#Katrin Benedikt

[bkenber]

'The Expendables 3' - A Franchise Killer

WRITER’S NOTE: This review was written in 2014. I was really looking forward to the third “Expendables” movie ever since I saw the teaser trailer which was scored to the theme for “Bridge on the River Kwai.” None of the films in this franchise will ever be mistaken for high art, but they bring about a much-needed nostalgia workout which many of us have for the action movies from the 1980’s.…

[thats-h0w-th3-light-g3ts-in]

This post is fucking hilarious and still relevant!! Read to the end you will not regret!! And yes, I am OP!

If there is no content I wanna see I have to create it.

Here it goes.

Borgen, Danish political drama series:

Sidse Babett Knudsen plays Birgitte Nyborg, loving mother and badass politician until 2022 she stays true to her values snd manages to be fair and kind to her staff her colleagues and her voters. In the revival Power & Glory however she seems to have been corrupted by her position at last and yells at everyone and works for Birgitte Nyborg and Birgitte Nyborg only. I hate it but cannot be sure if it is a brilliant portrayal of events for someone who has seemingly been in politics for such a long time or if they ruined the character.

Birgitte Hjørt Sorensen plays the journalist Katrine Fønsmark. She‘s a young pretty face who has her heart on the right spot. She tries to do the public right and fights for her principles. She only does serious journalism and does not suffer fools. She wants to make the world a better place, that‘s why she ends up working with Nyborg. 10 years later she still has the same pretty face but now lives in an expensive country house with her much older husband and two kids. She‘s the boss of TV now and it shows. She‘s still trying to do the right thing but her over ambition sometimes makes her sound like a real bitch. Again, necessity to stay true to the character or fuck up?

Benedikte Hansen plays Hanne Holm. An aging top journalist, a power house feminist news reporter. She‘s given her life to the job and to making good news and the gift in return is loneliness and a slight tendency to alcohol. Although she seems pretty rough and edgy she‘s actually a kind and loving person but rarely get‘s to show it. 10 years after we last saw her however, Hanne Holm had seen enough, Hanne Holm has left the building for good and no one knows if she‘s okay. Crime against humanity or simple scheduling problems? We‘ll never know.

[thebingeful]

20 Action Movies Like Olympus Has Fallen

Have you ever considered some thrilling movies like Olympus Has Fallen? Olympus Has Fallen is a 2013 American political activity thriller movie coordinated and co-created by Antoine Fuqua from a screenplay composed by Creighton Rothenberger and Katrin Benedikt, and is the first portion in quite a while of the Fallen film series.  The film stars Gerard Steward (who likewise co-delivered), Melissa…

[gutachter]

Modernes Wohnen: In Finning wird ein Holzhaus ausgezeichnet 

Finning: „…Im Apfelgarten der Familie Urbanek in Finning steht ein preisgekröntes Holzhaus. Der Architekt aus Schondorf erreicht mit ungewöhnlichen Ideen eine kompakte Bauweise. Was ist wirklich wichtig – und was können wir weglassen? Diese Frage stellten sich Ann-Katrin und Benedikt Urbanek, als sie ihr neues Zuhause in Finning planten und bauten. Für diesen Leitgedanken der Verkleinerung ohne…

[harisharandevgn]

Harisharan Devgan: A farmer with affection for movies and horses

Harisharan Devgan is a farmer with affection for movies and horses. Harisharan Devgan distributed “London Has Fallen” which is an American action thriller film directed by Babak Najafi and written by Creighton Rothenberger, Katrin Benedikt, Chad St. John, and Christian Gudegast produced in the year 2016. After considering several projects, Harisharan Devgan finalized the movie “Fever” for production after intense discussions with Ajay Chabberia. With a fancied and extended stay in Switzerland, Gauhar Khan and Rajeev Khandelwal cast the movie along with other versatile international actors. Presently, Niche Film Farm is involved in Financial Investments of new Projects which fall short of funds but are good in the creation and have a promising future.

[confessionsofabingefreak]

Olympus Has Fallen (2013)

Impression: far fetched but has its moments. Not to mention a fantastic cast!

