#Kelly Hartmann

[comeonamericawakeup]

Donald Trump has again put his "disrespect for service members" on full public display, said Margaret Hartmann. At a press conference last week, the former president argued that receiving the Presidential Medal of Freedom is "much better" than getting the Congressional Medal of Honor, the highest award given to U.S. service members. He made this "weird" comment in trying to butter up billionaire Trump donor Miriam Adelson, to whom he gave a Presidential Medal in 2018. Trump said that Adelson's civilian award was superior because the soldiers who get the Medal of Honor are "either in very bad shape because they've been hit so many times by bullets, or they're dead." Trump's offensive denigration of wounded soldiers was not a one-off gaffe. His former chief of staff, retired Gen. John Kelly, has said Trump refused to visit the graves of America's war dead in France and called them "suckers" and “losers." Trump also told Kelly he didn't want to be seen with amputee veterans because "it doesn't look good for me." Trump has made it clear he can't understand why anyone would make sacrifices for a cause greater than themselves — quite a moral deficit for a would-be commander in chief.

THE WEEK August 30, 2024

[minayuri]

Herzlichen Glückwunsch zum Geburtstag, Gertrude Welcker! ❤️

(July 16, 1896 – August 1, 1988)

Gertrude Welcker was a stage and silent film actress; her film career was short lived, lasting from 1917 to 1925. The role she’s best known as, the alluring and enigmatic Countess Dusy Told of Fritz Lang’s 1922 epic crime thriller masterpiece, Dr. Mabuse, the Gambler.

Below is a summary of her life and career, with the people she had collaborated with as an actress.

She was born in Dresden, Saxony, Germany on July 16, 1896. Her younger brother Herbert was born in 1898. Gertrude’s father worked as editor-in-chief and general manager of the Posener Tageblatt, he died in 1909.

During the First World War, she visited Max Reinhardt’s acting school in Berlin. In 1915-16, she had starred in productions at the Albert Theatre in her hometown. During the years of 1916-19, Welcker performed at Deutsches, Kammerspiele, and Volksbühne theatres. Her stage roles include portraying a prostitute in August Strindberg’s Meister Olaf, Lesbia in Friedrich Hebbel's Gyges and His Ring, Recha in Gotthold Ephraim Lessing’s Nathan the Wise, Sister Martha in Gerhart Hauptmann's The Ascension of Little Hannele, and Desdemona and Jessica in William Shakespeare’s Othello and Merchant of Venice respectively.

Her film debut in 1917 was in Felix Basch’s Eine Nacht in der Stahlkammer as Jane Kendall, starring Harry Liedtke as her husband. Her next film was as an angel in Hans Trutz in the Land of Plenty, starring and directed by her stage collaborator Paul Wegener. The film also featured film director Ernst Lubitsch who portrayed Satan.

In 1918, she was in Lupu Pick’s Der Weltspielgel with Bernd Aldor and Reinhold Schünzel. She also starred in Viggo Larsen's The Adventure of a Ball Night with Paul Bildt and Paul Biensfeldt.

Welcker was also in Carl Froelich’s Der Tänzer with Walter Janssen.

She was the lead in the low-budget films, Die Geisha und der Samurai in 1919 and Eine Frau mit Vergangenheit in 1920.

Gertrude Welcker acted in films alongside Conrad Veidt, but those films are sadly considered lost. They portrayed siblings in F.W. Murnau’s Evening – Night – Morning and in Carl Boese’s Nocturne of Love, with Veidt as Frederic Chopin. (I, for one, would’ve loved for her to have been in a film as one of his leading ladies!)

In Hans Werckmeister’s 1920 sci-fi film, Algol: Tragedy of Power, she portrayed Leonore Nissen opposite Emil Jannings. It also starred Hanna Ralph, Hans Adalbert Schlettow (whom Welcker would appear with in Part II of Dr. Mabuse), and John Gottowt. The sets of the film were designed by The Cabinet of Dr. Caligari’s Walter Reimann.

She also appeared in Richard Oswald’s Lady Hamilton in 1921 as Arabella Kelly, in her first scene she is seen with Theodor Loos.

In 1922, Welcker portrayed her most infamous role as Countess Told in Dr. Mabuse, the Gambler starring Rudolf Klein-Rogge, with Aud Egede-Nissen, Alfred Abel, and Bernhard Goetzke. Also, in that same year - Welcker was in Carl Froelich’s Luise Millerin, an adaptation of Friedrich Schiller's Intrigue and Love as Lady Emilie Milford, another of her noteworthy roles. Previously, she was in a stage production portraying the role of Lady Milford's maid, Sophie. The film's all-star cast featured Lil Dagover as the title character, Paul Hartmann, Walter Janssen, Friedrich Kühne, Fritz Kortner, Werner Krauss, and Reinhold Schünzel.

She portrayed the villainess Gesine von Orlamünde of Arthur von Gerlach’s 1925 period drama film, Chronicles of the Grey House. It stars Lil Dagover, Paul Hartmann, Rudolf Forster, and Rudolf Rittner. Thea von Harbou was the film’s screenwriter with music composed by Gottfried Huppertz.

Her final film role was in Goetz von Berlichingen of the Iron Hand as Adelheid von Walldorf. She continued to act on stage until 1930. She has a total of 64 film credits to her name.

Around July 1930, Welcker married the Swedish painter Otto Gustaf Carlsund. She met him while on a trip to Paris. Their marriage lasted until August of 1937 and had no children. Before WWII broke out, she worked as an editor for UFA and by 1941, was active for the Red Cross. Some time before the war's end, she managed to leave for Sweden, and lived the rest of her life there.

It’s a great loss that so many of the films Gertrude Welcker did are considered lost and that her career as a film actress was as short as it was. Certainly, that many of those lost films showcased her great versatility. Gertude Welcker carried a remarkable set of talent, grace, beauty, charisma, and wit and is one of my most favorite actresses of the silent era I love.

Her filmography can be viewed here and here.

[jkinak04]

When we see things as they are -- Conversations with Baxter Kruger and Michael Lefleur. - YouTube

Sean Kelly: Existentialism, Nihilism, and the Search for Meaning | Lex Fridman Podcast #227Lex Fridman • 1.1M views2:52:58The Thom Hartmann Program Live (02/16/2024)Thom Hartmann Program • 1.9K watchingLIVEWATCH LIVE: Hearing returns to consider Fani Willis’ disqualification from Georgia’s Trump casePBS NewsHour • 14K watchingLIVETexas Faith Votes | Kyle Riley | UWFLE ’24Texas Impact • 3…

[gracie-bird]

Hollywood, March 30, 1955:

"GRACE KELLY ALL SMILES"

Grace Kelly, a nominee for the best actress award, is all smiles as she arrives tonight for the Academy Awards presentation. Escorting her is Don Hartmann, executive producer of Paramount studio, which made the picture that won her the nomination, "The Country Girl".

