#Just said you write a book taking as a very very loose inspiration __ fandom or character and that’s it
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rmelster · 1 month ago
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BookTook for some reason: Would you like to read a book about Wirt from Over the Garden Wall where he is a weathered and very tattooed demonslayer obsessed with the main character? He would be super possessive and the book is going to have tons of smut and violent and degrading s*x scenes.
Me: …
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vintage-bentley · 2 years ago
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I've been a fan of GO since I was 12 (I'm now 28) and read the book so many times it fell apart as a teen - but for some reason, I never connected with the TV version. Just never vibed with it, can't explain why. Maybe because it was Terry Pratchett I always loved and his magic felt like it was missing from it, leaving mostly NG's influence (who I don't like but that's a long story). So I feel no excitement for series 2, and that kind of bums me out because 12 year old me loved it so much.
Are there many reasons to be excited for s2? Are you?
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I’m unfortunately one of the people who saw the TV series first, then read the book, so I didn’t experience the sort of hesitance about the series somebody who came from the book might. I personally love the series, and also love the book! But I can see why you weren’t the biggest fan of the series. It definitely feels like it lost a bit of Terry’s touch. I’ve said before that this worries me for season 2, because at least with season 1 Neil was working with a complete book he’d written with Terry. Now he’s on his own. I mean, it sounds like they’ve had conversations about what a second book or season would entail…but that’s very different from actually writing it together.
Personally, I feel a whole lot of things about season 2. I feel excited, because I love the story and characters and want more. But I’m also very nervous, because it could easily go wrong. Sometimes things are best left alone…and season 1 ended on such a lovely note and had so much closure, that I’m not sure how a season 2 would fit into it. I do worry that this will be one of those cases of the sequel not being as good as the original, just because the original was so good.
And of course, I’m worried that the fandom’s homophobia that Neil has eagerly endorsed will seep its way into the show. But I’m hoping it won’t, because as much as I don’t like Neil, he seems to know how to draw a line between canon and headcanons. What it looks like to me, is he’s had his ideas set in stone for years, and is just agreeing with fandom to get clout. But his ideas are still his ideas and he won’t let them get changed by the fandom…both for creative reasons and legal reasons. So I hardly think he’ll be like “you know what, I didn’t even know what ‘asexual demiromantic genderfluid nonbinary’ meant until yesterday, but I’m going to have my characters come out as it in season 2! It’ll be great!”.
The fandom has been an issue for me for a while. They’re comically sexist and homophobic, and being a lesbian that means it’s just not the place for me. So I stay away from larger fandom as much as possible, because I have no interest in seeing “progressive” takes about why actually it’s bad for the two male characters to be in love, and why actually Crowley’s a woman if he has long hair.
But I wouldn’t let the fandom ruin your enjoyment of the show. Ultimately, it’s just the fandom. There’s so many things that are great but have insufferable fandoms…and it’s not a reflection on the work, but rather just a reflection of the people who are the loudest fans (which are always going to be young people since that’s who fandom is mainly populated by, and young people right now are caught up in gender ideology). Watching the show, then seeing what these fans think of it, really just shows you that they’re hardly fans of the show, and are more accurately fans of the story they’ve created in their heads that’s loosely inspired by the show. So try to disconnect the fandom from the show, because they’re entirely different.
The fact is, fandom’s always been insanely homophobic because it’s populated by straight women who fetishise gay men. It’s just now they’ve found a new way to be homophobic (gender ideology) and they’ve found a way to play with it (a show with non-human characters and a magic system). The fandom doesn’t say as much about GO as it does about fans eagerly waiting for the first opportunity to be homophobic.
I’d encourage you to hang around the gender critical corner of the fandom. It makes the experience so much more enjoyable when you know you’re safe from homophobia and sexism and general clownery.
I’m very excited to be able to watch the new season and be able to talk about it with people who I know won’t shun me for calling Crowley a “he” in a scene where he has long hair, and who I can trust to not be homophobic and not shut down my concerns about baiting because “it’s still queer!!! Shut up cis gay!!! Not everything’s about you!!!”.
In short, yes, I’m excited about season 2. More accurately, I’m cautiously optimistic. Because I know that whatever happens, it’s still more of something I love dearly, and that I’ll have people to gush about it to who I don’t have to be wary around.
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maraudererasmut · 3 years ago
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Life Update and All That
Hey all!
It’s T here!
I know it’s been a very long while since I’ve been around, and I figured I’m finally at the point where I can pop by and give a bit of an update, in case anyone was curious.
I left Tumblr and Discord for a bit to get my bearings and re-evaluate things. I needed some time to myself to sort through my mental health, figure some stuff out, and get to the point where I was finally at a better place to be able to come back.
A few things have happened since I’ve left that are actually kind of neat!
I published a book and wrote another manuscript!
I’m not going to share too much information about my book here, because I still do want to keep my smut-writing-pseudonym separate from my professional life, but suffice it to say that I published a novella, which got me started on the strange journey that is publishing! 
I’m currently in the process of querying my first full-length manuscript, with the intention of getting an agent and publishing it. Hopefully that will be able to go somewhere, but if not, at least I have learned a lot while on my journey!
I realized that I am trans!
To the shock and surprise of absolutely nobody, the person who wrote gay romance and focused on a storyline that predominantly featured a transmasc character is actually, in fact, gay and trans. Shocking, I know!
It took a bit of thinking and talking and self analyzing that mostly occured during the many, many hours of alone time provided by a global pandemic for me to realize that wanting to be a boy does, in fact, make you probably a boy. Who would have guessed.
Anyway, I’m going by he/they pronouns these days. And uh... I guess my descriptions of dysphoria in all of my fics were a bit closer to home than I was ever willing to admit. Funny how these things work.
I bought a house!
I finally did something that I never thought would be possible in my entire life: I actually purchased a house in my city, which is notoriously expensive. It’s the perfect home for me: a large backyard; my very own shop space, which will soon be filled with tools; a sunroom with tons of windows for writing; a roof that I can climb up to and sit on... It’s really such a great home, and I am so excited to start this new chapter of my life here.
One door closed and another opened!
When I first left, there was a job opportunity that was a bit up in the air that would’ve involved me uprooting my life. While it didn’t end up panning out, I was ended up stumbling upon a different job in my field. I almost forgot how much I love what I do, and I am so glad to be back into the thick of it!
I figured that I should probably also try to pre-emptively answer any questions that you may have while I’m here and typing this all out. So... here goes!
Will you be continuing *insert fanfiction*?
I’m honestly not sure. The best answer that I can give right now is: Maybe?
I definitely want to try to continue some of my storylines, tie up some loose ends, and actually put together those plots that I had swirling around my mind.
That being said, I also have other projects that are currently on the go that might take precidence. Most importantly, I have several original stories that I plan to eventually query (or even publish, if I can!). 
If I find that I am inspired to go back and write more Wolfstar, rest assured, I absolutely WILL. These boys will always hold a special place in my heart, and I honestly don’t know if I will ever be truly rid of them, even if I tried.
Will you still be making art for the fandom?
Again, I’m not sure. 
I’ve been doing a LOT of fanart, on a different account, just to keep up my skills while I was away. There are quite a few fandoms that I have been making art for, and I don’t know yet if I want to merge these two accounts.
That’s a decision for the future. :P 
But you can always try to pop into my ask box and send a request, and if I can get to it, I will try my absolute best.
You and I have unfinished business!! Will you be getting to that?!
Ah, yes. I remember now. I left the fandom while I was in a very BAD place, and most things fell by the wayside while I worked on my mental health. I’m sorry.
If we do have any kind of unfinished business at all that you need to talk to me about, please do! I want to try to resolve things and make sure that everyone is satisfied with whatever solution we can come to. Feel free to reach out, and I will try my absolute best to respond and rectify.
Rest assured, if we have had any kind of negative interraction in the past, I have absolutely spent the past year and a half allowing that to eat away at me. I’ve been feeling guilt up the wazoo, a ball of anxiety so tight, you could probably play baseball with it. 
I’m trying not to let these kinds of things bother me anymore. I’m trying to learn to let things go, and focus on the present and the future. I am truly sorry for things that I have done in the past, but I am finally at the point where I am ready to put my effort into making things better instead of dwelling on what was.
Will you be active on this blog now? Are you back for good?
I think you already know the answer to that question...
I don’t know. 
I haven’t made any decisions yet about whether or not I’m here to lurk and like and reblog or if I’m going to be actually producing content again. I have no idea yet how active I will be here. That really depends on how I’m feeling, how I’m doing mentally, and what the reception to this post looks like. 
So... Maybe?
DID YOU MISS ME WHEN YOU WERE GONE?
Yes. Yes, I did.
If you are actually asking me this question, chances are that I did miss you. Yes, you specifically. Yes, I thought about you a lot. Yes, I wished that I had the courage to go back and just say “HI, I MISSED YOU, PLEASE CAN WE BE FRIENDS AGAIN!” 
I am not great at reaching out, though. I’m not great at handling my emotions period. Hopefully, if you’re wondering if I missed you, you’d be interested in reconnecting, knowing that I did, in fact, miss you a lot. 
Are you okay now?
I will be.
Even when I’m not okay these days, I at least have the wherewithall to be able to say “while I might not be doing great right now, I know that I will be okay.” 
And isn’t that what we all want? :P
Anyway, if you made it this far, thanks for reading. I hope this was interesting and/or informative. 
And... I’m glad that I wrote this. It helped. 
With love,
T
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mechanicalinertia · 3 years ago
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STMPD Recommends Bubblegum Crisis Fanfiction - Resources: The Licensed Bubblegum Crisis RPG Books
No. Not my own RPG. That's... in a state of transition. I broke a bunch of stuff in it and will probably need to get back to it someday to fix it. Not high on my priority list.
And no, not the Shadowrun Second Edition Partial Conversion drafted up by Neo No Armor Against Fate's Shawn Hagen. Apparently Shawn maintains that his RPG conversion is better, said he was able to dissect the combat easily on Usenet back in the day. And he might very well be right in terms of mechanics, except, oh, wait, probably not, because it's Shadowrun, amirite folks?
Thank you, thank you, thank you. I'll be here all week.
No, I don't claim to make any defenses for the BGC RPG as an RPG book, and I'll explain what I mean in a bit. I will, however, argue that these sterling little books, published in the two years before R. Talsorian went dormant for nearly two decades (cyberpunk 3.0 notwithstanding), are hands-down the best 'guides' to Crisis 2032 you could ever want. If you're writing fiction in 2032, and maybe you're pressed for ideas, I say give these three books, each shorter than the last, a read...
Which you can do electronically, for free, right here.
This is going to take awhile, isn't it? Well, yeah, we're talking a few hundred pages of small-font text and some really good settei (concept art) serving as the pictures, some of which saw no reproduction outside Japan at all. So, like the multi-part epic rant I've had brewing in my drafts folder for the past half a year, let's break it down into sections. We'll start with
DON'T ACTUALLY PLAY BUBBLEGUM CRISIS: MEGATOKYO 2033 THE ROLEPLAYING GAME: ARU PEE GEE NO DENSETSU
For context, and this is kind of an interesting story: R.Talsorian Games, the primary publisher behind the OGBGCRPG (OG for short) made its fame on two big product lines.
First there was wargame / RPG hybrid Mekton, pioneered by Mike Pondsmith back in the eighties as a mecha fighting game, in the halycon days when most anime watchers got fansubbed tapes from conventions or were watching rebranded Voltronesques on Saturday mornings. Anime fandom as we know it, or even knew it in the nineties, just did not exist, and here's Pondsmith drawing up a whole fucking wargame to do it. The most recent edition circa the nineties was Mekton Zeta, which also had the mecha-building sourcebook Mekton Zeta Plus.
The other was Cyberpunk 2013, released in 1988, which was essentially a street level adaptation of Mekton's mechanics (called 'Interlock' 'cause all the systems could, e-hem, interlock), that got a cool sourcebook or two (including one inspired by cyberpunk classic Hardwired that was written by the novel's author) before getting a second edition in like '89 or '90. That's Cyberpunk 2020 - that's what put R.TAL on the map, that's what I wrote a shitty fanfic crossing with BGC about (It wasn't hard to do), that's what became Cyberpunk 2077, and that's also what became Cyberpunk RED once R.Tal got money from CDPR to make a new edition.
With me so far? I bet you're thinking, Kyle, "gosh and golly gee wilikers so they put their anime system together with their cyberpunk system, because all those parts interlocked just like you said, and they made Bubblegum Crisis!"
And oh, my sweet summer child, how your eyes are shut.
Yeah... So, the OG is actually run on a system called Fuzion, which blends R.Tal's loose network of systems with that of the HERO System, which is... one of those really complicated universal systems that they say can build anything and everything, was designed with a variety of advantages and disadvantages for characters to use to represent their character, and isn't GURPS. No, it was made more for a superhero RPG, I guess?
Anyway, somehow the two companies met, decided to make a joint universal system for all their work going forward, and called it Fuzion. Many other licensed games used it for awhile, people made universal themed supplements for it, but it's not in wide use anymore as far as I know.
Why? Let me see if I can explain by way of picture.
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Champions used 3d6. Interlock used a d10. The devs argued and argued and argued over which type the game should be balanced around, then gave the fuck up. Does that fill you with confidence, readers?
So there's this sort of... highly elaborate mishing and mashing of various elements of two very different systems such that neither comes out the better for wear. Here's R.Talsorian's Lifepath, a character-backstory generator where you roll dice to build a character (setting-agnostic, because they were trying to sell a universal system); then here's Champions's Perks and Complications, bought using those same precious campaign points you're using to buy civilian gear (but aren't your players playing as Knight Sabers? Who needs real shit to be marked when you're building hardsuits with separate points entirely?), and complications must be activated x amount of times a session even if it diverts from the fun of playing the game. And so on and so forth. Shit, even crossing Cyberpunk with Mekton doesn't always work, since blocks of damage from Mekton (Kills) scale unsteadily with the more dice-driven combat of CP. Worse still is that the mecha system and the hacking system are off in MZ+ and CP2020 respectively, so if you want to custom-build hardsuits beyond the small pool of tools you're given on the last fucking page of the book, or you want your Nene equivalent to do something useful, nyah-nyah, go buy more books.
And then I'm sure Shawn Hagen has plenty of reasons why the combat doesn't work, but we're not paying attention to him. Whatever. Let's talk about what does work, which is a mix of worldbuilding lore, stuff the R.Tal writers seemed to just sort of come up with, and a great gallery across all three books of Fucking Cool Mecha (especially BGC EX).
LORE IS SERIOUS BUSINESS FOLKS
I mean that earnestly. It's hard to get right, especially when said lore reflects upon the tone of the actual content, the plot, the franchise, whatever. But when telling stories with a licensed game, some degree of lore is, to my mind at least, incredibly mandatory. Maybe not so much for games where the story ought to be made up as one goes along (see RPG's like The Sprawl), but in the case of BGCrisis, an anime which at the time had a pretty loyal fanbase chomping at the bit for answers for their questions about the wider universe the Sabers operated in, R.TAL had to do a mix of cribbing from untranslated material, the B-Club special and all that, and making their own shit up without looking like they'd cribbed from their own work (CP2020) overmuch. The result is very uneven, but charmingly so. I almost want to say it feels more grounded than CP2020 or Shadowrun, but is that just because it's comparatively light on the ground? Perhaps. The mandatory universe timeline is one page, and focuses more on putting years to events that were already canon instead of adding extraneous stuff in.
Likewise with what the politics look like worldwide. We get a few paragraphs about how the U.S. is recovering (not collapsed as in CP2020), Japan is doing pretty good for itself as GENOM's puppet-state, Russia successfully integrated into the EU even if Eastern Europe didn't (See? Wacky shit like that can only be called charming), and China's one big North Korea (which I think is a holdover from the CP2020 Pacific Rim Sourcebook, where Deng was assassinated by Maoist radicals.) We get another dry bit about the idea of a zaibatsu lifted straight from CP2020's Corpbook 1, where Arasaka is discussed... newspapers are now faxed (look it was in BGC OVA 1 what do you want me to tell you)... on and on it goes.
I suppose I like the lore independent of the actual characters because of a few clever predictions. One is using all the cybernetics-gone-bad in AD Police Files to explain why nobody has them in the 2032 OVA, a link I sense wasn't really made concrete until this RPG. It's one of the most interesting interpretations of the source material and of cyberpunk tropes I've seen, you know, where all the splicing and dicing of the body turns out to be a fad and a failure, leaving those who bought into the trend left with butchered and failing bodies - in light of the crypto crash that seems to be dragging the stock market down back into recession / stagflation, that seems pretty classic capitalism.
The other is tied to Before And After, covering the impact of the cheap and now even more ubiquitous Boomers of Crash:
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I mean, what can I say? I like predictions of the future that actually consider the effects of hyper-futuristic technology in that sort of way.
That's what a lot of the RPG's lore is at its best, basically working overtime to paper in the gaps left ignored by the series' creators. So we get a nuanced look into how ADAMA is different than similarly-sentient Boomers from the ADPF OVA; we get the Largo = Mason + Boomer Messiah explanation theory that the internet came up with just a year or two prior to the RPG's publishing; we get conspiracy theory proposals about whether or not GENOM undermined the cybernetics market to replace the enhanced with Boomers; we get to see the ADP go from hotshot riot suppression force able to slaughter undesirables en masse to actively disdained by GENOM; a weird consideration of how recognizing Boomer rights could still serve GENOM's agenda... on and on and on. It's such a mishmash of ideas, beautiful because of it.
Obviously no sane RPG player would ever give a rat's ass about any of this, but again, this was a product also marketed towards fans who just wanted a good worldbuilding book. I'm not saying you should take every part of the RPG's world into your own fanfiction, but you can take a great deal of it in and things will hold up.
POWER CREEP? YEAH, I'VE GOT THE POWER, CREEP!
The actual sourcebook sections of the sourcebooks are a) the characters, and b) the mecha. That's it, that's all. Civilian gear is almost an afterthought shoved into the front of the book like it didn't need to be there, cybernetics don't show up until Before and After. For although there is a section in the corebook proposing non-Saber campaigns players can run, they're essentially permutations of the already-existing types from CP2020: Corporates, mercenaries, medias, etc. And why, I ask you, would you run anything else but your own fanmade Saber team in your home city, overgrown and under threat? Shit, RTAL even went out of their way to put a few pages in EX, the last book in the series, highlighting player campaigns with online presences (Geocities, email addresses, etc.) and describing them in brief. Oh, to be a fly on the wall for the play sessions of the guys who did Mega-Gotham...
Anyway, back on topic. Both character pages and mecha pages get a great deal of settei transposed onto these pages, concept art ripped straight from Artmic's design docs and provided, again, more as a nerd resource than anything super useful. This especially comes into play in BGC: EX, where all the concept art and mecha are instead from everything that wasn't animated. Rejected concepts for hardsuits with wheels for feet; Boomer sketches only found in old hobby magazines; scribbles one of the Crash! mecha designers tried to get in that were apparently labeled 'problematic' (I guess he was a toy designer before all this?). I unironically love all this shit, even the beam cannons mounted on a hardsuit right where the boobplates are. Shit, my Discord profile pic is a non-Boomer mecha supposedly used by the JSDF, a 'Battlemover' whose origin I have no idea about, but which looks cool as hell. That's the kind of weirdo fan I am.
