#Kim Director icons

[slashericons]

Kim Diamond — Book of Shadows: Blair Witch 2 (2000)

[nostalgc]

Kim Director in Book of Shadows: Blair Witch 2 (2000)

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[fashv4mp]

Lana Del Rey X Skims 🎀💄💋🥀

[kitten4sannie]

ʟɪꜰᴇ ɪꜱ ꜱʜᴏʀᴛ, ʟɪꜰᴇ’ꜱ ᴀ ʀᴀᴄᴇ

ʜᴀᴛᴇ ꜱᴇx/ʜᴀɪʀ ᴘᴜʟʟɪɴɢ ➠ ꜱᴇᴏɴɢʜᴡᴀ

pairing: seasoned model! seonghwa x newcomer model! reader (fem) x models! woosan feat. director! hongjoong

genres: modeling au, smut

summary: walking for this season’s collection means everything to you, and you’re not about to let anyone get in the way, especially not a man who’s dead set on taking your place, no matter how insanely pretty he may be.

w.c: 4.8k

warnings: everyone’s an asshole here lol, use of drugs/alcohol, dom! seonghwa, bratty sub! reader, dom-ish poly! woosan, usage of the word ‘mommy’, mutual masturbation in the back of a limo, handjobs, tension, name calling/pet names, degradation/praise, brat taming, manhandling, choking, thigh grinding, kissing, brief spit play, hair pulling, marking, nasty hate sex in a club bathroom, creampie, brief breeding/bulge kink

a/n: i wanted to write like 10k words for this fic bc modeling aus just make me lose it fsr esp when ateez is involved 🧎🏻‍♀️maybe i will one day <3 i had sm fun with this one arrghhh!! alsoooo i can’t believe there’s only one more story left to share with you all like huhh ??? 😺time flies man ;~; anyways please enjoy xx

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ᴘɪɴᴋ ᴘᴀʀᴛʏ ʙʏ ɪꜱᴀᴀᴄ ᴅᴜɴʙᴀʀ

0:01 ❍─────── 4:28

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ᴘʀᴇᴠ | ꜰꜰꜰ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ | ɴᴇxᴛ

Modeling, for some, was about being a part of something bigger than them — the head-turning brands, the constant development of fashion and what was considered to be hot and new, the runways, the avant-garde collections, the hazy after parties that supplied them with drugs, alcohol, and sex. All the excess, the gaudiness of it all, kept your cohorts going, kept them content, kept them chained to the modeling world, all the while they scratched at their pearl-adorned necks and begged for more. 

All of that was fun, sure, but what kept you on your hands and knees, what fueled you to continue dragging yourself up through the ranks, what gave you the strength to bow down and service executive after executive, what propelled you to treat your body like the ultimate temple, was the glory. The moment you were up on that stage, basking in the blood and tear soaked limelight, cameras flashing, rendering you blind, your dear director’s arm hooked securely around your waist, your perfect face ready to be displayed on every magazine cover; that’s why you sacrificed everything. That’s why you gave all of yourself to the fashion beast — let it consume you whole, spit you out, and mold you into something they wanted. And you weren’t about to let anyone get in the way. 

On the way to your esteemed director’s latest show, you let your mind go blank in the back of the spacious limousine, resting your half-empty glass of champagne in between your legs, not paying any mind to the boisterous conversation your modeling friends were having from either side of you until one of them suddenly grabbed onto your arm and tugged on it.

“Hey, baby, you’re gonna want to hold onto your tits…” San, your best friend since your first real shoot, warned you, before popping a few pills into his mouth and downing them with some sparkling champagne. 

“Why? What’s going on?” you asked concernedly, not ready for anything bad to happen on your big night. 

“Look at this…” Wooyoung, your ride-or-die, who was a part of the package deal when you initially met San, spoke up beside you, leaning across the padded seat to show you something on his phone. 

You took a slow sip from your glass, your eyes studying the large, obnoxious headline that sat at the top of the celebrity news article, having to cover your mouth to keep yourself from spraying champagne all over.

Fashion Icon Park Seonghwa Joins Kim Hongjoong’s Spring Collection Due to Last Minute Inspiration 

You started to read more of the article but you felt sick to your stomach with the way they were giving Seonghwa that Samsung spin cycle sloppy toppy 9000 through their embellished wording. “This cannot be happening…Tell me this is a joke!” you gasped, grabbing onto Wooyoung’s silk sleeve and San’s leather-bound pants, pleading with both of them with your teary eyes. “If he’s going to be there, everything will be fucked. Completely and utterly fucked.” 

“Everything will be fine, doll.” Wooyoung pressed his plump, glossy lips to your cheek and lips, trying to calm you down, running his fingers through your hair. “Just relax for me…”

Your rigid body slowly began to relax, leaning further into the kisses he gave you, almost forgetting around your second counterpart, until he placed a gloved hand around your upper thigh and squeezed it, causing you to face him. “Sannie…” 

“I’m sure you’ll still be the center of attention, baby.” San continued to rub your thigh, his hand moving further and further up your bare leg, compelling you to look down at the logo engraved on his expensive glove until it disappeared underneath your tiny skirt. “I mean, look at you,” he continued in a low tone, giving you a perverse smile, motioning to the tight, sleek black designer dress you were wearing, one that Director Kim himself created for you, his star pupil. 

“He’s right, doll,” Wooyoung agreed, bringing his pinky up to his nose to snort something powdery, before leaning over to kiss you on the neck, his own hand making its way to your other thigh, pulling it open just as San did, their fingers slipping up and down your bare cunt from underneath your skirt. “You’ll always be everyone’s favorite…Our favorite too.” 

You basked in your modeling friends’ depraved attentiveness like you always seemed to do, all three of you just drinking in the pleasing sight of one another, your hands rubbing over their hardening cocks through their expensive clothing, eventually finding your way underneath it, much to their enjoyment. 

With one hand around each of their cocks, you jerked them off with frightening accuracy, knowing when to squeeze around their glistening cockheads and what vein to rub at with your thumbs to make them whimper and whine in your ears, using their leaking pre-cum to lube them up. “Aww, does that feel good? Are you two going to cum just for me?” 

“Yes, Mommy,” Wooyoung let slip out in a shaky breath, his wrist starting to cramp up from how hard he was finger-fucking you, leaving messy kisses across your collarbone. 

“Gonna cum for my favorite girl,” San exhaled into your pierced ear, pinching his gloved fingers tightly around your clit, watching you spasm with a smirk on his flushed face, his pretty pink lips forming an ‘o’ as soon as his cock began to throb. 

All three of you began to shudder and jolt against each other and the leather seats behind you, finishing your typical pre-modeling ritual with a much needed, drug-enhanced orgasm. 

Once San and Wooyoung began to fix their clothes and hair using their phone cameras, taking a few pictures of themselves to capture their alluring afterglows, you reached forward to knock on the partition that separated you and the driver.

The window slowly rolled down, bringing you face to face with the seasoned driver. “We’re just around the corner to the venue, Miss.” His eyes widened slightly when you held your hands up in front of him, his soft, jovial expression forming one of shock. 

“Napkins, please,” you requested softly with a cordial smile, as if you didn’t have your friends’ cum dripping along your manicured fingers down to your 24k gold bracelets. 

