#Jo Beth Williams

[yeahiwasintheshit]

[esonetwork]

Poltergeist 1982| Episode 435

New Post has been published on https://esonetwork.com/poltergeist-episode-435/

Poltergeist 1982| Episode 435

In this final entry of this year’s Halloween Fare, Jim discusses a classic cult film frim 1982 – “Poltergeist,” starring Craig T. Nelson, Jo Beth Williams, Beatrice Straight, Dominque Dunne, Oliver Robbins, Heather O’Rourke, Michael McManus, James Karen, Zelda Rubinstein, Dirk Blocker, and Sonny Landham. Produced by Steven Spielberg and directed by Tobe Hooper, this ghost story dominated the film from Halloween through the Holiday Season. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

[jinxfestival]

they are literally me, that's a fact (and yes, another page in my technology diary because I'm just a girl with hobbies)

[saviourcomplexgf]

um true

[princesssarisa]

I see your March girls as opera heroines (thank you for tagging me in that, by the way) and raise you: the March girls as Shakespeare heroines

Meg: Hmm... I'll say Juliet (Romeo and Juliet). Warm, feminine, and romantic, yet strong-willed and staunchly loyal. Of course Juliet doesn't struggle with longing for wealth and finery like Meg does, but she already has wealth and finery.

Jo: A strong, witty heroine of a comedy, like Beatrice (Much Ado About Nothing) or Rosalind (As You Like It), with a little bit of Katherina (The Taming of the Shrew) mixed in for her temper.

Beth: Desdemona (Othello) or Cordelia (King Lear). Sweet, gentle, compassionate, noble-hearted heroines, with more depth of character than they often get credit for.

Amy: Cleopatra (Antony and Cleopatra). Regal, feminine yet iron-willed, clever, charismatic, a bit of a drama queen, and a divisive character, yet impossible to forget. Fittingly, Elizabeth Taylor played both roles onscreen.

[claudia1829things]

"LITTLE WOMEN" (1978) Review

"LITTLE WOMEN" (1978) Review

There have been many adaptations of "Little Women", Louisa May Alcott's 1868 novel. And I have seen most, if not all of the live-action versions. But the first adaptation I have ever seen was NBC's adaptation that first aired back in 1978. If I might be honest, I ended up developing a rather high opinion of it.

Since my first viewing of 1978's "LITTLE WOMEN", I have seen other adaptations. And over the years, I had developed this belief that this television production from 1978 had not been good as I had originally believed. It took many years for me to give this two-part miniseries a second chance. "LITTLE WOMEN" told the story of Josephine (Jo) March and her three sisters during the 1860s - Meg, Beth and Amy. The two-part miniseries opened during the Christmas holidays in December 1861 and follow the sisters, their other family members and friends throughout the Civil War and the early post-war years. Because Jo is the main character, despite being the second sister, this adaptation of "Little Women" has the distinction of being the only version that allows her to serve as narrator.

After my recent re-watch, I could see why my opinion of "LITTLE WOMEN" had diminished over the years . . . at least from a superficial point-of-view. To be blunt, I was not that impressed by the miniseries' production values. The entire production was shot on the Universal Studios backlot and one could sometimes see the California hills in the background. Granted, I still believe set decorator Richard G. Goddard, art director Howard E. Johnson and cinematographer Joseph F. Biroc did the best they could to recreate 1860s Concord, Massachusetts, New York City and Italy. But I did have a problem with the miniseries' costume designs. On the surface, they seemed . . . serviceable for a television production set during the 1860s. But if I must be frank, the costumes also looked as if they had been taken from a costume warehouse for second-rate stage productions. Even worse, all or most of the actresses seemed to be wearing mid-to-late 1970s shoes underneath their mid-19th century dresses and gowns. I was shocked to discover that one of Hollywood's most iconic costume designer, Edith Head, had created the miniseries' costumes. So . . . what on earth happened? Head had created the costumes? "LITTLE WOMEN" was not even Head's first or last period drama. So, what happened?

