#K.I.S.S.

[somebodysbitch]

[starry-eyed-blue]

[ohboyhowdybuckaroo]

As a way to celebrate the end to the first arc of the ASL Gem AU, here's a couple of headcanons and things I put in the story that I was proud of. Also, some shitty memes I doodled and thought were funny. I put all the headcanons and neat things under the read more because there are spoilers for Keep It Simple, Stupid in there.

Luffy actually got poofed four times throughout the events of the first chapter. Two of them were depicted on screen, but the other two were when Ace got him caught in a landslide in their first meeting and when he came back to the bandit hut on the wolf and broke a hole in the wall getting tossed off of Kebab. Ace could've sword that landslide would have poofed Luffy and, I mean, he's not wrong.

Whery told me BTS that Sodalite's hair remains suspended in air as if it's flowing through water at all times. He's got mermaid hair, everyone. Love this guy.

The reason Sodalite struggles to unfuse is because... 🥁 🥁 🥁 He has a hard time unfusing when his components feel unsafe. That doesn't stop anyone strong enough from poofing him (A la Garp) or Sabo and Ace having such a strong disagreement that they come undone (a la the argument before the final fight with the wolves or when Ace post-getting-Luffy'd has conflicted feelings about ditching Luffy with Amethyst and co.).

In the process of plotting this, I wasn't sure how to translate the money-saving-schemes into this AU for the boys. The general layout of the plot is similar to canon, but I wanted to mix things up a little. That led to the parts scrounging aspect, which led to Ace and Sabo having their own waterfall cave instead of having a tree that they keep things in because I didn't think a tree could properly hide most of their junk from sight that close to the Kindergarten.

Sodalite never actually introduced himself to Luffy. (Cursed with Ace's tendency to never make a good first impression.) He learned Sodalite's name when a few gems and people were yelling in panic at their first meeting.

There's another nod to Sodalite inheriting Ace's bad first impressions when he first "meets" the bandits when literally dropping Luffy off after saving him and also when he meets Woop Slap and Makino.

Also continuing Ace's penchant for bad first impressions, he really did get put through the ringer with Makino when he first reformed. I gave him hell this whole arc, didn't I? Poor guy.

Herc and Agna are my contributions to the Dadan Family. I wanted to flesh their numbers out a little bit since we only ever know the names of Dadan, Magra, Dogra, and Pochi. I hope you like them... They're silly. (And probably in love tbh.)

Speaking of them, they made a bet on whether Luffy killed Ace in the beginning of the third chapter and you can see them exchanging money in the sixth chapter when it's revealed that Ace isn't actually dead.

I also added Woop Slap's baker brother, a Beryl to the Azurite crew who stood around while Luffy got his ass electrocuted, and a couple of random characters here and there with no canon version just for the hell of it. Got the chance to flesh this out a little bit thanks to focusing on a small sequence of events compared to the Odyssey that is One Piece canon.

In the second chapter, there are a few things that Sodalite and Luffy say in a couple of the conversations post-saving Luffy from the Azurite Pirates that get called back to.

Sodalite: You can’t be brave unless you’re scared. And if the first hint of danger has you sniffling and running away like a chicken, you’ll never be brave.

This one is a little more obvious. It gets reflected back in chapter 5 when Luffy is in the process of trying to help Kebab out from where he's trapped. Luffy is a bit of a coward and a crybaby when he's younger in canon and in this story. He builds up confidence with being rubber (Though I replaced his rubber body helping to protect him with him being able to reform quickly), having two older brothers to protect him, and eventually his own fighting skills in canon, but I wanted to add a little more oomph to it.

Luffy: I'm not crying, you're crying!

Sodalite: That's not how tears work, squirt.

This one reflects the flashback to when Ace and Sabo fused for the first time. I figured it would help soften Sodalite up to Luffy with the little nod.

Ace: I'm not crying, you're crying, stupid.

Sabo: That's not how tears work, idiot.

There's another point that gets called back to in a conversation between Luffy and Sodalite, but this is the conversation when Sodalite starts to refer to Luffy as "Luffy" mentally and not just Spinel.

Sodalite: Free and kind, huh? Free how?

Luffy: Free to go where I wanna go. Do what I wanna do. Be who I wanna be.

Sabo thinks back to this when he's poofed and trying to figure out what he wants to look like. Freedom is hard to get used to when you're used to a regimented lifestyle. I think it's called choice anxiety, but even though he wants freedom, he still has to learn how to be free, if that makes sense.

