#Jonathon groff imagines

[spookomooko]

I can only imagine Clavicus Vile as having the voice of Hamilton King George III (Jonathon Groff) and I don't know why

[hamiltonimagines]

Frolicking in the Park

Pairing: Jonathon x Reader (platonic)

Request: “omg could you do like a platonic one with Jonathan Groff 🥺 like where they're just friends and go mess around in a park or something teeheehee” - @trost-town

Word Count: 1k

“Jonathon, over here” I called out. Jonathon was my best friend and we had arranged to meet up at the park today. He heard my voice and looked over in my direction.

His eyes lit up when he saw me. He ran over towards me. When he got to me, he picked me up and spun me me in a circle. “Y/N, how is my best friend?” He asked me. “I’m doing good, now put me down. You’re gonna drop me” I whined.

“I’m offended, I would never drop you” he said, pretending to scoff. “Oh shush, you big dork” I said, rolling my eyes.

“So what first?” Jonathon asked me. “Well I saw an ice cream cart, when I got here” I suggested. “Ooooo I love ice cream, let’s go” Jonathon said, grabbed my hand.

“You’re walking too slow, come on. I need ice cream” I said, pulling him behind me. “How are you so fast?” Jonathon asked me, giggling. “Because I’m hungry, now hush and keep up” I said.

We walked up to the ice cream cart and we both ordered our ice cream.

“I don’t know how you can think that chocolate is the best flavor, mint chocolate chip is by far superior” I told Jonathon. “You’re crazy, mint is glorified toothpaste. You may be my best friend, but your choice in ice cream is sub par” Jonathon told me.

“Let me try yours, maybe I’ll change my mind” I told Jonathon, smirking. He handed me his cone of ice cream. I pretended like I was going to try his ice cream. Then, I smeared some of his ice cream on his nose.

His jaw dropped. “You are a cruel cruel woman” he said, wiping the ice cream off his nose. “That’s what you get for bashing my mint chocolate chip” I said, giggling.

“Alright, let’s finish our ice cream. And you are going to stay far far away from my ice cream” Jonathon warned, as we sat down on a park bench.

We finished our ice cream and then started to walk around the park. “Ooo look, there are some swings” Jonathon said, excitedly. “Way over there? That’s so far away” I complained.

“Get on my back” Jonathon suggested. “Come on Jonathon, we're not kids” I protested. “Who’s gonna stop us?” He asked me. “Well, I guess” I said, giving up.

Jonathon squatted down. “Are you ready?” I asked him. “Yep, jump on” Jonathon said. I held onto his shoulders and then hopped onto his back. Jonathon swayed a little.

“I swear, if you drop me” I warned him. “You have no faith in me” he said, as he started jogging to the playground that he had seen.

“Alright now how are you going to get down?” Jonathon asked me. “Just squat down, and don’t let me fall” I told him. He bent down and I carefully slid off of his back. “And she sticks the landing” Jonathon said, laughing.

“Come on, let’s go see these swings that you were so excited about” I said, as I walked over to the swings. We both sat down on the swings. I pulled myself back and started swinging.

“Wait, how are you going so high?” Jonathon asked me. “What do you mean? You just move your legs” I explained to him. “I can’t do it. Mommmm I need help” he said, pretending to whine like a kid.

“Okay fine” I said, stopping my swing. I walked behind Jonathon and pushed him back and forth. Finally, he was swinging pretty high.

I walked around to the front so that I was facing him. I took out my phone and started to record a quick video. I had planned to put it on an Instagram story with the caption: “Teaching Jonathon how to swing”

I was filming this little video, when I got too close to Jonathon and he fully kicked me when he swung forward. It was a kick right to the stomach. I got knocked straight back on my back. “Ow” I winced, as I laid on the ground.

“Wait, are you okay? I’m so sorry” Jonathon asked, quickly trying to stop his swing. I leaned up on my arms and got up to a sitting position. Jonathon stopped his swing and ran over to me.

“Are you okay?” He asked me, kneeling next to me. “Yeah I’m fine, I feel like I just got drop kicked in the stomach though” I said, giggling. “Well let me tell you, that little fall wasn’t what you would call graceful” Jonathon said, teasing me. “Well, if you hadn’t kicked out my guts, we wouldn’t be having this issue right now” I remarked, laughing.

“Okay fair enough” Jonathon said, giving me a hand and helping me stand up. “So we’ve got ice cream, ridden the swings, and tried kickboxing. What else is there to do?” I asked Jonathon. “Well for your safety, I think we should call it a day. Or we could go back to your apartment and get some takeout and watch a movie” Jonathon suggested.

“Takeout sounds like a great idea. So I’ll meet you at my place?” I asked. “Yeah, I’ll walk you to your car though. If you were to get mugged, you wouldn’t be able to fight them off since you’re injured” Jonathon said, still teasing me.

“You don’t think I could take some muggers?” I asked, as we started walking towards my car. “Not in your fragile state” Jonathon said, laughing. “Well, I bet I could take you right now” I joked. “Didn’t you see what happened back there? I almost knocked you out” he said, still laughing to himself.

“Not fair, you could of at least warned me or tried not to kick me” I told him. “I figured you would move, I was flying towards your head” Jonathon said, laughing uncontrollably.