My point is that if you need to spice up your fiction, throwing 'new Boomer X' at the Sabers is one thing, giving the Sabers some power-up parts you dreamed up is another, but using the designs Artmic came up with before you did is more galaxy-brained than either. Shit, I should know, it was what Craig Reed did for the fanfics that I continued off of back in the day. And it's the same with these extraneous lore details that some rando RTAL staffer dreamed up a quarter-century ago, because they beg to have an entire fanfic made about any one of them. What happened to Jeena, folks? Inquiring minds want to know.
Anyway, that's it. That's all. Read through these and be a better fan because of it.
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lilydalexf · 4 years ago
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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.
Interview with Audrey Roget
Audrey Roget has 10 fics at Gossamer, with some different ones at AO3, fanfiction.net, and her website. You might know her from her very good fics or as part of Musea, a collective that all wrote fic and posted X-Files fic recs. I’ve recced some of my favorites of her stories here before, including Three Times Dana Scully Didn’t Go to San Diego for Christmas and The Shirt. Big thanks to Audrey for doing this interview.
Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)? A little, yes. Not so much by folks who were around in those days. I sometimes go hunting for beloved stories from the early years, both those I read and loved, and those I never got around to. I am always delighted to hear that later generations of fans have stumbled across my stuff, especially since I haven’t posted anything new in a number of years. It’s fantastic that both years-long fans and new ones are out there continuing to rec fic from all eras, and to maintain archives for fans yet-to-be born. What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general? It may sound corny, but the main thing I think of, and the thing that has ultimately been most valuable and lasting, has been the friendships. The feeling of having found a tribe – not just of TXF fans, but of other people who could be as enthusiastically engaged as I was (if not more so) with fictional stories and characters – was mind-blowing. Since I was a kid, I had often mulled over the books/movies/TV I loved and speculated internally about what happened off the page or off-screen, or created new stories for characters in my head. But, except for an elementary school phase where I and my two BFFs regularly played Charlie’s Angels, I hadn’t engaged in that kind of gleeful immersion in a fictional world with others until TXF fandom. My involvement in fandom followed pretty quickly from getting hooked on the show, so for me, it’s all one big ball of experiences. Even as my interest in/involvement in fandom has waxed and waned over the years, I’ve been lucky to remain friends with wonderful people who I originally connected with as fellow fans.
Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)? What got you involved with X-Files fanfic?
My initial entrée to the fandom was through fanfiction. I didn’t get interested in the show until mid-season 5. Around the same time, I read an article in a zine called Might (co-founded by Dave Eggers) about this thing called fanfiction that people would write and publish online. At first I thought it was satire or a joke – the fic cited involved Wilma Flintstone and a polished sabre tooth, as I recall – but then realized this was an actual thing. So I figured that a show then at the peak of pop culture must have fanfiction, and I went looking. Early on, I scrolled atxc on a daily basis and downloaded stories. But I didn’t engage in discussions about the show on Usenet, since I only knew how to access it with my Earthlink email client, and I didn’t want to post using my real name.
Later, I set up a pseud address with Yahoo and subscribed to a couple of email fanfic/discussion lists, and stayed subscribed to those for years. There was also a period in there somewhere – of maybe only a year or so, when I think about it – when I’d often nerd out into the wee hours with other fans via IM chat groups. That was around the time the small writers’ collective Musea was founded, and we were active for several years after the show’s initial run. In the early aughts, I followed many authors to LiveJournal and eventually set up my own account and stayed involved in fandom that way, until it mostly dispersed as well. What was it that got you hooked on the X-Files as a show? In a word: Chemistry. I had casually watched a couple of episodes during the first four seasons, but I’m not a huge sci-fi/horror fan at heart, and the story lines didn’t immediately grab me. But I happened to tune into The Red and the Black in 1998, and BOOM. For the first time, the intense layers of emotion and attraction between Mulder and Scully really struck me – and then of course, upon further viewing, I realized it was unmissable, an essential element in the fabric of the show. As a wise woman once said, a switch had been flicked. Mulder and Scully’s magnetism was like nothing I’d ever seen, and though I eventually came to appreciate the storytelling, humor, production values, and other components that made the series so successful, watching those characters interact has always been what kept me coming back. Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files? I was part of a list-serv discussion group for The West Wing for a while, which was a fun melding of character and plot analysis with political discussion. Later, I got into the House, MD fandom, again mostly as a fanfic reader/writer. I was finding that other fandoms, unlike TXF, were more dispersed, the networks of people structured more loosely, if at all. There were fanfic and discussion communities on LiveJournal, and fanfiction.net was the other main hub for posting and reading, but if there was anything centralized like Gossamer, Ephemeral, or the Haven, I never found it. Within all those fan communities, as in TXF, there were partisans for various characters and pairings, and flame wars erupted over plot developments that outraged this faction or that. One main difference was that those other shows had larger, ensemble casts and more varied subplots. So on one hand, there was more opportunity to explore back stories and multiple perspectives. In House MD in particular, there were several entrenched rival shipper camps, which were about equally grounded in canon, rather than TXF’s central ship. I was less into TWW fic, but my impression was that readers were less militant about their pairing preferences than TXF or House fans. Who are some of your favorite fictional characters? Why?
I was deeply fascinated by Greg House for several years. (And the love-hate chemistry between him and Lisa Cuddy was a strong draw for me.) House MD came early in a wave of TV shows centered on anti-heroes, and Hugh Laurie brought amazing complexity and thoughtfulness to the character.
Philip and Elizabeth Jennings (The Americans) are a lethal pair of antiheroes. The inherent moral conflict of a sympathetic narrative from their POVs, and the global political conflict they embody was TV catnip for me. The internal struggles at the hearts of those characters were so exquisitely written and performed, they completely fascinate me.
The West Wing felt so much like a show created specifically for me. I’m especially fond of story arcs and scenes that centered on CJ Cregg, Charlie Young, and Josh Lyman. Though I loved Martin Sheen’s human portrayal of Jed Bartlet, the fact that he was the President always made him a little untouchable in my mind. But CJ, Charlie, and Josh were basically hard-working functionaries who were ambitious and idealistic and funny and flawed, and they spoke to me. What is your relationship like now to X-Files fandom? Do you ever still watch The X-Files or think about Mulder and Scully? Do you ever still read X-Files fic? Fic in another fandom?
I do continue to think about Mulder and Scully and watch episodes somewhat often. I’ll sometimes run a favorite episode as background when I want something comforting on. I read TXF fic pretty regularly, which can inspire me to go back and watch a particular episode or story arc I haven’t thought about in years. Just recently, I started listening to The X-Files Diaries podcast (@XFDPodcast, @admiralty-xfd), and that’s a fun dive into the characters, and how other fans react to and interpret episodes.
Every once in a while, a TV show or movie – and more particularly, the characters – will grab my attention and make me curious about how fanfic writers have interpreted the original material. Random example, I saw Singin’ in the Rain for the first time in a theatre a couple of years ago, and the chemistry of the three leads sent me to AO3 as soon as I got home. I also loved the first season of Mercy Street and found some well-done stories in that fandom. I usually peruse the Yuletide gifts every year and have been amazed by the sheer variety, creativity and cheekiness of the output. There are a bunch of other shows I’ve followed faithfully, and sought out fanfic – Broadchurch, The Killing, Agents of SHIELD, Elementary, The Good Wife. Although I’ve found some well-written stuff in those fandoms, I’ve rarely gotten the same charge from them as reading TXF fic. Do you have any favorite X-Files fanfic stories or authors?
syntax6 (@syntax6) – Universal Invariants/Laws of Motion. I’d also shout out to syn’s Hunter fics, too – well worth reading even for those who have never seen or particularly loved the show itself.
JET – I re-read Small Lives Awake every year around Thanksgiving time. Other annual holiday re-reads: Revely’s The Dreaming Sea and Jordan’s Through the Fire (both set at Halloween).
Amal Nahurriyeh’s Casey universe – the rare post-col fic that felt hopeful, made extra intriguing by a kick-ass original character. [Lilydale note: the series starts with Machines of Freedom and has lots of additional fics and snippets.]
Prufrock’s Love – Finding Rokovoko was genuinely terrifying and tender.
melforbes (@melforbes) – Seaglass Blue is a recent favorite, lyrical and bittersweet.
These are just a few (apologies to those that didn’t come to mind immediately). Fortunately for readers, there’s an astonishing number of authors who have written in TXF fandom whom you can depend on for a good yarn, insightful character study, and/or ingenious “fixes” where 1013 went awry.
What is your favorite of your own fics, X-Files and/or otherwise?
Probably the two set in my own (former) backyard of Southern California: Enivrez-vous and Ravenous. I’d first read the Baudelaire poem that was the source of the former’s title back in university days, so I was tickled to be able to use a few lines as an epigraph. Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online? It’s not out of the realm possibility. I’d meant for “Three Times Dana Scully Didn’t Go to San Diego for Christmas” to be followed up with “And One Time She Did.” In fact, the idea for that never-finished story was what inspired “Three Times” in the first place. I have a couple of scenes sketched out and – unusually for me – even know exactly how to end it. Every year, November rolls around, and I think I should finish and post it…maybe in 2021?
Where do you get ideas for stories? Sometimes it’s from my environment. “Enivrez-vous” and “Ravenous” describe places that I’m fond of, that made me want to place Mulder and Scully there. “What Not to Wear” has that element too – I set it in Memphis as a tribute to a great trip there with a sister Musean. But WNTW was also inspired by a kink challenge in a years-ago LiveJournal thread, so sometimes ideas come from fandom discussions or even other fanfics. In the House MD fandom, a fic by another writer made me want to continue the story, and the author kindly allowed an authorized sequel. What's the story behind your pen name? I wanted my pseudonym to sound like it could be a real person’s name – or at least, maybe like a romance writer’s pen name – rather than an online handle. I also wanted to use a slightly obscure fictional character, to amuse anyone in the know. I had long had a bit of an obsession with Whit Stillman’s 1990s film trilogy, which started with Metropolitan; the 3rd installment, Last Days of Disco, came out the same year I started down the TXF rabbit hole: 1998. The central heroine of Metropolitan – who is mentioned in or makes a cameo in the other two – is Audrey Rouget, a lover of Austen and, eventually, a book editor. I altered the spelling of the last name as a nod to every writer’s companion, Roget’s Thesaurus. Do your friends and family know about your fic and, if so, what have been their reactions? I have a few close friends – from outside TXF fandom – who know that I’ve written fanfic. I don’t know if they know my pseud; if they do, or if they’ve ready any of the fic, they haven’t said so to me. They are fannish sorts themselves, but not really TXF fans. A smattering of other friends and family members know or could intuit that I’ve been a fangrl on some level for years. My boss, whom I’ve known for about 3 years, recently mentioned off-handedly that she was really obsessed with TXF “back in the day,” and I am DYING to know if she got involved in fandom, but don’t think I’ll ever work up the courage to ask.
Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now? Most of the X-Files stuff continues to be generously and steadfastly archived by Forte at The Basement Office. The House MD stories and some TXF things are at fanfiction.net; same for AO3. If ever post anything new, it will probably go to TBO and AO3. I really ought to get it all together in one place, one of these days…
(Posted by Lilydale on April 6, 2021)
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snarkwrites · 4 years ago
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ssw | pietro maximoff; you make my heart beat faster. [ suggestive ]
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Notes:
Okay, so.. This is kind of a follow up to the one shot I wrote a few months ago, happy birthday. So this picks up the next day. Idk where this idea came from or if it even makes sense when read immediately after that one, but ah well. My brain kept nagging at me to write the thing so I wrote the thing.
[ happy birthday ] for those who haven't read it already.
The translation: ty chuvstvuyesh', chto delayesh' so mnoy, kotenok = "do you feel what you're doing to me, kitten?" loosely via Google translate.
Prompts:
taken from either [ HERE ] or [ HERE ] give or take. It could be one or the other or a mix of both at my own choosing.
the daydream of him inside you // seeing the bulge in his pants // you make my heart beat faster. - those were all the prompts / inspiration used to write this.
Fandom / Character:
MCU / Pietro Maximoff x Barton!OFC, Nicola.
Other Writing Nicola / Pietro can be found in:
[ happy birthday ] + several other oooold posts way back on the blog I think. I wanna write a fic for them one day. We shall see, though.
Warnings:
[ NSFW. Absolutely no minors.] If you're underage, this was not written for you -nor should you be reading it. If you choose to keep reading, this is strictly a you problem. I can't do anything about it. I warned you.
Things you need to be warned about before reading: implied sexual encounter.
Yes. I realize that I don't go full into writing out the scene. But there's enough here that anyone underage has zero business reading it. So, I'm warning you guys now.
Tagging:
@chasingeverybreakingwave
@kyleoreillysknee
@micolegg
@mrsstevenbuchananstark
Other Stuff:
[ ABOUT MY WRITING | TAG LIST DOC - IF YOU WANT TO BE TAGGED, THAT IS. ]
“Are you feeling okay? You’ve barely touched your food, Nicola.”
My mom’s concerned question cut through my thoughts and I made myself smile, nodding. Taking a bite as I replied through a mouthful, “I’m fine. Was just thinking. That’s all.”
“About?” my mom eyed me expectantly. Hints of an amused smile played at her lips. I hesitated for a moment. If I didn’t know any better, I’d almost swear that somehow she knew something was up.
,, would it be a stretch to think so? One, she is my mom and two, I’ve been acting skittish and just plain out of it all damn day...” the thought came and as quickly as it did, I shoved it down in the depths of my brain.
I shrugged. “ Nothing in particular.” I gave the vaguest answer I could come up with. If she had one tenth of a clue what I’d really been thinking about just now, I’m honestly not sure how she’d react to it.
I’d been replaying last night over and over again in my mind all day. Every single part of me was dying to ask Pietro if it meant anything or not but at the same time, every single part of me was also scared to death to do that very thing. The one or two times we’d been alone with each other today and I did try, the words got stuck in my throat. And he wasn’t behaving any differently than he normally did, so I kind of just… Let it go. Started to convince myself that making the two of us love the night before was just a one time thing. As my best friend Simone would put it, “Sometimes, you just need to scratch that itch.”
The whole problem with her theory is that even now, having scratched this particular itch.. I wanted to do it again. And again.
I wanted so much more than that too. The brief glimpse I’d gotten of Pietro beneath the sarcasm and the flirty swagger the night before completely did me in. I’d gone from trying hard to keep him at arms length to falling head over feet in love with him and knowing this drove me crazy.
I felt someone staring at me.
I looked up just as Pietro was looking down. Pouting to myself a little, I reached out to grab the spoon in the bowl of mashed potatoes to scoop another serving onto my plate. Pietro reached for the spoon at the same time and when our hands brushed, I felt this little jolt.
He moved his hand but not until he’d let it linger against mine for a second or two. His gaze not leaving mine for the entirety of it. Under the table, my thighs clenched tight. I could see his hands all over me again in my head. Feel his cock buried deep inside me.
I went from a little wet to full on soaked between the mental imagery and the brush of his hand against mine. My stomach coiled.
My body tensed a little.
I dropped my gaze first, busying myself with putting more potatoes on my plate. Pietro kept watching me.
My parents were talking at the head of the table as my mom fed Nathaniel some smushed peas and carrots... My little sister scarfed down her food and then shot out of her chair and out the backdoor to go play a game of tag with my brother in the backyard before it got to dark to play and they had to come inside.
I dared to glance up from shoveling food into my mouth and Pietro gave a teasing wink. Biting his lip as he openly fucked me with his eyes.
And there it went.. The lazy flip flop of my stomach. And no matter what I tried, I couldn’t tear my eyes out of the ocean blue depths of his.
I couldn’t take any more of the torture that was being around him and not having the courage to ask what I was dying to know so I stood and grabbed my plate as soon as I finished eating, making my way into the kitchen to put it in the sink.
I went ahead and washed it while I stood there. I was just drying the plate and about to put it away in the cabinet overhead when I felt Pietro’s muscular body press against me from behind. Wordlessly, he took the plate from my hand and sat it on the top of the stack inside. I turned to face him.
This put us body to body.
I swallowed hard. My mouth opened and closed and for about five or six seconds, I willed myself to say something. Do something.
But I couldn’t bring myself to. Because as much as I was dying to know whether last night was a one time thing or if there was really something between us… Parts of me were scared to death that if I asked, I wouldn’t like the answer.
And that kept me quiet.
Pietro’s hand raised. Reaching out. Brushing strands of hair out of my eyes. I barely restrained a whimper at the touch. His eyes flashed a brighter blue and his head tilted slightly as he stared down at me.
Lost in thought.
His hips pressed into mine harder. When I felt the bulge in his jeans, I took a few shaky breaths. His hand rested on my hip, squeezing. Digging the tips of his fingers into it. He leaned down slightly and his mouth grazed the shell of my ear as he asked, “ty chuvstvuyesh', chto ty delayesh' so mnoy, kotenok?” in a breathless whisper.
If I thought I was wet before, hearing him speak to me in his native tongue had me soaked. Absolutely flooded. The only word I could pick out of whatever he’d asked was kitten. And as usual, when he called me kitten, my heart fluttered just a little more in my chest. He rocked himself into me clumsily and I sucked in a breath.
“Pietro.” I muttered. I was right on the verge of asking him what he’d just said. And asking him about what the night before truly was, if he felt anything or if it just kinda… happened. But just as I thought I’d finally be able to get the words out, it’s like my brain froze up all over again. I frowned at myself in frustration and sighed, shaking my head. “Nothing. It’s silly.”
I heard my dad calling my name from the next room, so I stepped away from Pietro reluctantly and went to leave the kitchen. Pietro grabbed hold of my hips, holding me in place for a few seconds. Staring down at me.
“ I need to talk to you later, kotenok. Alone.”
All I could do was nod. Tell him that I was going to go up to my room in a few minutes.
He nodded.
I stepped away and walked into the next room, only barely managing to pull myself together enough to talk to my parents without either one of them seeming to be aware of just how flustered I truly was.
As soon as I got done talking to my dad, I made my way upstairs. Shutting the door to my room and leaning against it just to hopefully pull myself together.
I still couldn’t.
I flopped across my bed, picking up the Anatomy book and my notebook, preparing to start studying again for the final I had coming up soon and just as I settled into it, there were two knocks at my bedroom door.
I slipped off the bed, wandering over to the door. Opening it.
Pietro leaned in the doorway, gazing down at me. That hungry look in his eyes again.
I stepped out of the doorway and let him into my room, shutting the door behind me. When I turned around to face him, we were body to body. Leaning into me, he put a hand against the door, just above my head. I could feel him straining even harder against his jeans. His other hand raised, resting against the side of my face. Cradling my cheek as he closed the distance between our mouths.
I started out with my palm down. Determined to keep distance between us until I finally worked up the courage to ask my question, hear my dreaded answer and be done, but by the time his tongue slipped past my lips and started to trace my teeth, I was clutching at the front of his fitted black shirt instead. He nipped at my bottom lip, tugging until I felt it swelling under pressure. The kiss deepened until I got so lightheaded I thought I’d melt.
He seemed to sense this because he crushed me against him and the hand cupping my face drifted down. Skimming down my side. Stopping at my hip.
The kiss finally broke so we could breathe and we pulled apart; breathless. Staring at each other quietly. Wide-eyed.
“Kotenok…” he muttered softly. Fondly. His voice dying away as he stared down at me like he was lost in thought. Trying to say something.
“What’s up?” I mumbled, my stomach flipping and flopping lazily.
“Last night was..” he went quiet on me again and I tensed a little, bracing myself for him to continue. Preparing myself in the event that what he was about to say wasn’t what I longed to hear.
So it shocked me when he was closing the distance between our mouths all over again as he muttered in a lust-filled whisper, “Last night was more than just sex. You make me feel things that I haven’t before, kotenok.”