Speaking of that conversation between Sodalite and Luffy, I tried to switch up what he was called in the narrative based on whose POV I'm talking through. In the beginning, when Sabo, Ace, or Sodalite are thinking about Luffy, they consistently refer to him as "Spinel." When it's Luffy's POV, Luffy only referred to himself as "Luffy." Eventually, after the heart-to-heart they have in chapter 3, Sodalite, Ace, and Sabo also only refer to Luffy as "Luffy."

Prior to the narrative, Sodalite didn't have a lot of room to grow or a lot of interaction with people outside of battle or when he's alone when Ace and Sabo needed comforting. Being around Luffy and the circumstances of which they can't unfuse gave Sodalite the opportunity to become more of his own person.

I used he/they pronouns for a lot of the story to reflect the Sodalite-not-being-completely-his-own-person as even Sodalite still saw himself as Ace and Sabo and not just Sodalite. He's aware he's a fusion, but he's only now settling into the idea that he is a new person as well.

Ace thinks that Dadan and the bandits don't care about him for most of the story and they don't help things by pretending not to care that he's "gone" when Sodalite's around. However, at the beginning of the fourth chapter, I tried to give a little nod to Dadan being worried about Ace with her sometimes smoking late at night on the porch and staring into the forest. She was looking for Ace and worried about him, but Sodalite can't tell because Ace is blind to kindness. Dadan was losing sleep over you, you dummy.

True to canon fashion, I tried to limit how much I used Luffy's POV as in canon he doesn't really have a lot of internally kept thoughts as much as he doesn't have a filter between mental reaction and physical reaction. Thus, when I did have to use Luffy's POV, I tried to switch it to another character as soon as I could.

Whery once posted an animatic wherein they used the Ben 10 clip of Kevin saying, "You have to treat a car like you treat a woman," and I pretty much used that to shape Sodalite amd Makino's dynamic in my head which led to the way Sodalite and, by extention, Ace feel nervous around Makino, but the nerves just make it harder for them to say the "right" things.

These four posts gave me psychic damage and were the kick in the ass that got me to write K.I.S.S. to begin with. Literally got so wrapped up in them that I wrote a whole fanfic. I was originally going to just write the Luffy and Sabo reunion in Dressrosa. A couple hundred words in, I realized I should probably just start in the beginning to fluff it up with some history. Then I fell in love with Sodalite and underestimated how much I would get into the AU, so now we're here.

Y'all can take Ace being nervous around Makino however you want, but my intention was that kind people throw him off his game. This was meant to reflect how he's a mama's boy in canon and the pedestal-ing he did with his mother. (Rouge is a goddess, though, so like... he's not wrong.)

I tried to write it so Ace Literally Does Not Know how to be anything but a scruffy and snappy little kid since he was raised by bandits and Garp isn't the picture of healthy communication. With the Makino interaction post-reforming in chapter 5, I wanted her to nudge him into realizing that there's another way to handle disagreements and not every time he fucks up will lead to violence or yelling. Easing his toes into the water.

I went back and forth for a while on the scene in chapter 6 where Ace is about to run away. I was very iffy on if it was in-character for him to leave behind his only friends and everything he ever knew. But I also remembered how he acted in canon when people were putting themselves in danger for him and, yeah, pushing people away when people might get hurt """"because of"""" him fit well.

Is it weird that my favorite scene to write was in the 6th chapter when Sabo and Luffy knock a gem into a barrel and run away? I just felt my heart get full being able to write them getting closer and being chaotic together... Can't wait to write these three being chaotic together more.

It was very cathartic for me personally to write the scene where Sodalite first plays guitar for Luffy in chapter 2 and the scene in chapter 6 where Ace bursts out laughing when they fall over.

Sabo and Ace met when they both stumbled upon their cave and started having a turf war over who it really belonged to. They eventually became friends, but naturally, it took a minute and some fighting before then.

Most of the people and gems around don't care one way or another about fusion. Garp, as a gem higher up, cares based on principle and because he's old as dirt and was around when the "No Fusing" rule was more radically reinforced.

Fire Agates were "made" to be demolition gems (AKA why they have the fire going on and are typically very strong). Due to this, Ace can keep more items within his gem that can vary in size. Sabo can keep some things in his gem, but they typically have to be small to medium. Luffy could theoretically keep a lot in his gem, but I genuinely don't think he thinks about it unless he's storing food.

Luffy eats and sleeps because he first formed around the mixed population of humans and gems in Foosha Village and just thought it was neat. Now, he has sort of programmed his gem so he sleeps at night like people do, but he doesn't need to. He just likes it. Silly lil guy.