࿏࿏࿏

“If Director Kim gives the final walk to Seonghwa, I’m going to kill him…” you hissed through gritted teeth, not able to look directly at Wooyoung or San when you spoke, instead having to look upwards so that the makeup artist could properly run their brush along your lash line. 

“Director Kim or Seonghwa?” San perused, immediately sucking in his cheeks a bit, the person in front of him brushing more contour along his already sharpened cheekbones. 

“Seonghwa…that beautiful prick…” Your eyebrows furrowed together, picturing the irritatingly gorgeous man in your mind’s eye with your eyes closed shut. “I swear to god if he takes what’s mine, I’ll…” 

“You’ll what?” you heard someone say in a silky smooth voice, one that made your heart just about burst out of your chest. “What is the pretty little new girl going to do, besides talk shit behind my back, hm?” 

You opened your eyes just in time to see Seonghwa standing behind you in the mirror with one hand on his hip and the other swishing around some bubbly alcohol inside a champagne flute, his infamously piercing gaze settled entirely on you, your jaw practically on the floor. 

“Face crack of the century…” Wooyoung whispered to San, the both of them grabbing onto each other and flipping out, waiting impatiently to witness what was about to go down between two of Director Kim’s most prized possessions. 

Seonghwa carefully ran his ringed fingers through his hair, taking a few steps closer to you, placing a hand on your shoulder, squeezing it somewhat roughly, looking down at you like you were the mouse he had just pinned underneath his claws. “Is this what they consider to be hot these days?” he grimaced, eyeing you up and down, running a finger along your jaw, knowing exactly how he’d get under your skin. “Times certainly have changed…” 

You suddenly stood up and got in Seonghwa’s face, your stilettos giving you enough leverage to almost meet your sworn enemy at eye-level, pressing a finger into his chest plate through his perfectly tailored, button-up blouse. “You may be one of the hottest people in here, but you’re old news, Seonghwa. The only reason you’re considered an icon is because of Director Kim’s influence, okay? Let’s not kid ourselves.” Noticing the way Seonghwa’s face flinched, you knew you struck a nerve. Now it was time to deliver the final blow. 

Seonghwa’s hand clenched tightly around his glass, his bottom lip trapped between his teeth. He took a step closer to you, so close now that his breath hit your chin. “You better watch your fucking mouth…” 

Your friends let out silent screams, hardly able to let the makeup artists do their jobs with the way they were shaking each other. A few other models had stopped in their places to figure out why there was suddenly so much tension in their beloved workplace, their eyes on the both of you, whispering amongst one another. 

You crossed your arms over your chest, tilting your head to the side, ready to project your own insecurities onto Seonghwa for the sake of making him look so bad, he would hopefully decide to just storm out. “Why are you so mad, Seonghwa?” You reached up to run your fingers through his silky, wavy hair, giving him a fake pout. “Is it because everyone knows that the only reason you got into this show is because you let the director fuck you like all those times before? We’ve all seen the photos, you know. They got leaked everywhere.” 

It wasn’t until Seonghwa threw a full glass of champagne on you, that everyone around you let out an even bigger gasp. Your hair was wet and sticky, your mascara began to trickle down your contorted face, and worst of all, the outfit you were going to wear down the runway in a few minutes was completely ruined. Filled with a sudden sense of hatred that bordered arousal, you grabbed Seonghwa by the collar, tugging him toward you, your lips almost touching. “You…fucking…cu–” 

“Oh, sweetie…” Seonghwa reached his hand up to caress your cheek with an odd gentleness, smearing his thumb down your cheek just to ruin you a little more. “There’s no need to be jealous of me. It’s okay that you’ll never be Hongjoong’s favorite.” He gave you a sweet smile, one that was so angelic, you almost missed the devilish look in his eyes, his thumb now pressing into your bottom lip. “No matter what you do, no matter how much executive cock you suck, you’ll never be me. Accept it and you’ll be less angry…You’ll have less wrinkles too.”

It was just then that the director himself came strolling up with a few members of his frantic entourage, gasping in horror at your disheveled appearance. “Y/N, jesus, what on earth have you done to yourself, darling?” Hongjoong pulled at your sleeves and parts of your garments, tsking every now and then, absolutely appalled with your appearance. “There’s no way in hell you’re walking down my runway like that.” 

“Director, please, I haven’t even gotten a chance to walk in tonight’s collection yet!” You shook your head adamantly, getting drops of water onto Hongjoong’s pristine clothes, causing him to grab your shoulders and squeeze them, giving you a look that made you shut up and accept defeat. For now. 

Hongjoong turned to Seonghwa, his grimace being replaced by a radiant smile, reaching up to twirl a lock of the model’s shiny hair in between two fingers. “I can’t have problems like these in the middle of my show…Take over Y/N’s place for me, will you, sweetheart?” 

Seonghwa gently grabbed Hongjoong’s wrist and pressed a kiss onto his knuckles, leaving a lipstick print behind. “Anything for you, darling.” 

Hongjoong blushed and walked away with Seonghwa, his entourage following close behind them, fawning over them in a way that made your blood boil. That should’ve been you, not Seonghwa, not someone who already had their chance in the limelight. 

“Y/N, are you okay after… all that?” Wooyoung asked softly, rubbing your shoulder, frowning a bit at the small nod you gave him.

“Yeah, that was brutal to watch…” San mentioned, getting smacked in the shoulder by Wooyoung, pausing to give him a look, before bringing up a cloth to dab it against your dripping face. “You’ll bounce back from this, baby, don’t worry.” 

After a few moments of silence, you suddenly pulled the both of them closer to you. “I’m going to be the final one walking down that runway, if it’s the last thing I do.” You leaned in to press a kiss onto both of their lips, looking up at them with big, teary eyes, your bottom lip jutting out.  “You’ll help me, won’t you?” 

Your friends gulped and looked at each other for the consensus, then back at you, their pretty faces full of the same mischievous tenacity you displayed. 

࿏࿏࿏

Seonghwa never felt more alive than when he walked down the long, lit-up runway, sashaying his way to the end of it and doing a small elegant turn to the side, smiling ever so softly at the sounds of cheers and clapping coming from the vast crowd, their phones flashing as they eagerly captured the moment and posted it to their socials, most definitely gushing over Seonghwa’s beauty combined with his director’s creative vision, his body swathed in form-fitting, eye-catching cloth. Knowing he took that moment from the bratty newcomer and got to savor it all to himself was simply the cherry on top. 

Even when he made his way backstage and sat down to have his hair and makeup redone, the buzz didn’t seem to leave him. The attention didn’t seem to either, his eyes flitting to the side when he began to tune into Wooyoung and San’s conversation as soon as he became the topic. 

“Talk to him already,” Wooyoung encouraged, pushing on San’s broad shoulder to get him to move. “You wanna fuck him or not?” 

“I’m too shyyy,” San whined obnoxiously, giving his best friend a pout, before covering his face. 

“Oh my god, I’ll fuck him then.” Wooyoung casually moved his chair over to Seonghwa, draping one of his hands over the seasoned model’s thighs once he sat down again. “I couldn’t help but notice how incredibly hot you were when you put Y/N in her place earlier…It made me want a turn.” 