Collection: undecided, for now, yes

Overall: ⭐️⭐️1/2

Concept: ⭐️⭐️(ish)

Story: ⭐️⭐️(ish)

Storytelling: ⭐️⭐️⭐️

Characters: ⭐️⭐️⭐️⭐️

Casting: ⭐️⭐️⭐️⭐️

Visually: ⭐️⭐️⭐️

Score/Soundtrack: ⭐️⭐️⭐️

Entertainment: ⭐️⭐️1/2

Best: Cast! They definitely casted this film well.

Worst: they reach for the most extreme circumstances, trying too hard. They fell flat. How this became a series is beyond me. Other then the cast of course.

[adamwatchesmovies]

Angel Has Fallen (2019)

I certainly didn’t expect Olympus Has Fallen to get a sequel, much less two. The story's not particularly well written and there are few surprises even when the film tries to spring twists on you but the action is decent. If you didn’t jump ship after the lackluster London Has Fallen, then sure, you might as well see Angel Has Fallen.

Secret Service agent Mike Banning (Gerard Butler) is dealing with the physical and psychological trauma of his job when he narrowly thwarts an assassination attempt on the President of the United States (Morgan Freeman). Framed by the real culprits and with FBI agent Helen Thompson (Jada Pinkett Smith) leading the investigation, he must clear his name before there's another attempt on the now-comatose President.

It feels strange to see a benevolent U.S. President under attack but that’s been the theme from the beginning so I won’t hold this against Angel Has Fallen. The real problems are the missed opportunities. The setup is good. We’re used to seeing invincible action movie stars - what happens when Banning's adventures begin catching up to him just as he's desperately needed? His friend Wade Jennings (Danny Huston) thinks Banning should apply for the position of Secret Service Director. He isn’t sure he can handle it. That idea is forgotten as our hero goes on the run.

You can probably tell early on who orchestrated the conspiracy. When it’s revealed they're actually working for someone else, you don't need three guesses to figure out who. That’s a letdown, as is the introduction of Banning’s paranoid, conspiracy theorist hermit of a father, Clay (Nick Nolte). Ultimately, they don’t do anything with this father-son duo.  In fact, a trap used against their pursuers raises questions. They make sure to tell you “these weren’t police officers, they were bad guys” but did our heroes know?

The longer it goes on, the less credible the characters seem. How much are these villains getting paid to cause so much collateral damage and keep chase? There’s no way they’re getting away with this and once again, this is one of those movies where the guy at the top decides to get their hands dirty and lead the big, final attack on their own. I’d be more concerned with getting into a non-extradition country. Meanwhile, we see characters piece clues together and move in the direction the plot intends them to but you never quite buy the characters’ progression. It's all too easy.

A (pretty lame) mid-credit scene either confirms this as the final entry or that the next one will be a full-on comedy. You’ll be indifferent to either outcome. Assuming the Fallen series is done, it’s been mediocre all around, the kind of trilogy you find in a bargain bin packaged with two other “I sorta remember these but not really” action movies for a low price. If you want to, go see it but there's no need to run. (Theatrical version on the big screen, August 30, 2019)

[cinesludge]

Movie #33 of 2020: Angel Has Fallen

“I’m gonna pee in this water.”

[moocowmoocow]

[anhed-nia]

BLOGTOBER 10/8/2020: PELICAN BLOOD (2019)

If you are reading this and the present date is between October 8 and 11 of 2020, please consider buying a virtual ticket to see Katrin Gebbe’s PELICAN BLOOD, available on demand through the Nightstream festival:

https://watch.eventive.org/nightstream/play/5f6e7e78d6a9bf0036613fa3

I am about to discuss this movie and its conclusion in great detail, but it would be much better for a person to come to it in innocence--not because it’s so reliant on anything as gauche as surprise, but because it is so thoroughly excellent that wading through a movie review first would be like letting your dinner grow cold. And, it simply deserves our support.

When I saw PELICAN BLOOD last year at Fantastic Fest, it became one of my favorite movies before it was even over. I might admit that this was sort of a match made in heaven, as this movie checks almost every one of my personal boxes, but I don’t think my assessment of its value is a simple matter of personal prejudice. I’ve been haunted by it all these months, and deeply worried that somehow I might never see it again. When I discovered that it had landed on Nightstream, I was over the moon.