Ace was initially put off by Luffy wanting to use a different name than his gem type because he struggles with his own identity as a Fire Agate. Using a different name feels like running away from the realities of your gem type. Ace is plagued by his own gem type and feels like he can't run away, so Luffy so casually giving himself a name was foreign to Ace and made him a little bit jealous tbh.

Sabo similarly wasn't willing to call Luffy by his name because he felt cursed by his gem type. He's less touchy about it than Ace, though because he understands Luffy's desire to want to be his own person-- whoever that may be.

I changed Sabo's gem type from Labradorite to Moonstone because he has had some really neat fanart made of him that was Moon themed, and I thought that was really cute. There's some more to learn about Sabo that I've been hinting at, but y'all will find out sometime later.

Shanks was the person who made Luffy realize that he could have whatever name he wanted. I might write it out someday, but it basically went, "woah, I wish I had a cool name," "You can call yourself whatever you want. What, did you think Makino's name is her gem?" "... So what if I did?!" *whole crew laughs at Luffy* "Well, what do you want us to call you?" and the rest was history.

Ace and Sabo will eventually be able to bubble things. Ace can make bigger ones, but Sabo's are less likely to burst when messed with. Luffy could theoretically create bubbles, but I don't really think Luffy's the type to want to capture things in bubbles outside of beetles, and that's easy enough to make Sabo or Ace do.

I took some very vague inspiration from Zuko from ATLA and Ruby from Steven Universe when thinking about Ace's fire abilities. I wanted him to have pyrokinetic abilities, but struggle to use them thanks to some internal turmoil. Thus, his powers come from strong bursts of negative emotions and typically just sprout out around his body. (Yes, he has caused a forest fire before.)

Sabo can create light constructs similar to how Pearl does in Steven Universe. Thinking about Sodalite getting a little more showboat-y with his music and doing light shows? Eventually, fire blasting out of places like some bands do at concerts. That would be metal as fuck.

Sodalite literally always radiates warmth wherever he's at. He's a space heater. You can see a little bit of this in the 3rd chapter when he sits near Woop Slap to keep the old man warm.

Luffy still has the stretchy abilities of a Spinel, but he's still new to using them. In the first chapter when he's got an arm wrapped around Kebab the wolf, it only happened because he got his hand stuck on a spike and Kebab the wolf rolled around trying to get him off. He also has a lil toon force action going on. I tried to show this with a couple of scenes here and there. (When he falls into the ravine, when he runs into a tree in one chapter, the Luffy shaped hole in the bandit hut when he gets flung off Kebab into it, etc.)

I don't even know where the nickname idea of "Squirt" came from. I just thought it would be a funny nickname (derogatory) and it kept reoccurring in my brain and in the writing until it became squirt (affectionate). Who doesn't get called dumb names by your older siblings?

That eventually expanded into Sodalite handing out derogatory nicknames. You mostly see that with Garp. (Bootlicker, marble muncher, etc.) Sodalite is teaching Luffy how to be an even bigger little shit and I love to see it.

I didn't originally plan for the wolves to show up outside of the couple of times they appeared in the first chapter. Then, when I was writing the third chapter I needed a reason to have Garp escort Makino and Woop Slap to the bandits and then I wanted a reason to get Luffy and Co. to go to Foosha Village, so tada.

I especially didn't plan for Kebab to become Kebab. However, I wanted each of the brothers to take out a wolf in their own ways and Luffy just isn't prepared to fight creatures 1v1 right now, so I cooked up the idea of him becoming a pet thereafter.

Damn, that was a lot. Thanks for reading! Go check out @where-does-the-heart-lie for all the cool art they did for this AU, but please don't bother them for more art. I'm pretty sure they're not all that into the AU anymore, but they do have a lot of other cool posts and a comic they're working on for the boys if you need more ASL bros content. They also made a post with several drawings they wanted to do after reading that correspond with several events in the story if you wanna check that out.

That's it for now! Good luck, y'all. I'll be back with some kinda writing soon-ish.

[cisthoughtcrime]

homosexuality isn't transphobic

[anidremon]

Here's more stitched screenshots I made with their corresponding storyboard panels.

Most of the storyboard drawings were originally posted on Tom Warburton's blog. https://warburtonlabs.blogspot.com . The ones from Operation Safety were found on a storyboard artist's website.

[twocoffeedraws]

Funguary Day 2

[bottledupcomic]

How is it that you manage to write 16 characters who all have more personlity than most Western comics characters?

