#KoMaRa

[rasiooid]

Pentakara, Pendidikan Seni Budaya Sunda dan Gelisah Sukarna Natawirya (2-habis)

  E Sukarna Natawirya gelisah hatinya melihat semakin sempit ruang apresiasi seni dan budaya sunda di Kabupaten Bogor. Kesenian Sunda tak banyak lagi diajarkan di sekolah. Kalaupun ada sebagai muatan lokal untuk diajarkan kepada siswa, jumlahnya amat sedikit dan jauh dari kata “berkualitas”. Kata Sukarna, Guru kesenian di sekolah-sekolah yang menguasai seni klasik baik tarian maupun alat musik…

[bantennews]

Digulung Ombak Pantai Ciantir, Wisatawan Asal Jakarta Tewas

LEBAK – Candra Gri Prayitno Utomo (32) warga Jalan Kebagusan, Kelurahan Kebagusan, Kecamatan Pasar Minggu, Jakarta Selatan, tewas tergulung ombak, Sabtu (13/4/2024) sekira pukul 16.40 WIB. Korban tewas setelah tergulung ombak Pantai Ciantir, Desa Sawarna, Kecamatan Bayah, Kabupaten Lebak, Banten. Ketua Balawista Kabupaten Lebak Erwin Komara Sukma membenarkan, jika ada wisatawan asal Jakarta yang…

[yaniimodels]

KAISSA KOMARA for Brandon Blackwood New York Swim 2023 Campaign 

- Kaissa Komara

Designer Brandon Blackwood Photographer Mescondi Photography Fashion Editor/Stylist Roberto Johnson Hair Stylist Akihisa Yamaguchi Makeup Artist Ayami Nishimura Set Designer stefania lucchesi Manicurist Sonya Meesh

#yaniimodels #kaissakomara #brandonblackwood #fashion #photography #photographer #artist #designer

[legend-collection]

Robert Johnson

According to legend, as a young man living on a plantation in rural Mississippi, Johnson had a tremendous desire to become a great blues musician. One of the legends often told says that Johnson was instructed to take his guitar to a crossroad near Dockery Plantation at midnight. (There are claims for other sites as the location of the crossroads.) There he was met by a large black man (the Devil) who took the guitar and tuned it. The Devil played a few songs and then returned the guitar to Johnson, giving him mastery of the instrument. This story of a deal with the Devil at the crossroads mirrors the legend of Faust. In exchange for his soul, Johnson was able to create the blues for which he became famous.

This legend was developed over time and has been chronicled by Gayle Dean Wardlow, Edward Komara and Elijah Wald, who sees the legend as largely dating from Johnson's rediscovery by white fans more than two decades after his death. Son House once told the story to Pete Welding as an explanation of Johnson's astonishingly rapid mastery of the guitar. Other interviewers failed to elicit any confirmation from House and there were fully two years between House's observation of Johnson as first a novice and then a master.

Further details were absorbed from the imaginative retellings by Greil Marcus and Robert Palmer. Most significantly, the detail was added that Johnson received his gift from a large black man at a crossroads. There is dispute as to how and when the crossroads detail was attached to the Robert Johnson story. All the published evidence, including a full chapter on the subject in the biography Crossroads, by Tom Graves, suggests an origin in the story of the blues musician Tommy Johnson. This story was collected from his musical associate Ishman Bracey and his elder brother Ledell in the 1960s. One version of Ledell Johnson's account was published in David Evans's 1971 biography of Tommy Johnson, and was repeated in print in 1982 alongside House's story in the widely read Searching for Robert Johnson, by Peter Guralnick.

In another version, Ledell placed the meeting not at a crossroads but in a graveyard. This resembles the story told to Steve LaVere that Ike Zimmerman of Hazlehurst, Mississippi, learned to play the guitar at midnight while sitting on tombstones. Zimmerman is believed to have influenced the playing of the young Johnson.

Recent research by the blues scholar Bruce Conforth, in Living Blues magazine, makes the story clearer. Johnson and Ike Zimmerman did practice in a graveyard at night, because it was quiet and no one would disturb them, but it was not the Hazlehurst cemetery as had been believed: Zimmerman was not from Hazlehurst but nearby Beauregard, and he did not practice in one graveyard, but in several in the area. Johnson spent about a year living with and learning from Zimmerman, who ultimately accompanied Johnson back to the Delta to look after him.

While Dockery, Hazlehurst and Beauregard have each been claimed as the locations of the mythical crossroads, there are also tourist attractions claiming to be "The Crossroads" in both Clarksdale and Memphis. Residents of Rosedale, Mississippi, claim Johnson sold his soul to the devil at the intersection of Highways 1 and 8 in their town, while the 1986 movie Crossroads was filmed in Beulah, Mississippi. The blues historian Steve Cheseborough wrote that it may be impossible to discover the exact location of the mythical crossroads, because "Robert Johnson was a rambling guy".

Some scholars have argued that the devil in these songs may refer not only to the Christian figure of Satan but also to the trickster god of African origin, Legba, himself associated with crossroads. Folklorist Harry M. Hyatt wrote that, during his research in the South from 1935 to 1939, when African-Americans born in the 19th or early 20th century said they or anyone else had "sold their soul to the devil at the crossroads", they had a different meaning in mind. Hyatt claimed there was evidence indicating African religious retentions surrounding Legba and the making of a "deal" (not selling the soul in the same sense as in the Faustian tradition cited by Graves) with the so-called devil at the crossroads.

The Blues and the Blues singer has really special powers over women, especially. It is said that the Blues singer could possess women and have any woman they wanted. And so when Robert Johnson came back, having left his community as an apparently mediocre musician, with a clear genius in his guitar style and lyrics, people said he must have sold his soul to the devil. And that fits in with this old African association with the crossroads where you find wisdom: you go down to the crossroads to learn, and in his case to learn in a Faustian pact, with the devil. You sell your soul to become the greatest musician in history.

This view that the devil in Johnson's songs is derived from an African deity was disputed by the blues scholar David Evans in an essay published in 1999, "Demythologizing the Blues":

There are ... several serious problems with this crossroads myth. The devil imagery found in the blues is thoroughly familiar from western folklore, and nowhere do blues singers ever mention Legba or any other African deity in their songs or other lore. The actual African music connected with cults of Legba and similar trickster deities sounds nothing like the blues, but rather features polyrhythmic percussion and choral call-and-response singing.

The musicologist Alan Lomax dismissed the myth, stating, "In fact, every blues fiddler, banjo picker, harp blower, piano strummer and guitar framer was, in the opinion of both himself and his peers, a child of the Devil, a consequence of the black view of the European dance embrace as sinful in the extreme".

Both Lomax's and Evans's accounts themselves have been disputed and dismissed by Black scholars and authors including Amiri Baraka and Cornel West. West defines Blues as a creation of a people "who are willing to look unflinchingly at catastrophic conditions", as children of God responding to those conditions. Baraka's words are more directly critical of white writers who study African-American Blues artform and culture from a Western viewpoint, stating that they "They have to do that to make themselves superior in some kind of way: that everything has come from Europe, which is not true". Baraka cites that rather than being formed out of any Western context, Blues derives from an African context of its own. The call-and-response singing Lomax argues is different from Blues has been widely cited as being a central aspect of Blues music.

[iloveanimechibi]

(via Cute Anime Girl, Minaba Komara by iloveanimechibi | Redbubble)

This is my Cute Anime Girl, Minaba Komara. Follow me at https://iloveanimechibi.redbubble.com/

[jazumst]

Wiecznie niewyspany

Żeby Was... Urlop mi się kończy, a wyspałem się może ze 2 razy. Posłuchajcie:

Koło 18 wczoraj pierdolnęło w końcu, ale tak bezszałowo. Bardziej lało niż grzmiało i błyskało. Kolejny raz zamiast wyjścia z ziomkami siedziałem w domu.

//

Widziałem najbardziej pojebany horror jaki w życiu widziałem, a widziałem wiele, bo ja niezły dewiant jestem. - Nie mogłem dla siebie nic znaleźć, więc koło północy położyłem się spać.