[floydscoffee]

A Year After Charlottesville Chaos, Mudhouse Coffee Reflects: ‘They Didn’t Get Our Soul’

Most any coffeehouse is bound to become a de facto community hub, a place where people meet and chat, relax and renew, and work together or at least side by...

https://dailycoffeenews.com/2018/09/05/a-year-after-charlottesville-chaos-mudhouse-coffee-reflects-they-didnt-get-our-soul/

[beautifulfaaces]

Masterlist - Female Green Eyes

2000s

Addy Miller

Ava Kolker

Amirah Johnson

Beatrice Kitsos

Caitlin Carmichael

Ella Ballentine

Ella Rubin

Isla Johnston

Larsen Thompson

Mackenzie Foy

Megan Scott

Melissa Collozo

Sky Katz

90s

Alana Boden      

Alba August

Aleece Wilson

Alexandra Tikerpuu

AJ Michalka

Ali Collier

Alicia von Rittberg

Alina Bobyleva

Alina Boz

Alina Kovalenko

Alycia Debnam-Carey

Allegra Carpenter

Amine Gülşe

Amy Forsyth

Anna Grace Barlow

Brec Bassinger

Breezy Eslin

Brenna O’Brien

Cailin Russo

Caitlin Carver

Camren Bicondova

Catherine Missal

Chloe Grace Moretz

Danielle Campbell

Dove Cameron

Eda Ece

Emma Appleton

Ester Expósito

Esti Ginzburg

India Gants

Frances Encell

Isabel Hodgins

Jella Haase

Jenna Boyd

Júlia Molins

Katerina Tannenbaum

Laura Bilgeri

Lauren Froderman

Lauren Jauregui

Lauren Potter

Leonie Benesch

Lexi DiBenedetto

Lilli Camille Schweiger

Lola Rodríguez

Louisa Connelly-Burnham

Lucy Boynton

Luna Marie Schweiger

Madeleine Coghlan

Madisen Beaty

Madison Davenport

Madison Lintz

Marielle Scott

Meredith Mickelson

Mia Healey

Natacha Karam

Nell Tiger Free

Paula Beer

Pauline Burlet

Pinar Deniz

Rachel Matthews

Riley Voelkel

Romi Van Renterghem

Sabrina Bartlett

Savannah Baker

Sophie Turner

Stephanie Styles

Tiera Skovbye

Ulrikke Falch

Vanessa Grasse

Willa Holland

80s

Abbey Clancy

Abbie Cornish

Alex Paxton Beesley

Alexa Chung

Alexa Davalos

Alexandra Turshen

Alissa Jung

Alison Sudol

Amanda Seyfried

Amy Winehouse

Ana Beatriz Barros

Ana de Armas

Angelina Häntsch

Avigail Harari

Bar Paly

Beren Saat

Carrie MacLemore

Claire Boucher

Clara Alonso

Darla Baker

Eliza Coupe

Elizabeth Knowelden

Elle Evans          

Emilia Clarke

Emily Baldoni

Emily Tremaine

Esther Povitsky

Felicity Jones

Genevieve Angelson

Georgia King

Haley Webb

Hannah Ware

Hilarie Burton

Isidora Goreshter

Jasna Fritzi Bauer

Jen Lilley

Jenna Dewan

Jessica Keenan Wynn

Jessica Lowndes

Joy Lauren

Julia Hartmann

Julie Marie Berman

Kate Lambert

Kate Phillips

Katie Cassidy

Katie Leclerc

Kayla Ewell

Krysten Ritter

Laura Bell Bundy

Lauren Cohan

Lindsey Kraft

Lucy Hale

Mallory Jansen

Marcella Lentz-Pope

Maria Sole Mansutti

Meg Steedle

Meghan Ory

Melissa McIntyre

Monika Reithofer

Paige Spara

Priscilla Quintana

Rachael Taylor

Razane Jammal

Rebecca Breeds

Sara Canning

Sarah Power

Shelley Regner

Tammin Sursok

Yasemin Kay Allen

70s

Adamari López

Alison King

Amber Valletta

Angela Kinsey    

Anna Torv

Artemis Pebdani

Becki Newton

Brandy Clark

Brooke Elliott

Charlize Theron

Christina Applegate

Constance Zimmer

Dorian Brown Pham

Erica Durance

Ginnifer Goodwin

Jennifer Morrison

Jessica Chastain

Jill Flint

Julia Parker

Kathy Kiera Clarke

Keri Russell

Leslie Bibb

Melissa McCarthy

Niki Karimi

Portia de Rossi

Sabrina Grdevich

Sarah Rafferty

Stephanie Waring

Traci Dinwiddie

60s

Alexandra Paul

Amy Ryan

Catherine Tate

Elisabeth Shue

Emily Procter

Francie Swift

Gia Cardis

Julianne More

Kelly Rutherford

Marcia Cross

Mary Page Keller

Melina Clarke

Natascha McElhone

Rebecca Stab

Sherry Stringfield

50s

Allison Janney

Chloe Webb

40s

Diane Keaton

[docrotten]

A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) – Episode 224 – Decades Of Horror 1980s

“Welcome to prime time, bitch!” Not words I’d use in front of my mother, but they are iconic just the same. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr, along with guest host Ralph Miller  – as they enter another Wes Craven nightmare, A Nightmare on Elm Street 3: Dream Warriors (1987). Expect a lot of FX talk with Ralph in the house!

Decades of Horror 1980s Episode 224 – A Nightmare on Elm Street 3: Dream Warriors (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.

  [NOTE: Effects crew credits are listed as they appear in the film credits.]

Director: Chuck Russell

Writers: Wes Craven (story) (screenplay) (characters); Bruce Wagner (story) (screenplay); Frank Darabont (screenplay); Chuck Russell (screenplay)

Music: Angelo Badalamenti

Storyboard Artist / Visual Consultant: Peter von Sholly

Stop-Motion Skeleton and Marionette Effects: Doug Beswick Productions, Inc.

Stop-Motion Animation: Doug Beswick

Effects Photography Supervisor: Jim Aupperle

Stop-Motion Puppet Construction: Yancy Calzada

Marionette Construction: Mark Bryan Wilson (as Mark Wilson)

Miniatures: James Belohovek

Illustrator: Larry Nikolai

Makeup effects Sequences: Greg Cannom

Assistants to Greg Cannom: Larry Odien, Earl Ellis, John Vulich, Keith Edmier, Brent Baker

Krueger Makeup effects: Kevin Yagher

Assistants to Kevin Yagher: Jim Kagel, Mitch DeVane, Gino Crognale, Brian Penikas, David Kindlon, Steve James, Everett Burrell

Makeup Effects Sequences: Mark Shostrom

Assistants to Mr. Shostrum: Robert Kurtzman, Bryant Tausek, John Blake Dutro, James McLoughlin (as Jim McLoughlin), Cathy Carpenter

Additional Makeup Effects: Matthew W. Mungle (as Mathew Mungel)

Assistant to Mathew Mungel: Russell Seifert

Mechanical Effects: Image Engineering

Special Effects Coordinator: Peter Chesney

Lead Technician: Lenny Dalrymple

Mechanical Designers: Bruce D. Hayes (as Bruce Hayes), Joe Starr, Anton Tremblay (as Tony Tremblay)