I dunno about that but nice that you think my characters have a lot of personality. I follow the rule of K.I.S.S Keep It Simple Stupid

[the-pale-goddess]

hey sis i love you 💘💘💘💘 also can we please see the full version of your pfp because AHHH they look so good my fav couple <33333 my mother and father in law since i will be nj’s future wife :)

Love you more, sis ❤️❤️❤️ Here’s the OG version in a very quick edit just for you 🫶🏻

I should’ve written Mom & Dad instead 😅 Tbh I live for this crossover universe, we need to go through the details of your wedding with NJ soon 👀 kshskhskdb

Thank you for supporting my bs and these two, you’re the best sis ever ❤️❤️❤️

[hazbinbossbrainrot]

Head-canon:

Darkness can represent:

Negativity. Toxicity and captivity (along with destruction)

Which makes sense since Blitz is known for burning bridges and he is seen “captive” (psychologically) by Stolas; because he thinks all he wants from him is just sex (even though that was originally the plan to begin with before Blitz probably started getting feelings lol)

Blitz is darkest parts (the less coloured) are most likely negative and toxic in these relationships:

Fizzarolli >>> fell out and is his arch rival

Verosika >>> broke up and probably does feels shit for the way he had treated her

• I theorise that as soon as he had broken up with her was when he had adopted Loona thereafter

* Or how do we know she didn’t do anything just as bad? (We don’t because yes let’s all blame Blitz for everything since he’s the antagonistic character)

Striker >>> Not much to be said except for let him get away after he attempted to assassinate Stolas - so Blitz feels guilty about it maybe?

Light represents:

Understanding & intellectual thought (well duh Blitz in his psychological torment; so that’s a no-brainer! Pun intended 😆)

But it can also mean goodness and reality

Stolas:

He wasn’t in the dark with everyone else as mentioned, he was into the light… representing that he could be the reason for Blitz to get out of that self-hatred (via Stolas’s kindness and affection)

Almost like reaching out for help

Or signifying a healthier relationship (hence the eradication of self-hatred) and that would probably help Blitz to stop erasing himself from photos with friends and family

* It even said Blitz wanted self respect for himself and his peers for one of his goals in his bio

Moxxie:

Who started off in the dark (in representation of Blitz’s current relationship with his employee) BUT I noticed how he went from dark to light

* I know he was following Blitz up the stairs to a hallucinogenic Stolas but still this could a huge character development

So this could be foreshadowing a significant change… as to how, why, and when we don’t know (only Viv knows lol 😂)

Verosika:

Okay, I won’t deny (as biased as I am for Stolitz I still think about the FACTS) that, yes, Blitz may have subconsciously felt guilty about hurting his ex-girlfriend because this all was in his MIND not what shows on the exterior, but that doesn’t mean he would want to go BACK to her, I’m looking at you “Blitzika” shippers 😂 — despite all the hard work he will have to make for being in a healthy relationship with Stolas — because Viv and Bryce Pinkham have already revealed that Stolitz will get together REGARDLESS of what happens; that’s the whole storyline of Helluva Boss

Off topic:

That’s like saying “there’s NO WAY Deckerstar would get together, because he’s “irredeemable” (who pretty much was the same as Blitz) but they DID end up together they even had a kid!

Verosika is Eve (Lucifer’s ex-girlfriend) in Lucifer and Stolitz are Deckerstar their fates are “align with the stars” — pun intended — meaning Stolas and Blitz are endgame

(Not gonna do Striker and why because Blitz met him for a day and had a one liner to say - also I decided to put the clip here to support my theories because I couldn’t be bothered putting up gifs lol 😂)

[haerni]

i need someone to write a messy makeout w sim jaeyun like gurlllll 😣

[perfectly-flawed-not-flawless]

Just a mom and her girl making duck lips

[300iqprower]

random reminder of fuck the people who shat on those psp and ios remasters of the classic FF games only to eat up those overpriced pixel whatevers.

[natalyarose]

𝓥𝓮𝓷𝓾𝓼𝓲𝓪𝓷𝓼 - 𝓐𝓬𝓱𝓲𝓷𝓰 𝓽𝓸 𝓕𝓮𝓮𝓵 𝓟𝓵𝓮𝓪𝓼𝓾𝓻𝓮

Hi, and happy Bharani season to all :) I've been working on this analysis for days not necessarily because it took long to write, but moreso because I could write endlessly on Venus Nakshatras & it took me a lot of time to organize the stream of info I'd written in a more adequate manner. I hope this piece is enjoyed & informative to someone 🩷

In this piece I'm going to be diving into Venus's themes of dancing along the line between pain & pleasure, and the artistry and beauty that is born from the merging of these two extremes.