This is writer-director Katrin Gebbe's second feature, a fact that will astonish you when you see it. Last Blogtober, I wrote about her first feature TORE TANZT, which has the troubling english title NOTHING BAD CAN HAPPEN. That intense indie drama concerns a born-again christian punk who wishes for an opportunity to prove his devotion to god, and finds it in the form of a family that invites him in off the streets, and then proceeds to torture him. That's an oversimplification of what actually occurs, but it is a film that's hard to be brief about. It's cheap and a little rough around the edges, but it is deliberate, intense, and difficult to forget. (In fact it's supposed to be based on a true story, although I haven't managed to pick up that trail) When I first saw it, it certainly made me wonder what else that director might be up to, and I was astounded when I found out. 2019's PELICAN BLOOD emerged six years after TORE TANZT, with little in between besides a television episode and a segment in the anthology THE FIELD GUIDE TO EVIL, and yet Gebbe's artistic evolution is dumbfounding. Her themes are all unmistakably present--faith versus doubt, mystical versus metaphorical experience, and physical martyrdom--but exploded into a grand, elegant psychodrama that holds the viewer captive every minute of its two hours.

Celebrated german actress Nina Hoss plays Wiebke, a stable owner who trains police horses to tolerate the frightening conditions of a riot. She lives at the edge of her pasture, raising her tween daughter Nicolina (Adelia-Constance Giovanni Ocleppo) on her own. Wiebke has a talent for healing the wounded, or perhaps it's more of a calling; she raised Nicolina, a bulgarian orphan, into a bright, balanced, emotionally available tomboy, and the two of them joyfully anticipate the arrival of Nicolina's new adoptive sister. When little Raya arrives (Katerina Lipovska), she first presents as sweet, even solicitous, needing only a mother's love to fully bloom. However, as soon as she determines that she is welcome and wanted, she undergoes a disturbing transformation into a violent and unpredictable creature, possessed by an abject hatred. Wiebke recognizes that her new child is seriously traumatized, which activates her sense of purpose, and she pledges herself fully to the child's recovery--despite the admonishments of Raya's daycare, her doctors, and virtually everyone around them, that the little girl is beyond all but clinical help, and even that promises no guarantee of salvation. Refusing to give up, Wiebke makes a series of increasingly dangerous personal sacrifices in Raya's name, until finally she finds herself at the doorway to what some consider another world, but what is to others only madness.

Gebbe won Best Director in the main competition at Fantastic Fest, and it would have been a crime if this were otherwise. Her control over what are essentially forces of nature is humbling. Extracting a profoundly moving drama from a cast of adult actors is challenging enough on its own, but to get these terrifyingly convincing performances from children, evoking deep trauma and physical violence to self and others, is another level. As if this weren't enough, Gebbe adds animals into the mix, giving the story of Raya a parallel in the troubled career of a police horse who is considered a lost cause by all but Wiebke. The training scenes in which Wiebke guides the volatile animal through fire and smoke, while her own lifeforce is being progressively depleted by her new child, are as harrowing as anything having to do with parenthood, and Wiebke seems to take the horse just as seriously as her child. Friendly single dad Benedikt (Murathan Muslu) tries to flirt with the trainer by remarking on her unusual career, but she spits bitterly, "The horses are not the problem," giving us a glimpse of the philosophy that drives her.

Another of my favorite german films is Werner Herzog's 1976 short NO ONE WILL PLAY WITH ME. This funny and poignant story involves a bullied and neglected little boy, and it is preceded by a card displaying the adage "There are no bad children, only bad parents." This is the principle that drives Wiebke in work and life: Those who are seen as failures, have been failed by others. One has the sense that Wiebke sees herself in these wretches. She has no partner, and balks at questions about her relationship history, shying from physical affection even with people she knows and likes. A tell-tale scar graces one cheekbone; when she finally begins to welcome the benign Benedikt's advances, he strokes it instead of kissing her, acknowledging that he can see who she really is.