//

Śniły mi się jakieś gówna. Pogryzł mnie komar i w ogóle całą noc było strasznie gorąco. Okno otwarte, niby chłód zaciąga, ale ciągle gorąco. Komara zajebałem koło drugiej dopiero. Musiałem zasnąć zaraz po tym, ale potem te skretyniałe sny. Takie wiecie - abstrakcje z dupy. Bez ładu i składu. - Finalnie wstałem o 10. Znaczy obudziłem się o 9, ale dupa z ołowiu i szukanie motywacji. - Za oknem szaro, buro i ponuro. Pani Matka ma piżamaday, pan Ojciec chyba też. Ja pojechałbym do miasta, ale cholera wie czy to zaraz nie jebnie. Poza tym mam mordę opuchniętą, ryło zarośnięte i każdy włos w inną stronę. Ja ja nienawidzę się golić!!!

[kostucha00]

16 Listopada 2023, Czwartek 🍁:

🥧: 490 kcal (+ bez liczenia 5 kruchych ciastek)

🔥: ?

💤: 2-3 h

📙: 7 h

Ugh, spaaaaać. Nie spałam dzisiaj za dużo, zasnęłam dopiero o 6, a już o 8 się obudziłam, potem zaraz znowu zasnęłam, i znowu się obudziłam — i tak w kółko aż do 9,kiedy stwierdziłam, że już mam dość i po prostu wstałam. Do szkoły, rzecz jasna, nie szłam. No cóż, bywa. Żyćko.

Siedziałam dzisiaj głównie, o dziwo, nad polskim. Nic skomplikowanego, po prostu terminowo nałożyło mi się kilka małych prac na zaliczenie. Jak temat mi podejdzie i podstawowe słowa nie wyparują mi z głowy, pisze mi się całkiem przyjemnie. Ale jakaś połowa lektur szkolnych to szmirowate ścierwo, więc nawet jeśli temat będzie dobry, to nie znaczy że dobiorę do niego odpowiednią książkę. Bo może mi pasować inna, nie należąca się kanonu lektur. No i wtedy dupa, nikogo to nie obchodzi. Za tydzień próbne. Ciekawe jak bardzo mam przesrane 🫠.

W ogóle policzyłam że na półce "w kolejce do przeczytania" mam 48 książek. A ja czytam to wszystko na bieżąco i dokupuję, bo mam wrażenie że zaraz mi się skończą. Czasami zostają mi tam 3 książki, czasami 48 😉. Na razie tylko czytam i staram się nie dokupywać.

Lecę spać, bo zaraz walnę w komara z włączonym telefonem w ręku.

No i parę zdjęć Nicolasa bo mogę: 🐈‍⬛

[slavicafire]

licho to ja

licho nie śpi!!!

[demonslayerscript]

Episode 11 : Tsuzumi Mansion / 第十一話『鼓の屋敷(Tsuzumino Yashiki)』

＊Green-colored words are only in anime, not in original manga, and we usually call them “ani-ori(anime-original)".

鎹鴉の天王寺松右衛門「南南東、次ノオ場所ハァ南南東!!」

Tennoji-Matsuemon (Kasugai-Garasu) “Nan-nan-to, tsugino bashowa nan-nan-to!!”

Matsuemon Tennoji(Kasugai Crow) “South-southeast! Your next location is south-southeast!”

竈門炭治郎「わかった!! わかったから、もう少し黙っててくれ。頼む、もうわかったから、頼むよ～」

Kamado Tanjiro “Wakatta!! Wakatta-kara, mo sukoshi damattete-kure. Tanomu, mo wakatta-kara, tanomuyooo.”

Tanjiro Kamado “I heard you! I heard, so give me a break and quiet down! I’m begging you! I got the message, so please!”

我妻善逸「頼むよ!!」

Agatsuma Zen’itsu “Tanomuyo!!”

Zenitsu Agatsuma “Please!”

炭治郎「え？」

Tanjiro “E?”

善逸「頼む頼む頼む…結婚してくれ～！いつ死ぬかわからないんだ俺は!! だから結婚してほしいというわけで!! 頼む！頼むよォ～！」

Zen’itsu “Tanomu, tanomu, tanomu… Kekkon shite-kureee! Itsu shinuka wakaranainda orewa!! Dakara kekkon shite hoshiito iu wakede!! Tanomu! Tanomuyoooo!”

Zenitsu “Please! Please! Please! Please marry me! I could die any day, you know! That’s why I want you to marry me! So please! Please, I’m begging you!”

炭治郎「な…なんなんだ、一体…」

Tanjiro “Na… Nan-nanda, ittai…”

Tanjiro “Wh-What’s up with that? What on earth?”

チュン太郎「チュン、チュン、チュン…」

Chuntaro “Chun, chun, chun…”

炭治郎「おっと」

Tanjiro “Otto.”

Tanjiro “Hey.”

チュン太郎「チュンチュン…チュンチュン！チュン…」

Chuntaro “Chun, chun… Chun, Chun! Chun…”

炭治郎「ええっ？」

Tanjiro “Ee?”

チュン太郎「チュンチュン…」

Chuntaro “Chun, chun…”

――――――――――――――――――――――――――――――

チュン太郎「チュン、チュン、チュン…」

Chuntaro “Chun, chun, chun…”

善逸「頼むよ！俺には君しか…君しかいないんだ！」

Zen’itsu “Tanomuyo! Ore-niwa kimi-shika…kimi-shika inainda!”

Zenitsu “I’m begging you! There’s no one else! You’re all that I have!”

チュン太郎「チュン、チュン…」

Chuntaro “Chun, chun…”

炭治郎「うん、うん。そうか、わかった！何とかするから！」

Tanjiro “Un, un. Soka, wakatta! Nantoka suru-kara!”

Tanjiro “I see! Gotcha! I’ll do something about it!”

チュン太郎「チュン！」

Chuntaro “Chun!”

善逸「助けてくれ～、結婚してくれ～、お願―」

Zen’itsu “Tasukete-kureee, kekkon shite-kureee, onega―”

Zenitsu “Please help me! Please marry me! I’m begging―”

炭治郎「何やってるんだ、道の真ん中で！その子は嫌がっているだろう!! そして雀を困らせるな!!」

Tanjiro “Nani yatte-runda, michino mannakade! Sono kowa iyagatte-irudaro!! Soshite suzumeo komara-seruna!!”

Tanjiro “What do you think you’re doing right in the middle of the road? Can’t you see she wants no part of you? And don’t go making trouble for your sparrow, either!”

善逸「あっ、隊服！お前は最終選別の時の…」

Zen’itsu “A, tai-fuku! Omaewa Saishu-Senbetsuno tokino…”

Zenitsu “That uniform! You’re that guy from Final Selection!”

炭治郎「お前みたいな奴は知人に存在しない！知らん!!」

Tanjiro “Omae-mitaina yatsuwa chijinni sonzai shinai! Shiran!!”

Tanjiro “No one I know is anything like you! I don’t know you!”

善逸「え―――っ!! 会っただろうが！会っただろうが！お前の問題だよ！記憶力のさ！」

Zen’itsu “Eeeeeeeee!! Atta-daroga! Atta-daroga! Omaeno mondai-dayo! Kioku-ryoku-nosa!”

Zenitsu “But we met, remember? We met, remember? You’re the one with the problem! Like your memory!”

炭治郎「さぁ、もう大丈夫です。安心して家へ帰ってください」

Tanjiro “Saa, mo daijobu desu. Anshin-shite ie’e kaette kudasai.”

Tanjiro “All right, it’s been take care of. You can head home now without any worries.”

女の子「はい、ありがとうございます」

Onna-no-ko “Hai, arigato gozaimasu.”

Girl “I will. Thank you very much!”

善逸「おい―――っ!! お前、邪魔すんじゃねぇよ！その子は俺と結婚するんだ！俺のことが好きなんだから…おっ、ぶえ～っ！」

Zen’itsu “Oiiiiiiiii!! Omae, jama-sunja neeyo! Sono kowa oreto kekkon surunda! Oreno kotoga sukinan-dakara… O, Bueee!”

Zenitsu “Hey! Stay out of my way! That girl is going to marry me! Because she’s in love with me, all ri―”

善逸「あっ、痛い…痛いよ！やめ…やめて、痛い痛い…」

Zen’itsu “A, itai…itaiyo! Yame…Yamete, itai, itai…”

Zenitsu “Hey! Ouch! That hurts! Stop it! Stop it! Ouch! Ouch! Ouch!”

