#Just makes no sense gameplay or story wise

[vampstel]

Doing quests and leveling up in royale High is so therapeutic until I get the Rainy Day Champion quest…

And then suddenly a nice way to waste spend my time turns into a stressful shouting fest that leaves my throat hurting. God, I love raging at RNG based minigames 🥰

[strawberrystarcake]

dottore has NO regard for practicality whatsoever girl why are there unstopped leaks and (biodegradable!) wood matter and (corrodible!) metal in the same area where you're running a top-secret high-risk research project

[mrsjadecurtiss]

Really enjoyed the final part of the story in ORAS 🥹 one of my favourites in a pokemon game for sure, everything just came together so well

[arolesbianism]

Shakes and cries I wanna make Jackie parent hc designs but I can't because potentially one of them is a prevalent character now and her ass has not spoken a single line yet so I both know nothing and can't just start making shit up yet </3333

[plumite]

[felassan]

New today on DA:TV from Game Informer, 'Breaking Down Dragon Age: The Veilguard’s Classes And Factions':

"Breaking Down Dragon Age: The Veilguard’s Classes And Factions by Wesley LeBlanc on Jun 25, 2024 at 02:00 PM "As part of the character creation process for Dragon Age: The Veilguard, players will have to select both a class for their player-controlled Rook and a faction. After customizing much of your Rook's body, including things like a Qunari's horn type and material, for example, with the hundreds of options available in Veilguard, it will be time to pick said class.  [embedded link to DA:TV reveal trailer] There are three classes to choose from: Rogue, Mage, and Warrior. As the names suggest, each features a unique combat system and plays differently as a result. Though you’ll be performing things like light and heavy attacks using the same buttons, what those attacks do varies based on your class. For example, a sword-and-shield Warrior can hip-fire or aim their shield to throw it like Captain America, whereas a Mage can use that same button to throw out magical ranged attacks – read more about the combat of Veilguard in Game Informer's exclusive feature here. Plus, as you spec out these classes and unlock their individual specializations, the differences will only grow even more stark.  - The Rogue has access to three specializations. The Duelist is the fastest of the three, with two blades for rapid strikes; the Saboteur uses tricks and traps; and the Veil Ranger is purely range, sniping enemies from afar with a bow. - The Mage can utilize necromancy with the Death Caller specialization; Evokers wield fire, ice, and lightning; and the Spellblade uses magic-infused melee attacks. - The Warrior can become a Reaper, which uses night blades to steal life and risk death to gain unnatural abilities; a Slayer, a simple but strong two-handed weapons expert; or the Champion, a tactical defense fighter. While these specializations don't matter upfront – you class into them via the skill trees you progress through the game – it's nice to see the potential of each class before you choose it."

"For the penultimate step of the character creator, at least during the demo BioWare shows me, players select a faction. The Grey Wardens return, joined by other returning favorites and new additions like the Antivan Crows, the Mourn Watch, the Shadow Dragons, the pirate-themed Lords of Fortune, which is what I chose in my demo for the current Game Informer cover story, and the Veil Jumpers. Each faction has unique casual wear, which is worn in specific cutscenes when the character isn't donning armor, and three unique traits. The Lords of Fortune, for example, gain additional reputation with this particular faction, have increased damage versus mercenaries, and perform takedowns on enemies with slightly less effort. Veilguard game director Corinne Busche says this faction selection, which ties into your character's backstory, determines who your Rook was before, how they met Varric, why they travel with Varric instead of their faction, and more. "The message of The Veilguard is you're not saving the world on your own – you need your companions, but you also need these factions, these other groups in the world," creative director John Epler tells me. "You help them, they help you now.""