Wiebke tries to extend this same empathy toward Raya, refusing to let the child bait her into wrath and rejection. However, this show of pure faith and tolerance does not work, and the right approach becomes less clear as Raya begins to blame her mounting acts of vandalism, arson and assault on an evil entity that controls her will. A psychiatrist aprises Wiebke that this is the "magic period", in which the child uses magical thinking to divert feelings of guilt and responsibility. But, after a fashion, Wiebke begins to sense this malevolent presence as well. Is this etheric intrusion real? Or is she beginning to empathize with the child--with the experience of grappling with a damaged part of yourself--to the point of dissolving boundaries?

The title of the movie refers to a fable about a pelican whose chicks die, and she resurrects them by feeding them her own blood. This is a clear metaphor for Wiebke's trial with Raya, that becomes shockingly literal when, after endangering her home and relationships by prioritizing the new child, Wiebke places her own health on the line by taking an unregulated drug to give herself a bizarre advantage. When Wiebke discovers the shocking nature of Raya's original trauma, she experiments with the radical idea of treating the girl like a little baby, hoping to start from square one with her capacity to be mothered, and in the service of this dreadful proposition, Wiebke starts taking a lactation-inducing pill that proves to be an immediate risk to her health, and puts her in an even more perilous position with Raya.

Although it focuses on a preternaturally devoted mother, PELICAN BLOOD recalls what makes movies like HEREDITARY and WE NEED TO TALK ABOUT KEVIN so potent. We have the idea that in becoming parents, we are perpetuating our own essence, extending our history and celebrating the precious connection of blood, which is supposed to impart an automatic same-ness. Unfortunately, this only shakes out to arrogance for many, denying the quirks of psychology, chemistry, and the unique impact of trauma--even if minor, or explainable as something benign--on a mind too young to fully comprehend the nature of the experience. Even without abuse in the home, anyone can have a child less like themselves than they could have ever imagined, for reasons beyond their own control. In all this, the child is innocent, and it is the duty of the parent to prioritize the child's feelings, over the vanity of wanting an heir to your own best qualities. Wiebke sacrifices not only her vanity, but potentially her very life, to show Raya love. When this blood sacrifice does not work, Wiebke finds herself facing the realm of alternative belief as a last resort.

The introduction of PELICAN BLOOD's folk horror element can seem a little left field, if you haven't noted the clues scattered throughout the film. Before the revelation of Raya's boogeyman, Wiebke begins to discover evidence of an old pagan tradition still being practiced around her proverbial neck of the woods. Soon, she tentatively entrusts herself and her child to a local witch, who puts them through a harrowing exorcism. Though the process is uncertain at first, its impact forces Wiebke into a direct acknowledgment of the entity harassing her daughter. And ultimately, it awakens in Raya a capacity for love.

While the reality of the supernatural in PELICAN BLOOD remains in question, I think the effect of this ambiguity is specifically meaningful. I usually scoff at any type of "was it all a dream?" nonsense, as this is a tactic employed by directors who think their greatest accomplishment should be getting one over on the audience. I don't see any inherent value in simply reversing the apparent meaning of things, just to make people feel stupid--and worse, this has trained modern audiences to try to defensively predict the least likely ending to any story, instead of just engaging with it emotionally as it plays out. For this reality-bending trick to be worth anything, one must be able to answer questions like, IF this was all a dream, THEN what meaning is added to the story?

In PELICAN BLOOD, the unresolved question of whether magic is real is of great relevance to the whole concept of belief. Human beings crave extranormal experience; we're deeply attracted to tales of ghosts, UFOs, mythical creatures, and parapsychological abilities. Even the skeptics among us enjoy arguing about these things, and many regular folks without eccentric interests read their horoscope "just for fun". Most telling of all is the enduring popularity of stories about the strange and unusual, which require no particular belief system from the audience; the fantasy of this extra dimension to our mundane lives is just so satisfying. Despite all the pleasure we get from these ideas, though, we tend to cling first and foremost to objective truth; we tell ourselves that if there is no "proof", then an outrageous thing cannot exist. But, this is actually contrary to many of our lived experiences. On the basest level, we delight at videos of insane parkour stunts, at the same time that we say these guys are "like" superheroes, but are actually just guys. My question is, what's the difference? If a person can achieve physical feats that most of us can never imagine attempting, then what difference does it make that this person was not bitten by a radioactive spider? If a fortune teller in a carnival is so good at "cold reading" strangers that she gives the effect of being able to read minds, then what is the appreciable difference between a carny and a "real psychic"? If a faith healer "just convinces" someone to become free from a chronic ailment, and the patient goes on to live a happier life, who cares if no "real magic" was in evidence? What is the difference between exorcism and hypnosis, if the end result is the same for a seriously disturbed child and her mother? The only difference appears to be some material confirmation of specific mystical forces and substances--which, admittedly, would be exciting on its own--but this would still only be an alternative version of the events that led up to the same "miraculous" result. We only worry about the existence of God and magic because our definitions of these things tend to be limited to what we think of as literal and scientific. But, if the correct effects manifest themselves, then all that is purely cosmetic. Belief is real. Faith works.

