#Just understand your materials and make good decisions etc

[moongothic]

Especially with things like alt fashion, I understand how people look at how obscenely expensive certain things can be and how many people will decide to make their own dupes instead because it's cheaper

But sometimes I just wish people would just understand that the dupe of a 30 dollar alt fashion t-shirt you made with cheap acrylic paint onto a 1 dollar plastic t-shirt from Walmart or Shein or Amazon isn't the Epic Own Against The Rich you think it is

Like yes the 30 dollar t-shirt is expensive but also like

This isn't Super Scientific but you get the idea

The more expensive an item is, the more likely it is the item was made with fair labour (costs money), responsibly sourced materials (costs money) and is of higher quality (also costs money). Also, especially with things like alt fashion, by buying from an alternative creator/brand you are directly supporting the subculture

Meanwhile the plastic t-shirt you painted-- well it was already going to shed microplastics in the wash but now it'll shed even more because that paint isn't going to hold up with time. Like congrats, you made your own fast fashion piece, I'm sure Walmart appreciates the money you gave them.

Mind you, the big caveat here is that, of course, brands can still make their products as dirt cheap as they can and still hike up the price an obscene amount, I am absolutely not saying that cost = quality or anything like that (I think any of the "classy fashion brands" like IDK Gucci or whatever are a great example of that)

Like. All I'm saying is that sometimes when things are expensive, ot's because they're genuinely worth the cost, and making dupes of products from small niche businesses with mass produced materials from big box stores isn't fighting against capitalism, it's contributing to it

[not-neverland06]

Hey! Your writing is amazing! I’ve been checking daily for new fics lmao

I was wondering if your requests were open would you be able to write some angst with a happy ending w/ Peanut?

Perhaps a Shy!Reader who has flirty banter with Logan. They’re on a mission and Logan has to make a quick decision on who to save — Reader or Jean and he saves Jean without thinking. Reader ends up surviving with a few injuries but her and Logan’s relationship starts to deteriorate. Logan’s not good with verbal apologies so he does acts of service — bringing reader food/drinks etc. reader is stubborn and Logan starts to get frustrated. He eventually proves himself to reader.

I’m sorry if this is confusing!! I’m not creative enough to write it myself and you’re really really skilled. Love your work x

a/n: I read this request and then read them together and my brain imploded because I loved it so much, no smut in this one Summary: Logan saves Jean on a mission and it's the wake-up call you desperately needed to understand that you will never be her. You can't stand to look at him anymore and he doesn't understand why you've stopped talking to him.

“What’re you thinking of doing after this?”

You shrug, leaning back on the uncomfortable bench seats and looking over at Logan. “Not sure, got any plans?”

Logan smirks and you immediately know whatever he’s about to say is going to send you spiraling. “Yeah, whatever you’re doing, sweetheart.”

Oh. My. God!

You know you’ve got it bad when something as simple as that has you swooning. It’s so easy to fall into this routine with him, to pretend you’re more suave than you actually are. Despite your usual tendency to fade into the background, you find it nearly impossible to do with him. 

Where someone else might let you stay quiet and go ignored, he seeks you out. He makes you feel seen and heard. Some days you don’t know if you appreciate it or despise it. You laugh a little, trying to hide just how affected by him you are. “Sounds good, Lo.”

He smiles and leans back on the seat, his arm coming around the back to rest lightly over your shoulders. You can tell from the look on Storm’s face that she’s trying not to laugh at you. You can’t blame her, you’re sure your eyes have tripled in size and you look absolutely stunned. 

Flirting isn’t out of the usual for you and him. Lately, though, he’s upped the game. Touching you more than usual, spending more one-on-one time together. You can feel it all building up to something. You’re shy, not stupid, you know when a guy’s going to ask you out. 

But it feels like he’s dragging it out longer than necessary like he’s enjoying teasing you a little too much.  “Alright,” Scott stands up and moves towards the back of the jet. “We’re almost there, get ready.”

You, very reluctantly, pull away from Logan and get to your feet. He walks past you, briefly squeezing your hand before joining Scott by the ramp. You grin, flexing your hand by your side and trying to memorize the feeling. 

The ramp lowers to the ground and Scott and Logan lead the way out. You’re expecting this to be simple. Stake out the area, find some information about the people running the warehouse, and figure out what exactly it is that they’ve been doing. 

The air is bursting with moisture. It’s suffocating, how humid it is, how it makes the material of your suit cling to your skin. You know the rest of the team can feel it. That it’s irritating them just as much. 

None of you want to be out here in the peak of summer, trying to be stealthy in these ridiculous costumes. Your thighs squeak every time they rub together. It’s beyond embarrassing. You know that that’s what has you all distracted. 

You’re struggling through ankle-deep mud and sweating buckets. So none of you are paying any particular attention to the area around you. Technically, you shouldn’t have to, you’re still about a mile out from where you need to be. 

You duck, hands coming up to cover your ears as Charles’ voice screams through your mind. It’s a trap!

Even with the warning, there’s no time to prepare. The ground around you explodes, grass and dirt flying through the air. Logan grabs your arm, he shoves himself in front of you and takes the brunt of the bullets. Splatters of blood hits your cheeks and he runs you both behind a tree for cover. 

The other three have all found their own cover and they’re struggling to figure out where the shots are coming from. You spot something in the underbrush and scream, “Behind you!”

It’s more of a warning to duck than it is to move. You throw your hands up, shoving the man away from them and sending him flying into the trunk of a tree. You swear you can hear the snap of his spine as it hits the bark. 

You look to Jean and nod towards the small clearing of trees. “Don’t,” Logan warns. But you’re already slipping out of his grip and solidifying the air in front of you. It provides enough of a cover, absorbing the bullets, and giving you all time to figure out a plan of attack. 

Jean moves beside you, eyes narrowing on the perimeter of your cover. “There are too many of them, more than I can count.” 

“How did they know we were coming?” Scott snaps, keeping an eye on the area behind you. 

Your arms struggle under the weight of your power. The more bullets they shoot into your cover, the harder it is to keep up. You’re forced to absorb their energy, push it out tenfold to try and keep the blockage solidified. 

“Guys,” you snap, “we need a plan. I can’t hold it much longer.” You grit your teeth, taking a step forward to try and push against the strain. It does nothing but make your bones ache. Logan shoots you a concerned glance, coming up behind you like he wants to take the weight off your shoulders. But there’s nothing he can do. 

There’s movement behind you, a boot snapping a twig in two. You can’t risk looking back but you can hear the worry in Jean’s voice. “Ten of them-”

You can tell by the sounds of their movement that the others don’t give her much of a chance to finish. Ororo, Scott, and Logan all shoot forward to deal with the threat. Ten isn’t much to worry about. But that doesn’t change the fact that the men in front of you haven’t let up and you’re about to weep from the weight of keeping the wall up. 

Jean stays beside you, brows furrowed in concern. She places her hand on your shoulder and closes her eyes. A second later you feel something like a cool blanket laid over you. The tension in your arms and core eases just enough for you to stop clenching your jaw so hard. Some of the strain eases away and you know she’s sharing it with you. 

But just as quickly as the relief was given, it’s yanked away. Jean jumps back with a gasp, “Flux, we need to move!”

“I can’t,” you shout, fighting to be heard over the sound of bloodshed and gunshots going off in front of and behind you. The others are steadily moving through the people surrounding you, but their numbers are still overwhelming. “It’ll all come crashing down,” you tell her. 

She glances towards the bullets, finally spotting the way they’re slowly, but steadily, moving through the thickened air. The second you let go you’ll be riddled with holes. “Shit,” she hisses. “Look, we can’t stay here much longer-”

She’s cut off by a loud bang. You’re so disoriented by the noise your hands drop to your sides. At the same moment, you hear wood splintering and cracking beside you. What has to be the largest tree in the forest creaks before it begins its descent down towards you both. 

You don’t what happened, or what they used, but it doesn’t matter. The wall in front of you is fading. You have seconds to get out of the way of the bullets and the tree, you’re not sure either of you is going to make it. 

“Jean!” There’s a flash of brown hair and Jean’s being tackled to the ground, safely out of the way of the tree and bullets. You feel something stinging against your shoulder and know the first bullet’s made its way through. 

You also see the tree is almost over top of you. You’ve always been a fight response in flight or fight scenarios. But when there’s nothing to fight, when you have nothing to go up against, you freeze. It’s horrible, you know it, but there’s nothing you can do about it. 

Even as you’re desperately screaming at yourself to just fucking move, all you can do is watch as the tree topples down on top of you. “Flux, duck!” The words trigger something in your brain just soon enough to drop to the ground. 

Scott releases a red beam, blasting through the tree and knocking it off course. You don’t even register the smell of burning flesh as you lay in the mud. Your blood is rushing so fast in your veins, there’s so much adrenaline pumping through you, you can’t focus on anything except the sound of your heartbeat. 

You let out a breath of relief, slowly lifting yourself up to your knees. You don’t hear any more fighting and you figure whoever they hadn’t taken down before, the beam took care of the rest. 

You look down, checking yourself for any bullet holes or serious damage but you can’t find anything. Something warm trickles down your shoulder, it drips across your arm and down your hand. 

You look at the blood curiously, it seems to steady a flow from the simple bullet graze you’d had earlier. “Oh my god,” Jean whispers your name and you turn around with a concerned look. 

You want to ask her what’s wrong but your eyes are trained on the way Logan’s arms are bracketing her. He’s practically on top of her, only now getting up to check on you. You get it, it was a stressful situation, he acted fast. 

But that doesn’t make it any easier to swallow the lump in your throat. It doesn’t ease the burn of betrayal. He saved her, not you. He chose her even though she doesn’t want him. The anger you’re feeling only makes it harder to be aware of your surroundings. 

It’s not until Scott kneels behind you a presses a gentle hand against your back that you lurch forward with a loud cry. The pain slams down on you all at once. The wind blowing gently against your back feels like someone’s dug razor blades in your skin and ripped. 

Feet rush towards you, someone kneeling beside you and grabbing your shoulders. Logan forces you up and makes you look at him before his gaze turns to your back. “What the fuck did you do?” He practically growls, lunging towards Scott. 

He grabs him by the collar and shoves him into the dirt. Ororo and Jean leap forward, trying unsuccessfully to rip him off. You try and keep your eyes open, try and stay focused. The pain is too much, you don’t want to be awake for this anymore. Every nerve on your back feels like it’s being forcefully exposed and plucked at. 

Your brain forces a shutdown and you slump into the mud, the world going black. 

When you wake up, you’re on your stomach. You’re a little dazed, not fully remembering how you got here. You try and sit up but there’s a steady grip around your wrists stopping you. “Don’t move,” Jean warns from somewhere behind you. 

You try and look for her but you can’t move much. Your head feels like it weighs a hundred pounds, stuck to the pillow beneath you. “What happened? Why can’t I move?”

Her shoes appear in front of you and then she’s kneeling down, a slightly worried look on her face. “We needed to make sure you didn’t roll over in your sleep.” Her brows crinkle and she frowns, “You don’t remember?” You shake your head minutely. She sighs, lifting her hand to your face and pressing her chilled fingers to your temple. 

The images rush towards you. You see it all from her eyes. The way Logan had grabbed her and thrown her to the ground, checking over her and not once looking at you. How Scott had tried to stop the tree from breaking your spine. His beam had just barely grazed your back as you had ducked. But it was enough for there to be serious damage. 

Through her view, you can see the way your skin had bubbled up and blistered. How horribly damaged it was. You have limited healing abilities, but it was enough to stop the nerves from being permanently damaged. 

She lets you go and you groan, the pain slowly registering in your brain. It’s dulled and you don’t know if they’ve given you drugs or if your abilities are still working to help you. “How’s Scott?” 

She chuckles and shakes her head while she undoes the restraints around your wrist. “He feels awful. He keeps coming by to check on you.”

The thought of him sitting beside you while you were strapped down to the bed makes you feel a little bad. It wasn’t his fault, he’d helped you. It was more than Logan had done for you. 

You frown, hating yourself for being bitter. If he hadn’t helped, Jean might not be here next to you. He had saved your friend. The thought didn’t bring much comfort, though. “I’m not mad at him.”

Jean eases you onto your knees and slowly helps you sit up. It causes minimal pain, but it’s still uncomfortable enough to grit your teeth and dig your nails into your palms. “I know, but he’ll probably be coming down here a lot to check on you.”

You almost ask her if anyone else has visited. If Logan had, but you don’t think her answer would make you feel any better. “He did,” she tells you and you click your tongue in irritation. 

“Out of my head,” you warn. She releases you with a small grin. “I don’t care,” you tell her, trying to appear nonchalant. 

She tilts her head, eyes narrowing on you. “Yes, you do. And I don’t need telepathy to know.” She walks towards your IV bag, fiddling around with something on the line. “He was here whenever he could be, practically lived beside you.”

“Don’t care,” you tell her again, but there’s less conviction this time. 

Jean frowns and you hate how guilty she looks. It’s not her fault he’s desperately in love with her and not you. You can’t force someone to love you or choose you. And you don’t want to. You want someone to love you for who you are, not because they couldn’t have their first choice. 

“Don’t,” you say lowly. “Don’t apologize, it’s not your fault.”

She doesn’t get a chance to say anything before the door bursts open, both Logan and Scott sliding into your room. Scott lets out a relieved breath when he sees you. He breathes out your name and approaches with a guilty smile, “You’re awake.”

“Charles told us,” Logan informs. You offer him a brief glance before diverting your attention to Scott. 

Petty, you’re aware. But you don’t want to see Logan right now. You’d put so much effort and time into your friendship with him. It doesn’t even matter if he doesn’t feel the same way about you. You two are best friends, and he didn’t even try to help you when you needed him the most. 

So, you smile at Scott. You forgive him and you tell him you're fine. You chat with him and Jean while Logan just stares at you from the other side of your bed. You can’t make yourself face him. You don’t want to look at him, it makes you sick to your stomach.

Eventually, Scott’s guilt is slightly assuaged and he and Jean leave for the night. Logan is a heavy presence beside you, one you no longer can ignore. You shift around, pretending to fluff your pillows until he grabs your hand. 

“What’re you doing?”

You look at his hand and then at him. Whatever look is on your face is enough for him to release you and back off. “Getting comfortable,” you spit out, more venom in your voice than necessary. Something clicks for him, you can see it as it happens. 

He backs up and narrows his eyes down at you. “Right.” He frowns and sucks on his teeth, nodding his head silently. “I’ll come back when you’re feeling a little better.” You don’t miss the hidden dig underneath it all, the way he’s calling out you’re unusual behavior. 

“I think that’d be best.”

