#Keyworth Centre

[lsbubastudio2]

"An Exhibition of Architectural Works" _ #LSBU _ 22 June - 03 July 2023

Location: LSBU Southwark campus - LSBU HUB _ Photos by: Spyros Kaprinis [22.06.2023]

"The #LSBU #Architecture End of Year Show celebrates the excellence of our students' work throughout the academic year. Here we showcase some of our most exciting projects, and celebrate the efforts that our students have made throughout their architectural education. On display will be illustrated products by students across our programmes. Come and get a glimpse of what our Architecture programmes have to offer. The work will also be displayed in the foyer of the Keyworth Centre at London South Bank University until Monday 3 July 2023."

We look forward to seeing you!

https://lnkd.in/eWz_rEu7

https://lnkd.in/ePaNyJTn

#London_South_Bank_University  #LSBU #Architecture #EndOfYearShow 2022-2023

[keyworthgarages]

[spyskrapbook]

"Le Corbusier’s Models of Worldmaking"_ London South Bank University _ 21.03.2023 - 06.04.2023 The School of The Built Environment and Architecture at London South Bank University (#LSBU) hosts an international symposium, reconsidering an exhibition of 150+ models of Le Corbusier’s built and unbuilt projects. The Symposium will take place in: Lecture Theatre A, Keyworth Centre, London South Bank University (#LSBU), Keyworth Street, London SE1 6NG. Thursday 30 March 2023, 17:30'-20:30' Registration link: https://www.eventbrite.co.uk/e/le-corbusiers-models-of-worldmaking-tickets-592126023877 The exhibition of models is open to the public from 21 March to 06 April 2023 in the foyer of Keyworth Centre, #LSBU.   Since the early 20th century Le Corbusier’s projects have been unavoidable points of reference in architectural knowledge and practice. Their roles, however, have changed historically from avant-garde and polemic statements of icons of the modernist movement, to stigmatised and politically charged constructions, and, in recent years, to contested grounds for reflections on ethical, socially-aware, and ecologically-just practices. His projects, whether built or unbuilt, operate in the tension between architecture imagined and architecture conceived. This space in-between is precisely the quality that turns them into the driving force for progression and reconsideration of the field of architecture. Their discursive, imaginative, and projective qualities have produced socio-spatial imaginaries and expressible fantasies. The symposium celebrates an exhibition of 156 models of Le Corbusier’s built and unbuilt projects proposed for x countries. It brings together researchers, architects, and scholars to revisit Le Corbusier’s Models of Worldmaking examined through various architectural, pedagogical, and theoretical perspectives. The speakers outline a systematic form of enquiry reflecting on key experimental and methodological applications of Le Corbusier’s work, ones that could be catalysts of change or critical reflection on our radically changing profession. Convened by: Dr. Hamed Khosravi and Prof. Igea Troiani. Guest Speakers: Brigitte Bouvier (Director, Fondation Le Corbusier) Prof. Alan Powers (London School of Architecture) Prof. Tim Benton (Open University) Rene Tan (Director, RT+Q) Layton Reid (Visiting Prof. at University of West London). The event is supported by grant funding provided by #LSBU.

[swimmingpoolz]

— Keyworth Leisure Centre, Nottingham, United Kingdom

[grigori77]

Guilty Pleasure #22

ELFIE HOPKINS

Dir. RYAN ANDREWS; Wri. RYAN ANDREWS & RiYAD BARMANIA; Music. JORDAN ANDREWS; Starring. JAIME WINSTONE, ANEURIN BARNARD, STEVEN MACKINTOSH, RUPERT EVANS, KATE MAGOWAN, JULIAN LEWIS JONES, KIMBERLEY NIXON, GWYNETH KEYWORTH, WILL PAYNE, RAY WINSTONE, RICHARD HARRINGTON; R.T. 82 mins; 2012, United Kingdom

WHAT IT’S ABOUT: 22-year-old slacker Elfie Hopkins (Jaime Winstone) dreams of escaping her dull life in a small country village, spending her days getting stoned with best friend Dylan (Barnard) and living vicariously through her obsession with noir detectives while spying on her neighbours. Then a new family moves in next door, the seemingly perfect Gammons, and Elfie can’t help digging a little deeper, only to uncover a truly terrifying secret that threatens everything she holds dear.

