#Josef Mysliveček

[lesser-known-composers]

Josef Mysliveček (1737-1781) - Wind Octet No. 1 in E-flat major. Donauschingen 1777 or 1778

1. Allegro maestoso 2. Larghetto un poco sostenuto 3. Tempo di Menuetto

L'Orfeo Bläserensemble (Period instruments) conducted by Carin van Heerden

[mrbacf]

Il Boemo - Adamo & Eva - IL Gardellino

[gasparodasalo]

Josef Mysliveček (1737-81) - Sinfonia Concertante for Strings and Basso continuo in C-Major, Op. 2 No. 6, II. Allegro. Performed by Concerto Köln on period instruments.

[detournementsmineurs]

Federica Vecchio dans “Il Boemo” biopic de Petr Václav - sur la vie du compositeur Josef Mysliveček (1737-1781) - juin 2023.

[tomorrowedblog]

The Bohemian premieres today

The Bohemian, the new movie from Petr Václav, is out today.

In 18th century Italy, aspiring opera composer Josef Mysliveček dreams of becoming a musician. His ambitions lead him to embark on a journey, exploring the world of opera to fulfill his destiny. Against all odds, he makes his mark in sophisticated Venice society as “Il Boemo,” his talent and charm winning over socialites, impresarios, and performers – in addition to the many women captivated by his appeal. Embracing a hedonistic lifestyle within the “pleasure capital” of Europe, Mysliveček enjoys a multitude of sexual relationships while pouring his heart into his music.

The Bohemian follows Mysliveček’s most prolific decades, composing numerous works in the genre of Italian opera seria as well as influencing and befriending Mozart — though their relationship is tested when a life-changing commission comes between them.

[masayoshi-kawaharablr]

Josef Mysliveček - Sonata No. 2 in D major (3º Mov., Presto assai)

[operaportugues]

filme "Il Boemo" (2022)

Filme com legenda em português: link.

"O Boêmio", do diretor Petr Vaclav, conta a história do tcheco Josef Myslivecek, compositor que viveu entre 1737 e 1781. Filme indicado ao Oscar pela República Tcheca, permite ao público descobrir e ouvir as magníficas obras líricas deste compositor barroco admirado por Mozart e injustamente esquecido pela história.

Enredo: 1764. Em uma Veneza libertina, o músico e compositor Josef Myslivecek, apelidado de O Boêmio, não consegue se destacar apesar de seu talento. Seu caso com uma mulher da corte permite que ele realize seu sonho e componha uma ópera. A partir daí sua fama cresceu, mas até onde ele iria? A vida, obra e aventuras de um compositor genial, que o jovem Mozart admirava, e acabou esquecido pelo tempo.

Josef Myslivecek, conhecido como Il Boemo – aquele que vem da Boêmia -, filho de um moleiro de Praga e, destinado à mesma profissão, não ousou quebrar as correntes da vontade do falecido pai até 1764. Aos 27 anos, ele foge de seu local de nascimento, obscuro e provinciano, devastado pela Guerra dos Sete Anos. Desejando se tornar um compositor de ópera, ele buscará sua fortuna na superpotência musical de seu tempo: a Itália. Mudou-se para Veneza e, após quatro anos de vida precária, conseguiu uma encomenda incrível. Ele, um completo estranho, é chamado a Nápoles para escrever a primeira ópera do reinado de Fernando IV. Sua carreira decola. Durante a década de 1770, ele foi o autor mais prolífico da ópera italiana séria. Amigo de Mozart e muito mais requisitado do que ele, escreveu para as maiores estrelas do seu tempo, frequentou todas as cortes e muitos teatros públicos da Península. Ele morreu da sífilis em Roma, sozinho, sem esposa ou filho, em extrema pobreza, e foi esquecido no dia de sua morte, aos 43 anos, e sua obra caiu no esquecimento. Depois de 240 anos, no entanto, podemos ver que sua música se comunica conosco e nos comove.

Entrevista com o diretor Petr Václav

Trilha sonora deste filme

IMDb

Mozart: Ridente la calma, K. 152 (After J. Mysliveček)

Ópera completa "Motezuma" de Josef Myslivecek

[drjacquescoulardeau]

POPULAR SUCCESS FOR L’OLIMPIADE

JOSEF MYSLIVEČEK MAKES L’OLIMPIADE MELODRAMATIC

This topic, and its standard timeline and suspense architecture was used vastly on Italian opera stages in the 18th century. Josef Mysliveček is one composer, the latest then, who used the topic, subject, drama, and suspenseful crime story to entertain the vast opera audience in Italy at the time from Naples to Venice and many other cities. The story was used by Vivaldi (1734) and Pergolesi (1735) on a libretto by Pietro Metastasio (1733) before Mysliveček The first composer to deal with the libretto was Antonio Caldara in a production in Vienna, Austria in 1733.

The topic is inspired by ancient Greek stories and is in a way a romantic drama that ends well. It brings together a newborn supposedly exposed to the sea by order of his father, a king of course; a fraudulent public fight in which the official contender appoints a friend of his to fight in his place to make sure he will win the prize; the prize is the daughter of the king who had his son exposed to the sea, quite a gentleman that king, even in Ancient Greece. You can imagine the embroglio in the city when the rigged public fight was revealed, and then when the real identity of the main culprit was revealed by accident just minutes before he was executed for his fraud, standing there in a white robe on Jupiter’s altar, the executing tools already brandished by order of his own real but unknown father. And the gentleman of a king does not even seem polite enough to excuse himself, to say he was sorry for his totally inhumane decisions in his life. Luckily in all the cases I have been able to listen to, the music saves the story.