Finally, we got to my car and then Jonathon gave me a hug. “So I’ll see you at your place?” He asked me. “Yup, I’ll be there. See you soon” I told him, as he walked away.

taglist: @someinsanefangirl @outcasted-aloy @geekycatlover @fanfic-addict-98 @romanoffs-heart @multifandomwriterx @andreasworlsboring101 @criminallyhamilton @imatyoursurrvicesurr @irlydontknoanymore @sayweird99 @nyxie75 @elizard-hamilton @twix-baby @trost-town @notebookgirl30 @teenag1jealousy @royalreadery @elizasfaith @kmsmedine @brunadesuu @grandpa-agustd @athenawinchesterx @labellapeaky @rthoney @nerd-88 @theatrenerd86 @riiyy @ahhahahhh @sleepylunarwolf @khaylaloves @kissthehomiesgoodnight @alexander-hamilhoe @hj-creates @thomasjeffersonisntcominghome @kileynoelle852

Let me know if you want to be added to my taglist for all my imagines!!

[kingjasnah]

obviously i understand why they cast galadriel and elrond but something about it is like. i think im just sensitive to casting hugo weaving roles rn because of the matrix but i am a little 😶 that the elrond costuming and styling makes him look like a dude from my stats class

[itisthefuturethattheybring]

Here are some that remind me of (some of) les Amis de L’ABC

Enjolras:

Centuries: fall out boy

The Phoenix: fall out boy

Any other way: we the kings

Gladiator: Zayde Wølf

Run boy run: woodkid

The other side: woodkid

Man on a mission: oh the larceny

Daniel in the den: Bastille

Weight of living pt1: Bastille

Play with fire: Sam Tinnesz

Go to war: nothing more

Go the distance: Samantha Barks (cover)

Forever young: Becky Hill (cover)

Riot: Mikky Ekko

Place for us: Mikky Ekko

Watch me rise: Mikky Ekko

Vienna: Ben Platt (cover)

The cave: Mumford & sons

Hurricane: thirty seconds to Mars

Kings and queens: thirty seconds to mars

This is war: thirty seconds to mars

Marchin on: OneRepublic

Warriors: imagine Dragons

Revolution: the score

Grantaire:

Adore: Dean Lewis

Time to go: Dean Lewis

Icarus: Bastille

Get home: Bastille

Things we lost in the fire (Abbey Road Sessions): Bastille

Of the night: Bastille

Slip away: Mumford & sons

Believe: Mumford & sons

Lover of the light: Mumford & sons

Not with haste: Mumford & sons

Hopeless wonderer: Mumford & sons

When I look at you: Diego Fragnaud (cover)

One of the drunks: panic!at the disco

Golden: Harry Styles

On my own: Shan Ako

100 suns: Thirty seconds to mars

Achilles come down: gang of youths

jean Prouvaire:

Wings: birdy

The district sleeps alone tonight: birdy

Come alive: greatest showman

A million dreams: the greatest showman

Poet: Bastille

The silence: Bastille

Laura Palmer: Bastille

Flowers: Hadestown (Eva Noblezada)

If I die young: Sam Tsui (cover)

One song glory: Aaron Tveit (cover)

So will I: Ben Platt

Soldier on: The temper trap

Young Volcanoes: fall out boy

After the storm: Mumford & sons

Courfeyrac:

Talk too much: Coin

Share your address: Ben Platt

I’m born to run: American authors

Ready to run; one direction

Life in colour: OneRepublic

High hopes: panic!at the disco

Crazy=genius: panic!at the disco

Say amen (Saturday night): panic!at the disco

Roaring 20’s: panic!at the disco

House of memories: panic!at the disco

Immortals: Fall our boy

Guiding light: Mumford & sons

I will wait: Mumford & sons

This side of paradise: coyote theory

Smile: Mikky Ekko

Glory and gore: Lorde

A sky full of stars: Coldplay

Work song: Hozier

Little league: Conan Gray

Where you’ll be: Clockmaker’s Daughter (Fra fee & Christine Allado)

Could have been me: the struts

Everybody wants to rule the world: Lorde

Combeferre:

Death and all his friends: Coldplay

Yellow: Coldplay

The scientist: Coldplay

All that’s known: Jonathon Groff

Can’t go back: the weepies

To love like this again: Andrew Austin

Nine in the afternoon: panic!at the disco

The end of all things: panic!at the disco

Lethargy: Bastille

We fight: Dashboard Confessionals

Seize the day: Newsies

Marius:

I lived: OneRepublic

Empty chairs at empty chairs: Rob Houchen

A heart full of love: Lily Kerhoas, Rob Houchen, Shan Ako

These streets: Bastille

Weight of living ptII: Bastille

Poet: Bastille

Pompeii: Bastille

Even the darkness has arms: the barr brothers

To build a wall: Will Varley

Sign of the times: Harry Styles

IDK you yet: Alexander 23

Come what may: moulin rouge (Aaron Tveit and Karen Olivo)

42: Coldplay

Champion: fall out boy

Éponine:

This is gospel: panic!at the disco

Impossible year: panic!at the disco

When you were young: the killers

This is your life: the killers

Irresistible: fall out boy

Born to die: Lana del Ray

White blank page: Mumford & sons

Say something: a great big world & Christina Aguilera

Someone like you: Lucy Thomas (cover)

The letter: Andrew Osenga

Eponine: penny & sparrow

I’m not that girl: wicked (Idina Menzel)