WHY IT’S GUILTY: This marks the only feature-length offering to date from writer-director Ryan Andrews, and it smells acutely of first-film-indulgence, its creator clearly having thrown EVERYTHING at it in the hopes that something stuck.  As a result it’s a bit of a mess, never quite sure of its tone and therefore continually shifting between satirical black comedy and slowburn creepy cannibal horror, never able to settle.  You can see most of the twists coming from miles away, while there’s real frustration to be found in the fact that this marked the first time Ray Winstone got to work with his little girl on the big screen, and yet he’s barely even in the movie – his character is one of the most interesting here, but he ultimately feels like he’s popping in briefly from another, much better film … in the end this was absolutely PUMMELED by the critics, and suffers a truly ignominious ZERO PERCENT SCORE on Rotten Tomatoes, and I can kind of see what they’re on about – there’s SO MUCH potential here, but by and large Andrews failed to deliver …

WHY IT’S A PLEASURE: And yet, there IS some good stuff here if you’re willing to dig and you don’t mind the smell too much.  (Sorry … couldn’t resist that one.)  Jaime Winstone is DEFINITELY one of the film’s major saving graces – in her hands, Elfie is a playful, snarky little minx who SHOULD come across as irritatingly self-centred and intrusive but is in fact such an adorably stubborn little busybody you can’t help liking her; it also helps ENORMOUSLY that Aneurin Barnard (Hunky Dory, Citadel, Dunkirk) is SO lovable as Dylan, a shy, down-to-earth, geeky genius who provides a strong grounding anchor to keep Elfie from getting TOO full of herself.  And then there’s Rupert Evans (Hellboy, The Man in the High Castle, the new Charmed series), not so much chewing the scenery as furiously devouring it as the head of the Gammon household, seductively suave one minute and downright TERRIFYING the next – films live or die by their villains, and in this regard at least this one of truly blessed.  Winstone Sr. is also typically brilliant in his frustratingly brief role, and at least he does get to play ONE cracking scene (definitely one of the film’s actual HIGHLIGHTS) with his daughter.  There are also moments of genius scattered amidst the more clunky material, Andrews occasionally showing glimmers of genuine talent that make you hope he can get his act together sometime with something genuinely GOOD, while the film is often genuinely enjoyable when Winstone and Barnard get together, and things do finally kick into gear in the last half hour once the Gammons’ nasty little secret finally comes to light.  Shame it takes so long to get there, really. Ultimately, there’s a lot wrong with this film, but there’s enough right that you might enjoy yourself if you’re willing to just GO WITH IT …

[littlelegsltd]

We are so excited and of course a little nervous (as we want to get it just right for you) that we are returning to our classes inside this week! We have so many new classes and new venues we can’t wait to see you! Mondays 10 - 10:45 Lutterell Hall West Bridgford Tuesdays 10 10:45 Beeston Rylands Community Centre 10:10 West Bridgford Methodist Church Wednesdays 10-10:45 The Blossom Tree Keyworth Thursdays 10 - 10:45 St Marks Church Hall Woodthorpe Fridays 10 - 10:45 West Bridgford Methodist Church Due to restricted numbers please book to avoid disappointment. We have some important changes to keep us all safe. CLASS SAFETY Arrival • Please arrive to the class no earlier than 5 minutes before the class start time Social Distancing • Families must maintain social distancing guidelines at all times ​ Face Masks • All caregivers are required to wear a mask when entering the venue and in communal areas within the venue. • Masks can be removed when you are at your allocated class station ​ Hand washing • On entering the venue you will be required to sanitise your hands . Hand sanitiser and clinical wipes will be available in various venues and from your instructor Equipment • Each family will receive their own equipment which has been thoroughly sanitised. We can’t wait to see you #zumbini #milestones #development #babyclasses #toddlerclasses #nottingham #keyworth #westbridgford #woodthorpe #beeston #community #dance #sensoryplay #drums (at Little Legs Ltd) https://www.instagram.com/p/CEyM0U_ldlZ/?igshid=uw0gwkv3pos1