“Is that so?” Seonghwa studied Wooyoung’s enticing features, his gaze settling on the mole that graced his glossy lips. “What exactly got you all hot and bothered?” 

Meanwhile, San meekly sat down on the other side of Seonghwa, gently pressing one hand into the older man’s thigh like he was making biscuits. “For me, it was when you threw the champagne in her face…That got me hard…” 

Seonghwa turned to look at San, nodding at his pretty, feline-like face with approval, before his chin was grabbed by Wooyoung, his fingers pressing into his cheeks. “For me, it was when you called her out for being a whore…All I could think about was you making me your whore instead…” 

“Me first,” San whined, leaning on Seonghwa’s shoulder, trying to pull Seonghwa’s attention from Wooyoung, who gave him the evil eye. 

“You cum too fast, San. He should fuck me first,” Wooyoung countered, smiling smugly, wrapping a lock of Seonghwa’s hair around his finger. “I’m versatile, by the way. We can do whatever you want to, baby.” 

“Mm, tell me more…” Seonghwa requested, bringing his arms back and around both of their shoulders, enjoying the feeling of being fawned over by two extremely attractive models who seemed to be competing over his attention. Of course they would be. He was an icon. 

At this point, the makeup and hair stylist had wandered off to take care of the other models, not having nearly enough time to care about Seonghwa’s current quest in getting his dick wet. 

Your plan had all been riding on whether Seonghwa would be self-serving or not, and much to your relief, you spotted him whispering things into the ears of your friends from across the large room, taking the opportunity to fit yourself into the black form-fitting blazer that was matched with a simple black trouser, a few silver necklaces hanging from your exposed collarbone. As it was made for Seonghwa at the last second, the blazer had nothing underneath it, leaving virtually nothing to the imagination. It was explicit, to say the least. You already knew in your heart that your director would love it. 

And, just like that, Hongjoong came back around the corner with a coffee cup in hand. Upon seeing you, he gasped loudly, stopping dramatically in his tracks, taking a long swig from his cup and handing it off to one of the nameless people next to him, causing everyone around him to look at you, including Seonghwa and your partners in crime. “Darling. Look. At. You.” 

“Do you like it, Director?” you asked softly, running one of your fingers along the perfectly stitched lining of your breast pocket. 

Hongjoong stood in front of you, placing his hands on your shoulders, letting them slowly slide down the sides of your arms, his eyes surveying your perfect form, unable to take his eyes off of your exposed chest. “This is going to turn heads…This is…going to change everything,” Hongjoong sighed out, dollar signs in his eyes and inspiration pouring out of his very soul. He suddenly turned you to face the crowd of people, clutching your shoulders, ready to shed a tear. “Do you see this, everyone? We are witnessing a new era in fashion occur in front of our very eyes. Out with the old, in with the new.” 

Your director continued on with his inspiring, soul-gripping speech, which resulted in a sea of tears and a wave of applause from your roused colleagues — yet you couldn’t hear a single thing. All you could focus on was the way Seonghwa’s dark eyes bored into you, his lips screwed into a deep grimace, his fingers gripping his chair so tightly he left indents. He was just waiting for the moment he could tear you apart. And for some odd reason, you welcomed it with open arms as you walked past him with your dear director’s arm hooked around your waist, blowing him a kiss on your way to the main stage to be on display for everyone to see the collection’s final jaw-dropping look. 

࿏࿏࿏

“Y/N, baby, you’re trending!” San exclaimed loudly, having to raise his voice so you could hear him over the loud, thumping music that was blasting through the club’s speakers, repositioning himself on the large leather couch you all sat on. He kept his arm securely around Wooyoung’s waist, leaning across him to show you countless posts that showcased you strutting down the runway.

Wooyoung squeezed your shoulder, taking a drink from his glass, giggling to himself. “I think at least five million people have seen your tits already.” 

“And, here’s to five million more,” you mused, holding your own glass up to clink it against Wooyoung’s and San’s, and a couple other drunk models that sat around the VIP lounge. After you downed your drink, you got up, wobbling a bit. “I have to piss. I’ll be right back.” 

“Hurry back, okay? We have to take more celebratory shots!” San shouted at you as he watched you give him an ‘okay’ sign, before you disappeared into the large, sweaty crowd. 

Little did you know, a cat and mouse game had begun inside that overcrowded club, your trek to a bathroom that didn’t already have someone pissing or fucking inside it no longer a solo adventure. Seonghwa weaved in between patrons, following close behind you, his dark gaze alone deterring anyone from trying to stop him and get in his pants. 

It was when you found a lone, empty bathroom that he knew it was his time to strike, to teach you a much needed lesson, to show you who was really on top. 

You barely had a chance to check the current state of your makeup when Seonghwa came barging in, pinning you to one of the sinks before you could catch your breath. “S-Seonghwa? What are you doing here?” 

“Don’t act surprised now, you slut,” Seonghwa spat, shoving one of his thighs in between yours, his high heel clicking lightly against the tile floor below. He leaned in so close you could smell the alcohol on his breath. “You thought you could beat me, yeah? Thought you could parade around like a whore and take my place? Take what’s rightfully mine?” 

The more you tried to resist him, the more he shoved his thigh into your barely clothed core, the friction causing a small gasp to leave your lips. Not wanting to give in, you reached up to caress the huffing man’s cheek, smiling sweetly up at him. “Oh, sweetie, is this about Hongjoong? Are you upset that you can taste my wet cunt on his cock when you suck him off?” 

Seonghwa suddenly grabbed you by the throat, his grip just tight enough to make your head go fuzzy, leaning in just close enough that his lips ghosted over yours, chuckling lightly at the strained moan that escaped your parted lips. “You’re such a goddamn brat…Why is that? Is it because you want me to put you in your place, Y/N?” 

At this point in time, you were so wet, you were actively leaving a wet patch on Seonghwa’s expensive suede pants, unable to keep more sounds of pleasure from bubbling out of your tight throat when Seonghwa grabbed your hip with his free hand and began to actively drag your cunt across his thigh, able to feel his straining cock pressing into your heat.

“Answer my question, whore…Or are you that empty-headed already? Got cock on the brain?” Seonghwa questioned, hooking his fingers into the hem of your pants and pulling them off of you, not surprised to see your cunt in all its glistening glory, positioning you back onto his thigh so that you could eagerly grind yourself along it.

“Please fuck me. Fuck me like you hate me, Seonghwa,” you asked in between breaths, holding desperately onto his shoulders, incidentally pulling his thin blazer from his shoulders, revealing his perfect, glowing skin underneath. 

“I do hate you. I hate your fucking guts,” Seonghwa growled, suddenly ripping your blouse completely open, grabbing and groping at your tits, squeezing your nipples roughly between his ringed fingers. 

“Then rearrange them,” you growled back, grabbing either side of his jaw, the both of you meeting in the middle, your heated kiss consisting more of teeth and tongue than anything else. 

Seonghwa lifted you up onto the sink, fumbling with his designer belt, encouraging you to reach down and help him pull it off for him, feeling his heavy cock drop into your hands. He groaned into your open mouth when you began to jerk him off, breaking the rough kiss to begin attacking your neck, making sure he left you with pretty purple bruises on your sensitive skin. 