Effects Technicians: Bernardo F. Munoz (as Bernard Munoz), Rod Schumacher, Bob Ahmanson

Effects Crew: Scott Nesselrode, Tom Chesney, Kelly Mann, Phillip Hartmann (as Phillip Hartman), Ralph Miller III (as Ralph Miller), Joel Fletcher, Brian Mcfadden, Sandra Stewart (as Sandy Stewart), Terry Mack (as Troy Mack), Blaine Converse, Ron MacInnes, Brendan C. Quigley

Selected Cast:

Heather Langenkamp as Nancy Thompson

Craig Wasson as Dr. Neil Gordon

Patricia Arquette as Kristen Parker

Ken Sagoes as Roland Kincaid

Ira Heiden as Will Stanton

Rodney Eastman as Joey Crusel

Jennifer Rubin as Taryn White

Penelope Sudrow as Jennifer Caulfield

Bradley Gregg as Phillip Anderson

Laurence Fishburne as Max Daniels (credited as Larry Fishburne)

John Saxon as Donald Thompson

Priscilla Pointer as Dr. Elizabeth Simms

Clayton Landey as Lorenzo

Brooke Bundy as Elaine Parker

Nan Martin as Sister Mary Helena

Stacey Alden as Nurse Marcie

Dick Cavett as Himself

Zsa Zsa Gabor as Herself

Paul Kent as Dr. Carver

Guest host Ralph Miller III, who worked behind the scenes on Dream Warriors provides insights and many effects development photos that are shown in the YouTube version of the podcast. Post-recording, the crew wants to clarify that Kevin Yagher was responsible for the Freddy Snake, and Mark Shostrom was in charge of the Penelope Sudrow dummy that smashes into the Freddyvision TV.

With the success of A Nightmare on  Elm Street 3: Dream Warriors (1987), following the critical failure of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), New line Cinema firmly cemented Freddy Krueger and A Nightmare on Elm Street as one of the most iconic horror franchises of its time. Not only does Dream Warriors feature Robert Englund continuing to breathe both humor and fear into Freddy Krueger but also the return of both Heather Langenkamp and John Saxon from the original. The film also features Craig Wasson (Ghost Story) as the male lead and early film roles for Patricia Arquette and Larry Fishburne. Frank Darabont (The Mist) and Bruce Wagner join Wes Craven on scripting chores and Chuck Russell (The Blob, The Mask) directs while Angelo Badalamenti (Twin Peaks, Blue Velvet) provides the score – a winning combination of talent. Surely a Grue-Crew highly recommended selection with special effects by Greg Cannom, Doug Beswick, Mark Shostrom, Kevin Yagher, and more!

Be sure to check out the first time the 80s Grue-Crew took a dive into this film in February 2017, featuring Doc Rotten, Christopher G. Moore, and Thomas Mariani as the Grue-Crew. You can find it here: A NIGHTMARE ON ELMS STREET 3: DREAM WARRIORS (1987) — Episode 102

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be The Changeling (1980), starring George C. Scott, Trish Van Devere, Melvyn Douglas, . . . and a bouncing, red, rubber ball.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[oceanstone]

Self-Help Books

Productivity

Can’t Hurt Me: Master Your Mind and Defy the Odds by David Goggins

No Excuses!: The Power of Self-Discipline by Brian Tracy

Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones by James Clear

The Checklist Manifesto by Atul Gawande

Unreasonable Success and How to Achieve It by Richard Koch

The Power of Habit by Charles Duhigg

Little Black Book by Otegha Uwagba

Time Management in 20 Minutes a Day by Holly Reisem Hanna

Write it Down and Make It Happen

The 12 Week Year

The 15 Secrets Successful People Know About Time Management

Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman

How to Begin by Michael Bungay Stainer

Physical Health

WomanCode: Perfect Your Cycle, Amplify Your Fertility, Supercharge Your Sex Drive, and Become a Power Source by Alisa Vitti

Mental Health

The Four Agreements: A Practical Guide to Personal Freedom (A Toltec Wisdom Book) by Don Miguel Ruiz

Radical Acceptance by Tara Brach

The Mindful Self-Compassion Workbook

The Inner Child Workbook by Cathryn Taylor

Emotional Intelligence by Daniel Goleman

Notes on a Nervous Planet by Matt Haig

The Soul of Shame: Retelling the Stories We Believe About Ourselves by Curt Thompson

The Body Is Not an Apology: The Power of Radical Self-Love by Sonya Renee Taylor

ADHD

You Mean I'm Not Stupid, Lazy, or Crazy?! A Self-Help Book for Adults with Attention Deficit Disorder by Kate Kelly and Peggy Ramundo

Women with Attention-Deficit Disorder: Embrace Your Differences and Transform Your Life by Sari Salden

What the ADHD Brain Wants—and Why by Dr. Ellen Littman (pdf)

Finally Focused: The Breakthrough Natural Treatment Plan for ADHD That Restores Attention, Minimizes Hyperactivity, and Helps Eliminate Drug Side Effects by Dr. James Greenblatt

* Living with ADHD: Simple Exercises to Change Your Daily Life by Thom Hartmann

Thriving with Adult ADHD: Skills to Strengthen Executive Functioning by Phil Boster

Divergent Mind: Thriving in a World That Wasn't Designed for You by Jenara Nerenberg

Screwed Up Somehow But Not Stupid, Life with a Learning Disability by Peter Flom

Trauma

Complex PTSD: From Surviving to Thriving by Pete Walker

Polyvagal Flip Chart: Understanding the Science of Safety by Deb A. Dana

Taming Your Outer Child: Overcoming Self-Sabotage and Healing from Abandonment by Susan Anderson

My Grandmother's Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Resmaa Menakem

Accessing the Healing Power of the Vagus Nerve by Stanley Rosenberg

Adult Children of Emotionally Immature Parents by Lindsey Gibson

@complextraumarecovery bookshelf

Healing Developmental Trauma by Lawrence Heller

Waking the Tiger by Peter A. Levine

The Pocket Guide to Polyvagal Theory by Stephen Porges

Polyvagal Exercises for Safety and Connection by Deb Dana

Trauma and Recovery by Judith Herman

Call of the Wild: How We Heal Trauma, Awaken Our Own Power, and Use it for Good by Kimberly Ann Johnson

Trauma and Memory by Peter Levine

Stephen Porges work

Nurturing Resilience by Kathy Kain and Stephen Terrell

Relationships

Women Who Love Too Much by Robin Norwood

Break Your Addiction to a Person by Howard Halpern

Addiction to Love: Overcoming Obsession and Dependency in Relationships by Sudan Peabody

Journey from Abandonment to Healing by Susan Anderson

The Betrayal Bond: Breaking Free of Exploitive Relationships by Patrick Carnes

The Power of Attachment: How to Create Deep and Lasting Intimate Relationships by Dr. Diane Poole Heller