[distincttoday]

Couple who shared their first kiss aged five, have rekindled their romance after 36 years apart 

Childhood sweethearts who shared their first kiss aged five rekindle their romance 36 years later after bumping into each other in Tesco

Emma Louise Keyworth first met her now fiancée Duncan Broomfield in 1982 

The contact centre manager lost links with Duncan when he joined the RAF at 19 

But 36 years and five children later – the pair ‘bumped’ into one another 

By Leigh Mcmanus For Mailonline

[mollykeyworthcrashcourse]

my article

NOTTINGHAM’S OWN BRAND

Hockley bringing individuality back

Nottingham is the home of some of the greatest and longest running brands and designs in the country. Once the centre of the world’s lace industry, the Lace Market thrived in the 19th century and is known the world over. Paul Smith, born in Nottingham, opened his first shop in the city in 1970 and from that one shop, he now has 36 – with at least 3 in each continent. But has the individuality and fantastic fashion history of Nottingham been replaced by the mainstream stores we see in every city?

Nottingham’s biggest shopping centre, Victoria Centre, houses many brands which are all incredibly similar – such as Topshop, River Island, Select and Urban Outfitters. In all of these stores window’s, the adverts are the same with girls and boys in skinny jeans with plain jumpers on, laughing and smiling and the mannequins all dressed in matching outfits to next door’s mannequins. Yet just five minutes down the road, Hockley stands in all its glory. With shops like COW, White Rose and Braderie – no two shop windows look the same and inside the difference is even more obvious.

The shop window of COW is a completely different sight to that of a mainstream shop, with big LED lights spelling their brand name and only two mannequins ‘modelling’ their clothes. Inside of COW, the racks and shelves are heaving with all kinds of items; shirts, shoes, trousers, skirts. You name it, they have it. However, what they don’t have is the same item in every size.  The beauty of this is that - unlike your typical high street shops - you get lost in finding that perfect item.  Ruby French, a regular customer describes her visits to Hockley as ‘magical’. ‘There is something you feel in these shops that you don’t get in places like Topshop and River Island, the feeling of knowing whatever you pick out will be unique and special to you and nobody else will have the same thing - it’s quite a magical feeling’.    

I asked 30 (completely random) people on a busy lunchtime in Nottingham’s bustling city centre and asked them the what they thought of the ‘vintage takeover’ in Hockley compared to the more mainstream Nottingham. Over 55% replied that they thought it was a good thing that vintage clothes were becoming a more stylish alternative to the usual clothes that most stores have to offer now days and when I asked them to justify their answer, 11 out of the 17 that answered that they liked the vintage takeover chose individuality as their reasoning - the other answers ranged from ‘The Look’ and ‘The range of items’. The people who weren’t so keen on the vintage look and preferred the more mainstream vibe overall preferred the range of items that shops - such as Topshop - had to offer, however one person that wasn’t so keen on vintage did add that he liked how vintage shops “were bringing individuality back”. Amy, a 19 year old student told me “I love that you can buy something and you’ll never have that ‘oh my god I’m wearing the same outfit as somebody else” feeling’. That is definitely a guarantee from the shops in Hockley.

The rich culture of Nottingham and its fashion and design has always been prominent nonetheless there is always the risk that everybody can start to look the same. Due to the ‘rules and regulations’ of the fashion industry, it has almost become the norm for everybody to look like one another; something that the mainstream shops will happily go along with. Hockley and its many individual shops are helping to combat this and go against the norm to regain individuality - one redesigned, vintage item at a time.

Molly Keyworth                      

[nicolledasilva-blog]

Instagram, Location Scouting & Project Dates

Today we created an Instagram account for our project called ‘Popularity Contest’ - @_popularity_contest 

We need to also adapt the consent forms to have it fit in with our project.