Oblivion: Bastille

Hopelessly devoted to you: Grease live! (Julianne Hough)

On my own: Shan Ako

A little fall of rain: Shan Ako & Rob Houchen

Heather: Conan Gray

Feuilly:

Carrying the banner: Newsies

Once and for all: Newsies

7 years: Lukas Graham

Weight of living ptII: Bastille

Get home: Bastille

Sleepsong: Bastille

The boxer (ft Mumford & sons): Jerry Douglas

Below my feet: Mumford & sons

Train wreck: James Arthur

King of the clouds: Panic!at the disco

Mercenary: panic!at the disco

Working man: Imagine Dragons

BONUS:

Enjoltaire:

Flaws: Bastille

Overjoyed: Bastille

Haunt (demo): Bastille

Laughter lines: Bastille

Skulls: Bastille

In case you don’t live forever: Ben Platt

Little lion man: Mumford & sons

After the storm: Mumford & sons

Hopeless wanderer: Mumford & sons

42: Mumford & sons

Awake my soul: Mumford & sons

All I ask: Adele

Far too young to die: panic!at the disco

Secrets: OneRepublic

Don’t give up on me: Andy Grammer

The other side: Conan Gray

Dangerous night: thirty seconds to Mars

Mourning doves: Mikky Ekko

[mimeowheel]

Hamilton by Thomas Kail (2020)

2/5

The latest piece of american hagiography, Hamilton, is by turns impressive, boring, corny, inspiring and irritating -- which is pretty par for the course when it comes to american block buster musicals. Its induction into the Disney halls gives it a different historical position. It is a piece now of Disney’s official american history, beside Spielberg, Steamboat Willie and The Simpsons, and it will be the first place many children encounter the story of how america was fought for, founded and built. As such we see a country that is “young, scrappy and hungry”, “where an immigrant can make their mark”. I am torn on this. At best, it transforms the perception of the country, showing black and hispanic leaders at its very conception, therefore planting the seeds of a nation beyond racism in the young viewers it captures. But it is dubious whether it is creating a future with further possibility and potential for immigrants or continuing a tradition of glorifying america’s past of storied brutality. The very neighbourhoods that birthed the forms Hamilton borrows are still suffering so tragically from this history. 

Many of the songs are infectious and now and again even powerful. Lin-Manuel Miranda’s performance as Alexander Hamilton is almost excellent, faltering only when it comes to tackle the huge grief of losing a son, where he leans into forced sobs, which might have worked from the balcony but to a camera up close they read as tried and shallow. Leslie Odom Jr. brings the house down with his tour de force performance as Aaron Burr, he faced the darknesses and emptinesses of that character at its very root and gives us energy, subtlety and dynamic nonstop -- which is valuable: he is an excellent candidate for narrator of the story, being quite representative of many people in powerful positions across the american government. The relationship between the two is well developed and far and away the best. Next to the two of them most other characters are caricatures and prototypes. Jonathon Groff is the other absolute highlight, his turn as King George is gripping and he makes the most of every minute on stage while managing to look relaxed and in complete command. Lastly the ensemble deserves a mention, their work carries the whole musical and functions as the engine (just like america). 

I can’t help but feel Hamilton’s tenacity and dogged pursuit of his ideals. A character like this is always exhilarating to encounter in art and spurs the same nobility in the spirits of its viewers. I was reminded of China’s recent version of historical iconography: The Leader, an anime about Karl Marx. And this brings me to the sorest point I can’t help but get stuck on as I watch it. Ultimately, The Leader works as a piece of art for everybody and is delivered in a spirit of internationality and universality. Hamilton, on the other hand, is as nationalist as they come, it is a major celebration of america and in the end the actual politics aren’t as exciting as the melodies. 

A last couple notes I’d like to get off my chest:

1. I’m tired of New York telling itself it’s the best city in the world and that there’s a revolution happening in Manhattan. Neither are true. 

2. The dismissal of the French Revolution in it is as disgraceful now as america’s was then. 

3. Just imagine if the first half was Alexander Hamilton’s life and the second half was Eliza Hamilton’s after he died and it was still called Hamilton...

4. The erasure of indigenous peoples from american history is so pervasive we don’t blink when they don’t appear here -- not surprising either: most native american groups knew an independent america would be much more disastrous than british colonialism for them (which it was), and fought against it. Though there are cursory nods to slavery, this history is ignored altogether. No performers are represented and no mention is made. 

[vivi-tran]

Problematic Disclaimers

I am incredibly biased towards David Fincher’s work, and that in itself comes with a few other more specific disclaimers we’ll get into later on in this review.

This is a largely historical piece, taking place during the 1970s-80s. If you’re looking for groundbreaking representation for POC/LGBT+/female characters, you may be disappointed.

This show famously deals with the analyses of behavioral science, specifically in dealing with serial killers. This kind of subject matter can be tricky: it’s one thing to be intellectually fascinated by the psychological aspects of these cases, and another thing entirely to sympathize or rationalize these murderers. Mindhunter, of course, makes this type of tightrope act the centerpiece of their story. However, real life serial killers are depicted and dramatized in the show. This could ultimately play into the kind of dangerous romanticizations the show attempts to subvert.

I encourage audiences who correctly assess the character of Holden (Jonathon Groff) as a pretentious shithead to watch till the end.