[bylaw]

A great sequel that is just as fun as the first and full of great action...

[thats-h0w-th3-light-g3ts-in]

Attention: A BORGEN Post

I‘ve been watching Borgen the original series on Netflix and am absolutely psyched because it’s so good!!

The characters are awesome even if I dislike them [Mikael Laugeson, Alexander Hjørt *pukes in silence*] Birgitte Nyborg is the single most perfect character there ever was and I am absolutely in love with is woman and Sidse‘s acting.

Yesterday I moved on to Borgen: Power and Glory and yes I get that it‘s fucking 10 years later but I really don’t know … I‘m not sure if I‘m disappointed or if they just really stayed true to the character.

Birgitte is definitely not who she was anymore and I mean that‘s kind if the point probably, that power and politics corrupted her eventually. That no one stays save in such a position. And you can kinda see how she hates herself sometimes but i just miss old Birgitte.

Also I am missing so many great characters, and although I get that it probably was close to impossible to get everyone 10 years later just like that but still … where‘s Caspar? Where are most of the politicians form before? What happened to hot stuff Jeremy Welch. And most importantly, where‘s my girl Hanne Holm!!!?

[endhislife-blog]

free movies online 3K

 At the German Grand Prix, Lauda desires the F1 advisory group to drop the race because of substantial rain on the as of now famously hazardous Nürburgring. At the drivers' gathering, Hunt contends that Lauda would profit by having one less race in the season. The drivers vote to proceed with the race. All drivers aside from Jochen Mass begin the race with wet climate tires, which turns into an exorbitant strategy because of the vast majority of the track rapidly going away. They all pit to replace tires amid the second lap, yet part of the way through the third lap, a suspension arm in Lauda's Ferrari breaks, sending the auto flying into a dike before it blasts into blazes and is additionally hit by different autos. In the wake of being hauled out of the inferno, he is carried to the clinic with severely charred areas to his head and confront and inner consumes to his lungs. For a month and a half, Lauda is dealt with for his wounds while he watches Hunt rule the races in his nonattendance. Notwithstanding his specialist's requests, he chooses to drive his Ferrari at the Italian Grand Prix to complete fourth while Hunt neglects to complete the race.

The 1976 season goes to a peak at the rain-splashed Japanese Grand Prix. Chase's late rally in Lauda's nonappearance has pulled him inside three purposes of Lauda. Toward the finish of the second lap, Lauda comes back to the pits and resigns from the race, thinking of it as excessively free movies online perilous and selecting, making it impossible to remain with Marlene as opposed to taking a chance with his life again on the track. This allows Hunt to win the title in the event that he can score a platform complete (third or better). In the wake of confronting solid rivalry under difficult conditions, tire issues and hand damage because of the rigging shifter handle breaking, Hunt completes third, barely giving him enough indicates win the title. He spends whatever is left of the year with popularity, sex and medications, while Lauda appreciates flying private planes. At a private runway in Bologna, Lauda recommends to Hunt that he center around the following dashing season, however later on understands that Hunt never again has anything to demonstrate. Chase keeps on dashing until his retirement in 1979, and turns into a motorsport communicate pundit until his demise in 1993 at 45 years old.

