#Jasmine cephas Jones

[farbexx]

>3<

[emilywaters]

Who lives - Eliza and Swan

Who dies - Fox and Peggy

Who tells our story - Lin

[whatcannotbesaid-shallbewept]

Warriors promotional images.

[kyleetryme]

warriors....save me.

[dovesnroses]

“I think I see the light of somethin’…”

Lin, you son of a bitch, you got me again. I haven’t stopped listening to Warriors since 10/18. It’s a masterpiece. Listen here.

For your consideration, Swan and Mercy ❤️

[pippasop]

Finally posting something that isn’t straight here LMAOAOOA

(Ill get to reqs again soon!)

[yourlocalkatiesimp]

to the whole 4 people who might see this, one of you PLEASE dm me to talk about swan and mercy bc their song and interactions together are ROTTING MY BRAIN

[thewhizzyhead]

like the whole warriors concept album does things to me but like I can't aptly describe the extreme chills felt in a light or something's "The light at the end of the tunnel's got nothing on you!"

[loveipromiseimnotinsane]

Putting Jasmine Cephas Jones' character Swan in a relationship with a hot women she gets to kiss is LMMs apology for when she played Maria and had to make out with him every night

[sadbisexualmusic]

I’m only like 5 songs into Lin Manuel Miranda’s new concept album for Warriors and I have been reminded on why Hamilton had a such a goddamn CHOKEHOLD on high school me

Layered vocals are crack to me and that man has just handed me 40 kilos and told me it’s on the house

[fullofobsessions]

It annoys me when people say Hamilton doesn't have enough feminism in it and that the women in it aren't "strong enough".

Are you kidding me?

All four main women in the musical represent a different type of feminism.

Angelica Schuyler represents the rebellious type of feminism; she's the one that blatantly resists oppression and refuses to be ruled by men's opinions.

She stood up to Aaron Burr, thus creating her own revolution against prejudice and sexism.

She shows us that sometimes, to be strong is to stand up for yourself.

Elizabeth Schuyler represents the supporting type of feminism; she's the one that listens to other people, always giving them a shoulder to cry on in their hardest times.

She comforted Alexander when he was worried she'd leave him because of his lack of money, saying that she doesn't need more than just him being alive.

She shows us that sometimes, to be strong is to show kindness to those who need it.

Peggy Schuyler represents the quiet type of feminism; she's the one that follows rules and listens to her father without asking questions, nudging her sisters to go back home (which she does to keep the three of them safe), but is also helping her sisters out whenever she can.

She kept Laurens out of the way at the winter ball so Eliza could have her chance at finding love with Alexander.

She shows us that sometimes, to be strong is to help the people you care about, even if they don't always know or appreciate it.

Maria Reynolds represents the misunderstood type of feminism; she's the one who is being constantly hurt and torn down by a man, but is still begging to be saved by another man, and then being victim-blamed for it.

She silently endured abuse to keep her daughter, who is not mentioned in he musical, safe.

She shows us that sometimes, to be strong is to know when to be weak.

Hamilton is full of feminism, not to mention the fact that the musical ends with Elizabeth Schuyler being the reason people still know about Alexander Hamilton and his legacy, more than 200 years after his death.

All thanks to a woman.

[demisemme]

Theatre kids who were also really into the Hex Girls just got a ton of new icons/crushes/cosplays.

[dyke-o-matic]

If I saw Jasmine Cephas Jones throw a molotov I too would pledge my loyalty and follow her around all night.

[whatcannotbesaid-shallbewept]

These girls are so damn gay oh my god.

"Are you loyal?

I'm loyal to you"

"What's wrong?... kiss me."

"I think that we both know that you're beautiful, more than beautiful."

"The light at the end of this tunnel's got nothing on you."

[kyleetryme]

a light or somthin'

[g3othermal3scapism]

MERCY, WHAT DO YOU WANT ME TO SAY, THAT YOU’RE BEAUTIFUL?

CAUSE I THINK WE BOTH KNOW THAT YOURE BEAUTIFUL

YOU’RE MORE THAN BEAUTIFUL (MORE THAN BEAUTIFUL?)

YOURE MORE THAN YOUR BODY,

YOURE MORE THAN THESE LIPS OR THIS FACE,

AND IF WE EVER SOMEHOW GET OUT OF THE PLACE,

THEN YOU’LL GO,

THEN WE’LL GO.

FIND SOMETHING NEW,

ITS ALL NEW.

MERCY,

THE LIGHT AT THE END OF THIS TUNNEL’S GOT NOTHING ON YOU.