You could probably make the argument that this series is riddled with ableism. Given, again, the historical background of these analyses, however, mental illness is not something assumed to be well understood in this context. But how we should approach mental illness in storytelling such as this is not my area of expertise, and I am open to anyone bridging that gap for me if I’m being too tone deaf in that respect.

Trigger Warnings

The only instance of gore that you see actually happen in real time is in the first scene of the first episode.

This show is about researching serial killers. There is blunt and often irreverent discussion about murder, gore, torture, masturbation, incest, pedophilia, and sexual violence. 

Even protagonists who are regarded as the “good guys” in this show are expected to put on a front in order to coax information out of their serial killer interviewees. Lewd, inappropriate, and disrespectful language is used in these contexts.

Some nudity and sex scenes. 

Drawings and photography of violent images from serial killers’ case files are shown.

Final Verdict: I loved this show.

As to be expected with a story of this subject matter, there’s a lot of ground to cover with disclaimers and triggers. This is exactly the kind of taboo audiences love to indulge in at a distance, telling each other that it’s the psychology of examining a serial murderer that makes these sorts of films and shows so exciting. But these dark and horrendous accounts, interesting as they may be to so many viewers, have to come with a certain amount of responsibility.

This is something I realized with a cold flush while in vacation in Los Angeles, perusing the Museum of Death. I examined a series of figurines modeled after a number of real life serial killers such as Charles Manson and John Wayne Gacy. I tried to imagine what kind of mindset drives a person to buy these kinds of collectibles, much less manufacture them for purchase. 

Putting such a far distance from these murderers and placing our attractions in the same realm as a hobby takes away from the true horror of what these criminals have done. There’s a line between wanting to learn more and becoming part of a subculture that turns monsters into celebrities. 

Luckily for us, that is exactly what Mindhunter addresses.

The story begins with bright-eyed bushy-tailed young FBI agent, Holden Ford. Ford, initially specializing in hostage negotiation, is discouraged by a recent failed case. Behavioral science calls to him, and in pursuing this trade he joins forces with FBI agent Bill Tench (Holt McCallany) and psychologist Wendy Carr (Anna Torv). Together they pioneer a new wave of behavioral science methods in order to better understand the way these murderers think, and, ideally, find them before they can take any more victims.

As I said before, engrossment in this field of study is, as I have come to recognize it, not uncommon. The rise of a show like Criminal Minds, a prime time television series dedicated to the analysis and capture of fictional serial killers, is a strong indication of this. Most of us would find it difficult to wrap our heads around the idea of somebody with such perverse and twisted desires to be as mundane as you or me. We form this distance maybe to avoid the other side of this obsession that the living can afford: that it could have been us. Because it is far easier to gawk at a monstrous form of evil, than to imagine ourselves as their victim.

Mindhunter attacks this line of thinking at its origins and its source. Based on a book by the same name that details the true events of real FBI investigations, the show uses fictional stand-ins to perhaps convey more dramatic representation of these ideas. But I haven’t read the book, so this is just speculation. 

I mentioned in the disclaimers that our supposed hero of this tale, Holden Ford, explicitly presents himself as an utter jackass. Nothing drives the point home harder than Ford’s development which sees his confident rise and his perplexing downfall. Like many rookies in your stereotypical crime story, Ford wants results. He wants to make a difference, and he wants to see the fruits of his efforts now. He thinks that by acting on instinct and asserting himself, he can change everything around him to his favor. This kind of brazen naivety is nothing new and also not inherently wrong. It’s Ford’s intentions, however, that complicate things.

“Why are you here, Holden?” “I don’t know.”

What starts out as a justified practice meant to stop serial killers in their tracks becomes a battle of the minds where Holden Ford manages to put himself on top time and time again. And yet, even after outmaneuvering and coercing valuable information out of several different murderers, Ford’s life crumbles around him. His long-term girlfriend leaves him, he is formally reprimanded by his superiors for his actions, he confronts the consequences to his impulsiveness, and a tell-tale press release puts an almost complete halt to his investigations. 

The first season ends as Holden Ford hits rock bottom. We realize, seeing him fall this far from grace, that by jumping through all these intellectual hoops in order to get the information he so desperately craves, Ford has played right into the hands of some of the most notorious serial killers in history. He’s in too deep. In his hubris, he placed himself so far above these murderers in his own mind because he believes what he is doing is for the sake of justice, that he actually sunk down to their level.

It probably isn’t too difficult to see this progression throughout the first season. We, as the audience, start out rooting for Ford. Yes! We should study these serial killers and put clearer terms to their behavior in order to catch these criminals early on in the game. Horrid as their crimes are, they are actual human beings and as such we need to understand what went wrong as well as when and where. And then Ford’s behavior becomes deplorable, cringey both in and out of interviews. The show poses the question: is it worth it to stoop so low so as to gather this information?

And in reverberating response, the show also answers in the same breath: no.

In some instances, we are drawn to resent characters like Tench and Carr when their bureaucracy stands in the way of Ford’s justice. But, ultimately, Ford becomes unhinged as he learns that by trying to locomotive his way into success, he has shrunk that distance I had previously stressed and learns he has never been fully in control. 