Locations

Green Park

Hyde Park

Westfields

Southbank

Soho

Trafalgar Square

Rehearsal - Thursday 23rd March. Locations would be within the university, either outside the Student Centre, Keyworth building or London Road building. Ideally, the event will run from 11am - 4pm.

Final - Either Thursday 27th April or Thursday 4th May.

[chrisarrondelle]

Alterline

Alumni Filming Project - Part 3 - Test Shoot

Having put together our film crew, and generated/delivered our quote to Alterline, we now heard that our quote had been provisionally accepted on price, but Alterline had some details they wanted to iron out for themselves. The film crew now consisted of - 

Chris G Smith - 2nd year Film Student

Matthew Stallard - 3rd year Film Student

Eniko Hovarth - 3rd year Film Student

Chris Arrondelle (me) - 2nd year Photography Student - South Bank Collective CIC (SBC) Producer.

The South Bank Collective (SBC) film crew. from left to right - Chris G Smith - Matthew Stallard - Eniko Hovarth. Seen here working on the LSBU campus to produce our test film for Alterline. Photo taken by Chris Arrondelle - Canon 6d

It had been getting quite complicated to arrange meetings between all of our schedules. Daniel is particularly busy as a course Director, so we agreed that I would move the meetings forward, keeping Daniel informed as we went along. This worked well, and immediately sped up the ability to meet, to make decisions. We had agreed at one of these meetings, that we would propose a test shoot. This would serve to assure Alterline, and Olivia, that they were getting the desired production values. It would also serve as an opportunity for the newly formed film crew and myself to work together before we started filming alumni.

At the next meeting with Alterline, the idea of the test shoot was pitched and a dead line set. The dead line would involve showing the Film created, and getting the final sign off to begin the project. I had set a pretty short deadline to produce the film, to move things along but had also put myself forward as the sitter (talking head) to be filmed. This meant that I could make myself available for filming to fit around the crews schedule. The crew would film and then edit a short film of me, talking about my experience at London South Bank University (LSBU) as a mature student. This was by no means an ego trip, it was simply the most practical way to achieve this quickly, and my story was deemed interesting enough in terms of content for this short film. We arranged to meet at the Elephant Studio’s on campus, and from there we would begin filming.

In the days before our meeting, the crew had set me a number of questions to answer, so that they could work out a sort of script for the film. The questions below were mailed to me and I then returned them, answered, so that the crew could plan the ‘talking head’ or interview section of the film.

Intro, name age and where you’re from

What were you doing before you enrolled at LSBU?

How has studying at LSBU helped you develop as a photographer?

As a mature student how would you describe your university experience at LSBU?

What course are you studying at LSBU?

What are your plans after you complete your degree?

Has photography taken you to any interesting places?

Are there any photographers that have inspired you or your style? And if so who?

What makes a good photograph in your opinion?

Would you say that you have a particular photographic style? And if so how would you explain it?

The crew had arranged all the kit from the university’s Kit Room. As a photography student, I have no access to film kit, so this responsibility must lie with them. We had access to the photographic studio for the morning, so we set up for the start of filming in here. Our plan was to film the “Talking Heads” in the studio, along with some “Cutaway’s”. This was new terminology to me so I will give a brief (photographers) understanding below - 

Talking Heads - Is a pretty self descriptive term, that refers to the sections of the film that show “Talking Heads”. In this instance, I would be the talking head as the crew filmed me answering the questions.

Cutaways - are the interruption of a continuously filmed action by inserting a view of something else. For example, The image of my talking head may “Cutaway” to the image of a photoshoot (to highlight my study) and then cut back to my talking head. My voice would be heard throughout the scene but the imagery would Cutaway, to underline a point.

We made use of the black backdrop in the studio, and placed a chair in front of that. The crew would be filming using Lumix GH4′s. The lights were set so that I was back lit, and lit from the sides. Matthew would be taking the role of photographer/director, Eniko was in charge of the sound, and had wired me up to a small microphone. Chris was in charge of the lighting. Two cameras had been set up for the shoot, to offer different frames for the same talking head in the final edit. Once the crew were happy with their set up the filming commenced.