"He says BioWare wanted to avoid the trope of needing to gather 200 random resources or objects before helping you save the world. Instead, the team aimed to create factions that want to help you but have realistic challenges and problems in front of them so that narratively, it makes sense why you help them in return for their help when the time comes.  "Gameplay-wise – each of our classes has a specialization, and each of them is tied to a faction," Epler continues. "But beyond that, each faction has a [companion] as well as [people we're calling agents, ancillarily] who exist as the faces of these factions. We didn't want to just say, 'Here's the Grey Wardens, go deal with them.' We wanted characters within that faction who are sympathetic, who you can see and become the face of the faction, so that even if there are moments where the faction as a whole may be on the outs with you, these characters are still with you; they've still got your back."  [old version of this paragraph] If you find yourself unhappy with your lineage or your class, you can change them using the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. You can also change your Rook's visual appearance there, too." [new version of this paragraph] If you want to make changes to your character's physical appearance, you can do that with the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. However, class, lineage, and identity are locked in and cannot be changed after you select them in the game's character creator. [Editor's Note: This article previously stated players can change their physical appearance, class, lineage, and identity using the Mirror of Transformation. That is incorrect as class, lineage, and identity are locked after you first select those. The article has been updated to reflect that, and Game Informer apologizes for any confusion this mistake may have caused.] For more about the game, including exclusive details, interviews, video features, and more, click the Dragon Age: The Veilguard hub button below."

[source]

[sasaranurude]

Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."

I'll talk about how this looks like a blatant twst clone at the end.

Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.

He's looking for a girlfriend btw. Spreading the word.

The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.

There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!

In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar

At least there's a cat in the rhythm bit.

And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)

Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.

Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.

So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.

[skeletal-butterflyy]

OH MY FUCK WILL IS A WIZARD!

Stay with me now, I made a post a month-ish ago analyzing D&D in stranger things (which I recommend you read *winkity wink*), specifically addressing the party’s characters. We all know that Mike said that Will is a cleric in s2 to Max. BUT, it can be confusing because will’s character is named “Will the Wise” and he is dressed like a wizard. One might be able to argue, “well his name and clothes don’t mean that much to his class” well yeah you’d be right. But one thing that DOES showcase the class of a character is the moves they are able to make.

Clerics are able to cast spells based on the domain they occupy/the god they serve. To my knowledge, wizards don’t really have this problem of needing to be in a certain domain to cast a certain spell.

In s1 ep 01 Will casts fireball, a spell that can be cast by a Wizard or a Cleric, if they occupy the light domain. Recently I saw a post that showed this screenshot from s2

And I noticed the spell that Mike was talking about in his story. Fog Cloud is a spell that can be cast by multiple classes but most notably by Wizards and Clerics in the Water Domain.

It’s not very practical for a Cleric to occupy multiple domains for storytelling aspects but also, it makes the Cleric’s gameplay just a little overpowered.

So basically, Will probably isn’t occupying two domains and is more likely a Wizard. Which begs the question, why did Mike say he was a cleric?

TLDR; Two spells specifically mentioned in the show to be casted by Will can only be casted by him if he is a Wizard or Cleric occupying multiple domains, which doesn’t really make sense.

[evilkitten3]

my survivors are keiji, reko, kanna, and gin! and sara ofc. technically i think q-taro and mai might count but they're currently uhhhhhhh in robot naptime i guess.

(i actually initially got mai killed but i liked her so i cheated a bit and hayasaka died instead. sorry buddy you simply were not all that interesting)

((also i got finished aria's story. only got the normal ending so far, so i'm gonna have to go back and open that pink door i think i still have questions))

finished Paper Lily (chapter 1)!!! We got the True End, and a handful of game overs.

I liked it a lot!!! very very charming, and a lot longer than we expected! the Miss Knives boss fight was VERY VERY GOOD. the difficulty overall was challenging enough to be fun, and i think it was very sweet of the devs to give the option to skip the fights. (i did not take this option but thats bc im a Gamer so i will suffer and learn asasdkljd). Project KAT had so many unique game overs, I really want to take the time to mess around in there and get the different variations!!

the characters were all very charming! and the art style is ABSOLUTELY gorgeous, i loveeee the spritework and all the little details!!!