The moral comes effortlessly enough. And while he isn’t the sole director or writer for Mindhunter, we see this kind of thing a lot in David Fincher’s work: well-intentioned men being crushed by a weight they did not take the time to fully grasp in scope, all under the guise of something thrilling and grisly. Fincher’s most famous work, Fight Club, is perhaps one of the most widely misinterpreted pieces of film in cinematic history thanks to every knee-jerk reaction-having male who came out of those theaters wanting to start their own fight club or project mayhem. Fincher himself has advised his own daughter from associating with young men who romanticize the movie. Fincher takes on these topics all the time. I’m having trouble finding the interview that cites this, and I’ll update this post if I find it, but there has been a point in his career where Fincher has been accused of producing torture porn. But this brings me to the meat of what I love about this series.

Mindhunter is told masterfully. The most disturbing and action-packed part of the show is at the very beginning of the first episode when Holden Ford is trying to talk down a man at the forefront of a hostage situation. But, even then, the way the situation is presented is crude and somewhat sad - you immediately understand there is an inherent problem with how criminals with complex mental faculties are treated and handled from this opening scene. After that? The most unnerving images are shown in photographs and drawings, but never played out for the audience. In fact, when was the last time you saw Fincher play out half the gore he alludes to in his films aside from Fight Club? And thus we can be certain this show was not made for the serial killers, but for us. This is a cautionary tale. There’s no reason to show the whole terrible ordeal - just the effects.

At no point did I feel this series was dragging on either. You forget that what you’re watching is mostly comprised of dialogue. There’s no compulsion to show exploitive material. The characters and their responses compel the story forward. You don’t need a SWAT team to break down an unsub’s door and catch the perpetrator mid-dynamic-action. You’re already amongst some of the most ruthless real-life villains in our country’s history. Anything more than that would be jarring. This is not a show for the serial killers. This is a show for how we react to such a tragic brand of evil, or how we should react. It needs to be said because it’s important that we tell the difference.

In the disclaimers, I also mentioned there being little to no ample representation for POC/LGBT+/female characters. While I don’t necessarily retract that statement, I do need to point out that we are given two supporting female characters in the series who play a significant role in both the story and Holden Ford’s life. The first we see is Debbie (Hannah Gross), Ford’s long term girlfriend. Debbie is a smart, independent woman who is able to banter intellectually with Ford and initially finds his thirst for knowledge to be charming. Gross does a wonderful job with this character, but I felt she wasn’t fully done the justice she deserved, especially when she abruptly displayed disloyalty that was never actually addressed in one of the episodes. Had it not been for this scene, it wouldn’t be as obvious that she was probably just a placeholder made to show all the aspects in which Ford’s life was falling apart. 

More prominent than Debbie is Wendy Carr, a well-established psychologist as well as a lesbian. Carr is perhaps the better-written of the two female figures, being decisively driven by her own moral compass and toting the kind of calculating patience that Ford could have afforded to learn from. Torv plays the kind of character we never question, that we trust, that we know is making the most diplomatic calls possible. And even here, I am left wanting more out of her story, out of where she found herself towards the end of the first season other than just a ghost of Ford’s consequences.

Maybe it is for personal reasons that I felt the need to praise this show for distinguishing the difference between feeding a killer’s ego and not losing sight of what is truly important under these investigations. Maybe I am just a fanatic for whatever Fincher touches. And to be sure, it certainly does have his trademark cinematic touch - from seamless and compelling editing to the intense portraits of its characters. But, in any case, this show far exceeded my expectations in its mindful storytelling and is an important piece in a society obsessed with the grotesque.

[naomikim-studies]

Music Tag!

I was tagged by @ainstudiess thanks!

Rules: Put your music library on shuffle. List the first ten songs that come up, then tag ten people

1. You’ll Be Back- Jonathon Groff, Original Broadway Cast of Hamilton

2. Colors- Halsey

3. Believer- Imagine Dragons

4. Viva la Vida- Coldplay

5. This Ain’t A Scene, It’s An Arms Race- Fall Out Boy

6. R.I.P 2 My Youth- The Neighbourhood

7. Miss Nothing- The Pretty Reckless

8. Teen Idle- Marina and the Diamonds

9. House of Memories- Panic! At The Disco

10. Heavydirtysoul- Twenty One Pilots

Sorry if you’ve already done it! I tag (only doing 5): @autistic-academic @alessia-in-the-coffeeland @sprouht-studies @philomathstudies @gaystudies

[xtcssa]

QETSIYAH DOES A TASK  // TASK 003: THE PLAYLIST

control   -   halsey

             “   god damn right, you should be scared of me. ”

wreak havoc   -   skylar grey

         “  the only reason that I’m here Is to wreak havoc.  ”

         “  and if love is real, maybe I’m just too bad to remember how good it feels. ”

you’ll be back   -   jonathon groff (the hamilton soundtrack)

             “   i will kill your friends and family to remind you of my love .  ”

i’m gonna show you crazy  -   bebe rexha

            “   there's a war inside my head, sometimes i wish that i was dead, i'm broken   ”

           “   just 'cause you say i'm crazy, so what if i'm fucking crazy? yeah, i'm gonna show you   ”

sucker for pain   -   imagine dragons, wiz khalifa, lil wayne, x ambassadors, ty dolla $ign & logic

           “   i torture you, take my hand through the flames  ”

seven devils   -   florence + the machine

          “  holy water cannot help you now. see i’ve come to burn your kingdom down.  ”

bad girls   -   m.i.a.