Conscious Loving: The Journey to Co-Commitment by Gay & Kathlyn Hendricks

Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love by Amir Levine and Rachel Heller

Love is a Choice: The Definitive Book on Letting Go of Unhealthy Relationships by Thomas Hemfelt

Strange Situation: A Mother's Journey into the Science of Attachment by Bethany Saltman

Gaslighting by Stephanie Sarkis

Boundaries by Anne Katherine

Models by Mark Manson

Set Boundaries, Find Peace by Nedra Tawwab

Why Does He Do That? by Lundy Bancroft

I Want This to Work by Elizabeth Earnshaw

The Adult Psychotherapy Homework Planner

Me, You, Us: A Book to Fill Out Together by Lisa Currie

The Will to Change by bell hooks

Getting the Love You Want by Harville Hendricks

Wired for Love by Stan Tatkin

Games People Play by Eric Berne

The Chemistry Between Us by Larry Young

Men Are From Mars, Women Are from Venus by John Gray

Cats Don’t Chase Dogs by Kara King

Art of Seduction by Robert Greene

No More Assholes by Chantal Heide

Pussy: A Reclamation by Regena Thomashauer

The Power of the Pussy by Kara King

Why Men Behave Badly by David Buss

Safe People by Henry Cloud and John Townsend

The Deep Life

The Second Mountain: The Quest for a Moral Life by David Brooks

Awareness: The Perils and Opportunities of Reality by Anthony De Mello

Sick Souls, Healthy Minds: How William James Can Save Your Life by John Kaag

The Power of Now: A Guide to Spiritual Enlightenment by Eckhart Tolle

The Defining Decade by Meg Jay

Authenticity

The Likeability Trap: How to Break Free and Succeed as You Are by Alicia Menendez

I Thought It Was Just Me (but It Isn’t) by Brené Brown

Career

What Got You Here Won’t Get You There by Marshall Goldsmith

How Women Rise by Sally Hegelsen

Own It: The Power of Women at Work by Sallie Krawcheck

No-Fail Communication by Michael Hyatt

Leadership on the Line by Ronald Heifetz

Purple Cow

Dream Manager

7 Habits of Highly Effective People

Quantum Success

Influencer

Decide

Nice Girls Don’t Get the Corner Office

Switchers by Dawn Graham

The Seven Minute Productivity Solution by John Brando

Entry Level Boss by Alexa Shoen

Mindfulness

How to Breathe: 25 Simple Practices for Calm, Joy, and Resilience by Ashley Neese

Money

Unfuck Your Finances by Melissa Browne

Broke Millenial

I Will Teach You to Be Rich

Clever Girl Finance

We Should All Be Millionaires

Parenting

Expecting Better by Emily Oster

Cribsheet by Emily Oster

The Family Firm: A Data-Driven Guide to Better Decision Making in the Early School Years by Emily Oster

Grief

The Beauty of What Remains: How Our Greatest Fear Becomes Our Greatest Gift by Steve Leder

[maaarine]

Maaarine: bibliography 2019

Books posted on this blog in 2019 (other years: #biblioindex)

Margaret ARCHER and Pierpaolo DONATI (2015): The Relational Subject

Hannah ARENDT (1963): Eichmann in Jerusalem

Lundy BANCROFT (2002): Why Does He Do That? Inside the Minds of Angry and Controlling Men

Gregory BATESON (1979): Mind and Nature: A Necessary Unity

Ernst CASSIRER (1910): Substance and Function and Einstein’s Theory of Relativity

Ernst CASSIRER (1942): The Logic of the Humanities

Ernst CASSIRER (1975): An Essay on Man

Antonio DAMASIO (1994): Descartes’ Error: Emotion, Reason, and the Human Brain

Antonio DAMASIO (2003): Looking for Spinoza: Joy, Sorrow, and the Feeling Brain

Stephen DARWALL (2002): Welfare and Rational Care

Merve EMRE (2018): The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing

Ronan FARROW (2019): Catch and Kill: Lies, Spies and a Conspiracy to Protect Predators

Peter FONAGY (2002): Affect Regulation, Mentalization and the Development of the Self

Suzanne GIESER (1995): The Innermost Kernel — Depth Psychology and Quantum Physics

Françoise GILOT (1964): Life with Picasso

David GRAEBER (2011): Debt: The First 5000 Years

David GRAEBER (2018): Bullshit Jobs: A Theory

Aron GURWITSCH (1964): The Field of Consciousness

Aron GURWITSCH (1966): Studies in Phenomenology and Psychology

Hubert HERMANS and Agnieszka HERMANS-KONOPKA (2006): Dialogical Self Theory: Positioning and Counter-Positioning in a Globalizing Society

Tor HERNES (2007): Understanding Organization as Process: Theory for a Tangled World

Francis HEYLIGHEN (1990): Representation and Change

Francis HEYLIGHEN (2000): Principia Cybernetica

James HILLMAN (1975): Re-visioning Psychology

James HILLMAN (1996): The Soul’s Code

Jeremy HOLMES (1983): John Bowlby and Attachment Theory

Jeremy HOLMES (2009): Exploring in Security: Towards an Attachment-Informed Psychoanalytic Psychotherapy

William JAMES (1902): The Varieties of Religious Experience

Carl JUNG (1921): Psychological Types

Carl JUNG (1934): The Soul and Death

Carl JUNG (1951): Aion: Researches into the Phenomenology of the Self

Carl JUNG (1961): Memories, Dreams, Reflections

Jerome KAGAN and Nancy SNIDMAN (2004): The Long Shadow of Temperament

Bernardo KASTRUP (2019): The Idea of the World: A Multi-Disciplinary Argument for the Mental Nature of Reality

Eugene KELLY (1997): Structure and Diversity: Studies in the Phenomenological Philosophy of Max Scheler

Eugene KELLY (2011): Material Ethics of Value: Max Scheler and Nikolai Hartmann

Ian KERSHAW (2008): Hitler

Hugh LACEY (1999): Is Science Value-Free? Values and Scientific Understanding

George LAKOFF (1987): Women, Fire, and Dangerous Things: What Categories Reveal about the Mind

George LAKOFF (1999): Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought

Ervin LASZLO (1963): Essential Society — An Ontological Reconstruction

Ervin LASZLO (1963): Individualism, Collectivism, and Political Power

Kate MANNE (2017): Down Girl: The Logic of Misogyny

Maurice MERLEAU-PONTY (1953): The Structure of Behavior

Robert MERTON (1948): The Self-Fulfilling Prophecy

Gerald MIDGLEY (2000): Systemic Intervention: Philosophy, Methodology, and Practice

John MINGERS (1994): Self-Producing Systems: Implications and Applications of Autopoiesis