“Fuck, Seonghwa…” you moaned, hooking your thighs around his impossibly slim waist, feeling him starting to rub the length of his cock across your aching cunt, the pronounced ridge of his cockhead repeatedly hooking onto your clit. “Do you have a condom?”  

Seonghwa shook his head, cementing one hand around your waist, guiding the head of his cock into your tight entrance, your inner walls straining to take someone of his size inside. “You’re going to take my cock like a good slut, yeah? Going to let me fuck you raw, aren’t you?” 

“Nnngh, n-no one fucks me raw, not even Hongjoong,” you whimpered pathetically, wrapping your arms around his neck, holding him impossibly close, unable to do anything but take Seonghwa’s hot, pulsing length inside you inch by inch, about to melt into a puddle by the time he was fully sheathed inside you. 

“Well, aren’t I a lucky man?” Seonghwa purred softly into your ear, just as he began bucking his hips up into you, reaching up to create a makeshift ponytail with your hair, tugging it each time he brought you down onto his cock, unable to keep himself from letting out a few breathy laughs of pure satisfaction, due to watching you completely fall apart inside his arms. “You like this, brat? No one’s fucked you on their cock like this, have they? No one’s ever treated you like the shameless cum dump you are. What a shame…” 

“S-eong-hwa…!” you gasped, unable to speak with the way your breath was getting punched out of you each time the furious model slammed himself back into you, swearing he was going to bruise your cervix with such rough treatment — and you couldn’t have been wetter. “Please…!”

“Please, what? No, you know what? I don’t even want to hear what you have to say. Now, open your fucking mouth,” Seonghwa grunted in between brutal thrusts, reaching up in between your sweaty, disheveled bodies to force your jaw open, sending a wad of spit directly down your throat, feeling your cunt clench around him when he did. “Oh, you like that? Of course you do.” 

“Aaah,” you whined, letting your tongue hang out of your mouth, feeling almost completely blissed out when Seonghwa sent another wad of saliva onto your tongue, the both of you watching it drip down, before you swallowed it. “Gonna cum…” 

“Course you are, you pathetic little cock slut��” Seonghwa reached down to rub his thumb roughly against your clit, still pounding into you with so much vigor, he had to time his breathing so that he didn’t get too lightheaded, routinely blowing wet locks of hair out of his focused eyes. “I’m going to cum too…going to fill this whore cunt with my load. Fill you up so deep, I’ll knock you up…I’ll own you…” 

It was then that you began to cry, holding onto Seonghwa so tightly your fingers cramped up, your lower half cramping up in a similar fashion, feeling your warm arousal soak the both of you, allowing Seonghwa to slip in and out of you even easier than before. “Cum…inside…make me yours, Seonghwa…” you whispered, finally submitting to the man that you had been fighting with for who knows how long, about to willingly let him pump a baby into you.

If only your friends could see you now. They’d probably livestream it and give the audience a play by play from the sidelines, those sick fucks. You loved them for it. 

“Hey, eyes on me. Don’t fade out just yet, not while your tight little slut hole is milking me dry,” Seonghwa mumbled against your lips, nipping at your bottom lip to catch your attention. He slid out fully and slipped back in one more time, holding you completely still, letting out groan after groan as he pumped his cum into you, not stopping until every last drop made it into your womb. He grabbed your hand and pressed it to your heaving abdomen, making you feel the pouch he created inside you, giving you butterflies from the sensation. “Feel that, Y/N? That’s the proof of my ownership. You’re no longer a mindless slut for just anyone’s cock, are you?” 

“No…” you murmured, shaking your head, so dizzy from being fucked into submission that you simply leaned forward and rested your head against his heated shoulder. “I’m yours, Seonghwa…” 

Seonghwa felt a sudden swell of pride inside his chest, his brain and body tingling with pleasure, like he was back on stage again, surrounded by a crowd of people that praised him, that so desperately wanted what he had to offer. He hugged you close, pressing his lips against your ear, his lips forming a soft smile. “Say that again.” 

You smiled into Seonghwa’s neck, almost not wanting to let go of him, an unfamiliar warmth that rudely accompanied your hatred now present within your chest. “Now, let’s not get carried away.” 

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[hotvintagepoll]

Propaganda

Kim Novak (Vertigo, Bell, Book, and Candle)— She fought as much as she could to be able to preserve her own identity within the crushing hollywood system. She refused to change her czech last name and fought for a higher salary once she discovered her male counterparts were getting payed significantly more, which was an incredibly risky thing to do. She went through so much hollywood bs like she was forced to drop her affair with Sammy Davis jr. She played her iconic role in Vertigo thinking about her own oppressive and significant changes she had to undergo in order to fit in the tight hollywood mold which i think is partly why the movie is so beautiful and timeless. She is a gorgeous soul and a great artist.

Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Kim Novak:

Marlene Dietrich:

ms dietrich....ms dietrich pls.....sit on my face

its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies…. most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.

First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you.

Her GENDER her looks her voice her everything

“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”

The bar scene in Morocco awoke something in me and ultimately changed my gender

"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”

"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."

"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."

Gifset link

"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."

"would you not let her walk on you?"

[kdramaspace]

🔁 please consider reblogging to increase our sample size.

feel free to leave suggestions for characters you’d like to see in the tags! as always, if you’d like to submit a potential poll of the week (POTW) question, you may send in your submissions here.

[brokehorrorfan]

Alfred Hitchcock: The Iconic Film Collection will be released on November 26 via Universal. The 4K Ultra HD + Digital set collects six of the Master of Suspense's classic thrillers: Rear Window, To Catch a Thief, Vertigo, North By Northwest, Psycho, and The Birds.

Limited to 5,150, the six-disc collection is housed in premium book-style packaging featuring artwork by Tristan Eaton along with photos, bios, and trivia.

The uncut version of Psycho is included. Special features are detailed below.

1954's Rear Window is written by John Michael Hayes (To Catch a Thief), based on Cornell Woolrich’s 1942 short story "It Had to Be Murder." James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr star.

Rear Window special features:

Audio commentary by Hitchcock’s Rear Window: The Well-Made Film author John Fawell

Rear Window Ethics - 2000 documentary

Conversation with Screenwriter John Michael Hayes

Pure Cinema: Through the Eyes of The Master

Breaking Barriers: The Sound of Hitchcock

Masters of Cinema

Hitchcock/Truffaut - Audio recording from filmmaker François Truffaut’s in-depth interview with director Alfred Hitchcock about Rear Window

Production photo gallery

Theatrical trailer

Re-release trailer narrated by James Stewart

A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.

1955's To Catch a Thief is written by John Michael Hayes (Rear Window), based on David Dodge’s 1952 novel of the same name. Cary Grant, Grace Kelly, Jessie Royce Landis, and John Williams star.

To Catch a Thief special features:

Audio commentary by Hitchcock historian Dr. Drew Casper

Filmmaker Focus: Leonard Maltin on To Catch a Thief

Behind the Gates: Cary Grant and Grace Kelly

A retired jewel thief sets out to prove his innocence after being suspected of returning to his former occupation.

1958's Vertigo is written by Alec Coppel (No Highway in the Sky) and Samuel A. Taylor (Sabrina), based on Boileau-Narcejac’s 1954 novel The Living and the Dead. James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, and Henry Jones star.