         “ live fast, die young, bad girls do it well.  ”

do re mi   -   blackbear

        “ do, re, mi, fa, so fuckin' done with you . ”

battle scars   -   lupe fiasco

       “ these battle scars, don’t look like they’re fading, don’t look like they’re ever going away.  ”

way down we go   -   kaleo

      “ oh father tell me, do we get what we deserve? oh we get what we deserve.  ”

[i-need-a-brain]

Thanks for the tag @coochie-clencher

Thunder- Imagine Dragons

The River Of Dreams- Billy Joel

Everybody Loves You Now- Billy Joel

West End Kids- New Politics

Livin On A Prayer- Bon Jovi

He's A Pirate- Trio Amadeus

Drive- Incubus

Over The Creek- George Ezra

A Winters Ball- Hamilton Cast

I Know Him- Jonathon Groff (Hamilton)

I choose to tag these wonderful people: @thestrawberryartist @jins-left-shoulder92 @burningqueentimemachine @russianpony69 @spookyscaryskellyman @sai-z @lilbeitch @nico998 @error-101111 @imherefortomhiddleston @themilkmangoose @spockshank-redemption and everyone else who wants to try and thinks they're a wonderful person

I love these but I wanted a music one so ima make one

Tag game

I guess idk

Ok go to your favorite playlist hit shuffle and list off the first 10 songs that play. Personally I just put shuffle on my entire downloaded songs.

1. Run to the sun by n.e.r.d

2. 911/mr. Lonely by Tyler the creator

3. Brainless by eminem

4. Slo-mo-tion by marylin Manson

5. Is this love by bob Marley

6. Bound by ponderosa twins plus one

7. Justlikemypiss by ski mask the slump god

8. Speed by kali uchis

9. Numb by portishead

10. Como la flor by Selena

@coolgirl10 @i-need-a-brain @the-weird @jins-left-shoulder92 @gingershot @ydalrenots @stevybruh213 @cravenash @crackygsizzlemebitch @cantcatchmeee @fish-eyed-idiot

[padmeskywalkers]

tagged by @sarghengsey  thanks babe <3

rules: you can tell a lot about a person by the music they listen to. put your music on shuffle & list the first ten songs & then tag ten people.

drive // halsey

girls like girls // hayley kiyoko

burn // philippa soo

across the stars // attack of the clones soundtrack

bohemian rhapsody // queen

renegades // x ambassadors

i know him // jonathon groff

yoda’s theme // empire strikes back soundtrack

my dear frodo // hobbit soundtrack

radioactive // imagine dragons

tagging: @cassianansdor @aprodhities @larvati @nolivingdudeami @boggarts @more-than-useless !!

[gleefail]

Glee Memories: 1x14 Hell-O

A long, long time ago, as Glee was approaching graduation in Season 3, I found myself nostalgic with some rare free time on my hands. So I decided to rewatch the series from the beginning and jot down some memories, discrepancies that have arisen since, fave quotes, tally solos - all that good stuff, strictly for shits and giggles.

8 years later (eek!) and once more I find myself with an unexpected abundance of free time. With so many revisiting or being newly introduced to the show between binge watching during Quarantine and all the tragedy that has surrounded the show since it went off the air, I figured I’d finish what I started. And by finish, I mean go through the end of S3. Cause I truly cannot acknowledge what happened after that. Except for 5B.

Kicking this off by reposting the first 15 episodes I already went through. Enjoy!

1x14 Hell-O Let the record show: the “So here’s what you missed on Glee” guy is now the guy we have come to know and love (Ian Brennan, right?)

“We’re glitterati. I feel like Lady Gaga.”

Add Mercedes to the list of Glee clubbers who’ve been slushied!! So it’s Rachel, Finn, Quinn, Kurt, Puck, Mr. Schue, and Mercedes. Leaving…Santana, Britany (has she EVER been slushied?), Artie, Matt and Mike. Right?

Will: Now you’re saying we have to place at Regionals or the Glee club’s gone? Me: That’s what he said in the first place!! What is going on?! Figgins; Schue, that was the deal from the beginning. Me: *satisfied* Hooray for continuity!

“Those spotlights in the auditorium don’t run on dreams.”

Sue’s back!

haha. Sue blowing on Figgins’ ear ‘romantically’

“Would’ve gotten you one, Will, but…I don’t like you.”

So…Finn sucks at basketball and is depressed.

Yeah, Puck just told Quinn he’s not break ing up with her but she needs to stop supersizing cause he doesn’t dig on fat chicks. A couple things: 1. Last episode didn’t she turn him down saying she was doing this on her own? In the words of my one true love Trouty Mouth, “that’s what I thought.” 2. Puck doesn’t dig on ‘fat chicks’? #oops Glee.

“I’m pregnant!” “And that’s MY fault?” …Puck might be as simple-minded as Finn.

So Finn and Rachel are dating now. When did that start? Who decided that? Might’ve been nice to see…

Oh yeah. Sue drugged Figgins and blackmailed him to get reinstated. Damn, I miss when this show had balls to do stuff like this and not apologize for laughing hysterically at it.

Damn, Figgins is hairy as hell.

“What do you guys say when you answer the phone?” “Waddup?” “Who dis be?” “No, she’s dead. This is her son.” HA!