Olympus Has Fallen is a 2013 American activity spine chiller film. Coordinated by Antoine Fuqua and composed by Creighton Rothenberger and Katrin Benedikt, it stars Gerard Butler, Aaron Eckhart, and Morgan Freeman, with Angela Bassett, Robert Forster, Cole Hauser, Ashley Judd, Melissa Leo, Dylan McDermott, Radha Mitchell, and Rick Yune in supporting parts. The film portrays a North Korean-drove guerrilla attack on the White House, and spotlights on disfavored Secret Service operator Mike Banning's (Butler) endeavors to save the President (Eckhart).

The film was release on March 22, 2013, by FilmDistrict and earned $170 million against a $70 million creation spending plan. It got blended surveys from pundits, who lauded Fuqua's heading and Butler's execution, yet scrutinized the savagery and screenplay. Olympus Has Fallen was one of two movies release in 2013 that managed a fear based oppressor assault on the White House; the other was White House Down. A continuation titled London Has Fallen was release on March 4, 2016, with the primary cast individuals repeating their parts. Another continuation, Angel Has Fallen, is in progress.

[architectnews]

Gasteig Cultural Center, Munich Building

Gasteig Cultural Center, Munich Concert Hall, Library, German Architecture Images

Gasteig Cultural Center in Munich

23 June 2021

Gasteig Cultural Center

Design: HENN

Location: Munich, Germany

The Gasteig in Munich, the largest cultural center in Europe, receives almost two million visitors a year and houses a unique combination of programs: a concert hall, an auditorium, educational facilities, and a public library. Constructed in 1985, the original Gasteig is a fortress-like compound of introverted functions. HENN’s for the Gasteig Cultural Center proposal transforms it into an open and democractic space whose cultural and educational programs are part of a dynamic exchange—with each other and with the city.

The heart of the New Gasteig is the Kulturbühne or Culture Stage—a bridge-like glass volume that connects the many functions of the center and displays their vibrant interior to the city of Munich. Its transparent and open architecture stands in deliberate contrast to the monolithic character of the existing building.

The Culture Stage functions as circulation, foyer, exhibition space and event area, a new space of encounter and connection. With this simple, yet radical gesture, HENN has transformed the Gasteig from an inert container of culture into an active collaborator—it is a space of cultural production where employees, students, and visitors are all actors on the Cultural Stage.

Each program—the Philharmonic, the Carl Orff Hall, the Munich City Library, the Munich Center of Further Education and the University of Music and Performing Arts—underwent its own transformation. In collaboration with the renowned acoustician Yasuhisa Toyota, the Philharmonic was given a complete acoustic re-design while the library, constructed during the height of print media, was updated for the digital age, its closed-off, silent spaces were opened up and its collaborative spaces emphasized.

HENN’s modernization of the cultural center is a radical reconceptualization of the building and the role of culture within the city. Now more than ever, we understand and appreciate the power of art, music, literature, and education to reflect and elevate society during moments of prosperity, and to comfort and stabilize during times of hardship. The New Gasteig—open, transparent, and inviting—anticipates a future where it will once again receive millions of annual visitors

Gasteig Cultural Center in Munich, Germany – Building Information

Design: HENN

Client: Gasteig München GmbH Location: Munich, DE Area GFA: 90,000 sqm Status: Current Years: 2018 – Ongoing

Program: The Munich Philharmonic, Carl Orff Hall, the Munich PublicLibrary, Münchner Volkshochschule (Munich Center for Further Education), the University of Music and Performing Arts Munich, Kulturreferat (Cultural Council), the Munich Chamber Orchestra, Exhibition Space, Communications Area, Multimedia Room, Lecture Hall, Workshop and Training Rooms, Administration, Gastronomy, Multifunctional Spaces

Consultants: Nagata Acoustics International, Inc., Rainer Schmidt Landschaftsarchitekten GmbH, ARGE Mayr Ludescher Partner + Buro Happold Ingenieure GmbH, Climaplan GmbH, ibb Burrer & Deuring Ingenieurbüro GmbH, Bartenbach GmbH, OBERMEYER Planen + Beraten GmbH, Wolfgang Sorge Ingenieurbüro für Bauphysik GmbH & Co. KG, ATI – ARGE Theater-Ingenieure, a+p Architekten GbR, Büro Uebele

Competition: 2018, 1st Prize, Contract award after reworking the submission Partner in Charge: Fredrik Werner/Joachim Grund

