#Kālidāsa
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Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.
Kālidāsa
#Kālidāsa#thepersonalwords#Hope#quotes#literature#life quotes#author quotes#prose#lit#spilled ink#writers on tumblr#writing inspiration#poets on tumblr
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Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.
Kālidāsa
#Kālidāsa#quotelr#Happiness# Dreams# Hope# dream# happiness# living# making# today# tomorrow# vision# well# yesterday# Business#quotes#literature#life quotes#author quotes#prose#lit#spilled ink#writers on tumblr#writing inspiration#poets on tumblr
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Karin Bečvarova
Karin Bečvarova as “Nikiya”, “La Bayadère Bajadéra”, music by Ludwing Minkus, libretto by Marius Petipa and Sergey Khudekov Сергея Худеков based on the sanskrit play “Shakuntala” by indian poet Kālidāsa, stage and costume by Josef Jelínek, choreo by Marius Petipa, Balet Slovenské Národné Divadlo Slovak National Theatre Ballet, Bratislava, Slovakia.
Source and more info at: Karin Bečvarova on Instagram
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#Bajadéra#Balet Slovenské Národné Divadlo Slovak National Theatre Ballet#Josef Jelínek#Juraj Zilincar#Karin Bečvarova#Kālidāsa#La Bayadère#Ludwig Minkus#Marius Petipa#Nikiya#Sergey Khudekov Сергея Худеков#Shakuntala
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Enjoy Today
On Wednesday evenings I’m teaching a Bible class on the book of Ecclesiastes. It’s been a while since I’ve taught this book, so I’m enjoying a fresh look into this marvelous revelation of wisdom. Some see it as a negative, pessimistic, or cynical view of life. However, I think it’s a realistic view of life’s ups and downs. Challenges and triumphs. Good and bad. Happiness and sorrow. And many…
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Band of Silver, Remember my Vow [Teaser]
Based on and inspired by the Sanskrit play, Sakuntala; or The Ring of Recollection, by Kālidāsa, which dramatizes the story of Sakuntala as told in the epic, the Mahābhārata
genres: romance, angst, past civilization au (set in a made up land inspired by joseon and influenced by other asian (and hints of european :/) cultures), subtle magic, not e2l just people who annoy each other at the start to people hopelessly in love w each other pairing: healer reader x lord scoups. platonic reader & soldier dino teaser word count: 2.2k estimated fic word count: ~15k teaser warnings: injury by weapon to an animal (hunting). animal attack. estimated fic warnings: descriptions of blood, injury, and illness. (possibly) sex but not smut. animal gore. notes: this was meant to be for caratlibrary's fall collaboration, but I flubbed it on the deadline (no surprise there!). I'm still not done, but I wanted to post this to see if people are as interested in the story as I am! I will not be making a requestable taglist, however I will be tagging people who comment/show interest in the tags of reblogs
In the story of Sakuntala, the king Dusyanta ends a hunting trip before he comes across the beautiful Sakuntala in a nearby hermitage. He is immediately captivated by her, courts her, and marries her soon after. However, he must return to his royal duties in the capital. He leaves his signet ring with her, promising to return. While distracted with her love for Dusyanta, Sakuntala forgets to greet a visiting and easily irritated sage. Angered by her disrespect, he curses her by making Dusyanta forget her existence. He is later convinced to lighten her punishment, and revises the curse so that the king will remember everything upon seeing the ring he left behind.
teaser under the cut!
The bowstring pulls taut as Seungcheol draws his arm back. His aim is unwavering— it better be, with all the years of training his breath to even at will, all those days spent shooting arrows at dyed targets and skittering rabbits. He kneels in the grass, still as a corpse, and waits for the stag to lift its head from where it’s dipped at the base of a tree.
Wait. Patience. That’s what he was taught.
Patience. Wait. Wait. Breathe.
But — air huffs through Seungcheol’s nose — why isn’t it lifting its damn head? The entire forest surrounding him is quiet. Nothing is here to disturb this perfect moment. This almost perfect moment.
Seungcheol fills his chest with air again, even and silent.
Wait. Patience. Breathe. Lift your damn—
“What are you doing?”
Startling at the sudden whisper in his ear, Seungcheol swerves to the side, his fingers slipping and releasing his arrow into the air. It slams into a tree, right where the stag’s neck would have been had it lifted its head. The sound echoes through the forest, and it spooks the stag. It dashes off out of sight, and Seungcheol curses under his breath.
“Why would you—” He whips his head around and finds you crouching next to him, a woven basket resting on your hip, held there by one hand. For only a moment, he is distracted by your face, and the way the sunlight, broken through the leaves of the forest, dances on your cheeks. He clears his throat. “Do you know what you’ve just done?”
You blink and tilt your head. “What have I done?”