Did Alexander Graham Bell really answer his phone “Ahoy ahoy!”? Can I start answering my phone like that? I CAN AND I WILL!

haha. Rachel wears training bras.

“Only this time I can just lean over and kiss you if I want to…and I want to.” Still makes my ovaries tingle. Lalalerr.

“We were seduced by the glitz and glamour of showbiz”

I’ve just pinpointed my problem (if you can call it that) with the Will/Finn relationship: I feel like we never really saw it start. It just doesn’t sit right with me. It’s always felt forced and like “look at how close and father/son they are” but…when did that start or develop into that so we could fall in love with it along the way? Answer: it didn’t. They just started saying it was already to that point rather than showing us how they got there, if that makes sense. Compare that to the Sue/Becky relationship and how we’ve watched it progress and how invested I am in that and there’s a clear difference. I wonder why they did this this way. And how much more I might care if they hadn’t. Hmm.

“Oh you mean like, meeting other girls? Cause I think I’m dating Rachel. At least she sure thinks I am.” #BlessFinnsHeart Also, why does Glee leave this unclear? :(

Mr. Schue just told Finn he wants him to sing. Finn’s response “so that’s why the band’s here” and a dopey grin. #BlessFinnsHeart

Ok. I’ve never been the biggest fan of Finn. I think he’s funny when they let him be humorous. But he’s never been my dreamboat on this show. HOWEVER…Finn in pursuit of a lady is Finn at his hottest in my opinion. I pay attention when that’s happening, lol.

Apparantly Kurt agrees. He is like a cat in heat over there. Lordy!

Aw, Brittana walk with linked pinkies. Forgot about that being their thing. I love that Quinn sees that and immediately knows they’re up to something, lol.

So…Finn thinks he’s dating Rachel…and agrees to go on a threesome date with Brittana…and when Rachel kinda catches him, he lies. Oh boy. Why did they make this unhealthy from the start if we were supposed to be rooting for this as the power couple on the show?

Rachel’s speech to Finn when he says he doesn’t wanna be her boyfriend is effing spot on.

God. I’ve been in Rachel’s position where her andFinn just ended things and he’s immediately flirting very openly with other girls right in front of her like he could give a shit. I feel your pain, girl.

Aw. Puck and Quinn are being supercute during this song.

“I’m sorry. I was just focusing on the first syllable.”

“Your rendition of Don’t Rain On My Parade was flawed. You totally lack Barbara’s emotional depth.” PREACH!

Haha. Jesse reads celebrity biographies for lifestyle tips.

I love Jonathon Groff on this show. LOVED him in Spring Awakening and was so stoked to hear he’d be on this show. I gotta say, his chemistry with Lea Michele is flawless.

Haha. Confession: I love Lionel Ritchie. And this song makes me giggle cause of the video he did for it.Heeee!

Aw. Finn was a dipshit and dumped her and now the star of Vocal Adrenaline, who is just as crazy driven as she is, asked her out. Even rewatching it I’m happy for Rachel Berry.

“There was a mouse in mine.”

I love Brittana talking about the hottest guys in school right in front of Finn like he’s not even there.

Is it just me, or is it gross that they put a lemon slice on your spaghetti at Breadstix? Yuck.

“You buy us dinner, and we make out in front of you.” Oh Brittana. :)

“Those sweaters make her look homeschooled.”

“Don’t make fun of Rachel. She’s kinda cool….” “Finn. That’s mean.”

“Did you know that dolphins are just gay sharks?”

Ugh. I still hate this Wemma scene to Hello Again. So boring.

“I dunno why but…I’ve always had a soft spot for this song” Oh ouch. Knowing now why…ouch.

Emma’s a virgin. I remember thinking “well damn. This’ll drag out forever…”

What. The hell. Is that picture Rachel has in her locker of Jesse? It looks like she drew it herself in crayon. Omg. How’d I never notice that before. Ha!

Ok, WORST way to get a girl back EVER: repeat Finn’s words to Rachel right now. “I realized I don’t wanna date other girls. Only you. You do talk too much and usually you just talk about yourself but…at least I don’t feel alone when I’m with you.” – EFF YOU, FINN! Also, remember when Mr. Schue told Rachel she’d find a boy whose favorite parts about Rachel would be the bad stuff? Yeah, so far that’s not Finn.

Atta girl, Rachel!

I’m sorry, but it’s douchey that Finn ran to Mr. Schue to tattle on Rachel dating the competition. Like…so what? My God. My students date kids in other showchoirs all the time. In real life, kids make great friendships with kids in other choirs. …but it’s Glee.

“I didn’t wear a bra and I had them turn on the air-conditioning.”

“I am engorged with venom and triumph.”

Vocal Adrenaline are inhumanly good dancers. My. God.

Yaaaaay, Idina Menzel!

“You wanna look so talented it’s literally hurting you. I want a look so optimistic it could cure Cancer.”

Will is concerned with the ‘fraternizing with the enemy’ aspect of the Rachel/Jesse relationship. Oh my God. Get over yourself or you’re in for a lot of trouble over the years,Will. How can he do this and then preach that he wants to blur the lines between Football/Cheerios and Glee Club? Double-standard hypocrite. I’m annoyed with him.