Chris G Smith in the Elephant Studio’s at London South bank University as we begin filming. Photo taken by Chris Arrondelle - Canon 6d.

The crew were filming with the university’s Lumix G4′s. They had set these up so that my ‘interview’ was being recorded from two different angles. This (when cut together) would make for more interesting footage. We were to go over the questions that I had been sent, and I was briefed to include the question within my answers. For example - 

Q. Has photography taken you to any interesting places?

A. Photography has taken me to a number of different places. In particular . . . .

This inclusion of the question within my response, allowed the footage to be cut together without having to see or hear any interviewer (asking the questions). There was a lot for me to learn here. Do not look into the camera, Do not speak too fast, The list went on, but after many CUT’S and a few hours filming, the crew was satisfied that they had caught all the Talking Head footage that they needed. We now needed to capture the cutaway footage. The plan was to visit a few locations around the campus to film these.

The cutaway footage started in the Elephant Studios. The crew decided they wanted footage of me taking photos in the studio, so a volunteer (an unsuspecting American student) was coerced into cooperating, and we got some footage of me photographing her. Once we had done that, and thanked our volunteer, we proceed to three other locations around the university campus. We filmed in the Cafe, and a stairwell of the Keyworth Building. We also filmed in the quad (green space) at the centre of the Technopark. We finished our day by getting some footage in the print room, back at the Elephant Studios.

Filming in the Technopark’s quad area. The G4 has been mounted onto a ‘slider’, this piece of equipment allows for a gliding motion when filming. Left to Right - Chris G Smith - Matthew W Stallard - Eniko Horvath. Photo taken by Chris Arrondelle - Canon 6D.

Eniko composing her frame with the Lumix G4, mounted on the slider. Photo taken by Chris Arrondelle - Canon 6D.

Matthew and Eniko filming in the stairwell of the Keyworth Building. The G4 is seen here fixed to a shoulder mount, allowing the camera to be held steady when hand held. Photo taken by Chris Arrondelle - Canon 6D

Matthew filming from the bottom of the stairwell in the Keyworth Building. Photo taken by Chris Arrondelle - Canon 6D.

At the end of the day we had been working for around six hours. The crew felt that they had caught all the footage that they needed, and after sharing the film and sound files we called it a day. Eniko was to edit the footage together, and she also asked me to sent her some of my own photography, along with some photos from photographers that I admired. These would be included in the edit.

The final test film. Filmed and produced by Matthew W Stallard, Chris G Smith, Eniko Horvath, and Chris Arrondelle (me). Edited by Eniko Horvath. This film was produced by The South Bank Collective as a final pitch to Alterline, to move ahead with the actual commission for six alumni films.

The final test film was pitched in a meeting attended by Nick and Beth from Alterline, along with Olivia and Laura from Alumni relations. I was very proud of what we had achieved, and very confident in the quality of our production. The film went down well, and the meeting moved swiftly on the production of the six films. It was agreed that Beth would start to contact potential sitters, identified in Alterline’s reports. For our part we would make sure we had access to kit, and let Beth know of our availability to film.

Links -

http://www.chrisarrondelle.com

https://www.southbankcollective.com

http://alterline.co.uk

[lsbubastudio2]

“LSBU _ BA & MArch Architecture _ End of Year Show 2024 _ Private View"_ London South Bank University, Keyworth Centre, Keyworth Street, London, SE1 6NG _ 20.06.2024-07.07.2024 _ Photos by: Spyros Kaprinis [20.06.2024].

“The #LSBU #Architecture End of Year Show celebrates the excellence of our students’ work throughout the academic year. Here we showcase some of our most exciting projects, and celebrate the efforts that our students have made throughout their architectural education.

On display will be illustrated products by students across our programmes. Come and get a glimpse of what our Architecture programmes have to offer. The work will also be displayed in the #Keyworth Centre at London South Bank University from 20th June until 7th July 2024.”