𝓖𝓵𝓸𝓻𝔂 𝓑𝓸𝔁 𝓫𝔂 𝓟𝓸𝓻𝓽𝓲𝓼𝓱𝓮𝓪𝓭 𝓪𝓷𝓪𝓵𝔂𝓼𝓲𝓼 𝓲𝓷 𝓻𝓮𝓵𝓪𝓽𝓲𝓸𝓷 𝓽𝓸 𝓥𝓮𝓷𝓾𝓼 𝓝𝓪𝓴𝓼𝓱𝓪𝓽𝓻𝓪𝓼

The song 'Glory Box' by Portishead is the song that inspired me to write my first song and take it truly seriously.

It's just such a sensual, classy, sexy, beautiful masterpiece. Though beyond that, the meaning portrayed in the song & music video speaks to my soul so vividly. I always was enchanted by this track, but seeing the music video brought it all together for me and the meaning just 'clicked'.

'I'm so tired, of playing playing with this bow and arrow I'm gonna give my heart away leave it to the other girls to play for I've been a temptress too long just give me a reason to love you give me a reason to be a woman... I just wanna be a woman'

Everything about this song, this video just screams Purvashadha & Venus. Even the line 'playing with this bow & arrow' lol- sidereal Sagittarius much? I wouldn't be surprised if Purvashadha is directly connected to Cupid.

I'm going to go a bit freeform in my interpretation of the song & video, but I think I've got the 'right' grasp of the idea portrayed:

The music video depicts people in a vintage style office setting & old fashioned, very professional 'uptight' attire. It is boring and in a sense drab, but we see life in the subtle expressions & communication. There is flirtation, but it is secretive. There is an an expectation to be professional, to be 'proper'.

There are clips of Old Hollywood-esque people having drinks, enjoying themselves. We get sporadic visuals of the singer (Beth Gibbons, Purvashadha Sun, likely Uttarashadha Moon; Uttarashadha being prominent in music), dressed beautifully & glamorously performing on the tv, looking almost pained in her beauty & artistic display of emotion.

This song speaks to the desperation to be free and sensual as a woman, or just as a soulful human being in a world where there are responsibilities and expectations to keep up an image, 'play the game' in society. The desire to 'be a woman' and express your feminine energy authentically, dress up, be emotional & sensuous, indulge in pleasure and break free from social/circumstantial limitations. However, the pain and friction between two worlds almost makes the longing and lust for the person/life you desire even more intoxicating.

Venusian desire & artistry is so intense, in the corporate world Venus ruled individuals often find themselves needing to reign in their passion, and even punishing themselves for it.

I think I first started listening to this song when I heard it in a reel that was again, extremely Venusian! I would credit it, but I think this just was a circulating video & I have no clue who the originator was. The dude (Gene Kelly) has Purvashadha Moon & Purvaphalguni ascendant. Just look at the suave-ness of Venus men lol :

There's so much more I could write about this specific song and the nature of Venus, but ima try to stick with the 'k.i.s.s' (keep it simple, stupid!) principle.

I always thought that this song & message is such a perfect piece of art to demonstrate Venusian nature, but I will note that Beth's Uttarashadha Moon definitely intertwines in terms of the message this song communicates. Uttarashadha being the height of the Sun (a 'masculine' energy) is very on par with the experience of wanting to be feminine in masculine dominated fields/with traditionally masculine expectations upon you. We could see this as almost like a conflict of interest between Beth Gibbon's Purvashadha (Venusian, feminine, romantic, beautiful) Sun and her Uttarashadha (ambitious, masculine, stoic) Moon.

𝓥𝓮𝓷𝓾𝓼𝓲𝓪𝓷 '𝓑𝓸𝓻𝓮𝓭𝓸𝓶' & 𝓛𝓸𝓷𝓰𝓲𝓷𝓰

You can often tell when a Venusian is behind a song or art piece because the vocal tone, writing style and or colour choice emanates this distinct attitude: sexy, raunchy, articulate... & often kinda bored or reflecting an unhappiness with the way the modern/current state of the world is. Especially in Purvashadha Nakshatra, there is often an intense idealisation of the past and 'old times', reflecting Venus Nakshatra patterns of longing for things they can't yet have and shaping their world view around that desire. This definitely speaks to the way Tropical Earth signs (especially Capricorn) are seen being drawn to old, vintage & prestigious relics of the past. This is in part due to Ketuvian Nakshatras residing within Tropical Earth signs, but it is also Venus Nakshatras' placement. Venusian elitism is possibly best observed in idealisation of the past- something so exclusive that nobody can actually go back to it & mainstream society often disregards it.