[moociaoafterdark]

My opinion on Rogue Trader companions so far (I just finished act 1)

Idira - deserved better both in story and in gameplay. Seriously, why do enemies target her so much, what did she do?? Also, her insights are very useful, wish I could consult the voices in my head the way she can. And I know for a fact Idira and Vigdis explored each other's bodies, tho I can also see some toxic yuri potential between her and Argenta.

Pasqal - surprisingly chill for a magos! Also, he definitely wants to be called a good boy, but, like, not in a kinky, but platonic way. You know, the same way your dog wants to be called a good boy/good girl. Even though I already play a respectful and chill Rogue Trader, I still try to be a bro to Pasqal (yes, I'm a girl who roleplays as an old dude, what about it?) I do hope that he actually starts seeing you as a close friend/companion later down the story line, because I genuinely love him. Also, Pasqal's melee attacks >>>>>> Pasqal's range attacks.

Argenta - I'm pretty sure at some point in her life, the Emperor sent her back into our time and made her shoot Tr*mp. She missed, as we all know. LIKE. GIRL. PLEASE HIT THE TARGET, I'M BEGGING YOU. Every time it's her turn, I legit start praying to Big E. Story wise... Not gonna lie, out of all the dogmatic leaning characters, I prefer her the most. I especially prefer her over Heinrix. Not that I hate him, and I'm not a big fan of SoB, but... there's something about Argenta that just makes me like her. Though, she is sus. Like really sus. I expect her to do something insane later down the line.

Abelard - MY MAN. Like, yes, I did the quest with the Lower Decks and I know that Abelard is not sunshine and rainbows, in fact, he is quite a classist ass, but! I like that about him! And his dedication and loyalty to both us and Theodora (well, the entire house of Von Valancius) is admirable. I like him a lot :) BUT! I LOVE HIM IN COMBAT. DUDE IS HIM. Every time it's his turn, I know for a fact someone is going to fucking die. AND he is a healer! Dude's theme song is Holding Out For A Hero and I accept no arguments. Might just be my favorite. I hope we get to meet his family, because one of his comments mentioning his youngest great-granddaughter being a working adult made me intrigued. I know that people can extend their life span + he constantly has to travel through the Warp with the Rogue Trader, so I'm curious if they're going to elaborate on that.

Heinrix - I heard a lot about him. I can see why many people thirst over him and ship him with their fem!Rogue Traders and! Good for you! I support yume/self-shipping as well as oc x canon with all my heart! However, he didn't impress me much. Maybe it's because my Rogue Trader is an old man and there were no spicy/romantic dialogue options for him. He is cool, and I did help him complete his mission. Though, I wish he stayed after act 1, because I want to learn more about him... And also I really like him in combat. He's like if Abelard was a psyker, and you already know how much I love Abelard in combat. I wish we get to meet him again.

Cassia - Okay, first things first: I LOVE HER. I love her design and I'm glad we got an abhuman companion, because I want more abhumans in w40k. Love how she is sweet with us and seems, ya know, very demure very mindful, but I do also love she is not like this with everyone, judging by her combat voice lines and how she needs human blood for her paintings. However, that time you are summoned by her after you recruit her to be the ship's Navigator... Hoo boy did I momentarily regret picking a male!Rogue Trader, because *some* of the dialogue options were so cringy and creepy. If you played as a male Rogue Trader, you know what I'm talking about. THANK GOD the game wouldn't reward you for being too fast and too lustful with her from the get-go. Not that I picked those options, but I did read up about Cassia's romance after that event. It does make sense for a sheltered girl like her to be into courtly, romance book type love! Also, she once one-shotted like... 8 enemies with her attack... Really made it easier to focus on Aurora. Blood for Navigator Cassia, skulls for Navigator's Throne!

Jae, Yrliet, Marazhai, Ulfar and Kibellah - I know they exist! REALLY eyeing Marazhai because he is the only possible mlm option in this game. I'm a toxic yaoi whore, I'm sorry. We'll see, because I'm not a fan of Drukhari, but MAYBE Marazhai will make me change my mind.

[drgnnova]

Who is the most mischaracterize character in the Honkai Star Rail fandom and why is it Yanqing?

