#JustineTriet

[elbisonodelcine]

🎞️Anatomie d'une chute (2023) 🎥 Justine Triet 📷 Simon Beaufils

[intellectures]

»Oppenheimer« und »Poor Things« dominieren Oscarverleihung

Viele hatten auf den Barbenheimer-Effekt gesetzt, doch am Ende ging Greta Gerwigs emanzipierter Turn der Barbie-Story bei den Oscars 2024 fast leer aus. Yorgos Lanthimos Frankenstein-Variation »Poor Things« hält die Fahne des Feminismus hoch, Hayao Miyazaki bekommt für seinen letzten Film seinen zweiten Oscar. Die drei deutschen Oscar-Kandidat:innen sowie Altmeister Martin Scorcese blieben ohne Auszeichnung. Read the full article

[dogsinfilms]

Anatomie d'une chute (Justine Triet, 2023)

[wherever-i-look-blog]

Anatomy Of A Fall – Review (with Spoilers) https://tinyurl.com/yukjmkuk

[film-book]

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Film Review: ANATOMY OF A FALL (2023): Sandra Hüller's Fierce Performance Creates Complexity in a Probing Thriller https://film-book.com/film-review-anatomy-of-a-fall-2023-sandra-hullers-fierce-performance-creates-complexity-in-a-probing-thriller/?feed_id=91863&_unique_id=65372bb43196e

[fashionartfilmalien]

Justine Triet’s Anatomy of a Fall is such a daringly compelling, and ambiguous film that deserves its recognition. Best Actress nominee and The Zone of Interest’s Sandra Huller is astounding, as were Swann Arlaud and Milo Machado-Graner who were brave to be the only Oscar attendees wearing Palestine flag pins. #anatomyofafall #justinetriet #sandrahüller #bestactress #thezoneofinterest #swannarlaud #milomachadograner #oscars2024 @schiaparelli #freepalestine

[vagabondageautourdesoi]

Et 🏆#Oscars pour #Anatomiedunechute 👏 et 🙏 à #JustineTriet et toute l'équipe

#film #films #cine #cinéma

@LePacte

Retour sur #présentation ici https://vagabondageautourdesoi.com/2024/02/23/anatomie-dune-chute-j-triet/

[upyourgeek]

Santa Barbara International Film Festival to Celebrate Martin Scorsese and Justine Triet

Celebrate cinematic brilliance at the 39th SBIFF on Feb 12 as Martin Scorsese & Justine Triet receive the Directors of the Year Award. A landmark evening of film! #SBIFF2024 #DirectorsOfTheYear #CinemaLegends #FilmFestival #Scorsese #JustineTriet

The 39th Santa Barbara International Film Festival (SBIFF) is poised to honor cinematic legends Martin Scorsese and Justine Triet with the Directors of the Year Award in an exceptional ceremony set for Monday night at the Arlington Theatre. This year, the film festival adds a momentous occasion to its offerings, dedicating an evening to the legendary Martin Scorsese, a director whose name is…

[letontoncinephile]

Anatomie d'une chute (Justine Triet, 2023)

J'ai découvert la #PalmeDOr du dernier @Festival_Cannes 🌨🏔🩸🍷(#savethedate – le 23 août #aucinema 🎬)@Le_Pacte #anatomiedunechute #justinetriet #palmdog @LesFilmsPelleas @palmdogofficial #cinemafrancais pic.twitter.com/ux82Xp347U— Le tonton Cinéphile (@TontonCinephile) August 1, 2023

[zanyfrenchy]

#2 To have and have not - girls have it too ! (The comedy of manners among women filmmakers)

A few weeks ago, we began our exploration of the contemporary French author comedy through the presentation of three movies, eccentric nevertheless in tune with the current social and political climate.

This week, I have the pleasure to introduce you to another aspect of the French author comedy, which has been essential to the renewal of the genre: feminist comedies.

What is particularly interesting with the reinvention of the comedy of manners by women filmmakers such as Valérie Donzelli, Justine Triet or Sophie Letourneur, is that they add to the general social criticism a satire of the relations of power between men and women. With a lot of humor, a touch of sarcasm and a pinch of self-mockery, these filmmakers brilliantly deconstruct the clichés related to love relationships and to women’s place in society.

Without further delay, let’s discover together these refreshing, destabilizing and above all feminist comedies !

***

La bataille de Solferino by Justine Triet

"How do you reinvent yourself, how do you deal with truth and lies by making movies? " Justine Triet

For her first feature, La bataille de Solferino (2013), Justine Triet managed to create a movie that can be situated between the intimate chronicle and the collective epic by telling the story of a couple torn apart in a very trivial and realistic way.