My breath caught in my throat and I didn’t realize it until I finally took a breath and it was shaky. I gazed up at him, letting his words sink in. Trying to wrap my head around it. I went to say something, to tell him that I felt the same way and I didn’t do what we’d done last night often, but he pressed the side of his finger against my lips, silencing me and continued to speak.
“You make my heart beat faster.” he took hold of the hand I had rested against his chest, placing it over his heart. I gasped quietly as I looked up at him again and saw the way he was looking back down at me, a look of pure and total adoration.
He looked nervous as hell. Fidgeting a little. Not quite sure what to do with his hands after he moved one off my hip and let go of my hand with the other. He went to step away, swearing under his breath and I realized that he wanted me to react somehow.
I pressed against him from behind. My hand wrapping around his where it lingered on the knob to my bedroom door. “Don’t go. Please?” I asked in a hushed whisper. Pietro turned around and when he did, I melted against him. Raising my arms to wrap them around his neck. Dragging my fingers through a thick mess of platinum blond. Tugging at it as I rose to tiptoe and crashed my mouth against his. Laughing softly when our noses bumped and our lips connected all over again; hungry. Desperate. Frenzied.
He reached down, twisting the lock on my door knob so that it was locked and no one could come in by accident. A low growl rose up from the depths of his chest, hanging in the air between us only to be swallowed by the kiss as our mouths reconnected and it deepened. I rubbed myself against him clumsily. Needy.
His hands locked across my ass and he slipped me up his body, stepping over to my bed. Dropping me against my mattress softly and positioning himself on top of me. Pressing his hips into mine. Bucking against me as his mouth strayed from my own, working it’s way down the side of my neck. His lips caught on my pulse, making me shiver and rock myself up into him as I gave a needy whine and raised my legs, squeezing his hips with my knees. The kiss broke and he muttered against my mouth with a teasing grin, “ Think you can be quiet for me, kotenok?”
“ I can try.” I whimpered as his mouth worked down the front of my throat, teeth scraping against skin. Stubble tickling me. Making me cling to him as he snapped his hips against me and his hands moved down between us, catching in the hem of my shirt. He pulled me up to a sitting position and pulled my shirt off, tossing it onto my bedroom floor. I tugged at his shirt, whining impatiently and he chuckled. Nipping softly at my bottom lip as he teased, “Patience.”
“Pietro.” I pleaded.
He tugged his shirt over his head, letting it settle on the floor near mine. And then he was leaning in. His hands moving up my sides. Stopping to squeeze my breasts, growling to himself quietly before reaching around. Hooking a thick digit beneath the band of my bra and working the clasps free. He pulled it off, balling it up and tossing it on the floor with the rest of our clothes as he leaned into me even more, my back pressed flat against my bed all over again. He positioned himself on top of me, his body spreading my legs wide and as his head dipped down, my fingers curled in my blanket and thick blond hair.
His mouth worked across my collarbones. Then lower. He squeezed my tits together, mouth diving down. Latching onto one of my nipples. Tongue circling lazily until he’d teased it to a point and I was squirming beneath him, rocking my hips, desperate for any kind of friction I could get. My fingers caught in the waistband of his jeans and I worked the button and the zipper free. He pulled away and slipped off the bed to shed his jeans and underwear and eyed me hungrily. Leaning down. Meeting my gaze with a mischief filled smirk as he took off my pants. Holding my gaze the entire time.
I kicked my pants free at the ankle and he was on top of me again. The tip of his thick cock brushing right against my fabric covered crotch as he bucked into me and muttered against my mouth, “Are you ready for me, kotenok?”
“Please?” I begged breathlessly, barely managing to keep my voice a whisper as I did so. When he smirked at me as if he were pleased with himself, I realized exactly what his goal was.
He wanted to see just how close he could get me to getting loud.
I pouted up at him and he chuckled. “What’s wrong?”
“You’re being a tease. I know what you’re trying to do.”
“Oh?” he muttered, his hand disappearing between us. Slipping into my panties. Fingers working me open. Burying deep in my throbbing, wet sex. I arched my back and gasped, my fingers tangling in his hair, tugging at it as I rocked against his hand.
It wasn’t enough. I wanted him buried to the hilt inside of me. Now.
But Pietro was in a teasing mood tonight. Something told me that the more I begged, the more he was going to prolong it. And if I didn’t beg? He’d prolong it.
I was absolutely fucked.
One way or another, he was going to have me screaming his name by the end of the night.
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eldritchqueerture · 3 years ago
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Point of View - Original Statement Fic
Point of View (5004 words) by LadyNikita Chapters: 1/1 Fandom: The Magnus Archives (Podcast) Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Original Statement Giver(s) (The Magnus Archives) Additional Tags: Statement Fic (The Magnus Archives), Original Statement (The Magnus Archives), this was intended as the eye but evolved into the vast as well, happens, cosmic horror, attempt at Eldritch Madness, unreality, Discussions of pointlessness and meaninglessness, Canon-Typical The Vast Content (The Magnus Archives), from the eps about space, Mentions of Death, Compulsion, discussions of free will (kind of), Dissociation, Panic, Mentions of addiction, Leitner Book (The Magnus Archives), except it was not possessed by Leitner, Pretty Colours <3, Neurodivergent Protagonist, Queer Protagonist, because I can project a bit as a treat, Can Be Read Without Prior Knowledge of the Podcast (I think)
Summary: "Humans crave understanding. They strive towards knowing more and more, that’s what all science is about, isn’t it? To study, to learn and understand; to seek answers to questions. But are we really equipped to handle the answers we seek? Even if we were able to reach them, are our minds advanced enough to grasp the truths about the world we live in? What if there are things just beyond our understanding, lurking in the shadows of reality, peeking into our world just enough to feed on us, on our uncertainty and our pathetic scrambling towards answers that would only bring madness?" --- Statement of Lyria Ellison regarding a different point of view and the dangers of knowledge.
Notes: Hiiiiii <3 I've been reading Lovecraft recently and as much as I hate the dude, The Colour Out of Space gave me so much inspiration that I immediately sat down and produced this in one sitting. I've been meaning to play with the concept of eldritch madness for a while; something about this trope is really appealing to me and I'm really enjoying my attempts at shaping it with words. Lyria is a preexisting OC of mine, I will give some background on her in the end notes because I love her very much. This is a form of practice for me; I'm playing with horror themes and I'd like to get acquainted with them to better incorporate them into my overall writing. Therefore I will accept constructive criticism if anyone wants to give it, but only in the form of DMs, either on Tumblr (your-queer-vampire-dm) or on Discord, if we know each other through a server. All of the warnings I think should be mentioned are in the tags, but if you think something should be added then please tell me!
Date: May 10th , 2018
Name: Lyria Ellison
Subject of experience: A different point of view and the dangers of knowledge.
How do you start telling a story that changed your heart, your mind, and your soul so profoundly that you can barely still function in a society? How do you say all that without sounding borderline insane? Nobody knows what I’ve seen, what I’ve been through. I know they would all say I’ve hallucinated it all and should seek treatment. But I know it won’t help. I know… I know so much now. Too much and not enough. Never enough. I know what happened was real . I don’t have proof so I’m guessing you won’t believe me either, but I need to tell someone about it. So I might as well tell you.
My name is Lyria Ellison and I’m a neuropsychology major. Ex-major, I should say. I dropped out after… Yeah. I dropped out; there’s not much point in continuing studying things about the feeble, insignificant human brain. Utterly pointless venture.
Humans crave understanding. They strive towards knowing more and more, that’s what all science is about, isn’t it? To study, to learn and understand; to seek answers to questions. But are we really equipped to handle the answers we seek? Even if we were able to reach them, are our minds advanced enough to grasp the truths about the world we live in? What if there are things just beyond our understanding, lurking in the shadows of reality, peeking into our world just enough to feed on us, on our uncertainty and our pathetic scrambling towards answers that would only bring madness?
Just a year ago, I was convinced I was going to finish my degree. I was so passionate about it too, eager to learn more and more, to research and seek knowledge. Curious and fascinated by the world around us. What a foolish thing it was to give into that drive. My mind was open to the supernatural, although I always approached it scientifically; I never said the supernatural existed, but I also never said it didn’t. It was plausible; all in all, every scientist must accept that there is still a vast amount of knowledge we don’t have about the world.
The ignorance was a blessing. But I shall not get ahead of myself.
It started around December last year; my dad had died, and my girlfriend, Shawala, and I were clearing out his house. There wasn’t really anyone else to do it; my mother had passed a couple years prior, I had no siblings, and extended family was out of the picture as well; and my dad had gathered a lot of things in his adventurous life; he was a traveller, and he loved the world, loved learning about it, just like me. I was feeling pretty overwhelmed with it all; my dad meant a lot to me back then, and Shawala proved an excellent support at that first shock. She promised to do some first view assessments of the ground floor, while I went to scope out how things looked in the attic.
It’s always either basements or attics, isn’t it? I used to read horror, Lovecraftian was my favourite – how ironic, isn’t it? How stupid . How utterly ignorant. The hubris of the human race at its finest.
Anyways, the attic was half-lit from the small windows in the roof, and dust was swirling in the faint light of the afternoon sun. It was cold here, but I didn’t pay much mind; the house was old, and it wasn’t surprising that there was draft. To say the space was cluttered would be an understatement; I could barely walk around the numerous boxes, old furniture, crates, and overflowing bookshelves; all of which made something in my chest curl tight, bringing tears to my eyes. I steered my steps towards the nearest bookshelf; I’ve always been a bookworm, fascinated by nearly any tome I came across; I’ve been reading popular science books since I was eight. So naturally, I was drawn to the books, taking huge steps above the cardboard boxes and careful not to hit anything else.
The books were old, of course, and dusty. Some of them had loose pages, and I treated them very gently, almost reverently. I have a little bit of a bookbinder streak, and I decided I would take them home and try to put them back together. As I rifled through them, I saw they pertained to a vast variety of subjects, from poetry, drama, and history, to science, metaphysics, and maths. The deeper I looked into this stunning collection, the more reverence rose in my heart; at my fingertips I had the oldest and the biggest accumulation of knowledge I had ever seen. I saw some books dated back even two hundred years ago.
At that point Shawala called me to check if I was alright. I put the book I had in my hands back and my knuckles brushed against the black leather cover of the next one on the shelf. I felt pleasant tingling in my palm at the touch and my heart leaped at the prospect; I didn’t know why –  the book seemed ordinary enough on the shelf and there was no title on its spine.
I sometimes wonder if I could have just left it there and gone downstairs; chosen to come back later and then maybe, it wouldn’t have enticed me as it did. If, by that point, I had had any choice left on the matter.
Alas, intrigued by the book, I placed my palm on the spine and took it out. The leather was soft and smooth, probably sheep, with familiar subtle grains all over the texture. I remember it striked me as odd that it was warmer than the rest of the books in the drafty attic, but I shrugged it off. The front cover had a title, small but visible in the centre, etched in gold – Punctum Visus .
I, by all means, cannot read or speak Latin, but I figured it was something to do with vision. I opened the book, an unknown anticipation buzzing in my stomach. The pages were worn and old, their texture was slightly rough but pleasant under my fingertips; as I opened the front page, I saw the title again, this time in thick but still elegant, black letters, and the smell came up to my nostrils.
I tried to describe it in my head countless times after. I always loved the smell of old books, and I knew it very well, so it came to me as a surprise to realize it wasn’t the only smell I could feel from the book. It was… cold, somehow, distant but prickling at my nose, a little bit the way peppermint tastes. It reminded me of the night sky and distant stars somehow. The smell awakened an unease within me, as I couldn’t quite place what it was and why it seemed so weird , but it wasn’t by any means unpleasant. It was… enticing. Like a promise of a mystery.
I breathed it in again through my nose, closing my eyes, and for a moment I lost all feeling in my body. I was untethered and immaterial, somewhere in deep darkness that seemed to envelop me whole. It felt cold on my mind, stretching it thoughtlessly in the empty vastness, and I saw distant flickering lights of stars. Before I could form a coherent thought, I was back in myself, panting and shaking, staring at the front page of the Punctum Visus . I looked around with shaky breaths; the attic looked the same, and Shawala’s steps on the stairs reached my ears, with her voice calling my name. A shiver passed down my spine, causing goosebumps to bloom on my skin; was it the draft, the dread, or the excitement I couldn’t tell.
I knew I had to read this book, no matter what it took for me to do so.
I took it home, almost forgetting about the rest of the books upstairs. It had spent the next month laying in my room, as I dealt with the formalities and moving the rest of things that weren’t sold from the house either to my place or to charity. After the day we left the house for the last time, I collapsed in my bed, exhausted, but instead of closing, my eyes fell on the book unassumingly waiting on my nightstand.
A surge of excitement passed through me, waking me right up. I sat up and reached for the book. It was still warm; I couldn’t tell if it was good or bad, but warm it was. I think it made me subconsciously assign it more… being? Like, even before I knew anything, I somehow subconsciously accepted that it was more than just an object; that it was, in a sense, alive on its own. I brushed my fingers on the cover, feeling the texture of the leather and the etching of the letters. In the meantime during this month I had checked the meaning of the title – Point of Sight; a position from which a thing is or is supposed to be viewed. It makes so much sense now.
But then I didn’t know what dangers it held; or I didn’t want to think about them. I do remember feeling anxious, my hands trembling every time I opened the cover, but it was so mingled with exhilaration of the certainty I was discovering something important that I must have disregarded it. As I turned the pages, I wasn’t surprised to find the text in Latin; though I still felt a pang of frustration that it meant I couldn’t read it for now. I rifled through the pages, looking curiously at the letters that formed words yet unattainable to me. There was a hunger inside of me; a hunger to Know. As I turned the pages past various symbols, illustrations of the constellations, and of Earth, I determined it must be some sort of a metaphysical work. The point of view on the world around us.
Normally I just skim through works like this and leave them. While they are an interesting read sometimes, they’re not my favourite genre and, looking objectively, putting in the effort of learning a whole language just for the sake of reading a treatise on the meaning of cosmos by an unknown author seems strange at best. But somehow it seemed obvious to me that I had to read it. It called to me, sang into a part of my being that begged to be filled, promising knowledge that would finally leave me satisfied. I know now that it’s impossible. Once you’ve tasted the hunger for knowing, you will never find satisfaction; it’s like an addiction. You just crave more and more, and the knowledge never ends. After a certain point you know too much and when it all connects, when it starts to make sense… you slip. I didn’t know that, even though maybe I should have. I didn’t know what those things I was feeling meant then and I didn’t stop to question them; I gave into it as soon as it touched me. I was stupid.
What followed were a busy couple of months. Every waking moment that wasn’t spent keeping up the pretence of being interested in my major (back then I only thought it a brief hyperfixation, of course, and wouldn’t have called it a pretence at all), I was learning Latin online or staring into the incomprehensible words on the pages. This period of my life is a blur; I remember my friends checking up on me if I was alright, since I wasn’t particularly social anymore. Shawala got progressively more worried, but it fully escaped my mind to care. I know that staring thoughtlessly at the book took up more and more of my time; once, I remember, I returned from my classes at three PM and took the book out; when I came back to myself it was well past midnight. That’s when I started to feel truly uneasy about it. It was the second half of April; I looked back on what I’ve been doing these past months and this cold dread started creeping up to my throat. I realized I didn’t know why I wanted to read the book so much and I remembered the “vision” or the hallucination I had that first time in my dad’s attic. I had set it aside completely as unimportant, and I couldn’t wrap my head around why. I started shaking and theorizing in my head about the book being able to influence my mind somehow, to control it. Had my actions not been my own? How much of it was my own will and how much was the book? Was it even possible for it to influence me like that; could it be that it was supernatural in some way?
The house became cold, unnaturally so. It was dark and all the windows were closed, but a chill draft managed to find its way into the corridor I was in anyway. I sank to the floor and hugged my knees, trembling in panic. I was all alone in the flat, everyone I knew was surely already asleep in their homes, and I was small and weak in the face of something that maybe could have controlled my mind. I suddenly became aware of the leatherbound book in my hand, and I threw it along the corridor at the front door with a whimper, as far away from me as possible. The book thumped against the door, then the floor, and opened on a random page.
I’ve read enough horrors. I knew that the page would be significant, and that knowledge made me sob and hug my knees tighter. I didn’t know what was happening; I felt like I’d just woken up from a months-long dream… and perhaps I was right. The recent past felt alien.
I felt tears sting my eyes and that’s when the smell reached me. Again that mixture of old paper and peppermint cold, distantly sweet but freezing the blood in my veins. My breath came in ragged and shallow, and tears streamed down my face as I stared at the open book that was calling me in an inaudible whisper. The logical side of my mind was trying desperately to make sense of it, to assign the dissociative feeling to my father’s death and yeah, it was plausible, but somehow it just didn’t feel right. The whispers sounded again, swirling around my head, the golden sound almost touching the back of my neck, making me wince. It was enticing and promising, but this time, I felt terror instead of excitement. Disregarding how my mind was trying to rationalize the situation, I knew the book was cursed somehow. I knew that I was its victim. And I knew that I would not be strong enough to resist it.
I don’t know how much time I sat there, trembling, and sobbing into my knees, before I calmed down from the panic and decided I had to do something. I had to find out what this book was and how it found itself into my dad’s library. I couldn’t remember seeing anything in his diaries that would mention it at all, but then again, I didn’t read them all cover to cover. On wobbly legs I carefully made my way back to my room and searched the Internet until the sun started peeking out of the window; I found nothing about any book titled Punctum Visus . I tried all the libraries that I’d known of, that had their assortment online, all the research databases; nothing.
So, at the crack of dawn, with a fast-beating heart, I stood in the door of my room, staring out into the corridor, where the book still lay by the front door, unmoving. The golden strings of a wordless melody made it to my ears; it promised an explanation; that this time if I looked close enough, I would find what I was looking for.
What was I looking for?
Where else could I find the answers if not in the book itself?
I could feel its cold fingers slowly wrap around my mind, steering me to come closer. It called me with a hypnotising voice that awakened all the red signals in my brain, telling me to run and hide, but I didn’t. The voice meant danger, but I knew it also meant knowledge.
Dangerous knowledge. The pull dragged me through the corridor step by step; I hadn’t been fighting it as strongly as I could have had and I was about to start, since I was getting closer to the book, but suddenly I felt the chill of the influence let go, hovering close but out of reach. It was still compelling me to come, to Look, but I could move my own limbs. I had a choice to make.
Knowledge of danger. Did I believe my own warning thoughts that I would regret looking into the book? Did I take my own logical, rational side seriously? Was I ever good at resisting my own impulses?
I’ve never been addicted to anything, but then again, I never really had the opportunity, as it were; my friends were more of a no-alcohol types and I really ever smoked cigarettes once. I’ve never seen drugs in real life. So who’s to say if I’m not an addictive personality? And this, this was addictive. The thrill of mystery, the exhilarating process of learning, the anticipation of the answers.
Was it ever really my choice?
No supernatural force guided my steps that night; no cold fingers made me kneel next to the book and carefully cradle it in my arms, looking at the page with a shaky breath and tears in my eyes, as if I was coming back home like the prodigal son. But I’m sure it was by some paranormal means that this time I could understand the text on the pages.
I honestly don’t remember what it said. As I read the unfamiliar words, the meaning presented itself in my mind, not entirely unlike that first “vision” I had in the attic; as soon as I started reading I knew that I had made the choice and there was no turning back. That cold draft enveloped me, sat on my skin, and started to bite; I felt that smell again, stronger than ever before, something intangible but unmistakably inhuman . It was then that I realized that’s what had felt wrong to me about the smell since the beginning. It was inferior and alien. My hands started shaking as my eyes, glued to the text, moved now on their own down the page, drinking the words in. I was terrified out of my mind, but the pleasant tingling along my nerves was back, the anticipation of the promised understanding.