I could go into detail about how the fanon likes to mischaracterize him. they'll call him a brat and overconfident for thinking he could beat Jingliu, Blade and Dan Heng. but it makes sense Yanqing is a prodigy which is why he's the youngest lieutenant in the history of the Xianzhou, Cloud Knights. (this can be found in this character story) and it also mention that "No one can best Yanqing when he holds a sword in hand."

people treat like he weak just because he lost against Jingliu, Blade and Dan heng. which is weird, do you want some "random" kid to be stronger than immortals who are more than twice his age. you claim these characters as strong but then call him Yanqing weak for losing agaisnt them. so it makes no sense to me, It kind of contradicts what your saying lol.

also Yanqing was only doing his job, yes Jing Yuan told him to not go after them. but he was still doing his job, it his job as the cloud knight lieutenant and he wants to prove himself to Jing Yuan. (This was only hinted at when 1.2 came out with these quests, but was confirmed later in the ghost event when Yanqing was getting manipulate/control by a heliobi/heliobus name Apyra).

and people are calling him a brat because of how he acted in his companion quest and the 1.2 quest even thought he was literally talking to wanted criminals so of course he's not going to be all rainbows and smiles. ignoring how nice he is outside of those fights/scenes.

in the 1.3 quest, Yanqing is seen trying to make sure Jing Yuan rests after his battle with phantylia. he even apologises to Jingliu for assuming she can't see due to her blindfold. Yanqing in his messages (not everyone gets this because it's only if you get hie character) stays in the rain with some kittens, and feels bad for them as he waits for the mother to return. and in most if not all other interactions that doesnt include villains, Yanqing is shown to not act bratty and even has good manners, and isn't rude.

also after the 1.2 quest, when Yanqing is a visitor to the astral express, he shown to be kind to Dan heng who he was agaisnt in the 1.2 trailblaze quest, wanting to know what Dan heng is interested in who he can talk to him. he evens fell bad when he thought he misspoke to Dan heng, saying this to Trailblazer "I was worried I spoke out of turn or upset him." and this "I'll keep talking to him — maybe I can eventually unlock his chattier side!", he clearly wants to be friends with Dan heng, and cares about people.

he considers Trailblazer a friend, even talking about the General says it "show proper etiquette...". and Yanqing wants to repay the Trailblazer but doesn't know how. and gives Trailblazer some beautiful stones he found. at the end of this conversation he says "The next time I'm here, I want to have more conversations, watch the universe, and eat some good food together with all of you!"

also i think it weird if you hate a character (not gameplay wise, I can understand why people don't like Yanqing's gameplay wise) because you lose a 50/50. you losing your 50/50 to Yanqing shouldn't make you hate his whole character. you're ignoring his character lore/personality over a game/wish.

also it stupid to hate Yanqing because of what he did in HI3, Yanqing character is completely different than his H13 counterpart/Expy (the original) because he hasn't done what he did in HI3 and it a completely different universe (think of the multiverse, if you're in a different version you won't be exactly the way because of different events happening and molding you)

[scapegoated-if]

Hi! I love the idea of a gender locked female PC in the 70’s as it will further reflect the misogynistic society and totally respect it being your choice and your IF. However I was a bit disappointed I couldn’t be anything other than a white woman as I usually like to self insert. I was just wondering the reasoning behind it as it might stop some people from being completely immersed (not in the story but the character, the stories great) Either way it’s your if and your choice, this is just a curious anon.

I don't want to be too specific plot-wise, but I will take you through a lot of what my coming up with Scapegoated looked like, because it does cover a lot of my thought process behind my reasoning.

This response is semi-long because I wanted to be as thorough as I can about this, so this is my slight warning in advance! If you hit me with a 'Congratulations or sorry that happened', I wouldn't blame you, friend.

As I state in my disclaimer, Scapegoated heavily explores discussions of race and gender politics throughout. It drives a heavy crux of the story. I didn't want to have a self-insert MC because I wanted to ensure that the conversations had revolving these social issues and the murders that unfold aren't danced around. Perspective is an extremely important factor in that, and I want to ensure that the MC is directly involved--rather than just there as things happen because it wouldn't be interactive.