Venusians can exist in this state of boredom and embody this energy, this aura that almost reads 'impress me, peasant' lol. Feed me grapes & fine wine while I lay adorned in jewellery on a velvet chair- then we'll talk.

This is where Venusian Nakshatras classic pickiness, elitism & in some cases classism (and all the other isms lmao) comes in.

I once read that men can be attracted to women who look bored, disinterested or detached, because they take it as a challenge to be the one to impress her and light her up- very Venusian. It kinda explains (some) men's misguided efforts to impress women who are very clearly not interested. We see this in nature too- peacocks (and other birds), for example lol; the male peacock flamboyantly attempting to impress the female, and more often than not she is disinterested- female peacocks are a tough crowd man.

You can always spot Venusians by their expression & overall demeanour- they leave you feeling like 'I admire you, but I'm kinda scared of you and feel like you're judging me at the same time' lol. The irony lies in the fact that while yes, Venusians can be extremely critical of others, their 'judgy' expression often has more to do with the fact that they're always judging themselves. Harshly critiquing themselves like a piece of art. Venusians can find it veryy hard to feel they are 'good enough', the same way an artist never feels the painting is truly done.

Sophia Loren, Purvashadha Asc | Blake Lively, Purvaphalguni Moon | Donna Summer, Purvashadha Sun & Purvaphalguni Asc

daddy Ted Danson, Purvashadha Sun | Audrey Hepburn, Bharani Sun | Johnny Depp, Purvashadha Moon

admittedly, Audrey & Johnny boi come across a little softer to me due to their other placements, but they still definitely have the look/energy. My Bharani mama was a master of this look, & I always thought she looked a little like Donna Summer.

While Venus women embody this choosiness & unapproachability, Venus men can take on that role of wanting to be the ones to impress the woman they've set their sights on, 'wow' her.

However, that being said, Venusian men are also often very picky themselves. Venusian men and women alike are seldom impressed by aesthetic beauty alone and place a lot of importance on internal value. They often crave exoticism & uniqueness in women. Venus in our charts represents what we value & find beautiful. In a way there is more value in something or someone who is rare.

When Venusian men do find a girl they really like, they can be extremely persistent and there are a lot of cases where Venusian men will successfully initiate a relationship with a woman who wasn't initially interested by genuinely winning her over with his dedication, adoration & direct pursuit of her.

In terms of aesthetic appearance, Venusians (again, men & women) tend to have a preference for natural beauty in some way too. Femininity often refers to an energy of being flowing & receptive rather than performative or immensely exuberant. It's not uncommon to see Venus women forgoing 'performative' femininity and embracing raw female beauty. No makeup, allowing body hair to grow, messy hair, not being afraid to look 'beautifully dishevelled'- yet never necessarily unkempt. Imperfectly perfect, like a piece of art.

This is why Mars Nakshatras tend to be the women most prominent in the world of makeup and glamour. The curation and forceful manipulation of the body to look a certain way is 'masculine' in a sense. Like the way mankind manipulates & curates nature. Although there are two sides to this coin, as Venus Nakshatras can also grapple with the 'beauty is pain' idea and go to great, sometimes sadistic, masochistic lengths to achieve their ideal.

Venusians, but Bharani natives especially have a reputation for rarely smiling fully, always holding a mildly restrained expression (one of Bharani's translations literally being 'the Star of Restraint'. The Mona Lisa famously depicts this Bharani-esque expression; painted of course by Bharani Sun, Leonardo Da Vinci. It is often remarked that the painting itself isn't particularly outstanding in terms of beauty, but what makes it so charming is the mysterious aura emanated through means of the 'drab' yet earthy, sensual colour pallet & demure, vaguely amused expression. Others have remarked that the drab colour scheme brought special attention to the Mona Lisa's face, inviting us to engage with her.

Off the topic of Venusians; but Leonardo Da Vinci is also Shatabisha Moon conjunct Jupiter - Shatabisha natives, in true sidereal Aquarian fashion often receive praise for being 'ahead of their time' as Leo was indeed.

𝓥𝓮𝓷𝓾𝓼, 𝓟𝓪𝓲𝓷 & 𝓟𝓵𝓮𝓪𝓼𝓾𝓻𝓮, 𝓕𝓸𝓻𝓫𝓲𝓭𝓭𝓮𝓷 𝓛𝓸𝓿𝓮

Purvashadha is said to embody a state of wishing to return to the 'Garden of Eden', where we are one, we are divinely connected in pure bliss, beauty and pleasure. This further explains the Venusian life of oscillating between/existing with the realms of pain & pleasure.