[keyworthgarages]

[spyskrapbook]

"Le Corbusier’s Models of Worldmaking"_ London South Bank University _ 21.03.2023 - 06.04.2023 The School of The Built Environment and Architecture at London South Bank University (#LSBU) hosts an international symposium, reconsidering an exhibition of 150+ models of Le Corbusier’s built and unbuilt projects. The Symposium will take place in: Lecture Theatre A, Keyworth Centre, London South Bank University (#LSBU), Keyworth Street, London SE1 6NG. Thursday 30 March 2023, 17:30'-20:30' Registration link: https://www.eventbrite.co.uk/e/le-corbusiers-models-of-worldmaking-tickets-592126023877 The exhibition of models is open to the public from 21 March to 06 April 2023 in the foyer of Keyworth Centre, #LSBU.   Since the early 20th century Le Corbusier’s projects have been unavoidable points of reference in architectural knowledge and practice. Their roles, however, have changed historically from avant-garde and polemic statements of icons of the modernist movement, to stigmatised and politically charged constructions, and, in recent years, to contested grounds for reflections on ethical, socially-aware, and ecologically-just practices. His projects, whether built or unbuilt, operate in the tension between architecture imagined and architecture conceived. This space in-between is precisely the quality that turns them into the driving force for progression and reconsideration of the field of architecture. Their discursive, imaginative, and projective qualities have produced socio-spatial imaginaries and expressible fantasies. The symposium celebrates an exhibition of 156 models of Le Corbusier’s built and unbuilt projects proposed for x countries. It brings together researchers, architects, and scholars to revisit Le Corbusier’s Models of Worldmaking examined through various architectural, pedagogical, and theoretical perspectives. The speakers outline a systematic form of enquiry reflecting on key experimental and methodological applications of Le Corbusier’s work, ones that could be catalysts of change or critical reflection on our radically changing profession. Convened by: Dr. Hamed Khosravi and Prof. Igea Troiani. Guest Speakers: Brigitte Bouvier (Director, Fondation Le Corbusier) Prof. Alan Powers (London School of Architecture) Prof. Tim Benton (Open University) Rene Tan (Director, RT+Q) Layton Reid (Visiting Prof. at University of West London). The event is supported by grant funding provided by #LSBU.

[talektoubale-blog]

Nina Toubale, University of Brighton S&M Princess www.ninatoubale.com  https://www.google.co.uk/search?q=nina+toubale#q=nina+toubale&filter=0

University of Brighton, ashford uk, bexhill uk, bognor regis uk, bournemouth uk, Brighton UK, brixton uk, bromley uk, burgress hill uk, camberwell uk, Chichester UK, crawley uk, croydon uk, dartford uk, eastbourne uk, eastleigh uk, epsom uk, falmer uk, farnham uk, folkestone uk, guildford uk, hastings uk, haywards heath uk, hollingbury uk, horsham uk, Hove UK, leatherhead uk, lewes uk, london city uk, london uk, Moulsecoomb, newhaven uk, peckham uk, poole uk, portslade uk, Portsmouth UK, romford uk, southampton uk, southwick uk, walworth uk, warford uk, woodingdean uk, great britain, united kingdom, brightonsex

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Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom 

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Nina Toubale - S&M at University of Brighton, United Kingdom

Viktorija Pociute, Kassem Toubale, Léa Toubale, Pierrot Ducrot, Timothé Mercat, Yacine Toubale, Nolie Gaudesaboos, Camille Mercat, Tim Mercat, Oumaima El Idrissi, Ella Joy Lawrence, Reuben Hunt, Katie Lindsey Smith, Georgia Harris, Lee Beevers, Charlotte Sleet, Jessamy Lelliott, Kai Gittos, Stephanie Kirk, Becca Hawkins, Stephie Palmer, Athene Xenia Aristocleous, Charlotte Scott, Mel Dodd, Caitlin Thomas, Dee Wasielewska, Alio Flos