Intersectionality is also an important topic in this IF (race and gender cannot be discussed without the discussion of internationality, but I digress). Initially when I planned this story, before it was titled and the only thing I knew was that I wanted to write an IF about the '70s music scene, it was neither gender or race locked because the only IFs I had read--because they were the only IFs I enjoyed reading--were neither gender or race locked too. But I did toy with my ideas by self-inserting (I'm a black woman) when I was attempting to figure out the logistics of gameplay. That's when I realised that due to the time period and all of the change that was happening at the time, social issues had be discussed at some capacity.

I added the aspect of Hollywood because it interests me, and murder I introduced because during the late '60s and the '70s, it was such a dangerous and frightening time--from the assassinations, the Manson Murders to the coining of "serial killers" around this time, too. After a while, I didn't want to do something strictly music-related because the biggest IF currently is music-related (I will profess my undying love for Infamous another time), and a lot of popular period-piece media set in the '70s is music-related in general: Almost Famous, a film; Daisy Jones and the Six, a miniseries and book; and I recently saw Stereophonics on Broadway this summer.

A lot of what Scapegoated is took shape very naturally. When I self-inserted as a black women, I felt like the story I was telling was me doing what Hollywood currently tends to do a lot: i.e. make media that explains racism to white people, which I have no interest in doing whatsoever. But the story I have settled on with Scapegoated just feels like it makes sense. It feels like a story with no ulterior motive other than exploring relationships between real people during a time of major social change. And I get to explore The Troubles and the IRA; the Anarchy movement; and touch upon May '68, so the Paris riots.

I genuinely didn't know that gender-locked and race-locked IFs were this uncommon. I said in a reply to another anon that because of the scope of video games and interactive gaming apps (i.e. Episode), I didn't think it would be off-putting to anyone. That being said I am extremely new to IFs. But I promise you it isn't a decision that I made without cause or plausible reason. I spent more time developing a concept of what this story is than I did planning Scapegoated and writing it.

Thank you for reading my IF anyhow, and this absolute yapathon, because I would have completely understood if you chose not to. Sending all my love and...

Stay groovy!🌼

[trashcanwithsprinkles]

hi! I wanted to ask questions about how you proceed to write:

Do you have a general idea with plot twits and such figured out? like general guidelines and then go crazy and write these amazing fics or you just go with the flow?

How do you establish world building? Like, all the fics I've read from you (which are more than great) got lots of info in the world building though strangely enough (in a good way) I wasn't lost on it? Like Cyanide Narwhal has crazy lore to it with lots of characters and stuff going on but as you read you get what happens even though hundreds of stuff happen at once. HOW DO YOU DO IT :0

How do you write so smooth also? Like going from one scene to another makes total sense without there being a cut? (idk if i make any sense sorry ^^').

Finally, how do you explain feelings so well? Well not explaining directly but making us FEEL *looking at cyanide narwhal and i think you're so good (and i'm nothing like you)*. I think that the description of them interacting helps w it (like the way Zhongli looks at Ajax (i am melting please thats so cute-) but even the interaction between Ajax and the kids (big brother behavior)

oh god

i do always have a general idea on how the story is going to go, like what plotbeats i want to hit and what i want to happen. but since it's not a good idea to marry to one path, the details for how things happen or how we get from point a to point b specifically i usually come up with on-the-go, and i do leave room for modifications. like i have a million fic ideas and scenes i want to write but i never actually write any if i cannot picture two things: 1, what the point of it is (the main climax, the main mystery, etc), and 2, how it ends. (the reason why most wips don't make it past a couple chapters is bc i struggle to picture the ending accurately, or how to get there)