Vertigo special features:

Audio commentary by filmmaker William Friedkin (The Exorcist)

Obsessed with Vertigo: New Life for Hitchcock’s Masterpiece

Partners In Crime: Hitchcock’s Collaborators

Saul Bass: Title Champ

Edith Head: Dressing the Master’s Movies

Bernard Herrmann: Hitchcock’s Maestro

Alma: The Master’s Muse

Foreign censorship ending

100 Years of Universal: The Lew Wasserman Era

Hitchcock/Truffaut - Audio recording from filmmaker François Truffaut’s in-depth interview with director Alfred Hitchcock about Vertigo

Theatrical trailer

Restoration theatrical trailer

A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.

1959's North by Northwest is written by Ernest Lehman (The Sound of Music, West Side Story). Cary Grant, Eva Marie Saint, James Mason, and Jessie Royce Landis star.

North by Northwest special features:

Audio commentary by writer Ernest Lehman

North by Northwest: Cinematography, Score, and the Art of the Edit

Destination Hitchcock: The Making of North by Northwest

The Master’s Touch: Hitchcock’s Signature Style

North by Northwest: One for the Ages

A Guided Tour with Alfred Hitchcock

A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.

1960's Psycho is written by Joseph Stefano (The Outer Limits), based on Robert Bloch’s 1959 novel of the same name. Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, John McIntire, and Janet Leigh star.

Psycho special features:

Original uncut and standard re-releases version of the film

The Making of Psycho

The Making of Psycho audio commentary with Alfred Hitchcock and The Making of Psycho author Stephen Rebello

Psycho Sound

In The Master’s Shadow: Hitchcock’s Legacy

Newsreel Footage: The Release of Psycho

The Shower Scene: With and Without Music

The Shower Sequence: Storyboards by Saul Bass

The Psycho Archives

Hitchcock/Truffaut - Audio recording from filmmaker François Truffaut’s in-depth interview with director Alfred Hitchcock about Psycho

Posters and ad gallery

Lobby card gallery

Behind-the-scenes photo gallery

Production photo gallery

Psycho theatrical trailers

Psycho re-release trailer

A secretary on the run for embezzlement takes refuge at a secluded motel owned by a repressed man and his overbearing mother.

1963's The Birds is written by Evan Hunter (High and Low), based on Daphne du Maurier’s 1952 short story of the same name. Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright star.

The Birds special features:

The Birds: Hitchcock’s Monster Movie

All About The Birds

Original ending

Deleted scene

Tippi Hedren’s screen test

The Birds is coming (Universal International Newsreel)

Suspense Story: National Press Club hears Hitchcock (Universal International Newsreel)

100 Years of Universal: Restoring the Classics

100 Years of Universal: The Lot

Hitchcock/Truffaut - Audio recording from filmmaker François Truffaut’s in-depth interview with director Alfred Hitchcock about Vertigo

Theatrical trailer

A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

Pre-order Alfred Hitchcock: The Iconic Film Collection.

[lamaisongaga]

FASHION CREDITS: LADY GAGA BY ETHAN JAMES GREEN FOR VOGUE US OCTOBER ISSUE

I was highly expecting for Lady Gaga to land a Vogue cover and here we are, covering the October issue of the American Vogue. The photoshoot, which is highly inspired by her role as Harley Quinn in "Joker: Folie à Deux", was lensed by Ethan James Green.

Styling: Alex Harrington, makeup: Sarah Tanno-Stewart, hair: Frederic Aspiras, nails: Kim Truong using Glitterbels, tailors: Hailey Desjardins and Egle Paulauskaite, set design: Marla Weinhoff.

Photographed during her stay in Paris in July this year, the cover photo showcases Gaga in the blue embroidered trompe-l’œil synthetic hair coat made in collaboration with hairstylist Gary Gill from Balenciaga‘s 53rd Fall/Winter 2024 Haute Couture collection!

An iconic silhouette by now, Gaga rocks a pair of her favorite Marc Jacobs Fall/Winter 2016 Kiki buckled black leather platform boots!

The mixture of couture, high-end designers and emerging talent is immense in this editorial as Gaga wears the grunge-inspired Hodakova Fall/Winter 2024 argyle double knit sweater in this hauntingly beautiful shot.

Hyperventilating is an UNDERSTATEMENT. I fell in love the moment John Galliano sent out his girls down the dramatic runway and ever since I was hoping to catch Gaga in one of the designs. Never would‘ve thought she‘d even get a whole custom look!

Gaga poses in custom Maison Margiela Spring/Summer 2024 Artisanal Haute Couture.

White cotton caisetted cape cut with the memory of an ulster coat, worn over a patinaed knitted silk bodysuit matching Gaga’s skin tone underpinned by a corset covered in jersey and a silicone hip prothèse.

A taped reverse swatching hat in white foam and caisetted cotton, patinaed knitted silk stockings and gloves, and custom Christian Louboutin for Margiela white patent leather criss-cross platform pumps with torn stocking overlay.

One thing you should know about Gaga is that she loves to layer multiple runway pieces to merge a whole new look.

From Dior‘s Resort 2025 collection, a love letter to Scotland, she wore a knitted argyle sweater with cut-outs, a tartan wool maxi dress which she layered underneath a mesh and metallic lace dress, and some argyle socks.

The Hodakova sweater makes a return, this time accessorized with an antique hand-painted plaque, ruby and diamond in 18kt gold brooch, and a smoky quartz and pearl in 18k gold brooch, both from Tony Duquette!

A shoe that changed herstory. Vivienne Westwood‘s infamous Fall/Winter 1993 Super Elevated Gillie platform shoes make a return, acquired from Pechuga Vintage. You might remember Gaga wearing a boot version of these for her 2010 Elle spread!

A firework of excitement ransacked my body when I first found out that Alessandro Michele would depart from Gucci to head over to Valentino as the new creative director.

LG is, to my knowledge, the first celebrity to rock a piece from the Resort 2025 "Avant Les Debuts" (Before the Beginning) collection – a pale-yellow chiffon mini dress with high collar, tiered ruffle puff sleeves and floral micro-element embroidery all over!

Paired with custom Maison Margiela distressed stockings and custom Christian Louboutin platform heels.

Gaga is working it in a bi-colored statuesque coat seen on Yohji Yamamoto‘s Fall/Winter 2024 "A Seamless Parable on Cubism" runway.

Rather than canvas and paint, Yamamoto’s medium is fabric and more than ever, it felt like he let his instinctual side take the wheel. Case in point: He said he couldn’t talk about how he’d arrived at these silhouettes. "During fittings, I can change, I can touch", he said with finality.

The look was crowned with a custom Vivienne Bow hat made of voluminous moiré fabric by emerging designer Andrew James!

One of the "Antwerp Six" designers, Dries Van Noten bid farewell earlier this Summer and decided to leave the fashion scene with a bang by celebrating his legacy at his final Spring/Summer 2025 collection where this epic embroidered cashmere coat is from.

Both her Tah ornamental black double-faced wooly cashmere hat with engraved metal accents ($2,700)...

...and Duras double-breasted boxy oversized coat rendered in bonded viscose with peaked lapel ($6,750) are from The Row's Resort 2025 lookbook.