Kevin MITCHELL (2018): Innate: How the Wiring of Our Brains Shapes Who We Are

George ORWELL (1949): Nineteen Eighty-Four

Philippe ROCHAT (2009): Others in Mind: Social Origins of Self-Consciousness

Philippe ROCHAT (2014): Origins of Possession: Owning and Sharing in Development

Sally ROONEY (2018): Normal People

Arthur SCHOPENHAUER (1819): The World as Will and Representation

Alfred SCHUTZ (1962): The Problem of Social Reality

David SHAPIRO (1981): Autonomy and Rigid Character

Timothy SNYDER (2015): Black Earth: The Holocaust as History and Warning

Dan SPERBER and Hugo MERCIER (2017): The Enigma of Reason: A New Theory of Human Understanding

Jason STANLEY (2018): How Fascism Works: The Politics of Us and Them

Keith STANOVICH (2011): Rationality and the Reflective Mind

Murray STEIN (1998): Jung’s Map of the Soul

Anthony STEVENS (2002): Archetype Revisited: An Updated Natural History of the Self

Richard TARNAS (1991): The Passion of the Western Mind: Understanding the Ideas That Have Shaped Our Worldview

Volker ULLRICH (2013): Hitler: Volume 1 — Ascent 1889-1939

Hans VAIHINGER (1913): The Philosophy of ‘As-If’: A System of the Theoretical, Practical and Religious Fictions of Mankind

Norbert WILEY (2016): Inner Speech and the Dialogical Self

A.L. WILKES (1997): Knowledge in Minds: Individual and Collective Processes in Cognition

Other years: #biblioindex

[mauriooo]

*spiderverse voice* alright let’s do this one last time

comprehensive oc masterlist with no unnecessarily long preamble about why im remaking it let’s go

you know the drill, name - pronouns - age - sexuality (if applicable, not gonna assign sexualities to the really young ones or lady fate), link to ref if any (i’ve made fangan refs but they’re mostly on artfight so ill put em there) (also im gonna add a divider between universes if that makes sense)

final note i’ve done some changes so that either the names aren’t bad and/or the genders/sexualities Actually fit the characters and cut a few fandom ocs that i never use so yeet

Skye Easton - she/her - 18 - biromantic asexual Pine Caswell - he/him - 22 - gay Lavender Easton - she/her - 9 Cecilia "CC" Beckman - she/her, they/them - 25 - bisexual Pharaoh Khalid - he/him - 24 - bisexual Hawthorn Jasper - he/him - 17 - aroace Genesis Jasper - they/them - 27 - pansexual Aurora Fugate - she/her - 23 - straight Downpour Fugate - he/him - 18 - pansexual Mesa Conroy - she/her - 21 - pansexual Nautilus Conroy - ey/em - 21 - nblm asexual Nova Berlin - he/him - 30 - straight Aeria Berlin - she/her - 28 - straight Fiti Fairburn - she/her - 19 - biromantic asexual Ka Vesta - they/them, she/her (rarely) - 22 - bisexual Myarus/"Blackjack" - he/him - unknown - gay Hallo Delvalle - he/him - 15 - bisexual Kohana Delvalle - she/her - 20 - lesbian Nimbus Sefarina - she/her - 19 - lesbian Owen Hartmann - they/them - 20 - aroace Khloe Corrigan - she/her - 29 - straight Oliver Coulbeck - he/him, they/them - 18 - bisexual Inklii Bauman - she/her - 18 - straight -------------------------------------------------------------------- Hazel Arenelle - she/her - 13 Michael Arenelle/"Virus" - he/him - 22 - bisexual Cassidy Lambert/"Jinx" - she/her - 21 - straight Ezekiel Lambert/"Chance" - he/him, they/them - 27 - gay Lisa Lambert/"Boo" - she/her - 9 -------------------------------------------------------------------- Gardenia Wood - she/her - 23 - lesbian Ashe Robinson - she/her - 25 - lesbian -------------------------------------------------------------------- Meredy - she/her, it/its - 3 (mental age: 21) - pansexual Connor - he/him, it/its - 7 (mental age: 14) - bisexual Nikki Russell - xe/xir - 25 - omniromantic asexual -------------------------------------------------------------------- Coraline - she/her - 18 - lesbian Edward Windsor - he/him - 25 - bisexual Henry Reed - he/him, they/them - 33 - bisexual Charity Kelly - she/her - 11 Alexander Doyle - they/them - 36 - nblm Leander Murray - he/him - 41 - straight Bianca Murray - she/her - 36 - straight Rico Lopez - he/him - 33 - gay Evan Turner - he/him - 11 Evelyn Turner - she/her - 11 Jacques Giordano - he/him - 86 - straight Kai Olivier - he/him - 22 - bisexual Marley Brooks - he/him, they/them - 16 - gay Reiko Okasawa - she/her - 37 - lesbian Lady Fate - any pronouns despite the "Lady", mainly uses she/her - unknown -------------------------------------------------------------------- Endris - he/him, they/them - unknown - bisexual Kyu - he/him - unknown - gay The Demon King - he/him - unknown - unknown Mari - she/her - unknown - lesbian -------------------------------------------------------------------- Zade Anderson - he/him - 17 - bisexual Caroline "Carrie" Taylor - she/her - 16 - straight -------------------------------------------------------------------- Adelaide - they/them, it/its - unknown - aroace Robyn Garcia - she/her - 25 - lesbian -------------------------------------------------------------------- Aether - she/her, they/them, it/its - unknown (mental age: 26) - aroace -------------------------------------------------------------------- Artemis Rosewood (undertale oc) - she/her - 19 - pansexual -------------------------------------------------------------------- Luna Forrest (fairy tail oc) - she/her, they/them - 27 - bisexual Sol Forrest (fairy tail oc) - he/him - 23 - bisexual Beatrice "Bee" Haverdale (fairy tail oc) - she/her - 25 - lesbian -------------------------------------------------------------------- Renier (deltarune oc) - he/him - 28 - gay Anais (deltarune oc) - she/her - 21 - pansexual -------------------------------------------------------------------- Izumi Yamashita - they/them - 24 - nblm Shou Takamori - he/him - 25 - pansexual Komaki Matsumoto - she/her - 22 - straight Haruto Suzuko - he/him - 22 - bisexual Rina Kuroki - she/her - 25 - lesbian Aiko Fukazawa - she/her - 25 - lesbian Hiroko Arai - she/her, they/them - 24 - aroace Takuya Yamane - he/him - 26 - gay Asa Matsuoka - she/her - 21 - demiromantic (gay) asexual Kinshiro Maeda - he/him, they/them - 21 - homoromantic asexual Mizuko Hidaka - she/her - 23 - straight Akihiko Oshiro - he/him - 21 - gay Ren Hayashi - he/him, they/them - 23 - bisexual Naomi Mochizuki - she/her - 22 - panromantic asexual Arata Nakajima - he/him - 26 - biromantic demisexual Rumika Susugi - she/her - 23 - lesbian

[arcangelo-scattaglia]

The Lockheed F-104 Starfighter is a single-engine, supersonic interceptor aircraft which later became widely used as an attack aircraft. It was originally developed by Lockheed for the United States Air Force (USAF), but was later produced by several other nations, seeing widespread service outside the United States. One of the Century Series of fighter aircraft, it was operated by the air forces of more than a dozen nations from 1958 to 2004. Its design team was led by Kelly Johnson, who contributed to the development of the Lockheed P-38 Lightning, Lockheed U-2, Lockheed SR-71 Blackbird, and other Lockheed aircraft.