My mind was drowned with the tide of knowledge. This was just a prologue; a true discovery would require preparation, but I was almost ready. The voice said I was chosen, that I was a perfect candidate to bring It what It needs and that I would be rewarded. I cried tears of amazement and horror at the sheer scope of the voice – it seemed to encompass the entire world. I couldn’t comprehend it, but I didn’t know then that it was a blessing. I wanted to know, I craved to know what It was and how I could be of use to something so powerful, so huge. Divine. That was a word that crossed my mind, as much as I don’t like that. I don’t like many things, but I can’t change any of them.
The voice said I’m on the right path. I would Know and Understand. First, I needed to do something. As It told me what that was, doubt started to creep up to my mind. What was I doing? What was happening? How could this be real?
I came to on the floor by my front door, the cursed book in hand, with a tear-stained face and a bloody nose.
I knew what I had to do to get ready and, as I calmed down and went over everything in my head, I was surprised by how trivial it was. Honestly, by this point I was kind of afraid It would tell me to hurt someone, so I was glad this was just about reading a bunch of words in a specific location at a specific time. I was aware of the fact that this was most probably a ritual, and I was quite apprehensive. I kept arguing with myself in my head, over and over whether I should follow through, but deep down I knew that I would, no matter what I told myself. This part, I think, scared me the most; how compelling the promise of knowledge was, how reverently I’d found myself thinking of the book and its owner (which I assumed was the voice), how fanatical some of my thoughts sounded. I’ve never been religious, never really felt idealistic either. I was always focused on facts, on the here and now. Can knowledge be an ideal? Can you be a fanatic of Seeing and Knowing?
How much had I changed since I’d found Punctum Visus in that old attic.
I found a good, quiet spot, on the north-west side of the New Forest National Park near Southampton. I told no one about this, deeming it unimportant. I would come back after my big discovery, I would explain everything. I laugh at myself now; at my naivety.
The night of April 28 th was clear, and the starry sky looked back at me as I parked my car on the road in the forest and locked it. I tied a piece of a long red string to the wheel, not to lose my way in the forest, and started to walk forward. I held the book close to my chest, as if it could protect me from the dark, eerie outlines of the trees, swaying gently on the wind and whatever the darkness around me held. I didn’t light the torch; the moon was nearly full, bathing everything in its gentle light, and besides, for some reason it seemed that the crude yellow light would somehow break the sanctity of what I was about to do. I could see the ground in front of me and managed to lose sight of my car and everything else besides trees pretty fast.
I stopped when I found a small clearing. The moon was high in the sky, shining down on me like a big eye; I didn’t know why this comparison seemed the most fitting, but it did. I took a deep breath, feeling a chill plant little dots all over my skin, making my hairs stand on end. The wind died down and the trees froze, as if in anticipation. I felt something watching me closely; I was not alone here anymore.
The realization made my breath catch in my throat and the last streaks of sanity broke through my thick skull. Run! Drop the book and run! I didn’t. My hands trembled, my muscles tensed, and I stood there, frozen with fear as something stared at me, seemingly for eternity. Something bigger than me, bigger than anything I have ever seen was watching me, waiting. My eyes dropped to the book in my arms. The black leather was warm, as always, but this time I felt a pulsating sensation from it. A heartbeat.
I screamed. The book landed discarded on the ground, and I stumbled backwards and tripped, landing in the grass as well. It was cold and wet, and it glistened with something in the faint moonlight. At first I took it for water, but upon closer inspection I saw it was the grass itself that glittered – a shy rainbow, glowing iridescently in an impossible way. I froze, stunned, for I have never seen such colours before. It seemed utterly alien, something unfitting for the human eye to see; simultaneously beautiful and horrifying.
As I looked around, I noticed that everything alive in the forest – the trees, the grass, the bushes, the plants – had taken on that iridescent mixture of faint light that prickled my eyes and sent a shiver of terror down my spine. It was beautiful, utterly gorgeous in a way that nothing a human eye can perceive could be. It was horrifying in how different, alien, and other it was. My senses could tell this is not of the Earth; not of this reality, not of this world; everything in me that still had common sense tried to recoil from the inferiority of this magnificence and the danger it brought, but I had abandoned common sense a while back. Maybe even when I touched the book for the first time. I stared then, breathless and trembling, at this scenery as if from a fairy tale and decided to lock away my rational thoughts. I wanted to See, to Know; I wanted to experience and if this was the death of me then hell, it was a pretty good way to go. To behold such a sight, I thought, was a reward in and of itself.
Of course, I had no idea what any of it meant. I slowly rose to my knees and patted the ground down until I felt the book. It still pulsated with this heartbeat and the letters etched in the leather glowed with golden light. My hands were sweaty, and I didn’t know whether I was shivering from fear or the cold. I opened the book on the first page.
What I saw was not what I had expected. I remembered that the first page, after the titular one, was the beginning of the introduction, that much I had understood, but now it was a big picture in black and white; a night sky, with an almost full moon and strewn with stars. It was a shot from the ground and treetops could be seen at the edges of the picture. As the book swayed in my hands, the stars glittered, and the perspective shifted ever so slightly, as if it was in 3D. Stricken by a surge of dread and cold certainty, I looked up. My suspicion was right – the picture in the book depicted the exact image that was now above me. I gasped quietly and looked down at the book—
And this is where things started to really go horribly, horribly wrong.
The book was gone. What’s more, the ground was gone too and suddenly everything was not where it should have been. I blinked but it did nothing to ease the dizziness; and when I composed myself enough to register what I was seeing I froze, the most intense horror I have ever experienced crushing my body from all sides and inside out.
I realized that I was Seeing. I was finally Seeing, and I Understood it all.
I don’t know how to convey in words what I saw. I don’t believe it’s possible; humans were never made to see and understand such things. I should have never touched the book, I should have never asked for knowledge. All my life I believed that knowledge was the point; it was a tool, and it was power. I don’t know what I think anymore. I think some knowledge should always be hidden because we were not made to know everything. We can’t , it’s physically impossible for us to comprehend.
For one moment in my life. For one moment I became something else, and I saw the world in the way It sees the world. For one moment I shared a mind with an eldritch being, a thing that is Fear itself, and I saw the Earth through Its Eye. I can’t… I can’t tell you just how horrible it is. How… How meaningless; we’re all intertwined things, guided by strings of web that lead us through life, and we’re all connected in this maze of fear . We’re not individuals; we’re not special. We don’t have souls and none of our experiences matter. We’re just fear. These… These entities are a part of all of us. They’re our fear and they live inside of us, inside of every living creature that can feel fear. Can you comprehend that? How can you be sure you are yourself when there’s a cosmic entity, a power as old as life itself, living you ? And no one has any idea. Nobody knows and if I tell someone they’ll think I’m crazy. Sometimes I think I’m crazy. But deep down I know what I saw. I know it was real. And I’m terrified. I’m terrified because I know that this Being of eyes that I became a part of watches everything I do. I feel Its presence here very strongly, and I guess it makes sense. It will never leave me. It’s a part of me, just like the rest of them; just like they’re all a part of every one of you, yet you have no idea. But I know. And I know I’m all alone with that knowledge, the knowledge that I can’t comprehend, but I know I could in that one moment. It’s a very lonely place to be and I’m scared.
I’m scared as I have never been before; this fear doesn’t leave me anymore. Every second of every day I’m aware I’m watched by something as great as cosmos. I’m aware I shared my mind with that being and it makes my skin crawl.
I don’t know what to do now, but I don’t expect any advice from you. I’m leaving the book with you, as proof. Its heart doesn’t beat anymore, and I’ve seen what I was supposed to.
Don’t read it.
Notes: If you enjoyed it, please consider leaving me a comment!! For people interested in a little bit of background: Lyria is a D&D character I have created that still awaits her chance to play in a campaign. She's an arcane scholar that has a dark little secret of actually being a warlock of a being she doesn't know a lot about. She's in love with knowledge and she seeks to learn about her powers as well as the world around her. I'm currently DMing a Ravenloft campaign and I just couldn't miss the fact how much potential for a corruption arc she has. Then I listened to TMA and I was like, she would definitely become the Avatar of the Beholding.
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tyrantisterror · 4 years ago
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I did a four part series of trivia posts when ATOM Volume 1: Tyrantis Walks Among Us! came out, and that was pretty fun!  You can see that set of trivia posts here if you’d like.  I thought it’d be fun to do another now that ATOM Volume 2: Tyrantis Roams the Earth! is out - just one this time, because a lot of the trivia I talked about with Volume 1 still applies.
I’m gonna divide this into two sections: non-spoiler trivia, for things that really don’t give a lot of plot points away, and spoiler trivia, for things that DO give away major plot points.  I recommend not reading the spoiler trivia until after you’ve read Tyrantis Roams the Earth!, for obvious reasons, and will put the spoiler trivia under a cut.
Ok, let’s go!
- So if you read ATOM Volume 1, you probably noticed that the book is split not only into chapters, but “episodes,” which consist of four chapters a piece.  It’s kind of a nod to how the series owes a great deal of its DNA to various monster of the week shows, with Godzilla: the Series and The Godzilla Power Hour being obvious influences.  It also allowed me to pepper in some illustrations and cheesy b-movie style titles into each volume.
- The first “episode” of Volume 2, Tyrantis in Tokyo, pays explicit homage to the giant monster movies of Japan, perhaps even moreso than the chapters that came before it.  Given how much Japanese media influenced ATOM - from tokusatsu like the Godzilla, Gamera, and Ultraman franchises to anime like Digimon and Evangelion (hell, the title of this episode itself is a tip of the hat to Tenchi Muyo by way of one of its spinoffs) - it kind of felt obligatory that Tyrantis visit Japan and pay his respects.
- Tyrantis in Tokyo also fits in a tribute to another staple of Atomic Age pop culture: Rock and Roll.
- Kutulusca, the giant cephalopod that appears in Tyrantis in Tokyo, is one of the oldest kaiju in this series, dating back to the first iteration of Tyrantis’s story that I put to paper back in 2001 or so.  It’s changed a lot since then, but its fight with Tyrantis goes more or less the way it originally did.
- Old Meg, the giant placoderm/shark, and Nastadyne, the bipedal beetle, both owe their existence directly to Deviantart’s Godzilla fandom.  Old Meg originated as a dunkleosteus monster I submitted to a “create a Godzilla kaiju” contest held by Matt Frank, while Nastadyne is based on a Megalon redesign I made during the “redesign all the Godzilla kaiju” phase of DA’s kaiju fandom.
- The second episode, Tyrantis vs. the Red Menace, gets dark as we visit the USSR, which had enough REAL horror with atomic power in its history to make creature features seem a bit defanged by comparison.  It’s probably the episode with the strongest horror elements - ATOM’s always been influenced by Resident Evil, and this is probably where that influence shows the most strongly.
- It also features the first fully robotic mecha in the series, the mighty Herakoschei!  Its name is a combination of “Heracles” and “Koschei the Deathless,” with the former part being added by its Russian creators to make it seem a bit more international as they offer it to the U.N. in hopes of gaining aid for a very extreme kaiju problem they’ve developed.
- Most of Tyrantis vs. the Red Menace takes place in the Siberian Monster Zone.  Its name is a reference to the Lawless Monster Zone in Ultraman, which is such a cool fucking name I wish that I wish I could go back in time and steal it.
- The next episode, Tyrantis’s Revenge, is... full of spoilers, so we’ll move on for now.
- The penultimate episode, Tyrantis vs. the Martian Monsters, is a love letter to MANY different sci-fi stories that involve life on Mars, though the most prominent of them is of course The War of The Worlds (one of my top 3 favorite books) and its various adaptations.  From its tentacles sapient martians, the tripodal leader of the titular monsters whose name includes the word “ulla” which is uttered by said sapient martians, the plant monster made of red vines, the cylinder-shaped spacecraft the Martian monsters are sent to earth on, the copper-skinned stingray-esque flying martian who shoots lasers from its tail, and the fact that every chapter title in this episode is a quote from the book, the H.G. Wells influence is STRONG.
- The final episode, Invasion from Beyond!, is shamelessly inspired by Destroy All Monsters, although there’s a dash of “To Serve Men,” Godzilla vs. Monster Zero, and The Day the Earth Stood Still mixed in as well.  It’s also sort of a tribute to my first “published” bit of a kaiju fiction - a rewrite of Destroy All Monsters that included EVERY Godzilla monster that had appeared at the time, which my middle school self wrote back in 2002 or so for Kaiju Headquarters, a kaiju fansite I’m not sure exists anymore.  Invasion from Beyond! is just as ambitious (but hopefully better executed) as my DAM Remake, with dozens upon dozens of different kaiju duking it out, earthlings vs. aliens.
- There were three different documents I made to outline the final battle of Invasion from Beyond!  It’s the largest episode of the series so far and more than half of it is that fucking fight.  My inner child is pleased, though, so hopefully you will be too.
Ok, that’s all I can share without spoilers.  READER BEWARE WHAT FOLLOWS BELOW THE CUT!
JUST MAKING SURE you know that SPOILERS will follow from here on out.  Read at your own peril!  YOU WERE WARNED!
(I’m gonna start with lighter ones just in case you scrolled too far and want to turn back)
- There’s a number of explicit Spielberg homages in ATOM Volume 2, from a “we need a bigger boat” joke during a chase with a giant shark to the fact that Invasion from Beyond! opens with a group of people flying to an island of monsters to review whether or not it should get more funding.
- When Tyrantis appears in the first chapter, I snuck in modified lyrics of The Godzilla Power Hour’s theme song.  “Up from the depths”... “several stories high”... “breathing fire”... “its head in the sky”... Tyrantis!  Tyrantis!  Tyrantis!
- The two rock bands in Tyrantis in Tokyo have real life inspirations ala Gwen Valentine, albeit a bit more muddled than hers.  The Cashews are inspired by The Peanuts (see what I did there), while The Thunder Lizards are a mix of The Rolling Stones, the Beatles, Buddy Holly, and the Big Bopper.  I wanted The Thunder Lizards to be more akin to the myth of a famous rock and roll band than the reality - less the real Beatles and more the Yellow Submarine cartoon version of them.
- The song The Thunder Lizards write for Tyrantis was written to fit the tune of “The Godzilla March” from Godzilla vs. Gigan, though ideally if someone made an actual song of it it would be its own song.  I got the idea from Over the Garden Wall, which used the Christmas song “O Holy Night” as a a starting point for “Come Wayward Souls.”
- Perry Martin, UNNO reporter and peer of Henry Robertson, is a nod to Raymond Burr, with his name being a combination of two of Burr’s most famous roles: Perry Mason, and Steve Martin from Godzilla King of the Monsters (1956).
- Dr. Rinko Tsuburaya is a few homages in one.  Her name comes from Rinko Kikuchi (who played Mako Mori in Pacific Rim), while her last name is obviously in homage of Eiji Tsuburaya.  Her being the daughter of an esteemed scientist is inspired by Emiko Yamane from the original Gojira.
- Nastadyne’s Burning Justice mode is named after a similar super mode from various Transformers cartoons, though it’s more directly inspired by the Shining/Burning Finger super move from G Gundam.
- Martians sending kaiju to different planets via shooting them out of cannons (with or without cylinder spaceships around them) is another War of the Worlds shoutout.  So is martians living on Venus after their homeworld was made uninhabitable, actually.
- Kurokame’s vocalizations are described as wails in explicit homage to Gamera.  His name can be translated as either “black tortoise” (a reference to the mythical guardian beast Genbu, which can also be construed as a Gamera reference thanks to Gamera: Advent of Irys implying Gamera and Genbu are one and the same) or a portmanteau of the Japanese words for crocodile and turtle - “crocturtle.”
- Burodon’s name is just a mangling of “burrow down.”  It also sounds vaguely like Baragon, who Burodon is loosely inspired by.  AND, since Burodon is sort of a knockoff/modified Baragon, that kinda makes him a reference to various monsters in Ultraman!
- The final battle of Tyrantis in Tokyo is sort of a hybrid of the finales of Ghidorah the 3 Headed Monster and Destroy All Monsters.  
- The Japanese kaiju teaching Tyrantis the art of throwing rocks at your enemies is both a joke on the prominence of rock throwing in Japanese kaiju fights AND the tired trope of an American hero learning secret martial arts from a Japanese mentor ala Batman, Iron Fist, etc.  In this case, the secret martial art is throwing rocks at people.
- When introduced to Herakoschei and its pilot, we are told that the strain of piloting this early mecha is so intense that many pilots have died in the process, with the current one passing out on more than few occasions.  This is of course a Pacific Rim homage - sadly, no one invents drifting.
- Herakoschei’s design is a loose homage to Robby the Robot and Cherno Alpha, because big boxy robots are cool.
- The Writhing Flesh and ESPECIALLY Pathogen are both hugely influenced by Resident Evil and The Thing.  Giant body horror piles of raw flesh, tendrils, mismatched mouths and limbs may be a bit outside the main era of monster design ATOM homages, but they fit the themes and bring a nice contrast.
- I came up with Pathogen long before Corona but MAN it definitely feels different in 2021 to have a giant monster whose name is a synonym for disease driving other creatures crazy in a quarantine zone than it did when I plotted out the story in 2016.
- The chapter title “Hello, Old Foes” is a riff on “Goodbye, Old Friend”
- Minerva, the kaiju-fied clone of Dr. Lerna, is meant to be an homage to Attack of the 50 Foot Woman, which is a genuinely good giant monster flick.  I am sure many of you will also believe I included her because I’m a pervert whose into tall women, but you’d be wrong!  I included the seven foot tall Russian mecha pilot Ludmilla Portnova because I’m a pervert whose into tall women.  Minerva’s inclusion was just coincidental, I swear!
- Since Promythigor is a play on the archetypal ape kaiju to contrast Tyrantis as a play on the archetypal fire-breathing reptile kaiju, their fight has a lot of nods to King Kong movies.  Promythigor attempts the famous jaw-snap maneuver of Kong (with less success), J.C. Clark paraphrases the “brute force vs. a thinking animal” line from the King Kong vs. Godzilla American cut, and Tyrantis slides down a mountain to knock Promythigor off his feet in a reversal of Kong doing the same in King Kong vs. Godzilla.
- Tyrantis sliding down a mountain on his tail doubles as a Godzilla vs. Megalon homage.
- Though Promythigor is the archetypal Ape and Tyrantis the archetypal Fire-Breathing Reptile, I think it’s fun to note that in some ways, Promythigor is the Godzilla equivalent in their matchup, and Tyrantis the Kong.  Promythigor has a slight size advantage, was scarred by humans performing unethical weapons technology, and is associated with violent explosions.  Tyrantis is a good-at-heart prehistoric beast who humanized in part by his unlikely friendship with a human woman.
- Of course, in the context of the famous quote from the American cut of King Kong vs. Godzilla, they remain in their archetypal lanes.  Promythigor is the more intelligent of the two (though not necessarily wiser), and Tyrantis is in many ways a brute reptile.  Their battle is a rebuttal of sorts to the assertion that Kong is the “better” animal because he is closer to human.  Promythigor’s near human creativity and emotions don’t make him the kinder/more benevolent monster, but instead fuel a very self-centered and destructive attitude that makes him the far more dangerous threat.  On the other hand, Tyrantis, who is less intelligent, limited in communication with others by his reptilian mindset and instincts, and simple in his thoughts and desires, is nonetheless a sweet creature that is easily dealt with when others consider his animal needs and mindset.  There’s a quote from Hellboy I love that probably sums up all of my writing thus far: “To be other than human does not mean the same as being less,” and that’s what the matchup between these two in particular tries to illustrate: the “less” human Tyrantis is nonetheless more benign than the “more” human Promythigor.
