taylor and/or Katz, but these particular dances made for a rather one-note evening. 

The four ballets, in program order were “Sunset” (1983), “Private Domain” (1969), “Scudorama” (1963), and “Diggity” (1978). “Sunset” is a nostalgic piece about soldiers in their non-combat hours. It is set to music by Edward Elgar and therefore can’t avoid sentimentality. The soldiers (Robert Kleinendorst, Sean Mahoney, Michael Apuzzo, Lee Duveneck, Alex Clayton, and Devon Louis) do macho duets with each other at the start, and then interact playfully with the four women (Michelle Fleet, Eran Bugge, Madelyn Ho, and Kristin Draucker) in encounters of multiple-men on one-woman – which were not so un-PC in the 80s. The ballet ends with the men heading back off to war, leaving the women behind.

SUNSET by Paul Taylor. (leaping) Sean Mahoney and (l-r): Michelle Fleet, Michael Trusnovec, Kristi Torriga, Robert Kleinendorst, Eran Bugge, and Aileen Rochlin. 

The set is a pastel lime-colored backcloth and matching onstage panel with a black railing in front of it. The background is flecked with random, arching, black lines that suggest falling twigs. On the Lincoln Center Theater stage, larger than their former City Center home, the set looks oddly sparse. Katz dresses the men in tan uniforms and red berets and the women in white dresses with flowing skirts and black piping at the necklines.

PRIVATE DOMAIN by Paul Taylor. James Samson with (l-r): Heather McGinley and Paris Khobdeh. 

The set for “Private Domain” is deliberately provocative – a downstage wall with three openings behind which we watch bikini-clad dancers cavorting in and out of view. Are we supposed to be inside and the dancers on a beach, or are we peeping into a sexy pleasure palace? The movement alternates between typical Taylor jumping/leaping and writhing, male-female encounters (of course: 1969!) The dancing also seems to alternate between the ignoring what we can see behind the wall and deliberately posing in the apertures. After 20-minutes of these would-be sensuous goings on, the eight dancers line up in the openings and one of the men reaches over a woman’s shoulder from behind and places a hand on her breast. It’s a long build-up to a pretty adolescent punch line.

The making of “Scudorama” (1963) followed by a year that of “Aureole,” and Taylor told the NY Times in an interview that the latter dance, dressed all in pristine white and set to Handel music, was considered “pretty,” and, perversely, he wanted to make something “ugly.” The background is a sky pocked with cloud silhouettes. Bodies emerge from the floor in murky lighting by Jennifer Tipton – Taylor’s brilliant, go-to lighting designer. Music is a dissonant, original score by Clarence Jackson that could be a film score with its orchestral swells and dynamic climaxes. 

SCUDORAMA by Paul Taylor. (jumping) Michele Fleet with (l-r): Jamie Rae Walker, Laura Halzak, and Julie Tice.

The eight enigmatic characters wear unitards as their “skins” – three women in black ones with white collars, two petit women in yellow, who slouch around like sprightly gremlins, and three principals in lime green, magenta, and coral. The men carry the women on their shoulders, draped like mufflers around their necks, looking like alien creatures. After what seems like their final exit, six anonymous figures shuffle on draped in blankets, and huddle in a ceremonial circle for a brief coda.

The “Diggity” set comprises cartoonish dog cutouts sprinkled around the stage floor, which create an obstacle course for the dancing by five women and three men, coming and going. The men play leapfrog; they hold a woman in a split on their shoulders and rotating her torso like a rotisserie chicken; they all carry on a giant cutout of a cabbage for the leading lady to do a sprightly, syncopated solo atop. It’s a cheery, tongue-in-cheek dance and audience favorite with an original score by Donald York that sounds at times like transliterations of Leonard Bernstein and Aaron Copeland musical theater pieces.   

DIGGITY by Paul Taylor. Eran Bugge with Alex Katz’s cabbage

It’s futile to describe distinct differences in the dance movement in each of these four ballets. They all contain Taylor’s signature moves – loping runs with arms swinging in opposition; bent-legged hops; leaps in curving or zig-zagging paths; muscular body shapes; bouncing grapevine steps; and partnered lifts that travel through space. All these moves can also be seen in his other dances, but sometimes they feel more coherent, perhaps depending on Taylor’s emotional connection to selecting them. One admirable quality of Taylor’s style is that dancers tend to dance onstage and off, rather than simply running into place to begin and running off when finished – the postmodernist cliché; it feels like Taylor’s dancing continues, even when we can no longer see the dancers – except, notably in “Esplanade,” in which there are no “dance” steps and running is one of the non-dancing activities that make up the movement, along with walking, falling, jumping, crawling, lifting, and catching. 

Even though Taylor’s smoothly controlled, sinuous movement seems a perfect fit for Black muscularity, Taylor’s dancers have not been well represented by Black males, a lack which the present company seems to be correcting with two new African-American men – Clayton and Louis. Taylor’s company traditionally has included a Black woman – one at a time – from Elizabeth Walton to Carolyn Adams to Michelle Fleet but now Jada Pearman has joined Fleet in that department, just as Fleet, sadly, is retiring.

ESPLANADE by Paul Taylor. 

On the Sunday matinee, the final performance of the season, “Diggity” and “Esplanade” – Taylor’s sine qua non, comparable to Ailey’s “Revelations” – bookended Pam Tanowitz’s premiere, “all at once.” The bittersweet program had a big extra dose of high energy from the company, because it was the final performance in the company for five veteran dancers, Jamie Rae Walker, Parisa Khobdeh, and Michelle Fleet, and the last one at Lincoln Center for Robert Kleinendorst and Sean Mahoney. It was also the final performance conducted by Donald York. 

ALL AT ONCE by Pam Tanowitz. (l-r): Lee Duvenick and Alex Clayton. photo by Paula Lobo

“all at once” is a punning title, since all of the company’s sixteen dancers are in it. Mischievous Tanowitz, brilliantly, has incorporated some of Taylor’s own movement vocabulary – hopping on one foot, quick sideways jumps, stretched arm shapes – alongside paraphrases by her chief kinetic inspirations, Merce Cunningham and George Balanchine – into phrases, which she recombines in ever-changing groupings and locations to weave a marvelously complex, yet totally comprehensible abstract tapestry that lets the dancers express their own personalities, while challenging them technically, and allowing them apparently to have even more fun than usual dancing.

photos by Paul B. Goode, except where noted

Gus Solomons jr, © 2019