炭治郎「おっ、落ち着いて！」

Tanjiro “O, ochi-tsuite!”

Tanjiro “H-Hey, calm down!”

善逸「うわぁぁん！」

Zen’itsu “Uwaaan!”

女の子「いつ私があなたを好きだと言いましたか!! 具合が悪そうに道端で蹲(うずくま)っていたから、声をかけただけでしょう!!」

Onna-no-ko “Itsu watashiga anatao suki-dato iimashitaka!! Guaiga waru-soni michi-batade uzukumatte-itakara, koeo kaketa-dake-desho!!”

Girl “When did I ever tell you that I love you? You were crumpled up on the side of the road looking ill, and all I did was speak to you!”

善逸「えっ、ええ～っ！俺のこと好きだから、心配して声かけてくれたんじゃないの～？！」

Zen’itsu “E, eeee! Oreno koto suki-dakara, shinpai-shite koe kakete kuretanja nainooo?!”

Zenitsu “You mean you didn’t reach out to me out of love because you were worried?”

女の子「私には結婚を約束した人がいますので、絶対ありえません！それだけ元気なら大丈夫ですね！さようなら!!」

Onna-no-ko “Watashi-niwa kekkon’o yakusoku-shita hitoga imasu-node, zettai arie-masen! Sore-dake genki-nara daijobu desune! Sayonara!!”

Girl “I already have a fiancé, so not on your life! With all that energy, you must be fine now, right? Goodbye!”

善逸「あっ、ま…待って。待っ…」

Zen’itsu “A, ma…matte. Ma…”

Zenitsu “W-Wait, come back! Come…”

炭治郎「お前、もうやめろ」

Tanjiro “Omae, mo yamero.”

Tanjiro “Look, cut it out!”

善逸「何で邪魔するんだ、お前には関係ないだろ！…何だよ、その顔！」

Zen’itsu “Nande jama surunda. Omae-niwa kankei naidaro! …Nan-dayo, sono kao!”

Zenitsu “Wh-Why’d you get in my way? This has nothing to do with you! What’s with that look on your face?”

善逸「やめろ――っ!! 何でそんな別の生き物を見るような目で俺を見てんだ～！お前、責任とれよ!! お前のせいで結婚できなかったんだから！」

Zen’itsu “Yamerooooo!! Nande sonna betsuno ikimono’o miru-yona mede oreo mitendaaa! Omae sekinin toreyo!! Omaeno seide kekkon deki-nakattan-dakara!”

Zenitsu “Stop that! Why are you staring at me like I’m a creature or something? Hey you! You’re responsible for it! Since it’s your fault that I missed out on getting married!”

善逸「何か喋れよ!! いいか、俺はもうすぐ死ぬ!! 次の仕事でだ!! 俺はな！もの凄く弱いんだぜ、舐めるなよ！俺が結婚できるまで、お前は俺を守れよな！」

Zen’itsu “Nanika shabereyo!! Iika, orewa mo-sugu shinu!! Tsugino shigoto-deda!! Ore-wana! Mono-sugoku yowain-daze, nameru-nayo! Orega kekkon dekiru-made, omaewa oreo mamore-yona!”

Zenitsu “Jeez, say something! Listen up! I’m going to die soon! During my next job! The thing is, I’m horribly weak, okay? I’m not kidding! You gotta protect me until I manage to get married, all right?”

炭治郎「俺の名は竈門炭治郎だ!!」

Tanjiro “Oreno nawa Kamado Tanjiroda!!”

Tanjiro “My name is Tanjiro Kamado!”

善逸「そうかい!! ごめんなさいね！俺は我妻善逸だよ！助けてくれよ、炭治郎～！」

Zen’itsu “So-kai!! Gomen-nasaine! Orewa Agatsuma Zen’itsu dayo! Tasukete kureyo, Tanjirooo!”

Zenitsu “Is that right? My apologies! I’m Zenitsu Agatsuma! Please save me, Tanjiro!”

炭治郎「助けてくれって何だ？なん��善逸は剣士になったんだ？なんでそんなに恥をさらすんだ！」

Tanjiro “Tasukete kurette nanda? Nande Zen’itsuwa kenshini nattanda? Nande sonnani hajio sarasunda!”

Tanjiro “What do you mean, save you? What was your reason for becoming a swordsman, Zenitsu? Why are you being so blatantly shameless?”

善逸「言い方ひどいだろ！女に騙されて借金したんだよ！借金を肩代わりしてくれたジジイが‘育手’だったの!!」

Zen’itsu “Iikata hidoi-daro! Onnani damasarete shakkin shitan-dayo! Shakkin’o kata-gawari shite-kureta jijiiga ‘sodate’ dattano!!”

Zenitsu “That’s a harsh way to put it! I got swindled by a woman and racked up all this debt! The old geezer who took it over for me was a cultivator!”

善逸「毎日毎日、地獄の鍛錬だよ！死んだ方がマシだってくらいの！最終選別で死ねると思ったのにさ!! 運良く生き残るから、いまだに地獄の日々だぜ！あ――怖い怖い怖い怖い！」

Zen’itsu “Mai-nichi mai-nichi, jigokuno tanren dayo! Shinda-hoga mashitte kuraino! Saishu-Senbetsude shineruto omotta-nonisa!! Un-yoku iki-nokoru-kara, imadani jigokuno hibi daze! Aaaaa, kowai kowai kowai kowai!”

Zenitsu “Day after day, I had to go through hellish training! It was so bad that I thought I’d be better off dead! I was hoping I could die during Final Selection! But since I was lucky enough to survive, I’m still going through hell every day! I’m so scared! Scared! Scared! Scared!”

善逸「きっともうすぐ鬼に喰われて死ぬんだ！生きたまま耳から脳髄を吸われて～！イィヤァアア――ッ!! いやぁあああ！助けてェ―――ッ!!」

Zen’itsu “Kitto mo-sugu onini kuwarete shinunda! Ikita-mama mimi-kara nozui’o suwareteee! Iiyaaaaaaaaa!! Iyaaaaa! Tasuketeeeeeeee!!”

Zenitsu “I just know that I’m gonna get devoured and killed soon by a demon! My brains are gonna get sucked through my ears while I’m still alive! No! No! Please save me!”

炭治郎「どうしたんだ、大丈夫か？」

Tanjiro “Do-shitanda, daijobuka?”

Tanjiro “What’s the matter? Are you okay?”

善逸「ヒィ――ッ、ヒィ――ッ」

Zen’itsu “Hiiiii, hiiiii…”

チュン太郎「チュン、チュンチュン」

Chuntaro “Chun, chun chun.”

鎹鴉の天王寺松右衛門「カア～」

Tennoji Matsuemon (Kasugai-Garasu) “Kaaa.”

―――――――――――――――――――――――――――――――

炭治郎「どうだ？」

Tanjiro “Doda?”

Tanjiro “How are you?”

善逸「うん…落ち着いたら腹減ってきた」

Zen’itsu “Un… Ochi-tsuitara hara hette-kita.”

Zenitsu “Yeah. Now that I’m calmer, I’m getting hungry.”

炭治郎「何か食べるもの持ってないのか？」

Tanjiro “Nanika taberu mono motte-nainoka?

Tanjiro “Don’t you have any food on you?”

善逸「ない…」

Zen’itsu “Nai…”

Zenitsu “Nope.”

炭治郎「ほら、これ、食べるか？」

Tanjiro “Hora, kore taberuka?”

Tanjiro “Here, take this. Would you like to eat it?”

善逸「ああ、ありがとう。ん？炭治郎は食わないのか？」

Zen’itsu “Aa, arigato. N? Tanjirowa kuwanai-noka?”

Zenitsu “Hey, thanks. You’re not eating, Tanjiro?”

炭治郎「うん。それしかないか��」

Tanjiro “Un. Sore-shika nai-kara.”

Tanjiro “No, since that’s all I’ve got.”

善逸「ほら、半分食えよ」

Zen’itsu “Hora, hanbun kueyo.”

Zenitsu “Here. You eat half.”

炭治郎「えっ、いいのか？ありがとう」

Tanjiro “E, iinoka? Arigato.”

Tanjiro “You sure? Thanks!”

炭治郎「鬼が怖いっていう善逸の気持ちもわかるが、雀を困らせたらダメだ」

Tanjiro “Oniga kowaitte-iu Zen’itsuno kimochimo wakaruga, suzumeo komarase-tara dameda.”