- Kraydi the psychic lizard began life as a soft sculpture I made of the Canyon Krayt Dragon from The Wildlife of Star Wars.  The sculpture didn’t look much like the illustration, but I liked how it came out, and so I made it an original monster named Kraydi (see what I did there).  Figuring out an explanation for that name in ATOM’s world was possibly the most difficult kaiju naming task in the series, but it worked out in the end.
- Kraydi and Promythigor having psychic powers is a result of my time on Godzilla fan forums in my middle school years.  Most of the forums had OC kaiju battle tournaments, and SO many of those kaiju had a wide array of beam weapons and psychic powers just to win the tournaments by beam-spamming and mind controlling their foes into oblivion.  There’s a special kind of rage you get when your original creation is beaten by “Fire Godzilla” because he has a genius level intellect and the power of unstoppable telekinesis.  Kraydi began as (and still is I suppose) my attempt to do a psychic kaiju well, while Promythigor’s villainy being tied to psychic powers being forced on him is sort of my passive aggressive commentary on people foisting powers on a monster without any real thematic reason for them.
- Henry Robertson and Dr. Praetorius chewing out the laziness of people giving kaiju completely unaltered names of mythic beasts will probably be seen as a jab at the Monsterverse and/or the numerous writers in the kaiju OC scene who do the same, but it’s ACTUALLY a jab at my past self, who had DOZENS of kaiju whose names were just Greek mythological figures verbatim.  There are dozens of kaiju named Hydra, Scylla, Charybdis, Chimera, etc., past me, try to make the names stand out!  Oh wait you did.  I mean, don’t pat yourself on the back too much, you still went with “Mothmanud” as a canon name and never came up with something better, but, like, good on ya for trying I guess.
- Dr. Praetorius takes his name from the evil mad scientis in Bride of Frankenstein, who basically has all the wicked traits that Universal’s Frankenstein downplayed in their take on Dr. Frankenstein.  Ironically, ATOM’s Dr. Praetorius is a bit less evil than his fellow mad scientists in ATOM.  I really like how his character turned out, he surprised me.
- Isaac Rossum, the pilot of the USA mecha Atomoton, is named for Isaac Aasimov, whose robot stories are to robot fiction what Lord of the Rings is to high fantasy.  His last name is a reference to Rossum’s Universal Robots, which is where the word “robot” came from.
- The unfortunate pilots of MechaTyrantis in ATOM Volumes 1 and 2 are all nods to Jurassic Park.  John Ludlow = John Hammond and Peter Ludlow, Ian Grant = Ian Malcolm and Alan Grant, Dennis Dodgson = Dennis Nedry and Lewis Dodgson.
- A good way to pitch Invasion from Beyond! would be “what if the staff and monsters were able to fight back when the Kilaaks tried to take over Monsterland?”
- Ok, here’s a fun joke that no one will get but me because it requires a very specific chain of logic based on some obscure and loosely connected nerd bullshit.  There’s a rocker in ATOM’s universe named Sebastian Haff, right?  One of his songs, “Darling Let’s Shimmy,” is referenced right before a mothmanud larva emerges from the ground in both ATOM Vol. 1 and 2.  Ok, so, in the Bubba Hotep, an aging Elvis impersonator named Sebastian Haff claims he is actually the real Elvis Presley, having changed places with the real Sebastian Haff as a sort of Prince and the Pauper deal that went wrong.  Got that?  Ok, so, in UFO folklore, a common joke is the theory that Elvis didn’t die, but was rather abducted by aliens (or he actually WAS an alien the whole time - the whole “Elvis didn’t die, he just went home” joke in Men in Black is a good example of this).  Ok?  Ok.  So, in ATOM’s universe, we can surmise that their equivalent of Elvis, whose name is Sebastian Haff, WAS abducted by aliens, and that his song “Darling Let’s Shimmy” is subconsciously influenced by his repressed memories from his time aboard the Beyonder spaceships, which is why it accidentally awoke a Mothmanud larva in Volume 1.  There’s a lot of bullshit jokes I put into ATOM, but this is perhaps the bullshittiest of them all.
- One of the most common bits of feedback on ATOM Volume 1 I got was “I kept waiting for something to eat Brick Rockwell, he’s such an asshole.”  And I had to smile and go, “Oh, yeah, guess he never got his, huh?” the whole time without letting on that he was going to die here all along!
- Dr. Lerna and Brick Rockwell’s nature as foils to each other is probably most apparent in Invasion from Beyond!, where both are given fairly similar situations - a nonhuman approaches them with a solution to a global crisis - and react to it very differently.  I worry that some people may think they both made the same choice and got different results, and that that’s hypocrisy on my part, but I hope I wrote it so you can see how their choices and situations actually differ in key ways, and why their decisions, while similar on the surface, are ultimately very different, and thus result in almost opposite outcomes.
- So, when I planned out this book in 2016, I swear I didn’t know about the Orca from 2019′s Godzilla King of the Monsters.  Having the plot hang around Dr. Lerna deciding whether or not to use a sonic device to rouse all the kaiju to save the earth was not INTENDED to be a Monsterverse reference - it came about from me looking at Pathfinder’s take on kaiju, who are all explicitly influenceable by music, and thinking, “Oh, wow, music and songs DO have a major connection with kaiju in a lot of media, I should do something with that.”  Whem KOTM came out a few days after Volume 1 came out I realized I was kinda fucked here, because the comparison was definitely going to be made, but I’d also set this all up already and you can’t just change suddenly to avoid looking like a copy cat and make a good story, so... I dunno, I leaned into it a bit, but it is what it is.
- While most people will probably think they’re a reference to the Reptoids of UFO folklore, the Reptodites are more inspired by the Dinosapien of speculative evolution fame and, even morso, by the Reptites from Chrono Trigger.  Me wanting to avoid the “lizard people control the government” conspiracy theory trope is one of the main reasons why Reptodites have this non-interference clause with humanity.
- Lieutenant Gray is a bunch of different humanoid aliens rolled into one - a little Hopskinville goblin, a little classic gray, a little this one weird alien with five-fingered zygodactyl hands, etc.
- There’s some Beyonder Mecha in this volume that are basically kaiju-fied versions of the Flatwoods Monster.  The species that built them ALSO engineered the Mothmanuds, because connecting Mothman and the Flatwoods Monster is fun!
- Pleprah is, obviously, a one-eyed one-horned flying purple people eater.
- Tyrantis’s brush with death, in addition to being so very anime, was inspired by my dad outlining how mythic heroes often have to travel to the underworld/land of the dead before they can finish their journey.  It’s one of the plot points that I’ve had planned for this series since middle school.
- I’m sure some will view it as hackneyed and corny, but as a person who’s battled with depression for decades, having Tyrantis’s choice to live be the big heroic turn of the finale was very important to me.  Tyrantis incorporates elements of a lot of imaginary friends I made as a kid, and in many ways he’s kind of the face of my more positive side in my head.  He’s been telling me to choose to live for a while, and while maybe to an outsider it may seem hackneyed, it’s just... very Tyrantis.  He chooses life and kindness in the face of pain and struggle.  That’s Tyrantis.
- Tyrantis’s powered up form is called “Hyper Mode,” which is another Gundam reference.  Originally it was a lot gaudier and involved him turning gold like a fuckin’ Super Saiyan.  I opted for something a little more toned down here.  
- Also, speaking of KOTM references, I decided to make Hyper Mode Tyrantis’s final duel with Pathogen be a sort of foil to Burning Godzilla’s final bout with Ghidorah in KOTM.  Instead of ravaging the city, Hyper Tyrantis’s pulse of energy rejuvenates his fallen allies, and as a result he is “crowned” not out of fear for his supremacy in the wake of killing a powerful enemy, but in gratitude for his kindness.  See?  Leaning into it!
- And now I can finally reveal that Yamaneon is ATOM’s equivalent of The Monolith Monsters - that is, a kaiju that is also a mineral.  I took the “strange continuously growing rock” thing in a very different direction, though, as unlike The Monolith Monsters, Yamaneon is actually alive.
- At various points in the pre-writing process, either Promythigor, MechaTyrantis, or both were going to die fighting Pathogen.  I ultimately decided to let them both live, with MechaTyrantis even getting his flesh and blood body back, because I think it’s more interesting and thematically consistent that way.  They get a chance to heal their wounds by changing their ways.
- The Great Beyonder and Dorazor both almost didn’t make the cut, as I felt they didn’t have the same pull as villains that Pathogen, Promythigor, and MechaTyrantis did.  But then I thought that could actually be the gag - build them up as the final boss, only to have Pathogen take their crown.  I want to explore post-face turn Dorazor a bit more, though.  We’ll have to see about that in a later volume.
- Volumes 1 and 2 make up what I call “The Ballad of Tyrantis Arc” for ATOM.  I call it that because Tyrantis’s storyline in these two volumes was patterend after Chivalric ballads like Yvain the Knight of the Lion.  Tyrantis, a heroic warrior who is kind but dumb of ass, learns of strange goings on outside his home and investigates.  During his journey into the unknown he falls in love with a powerful woman, whose favor he tries to win.  Through happenstance he is separated from his love and, distraught, wanders around fighting various foes to prove his worth, before finally returning to his love a better hero.  Invasion from Beyond! could even be seen as a sort of Morte d’Artur, with Tyrantis and a bunch of other kaiju heroes (including Nastadyne and Kemlasulla, who are built up as Hero Kaiju of Another Story) take part in a huge battle that threatens their idealic kingdom (of monsters).
- Volume 2 isn’t the end of ATOM, but it’s designed to work as an ending if you want to tap out here.  As a reader I feel a definitive ending is important, but as a writer I’m always tempted to revisit my beloved characters, so I feel giving closure while leaving a few doors open for possible future adventures is a good compromise between these positions.  There will be more ATOM stories, some (but not all!) following Tyrantis and Dr. Lerna, but if you want to know that Tyrantis and Dr. Lerna get an ending and the resolution to their arcs such a thing promises, here you go.  An ending, if not THE END.
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redsector-a · 3 years ago
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AO3 Ask Game
I was tagged by @themarshalstale which, thank you so much! I feel like I always get missed on these (I know why, it’s been 84 years since I published anything but still). 1. How many works do you have on ao3?
46 it seems. Which...look I’m slow man so that’s not surprising. lol Also crippling depression does not make for much production, at least for me.
2. What’s your current AO3 wordcount?
309662 according to the stats.
3. How many fandoms have you written for and what are they?
So do I could only AO3 or in like life? lol I suppose it should only be on AO3 since this is an AO3 ask game. Hrm. Basically AO3 can be summed up as: Marvel (in several iterations - all Avengers related) Torchwood Highlander But isn’t it more fun to consider my entire fandom life, which, I’m sorry, I’m old so...yeah. Not all of this is was published and beyond that a lot is not available anymore...which is likely for the best. Highlander Star Wars Babylon 5 Ronin Warriors/Samurai Troopers Marvel (again, several iterations also of note Avengers and X-Men both count) Torchwood Star Trek LOTR Stargate (SG-1, SGA) Mortal Kombat I dabbled with the idea of Potter fic but never got past the ideas stage.
4. What are your top 5 fics by kudos?
1: You rearrange me till I’m sane Clint finds himself spiraling into a deep depression after the Battle of New York...until the Winter Soldier ends up saving him and inadvertently giving him a new purpose – to save the man that the Soldier had once been – Bucky Barnes. Not one to be outdone, the Soldier decides that his new mission is to ensure that Clint remains alive himself. Protecting a blonde man with a self-destructive streak is somehow very familiar to him. Through the back and forth of who is saving whom they cross the country and learn more about themselves and each other – and perhaps find a reason for living. 2: Five Dates Bucky Didn’t Realize He Was on And the One He Planned Himself To say that Bucky was surprised when Clint kissed him was an understatement. But it was nothing compared to the shock he felt when he learned they'd been dating for months without him realizing it.Clint gets whisked away for a mission before they have time to talk and Bucky is left to figure things out on his own - hindsight being 20/20 he can't help but wonder how he missed things the first go around.
3: Puck Luck Bucky Barnes is used to the ups and downs of an NHL season. He's used to the unpredictability of the game, knows that bounces don't always go your way, but that doesn't make a broken hand in the final third of the season any easier to deal with. Especially not when he ends up with an impromptu roommate/personal assistant in the form of one Clint Barton - his agent, Natalia Romanova's (rather attractive) friend he hadn't known existed before his injury.
It's just for six to eight weeks - what could possibly happen in that span of time?
4: Loose Lips Launch Ships
Based on the following prompt: “We go to school together and I think you’re cute and apparently you’re also the pizza delivery guy and my little sibling opened the door screaming hey sibling! you know that kid you’re in love with? you really weren’t kidding when you said his jawline could cut steel holy shit-” Bucky is the pizza delivery guy. Clint's younger (foster) brother has a big mouth.
5: Indelible Bucky Barnes has a pretty decent life – a good job, good friends, a cat that adores him - but something is missing. He’s always found body art to be beautiful and inspiring, and on a whim (and with the hope that maybe he can find what he’s missing) he decides to take the plunge and get a tattoo. That's how he meets Clint Barton. Clint's talented and compassionate and there is an instant spark between the two of them. It's not long before Bucky finds himself wondering and wanting more from the relationship despite the ghosts of the past that crop back up. Because Clint makes him feel normal in a way he truly hasn't for years...
(this was pre-Alpine so I was totally chuffed when canon confirmed Bucky’s status as a crazy cat lady (affectionate).
5. Do you respond to comments? Why or why not.
I really really really want to do it but I often times don’t end up doing it. There are a few reasons. First, I am akwward AF and bad at interaction adn I feel like just saying thank you would be...not enough? Second - I often times tend to like...turtle (aka retreat into myself) when life gets Too Hard/Busy which happens a lot to me (sigh) and then I miss the vague window in my mind in which it would be okay to respond and then it’s even more weird. I do love and cherish all of them. Like there was one months ago that made me go “hmm...I didn’t think I was going to do a sequel to that fic (You rearrange me till I’m sane), timestamp glimpses sure but a sequel hadn’t come to mind” but then the comment made me think! So...who knows? lol Anyway, I literally have been rereading some in an effort to try and get myself going again. Know that if you have commented, I love you.
6. What’s the fic you’ve written with the angstiest ending?
At the moment? Probably: Look at you look at me Bucky's in love with Clint - problem is he's really not supposed to be. For Winterhawk Week 2019 - Forbidden Love (I really don’t want to give away the spin in the fic but...if you’re familiar with the Secret Avengers Vol 2 run circa 2013ish (aka when SHIELD initially ‘took control of the team’) that’s a bit of a hint as to the spin). Were it done, Torch Song would be up there. ;) Torch Song Clint is sent back in time, via an alien device, to 1938. While he tries to figure out how to get back home, he takes up singing and entertaining to make ends meet and does his best to not disrupt the timeline.Then he meets a 21 year old Bucky Barnes. --- A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship.
7. Do you write crossovers? What’s the craziest one you’ve ever written?
Does *wanting* to write crossovers count? lol I want, so badly, to do more crossovers and fusions (which...are kinda deeper versions of crossovers in a way). The only one I do have posted is a crossover between Highlander and Torchwood -
The Immortal Mr. Jones A series of vignettes (some long, some short) in the life of the newly immortal Ianto Jones. My most ambitions project that I have been working on since late 2011/early 2012 is a fusion of the Avengers with Stephen King’s the Stand. I will get that done at some point *shakes fist*  The Stand, for those who don’t know it, is an epic 1000+ page novel about a flu epidemic (I know) that wipes out over 99% of the population and then two figures representing Good and Evil pull the survivors in two directions for a showdown. So basically it’s a non-powered modern AU set in that universe. It’s a passion and comfort project. lol
8. Have you ever received hate on a fic?
Yes. Well, minor bitching back when I was in a prior fandom because I tagged a pairing in a fic but it was pre-slash and not labeled as pre-slash. I got hate on...I think it was Torch Song? And I’ve gotten hate on tumblr re me and my fic in general as well. Fandom! *jazz hands* Oh! And I’ve also been hit by those reviewers within Winterhawk (among general Clint pairings actually) who like rate you on either number scales or the “meh” scale. Which isn’t hate exactly but...it’s passive aggressive bullshit because I can’t believe none of them realize at this point that the authors can see their bookmarks - you know?
9. Do you write smut?
Yes. Do I write it well? I have no idea. lol
10. Have you ever had a fic stolen?
Not that I am aware of. Well...there was, I think, one of those reposting sites that had a few fics on it but I don’t think it was being passed off as someone else’s? I can’t quite recall. It’s why I have a note on AO3 about reposting my work anyway.
11. Have you ever co-written a fic before?
Not entirely, but sort of. Let me explain - I am part of a PBEM game; which for those unfamiliar since it’s a term that was most heavily in use 15-20 years ago, in which you basically do a round robin type writing thing but rather than everyone writing the same characters you write your own characters and you play off what other people have done. Another way of looking at it is  it’s basically DnD without dice and written down rather than done out loud. You also don’t have to all be around at the same time. It’s a lot of fun and yes I have been in it for 20 years even though there aren’t many of us left but they are some of my dearest friends and fabulous writers. Wins all around.  One of the other writers and I have actually toyed with the idea of doing a co-written fic actually, mostly because we work super well together and keep getting ideas for things but can’t really do them as rpgs since the pbem style isn’t used much anymore.
12. What’s your all time favorite ship?
Winterhawk probably. Though, let’s be real - Han & Leia are epic and amazing as are John & Delenn (from Babylon 5).
13. What was the first fandom you wrote for?
Does wanting to expand The Black Stallion books as a wee child count? lol Not much of that was written save for world building ideas but there was a great oral tradition of telling stories to my friends. Otherwise...maybe a tie between Star Wars and Highlander. Star Wars was a love since I was super young but the writing bug didn’t hit me until around the same time Highlander was a thing as well.
14. What’s your favorite fic you’ve written? You rearrange me till I’m sane for sure. Though Torch Song, if it were finished, would be tied I imagine (I suck at picking favorites). Honorable mention to Puck Luck and Indelible. Tagging: I have seen this like a million times (okay 5) so I feel like everyone has been tagged already that I know. But...I guess... @vexbatch @crazycatt71 @heartonfirewrites and @disruptedvice sorry if anyone has been tagged before.
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beanenigma · 5 years ago
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Tips for people who like to write by hand
So you’re an old timey writer who enjoys the feeling of paper as you breathe life into a story? Or, like me, you can’t use your phone at school and just wants to get some writing done while math class bores the others? 
Well, me too and I’ve come to your aid! I’ve done some pretty stupid things that costed me hours and hours of searching for lost scenes and struggling to find ideas I knew I’d written down so you don’t have to! 
Find the right notebook for you
By experience, notebooks take a long time to be filled. In good nanowrimo times, I take from 6 to 8 months to finish one. So you’ll be stuck with this guy for a long time. Make sure to pick one that you like and is right for your needs. I, for example, prefer spiral notebooks. You can rip out pages if you need to (if you mess it up, if someone asks you for one, if you just need a page to write down a grocery list or something, etc) and you can put a pen on the spiral. I also like having a pocket to put pieces of ideas I have. 