And now Will and Shelby are makin’ out. While he’s still pursuing Emma. Oh boy. You jerk. Also, as hot as Matthew Morrison is, I still watch this and think this couldn’t be fun for Idina. Cause she’s married to Taye Diggs and I imagine nothing compares to the kisses of Chocolate Lovin’ (as I call him).

“Are you gay? Cause most of the showchoir directors I make out with are gay.”

“Cut the butter, Benedict Arnold.”

Okay, I will say, as much as it annoys me, the way Tina, Artie, Kurt and Mercedes are presenting their concerns over Rachel being with Jesse makes perfect sense and kinda won me over. They’re only asking her to hold off until after Regionals so they don’t risk a repeat of what happened at Sectionals. Mercedes said they’re all happy that she’s happy but they’re worried he might be playing her. This sounds like genuine concern for her and hesitancy to trust the competition. Very different than the game Schue and Finn are playing.

“Look, we not saying that dude is playing you-“ “He’s playing you.” Kurtcedes love.

It is sad to watch them threaten to quit or kick her out if she doesn’t break up with him and she’s being vulnerable and asking how they could do that to her.

Aw. Poor Rachel. :( Jesse’s so good for her!

“Everyone is replaceable. Even you.” I love that someone (Kurt) said this to Rachel. And meant it. I hate that the show has since forgotten that nugget of truth though.

The McKinley High Old Maids Club.

Another Lauren Zizes sighting! Yay!

This Emma and Terri scene makes me so uncomfortable.

“I carry a rape whistle!”

Rachel is talking crazy and Jesse just laughed at how cute she is and how much more of a drama queen she is than him. Listen, I didn’t LOVE this pairing the first time around, but right now…perfection.

Hello was Terri and Will’s junior prom song. Ouch.

This is very smart and mature that Emma and Will are not pursuing their relationship yet because he needs to be alone for awhile. It made me sad at the time but…it’s ridiculous to think for a second that he doesn’t need a break between divorcing the woman he’s been with since he was 15 and heading into another relationship. Well done, Glee.

Rachel tells Finn to spread the word she ended things with Jesse. He tells her he wants to be with her and that he circled some dates on her ‘crazy calendar’ (eff you, Finn). Um, wtf? She just broke up with someone else that she didn’t want to break up with (well, not really but, as far as Finn is concerned) and he’s assuming she’ll want to get back together with him? Ugh. Douche Finn.

haha, Finn seems extremely confused that Rachel is rejecting HIM for a change. I actually really like this dynamic.

I hate to admit it, but…Finn is super hot in Goodbye/Hello. I’m tellin’ ya, the only dreamboat Finn in my world is a Finn in pursuit of a lady…

SOLOS: Finn (2), Rachel (3), Jesse (2)

[hamiltonimagines]

Are you looking for that perfect Hamilcast imagine?

Wellllll my requests are open!!!

I write any imagines involving cast members of Hamilton. The only imagines that I don’t do are smut.

Just message me or send me an ask! Make sure to tell me which cast member you want and the idea that you have for it!!

[hamiltonimagines]

masterlist

Imagines

Daveed Diggs:

-Fell For You

-Because I Love You

-I Promise

-I Would Never Do That

-You’re Really Pretty

-My Hero

-I Still Love You

-Cutest Couple of the Century

-Couldn’t Help Myself

-Just Wow

-It’s Been a While

-It Was Supposed to be a Secret

-I Chose You

-You Are a Legend

-I’ll Keep You Safe

-Not So Forbidden Love

-Best Partner I Could Ask For

-Thunderstorms and Reunions

Lin-Manuel Miranda:

-He Doesn’t Deserve You

-It’s You

-I Like You, You Idiot

-Stop Pretending

-What Is He Doing

-What Would You Do If I Gave You My Number

-I Can’t Lose You

-Today is Not My Day

-You Think I’m Beautiful

-Brooklyn Beauty

-Exactly What I Needed

-The Next Celebrity Power Couple

-Written in the Stars

-It’s Called Payback Sweetheart

-Everything Will Be Okay

Phillipa Soo:

-I Guess We’re Soulmates

-Inside Jokes

-I Like You a Latte

-Can We Keep Him

-Red Handed

-Modern Day Mulan

-Family, Friends, and Pie

-We’re Going to be Parents

-Hidden Feelings

-You Deserve the World (coming soon)

Jasmine Cephas Jones:

-Mesmerized

-Opposites Attract

-Can You Stop Acting Like Everything is Fine

-Who Would’ve Thought

-Latte Voodoo

-Late Night Celebrations

-Breathe and Look in to My Eyes

-Work Up the Nerve

Anthony Ramos:

-I’ve Missed You

-Inside and Out

-If I Told You I Loved You

-Little Pumpkin

-Fun in the Sun

Okieriete Onaodowan:

-They’re Gonna Love You

-Starstruck

-Mysterious Man in Black

-You’re Cute When You Blush

-This is Our Fight

-Try and Stop Me (coming soon)

Leslie Odom Jr:

-So You’re My Other Half

Jonathon Groff:

-Frolicking in the Park

Series

☆=unfinished ★=completed

Daveed Diggs:

-First Impressions ★

(Part 1) (Part 2) (Part 3) (Part 4) (Part 5)

-Two Best Friends ☆

(Part 1)

Lin-Manuel Miranda:

-Two Best Friends ☆

(Part 1)

Themed Series

Halloween Imagines

~let me know if you want to be added to the taglist for all my imagines~