Gaga is the first ever person to wear this vintage Givenchy by Alexander McQueen Fall/Winter 1999 "Execution of Lady Jane Grey" Haute Couture chinoiserie embroidered silk balloon sleeve coat and bespoke black dress, both sourced from LILY et Cie.

In 1999, McQueen was going through, in his own words, "an emotional turmoil" both professionally and personally. But instead of relieving himself, he ventured into his own despair to understand his inner demons more poignantly. This painful journey led Lee to Paul Delaroche’s tragic but beautiful 1833 painting, "The Execution of Lady Jane Grey".

Like a painter to a blank canvas, McQueen filled an empty room with extravagant offerings: romantic silk ensembles with floral embroidery, 16th-century fur-trimmed tunics, luxurious velvet coats, as well as the designer’s signature leather suits, cowl-neck dresses, and even a heightened-for-couture bouffant piece that paid homage to his plaid.

Dialing in on his inspiration, McQueen presented his clothes not on models but on fiber-glass-headed mannequins that emerged from trap doors in batches, as if the audience were in an art gallery rather than a fashion show.

It's almost unrecognizable but Gaga is draping this Chanel Fall/Winter 2024 Haute Couture black silk taffeta opera coat around her torso. This piece, which served as the show's opening number, features a ruffled neck, bejeweled buttons and a voluminous cut.

[sadlynotthevoid]

Guys, I just had a very crack thought: LCF fic that is a Barbie: A Fashion Fairytale AU, except Og!Cale is Barbie and Arm is the rival copycat boutique.

This means:

—Since og!Cale is basically Barbie, instead of being famous he was infamous. He was really good at his job (if you haven't seen the movie, in this one Barbie was an actress who got in an argument with the director, which ends with her fired), but he had a really bad reputation so everyone thought he's a bad person with talent. He still has fans because he's iconic and has amazing acting skills, but no one is surprised when he gets fired and so.

—This is a modern AU and Og!Cale has his own acting career, therefore there isn't a big succession trouble (for him to solve) like in canon. He just said he was going to be an actor and the head of the company trainment went to the only child who wasn't too opposed to the position: Bassen.

—Where does his bad reputation come from then? He pissed off someone, who decided to ruin his reputation in an attempt to make him miserable, but he just thought this was funny and convenient, so he let it be. "I can insult so many people like this" Insult = being rude but honest.

—Kent can be either Alberu or Kim Rok Soo. I prefer Alberu, but having Rok Soo go through a comedy of errors because he accidentally broke up with his bf is equally funny. In the other side, making a basically modern prince travel in the most low budget and gradually worst ways (because he couldn't get a first class flight fast enough) to recover him is fantastic of Cale's part.

—Aunt Millicent is Olienne because he's his godfather here.

I'm going to go back at this later but I want breakfast first.

[tomorrowxtogether]

TOMORROW X TOGETHER Are Dior’s Newest Brand Ambassadors

The K-pop group wore custom designed outfits for its headlining set at Lollapalooza.

Dior has found its latest brand ambassadors in the boys of TOMORROW X TOGETHER. The luxury fashion house announced its partnership with the K-popgroup on Thursday (Aug. 10), with each member slated to work with the brand.

“Dior is pleased to announce global icons @TXT_BigHit as new Dior ambassadors, further cementing the House’s bond with the South Korean group,” the brand wrote on Instagram, captioning photos of the quintet in coordinated brown, black cream and gray-toned ensembles. “Discover the stage looks custom designed by @MrKimJones for band members SOOBIN, YEONJUN, BEOMGYU, TAEHYUN and HUENINGKAI to wear at their recent Lollapalooza festival headlining performance in Chicago.”

In a follow up post, the fashion house revealed that the group’s outfits for its set at the festival — where TXT performed several hits from recent album Sweet in addition to fan-favorite tracks — were designed by Dior Men’s artistic director Kim Jones “with each singer embodying the singularity and timeless modernity of Dior style.”

MOA flocked to the comments section of Dior’s announcement posts and expressed their gratitude at the boys being selected to represent the brand. “You chose the best ambassadors, they are tall, beautiful and so talented…and they like to make a statement with their fashion choice,” one fan wrote. Another added, “Congrats TXT. Proud of them. Dior is really lucky to have them all.” 

Several MOA also commented that Dior is “OT5,” meaning the brand equally loves and supports each member of the group.

[moriarty1234]

T*LC Refutation (but decidedly NOT johnlock refutation)

[Note: I love and ship johnlock because I saw it for myself in the show when I watched it and was part of the general audience in the past. I even want it to become canon in some Holmes adaption in the future. But T*lc needs to get sucked into obscurity and forgotten. Other fandoms like Good Omens, etc., are following the same rhetoric in their "meta" posts, and that needs to go. This is crucial for our basic critical thinking skills and objectivity.]

Read Part - 3 : Everything wrong with "subtexts" and "symbolisms" here.

Part-4: The Harmful Aspect of T*LC:

Let's move on to some more serious issues, or why we (Kim and I) don't believe for even a second that hardcore t*lcers (the ones who're rabid about this theory) ever cared for any type of representation, or even johnlock in itself for that matter.

I say hardcore t*lcers because the normal ones simply believe in t*lc and keep that shit to themselves. I'm even mutuals with them on Tumblr (although I know that when the show was on air, hardcore, insufferable, and deeply problematic t*lcers were in the majority).

1.) The very definition of t*lc : The general idea of t*lc is that johnlock has been planned since 2010 (right from the first episode of S1), this whole show is essentially a love story between Sherlock and John, the cases are not so important, and that johnlock is going to be the endgame canon ship. When the writers deny anything related to johnlock in their own show, they're lying to keep their elaborate plan under the wraps. When Sherlock and John kiss on screen, it'll be a rug pull moment for all the non-believers, their love story will be groundbreaking queer representation in mainstream media, and BBC Sherlock will become a culturally iconic Holmes adaptation. Because sometimes, the queer characters can be the heroes of the story.

All this sounded so nice and fancy to me when I was new to shipping johnlock. Because BBC Sherlock was my first fandom that I ever participated in. Johnlock was (and is) my first ship. I used to be a non-shipper before this, because I'm not exactly a Romance-genre fan in published fiction.