Tanjiro “I know what you mean when you say you’re scared of demons, but you can’t make trouble for your sparrow.”

善逸「えっ、困ってた？雀？なんでわかるんだ？」

Zen’itsu “E, komatteta? Suzume? Nande wakarunda?”

Zenitsu “Was it distressed? The sparrow? How can you tell?”

炭治郎「いや…善逸がずっとそんなふうで仕事に行きたがらないし、女の子にすぐちょっかい出す上に、イビキもうるさくて困ってるって…言ってるぞ」

Tanjiro “Iya… Zen’itsuga zutto sonna-fude shigotoni ikita-gara-naishi, on’nanokoni sugu chokkai dasu ueni, ibikimo urusakute komatterutte… itteruzo.”

Tanjiro “Well, he says that you’re always whining about not wanting to got to work, and you’re always hitting on girls, and that you snore so loud, he’s had it! So he says.”

チュン太郎「チュン！」

Chuntaro “Chun!”

善逸「言ってんの?! 鳥の言葉がわかるのかよ?!」

Zen’itsu “Ittenno?! Torino kotobaga wakaruno-kayo?!”

Zenitsu “He’s saying that?! You can understand bird language?”

炭治郎「うん」

Tanjiro “Un.”

善逸「嘘だろ?! 俺を騙そうとしてるだろ！」

Zen’itsu “Uso daro?! Oreo damasoto shiteru-daro!”

Zenitsu “You’re lying, right? You’re just trying to trick me!”

鎹鴉の天王寺松衛門「カァァ!! 駆ケ足!! 駆ケ足!! 炭治郎、善逸、走レ!! 共に向カエ、次ノ場所マデ!! 走レ！走レ、炭治郎、善逸！」

Tennoji Matsuemon (Kasugai-Garasu) “Kaaa!! Kake-ashi!! Kake-ashi!! Tanjiro, Zen’itsu, hashire!! Tomoni mukae, tsugino basho-made!! Hashire! Hashire, Tanjiro, Zen’itsu!”

Matsuemon Tennoji (Kasugai Crow) “Start running! Start running! Tanjiro, Zenitsu, run! Both of you head over to your next destination! Run! Run, Tanjiro, Zenitsu!”

善逸「ギャ―――――ッ！カラスが喋ってる！」

Zen’itsu “Gyaaaaaaaaaaa! Karasuga shabetteru!”

Zenitsu “That crow is talking!”

―――――――――――――――――――――――――――――――

善逸「なあ炭治郎、やっぱり俺じゃ��理だよ。俺がいたって何の役にも立てないしさ…」

Zen’itsu “Naa Tanjiro, yappari oreja muri dayo. Orega itatte nanno yaku-nimo tatenai-shisa…”

Zenitsu “Hey, Tanjiro, on second thought, I’m not gonna make it. Even if I go along, I’m gonna be totally useless.”

炭治郎（鬼の匂いが少しずつ強くなってる。この先に何かある…　あれは？）

Tanjiro (Onino nioiga sukoshi-zutsu tsuyoku natteru. Kono sakini nanika aru… Arewa?)

Tanjiro (The demon scent is getting stronger little by little. There’s something up ahead. What’s that?)

炭治郎「血の匂いがする…　でも、この匂いは…」

Tanjiro “Chino nioiga suru… Demo, kono nioiwa…”

Tanjiro “I can smell blood. But this particular scent…”

善逸「えっ？何か匂いする？」

Zen’itsu “E? Nanika nioi suru?”

Zenitsu “You smell something?”

炭治郎「ちょっと今まで嗅いだことない…」

Tanjiro “Chotto ima-made kaida koto nai…”

Tanjiro “Something I’ve never smelled before.”

善逸「それより何か音がしないか？あと、やっぱ俺たち共同で仕事するのかな？」

Zen’itsu “Sore-yori nanika otoga shinaika? Ato, yappa ore-tachi kyodode shigoto suruno-kana?”

Zenitsu “I don’t know about that, but do you hear that sound? Also, are you and I gonna work together, after all?”

炭治郎「音？あっ！」

Tanjiro “Oto? A!”

Tanjiro “Sound?”

善逸「こっ、子供だ…」

Zen’itsu “Ko, Kodomoda…”

Zenitsu “K-Kids…”

炭治郎「どうしたんだろう…」

Tanjiro “Doshitan-daro…”

Tanjiro “I wonder what’s wrong.”

炭治郎「君たち、こんな所で何してるんだ？」

Tanjiro “Kimi-tachi, konna tokorode nani shiterunda?”

Tanjiro “Hey, guys, what are you doing here?”

正一「あっ…」

Shoichi “A…”

炭治郎（かなり怯えているな…）

Tanjiro (Kanari obiete-iruna…)

Tanjiro (They seem really spooked.)

炭治郎「よ～し、じゃあ兄ちゃんがいいものを見せてあげよう！じゃじゃ―――ん！手乗り雀だ!!」

Tanjiro “Yoooshi, jaa niichanga ii mono’o misete-ageyo! Jajaaaaaaan! Tenori-suzumeda!”

Tanjiro “Okay, wanna see something cool? Ta-da! It’s a tame sparrow!”

チュン太郎「チュン、チュン」

Chuntaro “Chun, chun.”

炭治郎「な？可愛いだろ？」

Tanjiro “Na? Kawaii-daro?”

Tanjiro “See? Isn’t he cute?”

チュン太郎「チュン！」

Chuntaro “Chun!”

炭治郎「教えてくれ。何かあったのか？ここは二人の家？」

Tanjiro “Oshiete-kure. Nanika atta-noka? Kokowa futarino ie?”

Tanjiro “Please tell me. Did something happen? Is this your house?”

正一「違う…違う…こ…ここは…ば…化け物の…家だ…」

Shoichi “Chigau��chigau…Ko…Kokowa…ba…bakemonono…ieda…”

Shoichi “No. No, it’s not. This… This is… A-A monster’s…house!”

正一「兄ちゃんが連れて行かれた…夜道を歩いていたら、見たこともない化け物が現れて…俺たちには目もくれないで、兄ちゃんだけ…」

Shoichi “Niichanga tsurete-ikareta… Yomichio aruite-itara, mitakotomo nai bakemonoga arawarete… Ore-tachi-niwa memo kurenaide, niichan-dake…”

Shoichi “Our big brother got taken away. When we were walking down the road at night, this monster we’d never seen before showed up. It didn’t give us a glance. Just our brother.”

炭治郎「あの家に入ったんだな？」

Tanjiro “Ano ieni haittan-dana?”

Tanjiro “And they went inside that house, right?”

正一「うん、うん…」

Shoichi “Un, un…”

Shoichi “Yeah. Yeah.”

炭治郎「二人で後をつけたのか？えらいぞ、頑張ったな」

Tanjiro “Futaride ato’o tsuketa-noka? Eraizo, ganbattana.”

Tanjiro “Did you two follow them here? You did good! Great job!”

正一「兄ちゃんの血の痕を辿ったんだ。怪我したから…」

Shoichi “Niichanno chino ato’o tadottanda. Kega shita-kara…”

Shoichi “We followed the traces of his blood. Because he got hurt!”

炭治郎（怪我…）「大丈夫だ。俺たちが悪い奴を倒して、兄ちゃんを助ける」

Tanjiro (Kega…) “Daijobuda. Ore-tachiga warui yatsuo taoshite, niichan’o tasukeru.”

Tanjiro (Hurt…) “Don’t worry! We’re going to defeat the bad guy and rescue your brother!”

てる子「ほんと？ほんとに…？」

Teruko “Honto? Hontoni…?”

Teruko “Really? You really will?”

炭治郎「うん、きっと…」

Tanjiro “Un, kitto…”

Tanjiro “Yeah. For sure!”

善逸「炭治郎。なぁ、この音何なんだ？気持ち悪い音…ずっと聞こえる。鼓か？これ…」

Zen’itsu “Tanjiro. Naa, kono oto nan-nanda? Kimochi-warui oto… Zutto kikoeru. Tsuzumika? Kore…”

Zenitsu “Tanjiro… Hey, what is this sound? This creepy sound never stops. Is it a tsuzumi?”

