#Jonathan Marks

[artphotographyofmen]

Black Panther by Jonathan Marks

[cultfaction]

Preview- Worzel Gummidge: The Combined Harvest Edition (Bluray)

WORZELESE: Every word of three letters or less ends with “dip” and words of four letters or more end in “zel”. Throw in a “wor” after every letter and you can speak the language like a native. Thanks to Fabulous Films you can revisit Jon Pertwee in his favourite role as Worzel Gummidge, alongside Una Stubbs, Geoffrey Bayldon, Jeremy Austin, Charlotte Coleman, Mike Berry, Norman Bird, Megs Jenkins…

[thebreadmantm]

More cats! This obsession will never stop-

I only realized halfway through that @ultramarinaa already made an official cat!sasha deign but I was so attached to the tabby and I really wanted Tim to be grey so I cheated. I guess this is just my own headcannon of it-

I mostly did this for my own reference though so it’s not too serious I guess

Anyway Elias is miserable with all his cat employees and Jon is a silly little guy who doesn’t know how to cat

[fox-guardian]

speaking of jon's burns actually i just had a thought

martin said in s5 that he hates being burned and that burns scar horribly (directly to jon which is like. martin. DUDE.) but people also love some classic jmart wound care so i'm just imagining poor martin after ep 92 seeing jon again and being like "jon your hand.... what've you done to it?" and he's like ".... i burned it" "oh no let me have a look" "it's bad" "it's probably not that bad" "It's Bad" "Just Let Me Fucking See It Dammit" and martin unwraps it enough to see like half a finger with this days-old third-degree burn on it and just verrrry gently wrapping it back up again and going ".... Hospital."

(and also ofc poor jon having to deal with yknow. Being The Burned One and having martin's reaction be that way in the moment and then hearing that in s5)

[vanyafresita]

IMAGINE YOURSELF.

TELL ME OF YOURSELF.

WHAT IS IT YOU WANT?

and here is some close ups from the still frames with no filters !

[raevenswritingdesk]

The first outright not-a-joke or “one sided” gay kiss the doctor themselves has had in doctor who history happening during pride month AND with an interacial couple has me feeling so many things 🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🎉

[gammija]

Horseys! inspired by this banger of a post by @pinkravat-art

[hughdancybabyface]

Hannibal s2e05 "Mukozuke" || s2e09 "Shiizakana" —"I'd say this makes us even. I sent someone to kill you...you sent someone to kill me. Even Steven."

[wolfhalledits]

Thomas Cromwell Introduction Scene.

WOLF HALL | S01E01 'Three Card Trick'

+bonus:

[thomascromwelll]

Countdown to Wolf Hall: the mirror and the light | 📅 4th Nov2024 a gifset per day (1/6) — Episode one 'Three Card Trick' air date: 21 December 2022

[magnuspanoptes]

the thing about archivist sasha is that. you gotta write jon out of existence for it to work. the web marked him specifically because it singled him out as the agent that would help fulfill its designs and jonah's primary reason for picking jon was also that he came pre-marked by the most dangerous, bothersome entity. bootstrap paradox type plot point. ergo in a universe where he isn't archivist, mr spider never happened, but mr spider is a defining character backstory moment for him. he would've never joined the magnus institute if he hadn't had that traumatic episode. so. to conceive an archivist sasha au a) you have to give sasha her own version of a guest for mr spider; b) jon isn't marked by the web and is a completely different person because of it and doesn't work at the institute. otherwise, to explain his presence there you have to give him a traumatic episode with some other entity (like tim and the stranger)

now you can just say wow what the hell this is fanfiction you can do whatever you want forever. thats true ✌️ unfortunately i have the overthinker's curse and cannot overlook this. also jon and elias's fates are entwined in every universe amen

[helenofblackthorns]

funniest Sebastian Morgenstern lore is that when taking over the LA Institute he seems genuinely surprised to learn that Mark is half faerie. something that would have zero significance if he hadn't been impersonating Mark three months ago

[culiehua]

tmi verse x onion headlines

part 1 — part 2 — part 3 — part 4 —

part 5 (jem!edition) — part 6 — part 7 —

part 8 (jem!edition)

[incoure-art]

relistening to tma is having unintended consequences (thinking about the entity cats again)

au created with the wonderful @barrelgrove

[honeyplus]

Jondami soulmate au where Jon’s soul mark is all encompassing branches on his body and when he falls in love they bloom and grow. No idea what Damian’s would be though

[mostlysignssomeportents]

Live Nation/Ticketmaster is buying Congress

I'm touring my new, nationally bestselling novel The Bezzle! Catch me THURSDAY (May 2) in WINNIPEG, then Calgary (May 3), Vancouver (May 4), Tartu, Estonia, and beyond!