The F-104 set numerous world records, including both airspeed and altitude records. Its success was marred by the Lockheed bribery scandals, in which Lockheed had given bribes to a considerable number of political and military figures in various nations to influence their judgment and secure several purchase contracts; this caused considerable political controversy in Europe and Japan.

The poor safety record of the Starfighter also brought the aircraft into the public eye, especially in German Air Force service. Fighter ace Erich Hartmann was forced to retire from the Luftwaffe due to his outspoken opposition to selection of the F-104.

The final production version of the fighter model was the F-104S, an all-weather interceptor designed by Aeritalia for the Italian Air Force, and equipped with radar-guided AIM-7 Sparrow missiles. An advanced F-104 with a high-mounted wing, known as the CL-1200 Lancer, was considered, but did not proceed past the mock-up stage.

[gchoate17]

I watched 30 movies in 2022 – down from 46 last year. Here they are, ranked in order. Most of them can be found on Netflix or Amazon Prime Video. I also ranked the shows I watched this year.

The Forgotten Battle -- Dutch-language film with subtitles. I appreciated that the movie included real-world military strategy, and it showed war from the front lines as well as from the civilians’ perspective. It managed to touch on the resistance without making it more than it was, and most impressive of all, the film humanized a character fighting for the wrong side without making him a complete saint.

To the Bone -- Usually movies about disorders, diseases, or issues in general are so focused on shedding light on those things that they forget to care about actual plot or character development, but this one did a great job on all fronts.

The King -- War in the 15th century was ridiculous, but fun to watch.

The Great Gatsby (2013) -- Baz Luhrman was the perfect filmmaker for the glitz and glam of the 1920s. The first 45 minutes of the movie was fantastic. My hangups were the shortcomings of the story – Gatsby works best as a flawless person who doesn’t need love, which is an impossibility. Also, Daisy doesn’t get to make decisions? (I get it, it was the 1920s, but still.)

The Meyerowitz Stories -- [SPOILER ALERT, kind of] This felt like a Wes Anderson story told by Noah Baumbach, if that makes sense. The characters’ behavior was too on the nose sometimes, but usually the humor of such behavior carried the scene. Great casting. Best scene was Hoffman running away from the gallery opening.

Other People -- Balances humor well with the emotional struggle that cancer brings. Probably the best acting I’ve ever seen from Molly Shannon. Also, Jesse Plemons is in every single movie, I think.

While We’re Young -- I’m scared by how much I related to the “older” couple in this movie.

The Lost Daughter -- Sad and beautiful and terrifying in multiple ways. “Children are a crushing responsibility.”

The Seige of Jadotville -- True story and military tactics and a band of Irish brothers against all odds. All my things.

The Devil All the Time -- Dark and sinister and a kind of underdog story. Robert Pattinson continues to successfully shake off his Twilightness.

The Guernsey Literary and Potato Peel Pie Society -- Cute, but with some real depth. I cried.

All Quiet on the Western Front -- The brilliance of this movie (novel) is that it shows what cannon fodder individual lives were in World War I, and it humanized the poor bastards who came of age in Nazi Germany.

Munich: The Edge of War -- [SPOILER ALERT] I never understood von Hartmann’s political position – too anti-Hitler for Lena, who is also anti-Hitler? – and so it was hard for me to get his motivation at times.

War Machine -- Fantastic thesis, humorous at times, but from an overall entertainment perspective…mostly dry.

Licorice Pizza -- Man, what I wouldn’t give to see Phillip Seymour Hoffman in this movie.

Hustle -- I love Adam Sandler in dramatic roles. This one started out at a 4.5, ended up at a 1.5. Sports training montage situation.

The Master -- Phillip Seymour Hoffman and Joaquin Phoenix are always brilliant, but I felt like this one dragged a bit. I never felt like we were building toward anything, which was probably the point, but the entertainment value suffered because of it.

The Adam Project -- Playful in a Ryan Reynolds sort of way, has some heart.

I Came By -- I could probably watch George MacKay and Kelly MacDonald in anything. Without them, this is your standard thriller.

The Power of the Dog -- [SPOILER ALERT] The characters pulled complete 180s. Phil was a complete asshole who turned out to just be a closeted gay man? And chaste Rose became an instant alcoholic without her husband stepping in? Doubtful.

IO -- Dystopia fix. Full of improbabilities and character behavior that didn’t make sense. But I liked seeing the girl from Maid in something else.

Hail; Caesar! -- Only worth it for the subtle quirkiness.

Sorry to Bother You -- Interesting premise and I enjoyed the quirkiness, but ultimately the story grew tiresome.

Windfall -- Interesting to see Jason Segel in a role like this, but otherwise, there wasn’t much here for me.

The Colony -- Dystopia fix. Full of improbabilities and character behavior that didn’t make sense.

Sand Castle -- Cliched. And the military consultant or whatever should be fired. “Hoo-AAAAHHH.”

The Ballad of Buster Scruggs -- These vignettes felt like incomplete ideas.

World War Z -- It’s been so long that this movie was marketed to me that I forgot it was a zombie flick. By the time I realized it, I was too tired to keep searching for something else to watch.

Stillwater -- Had faith in Matt Damon to choose good movies. He did not do so here. Cliched out, and so many things that didn’t make sense. How did he afford to stay in a hotel in Europe for so long?

Blade Runner (1982) -- I have no doubt this movie had a major impact when it originally hit theaters, but forty years later, it did nothing for me. (Except maybe highlighting Ray Finkle’s early work.)

See previous years’ lists here: 2021, 2020, 2019, 2018, 2017.

[gracie-bird]

NEW YORK'S THE COLONY RESTAURANT MENU INSCRIBED BY GRACE KELLY TO DIANA KANN (1955).

Located on Sixty-first Street off Madison Avenue, The Colony was founded in 1919 by Joseph Pani, who sold it to employees Ernest Cerutti, Alfred Hartmann, and Gene Cavallero, Sr in 1922. At first, it was known for attracting playboys trolling for dates. The club featured a lesser known upstairs gambling club where men would often meet their mistresses; however, after Mrs.  William Vanderbilt discovered it, the room became the fashionable haunt of New York high society. Mayor Jimmy Walker's victory celebration was held at the Colony in 1925.

The Colony served liquor during prohibition, serving it in cups rather than glasses, and keeping its liquor in a service elevator where it could easily be moved, though Mayor Walker protected the restaurant from raids. It was the first restaurant in New York to have air conditioning, which was installed in the late 1920s. The Colony became the first establishment in the U.S. to serve Dom Pérignon champagne.

Siri Maccioni was the bar captain at the Colony from 1960 to 1970.

Over the Colony's 50 years all the big names from society, politics, entertainment, and royalty patronized it – Kennedy, Onassis, Capote, Dukes and dukes, Roosevelts, Biddles, Lodges, Cabots, and so on. It was referred to as a “boarding house for the rich” because some patrons were there so often.