He scoffs and shakes his head, slamming the door behind him as he leaves. You jump at the noise and it makes you hiss as a twinge of pain shoots down your spine. You feel slightly guilty about the whole interaction. Then, you remember the way he’d been cradling Jean and you feel slightly vindicated. 

You’re sure he doesn’t even give a shit. He’s probably pouting in his room, wishing Jean was in bed beside him. 

What the fuck?

It’s all that’s been playing through Logan’s head since he returned from your room in the medbay. He’s waited days for you to wake up, so he can finally take a breath and let go of the anxiety that’s been plaguing him. 

He’d thought that he’d lost you in that forest. When he’d gone for Jean, he’d assumed you’d just be able to use your powers to knock the tree out of your path. Or make it melt around you. 

Honestly, he can’t put a finger on what exactly he was thinking. But he knew that you could protect yourself and that would be your priority. So he’d moved without really thinking and grabbed the person who would be collateral damage if your powers went haywire. 

And then you hadn’t saved yourself and all he could smell was your burning flesh. The smell has been stuck in his nose since you were brought back to the mansion. He can’t escape it. Everywhere he goes, he sees you burning and hears your screams. 

He’d thought that you were dead and there was a moment where he genuinely was so lost he could do nothing but watch as the others swarmed you. He couldn’t move, couldn’t help you. He could only stare at your still body and pray to anybody who could hear him that you weren’t dead. 

He didn’t know what he would do if he lost you before he ever got a chance to love you. 

He’d, irritatingly, imagined all the different ways he would finally tell you how he felt when you woke up. He’d prepared himself for every possible reaction, except this one. He hadn’t expected you to reject him before he ever got the chance to confess. 

Anger stews within him as he paces through his room. He knows that it’s unfair to be upset with you. You’d gone through something horrific and there had been doubts about your recovery. Of course, you’d act off. 

Except, you only seemed to be directing that at him. Had you been just as dismissive to Scott, the person who actually hurt you, he would have looked past it. He’s tempted to go back down and see you again, maybe try and make you see some sense. 

Instead, he decides to give you both some time to calm down. He doesn’t want to do anything he might regret while he’s pissed off. He’ll see you tomorrow and, hopefully, you’ll be back to normal. 

You’d thought Logan might have gotten the hint with how you behaved earlier. That was not the case. He’s back today and you can smell the breakfast food he’s brought you. The smell is wafting deliciously from an inconspicuous brown bag. 

But you know it’s from the restaurant that’s twenty minutes out of his way. You’re not petty enough that you can’t appreciate the forty-minute round trip he’d taken for you, but you still aren’t excited to see him. 

“Hey, sweetheart,” he smiles at you despite your clearly hostile energy. He tugs the chair towards your bed, ripping open the bag and pulling out enough food for the both of you. 

You think it should be considered a form of manipulation to call you that while you’re pissed at him. He has such a clear effect on you. You know he’s aware of it. He knows that when he calls you something sweet like that it makes your heart race and stomach flip. 

You turn your gaze towards your blanket. You pretend the thread pattern is the most interesting thing in the world so you don’t have to look at him. You’re sick of giving your all to men who couldn’t care less about you. 

You’re tired of being the second, third, fourth choice. You want someone to choose you first for once. And you genuinely thought Logan would be the man to do that. But he’d chosen Jean. You should have known. 

“Alright,” he huffs, crossing his arms and glaring at you. You’re pissed off that he’s acting like he’s the one who was hurt. “What the hell is your problem? You’ve never been this mad at me before.”

It’s his tone of voice that really grates on you. He genuinely does not understand what he’s done wrong. He doesn’t even comprehend the possibility that you might be mad he left you to die. Have you really become such a doormat?

Yes, you’re shy and generally reserved with the people you meet. But he is so different. You two met and it was an instant connection that you thought was reciprocated. You hadn't realized that you'd become so complacent in the relationship he thought he could get away with something like this with no repercussions. 

“You left me to die,” you snap at him, voice taking a pitch it never has before. You’ve never truly gotten angry at him. Pissed off sometimes when he teased you a little too much. But you’d never plainly shown anger at him. “You fucking left me behind and expect me to, what,” you scoff and shove the food back towards him. 

“You think some shitty breakfast is going to fix this?” His face contorts. It screws up into something like hurt and you worry you might have been too harsh. He doesn’t know how you feel about him. He doesn’t know that this would hurt you so bad. 

But, it doesn’t matter. You’re still his friend. You should have at least warranted a little concern. 

Just as quickly as it appeared, the hurt is washed away by his own anger. “I thought you could take care of yourself. Isn’t that what you’re always bitching at us about?”

If you weren’t so upset you might find it funny how quickly the two of you turned on each other. Clearly, there was something repressed between the two of you. Some brewing resentment that neither of you had ever acknowledged. The words are coming quickly now, without thought.

“Fuck you, Logan,” you snap back at him. “You didn’t give a shit whether I lived or died. You only cared about your precious Jean.” You spit out her name with so much venom it stings as it leaves your tongue. 

He laughs, getting out of his chair. He shakes his head and glares at you. His anger is always a physical thing. You know he’s pacing so he doesn’t do something worse, like destroy the entirety of the room. 

“That’s what this is, you’re jealous? Don’t blame your fucking incompetence on me.” You hate the way he’s speaking to you. Like you’re a little girl who's incapable of understanding even the most basic of concepts. He has such a patronizing look on his face, you want nothing more than to wipe it off. 

The tables beside you tremble, the vases of flowers rattling against the wood. “I’m your friend, Logan. You could at least pretend like you cared about me.”

He leans against the end of the bed, tilting himself forward until he’s aggressively imposing your space. You shrink back against the pillows, narrowing your eyes in disdain. “Don’t fucking pull that shit with me. I knew that your priority would be to save yourself and I acted accordingly. This wasn’t some goddamn ploy to get into Jean’s pants. Grow the fuck up, Flux!”

You flinch back at the volume of his voice. Unwillingly, tears pool in the corners of your eyes. It’s an involuntary response. Sometimes you just get so enraged that you have no other way to get rid of it than to cry. It’s infuriating to see the moment someone stops taking you seriously and starts to think you’re nothing more than a crybaby. 

Logan’s face pales and he winces, backing away from you. “I didn’t-”

“Enough,” you stop him, voice thick with unshed tears. He never calls you by your X-men name, it’s an unspoken agreement between the two of you. That’s a formality reserved for the other members. To each other, you’re nothing more than two people who care deeply for one another. 

Or, you had been. Before this one moment had blown your life and your back up. 

“I appreciate how much faith you have in my abilities, but the fact that your first instinct wasn’t even to protect me says a lot.” You take in a deep breath and shake your head. “Thanks for the breakfast, but can you please just leave?”

He looks like he doesn’t want to. You know he doesn’t want to leave. You two never fight like this. Even if there wasn’t a lot said, it’s still not normal for you. Maybe that should have been your first hint that things weren’t what you thought. 

It’s healthy to fight, to a certain extent. Sometimes it's needed. You two never have before and you know it’s just been brewing for a while, waiting to blow up. “I-”

“Get out,” you shout, and the tables beside you finally crumble under the weight of your emotions. They drip to the ground in an inorganic form of liquid wood. “Shit,” you hiss, glancing over at them. You wave your hand and they return to their normal state, but it doesn’t matter. You shouldn’t have lost control at all. 

The door slams and you look up to find the room empty. You sink back against your bed and run your hands over your face. You ignore the way the skin of your back screams in protest. 

You embrace the pain, the fiery shocks running up your nerves as the bandages chafe against the wounds. You focus on that instead of how things have ended with Logan. You always had such high hopes that he might be the one you finally man up and confess to. 

You should have known you were wrong. You should have known that it would never have ended with him picking you over her. 

You’re permitted to leave the medbay the next day. You don’t see or hear from Logan for the following week. You can’t confirm if he’s purposefully avoiding you or not but you have to believe he is. You both live in the same hall. You don’t know how it’s possible to have gone this long without even catching a slight glimpse of him. 

You force yourself to suffocate the part of you that misses him. You picture the side of yourself that longs for his presence and imagine shoving a pillow over her face. You don’t want to ache and cry over someone who doesn’t give two shits about you. 

You keep reminding yourself over and over again that when things got rough he showed you his true colors. But it’s more difficult than you imagined to just completely disregard so much history with him. 

Besides, you hadn’t realized just how little you interacted with the others until Logan was out of your daily life. It’s so difficult for you to bond with people that when you’d connected with Logan you’d latched onto him. 

It’s a little pathetic, honestly. Being grown and eating lunch alone because you only had one friend. You wonder if your feelings for him were genuine or born from a desperation not to be alone. You don’t let yourself linger on the question for long. 

It’s as your training with the students that you finally see him again. 

“Has he made much progress yet?”

Jean shakes her head and purses her lips. She watches as Billy, one of the newer students, struggles with the logs in front of him. He was a firestarter, a very inexperienced one who had only ever set his curtains on fire. 

His powers were more focused on the mental aspect of things rather than the physical. Which is why you and Jean were in charge of helping him. He couldn’t start anything on his own, he only really seemed to be able to activate the ability when he was emotionally stimulated. 

That meant whenever he was mad or sad, or anything in between, everyone in a fifty-foot radius was in danger. He was a risk to the other students and you were both trying to be gentle with him. But you’d been working with him for so long and there was so little progress. It felt like he wasn’t trying sometimes. 

He’d asked Rogue out a week ago and when she’d said no, her hair had caught on fire. You know he could have been hurt and lashed out without thought or malice behind it. But you’d seen the look in his eye. 

You’re fifty percent sure he knows exactly what he’s doing. This little act he puts on is just to get himself out of trouble. You hadn’t brought the issue to Charles yet because you’re trying to give him the benefit of the doubt. 

“Billy,” you call out. His head whips up and he sends you a vicious glare. You can’t help the sneer on your lips. “Just take a deep breath and try again. There’s nothing wrong with struggling, we all did.”

You put on your normal teacher voice, calm and collected. Assuring. But the little shit in front of you isn’t buying it for a second. He gives you a sarcastic little grin, “Right. Sorry, I forgot you’re a fuck-up just like me.”

“Billy!” Jean snaps, taking a step forward to reprimand him. She doesn’t get far before there’s a fireball shooting out of his palms and hurtling towards the both of you. 

There’s no chance to react before something slams into your side and is tossing you to the ground. Your head nearly snaps against the grass but there’s a hand underneath your skull softening the blow. 

You smell something smoking and look up to see a large scorch mark right where you’d just been. Jean’s standing over it, palm outstretched as she keeps the fire subdued. She gives you a worried look, “Are you okay?”

Surprisingly, yes. You glance up to see Logan hovering over you. He backs off when he notices you’re okay, getting to his knees and offering you a hand. Wordlessly, you slip your palm into his and let him help you into a sitting position. 

“You alright,” his hand hovers over your shoulder like he wants to pull you closer. But he resists, backing off and waiting for your answer. You nod your head, still a little dazed from the failed assassination attempt. 

He narrows his eyes, searching your face for any sign of head trauma. When he’s properly assured you’re okay he jumps to his feet. “Billy!” His voice booms across the courtyard and it’s the first time you’ve ever seen that little asshole scared. 

He’s barely on his feet before Logan is stalking towards him, jerking him forward by the scruff of his neck and dragging him towards the mansion. “We need to have a little talk,” the tone of his voice has you a little scared and you’re not even the one he’s mad at. 

Jean walks towards you and helps you to your feet. “Is your back okay?”

“Yeah,” you nod and brush your clothes off. You have to physically shake the shock of what happened off. “Yeah, I’m fine. I can’t believe he did that.”

Jean scoffs and glares towards Billy’s back. Your eyes widen in shock when you see the large scorch mark across his arm. “Jean! He got you, are you okay?”

She glances down at her shirt and frowns. “Yeah, practically a sunburn.” She gives you a reassuring smile, “I’ll be fine.”

As shitty as this sounds, you’re not concerned for her. You can only focus on the fact that she was in just as much danger as you and Logan had tackled you to the ground. You glance back towards the mansion, more fucking confused than ever. 

You’re not sure what compels you to follow Logan, but you’re running after him before Jean can stop you. He’s barely got a minute headstart on you, you’re not sure why you can’t find him. You’d gone through every inch of the first floor. 

You don’t know where he would have dragged Billy, but it’s nowhere you can find. After about ten minutes of looking for him, you give up on the hope that you’re ever going to figure out what’s happening inside his brain. 

You let out a defeated sigh, running a hand over your face and trying to shake off the funk of the day. You can’t believe that little shit tried to roast you. You’re not comfortable with the fact that he’s just roaming around inside the mansion somewhere. 

You turn out of the living room and nearly slam into someone. His hands shoot out, grabbing your shoulders and gently stopping you. “Logan,” you give him a strained smile. “I was looking for you.” You glance over his shoulder and frown. “Where’s Billy?”

Logan sighs, his hands linger on your arms for a moment before he takes a step back. “Wheels got to him before I could do anything.”

You laugh a little, the noise involuntary. “What were you planning on doing with the sixteen-year-old?”

He doesn’t find the question amusing if his expression is anything to go by. “He was really trying to hurt you.”

His words sober you up slightly and you drop the flippant attitude. “Yeah, I wanted to,” god, it feels like you could choke on the words. Just last week you were screaming at him for not helping you. Now, you could barely thank him because he had. 

“You’re always my priority.” He tells you before you can struggle any longer. Your head shoots up and you stare at him with confusion. He groans, the noise tired and resigned. “Saving Jean was a mistake. I mean it, kid, I just thought you could handle yourself.”

You open your mouth but he stops you before you can argue. “I know, that’s not the point. I should have saved you, no matter what I thought you could or couldn't handle.”

“No,” you stop him and shake your head. “No, Logan, I shouldn’t. I,” your mouth opens and he stares at you expectantly. What you were going to say gets stuck in your throat. This is a horrible idea. 

“I liked you in a way you didn’t like me and it was unfair of me to push my expectations onto you.” You wanted it to sound better, and more intelligent. Instead, it came out in one rushed breath and you’re not sure he even understood half of what you said. 

His brows furrow in confusion for a moment before a smile breaks out on his face. You’re not sure if it’s a good or bad thing that he’s smiling. You can’t tell if he’s mocking you or about to profess his undying love. 

You don’t have to wonder for long. He moves closer towards you, leaning forward until you’re practically sharing the same breaths. Unconsciously, you’re drawn into him, hands braced gently on his chest as you chase after him. 

“What are you doing?” Your whispered words brush against his lips and he gives you a small smile. His hands travel up your waist. He tugs you closer, his other hand looping around your neck and craning you up. 

“I’m gonna choose you every fucking time, kid.” His lips brush across your own and it’s like a switch is flipped in you both. Your arms twine around his neck, pulling him down until you’re practically melting into him. 