Project Team: Sylvia Kipping, Max Langwieder, Benedikt Cinetto, Francesco Capuzzo, Christoph Omlin, Tanja Dietsch, Pavel Khriashchikov, Ferdinand Fleckenstein, Thomas von Küstenfeld, Birant Sencan, Gabriele Menconi, Sarah Guggemos, Franz Bittenbinder, Shiyu Ying, Lisa Schubert, Andreas Fuchs, Mark Böhmer, Bodo Boettcher, Jeanette Schulze-Kiehne, Andreas Lindig, Daniel Recklingloh, Martin Erdinger, Luis Felipe Acevedo, Peter Weber, Mira Schröpfer, Sidonie Kade, Wolfgang Mühlhölzl-Hirschmann, Andreas Schöler, Dorit Von Woroniecki, Gudrun Spitzer, Theresa Brandes, Peter Ciganek, Anatolii Romanov, Jekaterina Porohina, Jovan Topalovic, Katrin Jacobs, Che Liu, Matthias Palloch, Elke Gebhard and Attila Horvath

Images: HENN

Previous post for this building on e-architect:

Gasteig Cultural Centre in Munich Building

HENN

Gasteig Cultural Center, Munich images / information received 230621 from HENN

Location: Munich, Bavaria, Germany

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Comments / photos for the Gasteig Cultural Center, Munich building design by HENN Architects in Germany page welcome

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[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 6 / 10

Título Original: Angel Has Fallen

Año: 2019

Duración: 120 min.

País: Estados Unidos

Director: Ric Roman Waugh

Guion: Creighton Rothenberger, Katrin Benedikt, Robert Mark Kamen

Música: David Buckley

Fotografía: Jules O'Loughlin

Reparto: Gerard Butler, Morgan Freeman, Piper Perabo, Lance Reddick, Jada Pinkett Smith, Tim Blake Nelson, Nick Nolte, Chris Browning, Danny Huston, Michael Landes, Joseph Millson, Sarah-Stephanie, Sophia Del Pizzo, Mark Arnold, Sapir Azulay, Frederick Schmidt, Mark Rhino Smith, Brendan Kelly, Kerry Shale, Ori Pfeffer, Bryan Larkin, Colin Stinton, Atanas Srebrev, Greg Orvis, Joelle Koissi, Ryan Oliva, Deborah Rock, Daniel Eghan, Nina Kumar, Bernardo Santos, Laurel Lefkow, Chris Dodd, Clayton Adams, Hadrian Howard, Halima Nagori, Nathan Cooper, Ty Hurley, Paul Blackwell, Osi Okerafor, Michael Bodie, Ian Porter, Laura Matassa

Productora: Millennium Films / Campbell Grobman Films / G-BASE / Eclectic Pictures

Género: Action, Thriller

https://www.imdb.com/title/tt6189022/

TRAILER: https://www.youtube.com/watch?v=XF8h3hOGBJM

[moochilatv]

PRESIDENTE BAJO FUEGO, una película con Gerard Butler y Morgan Freeman

Se estrenó en Argentina el jueves 12 de septiembre. ¿La vas a ir a ver?

*Nº1 en la taquilla en EEUU por segunda semana consecutiva*

Duración: 121 min.

Calificación: SAM 13 años

Estreno: 12 de septiembre

Tras los acontecimientos del pasado, el agente del Servicio Secreto Mike Banning (Gerad Butler) es acusado de intentar asesinar al Presidente de los Estados Unidos (Morgan Freeman) . Perseguido por su propia agencia y el FBI, Banning se ve envuelto en una carrera contrarreloj que tiene como misión limpiar su nombre y descubrir a la verdadera amenaza terrorista que tiene el Air Force One, el avión presidencial, en el punto de mira.