From eBay.

[auskultu]

Special Report: The Canyon Scene

Jerry Hopkins, Rolling Stone, 22 June 1968

[From a larger article on the Los Angeles scene.]

It is the canyons—Laurel and Topanga, especially—that house the people who make the music. Laurel Canyon is a paisley gash that runs from Schwab’s on Sunset to the suburban San Fernando Valley, and Topanga Canyon is a dusty-woodsy pass leading from Malibu Beach to the same suburban sprawl. The environments in these canyons differ, but the people do not.

Van Dyke Parks calls Laurel Canyon “the seat of the beat” in his album Song Cycle, for it is here the music-makers create and rehearse, using the canyon walls as a natural baffle—and the neighbors don’t seem to mind so much.

Stand on the wood porch outside the Canyon Country Store halfway up the hill and watch the neighborhood file in for supplies. In a few days time you will have seen members of Clear Light and the Turtles, Neil Young and Richie Furay (former Buffalo), Lee Michaels, Bryan MacLean (Love), Joe Larson (Merry-Go-Round), Micky Dolenz, Joni Mitchell, A&M’s Michael Vosse, Elektra engineer John Haney, Phil Austin and Phil Proctor of the Firesign Theatre, Andy Wickham, Electra producer Barry Friedman (who shared a home in the canyon until recently with Paul Rothchild), Carol King (Goffin and King), and a dozen others of this musical, house-hopping fraternity. It is also in Laurel Canyon that Eric Burdon has a home, and Frank Zappa just bought the old Tom Mix house.

The attraction of the small store, with a cleaners and tiny restaurant nearby, is social as much as culinary. It is here where dates are made, new homes are found (on a bulletin board or through friends), grass might be scored, and where you usually get some sort of vague answer to the question, “What’s happening?"

Billy Of Ridpath Drive “If there were more mobility in this town,” says Billy James, a personal manager and music publisher who lives just up the hill from the store, “the Canyon store would look like MacDougal Street on Saturday night.”

Billy lives on Ridpath Drive, a steep twisting road that puffs to a dead-end after dividing 50 or 60 small frame houses slammed up against the mountainside. An afternoon stroll along his block reveals the essence of canyon existence.

At 8504 Ridpath, where Billy lives with his wife Judy and son Mark, is a mailbox with a typewritten list of the legitimate addresses for 8504; there are at least 20 companies, groups and individuals on the list. Inside the house this day, the dutiful wife is preparing a 1 p.m. breakfast of hamburgers for Billy and for Jackson Browne, a singer-songwriter Billy represents. Between phone calls, in a small dark “office” cluttered with albums, photographs, collages, tapes and acetates, Billy talks about the canyon.

“I lived in Beverly Hills my first two years here,” he said, “and then I moved into the clear air of the hills. It was either the hills or the ocean; both are here and it seemed silly not to live comfortably.

“I wasn’t the first to move into Laurel, but there weren’t too many here then—musicians and so on. Arthur Lee [Love] lived nearby—and that was about it. It’s all happened in the last year or so. I don't know why, really. If creative artists need to live apart from the community at large, they also have a desire to live among their own kind and so an artistic community develops.”

The Distant Drums As Billy talks, you hear someone in the near distance rehearsing. Billy explains it is the drummer for the International Submarine band. The drumming becomes louder as you pass the house and walk another few yards to 8524, Barry Friedman’s home. There you find Barry listening to tapes he has just produced for Elektra. Outside and on a different level from the house someone is cleaning the swimming pool and in another room of the sparsely furnished but rambling house a young Canadian songwriter named Rolf Kempf is picking and singing quietly.

Barry turns up the tapes for a visitor and begins to hype the group, the Holy Modal Rounders. You can see his lips move and barely hear him as an earthslide of sound fills the room from two huge studio speakers mounted near the ceiling. When the volume is cut, Rolf returns to his picking.

The following day Billy James is not home in the afternoon, but meeting with a record company. The house of the International Submarine Band is quiet as its members sleep. And Barry Friedman’s home is asprawl with musicians listening to albums and rapping—several of those present being the members of the Buffalo Springfield, wondering what’s next

Househopping Earthworms Laurel Canyon has been described by pop writer Richard Goldstein as a place where streets appear as if laid out by earthworms. And so it is. The earth is baked dry and verdant with semi-tropical growth by turns, and the drives and trails knot incredibly—linking a community of sound.

(A footnote regarding the househopping mode of living in LA., which can only be described as incestuous: before Barry Friedman and Paul Rothchild moved into what is now Barry’s home, the tenant was disc jockey B. Mitchell Reed … who, in turn, now lives in David Crosby’s house in Beverly Glen, while Crosby commutes to his boat in Florida … and Barry’s old house, in Hollywood, is now inhabited by Doug Weston, owner of the Troubadour.)

Topanga Canyon is a stranger and somehow gentler place, removed from Hollywood and the center of the scene by almost 20 miles. (But still in L.A.) Say “Topanga” to someone in L.A. and the first-word-you-think-of response is “hippie.” But Topanga carried Goldwater in 1960, and the American Legion post there is a powerful one. Still, it is where Linda Ronstadt and Bob Kimmel of the Stone Poneys lived when the world began to spin. It is where Barry McGuire went to collect himself and began getting back to nature and where, today, in small frame homes against clay hillsides live two songwriters named Alexander (Gordon and Gary), Chris Hillman and Kevin Kelly of the Byrds, and the old Buffalo Springfield’s Steve Stills.

Laurel Canyon is the sort of canyon where you’d expect to find (and will find) a lot of motorcycles. Topanga Canyon is the sort where you’d look for horses. Both these means of transportation are popular among the music-makers who live in these canyons: bikes in Laurel, horses in Topanga. (VW campers in both.)

Immediate Medical Attention Los Angeles is a strange town, seeming at times as if it were made in Japan and shipped here in small parts, then assembled by a committee of capricious drunks. But it has a pull, an attraction that may often (if not always) be related to—but somehow a little stronger than—the record company and the money it represents.

Frank Zappa, after living for 18 months in New York, returned to Los Angeles in May. “New York is a good city to make money in,” he said, “but I can’t write there. I have to be in L. A. There’s something very creative here.”

Roger McGuinn of the Byrds says the music scene suffers some from the city’s unusually beautiful climate, its “terribly relaxed attitude,” but Derek Taylor thinks those points make L. A. valuable. “This town makes no demands on you and it offers you everything good,” he said. “There seem to be 30 hours in every day and eight days in each week. There is a leisurely pace, but a pace of getting it done. It’s all here —the best facilities, the best climate. You don’t have to leave L.A. on business, you know, unless you like to travel on business; everyone you know or like wants to come here. Even the Beatles, who never go anywhere.”

There are others who feel Los Angeles is not yet the blossom Derek says it is. Michael Vosse feels the earth in Los Angeles is “in need of immediate medical attention.” “It's sick,” he said. “The business is sick and we have to keep attacking and working to make it well.”