Now I don't like the general idea of this at all. Not because I don't want johnlock to become canon in some version (I really do), but there are so many flaws in the very idea of t*lc.

a.) They didn't even plan what they were going to do with Rosie Watson in S4. They just introduced the pregnancy subplot to raise the stakes in HLV. Only for shock value purposes. This was Mark Gatiss' statement (now I can't find the link but I've seen an article about this before). To think they'd planned an entire romance storyline, but it was just under the wraps the whole time, is unrealistic.

b.) While it's true that showrunners or directors do lie to their fans before a work is published to maintain an element of surprise, Moffat and Gatiss had denied anything related to johnlock too many times, and almost vehemently for most viewers to believe that they're just lying. One can only lie too many times, after all. And something needs to be there in the actual show for (maximum) fans to catch on that they're indeed just lying. There wasn't enough evidence for that. Too many of those scenes just came off as gay jokes instead of anything of real substance. That wasn't a good look.

c.) The third part is really what gets me the most here, and one of the main reasons why Kim and I began to actively despise t*lc, even though we're both still pro-johnlock. These people really thought the ultimate rug pull moment for the entire audience should be... that John and Sherlock are in love? Really? That's it? That's highest standard you have for supposedly groundbreaking queer representation? That doesn't sound right. Queer representation really shouldn't be used for shock value. As if we're not marginalised and isolated from most people already. Especially in my country. That just sounds as though you want to place these two characters in a museum as though they're some exotic beings or something. That's the opposite of a healthy queer rep.

d.) Even if johnlock were canon, it would've hardly been groundbreaking for the purposes of queer representation. Even in the 2010s. Because shows like Breaking Bad (a show from 2008, i.e., before BBC Sherlock, in which a very significant character is canonically gay and black), Elementary (where Mrs Hudson is canonically trans, Joan Watson is a well written character even as a poc female lead, Jamie Moriarty is also properly characterised when mainstream media doesn't have a lot of well-written female villains to begin with), London Spy (which is also a BBC show from 2015), Money Heist (which also features a significant canonically gay character), etc., still existed. I'll even list The Irregulars as an example, even though the first season of that show was aired in 2021, because that was still before the Sherlock Holmes franchise entered the public domain. Watson is canonically gay and black in that one.

e.) This is a detective show you're talking about. Cases aren't important? You kidding me?

2.) Rabid t*lcers were hypocritical as hell. They used to demand canon johnlock for "representation", but they were all sorts of bigoted people themselves.

a.) They made racist comments about Lucy Liu.

(From Sarah Z's video) :

They've called slurs to fans of colour in the fandom (I can think of one fan specifically right now) for not shipping johnlock.

b.) Characterising Sherlock as a twink, gay baby, or "smol" is fetishistic. It's just homophobia indirectly.

c.) They went rabid about the bisexual Sherlock headcanon, Instead of simply disagreeing with it for whatever reason. You're not doing the queer community any favours by h/cing John as bisexual just for your johnlock shipping, only because he has canonically shown attraction to women.

See this:

Stop playing the victim card right after perpetuating biphobia lol. You need to rewatch the show if you think mere fascination was all he felt for Irene. Also, even if he genuinely didn't show any attraction to any woman in canon, fanon can still be its own thing. Not everything has to be strictly canon compliant.

One more:

Stop straw manning and assuming real people's sexuality. Stop ship bashing. Enough with the biphobia.

This person is a johnlocker and "The One" obviously means johnlock here. No, not everyone is uncomfortable because of johnlock for bigoted reasons. People are allowed to have preferences.

Another one (probably my favourite) :

Talk about hypocrisy. The title of this post sounds so positive to bisexuality, but then OP goes right ahead to frantically claim Sherlock is 100% gay and not anything else!!! 1!!

Sherlock is heavily queercoded in the show, I agree. I don't even care whether that was the authorial intent or not at this point. That's what a non-insignificant amount of people took away from this show.

But his canon sexuality was never specified. People are allowed to interpret his sexuality however they want. You are nobody to state your own headcanons as facts.

More hypocrisy.

d.) The acephobia was rampant in this fandom mostly because of these people. It's a well-documented fact.

e.) The misogyny in this fandom was ugly. The kind of outlandish metas they write trying to disprove adl*ck from the show... jeez. If adl*ck definitely doesn't exist in this show, why would you need to disprove it so many times through your meta posts?

Can't erase something that really isn't there, just saying.

"Irene is just a personification of Sherlock's libido for John." Seriously? Do you even listen to yourself?

Don't get me wrong. I blame Mofftiss equally as much for not writing women properly in general, Irene Adler in particular. They butchered canon Irene Adler (a queen) way too much in their show. But the fans' response to her was almost worst.

It's understandable if the show's version of Mary doesn't sit right with you for whatever reason. People are allowed to have preferences. Personally, I'm quite neutral about Mary Morstan in this show.

But these people used to take their hate for her too far. These people have never been as mad at Moriarty, or even at Culverton Smith, as they all were at Mary for shooting Sherlock. Again, this is a crime drama show. Not all characters are going to be sunshine and roses.

3.) Rabid t*lcers hardly ever tried to explore johnlock in other versions. If you're a fan of Sherlock Holmes, you'll be at least curious about different adaptations that exist out there. Why did they hardly ever posted about The Irregulars when it was aired? An adaptation in which Watson is canonically in love with Holmes? I've been around in the johnlock fandom enough to know that the rabid t*lcers (NOT ALL T*LCers) never really cared about the possibility of johnlock in some other version after it ultimately didn't become canon in BBC Sherlock. They only care for johnlock as long as Benedict Cumberbatch and Martin Freeman are associated with it.

... Yup.

(ACD canon Watson was in his early thirties in the first novel. That's not middle aged. Joanlock didn't even become canon - something that was specified since Day 1 - in Elementary lmfao. Also, Lucy Liu was in her forties when Elementary aired. Get your facts straight.)

All these three points are enough to conclude that what t*lcers usually posted about was obviously not "demand for representation", but rather a demand for some extremely specific fantasies acted out on screen with an even more specific choice of actors.

I even joked to Kim about this: The stuff they demand for is so extremely specific that it sounds like a Starbucks order lol.

Part: 5 - Conclusion:

I want johnlock to become canon in some version of Sherlock Holmes adaptation. But I want t*lc as a theory to be completely forgotten and obscured. T*lc is definitely not the way to go about it. Other fandoms (namely Good Omens) have started to write "metas" with the exact same rhetoric in them, and now it's completely unacceptable. It's 2024 now. Let it go.

Some interesting links Kim and I found that are very insightful and relevant to this post:

About cults and the followers

Cult psychology

Conspiracy theory psychology

Science vs pseudo-science

Science vs psudo-science - 2

Conspiracy theory psychology - 2

Signs someone is a pseudo-intellectual

One explanation why even otherwise sensible people seem to believe in t*lc

PS: Not every dark haired character/ blond character is a Sherlock/John mirror respectively. That's not how character-mirroring works. Experts would know this.

T*LC refutation (but NOT johnlock) refutation master post.

[superknovamusic]

Had a blast performing at the Korean American Story Gala 💖 I grew up in the Midwest not seeing many other Korean Americans and almost no queer Korean Americans so it was super healing to be a part of this event. It was an honor to share a stage with Joel Kim Booster who I’ve been a big fan of since his first comedy album! Andrew Ahn director of one of my fav queer movies of all time Fire Island, Schuyler Bailar who is an inspiration to me and trans athletes everywhere, Vivian Lee iconic NYC journalist and news anchor and Kathleen Kim amazing Sesame Street puppeteer of the first Asian American muppet! A beautiful evening and one I’ll remember for awhile

📸: Poupay Jutharat

https://poupayphoto.com

[mileapo]

EXCLUSIVE: Dior Names Thai Stars Apo and Mile as New Ambassadors

PARIS — With K-pop stars securing several high profile ambassadorships recently, Dior is looking farther afield in Asia for new faces to represent the brand’s menswear.

The luxury house has tapped Thai actors Nattawin Wattanagitiphat, better known as Apo, and Phakphum Romsaithong, nicknamed Mile, as its newest men’s ambassadors for the country.