炭治郎「音？音なんて…」

Tanjiro “Oto? Oto nante…”

Tanjiro “Sound? I don’t hear any.”

炭治郎「見るな!! 大丈夫ですか?! 大丈夫ですか！しっかり！」

Tanjiro “Miruna!! Daijobu desuka?! Daijobu desuka! Shikkari!”

Tanjiro “Don’t look! Are you all right? Are you all right? Stay with me!”

炭治郎（傷が深い。これは…）

Tanjiro (Kizuga fukai. Korewa…)

Tanjiro (The wound is so deep. Is this…)

男「出ら…せっかく…出られ…たのに…外に…出られたのに…死ぬ…のか…俺…死ぬのか…」

Otoko “Dera…sekkaku…derare…tanoni… Sotoni…derareta-noni…shinu…noka…ore…shinunoka…”

Man “Even though… I got out… Even though I made it out… Made it outside. Still… Am I gonna die? Am I still gonna die?”

炭治郎（ああ、死んでしまった…痛かっただろう…苦しかったろう…）

Tanjiro (Aa, shinde-shimatta… Itakatta-daro… Kurushi-kattaro…)

Tanjiro (And now he’s gone… It must’ve hurt a lot. You must’ve suffered.)

善逸「炭治郎、もしかして、その人…この子たちの…」

Zen’itsu “Tanjiro, moshika-shite, sono hito…kono-ko-tachino…”

Zenitsu “Tanjiro, by any chance, is that guy these kids’…”

―――――――――――――――――――――――――――――――

炭治郎（助けら��なかった…。俺たちがもう少し早く来てれば、助けられたかもしれないのに…）

Tanjiro (Tasuke-rare-nakatta… Ore-tachiga mo sukoshi hayaku kitereba, tasuke-rareta-kamo shirenai-noni…)

Tanjiro (We couldn’t save him. If only we’d gotten here a little sooner, we might’ve managed to save him.)

炭治郎「ねぇ、この人は君たちの…」

Tanjiro “Nee, kono hitowa kimi-tachino…”

Tanjiro “Hey, is this man your…”

正一「兄ちゃんじゃない…兄ちゃんは柿色の着物を着てる」

Shoichi “Niichanja nai… Niichanwa kaki-irono kimono’o kiteru.”

Shoichi “I-It’s not Brother. Brother’s wearing a persimmon-colored kimono.”

炭治郎（そうか。何人も捕まっていたんだ。戻ってきたら、必ず埋葬します…すみません、すみません…）

Tanjiro (Soka. Nanninmo tsukamatte-itanda. Modotte-kitara kanarazu maiso shimasu… Sumimasen, sumimasen…)

Tanjiro (I see. So, it’s captured more than one person. I promise to bury you when I return. Forgive me. Forgive me.)

炭治郎「よし、善逸!! 行こう」

Tanjiro “Yoshi, Zen’itsu!! Iko.”

Tanjiro “All right. Zenitsu, come on!”

炭治郎「でも、今助けられるのは、俺と善逸だけだ」

Tanjiro “Demo, ima tasuke-rareru-nowa, oreto Zen’itsu dakeda.”

Tanjiro “But no one else can help them now but you and me.”

善逸「ヒイイ…」

Zen’itsu “Hii…”

炭治郎「そうか、わかった」

Tanjiro “Soka, wakatta.”

Tanjiro “Really? All right, then.”

善逸「ヒッ！ヒャ―――ッ！何だよォ――!! なんでそんな般若みたいな顔すんだよォ――ッ、行くよォ――ッ！」

Zen’itsu “Hi! Hyaaaaaaa! Nandayoooooo!! Nande sonna hannya mitaina kao sundayooooo, ikuyoooooo!”

Zenitsu “Hey, come on! Why are you making that ogre face at me? Okay, I’ll go!”

炭治郎「無理強いするつもりはない」

Tanjiro “Murijii suru tsumoriwa nai.”

Tanjiro “I have no intension of forcing you to.”

善逸「行くよォ―――ッ！」

Zen’itsu “Ikuyoooooooo!”

Zenitsu “I said I’ll go!”

炭治郎「もしもの時のために、この箱を置いていく。何かあっても、二人を守ってくれるから。じゃあ、行ってくる」

Tanjiro “Moshimono tokino tameni, kono hako’o oite-iku. Nanika attemo, futario mamotte-kureru-kara. Jaa, itte-kuru.”

Tanjiro “In case of an emergency, I’m leaving this box behind. Even if something happens, you two will be protected. Okay, we’re going now.”

善逸「炭治郎…　なぁ炭治郎。守ってくれるよな？俺を守ってくれるよな？」

Zen’itsu “Tanjiro… Naa Tanjiro. Mamotte kureru-yona? Oreo mamotte-kureru-yona?”

Zenitsu “Tanjiro! Hey, Tanjiro! You’ll protect me, right? You’ll protect me, right?”

炭治郎「善逸。ちょっと申し訳ないが、前の戦いで俺は、肋(あばら)と脚が折れている。そしてまだそれが完治していない。だから…」

Tanjiro “Zen’itsu. Chotto moshiwake-naiga, maeno tatakaide orewa, abarato ashiga orete-iru. Soshite mada sorega kanchi shite-inai. Dakara…”

Tanjiro “Zenitsu, I hate to put you on the spot, but…I’ve got a broken rib and leg from my previous battle. And neither are fully healed yet. So―”

善逸「えっ？えええ―――ッ！何折ってんだよ骨！折るんじゃないよ骨！折れてる炭治郎じゃ俺を守りきれないぜ！ししし死んじまうぞ！ヒャッ！どうすんだどうすんだ？死ぬよこれ！死ぬ死ぬ死ぬ死ぬ…ヒィ――ッ！骨折してるなんて酷い、あんまりだぞ！死んだよ俺!! 九分九厘死んだ！死ぬ死ぬ死ぬ…」

Zen’itsu “E? Eeeeeeeee! Nani otten-dayo hone! Orunjan aiyo hone! Oreteru Tanjiroja oreo mamori-kirenaize! Shishishi, shinjimauzo! Hya! Dosunda dosunda? Shinuyo kore! Shinu shinu shinu shinu… Hiiiiii! Kossetsu shiteru-nante hidoi, anmari-dazo! Shindayo ore!! Kubu-kurin shinda! Shinu shinu shinu…”

Zenitsu “What do you mean, broken bones? Don’t go breaking any bones one me! If you’ve got fractures, you can’t possibly protect me! I-I-I’m gonna die! What am I gonna do? What am I gonna do? I’m gonna die now! Gonna die, gonna die, gonna die! Broken bones? How could you? I’m a dead man now! 99.9% dead! I’m dead! I’m dead! I’m dead!”

炭治郎「善逸、静かにするんだ。お前は大丈夫だ」

Tanjiro “Zen’itsu, shizukani surunda. Omaewa daijobuda.”

Tanjiro “Zenitsu, quiet down! You’ll be all right.”

善逸「気休めはよせよォ――ッ!!」

Zen’itsu “Kiyasumewa yoseyoooooo!!”

Zenitsu “Don’t sugarcoat it!”

炭治郎「違うんだ。俺にはわかる。善逸は…あっ…」

Tanjiro “Chigaunda. Ore-niwa wakaru. Zen’itsuwa… A…”

Zenitsu “I’m not! I can tell, all right? Zenitsu, you’re―”

炭治郎「駄目だ!!」

Tanjiro “Dameda!!”

Tanjiro “No good!”

善逸「ギャ――――――ッ!!」

Zen’itsu “Gyaaaaaaaaaaaaa!!”

炭治郎「入ってきたら駄目だ!!」

Tanjiro “Haitte-kitara dameda!!”

Tanjiro “You shouldn’t be here!”

正一「お…お兄ちゃん、あの箱カリカリ音がして…」

Shoichi “O…Oniichan, ano hako kari-kari otoga shite…”

Shoichi “M-Mister, we heard scratching sounds from inside that box!”

炭治郎「だっ…!! だからって置いて来られたら切ないぞ。あれは俺の命よりも大切なものなのに…」

Tanjiro “Da…!! Dakaratte oite-koraretara setsunaizo. Arewa oreno inochi-yorimo taisetsuna mono nanoni…”

Tanjiro “E-Even still, it pains me that you left it behind! I mean, it’s more precious to me than my own life!”