It’s everything you’ve ever wanted and so different at the same time. You always thought your first kiss would be after some cheesy first date. He would have taken you out to dinner. Something would have inevitably gone wrong, you spilled something on your dress or the waiter brought the wrong order. 

You would both worry that it was a sign that nothing would work out between you. And then, at the end of the night, he’d tug you into his arms and kiss you like you were the most precious thing he’d ever held. 

That would be nice, but this is better. He’s not holding you like you’re something fragile or something too precious for this world. He’s kissing you like you’re the very air he needs to survive. He’s greedy with his affections and demanding with his wants. 

You’re being consumed and devoured. And you never want to stop. This is all you’ve ever wanted with him, from him. 

Sadly, you do have to breathe. You’re the one that forces the stop, you’re sure he would have happily suffocated if it meant he could keep touching you like this. You pull back, the air coming in short pants between your parted lips. 

You can already feel them swelling, the slight irritation on your cheeks from his stubble. You don’t mind, you quite like the feeling. He speaks before you can, a pleased smile on his face. “Forgive me yet?”

You chuckle, a little impressed by how cheeky he is, still slightly pissed off. “Why don’t you do that again and I’ll think about it?”

He rolls his eyes but you can see the smile fighting against his firm glare. “You’re really gonna make me work for it, huh?”

You smile and nod, leaning into him again. “You’re never gonna hear the end of it,” you whisper before dipping down and kissing him again. You can’t believe you ever doubted just how much he cares for you. 

He didn’t choose Jean over you. He’s just a dumbass. 

a/n: I had to resist putting in a “pick me, choose me, love me” line in there bc that would have just been too much lol

end. — I do not own the characters or the comics/movies Wolverine/X-Men, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

General Taglist: @evasmlp

Logan Taglist:  @nonamevenus @smexy-bucky-waifu @wh1sp @peony-always @corvusmorte  

@mrs-ephemeral  @wolviesgirl ♡ 

[reiderwriter]

Hello!I hope you are having a great day!I love LOVE your writing and I would like to request a fanfiction where the reader is Hotch's daughter who works at the bau and is in a secret relationship with spencer without her dad knowing.Spencer wants to tell the team but she is scared about how they'll react so they fight but during a case she gets kidnapped and the feelings are high,so spencer accidentally reveals the relationship.I would love if it ended in smut (possibly dom!spencer who is angry at her for being so reckless and risking her life like that) and maybe a lot of angst??Hotch could potentially be fuming but when they get her back he decides that he will let them be??I would like my emoji to be 🌼!Thank you in advance and if you write this I would absolutely LOVE to read it!🤍🤍

A/N: I love writing for a Hotchner Reader because the Hotch/Spencer parallels are so 😙👌 This was so fun to write!

Warnings: Smut/ Angst with a happy ending, Semi-public sex, oral (f receiving), dirty talk, case details, kidnapping, abuse, strangulation, mentions of child death/ allusions towards pedophilia etc, Hotch is a somewhat shitty/overprotective dad/boss.

Masterlist!

Falling back into a hotel bed that wasn't yours, you wrapped your legs around Spencer Reid as he furiously worked open the buttons of your shirt, his lips locked with yours in a furious exchange. 

“Spencer, Spencer, we can't-” You moaned as his lips fell down to your ear, a small tap to your thigh signalling that he wanted tour legs spread for him. Despite your vocal protests, you complied.

“Need to feel you,” he groaned, nipping and sucking his way down your chest as his big hands began pushing your skirt up and your panties down. 

“Spencer, someone will hear.” 

“I don't care who hears,” he whispered, finally ridding you of the last piece of material covering your wet sex. “I just want to make you feel good.”

His lips fell to your cunt, falling on your cunt as he began his ministrations. You loved this, the feeling of him near, his lips on you, his tongue teasing out whimper, then moan, then a scream of his name as you came undone on his lips. But that wasn't a chance you could take today. 

“He's in the next room, Spencer. Fuck, he's going to hear us.” 

You wouldn't push him off, enjoying too much the feeling of your building pleasure, so appealing to your boyfriend to do the right thing was your last resort as your hips bucked into his face, chasing your orgasm. 

He didn't stop, but held your hips down, thrusting his tongue in and out of you as his fingers came up to tease your clit. 

“Spencer, fuck-” you slapped a hand over your mouth as you shuddered below him, finally reaching your climax. 

Your hands fell limp as he worked you through the end of your orgasm before rising up to lay beside you on the bed. 

“I wish you wouldn't push it, Spencer. You're a dead man if he catches us like this.” 

“Hotch won't kill me just because I'm dating his daughter. I don't understand why you don't want to tell people.” 

You ran your hands through your hair in frustration. It was a conversation you'd been back and forward on a lot in the past six months. 

Dating a coworker was tricky, doubly so when your coworker’s boss - and your boss - was your overprotective father. Things only became more complicated when you factored in a ten year age gap and the fact that your father refused to view you as an adult, even when you were a fully qualified member of his own team. 

You'd had to fight for acceptance into the FBI and go above him to get the job on his team, a decision that he still berated you for to this day. But you'd had enough of him shielding you from reality, and it was a step you needed to take. 

Falling in love with Spencer Reid, though, that was just pure bad luck. 

You weren't sure how it had taken you until joining the team to meet the man, but you sure were glad he hadn't been introduced earlier. You'd joined the team at 24, having been in grad school until your FBI Academy application was approved, and somehow in the 10 years before that Spencer had worked under your father, you'd never crossed paths.

Of course, you knew who he was before that from context and conversations with your father, and of course, he figured out who you were quickly based on the many arguments you'd had in Hotch’s office. But that hadn't stopped you from repeatedly falling into his bed month after month, and then falling in love with him. 

Your relationship was more than the sex, but it was also a lot of sex. From the stories you'd heard, and from the look of him, you'd assumed that Spencer was a delicate little flower, an innocent in the bedroom as much as any 34 year old man could be. 

And then you'd both been offered spiked drinks at a holiday party courtesy of Penelope Garcia, and he'd proved you deliriously wrong. He'd been hooked from then on, and after waking up awkwardly in his bed the next morning to two cups of coffee and a spread of breakfast pastries he'd gone out to specifically pick up for you, you'd been hooked on him as well. 

The only problem was Hotch. 

You certainly weren't winning any daughter of the year awards already with the stunt you pulled to get on the BAU, but you didn't want to be completely and totally disowned just yet. 

“Hotch won't kill you for dating his daughter, you're right,” you mumbled back to Spencer rolling yourself back on top of him and pinning his arms down so his fingers couldn't tease you any further. 

“Thank you, now if you trust me, I've ran like four different scenarios in my head so-” 

“He'd definitely fire us both, though. And that's worse than death.”

“Y/N….” 

“Tell me I'm wrong, please. Back up your findings with empirical evidence. He doesn't want me on the team, Spencer. He doesn't even want me in the FBI. I think he'd be happy enough to ship me out of the country, too, if that helped.”

Spencer sighed and tugged your hair behind your ear as he gestured for you to sit up. 

“I know it's scary. But I love you. I don't care about the consequences because I'll still love you before and after telling him.”

“And during?” 

“I might freak out a bit, but deep down, the love will be there still.”

You hit him with a pillow and climbed off the bed. 

“Okay, get out now. I'll think about it but you really can't stay here tonight.” He nodded, grabbing his things and pulling his clothes back into place. 

“So, like we're totally done for tonight? Nothing else.”

“Spencer! Out!” You whisper-shouted the words and watched him turn your door handle as slowly as possible before he waved his goodbye and left your room. 

12 hours later, you were once again getting frustrated with Spencer Reid. And Aaron Hotchner. They may soon be enemies, but goddamn they were perfect for each other in some ways. 

“Hotch, you can't just give me nothing to do. Send me to the morgue with Rossi, or let me interview family members with Tara. I'm a member of this team, too, so let me do my job.” 

“You'll do well to remember that I'm your boss, Y/N.”

“You're acting more like my dad right now. A boss would utilize his team members.” 

You'd been stuck in this stale mate since the morning, and Reid hadn't helped at all. When giving out assignments that morning, you'd not been notably left out of crime scene investigation, suspect interrogation, and anything helpful. Reid usually asked for your assistance at times like these, but he was finally putting his money where his mouth was and keeping distance from you in the office.

So far, you'd ran coffees back and forth between the kitchen and work room and had been communicating back and forth with JJ and Derek in the field and Garcia back at Quantico. 

You'd been, for lack of better comparison, relegated to receptionist. 

“At least let me work on the geographical profile with Reid-” 

“Absolutely not.” 

You stiffened at the reaction, wondering just exactly why he would react so strongly. Spencer had snuck in a few secret kisses here and there this morning, though you'd been sure that you'd had no witnesses. 

“Why not?” 

“I don't want you to distract him.”

Bile settled in the back of your throat as you tried your best to bite your tongue and keep the bitter words in. 

“You know, sometimes, Dad, it feels like you love everyone on this team more than you love me.” 

He locked eyes with you quickly, but he glance was dismissive and stern, almost as if he was asking you ‘seriously.’ 

You turned on your heels and began to walk out before he called out from behind you again. 

“Y/N,” you stopped despite yourself. 

“Leave the gun and badge on the desk. We'll discuss this after the case is closed.”

You almost laughed. You almost blurted out your relationship with Spencer just to spite him. You followed his order and took yourself out of the office for some fresh air, finally giving him what he wanted. 

An hour of aimlessly wandering down the street, and you turned into a run-down park. 16 missed calls from Spencer and other members of the team, who'd no doubt watched you turn in your badge. 

Garcia had even called a few times, and you felt guilty for not forwarding her calls somewhere else, knowing she'd probably have key case information for someone. 

But you just couldn't handle it anymore, so you switched it off, pushed it back into your pocket, and kept walking. 

It was two more blocks before the man following you pushed a soaked rag over your mouth and nose and pushed your unconscious body into the back of a waiting van. 

×××××

Two hours of near constant complaining to Hotch had gotten Spencer nowhere in his demands to know just where you went. 

He'd called you 36 times since Hotch had told him you'd left, and he hadn't stopped freaking out since. 

“But where did she go?” 

“I sent her back to the motel.” 

“All of our cars, bar the one JJ and Morgan took to the crime scene, are outside and accounted for. The motel is a 34-minute drive away. It'll take her 5 hours on foot through our unsubs hunting grounds, and I'm not sure if you've noticed, but she matches the victim profile we just gave. Where is she?” 

A muscle in Hotch's jaw twitched, but neither of them moved, eyes locked in battle to see who would back down first.

A call from Penelope ended whatever disaster was storming between them. 

“Hotch hey, I can't get in contact with mini-Hotch, so here I am. Morgan called earlier from the crime scene. From the way they're posed, he said they could be possible stand-ins for a lost child  a daughter or a sister, so I cross checked the ownership of the vehicles that run with the tires we found prints of at the scene, and I got a name. Like one.”

“Great work, Penelope, send it over.” 

Hotch dropped the call and looked back up at Spencer, readying himself to give orders and push the issue. 

Again, their standoff was interrupted. 

“Hotch,” JJ rushed in, carrying a radio dispatcher, face white, and filled with worry. “You need to hear this.”

“Witness reported an abduction on East and 7th, patrol surveyed the scene and found a cellphone. Identifying information suggests it belongs to a Y/N Hotchner. We're bringing it into the stat-” 

Hotch stood so fast his chair almost crashed to the floor. He stood so fast that he barely had time to dodge the lunge Spencer took in his direction, fist pulled back. It would connect, given the chance  he knew it would. He'd been the one to teach Spencer to throw a punch in the first place. 

Morgan insinuated himself between the two men before, and blood could be shed, quickly pulling Spencer back as Rossi, too, rushed into the room to diffuse the situation. 

“One hour. I've been asking you for one hour where she went, and you wouldn't answer me. You made her leave her gun behind.” 

It wasn't exactly a shout, but there was something broken in his voice, as of his mouth had filled with blood and he could only spit hate at a man who'd been a mentor to him until seconds before. 

“If she's hurt- fuck, if even a hair on her head is out of place, I'll-” 

“What, Spencer? What will you do? She's my daughter. What could you do that-”

“She's my girlfriend! She's my girlfriend, she's the love of my life. God, I want to marry her, I have the ring, I have the proposal planned, all that was left was telling you and then asking her, but you've been such a dick to her about this job, and about cases, and God knows what else, that she doesn't want to say anything to you, and now you've driven her away and she's fucking gone. And she could be hurt or in danger or d-de…” 

He crumpled to the floor, Morgan still holding him as his legs gave way beneath him. 

Nobody moved for what felt like hours, still in their grief, shock, some just nervous to see what would happen next. 

“You've been in this situation before, Hotch. So have I. It's …. It hasn't ended well for us before.” 

The words were so final, so defeated that they sucked the air out of the room.

“Morgan,” Hotch started quietly, eyes still locked with Reid's, still staring down the reflection of his own despair.

“Get Garcia back on the line, I want confirmation that the vehicle that picked Y/N up is the same one that our unsub has been using to set up crime scenes. See if she can lift a name and an address. Rossi, if he's skilled enough to pick up an FBI Agent unaware, we need a SWAT team, get one on standby.”

Slowly growing in volume, he continued, as the room started moving at his signal. 

“JJ, Tara, take over where Reid left off with the geographical profile. Look at Y/N's last known location and how far a car could've gotten in the last 24 minutes.” 

He paused again, staring Reid down. 

“Reid, you're with me.” 

xxxxx

It took you a few seconds to gain a sense of your surroundings when you came to. Partially because of the drug induced migraine splitting your head, and partially because of the mess of ribbons and stuffed toys you'd woken up in. 

A change of clothes, and hands tied to what seemed to be a children's bed and you felt so grossly vulnerable your body shook with a few harsh sobs before you regained your composure and remembered your training. 

The knots on the rope holding your hands were tight. There wasn't much room to move with them pinned above your head, but you recognised them as naval knots. Your unsub had experience at sea, recreational or professional you'd yet to determine. 

Looking around again, you looked for entries and exits, wanting to know how the unsub would come in again and how you could get out. 

There were no windows, but a set of stairs leading up towards a solid door told you that you'd been locked inside a basement. A basement decorated similarly to a child's bedroom. 

Dimly lit by a mass of fairy lights, the room seemed covered head to toe in teddy bears, dolls, and children's books, a sturdy handmade doll’s house standing in the corner of the room. 

Faintly, you heard the creaking of floorboards above you before the handle of the basement door rattled and more light poured in. 

“I bought you breakfast, cupcake.” 

There was no time to feign unconsciousness again as your captor finally came into view. 

He was older than middle-aged, slightly wider around the midsection than you assumed he'd been in his youth. His hair was closely cropped and laid neatly, leading you to suspect he was former military. 