Anything that can't go on forever eventually stops. Monopolies are intrinsically destabilizing and inevitably implode…eventually. Guessing which of the loathesome monopolies that make us all miserable will be the first domino is a hard call, but Ticketmaster is definitely high on my list.

It's not that event tickets are the most consequential aspect of our lives. The monopolies over pharma, fuel, finance, tech, and even beer are all more important to our day-to-day. But while Ticketmaster – and its many ramified tentacles, like Live Nation – may not be the most destructive monopoly in our world, but it pisses off people with giant megaphones and armies of rabid fans.

It's been a minute since Ticketmaster was last in the news, so let's recap. Ticketmaster bought out most of its ticketing rivals, then merged with Live Nation, the country's largest concert promoter, and bought out many of the country's largest music, stage and sports venues. They used this iron grip on the entire supply chain for performances and events to pile innumerable junk fees on every ticket sold, while drastically eroding the wages of the creative workers they nominally represented. They created a secret secondary market for tickets and worked with ticket-touts to help them run bots that bought every ticket within an instant of the opening of ticket sales, then ran an auction marketplace that made them gigantic fees on every re-sold ticket – fees the performers were not entitled to share in.

The Ticketmaster/Live Nation/venue octopus is nearly impossible to escape. Independent venues can't book Live Nation acts unless they use Ticketmaster for their tickets. Acts can't get into the large venues owned by Ticketmaster unless they sign up to have Live Nation book their tour. And when Ticketmaster buys a venue, it creams off the most successful acts, starving competing venues of blockbuster shows. They also illegally colluded with their vendors to jack up the price of concerts across the board:

https://pascrell.house.gov/uploadedfiles/ful.pdf

When Rebecca Giblin and I were writing Chokepoint Capitalism, our book about how tech and entertainment monopolies impoverish all kinds of creative workers, we were able to get insiders to go on record about every kind of monopoly, from the labels to Spotify, Kindle to the Big Five publishers and the Google-Meta ad-tech duopoly. The only exception was Ticketmaster/Live Nation: everyone involved in live performance – performers, bookers, club owners – was palpably terrified about speaking out on the record about the conglomerate:

https://chokepointcapitalism.com/

No wonder. The company has a long and notorious history of using its market power to ruin anyone who challenges it. Remember Pearl Jam?

https://www.rollingstone.com/music/music-news/pearl-jam-taking-on-ticketmaster-67440/

But anything that can't go on forever eventually stops. Not only is Ticketmaster a rapacious, vindictive monopolist – it's also an incompetent monopolist, whose IT systems are optimized for rent-extraction first, with ticket sales as a distant afterthought. This is bad no matter which artist it effects, but when Ticketmaster totally, utterly fucked up Taylor Swift's first post-lockdown tour, they incurred the wrath of the Swifties:

https://www.vox.com/culture/2022/11/21/23471763/taylor-swift-ticketmaster-monopoly

All of which explains why I've always given good odds that Ticketmaster would be first up against the wall come the antitrust revolution. It may not be the most destructive monopolist, but it is absurdly evil, and the people who hate it most are the most famous and beloved artists in the country.