And imagine the main culprit, the “champion” who asks his friend to fight for him, is thus trying to conquer the daughter of the local king who is in love with his own friend and who is loved by this very friend. He is trying to steal the love of his friend, after having abandoned the woman he loved in his country, Crete, in order to come to Greece to be able to conquer this daughter of a barbaric father. A French Revolution is definitely needed in this opera topic. Luckily, Beaumarchais and Mozart were supposed to come soon and were already there when Mysliveček produced his version of the tale in 1778 since Beaumarchais produced his play “Le Mariage de Figaro” in Paris in 1778. Mozart composed his “Marriage of Figaro” in 1786 in Vienna, Austria, premiere performance on May 1st, announcing, a century before the Chicago massacre, the famous Labor Day of May 1st still celebrated today. Once a Freemason, always a Freemason.

Éditions La Dondaine, Medium.com, 2024

Baroque Music,  *  Fraud,  *  Newborn Infant,  * ópera,  *  Rigged

[leblogdemarinaetjeanmarie]

MARDI 27 JUIN 2023 (Billet 1 / 3)

« IL BOEMO » (2h 22min)

Un film de Petr Vaclav, avec Vojtëch Dyk, Barbara Ronchi, Elena Radonicich…

« L'ombre encombrante d'« Amadeus » plane au-dessus d'« Il Boemo », du réalisateur tchèque Petr Václav, mais il serait vain de comparer les deux œuvres, celle de Milos Forman restant inégalable. Le premier mérite d'« Il Boemo » est de faire découvrir au plus grand nombre la vie et surtout les opéras composés par Josef Mysliveček, dans la deuxième partie du XVIIIe siècle et acclamés à l'époque dans toute l'Italie, avant un oubli qui a perduré jusqu'à aujourd'hui (encore récemment, seuls trois des opéras de ce compositeur prolifique avaient été enregistrés). Film le plus ambitieux de la carrière de son réalisateur, le long-métrage chemine au gré des commandes de Mysliveček, aux 4 coins de l'Italie, exclusivement, ce qui nous vaut de splendides interprétations et de magnifiques décors et costumes sur scène. Disposant de moyens importants, le film s'impose aussi par sa peinture des mœurs de l'époque (vénitiennes et napolitaines, notamment), et dresse en outre le portrait d'un séducteur patenté et celui de femmes étonnantes : fortes, impétueuses, caractérielles, soumises, romantiques ou charnelles. S'il reste dans le registre d'un cinéma très classique, à la narration claire et passionnante (voir la rencontre avec le jeune Mozart, admirateur du maestro), il n'y a nul académisme dans ce film réalisé avec un goût très sûr et fait pour plaire aussi bien aux férus de musique qu'aux amateurs de biopics enlevés, malgré sa durée de 140 minutes, qui ne semble pas excessive, eu égard à la (courte) vie bien remplie de cet enfant de Bohème. »

Cet avis d’un spectateur trouvé sur le site « Allo Ciné » reflète tout à fait ce que nous avons pensé de ce très beau film. Une seule condition pour l’apprécier, il faut aimer la musique baroque et l’opéra de cette époque. Si c’est le cas, malgré les 2 heures 22 minutes de projection, vous n’allez pas vous ennuyer une seconde. Mention spéciale pour les parties chantées qui sont remarquablement filmées, magnifiquement interprétées et la prise de son est sublime…

Marina lui a donné ❤️❤️❤️,5 et JM, ❤️❤️❤️,8 sur 5.

Ci-dessous, les critiques publiées sur "Allo Ciné" :

[sunset-supergirl]

Happy birthday Josef Mysliveček

[lesser-known-composers]

Josef Mysliveček (1737-1781) - Adamo ed Eva, Part II: Aria. Amare lagrime · ·

Valerio Contaldo

Peter Van Heyghen · Il Gardellino ·

[la-nero-maestro]

Cello Concerto In C Major: III. Tempo Di Menuetto

By Composer Josef Mysliveček

Performed By Conductor Oldřich Vlček and Virtuosi di Praga

[gasparodasalo]

Josef Mysliveček (1737-81) - Concerto for Violin and Orchestra in E-Major, III. Presto. Performed by Leila Schayegh, violin, and Václav Luks/Collegium 1704 on period instruments.

[detournementsmineurs]

Barbara Ronchi dans “Il Boemo” biopic de Petr Václav - sur la vie du compositeur Josef Mysliveček (1737-1781) - juin 2023.

[tomorrowedblog]

First look at The Bohemian

A new trailer has been released for The Bohemian, which is set to release July 30, 2024.

In 18th century Italy, aspiring opera composer Josef Mysliveček dreams of becoming a musician. His ambitions lead him to embark on a journey, exploring the world of opera to fulfill his destiny. Against all odds, he makes his mark in sophisticated Venice society as “Il Boemo,” his talent and charm winning over socialites, impresarios, and performers – in addition to the many women captivated by his appeal. Embracing a hedonistic lifestyle within the “pleasure capital” of Europe, Mysliveček enjoys a multitude of sexual relationships while pouring his heart into his music.

The Bohemian follows Mysliveček’s most prolific decades, composing numerous works in the genre of Italian opera seria as well as influencing and befriending Mozart — though their relationship is tested when a life-changing commission comes between them.

[masayoshi-kawaharablr]

Josef Mysliveček - Sonata No. 2 in D major (2º Mov., Andante)