“Oh, good, you're awake. What do you want to do today, cupcake? Daddy has some time off now, I can play with you all you want.” 

You moved slowly, pushing yourself up to a seated position so you could bend your arms a bit. But you didn't look away, needing to keep him in your line of sight the entire time.

“Where am I?” You asked slowly, trying to keep your voice steady. 

“Wow, you must've had a deep sleep cupcake. You're in your bedroom, silly!”

The man's sprightly tone was disconcerting, and you could see a muscle in his forehead twitch slightly as you spoke. 

“O-of course. My mistake. Maybe I'm just still tired.”

He laid the tray on the bedside table and sat on the bed next to you. You tried your best not to shy from his touch as he stroked your hair, but every muscle in your body tensed and pulled from him reflexively. 

A quick glance to the tray and you saw the food he'd brought you was a small cup of pills and a glass of water to rinse them down with. 

If he noticed your flinch, he said nothing, grabbing a hairbrush from the nightstand and beginning to comb through your hair slowly and deliberately, taking care like one would a daughter. 

“Daddy,” you took a chance, recalling the name he'd given himself earlier. “Can we play outside today? I want to go to the park.” 

He stopped moving, and you held your breath as his smile dropped. 

“No, sweetie. You know we don't go to parks.” 

“Why not? I really want to play there, Daddy, please!”

In seconds, his hands wrapped around your throat as he pushed you back down into the bed, holding you there with his tight, suffocating grip. 

“Shut the fuck up you little slut. I said we don't go to parks, you listen. I am your father, you are not being taken by one of those sick freaks again.” 

He released you as quick as he grabbed you and stood up, pacing as he attempted to regain composure. 

“You can draw or we can have a tea party but you know we can't go out. You know that cupcake, I've told you so many times.” 

He grabbed at his hair, pulling it from its carefully styled arrangement into a mess, his fingers leaving red marks against his white skin as he pushed and pulled his head. 

He breathed deeply, and you sat up, trying to regain your composure as you watched him lose his. 

“What was her name?” You whispered, half hoping he would hear you, half praying that he'd ignore you for the sake of his fantasy. 

“W-What?” 

“Your daughter. What was her name?” 

He focused on you again, but his hands - hands that you knew could and would choke the life out of you if you did something wrong again - his hands were shaking. 

You heard the floorboards creaking upstairs and decided to push your questioning, hoping it meant what you thought it did. 

“Why are you saying it like that, ‘was?’ Is. Her name is, your name is Laura, and you're my little cupcake.” 

“What happened to her?” You filled your voice with as much sympathy and understanding as you could muster, one eye on the basement door that was being slowly pushed open. One look at Morgan at the top of the stairs had your heart rate slowing to a calmer speed. You locked eyes with him for a second, halting him, and he nodded, waiting for your signal. 

“You, you're my cupcake, you look just like… She should look just like you.” 

The man sat on the bed again, stroking a hair out of your eye as his filled with tears. 

“Fifteen years. I looked for her for fifteen years, you know. If I hadn't taken her to that park-” 

“That must have been hard.” 

He nodded as he broke down in silent sobs. 

“They said… they said she probably died a day or two after we lost her. When they found her, she was…” he rested his head on your shoulder, let him cling to you as he mourned his daughter. 

“We couldn't identify her, but she had that teddy with her. The teddy with the cupcake in its hands. She never went anywhere without it. So we…we knew.

You looked at Morgan as he slowly made his descent into the room, closely followed by JJ. 

The man looked up into your eyes again, wiping the tears from his face. 

“She was only 8.” He looked defeated, and your heart broke for him, even as you wished to get as far away from him as you could physically muster. 

Morgan pulled him up and away from you as he secured the man with handcuffs, but his eyes remained locked on you. 

JJ untied you and guided you out, but you felt his gaze bite into you ever after you'd left the basement. 

As soon as you were above ground, you let your body divest itself of adrenaline, your legs buckling as JJ tried to catch you. Another set of arms was quicker, though, and you didn't even register Spencer's arrival before burying your head in his chest and letting your sobs escape you. 

He guided you to your feet and walked you out to the ambulance, his arms protectively wrapped around you, his lips peppering kisses along your hairline and forehead, anywhere he could reach. In moments, you were bundled into the ambulance, and three gentle voices were trying to calm you, to pry you away from your comfort doll.

You wondered if you'd die like the unsubs daughter had, if they'd find you clinging to Spencer the way she had to her teddy bear.

“Y/N,” your father's deep voice was clear and smooth, the only thing that was cutting through the wretched moment of pain you were enduring. 

You remembered yourself again, relinquishing your grip on Spencer and wiping the tears from your face as you finally looked towards Aaron Hotchner. 

The paramedics took their chance and began checking your vitals, working around you in a hurry. 

“Dad, I'm sorry, I was walking and didn't notice that he was behind me, I should've been more careful-”

“Y/N, it’s okay. You're okay now.” 

You nodded as he came closer. You ignored the tears in his eyes, trying not to break down again. It had been an age since you'd last witnessed him cry, at another crime scene with another family member and another unsub. You couldn't think about how close you'd come to making him relive his worst nightmare. 

Spencer's hand was still firm in yours, and you held it like a lifeline, though you were sure your nails had to be cutting him by now. It took another moment to register that he was holding onto you just as hard, that he was unmoving, still where he was usually a series of compulsive moments, tapping, hand wringing, fists clenching and releasing. 

You glanced between the men, who had now become quiet as they surveyed you, and noticed the tension. Before you could say anything, though, the paramedics took over. 

“We're going to get you to the hospital now, Agent, one coworker can accompany you in the vehicle, preferably one with knowledge of your medical history.”

Both men immediately moved forward again, as if ready to jump into the van, before turning again to each other. 

“Shit,” you mumbled to yourself just as the buzzing in your head from the migraine grew louder. 

“Y/N, it's your choice. Who do you want to come?” Spencer said gently, his body still stiff with worry. 

“I'm her father. This isn't a question of who she likes better.”

“I have her medical records memorized, and I have more knowledge about the drugs the unsub gave her, but Y/N can choose for herself because she is a grown woman.”

You sighed and dropped the man's hand as the medics ushered you into the van fully, but the men were fully absorbed in their fight for dominance that they barely registered it. 

“JJ. JJ is coming with me,” You could see both of them turn back to you to argue, but you continued before they could. “Because I am a grown adult who knows her own medical history, and I don't need my father and my… coworker having territory wars over my wellbeing.” 

And possibly because she'd be the least awkward option to answer the questions about sexual activity and possibility of pregnancy around, but you really did not need to vocalize that. 

“Right now, I'm just a victim you've saved. Go and do your jobs and meet me at the hospital later because I am not doing overtime completing paperwork while on suspension.” 

JJ climbed up into the ambulance and the doors shut, letting you finally get a few moments peace as it began slowly making its way to whatever hospital was closest. 

“He knows, right?” You asked, covering your eyes with your hands as you braved for the answer. 

“Hotch? You could say that he figured it out.” 

“That bad?” 

“Spencer threw a punch at him. He tried to at least.” 

“What?!” Your body shot up, but the paramedic gently forced you back into a laid position, giving you a warning look to stay put as she checked your blood pressure. 

“Don't be too hard on him, Y/N. He thought he was going to lose you. They both did. I don't think either of them would survive it happening again.” 

The guilt hit you right in the chest as you nodded and dropped the conversation. 

“Maybe I should've let Spencer come with me.” 

“Why?” JJ asked, not offended bit curious. 

“Because I'm not entirely sure my father won't throw that punch back at him now he knows I'm okay. It's hard being in a relationship if one of you is dead.” 

The older woman chuckled slightly, and you settled back down, letting the car movements rock you into sleep. 

xxxxx

A few hours later and some quietly bickering voices pulled you from the rest you'd so sorely needed. Without even opening your eyes, you knew they'd both subtly scrambled to your bed to make sure you were comfortable. 

“What are you talking about?” You asked, wiping your eyes carefully as you tried to sit up, arms still aching from being tied up. 

“Oh shit-” you exclaimed after seeing your boyfriends freshly split lip. 

“Dad, what the fuck?” 

“Y/N, it's fine. It doesn't hurt.” 

“Aaron Hotchner, do you have nothing to say for yourself?” You tried to put all of tour anger into the words as you said them, bit he looked at you again with his straight face, and you crumpled under the pressure. 

“I won't…I'm not going to object. I just ask you to keep your private life separate from your work.” 

“And you're going to punch my boyfriend while I'm unconscious, so I can't defend him.” 

“I'm still your father, and he deserved it.” 

You looked back over to Spencer, who was quite notably not meeting your eyes. 

“Do I want to know?” 

“I'm leaving now. Jack will be here soon. He wants to check on you now that school is over. We told him you were hurt trying to save a sick man.” 

“Thank you, dad.” 

He nodded at you and left you alone in your hospital room with Spencer. 

“Why did you deserve it?” You whisper shouted the moment you assumed he was out of earshot. 

“The doctor came in and asked about some old bruises on your upper thighs. And ass. And chest. I had to admit they weren't sustained during the kidnapping, and Hotch wasn't pleased.” 

You huffed out a sound halfway between incredulous and a strangled moan of shame as you curcled yourself up into a ball and tried your best to die. 

“Great. Wonderful.”

“If it makes you feel any better, he thought it was signs of domestic violence and not just rough...sex.” 

“Yes, Spencer, that makes me feel entirely more comfortable with the situation.” 

Registering the sarcasm in your voice, he quieted down again, settling into the chair by your bedside and grabbing your hand. 

You sat silently together for a few minutes before either of you said anything. 

“I'm sorry. I know you didn't want him to find out.” 

“Spencer, you don't have to apologise. All things considered, this is possibly the best way he could've found out.”

“My busted lip suggests otherwise, I think.” 

“And a whole lot more would've been busted if he caught us any other time. Besides, I already lost my job, so there's not much else at stake anymore.” 

The words stung you as you said them, but you did still feel the weight of your dismissal in your chest, spreading miserably through your bones. 

“Does your head still hurt?”

“Not really, why?”

“You're not as perceptive as you usually are.”

You shot him a confused look as he smiled softly down at you, offering a nod towards the small coffee table under the window of your hospital room. 

There on your table sat your creds and your gun. The silent acknowledgement you'd been waiting for from your father. 

Spencer sat by you as you did your best to hold off the tears. He let you pretend there was something in your eye, let you wonder if your eyes had become watery because of dust from the basement. He quietly held your hand as you grinned and grinned until you pulled him in for a kiss and held him close to you. 

His lips were soft as you wrapped your arms around his neck, pulling him down on top of you even as he tried to hold himself up and off you so he didn't hurt you. 

“You know,” you said, punctuating each word with another sweet kiss. “This means- that- you're- stuck- with- me.” 

He laughed into your final kiss, finally pulling back for more air, studying your face as if he were trying to memorize it. 

“That was never the issue.” 

“Oh really, and what was?”

He kissed your again, slow and deep this time, taking his time working his hands down from your hair to your neck to cup your face so you were opened up to him, letting his lips and tongue explore everything he wanted to. He pulled away eventually and instinctively your lips tried to chase his, even as he pulled out of reach. 

“Making sure you stayed by my side.” 

[dungeonzine]

Need help prepping your zine portfolio or could use some pointers? Here’s a brief guide for choosing and organizing your works to make a successful portfolio!

Let’s start with artists.

What format should you use? Simple is usually best! Google Drive folders are often preferred because they easily display your work with no extra steps. Carrds, websites, or curated social media work too, so long as there is not extra material or posts hiding your work. Try to have as few clicks before seeing your work as possible, so no need to separate work into folders and certainly don’t require a mod to search your entire page for it—they may not have the time.

Make sure that your work is publicly viewable! Double and triple check that your Drive folder is shared publicly or your websites are not behind a password.

When choosing which pieces to include, always choose your best and most polished work. All works should be complete, in full color, and be fully shaded or rendered. Try to have at least some of your works be approximately something that would be found in a zine, which usually means about A5 sizing. Backgrounds are an essential skill for zines; make sure you show you can draw them well. Of course, sometimes some of these elements are excluded in a piece as a stylistic choice, but all are important skills to show you have.

If possible, try to include the topic of the zine in your portfolio. It does not need to be every single piece. If you only have WIPs or messy work of the topic, then it may not be worth it to include it and that’s alright (though make sure the zine does not require art of the subject when making that decision. Ours does not).

Most zines ask for featured works separate from the portfolio. These are the first things mods look at when evaluating your application. Choose your strongest three (or however many are asked for) pieces as your featured works. Typically, try to include art within the fandom as a featured work if you can. Try to have those vital skills on display in these as well (backgrounds, rendering, etc) so it’s immediately clear you’ve got what it takes.

No need for every piece to hit every point. Try your best for the portfolio together to hit most of them and meanwhile you can work on creating some art specifically to show off anything you’re missing!

There are some things you want to avoid including at risk of weakening your portfolio. A portfolio is only as strong as its weakest piece, so having less pieces is better than having weaker pieces. Only include polished work you’re most proud of. WIPs, sketches, or isolated character work may give the impression that you won’t provide a complete zine piece. Including multiple styles or mediums (especially ones that you wouldn’t be comfortable using for the zine) may confuse a mod as they might not know which you’ll use. If you include multiple styles, make sure that you are skilled and polished enough in all of them to use them for the zine. It’s totally fine to have a smaller portfolio, especially if you’re just starting out—don’t clog it with art that’s not your finest.

Merch portfolios are very similar to page art portfolios, but focus on character-centric work often without backgrounds. Do research on what makes a good merch design, because not all compositions translate well to physical products.

Photographs of merch you’ve made are excellent, but if you don’t have them then you can make mock-ups to help mods understand what you’re envisioning for the final product. Merch portfolios can be a combination of photos, mock-ups, and designs. Print samples may look very similar to a typical page art piece.

If applying as both a page and merch artist, you will likely want to have separate portfolios, as the roles require emphasis on different skills.

Writer portfolios are similar to artist portfolios in that they should contain only your best work. You may also use a Google Drive folder or another hosting website so long as it is highly curated and does not contain many other works to sift through. Typically, zines ask for 3-6 works under 3k words, but double check these numbers with each project you apply to.

If you’re applying to a specific role, such as poetry or article writing, try to have those kinds of samples ready. It may help to make a separate portfolio for those more specific applications.

Here are some other tips! Of course, there’s an infinite amount of ways to make a great portfolio, so if this guide isn’t working for you that’s totally fine. Experiment with different ways if you’d like!

Our applications open soon. Good luck!

Got additional questions? Send an ask here on Tumblr or on our Retrospring! We’re always happy to help or clarify.

Learn more about our Dungeon Meshi zine here!