While John Hartmann, manager of the Canned Heat and one of the Kaleidoscope owners, says, “The L. A. music scene is almost an unborn child. It’s a whole new thing today. The industry is generating product at an incredible pace, and new groups and new record companies are appearing hourly. I believe the LA. scene started with the Buffalo Springfield and I think the Doors really kicked off this new era. Now stand back and watch out!”

So as L.A. troops from club to club by night, from studio to studio by day, or hides out in a canyon to rehearse and write, the scene begins to unfold. The many scenes haze softly at the edges and begin to overlap.

[wikidaily]

Van Dyke, VanDyke or Vandyke is an Americanized or anglicized form of the Dutch-language toponymic surname Van Dijk, Van Dijke, Van Dijck, or Van Dyck. It may refer to: Antony van Dyke, variant English spelling of the Flemish-born painter Anthony van Dyck, (1599–1641) The Van Dyke family of American entertainers:Dick Van Dyke (born 1925), actor Barry Van Dyke (born 1951), actor Shane Van Dyke (born 1979), actor, screenwriter, and director Jerry Van Dyke (1931–2018), comedian and actor, brother of Dick Kelly Jean Van Dyke (1958–1991), actress and adult film performerAldo Calderón van Dyke (1968–2013), murdered Honduran journalist and news anchor Alex Van Dyke (born 1974), American football wide receiver Anthony E. Van Dyke, United States Marine Corps colonel Arlington P. Van Dyke (1926–1990), American businessman and New York politician Ben Van Dyke (1888–1973), American baseball pitcher Bill Van Dyke (1863–1933), American baseball player Bruce Van Dyke (born 1944), American football guard Carl Van Dyke (1881–1919), American soldier, lawyer and politician from Minnesota Charie Van Dyke (born 1965), American film producer Charlie Van Dyke (born 1947), American former radio disc jockey Conny Van Dyke (born 1945), American singer and actress DeMarcus Van Dyke (born 1989), American football cornerback Dick van Dyke (politician) (fl. 1985), American (Washington State) politician Earl Van Dyke (1930–1992), American soul musician, keyboardist for Motown Records Edwin Van Dyke (1849–1952), American physician and entomologist Harry Van Dyke (born 1972), American actor and music producer Henry van Dyke (1852–1933), American author, educator, and clergyman Hilary Van Dyke (born 1970), American actress and singer Inger Vandyke, Australian wildlife photojournalist, explorer and expedition leader James A. Van Dyke (1813–1855), American lawyer, mayor of Detroit in 1847 Jan Van Dyke (1941–2015), American dancer and choreographer John van Dyke (canoeist) (born 1935), American sprint canoer John Van Dyke (politician) (1807–1878), American jurist and Whig Party politician John Charles Van Dyke (1856–1932), American art historian and critic John Wesley Van Dyke (1849–1939), American oil refiner Joost van Dyke (died c.1631), Dutch privateer in the West Indies Leroy Van Dyke (born 1929), American auctioneer and singer Les Vandyke (1931–2021), English pop singer and songwriter Louis van Dyke, international spelling of Louis van Dijk (born 1941), Dutch pianist Marcia Van Dyke (1922–2002), American violinist and actress, niece of W.S. Van Dyke Matthew VanDyke (born 1979), American documentary filmmaker and Prisoner of War in the Libyan civil war Milton Van Dyke (1922–2010), American aerospace engineer and aerodynamicist Nicholas Van Dyke (governor) (1738–1789), American lawyer and President of Delaware Nicholas Van Dyke (senator) (1770–1826), American lawyer and Senator from Delaware Paul Van Dyke (1859–1933), American historian, brother of Henry Van Dyke Phillip Van Dyke (born 1984), American voice actor Ria van Dyke (born 1989), New Zealand model and beauty pageant Ronny van Dyke, stage name of Jörg T. Hartmann (born 1956), German singer and songwriter Russ Van Dyke (1917–1992), radio and television newsman in Iowa Ryan Van Dyke (born 1980), American football quarterback Vonda Kay Van Dyke (born 1943), American model, 1965 Miss America W. S. Van Dyke (1889–1943), American film director Walter Van Dyke (1823–1905), American justice of the California Supreme Court Willard Van Dyke (1906–1986), American filmmaker, photographer, and Museum of Modern Art director

[worklabournewsresearch]

The Care Economy

"The pandemic has exposed how our social infrastructure underpins our physical, social, psychological, and economic health. This care economy is critical to our survival during the pandemic and will be critical to our emergence from the pandemic. The pandemic has revealed that a more resilient future requires transformational change, not just a return to ‘normal.’"

"Future budgets and public policies of all governments must address these core principles.

Care, both paid and unpaid, is a fundamental component of our basic infrastructure. Paid care in health and education alone is a key engine of the economy, generating at least 12% of GDP and 21% of jobs. A well-functioning care economy is key to the functioning of all the other parts of the economy.

A care economy includes those who need and those who provide care, both paid and unpaid, and recognizes that our care needs and care provision vary throughout life.

Care is skilled work that requires ongoing skills development, appropriate compensation, and adequate supports. The conditions of work are the conditions of care.

A care economy includes the entire range of health and education services, including child- and elder-care. It also includes other social infrastructure such as employment insurance, labour standards and their enforcement, immigration policies, and paid sick leave.

A care economy requires public investment in public services to ensure equitable access to quality care. Public spending on social infrastructure is as critically important as building and maintaining our physical infrastructure.

A care economy promotes inclusion when its design is rooted in a feminist, intersectional, anti-colonial, and anti-racist approach."

"The COVID-19 pandemic highlights the failure of governments in Canada to adequately deal not only with the care emergencies of a pandemic, but also with the long-standing gaps and deficiencies in care that precede this crisis. COVID-19 exposes the inequities that pervade our country: inequities in access to health and to care, especially in relation to areas such as sick leave, medications, housing, and decent, safe working conditions. It also highlights the persistent and growing inequalities in income and wealth."

The Care Economy, April 2021: The Care Economy Statement (7 pages, PDF)

ILO, June 28, 2018: Care work and care jobs for the future of decent work by Laura Addati, Umberto Cattaneo, Valeria Esquivel and Isabel Valarino (526 pages, PDF)

Institute for Women's Policy Research, June 2018: The Shifting Supply and Demand of Care Work: The Growing Role of People of Color and Immigrants by Heidi Hartmann, Jeffrey Hayes, Rebecca Huber, Kelly Rolfes-Haase, and Jooyeoun Suh (35 pages, PDF)

OECD, updated 2021: Social Spending Data

UN Women Policy Brief, 2020: COVID-19 and the care economy: Immediate action and structural transformation for a gender-responsive recovery by Bobo Diallo, Seemin Qayum, and Silke Staab (10 pages, PDF)

Photo Source: Naidoo, H. (2018). Woman getting her blood pressure tested [Photograph]. Unsplash. https://unsplash.com/photos/pA0uoltkwao