善逸「キャアアア！あっ、ごめん…尻が」

Zen’itsu “Kyaaaa! A, gomen…shiriga…”

Zenitsu “Sorry! My butt…”

炭治郎（ハッ！…部屋が変わった!! いや、俺たちが移動したのか？鼓の音に合わせて）

Tanjiro (Ha! …Heyaga kawatta!! Iya, ore-tachiga ido shita-noka? Tsuzumino otoni awasete.)

Tanjiro (…It’s a different room. No. Were we the ones that moved? To the beat of that tsuzumi?)

てる子「うっ、うう…」

Teruko “U, Uu…”

炭治郎「お兄ちゃんと離れ離れにしてごめんな。でも必ず守るから。お兄ちゃんのことも、善逸が守るよ。大丈夫。名前は？」

Tanjiro “Oniichanto hanare-banareni shite gomenna. Demo kanarazu mamoru-kara. Oniichanno kotomo, Zen’itsuga mamoruyo. Daijobu. Namaewa?”

Tanjiro “Sorry you got separated from your brother, okay? But I’m gonna protect you no matter what. And Zenitsu is gonna protect your brother. Don’t worry! What’s your name?”

てる子「てる子…」

Teruko “Teruko…”

Teruko “Teruko.”

炭治郎「そうか、てる子。いい名前をつけてもらっ…ハッ！」

Tanjiro “Soka, Teruko. Ii namaeo tsukete moratt… Ha!”

Tanjiro “Is that right? Teruko? That’s a fine name you have―”

炭治郎（いくつかの匂いの中でも、この屋敷に染みついたきつい匂いだ！かなり人を喰ってる!! こいつがこの屋敷の…主!!）

Tanjiro (Ikutsukano nioino naka-demo, kono yashikini shimi-tsuita kitsui nioida! Kanari hito’o kutteru!! Koitsuga kono yashikino… Nushi!!)

Tanjiro (Even among all these scents, This is the strongest one that this house is stepped in! This one’s devoured a whole slew of humans! This one’s the master of this house!)

―――――――――――――――――――――――――――――――

善逸「死ぬ～！死ぬ死ぬ、死んでしまうぞ、これは死ぬ!! 炭治郎と離れちゃった～！」

Zen’itsu “Shinuuu! Shinu shinu, shinde-shimauzo, korewa shinu!! Tanjiroto hanare-chattaaa!”

Zenitsu “I’m gonna die! Gonna die, gonna die, gonna die, I’m telling you! Tanjiro and I got split up!”

正一「てる子!! てる子!!」

Shoichi “Teruko!! Teruko!!”

Shoichi “Teruko! Teruko!”

善逸「だめだめだめ、大声出したらだめ！大声出して悪い奴に聞かれたら大変だよ！ちょっと外に出よう！」

Zen’itsu “Dame dame dame, oogoe dashitara dame! Oogoe dashite warui yatsuni kikaretara taihen dayo! Chotto sotoni deyo!”

Zenitsu “No, no, no, no! Don’t yell like that! If you yell and the bad guy hears you, it won’t be pretty! Come on, let’s step outside!”

正一「なんで外に？自分だけ助かろうとしてるんですか？」

Shoichi “Nande sotoni? Jibun-dake tasukaroto shiterun-desuka?”

Shoichi “What… Why outside? Are you trying to escape all by yourself?”

善逸「えっ…」

Zen’itsu “E…”

正一「死ぬとかそういうことずっと言って恥ずかしくないですか？年下にすがりついて情けないと思わないんですか？あなたの腰の刀は一体何のためにあるんですか？」

Shoichi “Shinu-toka so-iu koto zutto itte hazukashiku-nai-desuka? Toshi-shitani sugari-tsuite nasake-naito omowa-nain-desuka? Anatano koshino katanawa ittai nanno tameni arun-desuka?”

Shoichi “All this constant yammering about dying… Aren’t you ashamed of yourself? Clinging onto a younger person… Don’t you feel pathetic? What are you wearing that swords on your hip for anyway?”

善逸「ぐっは…すごい切れ味の言葉が…ぐはっ」

Zen’itsu “Guhha… Sugoi kireajino kotobaga… Guha!”

Zenitsu “Those words cut so deep.”

善逸「違うんだよ！俺じゃ役に立たないから人を…」

Zen’itsu “Chigaun-dayo! Oreja yakuni tatanai-kara hito’o…”

Zenitsu “That’s not it! I’m not gonna be of any use anyway,”

正一「放して！」

Shoichi “Hanashite!”

Shoichi “Let me go!”

善逸「大人を呼んで来ようとしているんだよ！」

Zen’itsu “Otonao yonde-koyoto shite-irun-dayo!”

Zenitsu “so I’m gonna summon a grownup here, okay?”

正一「放してください！��

Shoichi “Hanashite kudasai!”

Shoichi “Let me go!”

善逸「子供だけでどうにかできることじゃないから、これは！」

Zen’itsu “Kodomo-dakede donika dekiru kotoja naikara, korewa!”

Zenitsu “Because this isn’t something us kids can resolve on our own!”

善逸「あっ…嘘だろ嘘だろ嘘だろ！ここが玄関だったのに!! 外はどこに行ったの？だってこの戸が…こっちか?! ここは？こっちは？」

Zen’itsu “A… Uso-daro uso-daro uso-daro! Kokoga genkan datta-noni!! Sotowa dokoni ittano? Datte kono toga… Kocchika?! Kokowa? Kocchiwa?”

Zenitsu “You’re kidding me, kidding me, kidding me! I’m sure this was the front door! Where’d the outside go? I mean, this door was… Is it this one? How about this one? What about this one?”

善逸「化ケモノだァ―――――ッ！ギャアアア！」

Zen’itsu “Bakemonodaaaaaaaaaaaaaa! Gyaaaa!”

Zenitsu “It’s a monster!”

善逸「何だよォ、その目なに?! やだそんな目！」

Zen’itsu “Nandayoo, sono me nani?! Yada sonna me!”

Zenitsu “What the heck? What’s that look in your eyes? Stop looking at me like that!”

―――――――――――――――――――――――――――――――

響凱「あいつらさえ邪魔しなければ…」

Kyogai “Aitsura-sae jama shinakereba…”

Kyogai “If it hadn’t been…If it hadn’t been for their meddling…”

炭治郎「てる子、叫ぶのは我慢だ。部屋は動くから廊下に出るな。退(さ)がって棚の後ろに隠れるんだ」

Tanjiro “Teruko, sakebu-nowa gamanda. Heyawa ugoku-kara rokani deruna. Sagatte tanano ushironi kakurerunda.”

Tanjiro “Teruko, you gotta try not to scream. The room’s going to flip around, so don’t go into the hall. Step back and hide behind the shelves.”

響凱「おのれおのれ…あいつらのせいで取り逃がした。小生の獲物だったのに。なぜだ。どいつもこいつも余所様(よそさま)の家にづかづか入り込み、腹立たしい……小生の獲物だぞ。小生の縄張りで見つけた小生の獲物だ……」

Kyogai “Onore onore… Aitsurano seide tori-nigashita. Shoseino emono datta-noni. Nazeda. Doitsumo koitsumo yoso-samano ieni zuka-zuka hairi-komi, haradatashii…… Shoseino emono dazo. Shoseino nawabaride mitsuketa shoseino emonoda……”

Kyogai “Curses, curses! Thanks to them, he got away! When he was my prey! Why is it? Why do they all keep barging into someone else’s home? It’s infuriating. That was my prey! My own prey, discovered on my own turf!”

響凱「あいつらめ…あいつらめ！」

Kyogai “Aitsurame… Aitsurame!”

Kyogai “Curse them! Curse them!”

炭治郎「おい！お前!! 俺は鬼殺隊、階級・癸!! 竈門炭治郎だ！今からお前を斬る!!」

Tanjiro “Oi! Omae!! Orewa Kisatsu-Tai, kaikyu: Mizunoto!! Kamado Tanjiroda! Ima-kara omaeo kiru!!”

Tanjiro “Hey! Listen! I’m with the Demon Slayers Corp. Rank 10, Tanjiro Kamado! I’m going to slay you now!”

響凱「俺が見つけた‘稀血’の子供なのに!!」

Kyogai “Orega mitsuketa ‘marechi’ no kodomo nanoni!!”