i genuinely have no idea how to explain the world building, i'm sorry lmao. if i really had to think about it, no joke, i think i'd say this was stardew valley's fault. yes you read that correctly. more specifically, the earmuffs item. now- it might not be evident as it is rn w the way i write, since it's been a while since i've started doing my worldbuilding like this and obviously it's evolved and gotten more complex w time, but- for those unaware, stardew isn't a game you play for the worldbuilding per se. for the deep world lore. especially pre-ginger island update (1.6?). but there IS worldbuilding, it's just you don't really see it, it's not the point of the game. you're there to grow crops tend to animals suffer in the mines and get a partner. that's it. but you know there's more outside the town and the valley. you know the biggest city nearby is called zuzu, you know what the sea is called, you know there is a war going on in the background, you know there is an empire involved, you know lewis might be the mayor of the town but he's still under the governor of the region. you know there's witches and spirits and elemental beings and aliens n shit. the fucking earmuffs were sort of like my epiphany years back bc their description says they're lined w artisanal velvet from castle village. what the fuck is castle village?? were you ever going to tell me about it outside of those fucking earmuffs? does it even matter? no. it doesn't matter. but just because it doesn't matter doesn't mean the earmuffs stop being an artisanal item from castle village. just because it doesn't matter what the sea is called doesn't stop it from being the gem sea specifically. the fact that you only care, gameplay-wise, about your farm and pelican town- it doesn't stop your country from being at war, from being called the ferngill republic. the world of the game exists outside of what matters to you for the plot. and so even if you're never going to find out some of these things if you don't look, they're going to be there anyway.

i don't know if that makes any sense. it probably doesn't LMAO a probably better way to explain it is like- write stuff the same way you hear our own world being talked about irl. does it matter for the 'plot' of your day if your mother says she's going to one specific supermarket? no. does she still call it by name? most likely. that's just how it works. you know it exists because this is the world you live in, regardless as to how much it matters to the actual 'plot'. it's not there exclusively to serve the purpose of aiding the plot, but because it's a part of your world and therefore must be connected to the world beyond you. the world will only read like it's lived in if the characters speak about it like they actually live in it.

i'm not actually sure that answers the question now that i think about it. it's just- i trully don't know how to answer it. i don't know what i'm doing that makes it interesting and not a complete mess to read even if it IS a complete mess. the only explanation i can think of is that: that i write the characters interacting with their world as though they actually live there. the plot is just something that happens to an already existing, already established world.

also i think you might be merging lore and worldbuilding with plot. yes, the worldbuilding and lore in my fics are absurd, but that alone i don't think would be hard to keep up with. it's the plot also being absurd what makes it seem like there's a lot going on at once (there is, just- in two different fronts). like there's not a million things happening at once in the worldbuilding - there's a million things happening at once in the plot. you're finding out a lot of stuff about the world at the same time, is the thing. anyway,

scene transition without the cuts being smooth i also am not sure how to explain. that's probably on me for not following scene structures properly tbh. so uh- no clue here chief, i'm sorry. i don't even have a guess as with the worldbuilding.

with the writing feelings i do have somewhat of a guess- it genuinely might be some undiagnosed brain fuckery i have. kinda like how the inside joke of asexuals being shockingly good at writing sex scenes goes. if you have a different-than-intended perspective on the stuff, it would probably lead to a different approach to writing it. but other than that i also am not sure

i think the main takeaway is i don't know shit LMAOOOOO

[arolesbianism]

I have been playing beastieball and first of all very good game second of all smth smth Olivia Broussard

[itsbenedict]

Games I Played In 2024 And Whether Or Not I Thought They Were Good (Part 1/4)

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It's that time of year again! I wasted far too much time playing videogames, but at least I can tell you which of those videogames were worth playing and which ones weren't. Again!

(2020, 2021, 2022, 2023)

The Roottrees are Dead

It's... the comparisons that leapt to mind immediately were "like Her Story, but also like Return of the Obra Dinn", which it turns out were the two direct inspirations so that makes total sense. Your job is to piece together a huge, sprawling family tree, identifying the names, faces, relationships, and occupations of everyone therein. How? You've got a search engine you can enter search terms into, and bring up various webpages and documents detailing the lives of the Roottrees. As you fill in the blanks and make guesses, the game will confirm them in batches, Obra Dinn-style.