Abruptly, Seungcheol stands, gesturing his bow towards where the stag disappeared. “My— you…” He huffs, then looks away, returning the bow to its spot on his back and tearing off his gloves in muted frustration.
He came here for a distraction, but you are closer to an annoyance, albeit a not unattractive one. He prefers to lose himself in the concentration of the hunt.
As he moves to follow the deer, your voice stops him.
“Where are you from?”
When he turns, you’ve already stood up, and you regard him with slightly furrowed brows.
“You must be from rather far,” you say without giving him much chance to respond. “Were you planning on shooting him?”
“Him?” Seungcheol echoes. “You’re referring to that animal?”
You hum, nodding to yourself. “Rather far indeed. He may very well have been the patron spirit of these woods.”
“I don’t understand.”
“It’s a terrible dishonour to harm an antlered one in this forest. A dishonour to what this place provides, and the vast life within it,” you explain, though the words mean nothing to Seungcheol. You step closer to him, tilting your body to peer at the quiver of arrows on his back. “You’d be a fool to attempt to kill one, and invite grand misfortune by doing so.”
His jaw clenches, and air comes out of his nose hot. “Who are you to call me a fool? Do you know who I am?”
You straighten. “Am I supposed to? You’re quite far from home.”
“I am Lord Choi Seungcheol,” he announces with pride, though it tastes of the arrogance his mother always tutted at on his tongue. “General of the Four Peak Soldiers, and— and future ruler of the Eastern District.”
You make a face, and it only makes the anger in Seungcheol burn hotter.
“A lord, huh?” you taunt. “Or a general. Which one is it? Or does it not matter?” Leaning back slightly, you study his face. “Certainly, it doesn’t matter to me. I am neither a Four Peak soldier, nor a citizen of the Eastern District, so I will say as I please. A fool is a fool.”
Seungcheol raises his hand, and you flinch, but only slightly. Your eyes remain firm on his.
He lowers his hand, tired of your presence and of having to listen. If he and you were in his district, you’d have serious punishment awaiting your next sunrise. However, he was out on his own, alone on a rogue, spontaneous hunting trip far away from home because he wanted some space to get his thoughts together. It’s something he’s done before, two or three or nine times. His mother shows contempt for this habit of his, but she does not try to stop him. All she asks is that he not bring home trouble.
You seem like trouble.
How was he supposed to know that the woods he ventured into had such trivial myths to abide by?
He is Choi Seungcheol, damn it. Your silly fairy tales won’t deter him.
Deciding to spare you this time, Seungcheol breathes out and turns away, walking now in the direction of where he tied his horse. Perhaps this trip was a failure. To expect to clear his head the same way he has done before was foolish — though he would never admit that. What is on his mind now is much heavier, much more inevitable than the other things he would run away from in his youth.
A marriage to the country’s princess.
His marriage to her.
Seungcheol’s hands twitch, and he yearns to draw his bow again.
“Lord General,” you call out, the tone of your voice itself a warning. “Don’t be a fool.”
He ignores you.
=
Ricecake seems to have had a much better experience in this forest than Seungcheol. He finds her munching on the lush, untrodden grass, and he almost feels bad for interrupting her meal. However, that feeling lessens when he remembers that if he were successful in his hunt, she'd have to carry the spoils all the way home. At least she has that.
Seungcheol rides for not half an hour, following the river, before another stag dashes alongside his path. He spends no time thinking. Pulling his bow from his shoulder, he notches an arrow and lets it fly. A second arrow leaves his fingers before he blinks.
The stag rears on its hind legs, one arrow in its thick neck and one pierced directly through its eye. It shrieks, haunted and low.
But it does not fall.
Seungcheol dismounts from his horse and draws another arrow, aiming again for its neck so it cannot escape far before it dies. He expects it to run in the opposite direction.
Its hooves dig into the dirt beneath it, and the stag charges towards Seungcheol.
He has no time to react, his arms moving instinctually to protect his head, before pain blooms fiery red from his torso. An icy cold engulfs him, and everything goes dark.
=
Pain is what wakes him up, dull and aching, but when he attempts to right himself, Seungcheol winces. A fierce pang rings in his body from his stomach to his right ear, which sparks a jolt of pain throughout his head. He falls back again, though his head doesn’t hit the hard earth. Instead, a steady hand catches his head, and another gently touches the front of his shoulder, as if to calm him.
“Easy there, Lord General.”
Your voice, and the way you patronise his titles again, make Seungcheol frown. It hurts to breathe, but he can’t help the annoyance that refills within him. What the hell are you doing here? Did you follow him? Why are your hands so gentle?
Though his headache may worsen with sunlight, Seungcheol pries his eyes open. His eyelids are heavy, and for a moment, he thinks he must not have opened them fully. He can barely see you, even though it was midday when he’d been knocked unconscious. It then registers that he is no longer outside, in the woods, but in a room, lowly lit with sparsely strewn candles.