[ckret2]

Any thoughts on the Stodehttcennoc code and all the Ciphertology lore it gave us? It’s interesting to get such a look at what an actual bill cipher cult looks like, even if the majority of it is played for surreal laughs.

yeah, i'm changing all the death valley girls' last names to Cipherwife

Right when I thought we'd run out of big packets of lore and were down to the dregs, we get the stodehttcennoc story, immediately one of my favorite things to come out of TBOB. In no particular order:

a Snapewives reference??? Unexpected. Hilarious.

i LOVE the mental image of just how unhinged Bill must have looked running around in Silas's body. Like i'm imagining that by the time of the big showdown at the end he's wheeling around his limbs like Jack Skellington dressed as a scarecrow cackling like a maniac surrounded by flame. Did he have fun, i think he had fun, it sounds like he had a lot of fun. I had fun.

on a doylist level i understand that Alex wrote Bill stealing all the wives in town because that is, in fact, something that real cult leaders tend to do. however real cult leaders tend to do it because they're straight human men horny for human women and realized their power lets them get away with anything they want. so on a watsonian level, why'd BILL do it?

LOVE the look into how Bill recruits people into a cult. His interview is actually a very good example of REAL cult recruitment tactics: mystical manipulation (using tricks to make you look magical/holy/psychic/etc); driving wedges between a recruit and their loved ones; flattering the recruit, offering to help their dreams come true; but dangling the answer to all their problems just out of reach, only after they make a big commitment (often financial) (and then you require them to keep upping their commitment); pressuring them FAST to make a decision, don't give them any time to think... that's actually how it works, all packed into one page

did bill take 100+ wives because HE's horny for human women? Is he horny ONLY for female humans or did he just figure he couldn't get away with also marrying the males in 1952 rural Kansas?

Something about Bill being delighted about having so many fingers just tickles me. Especially after he dissed humans for only having five fingers in TBOB. Human hands are a joke, are they?? Seems like five fingers are enough to make him happy! ... i realize how that sounds, i won't apologize for it

I feel like a cult that's willing to eat off its fingers for you and turn a blind eye to you taking 100+ wives would probably not draw the line at something as prosaic as homosexuality. Bill, you could have had 100+ husbands too. Why didn't you.

to me, somehow the goofiness & speed at which this cult came together felt more sincerely Gravity Falls-ish than most of TBOB. Like TBOB is still Gravity Falls, but most of the content doesn't feel 100% Gravity Falls. Bill Speed-Recruits A Cult While Wearing A Corpse He's Frantically Trying To Keep From Falling Apart feels closer to 100%. It's got that je ne sais quoi, that core dumb silliness.

Why did you want over 100 wives, Bill Cipher. Why only wives. What was your motivation.

This works well with my headcanon that Bill's bread & butter isn't just manipulating individuals, but specifically cult leadership. And it's given me a lot of material to work with in as far as writing him as a cult leader. I underestimated how himself he's willing to be while courting fresh victims, I figured there'd be more "trying to sound normally appealing by human standards" going on. He calls his soon-to-be cultists dim plasma bags before he even started pitching his cult. He's REALLY willing to let his charisma do all the heavy lifting. His technique clearly isn't "convince you that he's offering the things you want" but "convince you that you want the things he's offering"

Was stealing all those wives just a power trip, Bill? Is that all it was? If it was, wouldn't persuading guys to marry you in 50s Kansas be an even bigger power move??

how did Silas get involved in this. We don't see Bill take one corpse and KEEP piloting it for long periods of time like that anywhere else, even though it's clearly an effective method of interacting with humans. Was Silas just a conveniently available corpse, or did he make a deal with Bill before he died? Or maybe Bill DOES do this frequently, and it's how he starts most of his cults.

He CAN'T have taken all those wives for "I'm attracted to humans but only the female ones" purposes. In spite of the sheer quantity of references to female exes I am unable to believe that this triangle is heterosexual.

I'm requiring anyone who draws young skinny white human Bill Ciphers from hereon to switch from the sexyman human Bill to Silas Birchtree. 1950s huckster with a golly-gee-whiz face and evil in his eyes and rot on his breath is the pinnacle of what any young skinny white human Bill could possibly be. Also it's interesting to see Bill's justification for being a snappy dresser, that it's a trojan horse for chaos.

questions about bill's orientation aside, my gut says Bill MUST have wanted a bunch of wives and not husbands for some other reason, he didn't ACTUALLY want 100+ wives for sexual/romantic purposes.

or did he

bill explain the cipherwives

[acertifiedmoron]

what do you think about the argument that the incest and dragons make the targaryens so much worse compared to the other houses that the comparisons between them are basically useless?

i will address the incest first, but i'm not interested in any argument arising from disgust. disgust has no moral value and should not be the basis for any ethical/political positions. incest is often predicated on abuse which is the material reason for why it's bad.

so, the argument is that targaryen incestuous marriage is innately more harmful than your average westerosi non-incestuous marriage. the strongest point in favour of this is: when your in-laws are also your natal family, there is no possible recourse for the bride in the event of abuse. i agree with this, maybe ned and brandon would've aided lyanna against robert, but that's one isolated (hypothetical) example. this is not the reality of many women in the main series. not for cersei and not for lysa. in fact, i don't think there is a single instance where the bride's family moves to interfere with a lawful marriage. the martells couldn't do much when rhaegar humiliated elia at harrenhal and then again when he disappeared with lyanna. hoster did nothing when catelyn's new husband returned from the war with his bastard son and shamed her with his decision to raise jon at winterfell. one can hold up margaery as the exception to this, olenna seemed certain that loras would've been outraged enough on her behalf to immediately kill joffrey and to avoid this eventuality they poisoned him beforehand. which was good for her, but why was margaery in such a position to begin with? because she was used as a commodity by her family in their political maneuvering, first with renly and then again with joffrey/tommen. and understand that the tyrells' chief worry here was loras becoming a kingslayer, any concern for margaery's prospective abuse was still secondary.

and this is why the argument doesn't work for me. because within the culture of westeros all women are a commodity, valued entirely for their reproductive capabilities, exchanged by men to maintain the male line. this is the very basis of patriarchy. which is why the real evil here is the institution of marriage. yes, we've established that targaryen women are trapped within their endogamous marriages, but noblewomen in exogamous marriages also have very little hope for recourse. they don't have anywhere to go but pray for their family's aid (which happens rarely or never, as i've pointed out) or their husband's death. this is not me going to bat for incest, just that there really is no significant material difference between targaryen incestous marriages and other westerosi marriages. but to speak of the former as a unique kind of evil, one has to tacitly go to bat for normal westerosi marriages. and that obscures what the text is communicating. the targaryens are not an abberation. westerosi society as a whole is built on gendered violence perpetuating systems of gendered oppression. rarely is anyone not brutalising their daughters. the targaryens do it by keeping daughters within the family structure for consolidating dragon power and the other houses do it by trading their daughters for political power. both cases involve using young girls to bolster male power. and as i've said before, intergenerational violence is an overarching series theme.

now, the dragons. and inevitably this notion of 'valyrian supremacy'. incendiary take, but i don't think it's a useful concept. the targaryens are obsessed with their bloodline, but it's not a fundamentally different type of obsession than that of the starks, the lannisters, or the baratheons etc. they all believe in the inherent superiority of their bloodlines, it's impossible not to when their inheritance is dependent on a continuous line of ancestry which they can trace back to remote times. yeah, then what of the doctrine. the doctrine of exceptionalism is actually doing something else. the doctrine is in-universe propaganda. (most) these people aren't simply egomaniacs with delusions of grandeur, they're shrewd political actors. this is a conscious play to deify themselves in the eyes of their subjects, as royalty is wont to do. there is historical precedent for this with the ptolemies whose sibling marriages were equated with that of zeus and hera and isis and osiris. grrm is very interested in exploring power structures and how they derive their legitimacy. giving his crown family dragons (and then taking them away) is a fantasy extension of that pursuit. see, "dragons are fire made flesh and fire is power". this is a world where the kings are in possession of terrible magic which they claim is their divine mandate.

grrm is using the targaryens to investigate the realities of kingship in his fantasy world, not to make a didactic point about this one noble house being the enemy. as the crown family they must be narratively distinguished from the rest, this he does by introducing the dragons, and as a result of that the incest. both simply heighten the violence already present within feudal power structures. devastating war campaigns for the benefit of the nobility have always existed, the dragons just make it possible to spread that devastation on a more massive scale. the dragons in itself aren't the problem. if that was true, dany—the last targaryen wouldn't have had her entire arc based around recontextualising them as a means of liberation. the power which previously served the authority of kings, now serving the dispossessed.

[redwineandtarot]

your talents

hi! today's pac is all about your talents! as people we are so diverse so not all of your talents may be in this reading. however i hope this helps you discover yourself more! take what resonates and leave what doesn’t. i would love to hear your feedbacks <3

🥀paid readings🥀

Disclaimer: My readings do NOT replace any professional advice. Use your own judgment while making decisions. You have your own free will. Take everything I say light-heartedly. All of my readings are for ENTERTAINMENT PURPOSES.

pick a pile

piles 1-2

3-4

i do not own these pictures

pile 1

You are great at giving people honest and genuine advice. You make people see parts of themselves that they may have not seen before, good or bad. 

You may be great with finances. Or have the potential to be, if you learned more about it. You could study finances or economics. Don't have to, but you may still learn a bit about this topic. I think this will benefit you. (I am not a financial advisor or professional, this is just what cards are telling me!)

Being some sort of a teacher/advisor may suit you well too. Economics professor just came through but you could also be a dance teacher, therapist etc. Just something where you help people broaden their visions. 

You are great with new beginnings. You know how to make something blossom. You are also great with endings.

What I am seeing is you can materialize any interest of yours. Like maybe you want to learn guitar or learn how to cook, you can become quite good at them(to be more specific anything you want). Also this applies to material gains. The world is your oyster, I heard your guides say. 

Some of you may be talented at fashion. Whether it is designing or just making great outfits in daily life. 

You are also great at thinking ahead and planning. 

You are probably at peace with your shadow self or you are on the way to be. 

You have an earthy vibe to you. Your self confidence and calmness makes you a great manifestor. You could also be great at meditation, yoga etc. Anything that makes you connect with the universe and yourself more. 

Messages from spirit:

You still have full autonomy regarding ‘it’. “Nothing is yet set in stone.” You have a lot of potential.

You may need to release something. What is it? Think about this if you don’t know. Because deep down you know it.

thank you for reading <3

pile 2

I see a strong emphasis on your beauty. You could be / have the potential to be a model. Regardless, you are attractive and you may use this to your advantage. I am not saying you inherently have bad intentions. You are just good at charming people and getting what you want. You also probably would do great at things that require you to be in the spotlight. 

You are great at saving money.

You are a great fighter and a diligent person. You are persistent with what you want. Even if the situation seems hopeless. You find a way to make it work. And this usually gets you where you want to be (or even better places) in life. 

You know how to balance things in life. It just comes naturally to you. You know sometimes life does not evolve the way we want. And you trust the universe even in these times. You know you can get your ideas to real life even in the darkest times. 

Your words are powerful. You could use words to manifest. You could also be a writer of some sort (book writer, lyrics writer etc.). 

You may be great with plants, flowers or you may be good at biology. 

The numbers 8 and 6 might be significant.

You are good at dealing with emotions. You are an emotionally intelligent person.

You have natural talents to share your wisdom and your talents. You could benefit from being some sort of a teacher or a performer. Someone people watch.

You have a great understanding of life. The occult and history might be suitable fields of search for you. (I’m especially getting Egyptian mythology.)    

Messages from spirit:

You might be holding onto something out of pride. For most of you this is something from the past that you cannot let go of. 

Look at your situation from a different perspective. People who you deem wrong may be right.

thank you for reading <3

pile 3

You have a natural ability to lead and gather people. Whether for a cause or a project. In your work field or in a hobby that you do, you may pave the way for some sort of thing. For example you may start a new way of doing things, or you may be the first to do something in your hometown etc. 

You may have a talent for singing and/or public speaking. This also ties in with leadership because a good leader should also be good at speaking. Even if you lead a small group of people, good communication is key in my opinion.

You are also good at ending conflicts and finding the middle ground. 

You are also great at comforting people. You can transmute people’s worries. And you are also a great friend. You friends value you a lot.

You can tackle a lot at once. For example you can do modeling, studying, working at a part-time job all at once. Or if it’s just one job you can do different elements of it. Like youtubers; they film, edit and advertise their videos on their own. As a continuation of this, I see that you are a multi-talented person. 

I see you handling fast-paced life well. And this is because after all this running around you know how to come back to yourself and sit still. Maybe you do yoga, meditation, or any type of mindful activity.

When you love something, you also have a GREAT passion for it. This makes you also stand out at what you love. You can do the hard work for what you want.

By harnessing all of these talents of yours, you can achieve great success (whatever success is to you).

You have great spiritual protection around you. From your guides.

Messages from spirit:

You may meet a soulmate(platonic or romantic) or a romantic partner of yours soon. Or you may enter a phase of your life in which you’ll meet your romantic soulmate. For most of you it's the latter. And for this, spirit wants you to hold on to your visions.

thank you for reading <3

pile 4

You have a youthful energy to you. You spread happiness to those around you. You give them energy. While you have youthful energy, I see you as a wise person. You have an immense intellect. You could have gone through some hardships but you got to the other side with great strength and important lessons. Despite this you protected your child-like spirit. Your inner-child feels safe and heard with you.

You have a great imagination. Your dream world is probably pretty big. I get neptune-ish vibes from you. I heard that you may be a poet, if not I suggest you give it a shot. If you do not like poems, you can do other things that get you to use your imagination and emotions. Because I see a great potential in you. 

Some of you may be life path 22 or 7. Even if not, your life path is important for you.

You probably have a close bond with spirit. You are a great manifester. Despite your lighthearted energy, I see that you may have an interest in the occult. 

You have a talent for dancing.

You could also do well in areas where you need to have a quick wit. I hear politics for some of you. The term “crazy like a fox” applies to you. 

Despite appearing playful, you are pretty grounded. Even some of you may not realize this. You just need to work on it a bit more maybe.

You are graceful in the things you do.