Kyogai “A child with rare blood that I found myself!”

炭治郎（とった！）「えっ？てる子!! ハッ！」

Tanjiro (Totta!) “E? Teruko!! Ha!”

Tanjiro (Got him!) “Teruko!!”

炭治郎（畳が側面にある… 部屋が回転したんだ。これがこの鬼の血鬼術！屋敷全てが鬼の縄張り…!!）

Tanjiro (Tatamiga sokumenni aru… Heyaga kaiten shitanda. Korega kono onino kekki-jutsu! Yashiki subetega onino nawabari…!!)

Tanjiro (Now the tatami floors are on the sides! The room’s been flipped! So, this is that demon’s Blood Demon Art! This Entire house is this demon’s territory!)

炭治郎（何だ?! 妙な匂いが迫ってくる。鬼じゃない！）

Tanjiro (Nanda?! Myona nioiga sematte-kuru. Onija nai!)

Tanjiro (What’s this? An odd scent is wafting this way. It’s not a demon!)

嘴平伊之助「ウハハハ…！猪突猛進!! 猪突猛進!! 猪突猛進!!」

Hashibira Inosuke “Uhahaha…! Chototsu-Moshin!! Chototsu-Moshin!! Chototsu-Moshin!!”

Inosuke Hashibira “Comin’ through! Comin’ through! Comin’ through!”

炭治郎（な、なんだあの男！猪(いのしし)の皮をかぶって――…日輪刀を持っている!!）

Tanjiro (Na, Nanda ano otoko! Inoshishino kawao kabutte――…Nichirin-To’o motte-iru!!)

Tanjiro (Wh-Who’s that guy? He’s wearing a boar’s hide! And he’s wielding Nichirin Swords!)

伊之助「さァ化け物!! 屍(しかばね)を晒(さら)して、俺がより強くなるため、より高く行くための、踏み台となれェ!!」

Inosuke “Saa bakemono!! Shikabaneo sarashite, orega yori tsuyoku-naru-tame, yori takaku iku-tameno, fumidaito naree!!”

Inosuke “All right, you monster… Die on the battlefield and serve as my springboard! So that I can become more powerful and soar even higher!”

響凱「腹立たしい、腹立たしい…」

Kyogai “Haradatashii, haradatashii…”

Kyogai “Infuriating! Infuriating!”

伊之助「行くぜ！猪突…猛進!!」

Inosuke “Ikuze! Chototsu…Moshin!!”

Inosuke “Here goes… Comin’…through!”

―――――――――――――――――――――――――――――――

大正コソコソ噂話　―Taisho Secret―

善逸「なあ炭治郎。さっきお前が無理やり引き剥がした女の子…やっぱり俺のこと好きだったと思うんだよ」

Zen’itsu “Naa Tanjiro. Sakki omaega muriyari hiki-hagashita onna’noko… Yappari oreno koto suki-dattato omoun-dayo.”

Zenitsu “Hey, Tanjiro, I think that girl you forcibly pulled away from me loves me after all.”

炭治郎「何言ってるんだ！明らかに彼女は嫌がっていただろう」

Tanjiro “Nani itterunda! Akirakani kanojowa iyagatte-itadaro.”

Tanjiro “What are you talking about? It was so obvious that she wasn’t into you!”

善逸「そんなことないよ！ああは言ってたけどさ、実は俺に追いかけてほしかったんじゃないか？思い返すと、俺の頬をぶったときも、どこか愛があったみたいに思うし、その後俺をぶっている時も一回一回すごく気持ちがこもっていたし、これは絶対絶対俺のことが好きなのでは～？」

Zen’itsu “Sonna koto naiyo! Aawa itteta-kedosa, jitsuwa oreni oikakete hoshikattanja naika? Omoi-kaesuto, oreno hoo’o butta-tokimo, dokoka aiga atta mitaini omoushi, sono ato oreo butte-iru-tokimo ikkai ikkai sugoku kimochiga komotte-itashi, korewa zettai zettai oreno kotoga suki-nano-dewaaa?”

Zenitsu “That’s not true! She might’ve said all those things, but she could’ve really wanted me to chase after her, right? I think there was love in her eyes when she slapped me, and then all the other times she hit me, she was really putting her heart into it every single time! She must be in love with me for sure, for sure, for sure!”

炭治郎「あ…」

Tanjiro “A…”

善逸「なんか喋れよ！」

Zen’itsu “Nanka shabereyo!”

Zenitsu “Say something, will you?”

炭治郎「ここで大正コソコソ噂話。善逸は、基本的に女の子ならどんな子でも意識してしまい、ソワソワするらしいですよ」

Tanjiro “Kokode Taisho koso-koso uwasa-banashi. Zen’itsuwa, kihon-tekini onna’noko nara donna ko-demo ishiki shite-shimai, sowa-sowa suru-rashii desuyo.”

Tanjiro “Now, it’s time for a Taisho secret! I hear that Zenitsu gets self-conscious in front girls, and his heart starts fluttering.”

善逸「仕方ないだろ？女の子は可愛らしいし柔らかいし、いい匂いするんだから！ああ、女の子のことを考えてたらさっきの子のことを思い出しちゃったよ。この屋敷から出られたら、すぐにでも追いかけて頬ずりして～」

Zen’itsu “Shikata naidaro? Onna’nokowa kawaiishi yawarakaishi, ii nioi surun-dakara! Aa, onna’nokono koto’o kangaete-tara sakkino kono koto’o omoi-dashi-chattayo. Kono yashiki-kara deraretara, suguni-demo oikakete hoozuri-shiteee”

Zenitsu “Well, I can’t help it! Girls are so adorable, so soft, and they smell so nice! Oh, man, now that I’m thinking about them, I just remembered that girl! If I make it out of this house, I’m gonna go right after her and rub my cheek against her!”

炭治郎「次回、第十二話『猪は牙を剥き、善逸は眠る』」

Tanjiro “Jikai, dai juniwa, ‘Inoshishiwa kibao muki, Zen’itsuwa nemuru.’”

Tanjiro “Next, Episode 12, ‘The Boar Bares Its Fangs, Zenitsu Sleeps.’”

善逸「無視しないでくれよ炭治郎～！」

Zen’itsu “Mushi shinaide kureyo Tanjirooo!”

Zenitsu “Hey, don’t just ignore me, Tanjiro!”

(Continue to episode 12)

[koscistykotek]

⋆𐙚₊˚⊹♡ bodycheck ⋆𐙚₊˚⊹♡

weight : 54 kg

mam 172 wzrostu ⋆𐙚₊˚⊹♡

🎯 49 kg

ps ta plamka na brzuchu to ugryzienie chyba komara

[ratective]

JA JM DAM ATAK ZARAZ ataku serca to mozna dostac od kazdego zarcia na wynos jakie tam sie znajdzie przez jakosc i wielkość porcji… ale faktycxnie skoro greckie jedzenie robi taki szal to nic dziwnego ze zwykle maslo to jakas dziwnosc najwieksza nieslychana

@ratective tak oni jedzą surowe steki i mowia ze jak są miekkie i gryzalne i mają smak czegoś co nie jest podeszwą to jestes pusią fagotem

[bantennews]

Ribuan Wisatawan Kunjungi Pantai di Lebak Selatan

LEBAK – H+2 libur Lebaran ribuan wisatawan memadati objek wisata pantai Selatan di Kabupaten Lebak, Banten, Kamis 11 April 2024. Kebanyakan pengunjung berasal dari luar Kabupaten Lebak. Ketua Balawista Kabupaten Lebak, Erwin Komara Sukma mengatakan, jika kunjungan wisatawan di hari kedua IdulFitri ini mulai mengalami peningkatan khususnya di area pantai Selatan. “Jika dikalkulasi ya prediksi…

[boycannibal]

kocham plener zaraz zrobie sie jednym wielkim ugryzieniem komara

[erundur-adanion]

Çima ez ji sekulerîzmê bêtir bibêjim Laîkparêzî tercîh dikim?

Peyva laîkîzmê ji peyva fransî "Laïcité" tê û bi fransî tê wateya "Sekulerîzm" an jî "Laîkparêzî".

Peyva sekulerîzmê ji Îngilîzî tê.

“Sekulerîzm” û “Laîkparêzî” hevwateya hev in.

