#Joshua Waters

[muffythemuffin-bp]

"Four! Yeah, I called you here to rate my fursona. Do you like it? eyy?"

(Let's pretend ii18 didn't happen. Neither 17. :'])

pls don't flop, I'm finally learning some colour theory and shading

[yagurlhere]

I am absolutely ADORING the consequences of letting Joshua Waters voice act in Chikin Nuggit

[m3rcuryxd2763]

Based on Joshua Waters/Tunnelberg's live steam from yesterday

[drkxwlf17]

SHOULD I (attempt to)ANIMATE MY ART NOW THAT THIS EXISTS

[beepingmemesauce2727]

Can't wait for the next time Joshua Waters voices Stone :)

This is my current hyperfixation character

[rookie-critic]

Rookie-Critic's Top 25 Films of 2022: #21: Inu-Oh (dir. Masaaki Yuasa)

Japanese anime director Masaaki Yuasa is the mind behind some of the most highly regarded anime films & shows of the last decade, with TV credits like Ping Pong: The Animation, Keep Your Hands Off Eizouken, and Netflix's Devilman: Crybaby, and film credits including Lu Over the Wall, Ride Your Wave, and The Night Is Short, Walk On Girl. He has a style that is unmistakably his own and his stories are as engaging as they are visually arresting. Yuasa said that Inu-Oh would possibly be his last project for awhile, so how does he send the golden era of his career off? Why, with a rock opera set in Feudal Japan, of course! The story of two friends fighting back against the authority that seeks to keep them from doing what they love, Inu-Oh takes its time with its forward momentum, and doesn't mind halting everything every now and then for a series of musical numbers that mix more traditional Japanese instruments (the biwa, mainly) with more modern songwriting styles to create some truly unique and inspiring sequences, not to mention the animation is truly beautiful. That alone is enough to give Inu-Oh all the points it needed to make the list, the rest is just a wonderful bonus. (Also, just an aside, I do generally watch the English dub of anime, but for this one in particular I would HIGHLY recommend watching it in the original Japanese. The performances are stellar and fit much better with the songs.) Currently streaming on Hulu. Read my full review of Inu-Oh here

[neophytepagan]

When you feel the fire is gone I'll pour some gasoline on (it)

[jeonwon-wonwoo]

some of my fave shua moments (feat. dk and hannie)

951230: Happy Joshua Day!

[alwaysrunningoutoftime]

josh and sam snowball fight (cr.)

[aestum]

(by Joshua Rawson-Harris)

[pngheavy]

@woodsie those are supposed to be clear plastic water guns as you see them!! toy guns.... since it's all a game to him haha VVV chibi that was with the picture

[offbrandhandymanny]

New Boots:

- Cabaret (5th West End Revival w/Eddie Redmayne)

- Water For Elephants (OBC)

- Camelot (Original Broadway Revival)

- The Outsiders (OBC)

- The Great Gatsby (OBC opening night)

- Harmony The Musical (OBC First Preview)

- Harmony The Musical (Bruce Landry/Chopin)

- Harmony The Musical (Closing Night)

- The Notebook (OBC bad quality)

Dm me for prices or trades

(i don’t always accept trades, if you want to know my wants just lmk but im always open to seeing peoples lists)

[coupsvi]

SPILL THE FEELS : coupsvi rant

The new album is great, let's not deny it. Let's (once again) just talk about and appreciate how talented Woozi is? Every single song on there is fantastic. I know the majority of Caratland was scared for LOVE, MONEY, FAME, but it tbh didn't disappoint. The lyrics are different from what most thought they were, and DJK only appears a few times. So please, just remain positive :)

SVT knows what carats want, and they want to deliver (it is their job after all). Let's stream this comeback as much as we can, and let's help to get our boys the daesangs they deserve.

!!!!!!! If you don't want to stream LMF, there are alternatives that still give them streams: the remixes. On some remixes (such as the Timbaland Remix or the Hitchiker Remix), DJK's tag isn't present, so therefore he should recieve nothing from it. That gives you an effective way to listen to the song and give the sebongs streams while at the same time not benefiting DJK. !!!!!!!!