“Apo and Mile are very cool guys. I really love their attitude and I think they are the perfect ambassadors to represent Dior,” menswear creative director Kim Jones told WWD.

“The duo has established a special friendship with the house, where both embody the Dior style and spirit locally and worldwide,” the company added.

“I am over the moon to join the Dior family as a house ambassador. Dior is such an iconic brand with rich history and timeless style, so I am excited to be a part of the family,” Mile said.

“Dior is a brand that I have always admired. I am honored to be a part of the Dior family,” added Apo.

The two costar in the mafia-set romantic drama “KinnPorsche.” The series has secured a global fan base for the young actors, and sparked a five-city Asia tour to Singapore; Seoul; Manila, Philippines; Ho Chi Minh City, Vietnam, and Taipei, Taiwan, based on its popularity.

Each has more than 3.5 million followers on Instagram.

Thailand is a key emerging market for luxury brands, projected to be worth $4.6 billion in 2023. It is forecast to grow 5.6 percent annually through 2028.

Jones will show his latest collection for Dior on Friday.

[natlacentral]

Netflix’s ‘Avatar: The Last Airbender’ Showrunner Albert Kim to Step Down, Jabbar Raisani and Christine Boylan to Lead Final Two Seasons

Netflix’s live-action “Avatar: The Last Airbender” series is undergoing a change in leadership. 

Variety has learned that Albert Kim, who developed the series and served as showrunner on Season 1, is stepping down. Christine Boylan and Jabbar Raisani will lead the show as executive producers going forward. Netflix has already announced the show has been renewed for two more seasons, concluding with Season 3. 

Boylan served as co-executive producer on Season 1 of “Last Airbender,” while Raisani was an executive producer, director, and a VFX supervisor. Kim will remain onboard as an executive producer for Seasons 2 and 3. According to an individual with knowledge of the situation, Kim wanted to explore new opportunities following the multi-year development process on “Last Airbender” and has signed a deal with Disney to work as an executive producer on the “Percy Jackson” series while also developing new projects for that company. 

Boylan’s other credits include the hit Peacock series “Poker Face” as well as shows like the Netflix-Marvel series “The Punisher,” “Citadel” at Amazon, and “Cloak and Dagger” at Freeform. She is also an accomplished playwright, recently debuting her sci-fi play “Analogue” in London, as well as a comic book writer for DC, Marvel, BOOM Studios, and Tokyopop. 

She is repped by WME, Art/Work Entertainment, and attorneys Erik Hyman at Paul Hastings.

In addition to his work on “Last Airbender,” Raisani has done VFX work on shows like “Lost in Space” and “Stranger Things” for Netflix as well as “Game of Thrones” and “The Flash” among many others. He has also directed episodes of “Lost in Space” in addition to episodes of “Last Airbender.” 

He is repped by CAA and Myman Greenspan. 

“Last Airbender” is based on the iconic Nickelodeon series of the same name. The live-action version’s first season starred Gordon Cormier, Kiawentiio, Ian Ousley, Dallas Liu, Ken Leung, with Paul Sun-Hyung Lee, and Daniel Dae Kim.

Along with Albert Kim and Raisani, Dan Lin and Lindsey Liberatore executive produce on behalf of Rideback, with Michael Goi also executive producing. Goi directed the first two episodes, while Raisiani directed episodes three and four. Roseanne Liang directed episodes five and six, with Jet Wilkinson directing the final two episodes of Season 1.

[usadailynews24]

Hiroyuki Sanada of ‘Shogun’ and Takashi Yamazaki of ‘Godzilla Minus One’ to Receive Honors from Visual Effects Society

Takashi Yamazaki and Hiroyuki Sanada to Be Honored at the 23rd Annual Visual Effects Society Awards

Takashi Yamazaki, director and VFX supervisor of Godzilla Minus One, and Hiroyuki Sanada, a two-time Emmy-winning actor and producer, will receive prestigious honors at the 23rd annual Visual Effects Society (VES) Awards. The ceremony will take place on February 11 at The Beverly Hilton. Yamazaki will be presented with the VES Visionary Award, while Sanada will receive the VES Award for Creative Excellence.

Takashi Yamazaki: Visionary Filmmaker and VFX Pioneer

Recognized as one of Japan's leading filmmakers, Takashi Yamazaki wrote, directed, and supervised visual effects for Godzilla Minus One. His groundbreaking work on the film made him the first director since Stanley Kubrick to win an Academy Award for Best Visual Effects. The movie has become the third highest-grossing foreign-language film in U.S. box office history, earning $56 million.

Yamazaki’s extensive filmography includes critically acclaimed works such as Always: Sunset on Third Street, The Eternal Zero, and Stand by Me Doraemon. The Visionary Award honors individuals who consistently push the boundaries of visual effects to inspire and ignite artistic and technological innovations.

VES Chair Kim Davidson praised Yamazaki’s contributions, stating, “Takashi Yamazaki is a renowned talent in Japanese cinema who reinvigorated a legendary kaiju franchise and has been at the forefront of using visual effects to tell remarkable stories that captivate audiences.”

Yamazaki is preparing for his Hollywood debut with Grandgear, a collaboration with Bad Robot and Sony Pictures. In addition to writing and directing, he will produce the film alongside J.J. Abrams and Glen Zipper.

Hiroyuki Sanada: A Global Icon of Cinematic Storytelling

Hiroyuki Sanada, celebrated for his work in Japanese and international cinema for over five decades, will be honored with the VES Award for Creative Excellence. This award recognizes individuals who have made lasting contributions to the art and science of visual effects and cinematic entertainment.

Sanada’s illustrious career includes more than 70 films, such as The Twilight Samurai (an Academy Award nominee for Best Foreign Language Film), John Wick: Chapter 4, The Last Samurai, and Avengers: Endgame. Most recently, he starred in and produced FX’s Shōgun, a groundbreaking drama series that earned him Emmy Awards for both Outstanding Lead Actor in a Drama and Outstanding Drama Series. The series holds the record for the most Emmy wins in a single year.

VES Chair Kim Davidson highlighted Sanada’s impact, stating, “Hiroyuki Sanada has been at the center of cinematic stories that use visual effects to enhance unforgettable storytelling for decades. From ensuring authentic depictions of Japanese history in Hollywood films to spearheading the critically acclaimed Shōgun, his work has left an indelible mark on the global cultural landscape.”

As a cultural ambassador for Japan, Sanada has played a pivotal role in bridging Eastern and Western cinema, bringing authentic portrayals of Japanese history and culture to global audiences.

Looking Ahead

The VES Awards will celebrate these two legends for their extraordinary contributions to visual storytelling. Yamazaki and Sanada’s careers exemplify the transformative power of blending art, culture, and cutting-edge technology to create memorable cinematic experiences. Fans and industry professionals alike eagerly anticipate their future projects, including Yamazaki’s Hollywood debut and Sanada’s continued work in groundbreaking films and series.

Stay tuned for updates on this landmark event honoring two giants of cinema.

[voguecovers]

• Vogue China, June 2024

Fashion icon, Kim Kardashian ❛ photographer, Huang Jiaqi

This is final Photo Vogue issue in Margaret Zhang tenure as Editor in Chief | Fashion director Vivienne Sun, artistic director Matt McDonald ❛ Kim wearing Balenciaga

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