Bharani experiences these themes through its association with 'delayed gratification' & later rewards. Bharani will work hard and go through a lot of pain to reap pleasures later on. Bharani being ruled by Lord Yama, the Vedic God of Death draws a connection between Bharani & facing your karma in your next incarnation.

Purvaphalguni experiences the conflict between pain & pleasure through the realisation that nothing can be 'perfect' and the frustration of knowing that some things are just out of their control. Purvaphalguni experiences the 'royal' quality of the Sun combined with the the sensuality of Venus- these people often take their happiness into their own hands, but run into struggles when they realise they can control themselves but they can't control other people's mistakes & external circumstances that may put a wrench in their ideals.

Purvashadha experiences the pain/pleasure theme through pining for something, shooting for the stars with some usually highly ambitious goal, and then realising all of the obstacles in the way of attaining that goal. However, Purvashadha translating to 'the invincible one' and also having the elephant tusk as a symbol (strong, unbreakable) shows how when Venusians persist in pursuit of their desires, they ultimately are successful and attain that Venusian dream life.

In my mind desire, is a result of the friction created between pain and pleasure. This is why forbidden love is so beautiful yet hurts so badly. Almost every Venusian I've ever met has some intense story of forbidden love- falling madly in love with a cartoon character that doesn't technically exist, falling in love with teachers, falling in love with someone who's dead, falling in love with someone who's an inappropriate choice due to their age, status, culture, professional role, etc.

Perhaps the most infamous story of forbidden love, is Romeo & Juliet. I had to check, & William Shakespeare is most likely (almost definitely considering the range of birth times proposed) a Bharani Sun native. (Side note that he looks kinda like Leonardo, lol)

Amidst these intense themes of romance, tragedy and longing, Venusians are very good at playing a role in their life and showing up to that role, often very ambitiously. However within them is always this gnawing desire to just- be wild and free with their passions without the pretence, without the pressure. This can sometimes express through random outbursts of frustration.

The elitism of Venus can even be somewhat of a defense mechanism. in Venus Nakshatras there is such a deep desire to experience true intimacy and bliss with another human being; that to protect this very human vulnerability they will often design some sort of system to decide who is worthy & who isn't- eg. 'I will only befriend/associate with people who enjoy this type of music'. That way there is always guaranteed common ground & allyship between them and those whom they let in, somewhat protecting their heartspace. In this way, Venusians are 'warriors of the heart' in a sense.

This longing and desperation to be united and feel that oneness, but knowing it may not be possible is often the drive for the art of Venusians in some way or another. The pure angst, the passion.

A lot of Venusians I've observed can develop an almost nihilistic worldview, or can even seem very 'boring' or overly structured on the surface- but ironically, the reason they have this view & demeanour is because they are at their core so idealistic and full of passion that it hurts. It feels easier to just close off the heart-space all together and in some cases express their passion in a strange, or abstract (or in darker cases, violent) manner because society isn't built around beauty & pleasure as much as Venusians tend wish.

This aching to feel alive & dance between pain vs pleasure can be seen in Venusian Nakshatras' tendency to self harm or self sabotage. Venusians can do wild and even dangerous things just to feel ALIVE. To Venusians, pain is worth it if it means there could be a pleasurable outcome.

More on Venusian boredom: one of Purvashadha's symbols is a hand held fan, often a symbol of gracefulness and high society, sometimes used to convey boredom (think of the classic imagery of the beautiful women with unenthused expressions on their faces watching a riveting piano recital).

𝓥𝓮𝓷𝓾𝓼 𝓶𝓮𝓷 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 ~𝓹𝓪𝓲𝓷𝓮𝓭~

(Refer to image below)

Venusians often look PAINED lol, the women too but especially the men. Venus men have this distinct look. A lot of the time they can be womanizers or at least pleasure seeking, but also kinda sad and troubled (more of Venus' pain/pleasure themes. In a lot of stories of Venus men, they may be womanisers in lifestyle yet always have 'that one woman' who they really can't get past and regard as their 'soulmate'.

Johnny Galecki , Bharani Sun & Purvashadha Moon - particularly in his famous role as Leonard Hofstadter in the Big Bang Theory. He pines after his love interest, Penny for yearsss, getting shot down but always persisting- eventually he 'won her over' and even got married. (Bharani's delayed gratification & Purvashadha's romantic ambition).

Johnny Depp (what's with these J names?? There's this meme that boys with 'J names' are trouble, I wonder if there's any cosmic connection with Venus Nakshatras lol) Purvashadha Moon - famous for his intense relationships with women (and substances), somewhat of a womaniser as well

Jim Morrison, Bharani Moon - stunning artist & musician of course, also a womanizer who often slept with women on the road, indulging in substances.