This core gameplay is already really engrossing, but along the way you'll pick up hints of a mystery underlying the Roottree family history, and figure out a bonus objective on top of just filling out the whole tree. It's extremely cool and unique, and The Fluteknees are Bread.

Bounty of One

This one was recommended to me by my kid brother. It's... fairly brainless? It's a roguelike where you're in an infinite empty desert, enemies come in from the sides of the screen to try and kill you, and if you shoot them you get powerups and money for upgrades. The character auto-aims at the nearest enemy while not moving, so all you have to worry about is dodging and selecting upgrades.

It's pretty fun! Lots of different toys with synergies that let you snowball in a few different directions. I find it great for like, putting on to give my hands something to do while I'm watching a show or listening to a podcast or something. Not too much else to say about it.

Misericorde

There's been a murder in a convent in 1400s England. The abbey's anchoress, the only person with an alibi (due to having been locked in a room her entire life), is tasked with covertly investigating by the Mother Superior, who believes the rest of the nuns are keeping secrets from her and covering things up.

She doesn't know the half of it.

Misericorde, currently unfinished, is chapter 1 of an episodic mystery VN, which is the only reason it's not my game of the year. It's got several strengths:

A great sense of atmosphere, with an extensive D&B-infused soundtrack that really gets across the protagonist's unease without being unpleasant to listen to.

Exceptional character designs, which manage to be distinctive and full of personality despite being in black and white and having every character be a nun wearing the exact same outfit the exact same way.

A dedication to historical accuracy, not flinching away from the realities and attitudes that would be present in a medieval English convent. Hedwig, our protagonist, is the stuffiest and most pedantic theology nerd of them all, and is constantly astonished by the irreverent-to-downright-debauched behavior of her "peers", largely forced into this life by circumstance. A really unique, harrowing, and sometimes hilarious perspective.

Despite this, impressively gay.

Good writing. Like good writing good writing. Not just structurally but on the prose level. Very important for a game that's 90% reading.

I'm not entirely sure how well the mystery aspect of it will shake out, since it's still in the setup phase and the whole thing isn't out yet, but all that aside, it's a joy to read anyway. Also Darcy is in it.

Pokemon Scarlet and Violet DLC

Yeah, I know. I shouldn't be rewarding Game Freak for their shitty business model and half-baked games. And you know what? You shouldn't either. These were bad.

Gameplay-wise... total nothingburgers. You know how Paldea was this ugly empty wasteland of airbrushed textures with no rewards for exploration, sprinkled with random pokémon spawns and trainer battles? They did another one of those. Two of those, kinda. The second one's Blueberry Academy map had a little more visual variety but ultimately was exactly as empty and unrewarding to explore as before. Zero-effort design as always.

The base game of SV had, I think, the best story a mainline pokémon game has ever had. They broke out the "dramatic legendary stuff", "fight an evil Team", and "do a Pokémon League journey" components into their own parallel things, and managed to make all of them more compelling than they've ever been.

The DLC... uh, doesn't, really. There's a couple fun new characters- Carmine and Kieran are entertainingly fucked-up- but Carmine gets sidelined almost immediately, and Kieran is the only thing the game has going for it storywise through the whole DLC. His story's kind of effective, but it can't carry the whole thing, and all the stuff about Ogerpon and Terapagos is underbaked and disjointed and anticlimactic. You're not really missing anything if you skip it. So skip it.

Cluefinders series

Did anyone else play these edutainment point-and-click adventure games as a kid? Sort of... Indiana Jones by way of Scooby-Doo? These were my jam back in the day, and I went back to them to see how they held up. And the answer is... uh, there's a surprising range of quality!

I ended up having way more to say about these than I thought I would, so here's a separate post about them. Overall, I don't know that I'd recommend any of them, unless you're an actual elementary schooler who needs to learn math and stuff.

And if you are- hey! You should not be reading my blog! This is not a website for children! I say swear words on here! Kind of a lot of them, actually! Your mom's gonna be mad at me, and neither of us want that!