Nice 'n' Naughty - Brighton, TABOO (Hove Branch) - Hove, LUST! - Brighton, Private Shops UK - Brighton, She Said - Brighton, TABOO - Hove, Brighton, Hove Strippers, Clone Zone - Brighton, Ann Summers - City Centre, Brighton, Massage Brighton - Brighton, Brighton Filth BDSM, Grace of Brighton, The Pussy Cat Club Brighton, Platinum Lace Brighton, Hentastic Brighton

Yates Brighton, The Lion and Lobster Brighton, Sticky Mike's Frog Bar Brighton, No32 Brighton, The Mesmerist Brighton, The Tempest Inn Brighton, Dead Wax Social Brighton, EAST STREET TAP Brighton, Lucky Voice Karaoke Brighton, Funky Fish Club Brighton, Revenge Brighton, Casablanca Brighton, Concorde 2 Brighton, Digital Brighton, Green Door Brighton, Funfair Brighton, Coalition Brighton, rox Brighton, husky events Brighton

Asda Brighton Hollingbury Superstore, Gladrags Community Costume Resource, Brighton Carden Avenue with EE Store, Gladrags Community Costume Resource, Halfords, Click and Clean Clothes, Prloved, Buddy & Beehive, Bob & Blossom, Vacant Designs, Cyberdog, The Emperor's Old Clothes, Loot Clothing, Ju-Ju, Get Cute Ltd, Snoopers Attic, Lighthouse, Starfish Vintage Clothing, Jaba Yard

Absolute Brighton TV - Hove, Alex Hobden - Patcham, Brighton, Alto Films Ltd - Hove, Another Video Company - Brighton, Book me! Book me! - Brighton, Brighton Film School Central - Brighton, Broco Media - Hove, Cut Creative - Brighton, DeafWise - Brighton, Deighton Design - Brighton, Don't Believe The Hype - Hove, Egg Cosy Pictures - Brighton, Evcor - Brighton

Doug Lyon, Doug Lyon, Druvi Dave, Dylan Parsons, Eamon McCarthy, Edison Zirui Wang, Edmond Bullaj, Edward Beauchamp, Edwin Kiggundu, Elaine Miles, Eleanor Finch, Eli Heath, Eli Oliver-Knox, Elisha Keyworth, Elizabeth Smith, Ella Duthie, Ellie Hardman, Ellie Lusher, Ellie Mikaela, Elliot Calvin, Elliot Canning, Elliot Marshall, Elliott Broatch, 

Élodie-Louise Guichard, Eloise Hänikene, Ema Holbikova, Emily Makepeace, Emma Briggs, Emma Kelly, Emma Winch, Emmanuel Nakotey, Eric Pike, Esther Bradbury, Esther Clarke, Ethan Payne, Etta Lathan-Pons, Eugenia Emily Lola Ronco, Eva Clairambaud, Eva López Eiro, Evan Dean, Evie Weeks, Fabien Tavares, Fega Rachel Rox, Félix Gouriou, Fergus Chapman, Fran King, Francesca Thornton, François-Xavier Peraldi, 

Frankie Hossack, Freya Hallett, Gabriel Moos, Gayann Ngom, Geoffroy Plouviez, George Ethell, George Hayes, George Rees Bothick, George Scooby Gombas, Georgia Bell, Georgia Bell, Georgia Bennett, Georgia Harris, Georgia Tanner, Gil Lazarus, Giovanna Kubota, Giulia Tranquillini, Grace Anderson, Grace Wilsher-Ellis, Gus Burton, Guy Sparkes, Hafsah Jalloh, Haja Inyaear, Hannah Green, Hannah Hastings, Hannah Schmitt, Hansol Kim, Hari Gordon, Harley Brandon, Harrison Bain, Harry Bell, Harry Cole, 