Messages from spirit:

The thing you are asking for is within your reach! However while working towards it, you need both spiritual and practical effort for it. (Spiritual effort may be visualizing it for 5 minutes every day, etc.)

thank you for reading <3

[arandomdai]

Persephone Lost Herself To Marriage

⚠️ Warning: I'm just saying my opinions (and theories) like everyone else. So put your tin foil hats on, it's going to be a LONG read. Enjoy!!!⚠️

• The Realization

This was/is a cry for help. She's finally admitted something that we (some of us) already noticed. The fact that she's so worried about her blue corpse of a man's feelings, while in denial about killing hundreds if not thousands of mortals in seconds...is nasty work. Like okay you don't know yourself, good we are getting somewhere. But are you willing to change your ways like finally admitting that your Mom was right, Minthe was right (about you and your man), Zeus was right (where he says they didn't know each other long), finally realize your selfish and a murderer, etc. Like I wanna see the change, not this boohoo act. And speaking of Demeter, she is a little bit at fault for why Persephone acts like this. If she would've told her about being a FG, teach her how to defend herself, help her control her powers or help make her own decisions, none of this wouldn't happen. Now Persephone (this her own fault here)is trapped with guilt, a blu gru, and a whole population of shades coming in. Once this is over, I pray to God that she wakes up, and leave that man, live in the mortal realm, and hopefully come to terms/works on herself to know who she is because her being a Queen is not one of them.

•Hades Is Her Downfall

This man never loved her. He wanted to sleep with her knowing he had a girlfriend (Minthe at the time) and when she was only 19 years old !!!(smdh 🤢😒), somehow he shows up in her nightmare saying, "I Know That I Can Smell Your Ambitions As They Rot At Your Feet.", he didn't let Persephone tell him what happened, lies about everything, disrespects Demeter, never gave Thanatos a real apology, never actually going to therapy, etc, need I say more? This man genuinely hates powerful women. He sabotaged Demeter's right to rule the mortal realm, gets angry when women stand up for themselves, preys on the vulnerable and young, dangles money over them, had an affair with Hera behind his brothers back, etc, and Persephone still thinks he's husband material... chile. Like how come she doesn't see those horrible qualities and notice that he brings out the worst in her? Real men don't treat women like this. To be fair, that first genocide she caused was all her fault, like yes they were playing in her face, but she didn't need to start killing people. But you know what she did, she was willing to help the shades get into the Underworld (and he was mad about that 😒). Now we're on to our second genocide, and this man was the cause of this as well (mostly her fault but still). The fact he said "I can't stop her from trying." Like yes you can Blunocchio 🙄. I'm so tired of him, and his evil ways. Persephone really needs to understand that man was never in her corner, and if he was, he would've left her alone from the very beginning. The lesson is don't EVER let a man be your downfall and try to make you feel powerless. If he can't take how powerful you are, he was never the one and he's an insecure a**hole.

• There Was Always Someone

Hydros tried to warn Gaia

People thought Rhea was stupid for loving Kronos

Probably someone close to the Missing Goddess tried to warn her

Demeter warned Persephone

Do we see the pattern? Constantly losing yourself in love with abusive men, getting your powers drained because they wanted to prove that they were worth loving, and trying to prove the haters wrong (looking at you author)? Well, yes. Persephone had her twenties to look forward to (school, TOGEM, and starting her future), but made a man child the #1 priority. Had her thirties (self reflection, getting her shit together, realize she can do bad by herself.), but still managed to keep him in the #1 priority slot, instead of her and her own mother. Like does she not get that her mom is her real best friend? These fertility goddesses (excluding Metis 🤢) wish that they would've listened to those people/or families, and saw from their point of view that their men weren't no good, and go from there. Like did Persephone ever think about what Zeus told her ( his back story about what happened to Rhea), nope. Just ignored it because she never listens, and loves finding out the hard way 🙄😒. If the author wanted a real ('cause let's be honest, it's not) feminist retelling, she could've had Persephone look at the fertility goddesses differently, Seeing there struggles, learn that Demeter just didn't want to see her get hurt, and walk away from him (but in a perfect world I guess 🫤). Remember y'all there is always someone in your corner that is looking out for you and/or showing they love you.

• Persephone's Fate

Until she starts listening to the right people, know how to think for herself, and realize that man ain't crap, she's doomed. Years from now, she's going to be trapped in a marriage full of regrets and shattered dreams, sparkling and useless if you will. Hades will continue to use and abuse her. Hell, wouldn't be surprised if he started cheating on her like he cheated on Minthe. Also, wouldn't be shocked if she becomes the next Hera, after all she was just her stand in. Hades would take most of her powers, someone defeats him, and puts him in prison somewhere, she starts seeing him, and no one else can. Would that be something? I mean he was in her dreams telling her that her ambitions will rot. Also people wouldn't want to come around her, and she gotta live with that for the rest of her life. Demeter, lasion, and her son living life to the fullest, so who can she call? She is stuck in a tragic cautionary tale of a fertility goddess. Someone that wanted to prove the haters wrong, wanted to be worthy of loving, and a victim of a man's abuse and manipulations.

[venusgirltarot]

How Is Your Person Feeling About You? ࿐ྂ。

Disclaimer: This reading is for entertainment purposes only. Tarot readings are about possibilities based on your current energy. Energy is forever changing and nothing is set in stone. Always remember, you have your own free will to make whatever decision you feel is best.

If you would like a personal reading from me, you can get one here!

Pile 1 ࿐

Pile one, your person may be someone you knew years ago. A childhood friend or a short fling that just wasn’t right at the time. You’ve either found each other again or never left and have been friends this whole time. Your person feels like they never quite match up to you and I heard “your expectations” but I don’t think you have or have ever had expectations for them. You’ve always loved them as themselves but they don’t seem to realize that.

If you guys have been friends, they may have seen you in other relationships and compare themselves to your exes, always feeling like they don’t quite measure up. They also compare themselves to you, they feel like you always do things by the book and you’re very intelligent. Maybe they feel you’ve gone about things in the way society deems as “correct” or “ideal”. For example, going to college right after high school, getting good grades, holding a stable job, etc. or possibly have a good family and home life that they don’t have.

They may have taken the steps to turn themselves into the person they feel is deserving of you and your attention. Possibly becoming someone you don’t really recognize anymore. This could be because you don’t really recognize them but could also be because they’ve distanced themselves from you so you haven’t gotten the chance to know this new version of them because they haven’t given you that chance.

There’s a distance between the two of you that seems to he fueled by this stubbornness and refusal to let your guard down and just open up to each other. You may have been in or recently gotten out of a relationship that upset this person. They may have finally come to terms with their romantic feelings for you and we’re thinking about opening up to you when you got into this relationship and it made them distance themselves and possibly even have resentment for you and this relationship.

There’s a lack of communication that I really think the two of you could benefit from. I think a conversation could change everything for the two of you if you just have it a chance and opened up to each other.

During the reading I heard “always an angel never a god” from a boygenius song (I’m so sorry I can’t remember which) “never could quite measure up” “one step ahead of you” and I channeled the song “The Less I Know The Better” by Tame Impala

Pile 2 ࿐

You may have recently ended things with this person or cut ties and moved on. You felt your needs weren’t being met and the energy wasn’t being reciprocated so you “kept it moving” is what I heard and “nobody has time for that” as well 😭 you knew you were deserving of more so you decided to leave this connection behind and go find more and you made a good decision in doing that.

I kept hearing “Everything I Didn’t Say” by 5SOS when I was shuffling. It seems like your person understands that there’s more they could’ve done but at the same time, I don’t think they’re expressing that to you. They may have entered this connection with the idea that it would be “easy” or “low maintenance” so they could focus on their career and put you on the back burner and didn’t take any of your issues or needs seriously. They didn’t expect you to walk away but refuse to see that their lack of communication and refusal to contribute to it was the real downfall of the relationship.

They may have the idea that material things like clothes, flowers, dinners, etc. would’ve fixed it when emotional connection and vulnerability is what you really wanted. I heard “you didn’t ever really know me” there was a lack of any sort of connection in this relationship and this person’s failure to realize that just cements the fact that walking away is the best decision you could’ve made.

I think you would have fully supported them in pursuing their career had they communicated that with you but they failed to do that and continue to lack the communication and emotional maturity needed to maintain a stable and healthy relationship.

You have an amazing person coming in, pile 2. Someone that’s understand and appreciates you and your energy. Someone that doesn’t neglect you, your wants, or your needs. There’s someone coming in that is worth your time and energy but that is not this person and you did the right thing by walking away. Please don’t ever doubt that. I heard “stay true to yourself” and “keep it moving”

Pile 3 ࿐

Don’t hold yourself back, pile 3. You may have met this person recently at a group outing/event or work. I heard “that’s my man” while shuffling. This is oddly specific but Taylor Swift may have been playing in the background when you met this person. You may have been in a group of people but your full attention was on each other, even if you two didn’t notice the other staring. There were a lot of stolen glances between the two of you and very subtle flirting. Subtle enough that you’re still questioning whether or not they were flirting with you. They were. The feelings are very much mutual.

You may be rejecting yourself before this person gets the chance to. Shutting down the idea of the two of you as couple to save yourself from hurt because for some reason you’re so sure it won’t but what if it does? What if you talk to them and they tell you your feelings are mutual and you finally get to feel that love you see everyone else receiving but have never received yourself? Stop letting your fears and insecurities hold you back and take that chance.

You’re worthy of love and affection from not only yourself, but others as well. This person is not “too good” for you and it is possible that they could like you back because they do. I heard “like a lot” 😭 the feelings are most definitely mutual, stop doubting yourself. Stop thinking no one could ever have a crush on you because they can and they do because of course they would. You’re amazing, stop doubting that. Why are you fighting your own happiness? It’s here. The love you’ve been wanting and fantasizing about is here, fall into it and stop questioning yourself.

I don’t have to tell you what this person is feeling for you because your feelings are identical. What you feel for them they feel for you. You’re definitely mirroring each other. Don’t take anything too seriously and approach this connection in a light playful way and see where it goes.

I hope this reading has brought you some sort of peace, clarification, or happiness! Feedback is always appreciated :) have a good day or night. Sending you love and light!

[mostlysignssomeportents]

The (open) web is good, actually

I'll be at the Studio City branch of the LA Public Library tonight (Monday, November 13) at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

The great irony of the platformization of the internet is that platforms are intermediaries, and the original promise of the internet that got so many of us excited about it was disintermediation – getting rid of the middlemen that act as gatekeepers between community members, creators and audiences, buyers and sellers, etc.

The platformized internet is ripe for rent seeking: where the platform captures an ever-larger share of the value generated by its users, making the service worst for both, while lock-in stops people from looking elsewhere. Every sector of the modern economy is less competitive, thanks to monopolistic tactics like mergers and acquisitions and predatory pricing. But with tech, the options for making things worse are infinitely divisible, thanks to the flexibility of digital systems, which means that product managers can keep subdividing the Jenga blocks they pulling out of the services we rely on. Combine platforms with monopolies with digital flexibility and you get enshittification:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

An enshittified, platformized internet is bad for lots of reasons – it concentrates decisions about who may speak and what may be said into just a few hands; it creates a rich-get-richer dynamic that creates a new oligarchy, with all the corruption and instability that comes with elite capture; it makes life materially worse for workers, users, and communities.

But there are many other ways in which the enshitternet is worse than the old good internet. Today, I want to talk about how the enshitternet affects openness and all that entails. An open internet is one whose workings are transparent (think of "open source"), but it's also an internet founded on access – the ability to know what has gone before, to recall what has been said, and to revisit the context in which it was said.

At last week's Museum Computer Network conference, Aaron Straup Cope gave a talk on museums and technology called "Wishful Thinking – A critical discussion of 'extended reality' technologies in the cultural heritage sector" that beautifully addressed these questions of recall and revisiting:

https://www.aaronland.info/weblog/2023/11/11/therapy/#wishful

Cope is a museums technologist who's worked on lots of critical digital projects over the years, and in this talk, he addresses himself to the difference between the excitement of the galleries, libraries, archives and museums (GLAM) sector over the possibilities of the web, and why he doesn't feel the same excitement over the metaverse, and its various guises – XR, VR, MR and AR.

The biggest reason to be excited about the web was – and is – the openness of disintermediation. The internet was inspired by the end-to-end principle, the idea that the network's first duty was to transmit data from willing senders to willing receivers, as efficiently and reliably as possible. That principle made it possible for whole swathes of people to connect with one another. As Cope writes, openness "was not, and has never been, a guarantee of a receptive audience or even any audience at all." But because it was "easy and cheap enough to put something on the web," you could "leave it there long enough for others to find it."

That dynamic nurtured an environment where people could have "time to warm up to ideas." This is in sharp contrast to the social media world, where "[anything] not immediately successful or viral … was a waste of time and effort… not worth doing." The social media bias towards a river of content that can't be easily reversed is one in which the only ideas that get to spread are those the algorithm boosts.

This is an important way to understand the role of algorithms in the context of the spread of ideas – that without recall or revisiting, we just don't see stuff, including stuff that might challenge our thinking and change our minds. This is a much more materialistic and grounded way to talk about algorithms and ideas than the idea that Big Data and AI make algorithms so persuasive that they can control our minds:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

As bad as this is in the social media context, it's even worse in the context of apps, which can't be linked into, bookmarked, or archived. All of this made apps an ominous sign right from the beginning:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

Apps interact with law in precisely the way that web-pages don't. "An app is just a web-page wrapped in enough IP to make it a crime to defend yourself against corporate predation":

https://pluralistic.net/2023/08/27/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse/

Apps are "closed" in every sense. You can't see what's on an app without installing the app and "agreeing" to its terms of service. You can't reverse-engineer an app (to add a privacy blocker, or to change how it presents information) without risking criminal and civil liability. You can't bookmark anything the app won't let you bookmark, and you can't preserve anything the app won't let you preserve.