Did I have any other problems with "LITTLE WOMEN"? Well . . . I did not care for leading actress Susan Dey's hairstyle in the second part of the miniseries. I realize her character, Jo March, had cut her hair to raise funds for her mother's journey to Washington D.C. But her hair never grew back. Never. Instead, it remained shorter than it originally was and styled into a bob. Why? And I had a problem with two particular performances. I will discuss one of them later. The other involved leading lady Susan Dey serving as the miniseries' narrator. Do not get me wrong. Dey is a fine actress and did the best she could. But I found her narration a bit clunky and unnecessary, thanks to the words provided to her by screenwriter Suzanne Clauser's teleplay.

Despite my quibbles, I found a lot to admire about "LITTLE WOMEN". I believe its status as a two-part miniseries, instead of a movie, screenwriter Suzanne Clauser had plenty of opportunities to fully adapt Alcott's novel with less shortcuts and more depth. I have always believed that Alcott's novel was basically a coming-of-age story for Jo March and her three sisters. To me, this made any adaptation of "LITTLE WOMEN" a major character study. And if there is one thing that the two-part miniseries did well was explore its characters and their situations with great depth.

This especially seemed to be the case of Jo's relationship with her neighbor and friend, Theodore "Laurie" Laurence, his personal relationship with his grandfather James Laurence, Amy's European trip and her romantic travails, and Meg's relationship with Laurie's tutor John Brooke. I was especially impressed by the production's handling of Jo's relationship with Professor Friedrich Bhaer. I found it very dynamic, thanks to Suzanne Clauser's screenplay, along with the performances involved. Some, but not all of the adaptations of Alcott's novel tend to forget - at times - that part of it spanned most of the U.S. Civil War. Fortunately, this adaptation never forgot. And as much as I seemed critical of the miniseries' narration, it also reminded television audiences that . . . yes, part of "LITTLE WOMEN" was partially set during the Civil War.

Speaking of performances, "LITTLE WOMEN" had the blessed luck to feature a first-rate cast. I may not have been impressed by the narration provided by Susan Dey (for which I blame another), I was more than impressed by her portrayal of the story's leading character, Josephine "Jo" March. I though she did a superb job in capturing Jo's mercurial personality and obsession with her developing profession as a writer. Meredith Baxter gave an excellent performance as the oldest March sister, Margaret "Meg" March. She conveyed Meg's vanity and obsession with the family's social status and stubborn refusal to give up her love for John Brooke. My only issue is that I believe the actress may have been a bit too old portraying a character that aged from 16 to her early 20s. Eve Plumb portrayed the shy, yet musical Elizabeth "Beth" March. I thought she did an excellent job of combining Beth's emotional, yet retiring nature and in the end, gave a very poignant performance. Ann Dusenberry was roughly 24 to 25 years old when she portrayed the youngest March sibling, Amy. Before my recent re-watch of "LITTLE WOMEN", I had assumed she was too old to portray a younger Amy. But upon my viewing, I realized that she actually managed to give a rather convincing and skillful performance of Amy during the war years (between ages 12 and 16) without to resorting to exaggerated histrionics. And I also admired her portrayal of the older Amy who found herself drawn between two men during her European trip.

I cannot deny that most of the actors who have portrayed Theodore "Laurie"/"Teddy" Laurence over the years gave some pretty damn good performances. But I believe that Richard Gilliland's portrayal of the emotional and moody "Laurie" has to be one of the two best I have ever seen, hands down. His only equal - at least in my eyes - is Jonah Hauer King's performance in the 2017 BBC miniseries. But if I had to choose my favorite portrayal of Laurie's stern, yet warm grandfather, James Laurence, it would be the one given by Hollywood icon Robert Young in this miniseries. May I be frank? I believe both actors provided some of the production's best dramatic moments in their depiction of the developing relationship between grandson and grandfather.