Some spooky stories about having the wrong notebook: 
I got stuck with a brochure old planner for two years. My mom didn’t use it in the year it was meant for, so I thought oh, it’s free real estate. As it turns out, it had really small space between the lines, so the pages would take forever to fill, it had all those day and hour numbers and the paper was really thin. It was terrible and it made writing terrible. It would have been a thousand times better if I just spent a few bucks on a regular notebook. 
More recently, I started using just the kind of notebook I like, a spiral notebook with a pocket. But I bought it a couple of years ago at a fandom event I attended and the cover was a personalized Divergent cover. At the time, I thought if was pretty cool and everyone would know the reference. But now it has aged so very poorly. The cover has blood all over it and it says “Faction Before Blood”. So now I’m scared to pull it out to write at uni and people will think I’m in a gang or something. 
Number your pages
I know, it sounds like a lot of work. But you can get a notebook with pages already numbered, number it yourself or do it like I do and number it every 10 pages (just because it’s easier). If you don’t feel like doing all of this repetitive work,  date your writing. It’s cool to see how much you progressed, how long you have been writing this project, when you had this idea, etc. One thing doesn’t have to exclude the other, but both methods serve the same purpose. 
And this purpose is to help you get an idea of how much you write (and feel good about your progress) and to help you organize yourself on all you’ve been writing. Which takes us to the next tip. 
Make the first page an index
Not only it will take the pressure off the first page, it will also help you so you don’t keep losing the awesome stuff you’re writing and forgetting it exists. Everytime you start a new scene or change projects, go to the index and write down the page or the date you started this new section. Since I number every ten pages, I find the first page with a number on it and start counting forward or back to the new page. But you can do it in any way that suits you. 
Make a random idea page 
It doesn’t have to be the second page (it usually isn’t for me), but it’s good to have one. Sometimes, in the middle of writing, you have that great idea for something you need to change on what you’ve already got, or you got a completely new insight. It’s good to have your idea page somewhere close you can just flip to, write it down and get right back to writing. And don’t go easy on that page! Write it diagonally, vertically, draw on it, anything. It’s just there to take out those ideas so you can take a look at it another time and not mess the flow you’re in right now. 
Keep your enemies close. And your pen even closer!
You know your favorite bic friend? It has a secret weapon just for you to use. That little flap of the cap? Use it to keep your pen always close. I normally put it on the spiral of my notebook. But if you have a brochure, you can put it on the cover. Sometimes it damages it a bit, but it’s a good trade for having it always ready for action. If you use moleskine, I saw that they normally have designated pen places. If they don’t, I have a tip for it just under this one! 
Take your time to find which kind of pen is your weapon of choice. Personally, I think nothing beats a black ballpoint pen. I know some people like fineliners for writing, but they make the other side of the paper all gross looking and I like to keep it clean. Plus, I write really small and fineliners often bleed in my handwriting. I took my time searching for my favorite brand and I settled on Molin ballpoint pens. 
I would recommend buying your favorite pens in bulk. Nothing is worse than pen hunting around when you have an urgent idea. I bought 50 pens for super cheap and I stack them EVERYWHERE. In all my bags, in my sketchbooks, in my bullet journal, in my writing notebook, in my drawers, anywhere I think it will be easy to find one when I need it ( also giving some to my friends who keep stealing my pens).
Crafting the perfect notebook
You don’t have to be a crafter to modify your notebook to better suit you! Find a ribbon anywhere in the house. Cut it to be a little longer than the book. Tape that bad boy to the inside of the back cover and everytime you stop writing, put that ribbon on the page you stopped. This helps you not to get lost in your previous writing and get right back to business when you resume.
Also, if you really like that moleskine vibe but don’t have the cash, just get a regular clothing elastic, make cut it just the size of the notebook and glue both ends to the inner part of the back cover. There you go! Now you can close it (and keep it closed).  
If you like post-its, you can take half of the block (or however many sheets you cant put in there and still close the notebook comfortably) and glue it to the inside part of the cover of your notebook so it will always be conveniently available for you.
If your notebook doesn’t have a place to put your pen on and you really don’t want to mess up the cover, you  take a small elastic (smaller than the pen) and tape (or preferably glue it) it to the back part of the notebook with both ends inside. There! Ready for the trip! Speaking of which...
Always carry your notebook with you
You never know when inspiration is going to strike. In class. At the bank. In a mall. Whenever you have a little time, you can write something. Or just take a look at what you’ve done and feel good about it. 
Not in the mood for writing? Edit. Reread what you’ve done and start finding what you want to change once you type it in.  When doing this, don’t be scared to cross out entire sentences and rewriting them on top. If it starts getting too messy, go to a blank page and rewrite the scene and you think it should have been done the first time. It seems counter-intuitive in a copy+paste kind of age, but I assure you it is worth it.
Typing your work
This is one of the biggest reasons I love writing in pen and paper. When you type, your first round of editing is done! 
Don’t zone out when typing. As I said, typing is your first round of editing. It is important to keep aware of all of the things you might have done wrong when writing. Some people say writing it on paper and then typing it is a waste of time. I say it saves time and lives. 
Keep it loose!
Just because you are writing in an actual physical book, it doesn’t mean you are writing a actual physical book. This is still your notebook and these are still your notes. So don’t be afraid to get messy. Write things out of order (seriously, it’s okay to not go chronological. i know it’s hard). Outline. Sketch. Tip-ex the whole thing. Get post-its on it. Take notes. Make genealogical trees. Draw maps. 
If you’re feeling down or uninspired, try very basic writing exercises: write what you see, what you feel, something to try and make you laugh or something to make someone cry. It’s your place to express yourself. And once you got those creative juices flowing, happy writing :)
I hope you enjoyed my tips and please, feel free to reblog this with your own tips and tricks. I’d love to hear them! And follow me for some more writing content! 
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soulsuckrrs · 3 years ago
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mobile rules page-
Hey, I’m Po, 30+ mess of a person. They/Them pronouns. I live in the states (EST) and I really enjoy writing. I have three blogs: soulsuckrrs, twistedthings, and thedesolated, they each have their own themes, the second two are sideblogs so all follows will come from this blog. Here are some basic rules for this blog and interacting with me. Before you start, I know there's a lot & don't feel stressed to read ALL my rules, just the overall is fine but what I've written is just a way to filter those I'll get along better with than others. With 10+ years of rping, I've become a little picky with some things. Thanks for taking the time to read this!
Content :
If you follow me, you’re saying that you’re over 18, I would prefer 21+. A lot will be triggering, but don’t expect anything like rxpe or incxst. But there will be death, gore, murder, violence, graphic details, drug and alcohol use, mental illness, stalking, and smut. If you're not about that life, don't follow me.
All my muses are an original character of mine, and although some lore is loosely inspired by some anime, tv shows, books and have been taken from some of my other retired blogs, I’ve taken creative liberties and changed some details to fit what I like.
None of the gifs that I use were made by me, that credit goes to the respected creators. You can find that info in my likes or my 'file: resources' tag.
I don't have a huge 'banned fcs' list but I'll add as more come to be in my disliking: Amber Heard, Gal Gadot, Taylor Swift, MGK, Kardashians/Jenners, youtubers, Justin & Hailey Bieber, Chris Pratt, problematic people (please let me know if I'm using or reblog someone who is problematic as a w/o, I cant keep track of the trash), more tbd. If you use any of these fcs, chances are I won't interact with those characters but I will always accept the use of alt fcs.
There will be MATURE and DARK content on this blog, I’ll do my best to tag things for my mutuals, but if something is triggering for you, let me know and I’ll tag it. I love the dark and disturbing. I'm big into horror, supernatural, sci-fi, and twisted stuff so my writing will reflect that.
If you follow me and we're writing together and you're wondering why I haven't followed you back, don't take it personally, I'm weird, a lot of stuff on my dash stresses me out sometimes so it takes a while for me to follow people back even if we have several threads and have been writing together for months. It's a me thing I swear I love writing with you. If you're curious about it just ask, chances are I'll follow you upon being asked about it 🤷 #anxiety
I have some werewolf characters and I’ll admit that I know very little about the omega verse and that whole universe, I will be very picky if I write anything from that world. Don’t assume the “pack dynamic” of my muses is the same as you might have come to know in other fandoms or lore. I kinda took things I liked from all the werewolf lores and rolled them into one.
WE FUCKING SUPPORT AND LOVE THE LGBTQIA+ COMMUNITY IN THIS HOUSE !!! I will not tolerate any hate or slander against them and P L E A S E give me your queer and trans muses, I'll love them down.
Smut will only be written with a mun & muse that is 21+. NO exceptions. That being said, if you're a minor... what are you doing here? kindly get off my blog, thanks.
With smut, I don't mind writing it out or fading to black, whatever you'd like is fine by me! If I write it, though, I drop the images/gifs and use just text. Whether or not I use a 'read more' depends on if my partner uses one, however, most of the time I won't use that and will try to tag it as 'usfw' or just 'x'. Most of the time though it won't be tagged.
As far as ships go, I’m basically a ship whore and already ship it. And I ship it all, m/m, m/f, f/f, m & f/nb, etc. All my muses are some form of queer. Just come scream at me in my IM’s and I’ll scream right back. I ship it all, especially all things queer and gay.
Threads & Activity :
EXPECT LOW TO MEDIUM ACTIVITY | this is a hobby, I love to write but a lot of the time, I just don't have the energy to get online and focus on it-- that has nothing to do with you, we all have our days, mine sometimes last weeks to months on end of no activity and sometimes even when I do get online I can only do a couple replies. Please don't get upset if I don't reply to our threads when you see me replying or posting other things, it doesn't mean I hate you or don't have any interest in our threads, plots or ships. I'm so slow... so so slow.
If you want rapid, back and forth, every day or week type of interactions, I'm probably not the writing partner for you. I take forever to reply a lot of the time, lucky to get stuff done once a week, though I'm trying to be better now that I can reply to things on mobile instead of having to get on my laptop but I'm still a slug.
My muse and inspiration for characters fluxes, some days I have more muse for a certain character than others; sometimes I'm just in the headspace of certain threads or plots, don't take it personal if I don't reply to our threads or plots. I will get to them, I promise.
I'll be honest, I can write a lot, sometimes too much, I get struck by the muse and I just get carried away. I'm generally a novella and multi-paragraph writer. But for the most part, I do try to match my partners reply length. It doesn't always happen and I much prefer to let my muse flow than try to restrict myself. If that's not something you're into or you find it intimidating or difficult to keep up with that type of writing, I completely understand. There's never any pressure to keep up with that so long as your reply gives me enough to go off of, I prefer enthusiasm over length anyway but if you just reply with one line and I wrote 2+ paragraphs... I'm sorry, I probably won't reply back. I'm not always big on one-liners, they're good as initial starters but I'd rather you take your time to reply to our threads than give me nothing to write against.
IF YOU EVER WANNA DROP A THREAD OR START SOMETHING NEW PLEASE JUST LET ME KNOW, I WON'T BE MAD!
As far as my thread formatting goes, my default is medium gifs & small text but I don't mind dropping the gifs & will do so for smut regardless. I'm not very fond of big gifs/search gifs so pls don't use those unless we've talked about it. It gives me so much anxiety thnx. Also, I have bad eyes so the double spacing and extra tiny font KILLS my eyes so pls refrain from doing that. Yes, it looks cool but damn do I have to squint to see it.
If you’d like to write and you have a plot or idea you want to go with, just tag me in a post or IM me, I’m open to a lot so long as there is communication. I’m not picky about formatting of threads, as already stated, I don’t like giant gifs or giant pictures of your fc, so PLEASE refrain from using those. I’d rather there be no image/gif than something big and bulky, it gives me a lot of anxiety for some reason. I won't reply to you if you use a big gif or image and will likely block you too. Unless, we talk about it and I'm prepared for it. I just get the anxieties about it.
Plotting is usually the best way to get me interested, I like talking about my muses and the feelings I have for them. Feel free to share your ideas and plots you want with me! Chances are I’ll love it and want to write it out. I’m really easy to talk to, so please don’t be intimidated!! I'm awkward and goofy and honestly just a very anxious nerd.
For memes, send me all the memes, I do have the tendency to hoard them like a fucking dragon (same with replies tbh) but I'll likely either turn them into a new thread or just post them as a cute little moment for our muses. If it's the first time you send me a meme it is more likely to be posted as a new thread so keep that in mind!
On that note, however, I am a convo dropper and I can vanish suddenly as well. Sometimes my social meter just bottoms out or I just don’t want to talk, but more likely than that is that I totally read your message, mentally replied but didn’t have time to do so physically so I completely forgot about your message. Just send me another! Don’t worry about bugging me, I am a lonely boy, I would rather you message me all the time than let me go months being an asshole and forgetting :’)
Also, if you're gonna soft block me, let me know? Or just hard block me. I will just think Tumblr was a dummy and made me unfollow you if you soft block me. So just block me. I won't be offended, I get it. Do what makes you least stressed out and if that means blocking me for whatever reasons, then I understand, I want this to be a safe space for everyone.
Overall :
The basic rules apply here, no god-modding & meta gaming, if you don’t know what that is, google is a great resource. My BIGGEST pet-peeve is when people reblog resources (i.e. memes, muse fcs/muse inspo & such) from me but do not interact with me or reach out to plot, if you’re following me JUST for resources, just.. please don’t, I’m not a resource/rph blog. It annoys the shit out of me, if we’re mutuals or we write together it’s fine, just don’t be a dick and I’ll do the same. Honestly, other than that, I’m not really picky. I’m here for writing and meeting other writers.
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inthedayswhenlandswerefew · 5 years ago
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But You Can Never Leave [Chapter 7: Forget Everything You Know]
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Hi y’all! I just wanted to take a moment to thank you all so much for reading and for showing me and my fics some love. You better believe that I see EVERY. SINGLE. reblog, comment, tag, and message, and they mean the absolute world to me! I know that a lot of content creators are frustrated and taking breaks right now, but rest assured you will not be able to get rid of me if even a SINGLE person looks forward to something I write. I’ll finish this fic (eventually), and I’ll finish the next one too (it already has a name!), and I won’t disappear or leave the Queen/BoRhap fandom at any point in the foreseeable future. Lots of love to you all, stay safe, and I hope you enjoy! 💜 💜 💜
Chapter summary: Y/N brings home some friends; Brian attempts an intervention; John draws a line; Roger gets an answer.
This series is a work of fiction, and is (very) loosely inspired by real people and events. Absolutely no offense is meant to actual Queen or their families.
Song inspiration: Hotel California by The Eagles.
Chapter warnings: Language.
Chapter list (and all my writing) available HERE
Taglist: @queen-turtle-boiii​ @loveandbeloved29​ @killer-queen-xo​ @maggieroseevans​ @imnotvibingveryguccimrstark​ @im-an-adult-ish​ @queenlover05​ @someforeigntragedy​ @imtheinvisiblequeen​ @joemazzmatazz​ @seven-seas-of-ham-on-rhye​ @namelesslosers​ @inthegardensofourminds​ @deacyblues​ @youngpastafanmug​ @sleepretreat​ @hardyshoe​ @bramblesforbreakfast​ @sevenseasofcats​ @tensecondvacation​ @bookandband​ @queen-crue​ @jennyggggrrr​ @madeinheavxn​ @whatgoeson-itslate​ @brianssixpence​
Please yell at me if I forget to tag you! :)
“Smile, everyone!” Your dad peeks through the viewfinder of the Canon F-1 and beams. “One...two...three...say Queen!”
“Queen!” you all shout gleefully. The flash illuminates the dining room, and you blink away momentary blindness. The table materializes back into vision: lobsters, clams, haddock chowder, sourdough bread, fried oysters, pierogis with Vermont cheddar cheese, cranberry sauce, mashed potatoes...and, of course, Boston cream pie for dessert.
“Ah, perfection,” your dad sighs contently. “Please continue, Mr. Mercury.”
“Mr. Mercury!” Brian whines, incredulous. “Like he’s got a bloody PhD or something!”
Freddie cracks a lobster claw. He hasn’t taken his sunglasses or wrist-full of clanging bangles off all afternoon. Your parents are profoundly confused by him, but welcoming nonetheless. “I’m a professor of lusciousness. Pay attention and you could learn something.”
Brian rolls his eyes and dunks a hunk of sourdough bread into his chowder.
“So,” Freddie tells your mother between bites of lobster dripping with drawn butter. “Our darling damsel in distress was in the clutches of that horrid, dodgy wanker when none other than our very own Roger Meddows Taylor—”
“You weren’t even there!” Brian protests. “I wasn’t even there! This is, what, a third-hand account?!”
“Eat your soup, peasant. Thank you. Anyway, our beloved Roger comes raging out of nowhere, red-faced, nostrils flaring, a terrifying sight to behold, grabs this guy by his hair and slams his despicable face directly into a marble column. Broken nose, cracked orbital socket, blood everywhere! It was magnificent. I’ve never been more proud.”
“Good for you!” your mother cheers, patting the back of Roger’s hand encouragingly. He smiles at her, warmly, radiantly, like the wildfire he’s always reminded you of. And you marvel at how every human on this earth is made of the same fundamental components—blood and muscles and vessels and nerves, hearts and enigmatic brain matter and ribs, vulnerable parts, armored parts, all webbed together like nature’s own organic circuit board—and yet the marks they leave on you can feel so different: burns, scars, bruises, shadows, imprints that are deep enough to brush bone and never fade.
“Mom, the guy could have died!”
“Did he?” she asks innocently.
“Nope,” Roger says.
“Well then, Mr. Taylor here is a hero in my book.”
“Mr. Taylor!” Brian groans.
“I was petrified he would turn out to be the son of an executive or producer or something and the band would be ruined,” you say. “Fortunately he was just someone’s annoying frat brother from college who already had a reputation for being a sleazebag. So, we were in luck.”
“You were in luck that Mr. Taylor was there,” your mother points out, gazing at him dreamily. This delightful English boy is going to be my son-in-law and give me gorgeous, doe-eyed grandchildren, that look says.
“Yes, a literal superhero,” John says ruefully, sipping a Manhattan. Your dad has a passionate love for mixing cocktails, especially for guests who also happen to be rock stars.
“Mom. Don’t make his ego any bigger, please. I’m begging you.”
Roger snarls around a mouthful of Boston cream pie, sending your mom into a fit of giggles.
“I’m just glad you’re okay, dear.” She smooths your hair. “And that you have people to keep you safe all the way over there across the ocean, and that you’re happy.”
“Yes, your work environment is much improved, isn’t it?” Brian says. “That supervisor you had at the hospital was an absolute bear!”
Your dad strokes his short grey beard. “Well...” he admits. “That may have been my fault.”
Brian’s brow crinkles. “Really?”
Your mom turns to you. “You didn’t tell them?!”
“Oh, is there a scandalous backstory?” Freddie inquires, elated. “Do tell, darling!”  
“Once upon a time, in a kingdom far far away—just kidding, it was here in Boston—my archnemesis Patricia and my dad dated.”
Roger drops his fork, appalled. “No!”
Freddie’s nose wrinkles in revulsion. “Why?!”
Your dad rocks back in his chair and laughs loudly, heartily. “She wasn’t always so cantankerous, if you can believe it. She was a sweet girl, wonderful even. But then I met my future wife, and...” He smirks guiltily. “What can I say? The heart wants what it wants!”
You nod along. “And I got the illustrious honor of being an outlet for the frustration stemming from Patricia’s lifelong unrequited love.”
“You saucy minx!” Freddie playfully lashes your mom’s shoulder with a cloth napkin. “Homewrecker!”