Despite being built on the same underlying open frameworks – HTTP, HTML, etc – as the web, apps have the opposite technological viewpoint to the web. Apps' technopolitics are at war with the web's technopolitics. The web is built around recall – the ability to see things, go back to things, save things. The web has the technopolitics of a museum:

https://www.aaronland.info/weblog/2014/09/11/brand/#dconstruct

By comparison, apps have the politics of a product, and most often, that product is a rent-seeking, lock-in-hunting product that wants to take you hostage by holding something you love hostage – your data, perhaps, or your friends:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

When Anil Dash described "The Web We Lost" in 2012, he was describing a web with the technopolitics of a museum:

where tagging was combined with permissive licenses to make it easy for people to find and reuse each others' stuff;

where it was easy to find out who linked to you in realtime even though most of us were posting to our own sites, which they controlled;

where a link from one site to another meant one person found another person's contribution worthy;

where privacy-invasive bids to capture the web were greeted with outright hostility;

where every service that helped you post things that mattered to you was expected to make it easy for you take that data back if you changed services;

where inlining or referencing material from someone else's site meant following a technical standard, not inking a business-development deal;

https://www.anildash.com/2012/12/13/the_web_we_lost/

Ten years later, Dash's "broken tech/content culture cycle" described the web we live on now:

https://www.anildash.com/2022/02/09/the-stupid-tech-content-culture-cycle/

found your platform by promising to facilitate your users' growth;

order your technologists and designers to prioritize growth above all other factors and fire anyone who doesn't deliver;

grow without regard to the norms of your platform's users;

plaster over the growth-driven influx of abusive and vile material by assigning it to your "most marginalized, least resourced team";

deliver a half-assed moderation scheme that drives good users off the service and leaves no one behind but griefers, edgelords and trolls;

steadfastly refuse to contemplate why the marginalized users who made your platform attractive before being chased away have all left;

flail about in a panic over illegal content, do deals with large media brands, seize control over your most popular users' output;

"surface great content" by algorithmically promoting things that look like whatever's successful, guaranteeing that nothing new will take hold;

overpay your top performers for exclusivity deals, utterly neglect any pipeline for nurturing new performers;

abuse your creators the same ways that big media companies have for decades, but insist that it's different because you're a tech company;

ignore workers who warn that your product is a danger to society, dismiss them as "millennials" (defined as "anyone born after 1970 or who has a student loan")

when your platform is (inevitably) implicated in a murder, have a "town hall" overseen by a crisis communications firm;

pay the creator who inspired the murder to go exclusive on your platform;

dismiss the murder and fascist rhetoric as "growing pains";

when truly ghastly stuff happens on your platform, give your Trust and Safety team a 5% budget increase;

chase growth based on "emotionally engaging content" without specifying whether the emotions should be positive;

respond to ex-employees' call-outs with transient feelings of guilt followed by dismissals of "cancel culture":

fund your platforms' most toxic users and call it "free speech";

whenever anyone disagrees with any of your decisions, dismiss them as being "anti-free speech";

start increasing how much your platform takes out of your creators' paychecks;

force out internal dissenters, dismiss external critics as being in conspiracy with your corporate rivals;

once regulation becomes inevitable, form a cartel with the other large firms in your sector and insist that the problem is a "bad algorithm";

"claim full victim status," and quit your job, complaining about the toll that running a big platform took on your mental wellbeing.

https://pluralistic.net/2022/02/18/broken-records/#dashes

The web wasn't inevitable – indeed, it was wildly improbable. Tim Berners Lee's decision to make a new platform that was patent-free, open and transparent was a complete opposite approach to the strategy of the media companies of the day. They were building walled gardens and silos – the dialup equivalent to apps – organized as "branded communities." The way I experienced it, the web succeeded because it was so antithetical to the dominant vision for the future of the internet that the big companies couldn't even be bothered to try to kill it until it was too late.

Companies have been trying to correct that mistake ever since. After three or four attempts to replace the web with various garbage systems all called "MSN," Microsoft moved on to trying to lock the internet inside a proprietary browser. Years later, Facebook had far more success in an attempt to kill HTML with React. And of course, apps have gobbled up so much of the old, good internet.

Which brings us to Cope's views on museums and the metaverse. There's nothing intrinsically proprietary about virtual worlds and all their permutations. VRML is a quarter of a century old – just five years younger than Snow Crash:

https://en.wikipedia.org/wiki/VRML

But the current enthusiasm for virtual worlds isn't merely a function of the interesting, cool and fun experiences you can have in them. Rather, it's a bid to kill off whatever is left of the old, good web and put everything inside a walled garden. Facebook's metaverse "is more of the same but with a technical footprint so expensive and so demanding that it all but ensures it will only be within the means of a very few companies to operate."

Facebook's VR headsets have forward-facing cameras, turning every users into a walking surveillance camera. Facebook put those cameras there for "pass through" – so they can paint the screens inside the headset with the scene around you – but "who here believes that Facebook doesn't have other motives for enabling an always-on camera capturing the world around you?"

Apple's VisionPro VR headset is "a near-perfect surveillance device," and "the only thing to save this device is the trust that Apple has marketed its brand on over the last few years." Cope notes that "a brand promise is about as fleeting a guarantee as you can get." I'll go further: Apple is already a surveillance company:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

The technopolitics of the metaverse are the opposite of the technopolitics of the museum – even moreso than apps. Museums that shift their scarce technology budgets to virtual worlds stand a good chance of making something no one wants to use, and that's the best case scenario. The worst case is that museums make a successful project inside a walled garden, one where recall is subject to corporate whim, and help lure their patrons away from the recall-friendly internet to the captured, intermediated metaverse.

It's true that the early web benefited from a lot of hype, just as the metaverse is enjoying today. But the similarity ends there: the metaverse is designed for enclosure, the web for openness. Recall is a historical force for "the right to assembly… access to basic literacy… a public library." The web was "an unexpected gift with the ability to change the order of things; a gift that merits being protected, preserved and promoted both internally and externally." Museums were right to jump on the web bandwagon, because of its technopolitics. The metaverse, with its very different technopolitics, is hostile to the very idea of museums.

In joining forces with metaverse companies, museums strike a Faustian bargain, "because we believe that these places are where our audiences have gone."

The GLAM sector is devoted to access, to recall, and to revisiting. Unlike the self-style free speech warriors whom Dash calls out for self-serving neglect of their communities, the GLAM sector is about preservation and access, the true heart of free expression. When a handful of giant companies organize all our discourse, the ability to be heard is contingent on pleasing the ever-shifting tastes of the algorithm. This is the problem with the idea that "freedom of speech isn't freedom of reach" – if a platform won't let people who want to hear from you see what you have to say, they are indeed compromising freedom of speech:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

Likewise, "censorship" is not limited to "things that governments do." As Ada Palmer so wonderfully describes it in her brilliant "Why We Censor: from the Inquisition to the Internet" speech, censorship is like arsenic, with trace elements of it all around us:

https://www.youtube.com/watch?v=uMMJb3AxA0s

A community's decision to ban certain offensive conduct or words on pain of expulsion or sanction is censorship – but not to the same degree that, say, a government ban on expressing certain points of view is. However, there are many kinds of private censorship that rise to the same level as state censorship in their impact on public discourse (think of Moms For Liberty and their book-bannings).

It's not a coincidence that Palmer – a historian – would have views on censorship and free speech that intersect with Cope, a museum worker. One of the most brilliant moments in Palmer's speech is where she describes how censorship under the Inquistion was not state censorship – the Inquisition was a multinational, nongovernmental body that was often in conflict with state power.

Not all intermediaries are bad for speech or access. The "disintermediation" that excited early web boosters was about escaping from otherwise inescapable middlemen – the people who figured out how to control and charge for the things we did with one another.

When I was a kid, I loved the writing of Crad Kilodney, a short story writer who sold his own self-published books on Toronto street-corners while wearing a sign that said "VERY FAMOUS CANADIAN AUTHOR, BUY MY BOOKS" (he also had a sign that read, simply, "MARGARET ATWOOD"). Kilodney was a force of nature, who wrote, edited, typeset, printed, bound, and sold his own books:

https://www.theglobeandmail.com/arts/books/article-late-street-poet-and-publishing-scourge-crad-kilodney-left-behind-a/

But there are plenty of writers out there that I want to hear from who lack the skill or the will to do all of that. Editors, publishers, distributors, booksellers – all the intermediaries who sit between a writer and their readers – are not bad. They're good, actually. The problem isn't intermediation – it's capture.

For generations, hucksters have conned would-be writers by telling them that publishing won't buy their books because "the gatekeepers" lack the discernment to publish "quality" work. Friends of mine in publishing laughed at the idea that they would deliberately sideline a book they could figure out how to sell – that's just not how it worked.

But today, monopolized film studios are literally annihilating beloved, high-priced, commercially viable works because they are worth slightly more as tax writeoffs than they are as movies:

https://deadline.com/2023/11/coyote-vs-acme-shelved-warner-bros-discovery-writeoff-david-zaslav-1235598676/

There's four giant studios and five giant publishers. Maybe "five" is the magic number and publishing isn't concentrated enough to drop whole novels down the memory hole for a tax deduction, but even so, publishing is trying like hell to shrink to four:

https://pluralistic.net/2022/11/07/random-penguins/#if-you-wanted-to-get-there-i-wouldnt-start-from-here

Even as the entertainment sector is working to both literally and figuratively destroy our libraries, the cultural heritage sector is grappling with preserving these libraries, with shrinking budgets and increased legal threats:

https://blog.archive.org/2023/03/25/the-fight-continues/

I keep meeting artists of all description who have been conditioned to be suspicious of anything with the word "open" in its name. One colleague has repeatedly told me that fighting for the "open internet" is a self-defeating rhetorical move that will scare off artists who hear "open" and think "Big Tech ripoff."

But "openness" is a necessary precondition for preservation and access, which are the necessary preconditions for recall and revisiting. Here on the last, melting fragment of the open internet, as tech- and entertainment-barons are seizing control over our attention and charging rent on our ability to talk and think together, openness is our best hope of a new, good internet. T

he cultural heritage sector wants to save our creative works. The entertainment and tech industry want to delete them and take a tax writeoff.

As a working artist, I know which side I'm on.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/13/this-is-for-everyone/#revisiting

Image: Diego Delso (modified) https://commons.wikimedia.org/wiki/File:Museo_Mimara,_Zagreb,_Croacia,_2014-04-20,_DD_01.JPG

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

[itzkirav]

SPIDER-MAN NOIR BF/HUSBAND

He’s so cool, sexy, and silly, I love him.

Ngl this was kinda hard to find out what I think he would be like.

I need more scenes of him or Ima go crazy

I hope they give him more scenes in the next one.

Spider-Man noir x reader

We can tell he’s supportive no matter what. Like especially making decisions.

Like omg, he’s so cute. He’s great at comforting you. Always by your side no matter what.

Okay so like if you were small, you could easily climb on him like Penny and spider-ham did in the movie. And it would be better if you were a spider as well so you can stick on to him.

He's so BF material ;).Always there for you. Like a true gentleman, he is. He knows how to treat a woman for sure.

I think he'll be dramatic and sarcastic. We Can see that in the movie.

He’s protective, he has a gun what do you expect? he'll bring it if you guys are on a date, especially if you guys end up walking in an alleyway.

Kissing in the rain y’all 🫶

Likes taking you to watch movies or drink.

Likes to spoil you. Because he understands how to care for women 😝purses, lipstick, etc

Tall bf and short gf(I’m sorry if you're tall as him)

Likes dancing with you it’s calming to him. And loves dancing with you in the rain. Doesn't care if he gets sick.

Sometimes can be husband material :3

Everybody would be jealous of you guys bc of your perfect relationship. Especially the women.

If you knew he was Spider-Man, he would drop by to say hi and kiss you before he goes to beat up bad guys.

You guys would date about a year and then get married🧍‍♀️it’s the 1930s…

Officially he is husband material.

he would think of retirement and starting a life with you, and maybe bringing a baby into your marriage.

Calls you daring and love.

He loves to take your hand and kiss it.

Loves cuddling with you. He's the big spoon.

He just knows you so well.

You’re his personal nurse, if he ever comes home with wounds you’ll patch them up for him.

A good husband deserves a massage.

Loverboy…

Likes gifting you flowers as a surprise

Give him kisses on the cheek before he leaves.

Y’all just love spending time with each other.

He’s the perfect husband you can ever have. And you’ll be the perfect wife for him.

God, I hate this.. I love him and all but he’s hard for me to write.😢

[sapphim]

I keep wondering why there's so many DA2 armors, weapons and assets in DAI. Was it easier to add things they had already created - in another engine - into the new game or were they intending to have the DA2 crew actually show up (given half the plot of DAI was for DA2's cut quest). I know you're not a mind reader but I was wondering if you ever had any thoughts about this.

So I am neither an expert nor as you say a mindreader. But it's my understanding that's just kind of the nature of large scale development. There's a period after launch where your game is in support mode for patches and DLC but you're also getting started on the next project right away. And having many people working on many things in parallel there will be many such cases where team A can't start on thing 2 until they get thing 1 from team B; you have to finalize the script before you finalize the voiceover before you finalize the cutscenes, etc. So it makes sense that development would be staggered.

It also makes sense to just, make things you can use? Even if you're not working on the yearly FIFA release there's no sense in not using good assets if you have them. Time not spent replacing those assets can be spent on making something else, and now you've got more assets. (And not for nothing but Inquisition was very much sold on the basis of "wow look at the scale! much large! so world! crafting system!" lol)

And they got smart about this when they started work on Inq. Origins and DA2 share the same engine architecture but they changed the proportions of their body models (sometimes drastically) and they added additional bones to their face rig. DA2 to Inq, while they had to transition to an entirely new engine, you know what didn't change? All that model stuff I mentioned. So even with having to convert your work over for the new materials—and, you know, slapping on some tchotchkes bc you're allowed a higher poly count—it's still a big time save, as modders who have done conversions can directly attest. And again this is time that can now be spent idk sculpting Bull's fat tits or whatever.

Also DA2 is really the first time we see where the visual identity of Dragon Age started to form. The visual language of Origins was... derivative. A faux medieval nothingburger. 00s era brown. Most of the stuff that we think of as comprising the "look" of Dragon Age as a whole really didn't start appearing until DA2. Did the Dalish look Dalish in Origins? Did the Wardens look like Wardens? It's been an ongoing process to make Dragon Age look like something instead of nothing (god bless).

Even without getting down into the weeds of Inq being the sequel they originally planned during the development of Origins, and questions about what their state of development was when they got the word to sunset the game and scrap that DLC, and the pivot to Inq. Like whatever they were thinking throughout working on 2 and whether or not they were also thinking ahead to Inq throughout and whether or not that influenced any of their development decisions on 2 particularly toward its end of life... Yeah, it's just pragmatic. And pragmatism is the thing that gets games out the door.

[cromulent-marshland]

🍉 FROM THE RIVER TO THE SEA

HELPING PALESTINE

If you think that the only way of helping Palestine is going to a protest, then you're not thinking big enough. While protests are amazing, and we need to keep the pressure on Biden and the other world leaders, here's some things you can do in your daily life that also help.

🍉 Follow the BDS list. I'll link some resources of what not to buy and what is safe. I know this gets confusing, but I'll try to give you all the resources you need to make informed decisions.

🍉 Give money to Palestinian organizations. Just like the BDS list, I'll link all the resources I have. Lots of them are helping on the ground to provide aid and give Palestinians a chance to tell the world whats going on.

🍉 Follow Palestinian journalists. I'll link a lot of them down below, but they are the best way to see what's going on right now.

🍉 Listen to Palestinian people. I'm white, so I only want to use my voice to uplift Palestinian ones in this issue. I will stand hand in hand with them and use my privilege to push them to the forefront, but I never want to to take the spotlight away from them.

🍉 Learn Palestinian History. I'll link some great resources I found that helped me learn the history of the Nakba, the constant degradation of Palestinians by Israel, and why this issue needs to be talked about until Palestine is free.

🍉 Distribute reading materials, zines, stickers, or anything else. It's a great way to spread information and lift up Palestinian voices.