Dorothy McGuire gave a fine performance as Mrs. March aka "Marmie", the four sisters' mother. Thanks to the actress' performance, her Mrs. March seemed more like a well-rounded human being, instead of an archetype. Greer Garson was in fine form as the March family's tart-tongued, yet wealthy matriarch, Aunt Josephine March. William Shatner was excellent as the German-born professor who befriended Jo in New York City, Professor Friedrich Bhaer. Although I found his German accent a bit questionable, I cannot deny that he managed to provide a great deal of energy and complexity to Friedrich's relationship with Jo. Cliff Potts gave a solid performance as Meg's love interest and Laurie's tutor, John Brooke. I can say the same about Virginia Gregg, who portrayed the family's housekeeper, Hannah Mullet. I wish I could provide a better opinion of William Schallert's portrayal of the sisters' father, John March, but his presence in the miniseries seemed very limited, aside from one scene that featured the birth of Meg's children. One performance really failed to impress me and it came from John de Lancie, who portrayed Laurie's English-born classmate from Harvard and Amy's suitor, Frank Vaughan (Fred in the novel). Quite frankly, I found his performance a bit off. Knowing de Lancie for the first-rate actor he truly is, I suspect that between Alcott and screenwriter Suzanne Clauser's writing, the character ended up as a flat, one-note plot device - a situation that not even de Lancie could rise above.

Yes, I had some issues with "LITTLE WOMEN". I found some of the production values questionable, especially some of Edith Head's costumes, the hairstyles and one particular character. But overall, I believe it proved to be a first-rate adaptation of Louisa May Alcott's novel. If I must be frank, thanks to David Lowell Rich's direction, Suzanne Clauser's screenplay and a superb cast led by Susan Dey, I consider the 1978 adaptation of Alcott's novel to be among the three best I have ever seen.

[permanentreverie]

books read in 2024

1 - ruthless vows (rebecca ross): jan 2 - 5

2 - atonement (ian mcewan): jan 1 - 7

3 - the stolen heir (holly black): jan 9 - 11

4 - clockwork angel (cassandra clare): jan 12 - 15

5 - archer’s voice (mia sheridan): jan 15 - 23

6 - the flatshare (beth o’leary): jan 28 - 30 / (reread)

7 - check, please! book 1: #hockey (ngozi ukazu): jan 31

8 - check, please! book 2: sticks and scones (ngozi ukazu): feb 1 - 2

9 - indigo eyes (maeve hazel): feb 1 - 6

10 - book lovers (emily henry): feb 7 - 11 / (reread)

11 - a cuban girl’s guide to tea and tomorrow (laura taylor namey): feb 12 - 15

12 - the wake-up call (beth o’leary): feb 12 - 17

13 - eleanor oliphant is completely fine (gail honeyman): feb 19 - 28

14 - the seven year slip (ashley poston): feb 28 - mar 3

15 - the road trip (beth o’leary): mar 3 - 6

16 - the youthful you who was so beautiful (jiu yue xi): mar 6 - 11 / (reread)

17 - i hope this doesn’t find you (ann liang): mar 14 - 16

18 - the great divorce (c.s. lewis): mar 29 - 31

19 - the foxhole court (nora sakavic): apr 3 - 5 / (reread)

20 - the raven king (nora sakavic): apr 5 - 7 / (reread)

21 - the king’s men (nora sakavic): apr 7 - 11 / (reread)

22 - tweet cute (emma lord): mar 22 - apr 12

23 - society of the snow: the definitive account of the world’s greatest survival story (pablo vierci): apr 12 - 13

24 - the switch (beth o’leary): apr 16 - 18

25 - pride and prejudice (jane austen): apr 11 - 23 / (reread) (audiobook)

26 - the sunshine court (nora sakavic): apr 18 - 26

27 - longbourn (jo baker): apr 23 - 27

28 - society of the snow: the definitive account of the world’s greatest survival story (pablo vierci): apr 21 - 28 / (reread)

29 - the bodyguard (katherine center): apr 29

30 - bones and all (camille deangelis): apr 30 - may 5

31 - miracle in the andes (nando parrado): may 5 - 7

32 - lapvona (ottessa moshfegh): may 7 - 10

33 - do i know you? (emily wibberley & austin siegemund-broka): may 17 - 18

34 - moon of the crusted snow (waubgeshig rice): may 18 - 19

35 - next to you (hannah bonam-young): may 21 - 24

36 - beasts of a little land (juhea kim): may 30 - jun 2

37 - moon of the turning leaves (waubgeshig rice): may 20 - jun 3 / (audiobook)