She chuckles, not the least bit offended. “People get together under all sorts of strange circumstances, and you know what? You can’t wreck a home if the home wasn’t already half-wrecked before you got there, that’s what I think.”
Roger raises his Patriot’s Punch. “I’ll drink to that.”
Brian clutches his New England Express, bewildered. “Are we...toasting to infidelity?”
“Oh, does that horrify you?” Rog asks sarcastically. Brian grimaces, but dutifully raises his glass.
“We’re toasting to love,” your dad clarifies. “However it comes, as long as it’s true.”
John holds his Manhattan aloft. “To love.”
Freddie clinks his Flying Elvis against the other beverages, including your parents’ wine glasses and your Cranberry Crush. “Cheers!” Then Fred glances at the clock and swiftly polishes off his slice of Boston cream pie.
“Can’t you all stay a little longer?” your mom pleads, collecting plates and gazing longingly at Roger. “This has been so much fun...”
“They have soundcheck at seven, Mom. We have to leave for the stadium soon.”
“Well, before you jet off to your next adventure, can I treat anyone to a long distance call?” your dad asks.
Brian perks up. “Really?!” You know there’s a ring in the future for Chrissie; not an expensive or extravagant ring (not that Chris would want that anyway), but a ring nonetheless. You know because Brian has taken you shopping to help him choose one.
“Of course! You can use the phone in my office. It’s Valentine’s Day, after all. I’m sure there are some lovely ladies back in jolly old England who would be over the moon to hear from you.”
“That would be very much appreciated!” Brian says. “And thank you so much, this has been such a treat, you have no idea how long it’s been since we had a proper homemade meal.”
“I had to rehabilitate the reputation of us Yankees, didn’t I? Now come on, Mr. May, I’ll show you to the office...”
“Mr. May...I like the sound of that!”
“Ten minutes, Bri!” Freddie calls, following them down the hallway. “Then it’s my turn...!”
You begin gathering up the empty glasses, but Roger promptly snatches them away. “No way, Boston babe. You go relax. I’ll help your mom.”
“I think she’s in love with you.”
He grins. “Do you have a secret stepdaddy fetish I could exploit?”
“Oh my god. Roger.”
He snickers and sweeps off into the kitchen. It’s only then that you realize John has disappeared. You check the kitchen, the living room, the hallway, the study, and finally the front porch; John is standing outside in the cold, smoking and watching the setting sun. The sky is threaded with cerulean, rust orange, lavender, indigo. You pull on your coat and go out to join him.
“We’ll make it to Florence one of these days,” you promise John, resting your arms on the wooden, white-painted porch railing. Your mother hung baskets of fresh flowers for the band’s visit, which swing lazily in the breeze. “Crank out a few more hits and we’ll get the record company to add it to the tour itinerary.”
“Wouldn’t that be nice.”
“Are you going to call Veronica?”
He shrugs, frowns, exhales a lungful of smoke into frigid New England air. “I don’t know if I should.”
“You don’t think she’d like that?” you ask, confounded.
“I think she might like it too much.”
“Ohhhhh.” You read his soft greyish eyes, which are faraway and somber, sad even. “I’m sorry, John. You know she’s wild about you.”
“I know it.” He takes a drag off his cigarette. “She’s the first person who ever was, actually. The first person who ever noticed me. Came up to me out of the blue at a disco and asked me to dance, me! So I said yes, like you do when you’re the guy nobody notices. And then I said yes again, and again, and again, until one day I realized...oh, this girl thinks we’re getting married. When the hell did that happen?”
“I noticed you,” you contest.  
John chuckles and nods. “You did,” he agrees. “Right away. Tried to win me over when I was too nervous to finish a sentence around you. But that was long after I’d met Veronica.”
“Well, you can’t break up with her tonight. On Valentine’s Day?! That would be traumatic.”
“Agreed.”
“We’ll have a few days in London between the American and Asian legs of the tour. You can think it over and decide what to do then. I’m happy to arrange the getaway taxi if that’s something that interests you.”
“Yeah.” Again, he peers out into the Western horizon, into rising stars.
“John?”
Now he looks to you. He’s a little too thoughtful, too low. There’s something you’re not seeing.
“...Is there somebody else?”
He doesn’t speak; he just stares at you with those velvety azure-grey eyes, drums his fingers against the railing, lets the ash from his cigarette crumble into the snow-dusted Blue Pacific Junipers.
Roger barrels through the front door and out onto the porch. “There you are, Deaks! I thought we were going to have to find a new bassist. Enlist Nurse Nightingale’s mum or something.”
John smirks and crushes the rest of his cigarette in your father’s ashtray. “I suspect you’d do just fine without me.”
“Oh no. No way. Not happening.”
“That’s kind of you,” John says, unconvinced.
“Here, I’ll prove it.” Rog holds out his calloused hand. “If you ever leave, I leave too. Come on, Deaks, shake on it. It’s official. It’s a pact. There’s no Queen without John Deacon.”
Reluctantly, trying not to show how pleased he is, John shakes. “Alright.”
Roger grins triumphantly. “Signed, sealed, delivered. You’re ours for life, baby.”
“Deaky, do you want the phone?!” Freddie yells from inside the house.
John sighs and exchanges a knowing glance with you. “I guess I should say hi.”
“Okay, but quickly!” Rog presses. “We gotta go!”
“So bossy...” John ducks inside; and Roger, though he’s not wearing anything over his pale pink button-up shirt—sufficiently sophisticated to impress your parents—comes to the porch railing to join you.
“You’re not staying out here, are you?” You eye his thin shirt worriedly, the goosebumps rising over his collarbones, his bare forearms where he rolled up his sleeves to help your mom wash the dishes.
He tosses you a mischievous wink. “I’ve got no one to call.”
Roger looks up at the hanging baskets of flowers, plucks out a cerise carnation, and offers it to you. You mean to say something witty, something sardonic, something that will make him laugh; but all your words vanish into cold February air. You take the carnation, smiling helplessly.
“Happy Valentine’s Day,” Roger whispers.
You just let me know if you ever change your mind, okay?
Okay.
He turns to go back inside the house.
I won’t fall in love with him. I won’t fall in love with him. I won’t fall in love with him.
Then Roger pauses in the doorway. “You coming, Boston babe? I can’t have you catching pneumonia or something. I won’t know how to fix you.”
Oh, you realize, with horror and yet relief, all those grueling lies stripped away. It’s too late.
~~~~~~~~~~
You knock on the frame of the dressing room door. “Hi Bri!”
He glances over from where he sits in front of the mirror, rimming his eyes with inky liner. Soundcheck went swimmingly, and now Queen has thirty minutes until they need to be onstage. You can hear the disembodied reverberation of voices from the waiting crowd through the walls. “Hello, love. Come in.”
“Freddie said you needed to see me. Did you rip a sleeve or something? I brought my kit—”
“No, it’s not that.” He pats the chair beside him. The boys practically always get ready together before a show, but you suspect profoundly introverted Brian is experiencing one of his post-socialization crashes after dinner with your parents. Something about him is tired, very tired, almost drained to empty. “Join me.”
“Sure,” you say cautiously. You shove your medical kit onto the countertop and then reach to feel his forehead. “Are you feeling alright...?”
“I’m fine, love. I just have a favor to ask.”
“Anything.”
Brian sighs deeply, sets down the eyeliner, swivels his chair towards you. “I need you to promise me that you’re not going to start seeing Roger.”
You titter, deflecting, brushing Brian’s hair away from his troubled, angular face. “Well, as the official Queen touring nurse, I see him quite a lot.”
Brian catches your wrist. “I’m being serious.”
Now your brow knits into tight agitated lines. “I’m curious as to why you think that’s something you have a say in.”
“Bloody hell, I’m not trying to offend you—”
“Job well done.”
“Dear, please, listen to me—”
“Eight months,” you hiss through your teeth as you tear away from him. “For eight months I’ve listened and avoided and resisted and ignored and it’s not going away.”
“Oh, fuck,” Brian breathes in despair. “You love him.”
There are tears biting in the periphery of your vision; you don’t want them to be there, but they are. Your voice is hoarse and trembling. “Bri, please don’t.”
Brian shakes his head and motions with his hands frenetically, desperately, trying to make you understand. “Look, sometimes...sometimes the people we love, the people who own us, the people who fucking set us on fire...they’re not the people we end up with. And that’s not always a bad thing. It’s necessary. It’s self-preservation. Because sometimes the people who set us on fire would burn us alive.”
You gape at him, furious, stunned. “That’s just fantastic, Brian. You’re a true romantic. Jesus christ, does Chrissie know about this? Is that why you’re with her, because she’s, what...safe?!”
“No, that’s not fair, Chrissie’s great, she’s steady and supportive and she’ll make a wonderful mother one day, and my parents adore her—”
“Those aren’t reasons to marry someone, Brian!”
“They are!” He leaps to his feet. “That’s what I’m trying to tell you! You have to think about these things, you have to be rational, you have to protect yourself—”
“Why the fuck do you care?” you flare bitterly.
“Because you saved my life.”
“Stop it, I didn’t.”
“You did, I truly believe that. And I want you to stay with the band. And I want you to be happy. But, dear, please, I’m begging you...this is not the way to do it.”
“I’m not going to go out to some pub and drag home a random guy who’s suitably passionless and predictable enough to be Brian-May-approved.”
“That’s not what I’m asking you to do—”
“Because you’re such an expert on relationships!” you shout, exasperated. “Planning to propose to Chris while you’re still secretly pining over some fling from New Orleans, fucking groupies and then having the nerve to mope around guilt-ridden the next morning as if anyone but you was responsible for that decision, and do I say anything about it?! Do I ever say a single fucking word about it to you, or Fred, or Roger, or your future wife, or anybody?! No, because it’s not my life!”
The dressing room door flies open and John storms inside. “What’s going on?!”
You cross your arms and stare at the floor. Brian’s wide green eyes flick to John, to you, back to John. If it was Freddie, Brian would tell him in a second, would try to enlist him in the effort, and it would probably work; but John is a different story. John won’t side with Brian over you, everybody knows that. And John has a talent for sharpening words into blades. “Um. Nothing.”  
“I could hear you in the hallway,” John says flatly. “Obviously it wasn’t nothing.”
Brian points to you. “Have you tried to talk her out of this? Maybe you should, maybe she’d listen.”
“It’s not my choice to make, just like it isn’t yours. Worry about your own body count. It seems to be growing exponentially these days.”
Brian scoffs. “Because you’d be so thrilled if she ended up with him, right?”
“What’s that supposed to mean?!” you demand.
Brian and John glare at each other from across the room. John raises his eyebrows, daring Bri to answer. Brian gnaws his lower lip, but doesn’t elaborate. The air is heavy, tense, electrified.  
“Don’t upset her again,” John says darkly.
Brian shows the white palms of his hands in surrender. “Fine.”
John waves for you to follow him. “Come on.” And he slams the door behind you as you both escape into the hallway.
“I’m sorry.” You chase away stray tears with the back of your hands. “I’m so sorry, I didn’t mean to get anyone worked up right before the show...”
“Don’t worry about it. I treasure any excuse to harass Brian.”
You study him, seeking answers, seeking more than you know how to put into words. “Do you think I’m being stupid? If you do, you can tell me.”
“No,” John responds carefully. “I think you’re being hopeful. And I’d like to believe that stupidity and hopefulness are two very different things.”
You smile. “I don’t deserve you.”
“That’s very inaccurate.” He fluffs his hair with his fingertips. “Do you want to touch it before we go on stage?”
You feign demureness. “Hmm...”
“Oh come on. You know you want to. It’s extra voluminous right now, Roger shared some of his magical mousse or whatever. Something way too expensive. You should thoroughly berate him for it.”
You laugh. “I’ll see what I can do.” You comb your hands through his brunette hair, and John’s right; it’s extraordinarily full and soft, and smells like honeysuckles. “You always know how to get me smiling, don’t you?”
“You do insist that I have game. Though I remain skeptical.”
“Good luck tonight. Not that you need it.”
John’s rough thumb lifts your chin, then whisks away a tear you missed. “You’ll be watching, right?”
“I always am.” And that’s the truth; you haven’t missed a Queen show since you met them.
He beams, those gentle grey eyes incandescent. “Then we’ll have an ocean of luck.”
~~~~~~~~~~
Exactly twenty-four hours later, Queen is in New York City.
The thunderous bassline of the opening act shudders through the concrete walls. You’re staring yourself down in the bathroom mirror under harsh florescent lights, your palms gripping the cold rim of a white sink, your eyes shimmering with black and gold shadow, your lip gloss slick and crimson. There’s not a single thing left to do. You’re running out of time.
You breathe in, breathe out, snatch your purse off the floor, breeze out into the hallway.
You can hear the boys’ laughter even before you open the dressing room door. Inside, Brian is tuning his Red Special with his mantis-like legs propped up on the countertop, John is attempting to teach Freddie how to make popcorn in a microwave without setting anything on fire, Roger is scrutinizing his hair in the mirror and frowning as he rearranges it with a comb.  
“Hello, darling!” Freddie warbles. “Can I interest you in some delicious and expertly-prepared popcorn?” He opens the microwave, and smoke pours out. “Oh, you bitch!”
“I’ll pass, Freddie.” You glide to where Roger is sitting, knot your fingers through his blond hair, and tug his head back so you can kiss him. He tastes like mint gum and the ghost of smoke and reckless intemperance; he tastes like everything you’ve ever wanted. There are gasps, and surely dropped jaws as well; but you don’t have eyes for them. “Okay,” you tell Roger.
He stares up at you with huge, starry eyes, a dazed grin slowly lighting up his face. “You changed your mind.”
“Come find me after the show.”
“Yes ma’am.”
You move to wipe your blood-red gloss from his lips, but Roger stops you, knits his hand through yours, stands to meet you.
“Leave it,” he murmurs. “I want them to know.”  
“Want them to know...?”
His lips touch yours again, smiling and scorching and ravenous. “That I’m yours.”
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jasperwhitcock · 4 years ago
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another twilight character tag game
by @sweetrosaliebahbahbah​ – “pick 5-10 characters and write your take on the canon version of them vs. fanon version of them. fanon doesn’t have to be what is generally accepted in the fandom, it can be your own idea of what you think a character is like. then tag the same number of people as characters you pick, if you can.”
i was tagged by @leahclearwaterdefensesquad​ & @witchyangela​
bella swan:
i loved a lot of bella’s strength, stubbornness, and resilience in canon. i think what i love most about bella is that she’s normal. the reason why is that unintentionally on smeyer’s part, to ME she becomes a great example of what feminism is about. it’s about fighting for women to have the same opportunities to make choices. i think that the societal hatred towards bella from everyone (women included) is a great teaching point. because why is it that a normal young woman is considered weak? i’ve said it before, but female characters have to be unnaturally talented and strong to the extreme in order to be respected and accepted in pop culture. because bella isn’t a brilliant witch like hermione or an inspiring archer like katniss, she receives criticism that she’s weak, antifeminist, and boring. and what that tells little girls is that when you are normal, when you are sensitive, when you are loving, when you are sacrificial, when you are not physically strong, when you make choices in favor of love, you are not enough. bella has always made her own choices, and ultimately that’s what we should be celebrating as feminists. we should celebrate the right to make choices no matter what the choices may be, and fight for the women who don’t have the luxury of making choices.
also.... i love how we have amplified some of her traits to make her into this chaotic, adrenaline junkie who can finally let loose and enjoy life since she had to mature so young.
i just read through what i wrote on this and realized i essentially agree with kate lol! i’m saying basically the same thing! when you copy somebody else’s homework but change it up a little bit lmao!
rosalie hale:
i know a lot of people wish that rosalie was allowed to showcase more tenderness, more sweetness, but i like rosalie just as she is. though i don’t love how edward can rudely disregard her in his annoyance towards her, i kind of like the sibling tension of having SO much in common but finding the other so hard to live with. i just wish that we could have seen a fiercer love between edward and rosalie. like nobody pisses me off like you do, but i love you so severely and will always have your back. smeyer stated throughout the books that edward loved rosalie, but we never saw it nor felt it. i honestly wish that rosalie and edward had been closer even with their differences. i think it’d have been a much more interesting dynamic if rosalie and edward were very close before bella, but because of rosalie’s frustration at edward’s willingness to jeopardize and alter bella’s human life, they’re distant throughout the series but it eventually becomes resolved once it’s clear that it’s bella’s choice to join the cullens. i still think it was possible for rosalie to have no desire to be around bella and still have that awkward conflict of one of the cullens not loving her/accepting her, but rather than having the reason why be superficial, make the reason be that rosalie feels the way she does out of concern for bella. it’d just be far more complex if rosalie cared so much for this human girl that she didn’t even know that she becomes unwilling to allow herself to love the girl as much as her siblings do because she couldn’t bear it if their involvement in bella’s life resulted negatively for bella. like imagine the shock of that convo bella and rosalie have in eclipse if it involved rosalie revealing that she doesn’t dislike bella, but rather she actually loves bella despite herself and that’s why she’s so against bella being in their lives. because she doesn’t want edward to do what carlisle unintentionally did to her. she doesn’t want edward to steal bella’s humanity and thinks it’s unfair and unforgivable for him to have even given her the unnatural option of immortality. and this isn’t so that everybody would love bella for bella’s sake, but the alternative reason provided by smeyer is just so cheap. jealousy is natural, but it’s kind of silly for that to be the source of rosalie’s aversion. and when it’s one of the only intimate moments we have of rosalie, it provides so little depth.
leah clearwater:
some of what i’m about to say applies to rosalie as well, but it especially applies to leah which is why i chose to make the point under her name.
i have massive respect for anyone who decides to be the bitch. and no, this doesn’t apply to people who use being “blunt and real” as an excuse to be mean. i mean the people that are honest knowing that they will be disliked for it. and this respect extends especially towards women. the thing is, leah was stripped of so many choices by smeyer. while i appreciate the idea of the complication of a female wolf amongst a pack that has been all male for generations, smeyer robbed leah of her “womanhood,” her femininity, the privacy of her thoughts, the privacy of her naked appearance, her relationship, etc. and there was no consolation. but in the choices leah makes, it reveals a lot about her strength. she knows she could make life for the boys in the pack easier by being “kinder,” quieter, less “wounded,” etc. but she allows herself to be bitter because that’s the validity of her feelings. why deny herself the truth for the sake of being liked & making life easier for everyone else? she’s honest about her thoughts and feelings even when they’re not unwillingly broadcasted no matter the cost. she chooses to leave sam’s pack when it’s clear that it could be a better path for her, no matter how it hurts sam. i’ve talked about this with a few people, but it is not easy to be authentic the way leah is. particularly when you’re the only woman in a group of boys too. because whether it’s conscious or subconscious in their minds, every action of yours will reflect on their feelings towards women and every stereotype of what a woman should be will be reflected onto their feelings towards you. there is added pressure on your choices and behavior. they will be interpreted differently in a way that men’s choices aren’t. but again, leah doesn’t water herself down. she doesn’t soften the impact of her words. she doesn’t cheapen her feelings for anyone else’s sake. she chooses to be real even though she knows it will make her less “likable.” smeyer wanted leah to be the bitch so bad. but leah is not the bitch, leah is THAT BITCH.
also on the topic of leah’s womanhood... it’s fucked up. it was unneccessary & illogical when the male wolves can have children. there’s so much that can be said, but i do want to say that it’s not racist to give your POC characters hardships and “flaws” (i hate to use this word concerning this particular point but this is what smeyer treated it as), but when you offer those characters NO CONSOLATION but you give consolation to your white characters (rosalie finds happiness in emmett, renesmee, and her family).... then IT’S RACIST. it was also awful because when you make a character potentially barren, feel like less of a woman because of the fact, and simply leave it at wow, this is horrible, it suggests that women who can’t bear children or don’t want to are less of a woman. my points are kind of going all over the place now, but when leah and jacob had the conversation of leah feeling like less of a woman because of the implications of becoming a wolf and losing her period, it was wrong that smeyer didn’t have jacob or somebody tell her that her femininity isn’t tied to her period, to pregnancy, to childbirth, to anything. she is no less female or feminine just because she’s a wolf. the fact leah wasn’t given ANY resolution is inexcusable.
so i guess what i wish for leah is more CHOICES and RESOLUTION and CONSOLATION. i don’t even have ideas for the specificity of the choices because i just wish leah herself could make decisions for what her life looks like and what she wants. i just really wish she could have found some comfort and solace that she’s still feminine regardless of the transformation she went through. and that whether or not it’s true she can’t have children, there are other options if she makes the decision that that’s something she wants. and if she doesn’t want that, that’s okay too. she’s still a woman. there’s no criteria.
i was going to make a point for sue too, but i just exerted so much energy mentally on my last point lmao... so i’m cheating & leaving it off at three characters! maybe one day i can make a post on my thoughts on sue and some of the other women of the saga.
i tag @bellaskhakis @edytheelizabethcullen @howlonghaveyoubeenseventeen @bellasredchevy
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sociallyawkward--fics · 5 years ago
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48 geraskier because they're good please!!! ~S
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Great minds think alike lol
(Also I adore you both thank you for feeding my anxious want to write geraskier lol) (also also, I am still not confident in this new fandom as much as I desperately want to write it, so feel free to roast my characterizations and writing lol)
And if anyone would like to send me a prompt from this list, find it HERE!