ELENCO COMPLETO Gerard Butler Morgan Freeman Nick Nolte Jada Pinkett Smith El film es dirigido por Ric Roman Waugh

FICHA TÉCNICA: Título original: Angel Has Fallen Año: 2019 País: Estados Unidos Dirección: Ric Roman Waugh Guion: Creighton Rothenberger, Katrin Benedikt, Robert Mark Kamen Música: David Buckley Fotografía: Jules O'Loughlin Género: Acción, Thriller Empresas Productoras Millennium Films, Nu Image, Lions Gate Entertainment Distribuye: Energía Cine

SALAS HOYTS (ABASTO, DOT, UNICENTER, TEMPERLEY,  MORON, MORENO, QUILMES, PATIO OLMOS, NUEVO CENTRO ROSARIO, SALTA) CINEMARK (PALERMO, CABALLITO, PTO MADERO, TORTUGAS, SOLEIL, SAN JUSTO, MALVINAS, STA FE, MENDOZA, NEUQUEN, SALTA) SHOWCASE (BELGRANO, NORTE, QUILMES, HAEDO, ROSARIO, CORDOBA, VILLA ALLENDE) VILLAGE (RECOLETA, CABALLITO, PILAR, LUJAN, AVELLANEDA, MERLO, MENDOZA, NEUQUEN, ROSARIO, ARENA MAIPU) AMBASSADOR  MAR DEL PLATA PASEO ALDREY MAR DEL PLATA CINEMACENTER (MENDOZA, BAHIA BLANCA, SAN LUIS, CORRIENTES, AVALOS, RESISTENCIA, TUCUMAN, TERMINAL CATAMARCA, ALTOS DEL SOLAR CATAMARCA, SAN JUAN, LA RIOJA, FLORENCIO VARELA, SGO DEL ESTERO, ALTA GRACIA, TANDIL, TU CINE JUNIN, PASEO RIO IV) BELGRANO MUTIPLEX CANNING MULTIPLEX MONUMENTAL LAVALLE MULTIPLEX PILAR ATLAS AVELLANEDA y FLORES CINEMA GENERAL PAZ CINEMA ADROGUE PARADISO LA PLATA ESPERANZA SANTA FE RADAR SAN FRANCISCO LAS TIPAS JESUS MARIA LAS TIPAS MORTEROS LAS TIPAS RAFAELA BOULEVARD GUALEGUAY OCEAN NECOCHEA CINE PARIS 3D OLAVARRIA PARIS BALCARCE COTO - LANUS EL CINE - RIO GRANDE LA PALMA - SAN PEDRO COMPLEJO - CAMPANA CINEMA 3D - LA RIOJA CHILECITO LA RIOJA ANNUAR - JUJUY OASIS - PINAMAR YANEL STA TERESITA ARENAS SAN BERNARDO CALIFORNIA MAR DE AJO GUEMES SALTA SUNSTAR (TUCUMAN, SANTIAGO, CORDOBA, POSADAS, BARILOCHE, USHUAIA) CINEMA DEVOTO CPM CINEMAS CATAN SHOPPING CPM ADROGUE CPM CINEMAS SAN JUAN SHOPPING PLAY CINEMA SAN JUAN NUEVO MONUMENTAL ROSARIO DINOSAURIO MALL CORDOBA DINO RUTA 20 DINO 60 CUADRAS DINO SALSIPUEDES DINOMALL ALTA GRACIA GRAN REX CORDOBA SUD CINEMAS VILLA MARIA HOLIDAY CARLOS PAZ STRIKE RIO 3RO CINE ETER VILLA DOLORES DE LA COSTA SHOPPING CORRIENTES CASINO COSTA GOYA CINES DE LA COSTA SARMIENTO SOLAR DEL CERRO TUCUMAN ATLAS TUCUMAN ATLAS TERMAS OPERA SALTA VISION BAHIA BLANCA CINE TEATRO RENZI, LA BANDA AVENIDA FORMOSA CIRCULO OBRERO PARANA STARLIGHT ENTRE RIOS URQUIZA SAN JOSE ALTOS GUALEGUAY NUEVO REX GRAL ROCA CINE SHOP LOS NOGALES CINE RIO GALLEGOS ALFA JUJUY MILENIUM SANTA ROSA CINE TEATRO GRAL PICO CINEMA PERGAMINO PATIO CASEY VENADO FLIX OLAVARRIA AMELIX SAN RAFAEL CINE PACKEWAIA REX CUTRAL CO AUD PTO MADRYN AMERICO TUPUNGATO TORTONI 3 ARROYOS BERISO VILLAGUAY FANTASIO BELLA VISTA CINEMA LUJAN CINERAMA CORDOBA

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