#Joey “The Scar”

[seroothincs]

Don't even ask me what's going on in this panel-

[tangerisms]

the deep.

[sandinthepipes]

Have you been flabbergasted by the amazing devil today yet? No? Well, what are you doing still here? Go be gobsmacked, kid.

[mywaywardcupcake]

Had to do it after seeing this post.

Also scarred version:

[actualori]

Potentially Joey and Xornoth for a poor deprived soul🤭

from a highschool au created by @devinerot !!!!

vote scosage at @scottsmajorshipbracket !!

[pileojunk]

I think about Joey a completely normal and sane amount

[theintelligentfool]

hey i really like minecraft skins i think they're really cool looking so:

this is an appreciation post for CCs who have really cool skins or change into new ones all the time AND for skin artists that design them!!! please post yr fave examples here

[cr-arnival]

just some doodles to prove im not dead. hello yu-gi-oh fandom

[undeadbanjos]

Let. Him. Have. Cool. Battle scars.

I know Lichtenberg Figures are temporary but still. It would've looked sick.

If you're going to strike him with lightning at least let him look bad ass after.

[fucked-and-overrated]

Rest in power, Joey. I cannot believe it’s already been three years without you. It seems like yesterday I was sobbing in the Colton’s bathroom when the news broke 🙁 I love you so much sweet angel 🖤

[th3-c0ll3ct3r]

IF their were to be another empires smp season and either Scott or Joel or the random hermit who joins use every Time, WERE TO BECOME THE VILLIAN, then it'd take THE ENTIRE SERVERS CONBIND TO DEFEAT THEM

BUT Y'ALL AINT READY FOR THAT CONVERSATION?-

[seroothincs]

I remember a McBain comic where Joey the Scar crossdresses.

What do you think?

AHH; NOW HOLD ON- I WAS JUST ABOUT TO POST ABOUT THIS

Gotta say-- He got the hips for crossdressing 👌

[in-death-we-fall]

Scar Tissue

Scar the Martyr marks Joey Jordison’s first new music since the death of his Slipknot songwriting partner, Paul Gray. It’s helped heal his wounds and got him excited for the future…

Words: Paul Travers Photo: Paul Harries (drive link)

Joey Jordison and Paul Gray were in many ways the beating, bloody heart right at the centre of Slipknot. They were both in there from the start. They named the band. They were also the core writing team. Joey once said that when he was writing, he’d always just know where a Paul idea would fit just right. When the bassist died in May 2010, Joey lost an important piece of his musical puzzle.

Some of Slipknot’s scars have healed, through their live shows, including an incredible headline slot at this year’s Download. But now, Joey is finally flexing his creative muscles again, with Scar The Martyr. It’s not the new Slipknot album, but their self-titled debut is the first new music the drummer has written since the death of his best friend and songwriting partner. For Joey, though, Paul Gray’s influence still permeates everything he does.

“It’s always going to be difficult,” he sighs. “It will never not be hard to write without him, because he was my partner and my best friend. But there’s a huge part of Paul in me. I know what he’s thinking, I know when he’s upset, I know when he’s happy; I can read his emotions. This might sound weird to people, but I still talk to paul. He still talks to me and it’s spooky. He might not be here in the flesh, but he’s still here in the spirit. When I get stuck I go, ‘What would you do now?’ and he tells me. He helps me when I get stuck.”

That songwriting partnership might still survive in an ethereal fashion, but Scar The Martyr is a very different beast to Slipknot. The album is dense and dark, taking in post-punk atmospherics and tempering its noise-flecked industrial clatter with vibrant melodies and surging synths.

“Do I think it will surprise people?” Joey muses. “Perhaps not so much as other things I’ve done. When I put out the Murderdolls record (2002’s Beyond The Valley Of The Murderdolls), that was a completely left-field move from what I was known for. But for the record I do think that Slipknot fans will totally dig this album.”

That is good. Because the seeds for Scar The Martyr were sown when Joey began the painful process of trying to pick up writing for Slipknot’s long-awaited fifth album.

“I went into the studio and wrote a load of songs for Slipknot. A load of songs,” he says. “I wrote about 30 songs and the stems of another 20, so that’s 50 songs. But when I realised Slipknot wasn’t going to be happening for a while I stayed in the studio and started this.”