Harry Frostick, Harvey Fitch, Hayley Fernes, Helen Scott, Helena Smyth, Henrietta Louise James, Henry Slean, Hind Adamou, Holly Parker Bull, Holly Parkinson, Holly Woulfe, Howard Hardy, Hugo Flacdem, Humraj Sehmi, Iman Akinkunmi, Inês Veiga Pena, Iona Williamson, Irvine ToroItich, Isabel Gorse, Ivan Gurtikov, Jack Burlison, Jack Goodman, Jack Murphy, Jack Osborne, Jack Osborne, Jack Saunders, Jack Seales, Jack Shannon, Jack Swatton, Michael Bwire, Mireille Bahati Basubi, Morgane Talem, Moses Osho, Moulsecoomb Halls, Nadee Wanigasekara, Nadia Nuseibeh , 

Naomi Mansana, Nasser Mohamed, Natasha Robichaud, Nathan Rose, Neesa Alveranga, Nehal Cheema, Nicholas Allan, Nick Thimianis, Nicola Beresford, Nicole Merriman, Nicole Thrasyvoulou, Nidhi Chhatralia, Nish Dissanayake, Noé Suzuki, Noémie Beriye, Nolie Gaudesaboos, Noora Ojala, Oli Coulson, Oliver Brandon, Olivia Bigsby, Olivia Ricciardi, 

Ollie Fishlock, Oscar Ruben, Oumaima El Idrissi, Paloma Verinski, Parker J Robinson, Paul Rowse, Phoebe Colette Henrietta Oldfield, Phoebe Dalziel, Pierre Vidal-Engaurran, Pierrot Ducrot, Priyanka Paltan Ramgoolam, Rachid Rassidi, Rami Brighton, Rarassmita Nestiti, 

Rashed Balkhuyor, Rebecca Freedman, Rich J James, Rich James, Robbie Whittle, Rojina Shams Nateri, Ronni Wood, Rose Borel, Rose Jenkinson, Rosie Driver, Rushnaa' Zahoor, Sagar Shah, Sajae Sashauna King

[ellasdocfmp]

Reflective journal week 2.

Evaluate your performance this week. What have you done well? What are you proud of? What really sticks out as something interesting you learned this week? What do you need to improve on?

On Monday I worked on my pitch and I also looked for interview subjects. I contacted a youth worker at Keyworth Young People’s Centre for an interview the C card scheme. I was really proud of how much I got done on Monday. 

On Tuesday I filled in my preparing for your pitch doc on google classroom and I also contacted three girls from my course ( Emily, Em and Stacey ) about being in my documentary to talk about their knowledge on contraception and their experience with sex education at school. 

On Wednesday I contacted some more people to talk about whether the government has failed young people on the topic of Sex Education in Schools. And on Friday I went into college for Sarah’s editing lesson to edit my Breaking the taboo around abortion documentary and I think that this edit is much better. 

What problems have you encountered with the project this week? How did you solve them/how will you solve them in the future?

The only problems I have encountered with the project this week has been access to interviews. Catherine Kirk has told me she can support me and I’m waiting on her to see when she’s available for an interview. I’m also waiting on the youth worker Chris because he had to get permission from his C Card scheme leader.  

What are your aims for next week? Be specific!

My aims for next week is to give a great pitch on my documentary idea and to have my interviews secured. 

Another aim of mine is to continue being productive especially with the Easter break coming soon I know there will be days where I want to procrastinate but to keep on top of everything I need to keep working.  

[rhiannonkaelsbu]

Brief: Stimulus Project 1: Still/Moving

- Worked in a group of four : Gabby, Me, Lewis and Tammy

- In pairs, we worked separately to produce our own “locked-off image” to then be shown simultaneously on the projectors 

- I worked with Gabby on this, we filmed in central (in and around Oxford Circus) and then we went back to the Keyworth labs to edit the video

- As we were paired up, other pair had not seen what Gabby and I had produced, the only thing they knew was our audio. The outcome was by chance and a risk as we didn’t know whether it would work or know if it would ever fit together. During the process of editing we switched audios to play over our video,  the other pair had our audio of the busy, noisy area of central London and we had their audio of the countryside: birds, wind, dogs, leave rustling etc

The change of sounds created an oxymoron: the sounds of the countryside over the top of the hectic visuals from the centre of London.