It's a long time before we'll have an OT13 comeback again, so let's make this one count. Stream 'SPILL THE FEELS' because it's incredible, and the boys deserve it. Let's get them song of the year with LMF and MAESTRO, let's get them Album of the Year (again), let's get them Artist of the Year, and let's show the world what SEVENTEEN has to offer. And remember, don't let the negativity of fake carats get to you because you're better than that, and if they're hating on SVT for no reason they clearly do not have taste ^-^

[drkxwlf17]

I'm still freaking out about this-

JOSHUA IF YOU SEE THIS I LOVE YOU AND YOU MADE MY DAY, TOMORROW IS LITERALLY MY BIRTHDAY

[dustedmagazine]

An overwhelming year: Joshua Moss on 2024

2024 was an overwhelming year in almost every sense, but the subject here at Dusted is music, and music was a phenomenon that was overwhelming in a good way. I fell in love with brand new albums I will listen to for the rest of my life, discovered decades old albums that were like missing pieces of myself, and I didn’t get to albums I might fall in love with ten years from now. My band released eight of our own albums to varying degrees of notice. I did a brief tour, something I had not done for over a decade, and we played more shows than we ever have in a year.

I mention my own musical activities because when you are engaged in DIY music, it's all about connecting with people, and most of them are other musicians with beautiful music to share. Every time we play a show, we are treated to performances by two or three other bands, who almost never disappoint. I had sublime nights around Portland this year. I swooned to jangly pop downers Rosy Boa. I zoned out to mesmerizing finger picking and jazz improvisation from guitar magicians like Will DeLee and Mike Gamble. I lost my mind to the free explorations of the Joel Nelson Group and Water Shrews. We played with French artists Tamagawa and Oldine and connected across the Atlantic with their atmospheric sounds. When I was on tour, I got to meet an online friend and collaborator, John Swanke, and watch him weave his tapestries of New Age guitar. I met drone-folk revivalists Friends of the Road, who put out one of my favorite albums of the year, and I got my face melted by the thrash-metal Grouper vibes of Power Strip. All of this was life affirming - in times that feel haunted by deadly forces that are bereft of creativity or joy, all of this felt like, aside from my family, my main reason for being alive. 

There is an additional vitality that can be added to this practice, because music can be used to materially address the complex issues we face. Many artists, including myself, leverage their fanbase to raise money for good causes, but in the wake of Hurricane Helene, a massive, heavy hitter filled benefit compilation called Cardinals at the Window raised over $300,000 to support those impacted. more recently, the Gold Bolus Recordings label has put out an excellent compilation to benefit Palestinians, called Mandatory Liberation Volume One, featuring artists such as Powers/Rolin Duo and Ashcan Orchestra.

2024 was a great year to be a fan of music too—as fragmented as the digital universe, is, has the effect of multiplying the amount and variety of music released, permutations of genres spiraling like fractals of style. I think every deep music head's dilemma is knowing that we'll miss more records than we ever catch, but it's a wonderful problem to have. Below I have included a list of my 30 favorite albums of the year —  I tried to go under-the-radar as much as was honest — but this is stuff I listened to a lot.

Spiral Pier — Cash Payment (EP)

JPW/Dadweed — Two Against Nurture (EP)

Future — WE DON’T TRUST YOU

Rosali — Bite Down

Daniel Wyche and Patrick Shiroishi — Hopeful Intervals

Jeremy Kizina — Remnants In Repose

Seawind of Battery — East Coast Cosmic Dreamscaper

Cindy Lee — Diamond Jubilee

Penn Bryce — Feel Free

Taylor K Conrad — Mountain Stars

Cassini — The Cassini Project

Friends of the Road — Sunseekin’ Blues

Water Shrews — Red Eared Slider

Myriam Gendron — Mayday

Shane Parish — Repertoire

Rob Dobson — Be Easy

Beth Gibbons — Lives Outgrown

Bill MacKay — Locust Land

Blue Angels — s/t

Quintelium — Dream and Reality

Will DeLee — Improvisations for Guitar and Charango

Niklas Sørensen — Akustisk

Hearts of Oak — Valley of Dark Hills

JM Hart — As We Know It

Kim Deal — Nobody Loves You More

Power Strip — Nothing Yet

Spiral Joy Band — Waves of Higher Bodies

Old Crow Medicine Show — O.C.M.S. (re-issue)

Souled American — Notes Campfire (re-issue)

Grateful Dead — Duke '78 (archival)

[jackchampioncumpit]

Bradley Constant, Jack Champion and Joshua Murillo