#Kingsley Leggs

[dhr-ao3]

Gravitation

Gravitation https://ift.tt/VnXdGeB by Rose_tortora16 [Legge III: Ad ogni azione si oppone sempre una uguale reazione: ovvero le azioni reciproche di due corpi l'uno sull'altro sono sempre uguali, e dirette verso parti contrarie.] La ricerca degli Horcrux da parte del trio fu abbandonata quando Unci-Unci fuggì con la Spada di Grifondoro, lasciando i tre - traumatizzati e scoraggiati - a tornare per unirsi al resto dell'Ordine nella brutale guerra in corso contro Voldemort. Diversi mesi dopo, un Draco mutilato, disilluso e distrutto si arrende all'Ordine dopo che i suoi fallimenti gli sono valsi il dispiacere di Voldemort, ed Hermione si ritrova a custodire il prigioniero in cantina. Words: 3, Chapters: 1/60, Language: Italiano Series: Part 1 of The Risk'verse - The Revised Edition Fandoms: Harry Potter - J. K. Rowling Rating: Explicit Warnings: Graphic Depictions Of Violence, Rape/Non-Con Categories: F/M Characters: Hermione Granger, Draco Malfoy, Harry Potter, Ron Weasley, Remus Lupin, Nymphadora Tonks, Ginny Weasley, Cho Chang, Luna Lovegood, Neville Longbottom, Seamus Finnigan, Dean Thomas, Fred Weasley, George Weasley, Angelina Johnson, Colin Creevey, Molly Weasley, Kingsley Shacklebolt, Lucius Malfoy, Narcissa Black Malfoy, Bellatrix Black Lestrange, Fenrir Greyback, Blaise Zabini, Minerva McGonagall, Viktor Krum Relationships: Hermione Granger/Draco Malfoy, Harry Potter/Ginny Weasley, Remus Lupin/Nymphadora Tonks Additional Tags: Angst, Hurt/Comfort, Romance, Drama, Eventual Happy Ending, Explicit Sexual Content, Graphic Violence, Torture, Amputation, Trauma, Implied/Referenced Rape/Non-con, Slow Burn, War, Action, Forgiveness, Acceptance, Self-Acceptance, Self-Hatred, Post-Traumatic Stress Disorder - PTSD, Unhealthy Coping Mechanisms, Child Soldiers, Broken Families, Enemies to Lovers, Falling In Love, Secret Relationship, Forbidden Love, Magical Theory (Harry Potter), Original Spells and Potions (Harry Potter), Snogging, Oral Sex, Blow Jobs, Bickering, Banter, Sweet, Occlumens Draco Malfoy, BAMF Draco Malfoy, Vulnerable Draco Malfoy, Morally Grey Draco Malfoy, BAMF Hermione Granger, POV Hermione Granger, POV Draco Malfoy, No Ron Weasley Bashing, Draco Malfoy is Clueless About Muggle Things, Knitter Hermione Granger, Latin Insults & Endearments via AO3 works tagged 'Hermione Granger/Draco Malfoy' https://ift.tt/GbXL6a1 April 05, 2024 at 12:21PM

[thealmightyemprex]

Who is the best Audrey II

Ron Taylor ?

Levi Stubbs ?

Michael Leon Wooley ?

Kingsley Leggs?

I personally love the energy Stubbs gives it ,hes my top pick

@goodanswerfoxmonster @ariel-seagull-wings @themousefromfantasyland @the-blue-fairie @autistic-prince-cinderella @theancientvaleofsoulmaking @princesssarisa

[olympain]

He's so nasty, treatin' her rough Smackin' her around and always talkin' so tough You need blood, and he's got more than enough

[hopecel]

“Way Down Hadestown” excerpt by Hadestown cast @ Citadel Theatre

(source link is in the comments)

[everythngchanges]

No! I don’t know anyone who deserves to get chopped up and fed to a hungry plant!

[catboyhizashi]

Does anyone have a bootleg of the new version of Little Shop Of Horrors with Jonathan Groff?

[jgroffdaily]

Jonathan Groff and Kingsley Leggs pose at the opening night of Little Shop of Horrors on October 17, 2019

[there-is-no-barrier-between-us]

costume comparison: hadestown, hermes

(nytw, edmonton, national theater, broadway)

[eurydice-arachne]

“Let the world we dream about be the one we live in now.”

“Livin' It Up On Top,” performed by the Edmonton cast of Hadestown, featuring Amber Gray as Persephone, Reeve Carney as Orpheus, and Kingsley Leggs as Hermes.

December 3, 2017- Final Performance of Hadestown at the Citadel Theatre in Edmonton, Alberta, Canada. Reeve Carney (Orpheus), TV Carpio (Eurydice), Amber Gray (Persephone), Patrick Page (Hades), Kingsley Leggs (Hermes), Kira Guloien (Fate), Evangelia Kambites (Fate), Jewelle Blackman (Fate), Vance Avery, Andrew Broderick, Tara Jackson, Hal Wesley Rogers.

[thediaryofatheatrekid]

Once Upon a December for Hamilton? (No specific time period)

Kyle Jean-Baptiste as Alexander HamiltonNorm Lewis as Aaron BurrNikki Renée Daniels as Eliza HamiltonDaphne Rubin-Vega as Angelica SchuylerBilly Porter as Marquis de Lafayette/Thomas JeffersonKingsley Leggs as George WashingtonWilson Jermaine Heredia as John Laurens/Philip HamiltonSaycon Sengbloh as Peggy Schuyler/Maria ReynoldsTaye Diggs as Hercules Mulligan/James MadisonTerrence Mann as King George III

Just to be clear, I still think a lot of these people could do these roles, but they most likely won’t get cast.