Charlie Sheen, Purvaphalguni Sun - in real life & in the show 'Two and a Half Men' where he quite literally plays himself, he is an infamous womaniser with a penchant for substances, partying and destructive forms of pleasure.

My partner was originally in this collage lmao because I kid you not his Purvashadha lookin self fits this collage perfectly (he's got the Jim Morrison beard and the whole shabang), but he wouldn't enjoy being on tumblr so eh.

It's worth noting that a lot of Sun men who are considered attractive to women often have Venus ruled Nakshatras through their chart also. Sun influence without Venus can make men seem very dry and not very understanding of female emotions or psychology, therefore somewhat unpleasant for women to be around.

Bottom line is Venusians, love women! Venus men love women, Venus women love women.

Anyway, as always this was toooo long and like I earlier mentioned, this is the tip of the iceberg on what I could yap about in regards to Venus Nakshatras and their influence on their natives and our world in a general sense.

Thankyou for reading :) 🩷

ps. I'm very wary of talking about planets and the whole feminine/masculine thing because I really don't want to give the impression that there is a certain polarity that is more or less ideal for a gender. It's not as though if you're a woman with Mars or Sun Nakshatras you simply are not feminine, neither does it mean a woman necessarily should be traditionally feminine. be yourself lovely people ✌️

[ohboyhowdybuckaroo]

Keep It Simple, Stupid Ch. 6 is up!

This is the last chapter of this arc... I'm a little bit emotional. This is awesome, though, because I've essentially proven to myself that I can start and finish a multi-chapter writing project.

I'll be taking a break from the Gem AU for a moment to avoid burnout, but I have roughly 10-ish ideas for this AU that I will be hopefully putting to words eventually. I'll keep this blog updated on how that goes. I also made a series on AO3 for this AU.

Thank you to everyone who has been enjoying this story so far and a special thanks to @where-does-the-heart-lie (who you should go follow if you haven't already) for making an awesome AU that got me so shook in the first place.

Title: Sweet Dreams

Word Count: 12,706

Summary:

As the aftermath of the wolf attack on the village settles down, Sodalite and Luffy meet once more after Sodalite's harsh words toward Luffy days ago. As they sort out their problems, will they be able to handle the surprise the citizens of Foosha Village have for them?

[coolspacequips]

Allurance 3A if it's ok please

allurance is always ok anon, tysm for sending a req :')

just tried to K.I.S.S. it with this kiss!! i'm a little rusty so i just wanted to do a quick doodle of them being cute, i always have too much fun drawing allura tho!!!

[xo-lesserafim]

FALLING FOR YOUR SMILE AND EYES

synopsis: As Kitty’s twin sister Andrea, going to K.I.S.S was so nice since they were able to go to Korea, and to learn more about their mom. Everything was so new but exciting, but what happens when one guy that catches your eye show you a new experience, Love🩷

STATUS: ON HOLD

Started: June 14, 2023/Ended: —

PAIRING : XO Kitty’s, Minho x fem!reader( Andrea Song Covey)

Genre: romcom, high school au , enemies to lovers( more to added)

WARNING: swearing, angst, reader as thoughts to kill her self , metions of alcohol, underaged drinking, kissing , making out?, and suggestive? ( please tell me if I’m missing anything

Authors Note: Hey everyone! This is my very first fanfic ( with some smau things). I am excited to show what I am planning<3 I am also not korean so please tell me if I did something wrong<3 But please note that I am 10-15 writing a cheesy, cringy fanfic so yea… I will also add extra stuff after the airplane scene in episode 10. So if you don’t like that please don’t read this<3 AND READ THE TEASER!

POV:First and maybe Third?

Extra:

Bold: Korean

Italics: Over the phone

Bold and Italics: Korean and over the phone

Teaser ———-> READ ( there is information to help)

Episode 1. XO

Episode 2. WTF

Episode 3. KISS

Episode 4. TGIF

Episode 5. TBH

Episode 6. BYOB Min ho Pov.

Episode 7. TIL

Episode 8. LFG

Epsiode 9. SNAFU

Episode 10. OTP

Epsiode 11. 😍

Episode 12. 📸

more to maybe come

Taglist: @chaewon-slays @cherrriesss @lysira340 @delulu4-life

(bold cant tag)

Copyrights © 2023 xo-lesserafim. All rights reserved. I do not own XO, Kitty , Netflix does. do not copy, translate, or repost anything without my permission.

back to navigation