Resources after the cut.

RESOURCES

BDS LIST

🍉 What is BDS? - The official website. It tells you want not to buy and all that other fun stuff.

🍉 Sully Iqbal - His TikTok's about the BDS list break it down simply for everyone can understand what it means and how to follow it.

PALESTINIAN ORGANIZATIONS

🍉 CARE FOR GAZA -  Nonprofit that’s taking donations to help get food to the people in Gaza right now. 

🍉 E-SIMS FOR GAZA - eSims are one of the only ways Palestinians have been able to keep in touch with the world and loved ones.

🍉 CARTOONIST CO-OPERATIVE E-SIM DRIVE - If you donate an eSim to Gaza through the link and provide proof, you can get a commission or free art piece from these amazing artists. 

🍉 MEDICAL AID FOR PALESTINIANS - an organization on the ground in Gaza working to stock hospitals with essential healthcare supplies.

🍉 MIDDLE EAST CHILDREN'S ALLIANCE - Helps children in Gaza.

🍉 PALESTINE CHILDREN’S RELIEF FUND  - Also helps children in Gaza.

🍉 UN WORLD FOOD PROGRAM  - They are trying to send aid trucks into Gaza right now and working to get it past Israeli checkpoints.

🍉 DOCTORS WITHOUT BORDERS  - Many members are in Gaza right now helping in hospitals.

PALESTINIAN JOURNALISTS/ NEWS ORGS

🍉 Motaz - Not currently in Gaza, but is important to follow as he goes to plead Palestine's case all over the world.

🍉 Bisan - Currently in Rafah. Makes beautiful documentaries and posts about everyday life.

🍉 Wael - Not in Gaza, might be returning. Works with Al Jazeera in the Middle East.

🍉 Walaa

🍉 Nour Arfaa

🍉 Doaa

🍉 Aya

🍉 Al Jazeera - Good news source. Actually gives you information about what's going on in Gaza.

🍉 Lama - The youngest journalist in Gaza right now at 9 years old.

PALESTINIAN HISTORY

🍉 BLACK ZINE ARCHIVE LINKS FOR PALESTINE - Lots of good resources and articles about Palestine 

🍉 ISRAEL PALESTINE CONFLICT - SIMPLIFIED

🍉 A GUIDE TO PALESTINE FOR BEGINNERS

🍉 POLITICAL EDUCATION PODCAST PLAYLIST  - by Emma Kim Rust

ZINES/READING MATERIALS/PRINTS/ETC.

🍉 LIST OF WRITERS AND ARTISTS MARTYRED IN GAZA 

🍉 BOYCOTT, DIVESTMENT SANCTIONS by Omar Barghouti 

🍉 FREE EBOOKS FOR A FREE PALESTINE 

🍉 THE OCCUPATION OF WATER

🍉 PALESTINE ZINES AND READING LIST - by @cyclista_zine

🍉 PALESTINE ZINES -  by ig @illegibledistro

🍉 THE FREE PALESTINE ISSUE - by Mizna 

🍉 PALESTINE: A SOCIALIST INTRODUCTION Edited by Sumaya Awad and brian bean 

🍉 "ISRAEL IS MASSACRING US. PALESTINIANS NEED PEOPLE AROUND THE WORLD TO TAKE A STAND" -  by Ahmed Abu Artema, October 17, 2023  Middle Eastern Eye

🍉 "LIGHT IN GAZA" - edited by Jehad Abusalim, Jennifer Bin, et al.

🍉 "THE NAKBA AND PALESTINIAN REFUGEES: IMEU QUESTIONS AND ANSWERS" - by Institute for Middle East Understanding, May 5th 2022

🍉 PALESTINE READING LIST - by Dogfish99

🍉FREE PROTEST ART - Paste it in your city.  

🍉 MORE PROTEST ART

BOOKS 

Analysis and history 

🍉 “The Question of Palestine” Edward W. Said 

🍉 “Except for Palestine: The Limits of Progressive Politics” by Marc Lamont Hill and Mitchell Plitnick 

🍉 “ The Hundred Years’ War on Palestine: A history of Settler Colonialism and Resistance 1917-2017” by  Rashid Khalidi  

Poetry 

🍉 “Words under the Words: selected poems” Naomi Shihab Nye 

🍉 “Birthright” by George Abraham 

🍉 “ Dear God. Dear Bones. Dear Yellow.”  by Noor Hindi 

🍉 “Rifqa” Mohammed El-Kurd 

🍉 “I could die today & live again” by Summer Farah

🍉 “Born Palestinian, Born Black” by Suheir Hammad

🍉 “ How water holds me” by Tariq Luthun 

🍉 “Almond Blossoms and Beyond” collected works of Mahmoud Darwish 

Fiction

🍉 “Minor Detail” by Adania Shibli 

🍉 “Against the Loveless World” Susan Abulhawa

🍉 “The Book of Ramallah” Short Stories edited by Maya Abu al-Hayat

OTHER ACTIONS YOU CAN DO

🍉 STOP THE GAZA GENOCIDE TOOLKIT - Very important. A treasure trove of information. 

🍉 FREE AND FAST WAYS TO SUPPORT PALESTINE

🍉 PALESTINIAN BUSINESSES - Support people and Palestinian businesses directly. 

🍉 CALL CONGRESS: STOP FUELING VIOLENCE

🍉 JAM THE PHONE LINES

🍉 WHAT YOU CAN DO FOR PALESTINE BLANK ZINE - Fill it out and hand it out to give out when you're in public.

If you have any more resources or suggestions, reblog them under this post or DM me and I can add it to the original post. Free Palestine. We can't give up on Gaza, no matter how tired we may be. They need our help.

[tzigone]

Headcanon reboot - super tech for the masses

So one of the aspects of my headcanon reboot is that it kinds ends - people age and retire, we don't have to keep villains in play (the reformed ones stay reformed) and so on. And one thing I started playing with is that this world doesn't have to stay like our world. I completely understand why it does in the comics, and I do think it a good business decision, but this is just for fun, not money, so I can make characters do logical things.

So, when someone invents a potentially world-changing and fortune-making technology, it can actually be mass-produced, used by ordinary people, and change the world. Instead of being confined to heroes and villains with no proper reason given (because it would make the world our heroes operate in unrecognizable and be a barrier to entry for new readers).

Please do forgive me if I've misremembered the details on how these techs work. Or if they've been given multiple explanations, chime in with others.

Chronologically, the first one I have on my list is Ray Palmer/The Atom's tech (shrinking things or people and with the ability to alter mass while in shrunken state). This would be circa 2001. Originally he was thinking about how, with everything shrunk, farmers could grow more and freight trains transport more. But the tech only worked on him, so he wasn't ready to publish. But later, he did manage to get it work on others...and still never published or put it out in the world. At least, he unshrunk the Hawks. It's been a long time since I read it. Hope I'm not misremembering the details and that wasn't another "it only works this one time" sort of thing.

In this universe, he will. He's still a graduate student, so I guess we know what his thesis is. I'm undecided on whether to make the lens still made from white dwarf star (which makes no sense) or make it regular lens inspired by the idea of a white dwarf star (which also makes no sense, but lends itself to the mass use he was thinking about, since material for the lens would be available). A lens (that he crafted himself, so the precision shouldn't be an issue), a control panel, and an ultraviolet light - doesn't like it should be too expensive to manufacture (though end-user price may still be very high at first depending on supply and demand). I was modeling IP treatment after Yale's for compensation, but I don't really know how universities deal with tech patents like that - sell or license the patent and would licenses be exclusive? Anyway, he'll have a hell of thesis. But the rest of the comments on him are only relevant if the tech goes mainstream. Then he started traveling through phone lines. That has even more massive implications for goods transport (I haven't really put any thought into the agriculture, I admit - just transport). But it's not going to happen overnight. I would expect massive regulatory hurdles. Safety tests (both on goods shrunk and people). And if they use phone travel, there's other safety issues to be addressed. Do they use the same phone network? What about infrastructure improvement? Obviously some countries will move more quickly than others and some will be more likely to respect the patent than others. The mid and long-term effects as the tech actually goes mainstream - takes time for factories to be built or modified but it will happen. I could still see lots of loading and unloading jobs, of course. Eventually expect your Walmart's to have their own and get things shipped to them that way. Businesses like gas stations may still be getting last mile delivery of chips, but the number of truckers should go down a lot, so there's unemployment in that field. Not mention trains and shipping companies and ports. Recession time? Some countries even heavily hit. Job rearrangement from things it's more profitable to outsource now that shipping is so quick and cheap. This could really impact commuting. Many people love cities for the entertainment, etc. But then you have the folks with hour and half commutes from the suburbs. It may not be affordable to the average person to own their own for a long time (so they can dial a phone, shrink, then their desk phone auto-answers and they unshrink and thus have a 30-second commute), but bus-depot like places could allow someone in Lawrence, KS to park their car (pay a parking fee), shrink and transport the location a 5-minute walk from their work in Manhattan instead of having a more expensive home closer by. I find decoupling employment location from living location interesting (and often discussed in regards to remote work), but I'm not sure how much it'd happen. More useful for long trips than short ones, of course. We have to think about security implications (especially if used internationally). Gotta check passports, go through customs, etc. Could someone send a bomb via phone line? This is pretty fantastical tech to start with, but with the ability to not decrease mass, would it still have full explosive power - I really don't know how various bombs work.

Next up is Karen Beecher/Bumblebee in 2003. I am not using her shrinking, as I think it makes to much like Wasp. But from one of the guides, it was said the antennae of her costume were solar panels and that's what allowed her to user her mechanical wings and fly. That kind of solar panel and battery would make massive, massive impacts (I'm assuming it's easy to scale up/down). And quite likely move though regulation way more quickly than Ray's tech. Solar panels and batteries already exist. Now, like so many comic heroes (and villains), she's a genius, but she's still just a teenager (and not a wealthy one) when she builds it, so it should be very affordable to produce (possibly only a couple thousand dollars retail for car-size setup once competition is in place). She was on the Teen Titans with Roy, and Ollie is all for the environment, so Queen will be the first company introduced to her tech, and the first to license it. Non-exclusive licenses all the way (which Ollie is happy with and spreading the news himself, as it suits his personality). The solar panels are great for houses and cars and factories, but the batteries should end up all over the place - cell phones, children's toys, remote controls, etc. It'll take to time to get production chains in place, but she's going to be a billionaire very quickly. Geolpolitical consequnces are again rampant - based on who produces oil, who refines oil, who has the contracts for mining the material, where production factories are, etc.

Flash has some genuisy rogues who reformed (fora while) and they come later. As this universe doesn't have to keep them in play, I'm not flip-flopping them - if they reform, they reform. So I may have Captain Cold and The Trickster in play. The Trickster has anti-grav tech. I'm not sure how much planes are still in play, but it's a thought. Might be moving furniture around. Finally have flying cars (with regulations/mechanical restrictions that people will try to get around)? Now, Cold had freeze gun. A nice safe one that has no negative consequences. Good for home protection, since it doesn't really matter if you accidentally shoot your kid. And could you just have the ambulance arrive, freeze the patient and transport them to a hospital? That would effect EMT jobs. I'm not going to have the gun do some the wackier stuff (like de-aging someone - wow what a tech to to introduce).

[anotherhumaninthisworld]

In one of the older posts, you mentioned something along the lines of "why did SJ have to be the one who wrote those accusations" (against Dantonists, etc.) (I might misquoting you, sorry). I think it's the role he took (basically, a spokesman of CSP). He did say later "I dared attack men nobody else dared attack" (or however the quote goes), but I feel this was part of him taking this role - writing speeches and reporting on CSP activities. Not sure how we got to that, but since he was eager to prove himself and had already established himself as a good orator, maybe he volunteered for the role (?) Still, it's definitely one of the reasons why he's remembered as one of the most ruthless revolutionaries (as in, seen as responsible for killing the most people). Even in collective CSP decisions. When it was his decision (as a representative on a mission), it is said that executions were rare. I think this topic has a lot to do with their views on speeches: many times, a person making a speech on something was seen as primarily responsible (taking credit), which I don't fully understand how it went. But it comes up many times (like Hérault being seen as taking credit for the Constitution because he was the one who presented it. Or SJ refusing to make a speech on Fleurus and then saying that others took credit, etc.)

Thank you for your insights! I agree the report is probably a big reason as to why Saint-Just has been remembered as having a big responsibility for the dantonist purge. I just thought it interesting he was the one put in charge of it when he had already been responsible for the Rapport sur les factions de l'étranger et sur la conjuration ourdie par elles dans la République française pour détruire le gouvernement républicain par la corruption et affamer Paris just three weeks earlier, when he was part of a twelve man committee and far from the only one who wrote and held reports in the name of all of them (Barère, Robespierre etc). So I suppose maybe this can be read as SJ being particulary good at denounciation reports? Though the one made against the dantonists was largely based on material gathered by Robespierre, so maybe in this instance SJ was picked just to make cooperation easier?

[sitp-recs]

I want to get back into Drarry because since I was a child it was a comfort ship for me, but I'm scared of looking like I endorse what JKR does. I want nothing to do with the Harry Potter universe as it exists outside of fandom, I think JKR is morally repugnant and should be immediately deplatformed - I just want Drarry back. What do I do about this dilemma?

I feel you, anon. I can only speak for myself but I guess the way you choose to handle it depends on how you see fandom. For some people JKR has forever ruined the HP universe to an extent that goes beyond the original material and it is impossible to reconcile with the way they feel about the ship or the community as a whole. I totally understand where they’re coming from and I think in this scenario the best any of us can do is choose whatever keeps us safe and sane, even if that means abandoning fandom spaces for good. That’s not how I personally feel, though. If anything, knowing how much JKR hates both Draco and Drarry, I see fandom as a symbol of resistance, especially now with the emergence of a beautiful trans community that’s working so hard to make this a safe and welcoming fandom corner for trans folks. We’ve seen more and more representation in fic, art, rec lists etc, which I think is very promising; it warms my heart to see that we took ownership of this space and she holds no power here.

My compromise was to actively police myself and make sure I wouldn’t ever give her a single minute of my attention or money, which means I do not consume or interact with HP content/merch outside of fandom. I haven’t read the books or watched the movies in years and I’m genuinely not bothered by it. I don’t miss the original material as much as I’d miss fic and the community if I ever left fandom. Maybe I’d feel differently if I were a creator and had to check the source material regularly, it’s hard to say. As long as I’m not giving her platform that’s good enough to me and as far as I know the fandom community at large couldn’t care less for her. Again, that’s the compromise I made but understand that not everyone feels the same, and it’s hard to offer any further advice in this scenario. Always put your own mental health first. I hope your decision brings you joy and peace! Sending love xo