For a while, it looked like I was right. Ticketmaster's colossal Taylor Swift fuckup prompted Senator Amy Klobuchar – a leading antitrust crusader – to hold hearings on the company's conduct, and led to the introduction of a raft of bills to rein in predatory ticketing practices. But as David Dayen writes for The American Prospect, Ticketmaster/Live Nation is spreading a fortune around on the Hill, hiring a deep bench of ex-Congressmen and ex-senior staffers (including Klobuchar's former chief of staff) and they've found a way to create the appearance of justice without having to suffer any consequences for their decades-long campaign of fraud and abuse:

https://prospect.org/power/2024-04-30-live-nation-strikes-up-band-washington/

Dayen opens his article with the White House Correspondents’ Dinner, which is always bracketed by a week's worth of lavish parties for Congress and hill staffers. One of the fanciest of these parties was thrown by Axios – and sponsored by Live Nation, with a performance by Jelly Roll (whose touring contract is owned by Live Nation). Attendees at the Axios/Live Nation event were bombarded with messages about the essential goodness of Live Nation (they were even printed on the cocktail napkins) and exhortations to support the Fans First Act, co-sponsored by Klobuchar and Sen John Cornyn (R-TX):

https://www.nytimes.com/2023/12/08/arts/music/fans-first-act-ticket-bill.html

Ticketmaster/Live Nation loves the Fans First Act, because – unlike other bills – it focuses primarily on the secondary market for tickets, and its main measure is a requirement for ticketing companies to disclose their junk fees upfront. Neither of these represents a major challenge to Ticketmaster/Live Nation's control over the market, which gives it the ability to slash performers' wages while jacking up prices for fans.

Fans First represents the triumph of Ticketmaster/Live Nation's media strategy, which is to blame the entire problem on bottom-feeding ticket-touts (who are mostly scum!) instead of on the single monopoly that controls the entire industry and can't stop committing financial crimes.

Axios isn't Live Nation's only partner in selling this distraction tactic. Over the past five years, the company has flushed gigantic sums of money through Washington. Its lobbying spend rose from $240k in 2018 to $1.1m in 2022, and $2.38m in 2023:

https://thehill.com/business/4431886-live-nation-doubled-lobbying-spending-to-2-4m-in-2023-amid-antitrust-threat/

The company has 37 paid lobbyists selling Congress on its behalf. 25 of them are former congressional staffers. Two are former Congressmen: Ed Whitfield (R-KY), a 21 year veteran of the House, and Mark Pryor (D-AR), a two-term senator:

https://www.bhfs.com/people/attorneys/p-s/mark-pryor

But perhaps the most galling celebrant in this lavish hymn to Citizen United is Jonathan Becker, Amy Klobuchar's former chief of staff, who jumped ship to lobby Congress on behalf of monopolists like Live Nation, who paid him $120k last year to sell their story to the Hill:

https://www.opensecrets.org/federal-lobbying/clients/lobbyists?cycle=2023&id=D000053134

Not everyone hates Fans First: it's been endorsed by the Nix the Tix coalition, largely on the strength of its regulation of secondary ticket sales. But the largest secondary seller in America by far is Live Nation itself, with a $4.5b market in reselling the tickets it sold in the first place. Fans First shifts focus from this sleazy self-dealing to competitors like Stubhub.

Fans First can be seen as an opening salvo in the long war against Ticketmaster/Live Nation. But compared to more muscular bills – like Klobuchar's stalled-out Unlock Ticketing Markets Act, it's pretty weaksauce. The Unlocking act will "prevent exclusive contracts between ticketing services and venues" – hitting Ticketmaster/Live Nation where it hurts, right in the bank-account:

https://www.klobuchar.senate.gov/public/index.cfm/2023/4/following-senate-judiciary-committee-hearing-klobuchar-blumenthal-introduce-legislation-to-increase-competition-in-live-event-ticketing-markets

It's not all gloom. Dayen reports that Ticketmaster's active lobbying in favor of Fans First has made many in Congress more skeptical of the bill, not less. And Congress isn't the only – or even the best – way to smash Ticketmaster's criminal empire. That's something the DoJ's antitrust division could power through with a lot less exposure to the legalized bribery that dominates Congress.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/30/nix-fix-the-tix/#something-must-be-done-there-we-did-something

Image: Matt Biddulph (modified) https://www.flickr.com/photos/mbiddulph/13904063945/

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/

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Flying Logos (modified) https://commons.wikimedia.org/wiki/File:Over_$1,000,000_dollars_in_USD_$100_bill_stacks.png

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en