The realisation makes him want to jump up again, but the pain in his torso forces a groan from him, and he falls back onto the support of your hand. He strains his head to assess his surroundings. “Where am I?” he grits out. It hurts to speak.
“Be careful,” you say, concern sewn into your brows. “You may have broken your ribs.”
He demands, though perhaps sounding weaker than he likes, “Answer the question.”
Your lips settle into a straight line, and you breathe out through your nose. “You’re in my home.”
“Why?”
“I found you nearby,” you begin to explain, pulling your hand out from under him to cross your arms. He feels a thin layer of folded cloth under his head. “You were washed up on the riverbank, unconscious. Bloody…bruised…” You tilt your head. “Perhaps even more bruised now, since I practically had to drag you here, though the balm should help with the scrapes.”
“Balm?” Seungcheol echoes. Now that he thinks about it, there is a strange warmth seeping through the skin on his face. “You’re a healer,” he concludes.
You nod, and for the first time, Seungcheol sees a smile on your lips. In the candlelight, it only adds to the warmth.
“You’re lucky it was me who found you. Who knows how long you were lying in the cold water.” You sit back, eyes thoughtfully gazing over Seungcheol’s blanket-covered body. They pause around where Seungcheol’s left hand is. “I was able to save almost all your fingers.”
Seungcheol’s eyes widen, and he jerks his hands out from under the blanket to hold above his face. The pain this causes is in the background compared to his panic, but that fades soon after he sees all ten fingers, wiggles them, then glares at you.
You’re smiling wider now. “That was a joke, Lord General.” At his glare sharpening, you let out a small laugh. “Your fingers are fine. They might be stiff for a few days, though.” Your expression shifts to a more serious one. “Your ribs, on the other hand… You’re severely bruised. I suspect they may be fractured.
Breathing in again, Seungcheol watches the way you eye his chest as it rises and falls. It hurts like a bonfire has sparked in his lungs.
“What happened?” you ask, no residual hint of playfulness in the simple question.
“I…” In the back of his mind, Seungcheol sees the stag again, sees the blood rivering from its eye and neck, sees its antlers as they bouldered into him. He sees you, and how you spoke to him in the forest. An enchantingly bright bad omen.
Don’t be a fool.
Yet here he is, under your care in your home, for doing the very thing you warned him not to.
"...I fell," he says after a moment of quiet. It’s only a half-lie. He did fall, even if that wasn’t how he sustained the injuries to his ribs.
One of your eyebrows rises up your forehead. “You fell.”
“...Yes.”
You hum, doubtful. “Off your horse, I assume. I’ve seen similar bruising and fractures when people are kicked. It happens to someone around here at least once a year; there’s no shame in getting unsaddled.”
He’s never fallen off Ricecake — she’s the perfect companion, but Seungcheol grits his teeth and says, “I suppose there’s not.”
A triumphant grin appears on your face, and you turn slightly to reach for a small notebook. “Well, Lord General—”
“That is not my title,” he interrupts on principle, though he instantly regrets it with the waking pain in his chest. Still, he cannot stop himself from correcting you. “You will address me as Lord Choi, or ‘my Lord’.”
Your eyes don’t leave your notes. “Alright Lord General, it—”
“You can’t—”
“—is my professional opinion that you should be on bed rest for three days, though your full recovery could take two to three moons. I’ll need to monitor your breathing until it regulates.” You speak as if Seungcheol is just anyone, not someone with power or higher standing. To you, he is just a patient.
Why does that thought not continue to anger him?
“I need to find my horse,” he tells you. “There are healers in the Four Peak fortress that can oversee my recovery.”
You shake your head. “Riding is out of the question. It will only worsen your condition.”
“I can’t stay here. I am needed as their leader.” And his mother is going to kill him for being gone more than a few days without a word.
“Do you have a palanquin?”
Seungcheol frowns. “Do I look like I have a palanquin with me?”
“Could you send for one?” you rephrase.
He ponders on that. It is rare for him to ride a palanquin, even back home. The cart is used more decoratively these days, reserved for events like longevity parades through the city, and no longer for extended trips over uneven ground like the forests he travelled through to find himself on your land.
Still, he can’t stay here. Certainly not for three moons. “I’ll write a missive.”
“Alright,” you say with a nod. “There’s a merchant group that travels every two weeks between here and a city in the Eastern District. You can send it with one of them.”
“When are they travelling next?”
“You’re lucky, Lord General. They leave for the east in five days.”
Not as soon as he’d like, but at least the merchants hadn’t just left. Then he would have to stay here for one full moon before he’d even be able to send for help.
“For now,” you continue, “you should rest. It’s late, and your body needs time to recover.”
do not send an ask/reply just asking to be on a taglist!! I will only be tagging people who reblog and comment in the tags!!