Hang on, 50 Slipknot songs? How come this isn’t going on the new record, then?

“The timing just wasn’t right,” admits Joey. “We have to all be on the same page at the same time, but I still have those songs ready for the new Slipknot album. Once we get together we’ll tear them to pieces and see what works.”

So you’re saying the album’s written?

“We might use one song or we might use all of ‘em. I don’t know what the fuck we’ll do.”

Okay. So did Scar The Martyr allow you to make an album without the pressure that the new Slipknot record would?

“There is less pressure,” says Joey. “There are no expectations, so yeah, it’s a lot easier. But I’m not sitting in there just jacking off. This band is now a part of me, just like Slipknot is.”

With the music written, Joey assembled an impressive bunch of ex-men, with Jed Simon (ex-Strapping Young Lad) and Kris Norris (ex-Darkest Hour) on guitars, and Chris Vrenna (ex-Nine Inch Nails) on keyboards. Joey handled drums and bass himself and recruited a largely unknown vocalist, Henry Derek.

“I did want a vocalist that no-one would know,” Joey explains. “Someone put me in touch with Henry and I sent him four songs. When he returned them, I was blown away – he was totally who I was looking for.”

Henry was given free reign on the lyrics. As a consequence, Joey isn’t willing to discuss the themes on the album. The drummer does, however, reveal that much of the turmoil and anguish of the past three years has been channelled into this new project.

“It’s different from anything I’ve ever done and I think you can tell the emotion in the music,” he nods. “I was in a really different place when I was writing this stuff. It’s not just anger, although there is some in there. There’s reflection, beauty – all kinds of different moods.”

And how is Joey Jordison feeling right now?

“I’m ecstatic,” he beams. “I’m really excited. Whatever happens in the long-term isn’t the focus right now, but we’re going to be around for a while.”

That’s good news in one respect, but where it leaves Slipknot’s immediate future is still unclear.

“I can’t tell you an exact timeline,” Joey shrugs. “Stone Sour’s still out [on tour] and I’ve got this record, but [Slipknot] are still playing shows to keep in touch with our fans. It’s just a matter of waiting until it feels right for Slipknot to get back in there.”

What do you think it’ll be like when that happens?

“Whenever it is, it’s gonna be the perfect time, because we’ve never had this much material, ever,” enthuses the drummer. “I just got three song ideas the other day from Corey [Taylor], and they’re fucking awesome. Corey’s primarily been a lyricist in the band, and it’s cool to see someone who doesn’t normally write the music getting so excited about making Slipknot’s next record.”

So Slipknot is still for the future. But for now, Joey has Scar The Martyr to immerse himself in. You get the feeling that somewhere out there, his songwriting partner and best friend would approve.

Scar The Martyr’s self-titled album is out on September 30 via Roadrunner

We’ve seen it live!

Joey unveiled his new band in New York on August 10. We got the first look! Review: Hardeep Phull Live photo: Shaun Regan

It only takes a few songs of Scar The Martyr’s first headline show to realise that Joey Jordison is not trying to create Slipknot Mk II. Instead, the band are attempting to carve out a sound that has more in common with industrial pioneers like Ministry and Killing Joke through songs such as Never Forgive Never Forget.

Although the broader scope and ambition is impressive, it’s the traditionally heavier songs that Scar The Martyr perform more confidently. With it’s (sic) siren-like opening riff and relentless pace, the first single Blood Host is already a crowd-pleaser, if only because it’s the only song anyone has heard to date, while the crushingly heavy finale of Last Night On Earth is where the band give a tantalising glimpse of how good they could turn out to be.

So, with Slipknot still on hold, this is Joey’s main bag for a bit. Us maggots can wait a little longer, as Scar The Martyr are a brilliant distraction.

[loafabun]

Been really busy with school but I’ve been drawing a lot during classes, so here’s some of the doodles from that

[childofburningtime01]

HAPPY BIRTHDAY TO THIS ABSOLUTE BEAST OF A MUSICIAN

You’re missed every day🖤❤️🤘🏻

[quiverpaw]

they invented old men so i could be happy