Îcar çima ez dibêjim "sekûlerîzm" û ne "laîsîtî"? Bila rave bikim, ji ber ku laîktiya ku li Tirkiyeyê tê meşandin xelet hatiye bicihanîn;

1. “Dîn mudaxeleyê dewletê nake, lê dewlet mudaxeleyê dîn dike”. Mînak; Di 3'ê Adara 1924'an de Serokatiya Karên Diyanetê hat avakirin û ol bi temamî ket bin kontrola dewletê. Tenê xebatên der barê mekteba Matûrîdî ya şaxa mezheba sunnî ya henefî de ji raya giştî re tên nivîsandin. Ev yek bi temamî li dijî laîktiyê ye ji ber ku di laîktiyê de “Dîn mudaxeleyê siyasetê nake û siyaset jî bi olê re midaxele nake”. Prensîbek heye. Lê li Tirkiyeyê ev yek bi xeletî hat sepandin.

2. "Mezheba Sunî-Henefî-Meturîdî ya dînê Îslamê mezheba herî rast e û yên din jî feraset in." Ev jî têgihiştineke şaş e, ji ber ku di Qurana pîroz de tu mezheb li ser mezhebên din û ne jî olek li ser oleke din serdest e. Di Quranê de tenê yek jêderka ola îslamê heye ew jî Îslam bi xwe ye. "Ewên ku dînê xwe perçe perçe kirine û bûne kom, hûn bi wan re namînin. Karê wan li ser Xuda ye, paşê (Xuda) dê wan bi kiryara wan agahdar bike." Sureye En'am ayeta 159

3. "Hemû nivîsarên olî û îbadet divê bi tirkî bin." Nivîsandina wergerên tirkî yên pirtûkeke hêja wek Qurana Pîroz xizmeteke mezin e, lê ne aqilmend e ku meriv zimanekî dewlemend wek kurdî înkar bike, heger tirkî hebe divê kurdî jî hebe.

4. "Hemû gelên ku li Komara Tirkiyeyê dijîn Henefî ne." Bê guman têgehek xelet e. %50ê komara Tirkiyê Henefî û %50 jî şafîî ne. Kesên ku ji mezheba Henefî ne, piraniya wan tirk in, piraniya wan jî kurd in. Hemû kesên li Komara Tirkiyeyê dijîn misilman in." Na, 75% misilman, 0,4% xiristiyan û %? Cihû, Zerdeştî, Ateîst, Deîst, Êzîdî û mirovên din hene.

5. "Kesên ku ji dînê îslamê ne, mafê wan e ku komeleyan ava bikin. (1950) Mafê tu olê tune ku bi tu awayî komele û saziyan ava bike. (1924)" Belê, mafê kesên ku ji dînê îslamê ne. piştî sala 1950 komele û weqfan damezrînin, lê kesên ku ji oleke din in, mafê wan heye ku komele û weqfan damezrînin, mafê endamekî gel nîne ku vê yekê bike. Ev çi laîkbûn e! Di laîkparêziya bi şêwaza Amerîkî de, "kesên ji her olî xwedî maf in ku komele û weqfan ava bikin." Bo nimûne; Li DYE’yê weqfên misilman, weqfên xiristiyan, bingehên cihû, bingehên ateîst, bingehên bûdîst û bingehên hindû hene. Bi gotineke din, li Dewletên Yekbûyî yên Amerîkayê komele û bingehên her olî hene. Ev azadiya baweriyê ye.

6. "Cemewîyên elewî nikarin bibin perestgeh." Ev yek li dijî laîktiyê ye, îman û ol bê ferqkirin. Cihê ku her kesek îbadet û erkên xwe yên olî pêk tîne, perestgeh tê gotin. Bo nimûne; Ger Mizgeftek Misilmanek hebe, Krîstiyanek Dêrek hebe, Cihûyek xwedî Kenîseyek, Zerdeştîyek Ogir hebe, an her olek xwedî perestgehek be. Bi gotineke din, kê li kîjan perestgehê dua bike bila bike, ji bo me ferq nake! "1. Bibeje: "Gelî kafiran!" 2. "Ez ji ya ku hûn perestî dikin, nakim." 3. "Û hûn ji ya ku ez perestî dikim, nabin perestî." 4. "Ez perestîya ya ku hûn dikin, nakim." 5." Tu ji ya ku ez îbadetê dikim re îbadetê nakî." 6. "Dînê we ji we re ye û dînê min jî ji bo min e." Sureye Kafirûn ji vê yekê re mînak e!

7. “Gava mijar dibe Mislimanan azadî heye, dema mijar dibe Elewî zilm heye.” Misilman çiqas azad bibe, Elewî jî ewqas azad bibe.

8. "Ji bo hemû welatiyan çûna dersên olî yên mecbûrî ferz e." Na çima. Xiristiyan, cihû, Elewî, Zerdeştî, Êzidî yan jî oleke din vê naxwaze. "La ikrahe fid din." ji bîr neke!

9. "Cejnên olî yên îslamî têne pîroz kirin, lê cejnên olî yên olên din nayên pîroz kirin." Mînak; Misliman Cejna Remezanê, Cejna Qurbanê û cejnên din pîroz dikin, lê dema ku Xiristiyan û kesên ji olên din dixwazin cejnên xwe pîroz bikin, dewlet mudaxele dike.

10. Ji ber vê yekê ez peyva Sekulerîzm bi kar tînim û ne peyva Laîkparêziyê.

[psychoharley-diary]

01 SIERPNIA. Wtorek, dzień:

Może każdy miesiąc będę zaczynała tak? Albo tydzień?

🌝🌕W tym miesiącu mamy 2 pełnie księżyca co jest rzadkością. Pierwsza 1 sierpnia - Pełnia Jesiotrów, druga 30 sierpnia - Pełnia Niebieskiego Księżyca

Nietypowe święta👽 - żeby urozmaicić sobie szare życie i diete będę obchodzić nietypowe święta 🙃 a jak?

03 - Dzień Arbuza 🍉 ( zjem kawałek)

04 - Międzynarodowy dzień piwa 🍻 (wypije piwo? Xdd niejedno, akurat cheat day 🤩🍺)

05 - Dzień Musztardy 🙃 (hmm zrobię danie dietetycznie na jej bazie)

08- Wielki Dzień Pszczół 🐝 Międzynarodowy dzień Kota😸, Międzynarodowy dzień Kobiecego Orgazmu 😼💁🏼‍♀️ (😆😅nooo nie wiem, zjem miodu, pomrucze, może kocura przywołam 🤣)

09 - Dzień Miłośników Książek 📚 (KUPIE książkę, piepierową 🤩)

16 - Międzynarodowy Dzień Zagrychy (do alko xd) (to środa więc raczej bez alko, hmm zjem ogórka kiszonego 🥒)

🥂 17- Dzień Pozytywnie Zakręconych 🤪, Dzień Lumpeksu 🛍 (zakupyyyyy)

18 - Dzień Ciasta Lodowego 🍰🍦 (tort lodowy marzy mi się od bachora xd a jak wreszcie mogę go kupić to tego nie zrobiłam do tej pory więc odpowiednia chwilą nadeszła! Cheat day 🥳)

20 - Dzień Komara 🦟 (nie wiem, dałam tu to jako ciekawostkę, wyłączę Raida xd)

21 - Światowy Dzień Optymisty, Międzynarodowy Dzień Sexu (ciekawe połączenie 🙃) [haha no będę mieć nadzieję, na 🤣]

25 - Dzień Polskiej Żywności 🍲 (- załóżmy, że tam jest żurek) [zjem żurek! 😍]

26 - Dzień Brokatu 👑 Międzynarodowy Dzień Psa 🐶🐕 [świętuje z psem 🥳 w brokacie]

31 - Dzień Blogów 🥳 [post tutaj 🥳]

Od 9 do 14 sierpnia spadają gwiazdy - Perseidy 🌠🌌

🎃A co do reszty: do września

🎈57kg

🎈naciągnąć wreszcie ten (głupi) ryj🙈 i ufarbować włosy

🎈LD/ OOBE(co 2 dni probować) medytacja (2x dziennie chociaż po 10min) & joga (2x dziennie, rano/wieczorem - piątek wolny)

🎈czytać codziennie min godzinę dziennie