The plot, both simple and complex, tells the following story:

Sunday May 6, 2012. Laetitia, a journalist for a 24-hour news channel, has to cover the second round of the presidential election and sets up her camera in front of the headquarters of the Socialist Party in Paris, rue de Solferino. She therefore called on a (male) baby-sitter to look after her two young daughters. But her ex-husband Vincent is determined to see his daughters despite  Laetitia’s ban. Therefore, an intimate battle and a collective one are then waged head on.

What is brilliant about this comedy, which starts out more like a drama, is that the viewer is never able to anticipate the actions to come. The events follow one another, we go from a laughing fit between Laetitia and her baby-sitter to a nervous breakdown in the rue de Solferino, ending with a tearful fight between Laetitia and her ex-husband Vincent. Entering the messy daily life of a Parisian family, La bataille de Solferino quickly makes us understand that the film will have nothing to do with Napoleonic battles. Other wars are at play in this first exciting movie, documenting conflicts at multiple levels: intimate (child custody conflict between two divorced parents), political (it's the day of the second round of the presidential election), aesthetic (between tension and humor, fiction and documentary).

What is constantly surprising in Justine Triet's first feature film is the complete porosity between narrative and reality, fictional characters and real people, simulated violence and actual danger. In the film, it's all about intrusion, about reversals of situations. The laughter is not caused by visual gags but rather by the dysfunctional relationships among the characters and by their constant mood swings.

The great success of the film is therefore its fluid mix of fiction, humor and documentary, which sometimes makes it impossible to distinguish what is written and planned from what is captured live on election day. Mixing fiction, documentary and humor is not so easy, but Justine Triet handles it brilliantly.

The documentary-fiction combination begins with the characters, who have the same first names as the actors (Vincent Macaigne and Laetitia Dosch). And Triet's bordering on frenzy direction contributes greatly to this hybridation. The intimate space is filmed like a live report, forming a seamless continuum with the locations of the presidential countdown. While Laetitia is counting the scores of the two candidates, she makes an inventory of her relationship with Vincent. And as she struggles between her interview and her ex-husband, the film gains humorous twists and turns while Laetitia gains self-affirmation. It is finally through the intrusion of fictional sequences in the heart of an uncontrollable live event that the incisive humor and message of the movie emerges and spreads.

At the end of the « battle », we get the impression that Justine Triet was looking for (and found) a type of cinema that has the same intensity as a rock concert. Something that is not smoothed out, that is spat out or stuttered. SO LET’S ROCK AND ROLL !

[unairdecine-blog]

/ ON AIME / Les actrices (et acteurs) fabuleux de "Sibyl" (2019) réalisé par Justine Triet. On aime aussi l'effet que procure le film, où aucun des personnages ne nous rebute plus que l'autre, puisqu'il est aisé de trouver en chacun d'eux un peu de notre propre caractère. Un film qui ne se hissera au sommet du Panthéon du cinéma de Triet mais qui n'en reste pas moins un film très intéressant. _______________ SYNOPSIS Sibyl est une romancière reconvertie en psychanalyste. Rattrapée par le désir d’écrire, elle décide de quitter la plupart de ses patients. Alors qu’elle cherche l’inspiration, Margot, une jeune actrice en détresse, la supplie de la recevoir. En plein tournage, elle est enceinte de l’acteur principal… qui est en couple avec la réalisatrice du film. Tandis qu’elle lui expose son dilemme passionnel, Sibyl, fascinée, l’enregistre secrètement. La parole de sa patiente nourrit son roman et la replonge dans le tourbillon de son passé. Quand Margot implore Sibyl de la rejoindre à Stromboli pour la fin du tournage, tout s’accélère à une allure vertigineuse… _______________ #sibyl #adeleexarchopoulos #virginieefira #sandrahuller #gaspardulliel #nielsschneider #justinetriet #competitionofficielle #festivaldecannes #cannes2019 #comediedramatique #coupdecoeur #cinema #cine #film #films #movie #movies #style #art #instamovie #filmart #filmography #instacinema #photography #filmmaker #cinephile #cinephilecommunity #filmisnotdead #unairdecine 🎥 https://www.instagram.com/p/ByU4IjriB1b/?igshid=1qmte3tbsk2il

[lady----m]

Génial ce film. 

[film-book]

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ANATOMY OF A FALL (2023) International Movie Trailer: The Palme d'Or Winner starring Sandra Hüller as a Murder Suspect https://film-book.com/anatomy-of-a-fall-2023-international-movie-trailer-the-palme-dor-winner-starring-sandra-huller-as-a-murder-suspect/?feed_id=78921&_unique_id=64b2bba22f04d

[cinemacanalplus]

#Victoria en tête du top hebdo #boxoffice France avec + de 260 000 entrées @le_pacte Un film de #Justinetriet avec #Virginieefira #Vincentlacoste et #Melvilpoupaud, un film soutenu par @canalplushttp pour sa sortie en salles