#caratlibrary#seventeen scenarios#seventeen imagines#seventeen x reader#kpop scenarios#kpop imagines#svt scenarios#svt imagines#svt x reader#s.coups x reader#s.coups imagines#s.coups scenarios#scoups scenarios#scoups imagines#scoups x reader#seungcheol scenarios#choi seungcheol imagines#choi seungcheol scenarios#choi seungcheol x reader#seungcheol x reader#seungcheol imagines
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“Śakuntalā, we have watered the trees that blossom in the summer-time. Now let’s sprinkle those whose flowering-time is past. That will be a better deed, because we shall not be working for a reward.”
Kālidāsa [4th–5th century CE] - The Recognition of Śakuntalā [Abhijñānaśākuntalam/अभिज्ञानशाकुन्तलम्]
#azalea#rhododendron#purple flowers#pink flowers#flower#flowers#nature#garden#spring#plants#flower photography#nature photography#plant photography#poetry#poems#poem#landscape#landscape photography#countryside#flower lovers#nature lovers#plant lover#flower art#photography#bloemen#natuur#planten#aesthetic#mood#poezie
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Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .
It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet
Kalidasa.
Kālidāsa (Devanagari: कालिदास; fl. 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest playwright and dramatist. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE.
#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #kalidasa #kalidasan #mahakavi #sanskritliterature #sanskritkavya #classicalsanskrit #sanskritplays #nataka #poet #dramatist #classicalliterature #epicpoetry #celebratingsanskrit #classicallanguages #indianclassical
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“Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.” ��
#Kālidāsa#Hope#Time#Life Journey#🙏Love Light Peace and Balance in our Journey Al 🙏#Welcome December 2020
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Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.
Kālidāsa, The complete works of Kalidasa
#not so motivational quotes#motivational#positive thinking#laws of universe#law of attraction#intentions#manifestation#manifesting#abundance#quotes#loa#money#love#tips#inspiration#inspiring quotes#Kālidāsa#The complete works of Kalidasa
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Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.
Kālidāsa
#Kālidāsa#thepersonalwords#Hope#quotes#literature#life quotes#author quotes#prose#lit#spilled ink#writers on tumblr#writing inspiration#poets on tumblr
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Yesterday is but a dream, Tomorrow is only a vision. But today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope.
Kālidāsa
#Kālidāsa#quotelr#Hope# Business# Dreams# Hope# Happiness# happiness# dream# living# making# today# tomorrow# vision# well# yesterday#quotes#literature#life quotes#author quotes#prose#lit#spilled ink#writers on tumblr#writing inspiration#poets on tumblr
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Look to this day: For it is life, the very life of life.
Kālidāsa, Salutation to the Dawn
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Abanindranath Tagore (1871-1951), 'The Banished Yaksha', ''The Studio'', Vol. 35, 1905 Source
#abanindranath tagore#tagore#indian artist#indian painter#The Banished Yaksha#H.H. Wilson#megha duta#Meghadūta#kālidāsa#the studio#studio international#Horace Hayman Wilson
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I mean ok, European classics were poetic and beautifully written but why are we sleeping on the vastly underrated genre which is Indian Classical Literature
Because look at these:
Excerpts from Abhijānaśākuntalam (The Recognition of Śhakuntalā) by Kālidāsa, trans. Chandra Rajan
Have you ever read such poetry
#literature#indian literature#indian classics#classics#Dark Academia#Light Academia#Romanticism#romantic era#poetry#poems#plays#classical literature#European classical literature#Indian Classical Literature#i have decided that I will share excerpts of all the ICL plays we do throughout my course because THESE DESERVE MORE RECOGNITION#you all say that DA and the Literature community is too Eurocentric so you BETTER give these the recognition they deserve#break away from the Eurocentrism of it there is so much more literature out there#take a break from Shakespeare forreal#anyways fun fact: it is not known when this play was written it when Kālidāsa existed#the time period of his existence or the composition of his works is not known the estimations are vast#so he cannot definitively be placed in a specific time period#but we know that this is from ancient India and we love to see it#maybe I'll learn Sanskrit to read the original sanskrit text who knows#my point is. indian classics. they need more recognition. so you all better reblog this and others that I will share occasionally.#spread this around. this is high poetry like come ON#And Hindu mythology is very interesting if you need a break from the Greeks#go on expand your horizons#text#October 2020
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These flowers are giving me "space" kind of vibes...
“Today well lived makes every yesterday a memory of happiness and every tomorrow a vision of hope.”
- Kālidāsa -
#white flowers#purple flowers#pink flowers#red flowers#yellow flowers#orange flowers#strawberry#daisy#daisy flowers#daisies#flower#flowers#flower photography#nature#nature photography#plants#spring#spring flowers#garden#poetry#poems#poem#landscape#landscape photography#countryside#flower art#floral art#photography#garden inspiration#plant photography
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