Project Killdance

This was a... kind of cool tactics/action game? It's kind of Superhot but a deckbuilder, and that's... not really to its benefit. Copy-pasting my review from itch.io:

This is really polished and has some super cool moments, but I'm kind of hung up on... the core mechanic of it being at odds with the rest of the design. The tense action where you have to decide moment-by-moment how to not die that turn is great, and the action economy is a good abstraction for it... but ultimately, success or failure hinges almost entirely on Did You Have Enough Basic Moves In Hand. The overriding concern is always "is a bullet about to hit me?", and the answer is almost always "yes", and the solution is always "play a move"- which means, if you don't have one, all the rest of your planning doesn't matter, and you're dead.  Other deckbuilders have this core problem, of course, but they usually smooth over it with a health system that gives you a certain tolerance for failure. When it's an iterative system, building your deck properly you can lower the chance of being forced to take hits on your turn, and the outer game loop is about managing that risk. But... in a game like this, where a single failure means death, any significant random failure rate is a feel-bad. And the failure rate varies with the level design: the less cover, the more movement you need to be doing, but the incremental deckbuilder thing locks you into a certain proportion of offense to defense, forcing you to mulligan over and over to find viable hands. I do like the action economy aspect- keeping an eye on your AP and moves-in-hand to ensure you don't get stuck taking a breath at the wrong time is a good tactical challenge. The question is how to preserve that core challenge- making the most of limited and unpredictable options- without creating as many situations where all roads lead to dead. Maybe... separate decks for moves and attacks? Or the ability to slash enemy projectiles out of the air? More cover options in the level design? I'm not sure exactly what the right solution is, but I think you want something to cut down on "a big guy with a machine gun is immediately firing at you turn one and your opening hand doesn't let you move, RIP" moments. (Also- is there any significance to those Corrupted cards that sometimes show up in longer levels? I thought maybe relying on them gave you a bad ending, but I played through twice without using Corrupted cards the second time, and got the same outcome. Just a catchup mechanic for if you find yourself in a stalemate, or is there something else going on there?)

It's very short and manageable (and free), though- I think this is like, a prototype of something larger they're working on? Its length mean its flaws don't really get too annoying, and it's very stylish and fun when it works.

Pokémon Infinite Fusion

This was fantastic. This is the best Pokémon game, I think. The concept: You can take any two pokémon, and fuse them. Into one of two new fused pokémon, depending on which is the base and which is the head. It gets extremely wild extremely fast.

But more importantly, the game is very good. It's got so many QoL features! They've got HMs, but every HM in the game has a sidequest associated with it that earns you an item that substitutes for the HM- so you get the sort of teambuilding and moveset tradeoffs, but they're temporary, encouraging you to try out new stuff instead of locking you into the stuff that runs the HMs you need. And there's a proper speedup function, and there's these sidequests with really nice rewards in every town...

It's also hard to overstate how many custom fusion sprites there are. There's a huge community filling out a dex of the things, and more often than not there'll be a custom graphic for whichever unholy combo you come up with. The odds have presumably only risen over time, as the game's been continually updating since I played it. The stuff you can make is crazy cool.

My favorite is Honchvire. He is going to kill you to death.

Spiritfall

It's sort of... Hades meets Super Smash Bros. It's hard to come up with anything more to say than that, mechanically- that's exactly what it is. The combat system is a Smash-style platform fighter, but it's a roguelike where you acquire synergistic boons from different gods over the course of the run, and unlock different weapons with different movesets (and slight upgrades to said weapons) through the metaprogression.

And it works! If that concept sounds fun to you, then hey: it is! It's gorgeously animated, well-balanced, and has lots of optional challenges. It didn't really need to innovate- it smashed two known formulas for success together, executed with care and polish, and bam, the result is successful. Fun Video Game.

(Story's kinda nothing- a few months later, I literally can't remember if it had one. Some vague thing about souls and a sealed blight and you have to save the world or something? Didn't seem to be trying too hard, and didn't really need to.)

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I got, um... 23 more games on this list, so I'll talk about the rest later.

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