[shiningnorthernlights]

way down hadestown

way down under the ground

[coldasyou]

Some birds sing when the sun shines bright My praise is not for them But the one who sings in the dead of night I raise my cup to him

requested by anonymous 

[thebarksy]

Samantha Barks during rehearsals for Pretty Woman.

[isleofsam]

@PrettyWoman: @samanthabarks takes Kingsley Leggs for a spin. #PrettyWomanTheMusical

[heckin-music-dork]

Okay!! It is about 1:55 am and I just finished listening to this in it’s entirety, so let’s review!

In my original post, when I said I’m not a fan of the autotune, Audrey and the chorus girls are by far the main offenders. I’m just not really a fan of them, I feel like they tried way too hard, and it just didn’t work for me. Also, Audrey sounds a bit... emotionless(?) to me. I feel like Tammy Blanchard was trying too hard to do this voice for her that she completely forgot to express emotion, especially in that scene where Orin hits her in Feed Me. Pretty much every Audrey I’ve heard is breathing fast, panicking, maybe on the verge of tears. But Tammy? “I’m sorry DOCtuh, I’m sorry DOCtuh.” I didn’t feel a thing there. Maybe I’m not being fair to her (to me, Kerry Butler takes the cake as Audrey, and I’m just comparing Tammy to her) but I did try to keep an open mind, and she just didn’t cut it for me. But that’s just my opinion. (it’s too soon though to know whether it’s unpopular or not!)

On the other hand, I love Jonathan Groff’s performance, even more than I expected to! He lacks the sort of Awkwardness and Nerdiness that I think is pretty center so to Seymour’s character, but I love how he plays him as being Hecka Freaked Out by this whole situation, better than any other actor I’ve heard, so that sorta makes up for it, in a way? (Although part of me would argue that all of his screaming in the Act 1 Finale is a bit over-the-top, but then again, I would be having a mental breakdown too if I had just chopped up a person, even if it is a person that I despise with all of my being, and am currently feeding that person to a talking, man-eating plant.) His voice is incredible, but like I said before, it doesn’t feel quite like Seymour, just because it’s too perfect, and again, not awkward and nerdy enough, ya know what I mean?

Kingsley Leggs was a great Audrey II, he’s just got a great big voice, and, I mean, he was pretty much all we can ask for as an Audrey II. Kudos to him 👏🏻👏🏻👏🏻

Christian Borle was a fabulous Orin, quite possibly my all time favorite (certainly enough to give Steve Martin and Douglas Sills from the 2003 cast a run for their money!) He was absolutely hilarious and delivered all his lines so well, and Dentist! was absolutely priceless.

Overall, I think I really enjoyed this! It’s not my favorite version, again, but it definitely has enough gems in it to keep me coming back for more!

So I’m listening to the new LSOH cast recording now (I just finished Feed Me!), and I’m just gonna say it... it certainly has its strengths, and it has its weaknesses. For example, I don’t get what’s up with Audrey constantly emphasizing odd words and syllables, and I’m simply not a fan of the heavy use of autotune in this recording (I admit I have a hard time respecting singers who rely so heavily on it that it’s that noticeable in their recordings, and then I can’t hear anything else but the autotune. I mean nobody has perfect intonation all the time, except maybe Beyoncé, so I have no problem with pitch correction being used I moderation. But if it can be heard in practically every other phrase, the way I see it, it’s a problem. Anyway, rant over.) But I also really love Orin in this version, and there are some Moments in this recording that just cracked me up and I would give anything to see them live on stage.

“Seymooouur... how would you like to be mY SON?!”

“GAAUGH!!”

“Look. You’re a plant. An... inanimate object.”

“DOES THIS LOOK INANIMATE TO YOU, PUNK?!”

“aAAaaAAAH!!”

(So basically Seymour’s little screams every now and then are just. The funniest thing to me 🤣😵)

Jonathan Groff just rocking that solo in Feed Me! Like, YES, sing it boy!

*matter-of-fact* “No. I don’t know anyone who deserves to get chopped up and fed to a hungry plant.”

Overall, it’s not my favorite version of Little Shop, I think that honor will always go to either the movie or the 2003 Broadway cast (sort of both I guess?) But yes, it is very enjoyable to listen to 😁

[jaxs-beanie]

A thing that’s really cool about Hadestown is how Hermes became more attached to Orpheus over time with each passing iteration of the story. Looking at it chronologically it feels like it was planned, but it stemmed from the story needing a narrator and went from there!

In Vermont, Hermes was on Hades’ side pretty firmly, trying to tempt both Orpheus and Eurydice away, but still helped Orpheus get on the train cause he felt like it. On the album he didn’t tempt either of them away and was kinda detached from proceedings, but gave Orph instructions on how to get to Hadestown the long way. By NYTW, Hermes is firmly invested and friendlier to them both, sticking around the whole time to narrate and by the end considering Orpheus a friend.

Kingsley Leggs’ Hermes in Edmonton is the first time he has a fatherly air to him, and he has a soft spot for love and Orpheus specifically. By London he’s invested in Orpheus’s gifts more than before and shows interest in his bring-back-spring project, and by Broadway and the touring version he’s taken Orpheus under his wing from a young age and does whatever he can in his capacity as narrator to help Orpheus and Eurydice, trying to ensure the tale goes well.