48. Caught off-guard Kiss
Word Count: 744 words
[ao3 link]
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It wasn’t even a remarkable thing.
It was a simple day, a simple clearing, a simple moment. Frankly, the idea of it hadn’t even been on Jaskier’s radar, which was saying something, considering getting closer to his the witcher was almost always on his radar.
His songbook was laid out in front of him, lose sheets of paper unfolded and removed from where they’d been tucked into the bound book for safekeeping and scattered around him. He strummed at his lute as he muttered rhymes and in-progress lyrics under his breath.
The fire crackled pleasantly in the background. He was dimly aware of Roach crunching away on something, grass or oats or some treat Geralt had given her, he wasn’t sure. The witcher himself was sharpening his swords a safe distance from Jaskier, careful to not sit on or move any of his loose leaf papers. The first time he accidentally had, Jaskier had threatened to cut off his pinky toes if there was even a hint of a boot scuff on the lyrics.
He didn’t mean it, of course, but the bard was quite protective over his papers. That bastard Valdo Marx had certainly stolen or destroyed the papers of many of his songs when they were at Oxenfurt together. He know logically that Geralt would never do something like that to him, but defensive habits were hard to break.
His newest work in progress was a love ballad, as Jaskier was known to write in between his epic ballads of Geralt. They were all (very subtly) about Geralt, anyway, so he supposed there wasn’t really much inspirational difference, but he always replaced Geralt with someone else to put off suspicions.
A fair-haired milkmaid, a hardened soldier with a heart of gold, a mysterious lover with eyes of honey and amber.
Granted, he probably wasn’t being all that subtle, but he thought Geralt to be rather unobservant by this point. If the man hadn’t noticed that Jaskier was desperately in love with him by now, he probably never would.
But Jaskier was resigned to that fact.
He still wrote his songs, though. If he couldn’t pour his gallons of affection onto the witcher directly, he could still do so through song.
So he strummed away on his lute, finally finding the melody he wanted for the song. He muttered lyrics about white-haired beauties and dangerous lovers that were probably too on-the-nose, but he’d been getting lax with his cover-ups lately. He hummed about the lovely scars and the attractive protective streak. He quietly trilled about a good-hearted man who’s only crime was stealing his own.
Jaskier didn’t even notice when the shing, shing, shing of a sword being sharpened faded out. He didn’t notice crunching boots coming toward him. He didn’t notice sheets of paper to his left being delicately and carefully stacked and shifted out of the way.
But he did notice the gentle hand on his chin, kindly urging his gaze upwards. Jaskier gasped, but his gasp was swallowed by Geralt, whose lips were quickly placed on his own. Jaskier was too caught-off-guard to kiss back for a few moments, eyes blown wide and breath caught in his throat.
It didn’t take him long to melt into the kiss, though. His lute was gently set aside so he could lean into Geralt, wrap his arms around his neck. He hummed into the kiss, chaste and not much more than an almost-too-gentle press of lips, but that was frankly more than Jaskier had ever even hoped for. He mourned the contact when Geralt pulled back.
“You didn’t say anything,” Geralt said.
It took a moment for Jaskier’s brain to catch up with the conversation, causing him to blink a lot and Geralt to smirk in a very self-satisfied way. “I’ve been writing songs about you for years,” Jaskier said breathlessly, barely stopping his hand from rising to his lips.
“Ballads about ballads hardly compare to what you were just writing.”
Jaskier furrowed his brow “About batt – Geralt, you idiot, you think all those songs over the years were really about milkmaids and soldiers and phantom lovers?”
Geralt hesitated. Licked his lips (a movement that Jaskier certainly did not hungrily track with his eyes, thank you very much). “Yes?”
Jaskier laughed, bright and relieved and hopeful. “Geralt, you fool, kiss me again.”
And Geralt did. And again, and again, and again. They had a lot of years to make up for, after all.
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kuroopaisen · 5 years ago
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Hello, hello!! I just wanted to ask for some teensy weensy advice on how to start writing fics??? I think you're such a good writer that's why I thought to ask 👉👈 any advice is warranted. Thank you!!
aaaaa i’m so flattered dlkjdslkj
okay so, this is all advice that’s very specific to me and how i write, so it might not be the most useful for everyone? that being said, here’s some meagre pointers & tips for you! 
i’ve stuck it under a cut because i got carried away, but enjoy! 
focus on what inspires you. this seems silly, but it’s true! it’s sort of linked to a point below, but don’t feel pressured to write fic for something you’re not interested in? writing (and especially writing for fandom) is supposed to be an enjoyable experience, so please prioritise the things that make you happy. 
a little anecdote to emphasise the point: i really fell in love with writing again recently because of my friends-to-lovers series. just sitting down and playing with a trope i really enjoyed, with characters i found interesting, reminded me why i enjoy doing this so much in the first place. 
read! this is a great way to improve your own writing skills, because it’ll give you a good sense of vocabulary and grammar! and it’s great to read outside your genre, too; that’ll help you identify a wider range of techniques and tropes and such that you enjoy! it’s great to read critically, too, so you can analyse elements of those texts to try and work out why you enjoy them so much. 
avoid comparison. i say this as someone who’s prone to extreme bouts of insecurity, so it’s more pointed advice for those moments of doubt, i guess? if you’re in a bit of a slump, i definitely recommend reading stuff outside the fandom you’re writing for? that can be writers of other fandoms, short stories, published books, etc,,, hopefully that’ll help get you back on your feet and remind you of what kind of writer you want to be. just avoiding anything that might make you feel like you’re subpar, you know? this made NO sense ahaha 
the compost heap. i first heard this concept from neil gaiman but you might’ve heard it around before? but basically, just put down anything that inspires you into a word document or a notebook; and i mean anything. concepts, tropes, folktales, songs, images,,, anything that inspires you, throw it in. then, you can draw inspiration from it at any point, and there’ll always be something there for you to write! 
for characterisation, refer back to the source material often. this is fanfiction specific, but it’s how i do characterisation! if i’m writing for a character, especially one i don’t have a great grasp on, i go back to the episodes or chapters they appear in and i analyse the shit out of them. it’s important to draw the line between canon and fanon; while fanon is plenty of fun, it’s not the best place to turn to for characterisation. pay particular attention to how they speak! someone like atsumu, for example, has specific vocal tics, while someone like kenma tends to phrase things in a particular way. those go a long way for characterisation! 
work out your voice. easier said than done, i know. but what i mean by this is,,, work out what’s comfortable for you? some people find it quite natural to be very descriptive and poetic with their prose, while other people might find it best to use effective, but more basic language. don’t try and force yourself to be write in a way that’s unnatural for you! writing’s supposed to be fun, and you’re supposed to be expressing yourself. your voice, your tone will come out naturally the more you practice. 
side note: your writing can be whatever you want it to be! this probably isn’t going to make much sense, but what i’m getting at is,,, if you want to write something profound, do that. if you want to write something simple and wholesome, do that. don’t feel pressured to do something “more” or different with what you’re writing. tell the stories that you want to tell. write what makes you happy; even if that’s merciless angst dslfdkj
write your plan out in dot points. this is something i do to ensure i’m happy with the flow of the story, and i think it’s pretty common practice. some people are capable of having a loose concept and letting that lead them, but i like to have most of the key beats laid down (sometimes i don’t, and it really shows dslkjfad). it’s also a great way to feel like you’ve been creative & productive without having to worry about it being perfect ahaha 
write dialogue first! this is the best way to make sure your dialogue is natural, because otherwise you’re switching between your “speaking” brain and your “narration” brain, if that makes sense. also, having a natural dialogue chain helps build a better paced scene. if you don’t feel too embarrassed by it, read out your dialogue to yourself, to see if it sounds like something someone would actually say fdfd
if you’re planning on starting up a blog: work out whether or not you actually want to take requests. opening requests is usually a good way to get some exposure, but they’re not something you should force yourself to do, you know? requests can be great for stoking some people’s creativity, while other people might just get overwhelmed by them. it’s important to work out where you sit on that spectrum!
side note: if you are planning on starting a blog, it’s a good idea to have some fics ready to go! sometimes it can be hard to get requests when you’ve just started a blog (if you want them), so having work people can look at already’s a great place to start. 
another blog-related side note: don’t be afraid of tropes or aus! it may feel unoriginal, but 1) i’m a big believer in execution is very important and where the originality tends to come out, and 2) there’s so much you can do with tropes and aus! there’s so much space to play, and it’s fun to think of all the different directions you can go with them! 
research, if it requires it. very important slsdldkj you don’t necessarily have to get every little detail right (unless you’re planning on writing historical novels explicitly aimed at history buffs), but if you’re doing a historical fic or a retelling of some myth, it’s good to have a robust understanding of the key details.
just write! i know that sounds,,, dumb as a piece of advice, but i mean it! the best thing you can do to practice is write. you don’t have to share it anywhere, either. just write what you want to write, and use that to polish up your skills! practice is the most important thing you can do 
okay i’m gonna stop myself now i have NO idea if this is useful please let me know if i need to clarify anything i’m so fdkli
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trashballerina · 4 years ago
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Hetalia Fics I Really Like
this  ⭐ will be for fics I really like. I’ll try not to star everything.
I’m starting with my favorite of all time and tbh I think the fandom should see this fic as a OG, like Auf Weiderstein Sweetheart or Gutters, I really do.
Are We Even Humans  ⭐ ⭐ ⭐ ⭐ ⭐ ⭐ ⭐ ⭐ (Literally all the stars)
https://archiveofourown.org/works/4103344
https://archiveofourown.org/works/5660761/chapters/25048773 (prequel)
https://archiveofourown.org/works/7036330/chapters/16007758 (sequel)
The war is over, but putting together everything that fell apart will be a greater challenge than anyone is prepared to handle. Alliances dissolve, and the lines between friends and enemies are blurrier than ever before.
Opinion: Please read it. It is a series with a sequel and a prequel that can be read on its own but it’s so good. Imma go on a quick rant here. This fic is great from the writing, plot, characters, and the nuances of nationhood abilities. I literally rioted during the first chapter because it was so good. One of my absolutely favorite things in the fic and the series as a whole is Prussia. Kingdom of Prussia, German Democratic Republic, Gilbert Beilschmidt. His character progression and seeing him through the series as a whole is astounding. I was literally left shaken at the end of this series and I’ve read it twice. The OC’s are usually the antagonists, but hot damn, they are memorable OC’s who are great (terrible?) villains. And the family dynamics! The family dynamics are enough of a reason to read it by itself and the romances. Omg I love this fic so much. Main takeaways: astounding characterization, amazing plot, will cry, long read, and a reality check on what it means to be a nation.
Would it be too much if I did a separate post on how much I love this series and an in depth analysis? (I feel like such a nerd omg)
Hard Times Passing 
https://archiveofourown.org/works/23516458/chapters/56397817
Alfred is homeless during the Great Depression and in his wanderings he's charged with the task of caring for a small orphaned Taiwan. AU-Human names used, Taiwan is a child.
Opinion: So incredibly heart warming. It’s well written and I love the dialogue so much. Also, the little cameos from other characters are an absolute delight. It’s a it short, but so wholesome.
Flowers Don’t Grow on Battlefields  ⭐
https://archiveofourown.org/works/14153106/chapters/32619954
https://archiveofourown.org/works/16898919/chapters/39697068 (sequel)
As war tightens its hold on the nations of the world, new alliances are formed. Nobody will escape the war unscathed. Italy only hopes that this time, he will find a way to save those he holds dearest.
Opinion: I realllly like this fic. Maybe I’m a bit bias because I remember reading it from like to third chapter and watching it get updated till the end, but this is really good. Cute gerita, great characterization, good plot, and some lines just really make me melt. And the fluff omg. There’s a sequel that’s linked under too that I may like more than the first. 
Who Knew (One Shot)
https://archiveofourown.org/works/23516695#main
“The last time the two of them had any sort of contact was when Gilbert sent the letter to Matthew before the first war started.
That was twenty-six years ago. Twenty-six years Matthew had not seen Gilbert. Twenty-six years of Matthew worrying about if his fiancé was alive or not. Twenty-six years of Matthew thinking about all the horrible things that could be happening to Gilbert. Twenty-six years of Matthew wishing he could just see Gilbert, even if it were just for a second. Twenty-six years of pure hell for Matthew. Twenty-six years of being all alone.”
Matthew Williams, the personification of Canada, never thought that he would fall in love, but he did. He fell in love with Gilbert Beilschmidt, the personification of Prussia, but their romance would have to be cut short with the up coming war that was soon approaching them.
Opinion: My god my heart. Matthew had great characterization. Like amazingly so. 10/10 somber and melodic tones throughout the story. Good tension. And again, my heart. 
TELL ME A PIECE OF YOUR HISTORY  ⭐
https://archiveofourown.org/works/3741175/chapters/8294941#workskin
An account of the media reactions to the reveal of Nations (anthropomorphic national embodiments) with scholarly commentary.
Heavily inspired by: United States v. Barnes, 617 F. Supp. 2d 143 (D.D.C. 2015) [fallingvoices, radialarch] with mixed genres.
Opinion: It’s really cool. It’s told through media, like email, twitter, texts, online magazines, subtitles of videos (not actual videos tho). I love the outside view point of the world on nations and how some people really like them and how others absolutely despise their very existence. One of the main things that sticks out the me is the in depth analysis other humans or posters do on the nations and people even interview the nations, chapter eight is like my favorite for that reason, or how some humans just gush about the nations on so media like how half the fandom does lol. It’s really good. Super creative, great insight on how to world sees the nations, and honestly a great read.
Red Winter (One shot and crossover!)
https://archiveofourown.org/works/909492
The Winter Soldier's new target: a Russian politician named Ivan Braginsky.
Things don't go as planned.
Opinion: Literally so cool. Like nations are total BS to outsiders, especially assassins. I was loosing it during this fic because from Bucky’s POV nations are something else. The writing is really solid and the author uses italics to highlight an action sound or word and even single-word thoughts. The fight scene is really entertaining but also it flows fantastically. 
In Costa Rica (Oneshot)
https://archiveofourown.org/works/18614041
“You have this backwards,” McLaughlin said. “Everything. You have it all backwards.” He was a lithe man, looked to be in his mid-thirties. Schnabel leaned back in his chair. Outside, the afternoon rain started, and the frogs momentarily fell silent. “They are dangerous, aren’t they?” Two men discuss the nations and history.
Opinion: No actual nations appear in this fic. It’s just two men talking about the nations and it’s really interesting to see them humor and take seriously the idea of nations. They both discuss what they already know about the nations and theorize. Also hearing an outside perspective and how the nations effect the word around them is golden. I give this fic a big ol’ chef’s kiss. 
Finally, I’ll Just Miss You! (Oneshot)
https://archiveofourown.org/works/15553608
Countries will be abolished tomorrow. For the first time, they breathe and realize this might be their last breath and they’ll never wake up again. They want to wake up, they want to go to sleep, the land will still be there when they’re gone. But they breathe, it won’t be the same- for once, they feel human.
Opinion: Bro, I swear I’m not crying. This one is short but really bittersweet and my heart really hurts. I like the snippets of insight on the characters. 
Diamond in the Rough  ⭐ ⭐ ⭐ 
https://www.fanfiction.net/s/12872642/1/
The year is 1952, the last full year of Joseph Stalin's rule over the Soviet Union. After an incident with Latvia, Estonia is determined to find out what Russia did to him. And so unfolds a chain of events that would lead the Baltic States to tears, to forgiveness, to unexpected courage and horrifying discoveries about the mysterious past of Gilbert Beilschmidt. See AN for rating.
Opinion: This just be a legitimate book. I have honestly read this one like three time and every time I read it I am absolutely elated to discover another detail or action I missed. It is a longer read but I think it is absolutely worth it. For one, the characterization is beautiful. Maybe I might be bias because I stan and love the Baltics, but how they are written compared to the many other fics I’ve read on them is phenomenal. While the author does take some creative liberties and deviates from canon a little, like the Baltics actually considering themselves to be brothers, I really enjoy the changes. ALSO, the history and research and on this fic is genuinely impressive. To think fic authors do this shit for fun and pour so much of their passion into a piece of writing. Secondly, while Russia may be an antagonist in this story, I honestly think it is just. His mentality, backstory, and current predicament explain his behavior and make him a justifiable antagonist. I highly recommend this one. 
Adieux (Oneshot)
https://www.fanfiction.net/s/6700886/1/
What happens to nations after they cease to exist? Do they simply disappear or do they get a second chance? It wasn't a subject Francis was particularly keen on finding out about...but at the same time, it wasn't something he could just ignore. One-shot
Opinion: I hate this fic because I love it way too much. I might of cried a little bit and I instantly melt of Francis and Matthew. 
In Our Solemn Hour (incomplete) ⭐
https://www.fanfiction.net/s/8975529/30/In-Our-Solemn-Hour
The time was World War II, at the dawn of a global conflict like nothing any of the Nations had ever seen before. Nothing could've prepared them for what lay ahead: a war more total and radical than anything they could ever have imagined. This wasn't just business as usual; it was centuries' worth of pent-up emotions all coming into play at once. This was indeed their darkest hour.
Opinion: Characterization is on point. One part of this fic I remember very well during a fight to the death, Finland mutters a little “Oh dear”. The characters retain some of the qualities that make them silly in Hetalia but because this is another take on it it does get darker. I think Germany’s portrayal is my favorite because he does cruel and unnesscary things and questions it because its not his usal nature. The author notes are super insightful and sometimes funny; it really adds to the rest of the story. I might revisit this post to make a more in depth opinion on it because I don’t remember it all to well when I know I really like this one.
So that was my post lol. I’ll probably make more on other fandoms later tbh or I’ll just make a part two. If you end up reading about any of these posts, please feel free to tell me about them! I love talking about fics and reading in general. Thanks for reading!
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