38 - the girls i’ve been (tess sharpe): may 27 - jun 5

39 - americanah (chimimanda ngozi adichie): may 20 - jun 18

40 - emily wilde’s encyclopedia of fairies (heather fawcett): jun 19 - 22

41 - emily wilde’s map of the otherlands (heather fawcett): jun 22 - jul 1

42 - a good girls’s guide to murder (holly jackson): jun 21 - jul 1 / (reread) (audiobook)

43 - seven days in june (tia williams): jul 1 - 3

44 - the night tiger (yangsze choo): jul 4 - 7

45 - part of your world (abby jimenez): jul 9 - 11

46 - good girl, bad blood (holly jackson): jul 4 - 11 / (reread) (audiobook)

47 - your blood, my bones (kelly andrew): jul 13 - 17

48 - the summer of broken rules (k. l. walther): jul 13 - 21 / (audiobook)

49 - as good as dead (holly jackson): jul 25 - aug 9 / (reread) (audiobook)

50 - house of leaves (mark z. danielewski): aug 2 - 13

51 - the boy, the mole, the fox and the horse (charlie mackesy): aug 14

52 - daisy jones & the six (taylor jenkins reid): aug 13 - 23 / (reread) (audiobook)

53 - a crane among wolves (june hur): aug 14 - 23

54 - howl’s moving castle (dianna wynne jones): aug 25 - 27 / (reread) (audiobook)

55 - the reappearance of rachel price (holly jackson): aug 24 - 28

56 - five survive (holly jackson): sep 2 - 3

57 - the guernsey literary and potato peel pie society (mary ann shaffer & annie barrows): sep 2 - 4 / (reread) (audiobook)

58 - a business proposal, vol. 1 (haehwa): sep 4

59 - a business proposal, vol. 2 (haehwa): sep 6

60 - a business proposal, vol. 3 (haehwa): sep 7

61 - something more (jackie khalilieh): sep 9 - 10

62 - a novel love story (ashley poston): sep 14 - 15

63 - a business proposal, vol. 4 (haehwa): sep 16 - 17

64 - station eleven (emily st. john mandel): sep 17 - 20

65 - a business proposal, vol. 5 (haehwa): sep 22 - 24

66 - gideon the ninth (tamsyn muir): sep 29 - oct 5

67 - graveyard shift (m. l. rio): oct 23

68 - what lies between us (john marrs): oct 23 - 24

69 - house of hollow (krystal sutherland): oct 30 - nov 1

70 - the very secret society of irregular witches (sangu mandanna): nov 2

[stedefxckingbonnet]

requests info/intro!

hi, everyone!

i thought i'd take a quick second to introduce myself and to also formally open up requests. i'm already working on a few things, but requests really do always help and feel free to submit them at any point--but, we'll get to all of that in a moment!

my name is lavinia, and i am a uni student studying both theatre (dramaturgy specifically) and creative writing! i love to sing, act, write (obviously haha), read (i am a huge fan of classic literature, as well as donna tartt, mona awad, sally rooney, elif bautman, and ottessa moshfegh's works), go to concerts, go to the movies, style/design clothing, paint, collect records/cds, and so much more! this barely scratches the surface really but, if any of you share these interests, always feel free to reach out!

anyhow, as i said, i will officially be opening requests, and at the moment here is the media and the characters i will write for:

Our Flag Means Death

Izzy Hands (my BELOVED)

Ed Teach

Stede Bonnet

Lucius Spriggs

Jim Jimenez

Oluwande

Mary Bonnet

(more available upon request! these were just sort of my first instincts.)

Gilmore Girls

honestly, i'm pretty open to anything unless it's dean. just request and i'll see what i can do!

Gossip Girl

Blair Waldorf

Serena Van der Woodsen

Dan Humphrey

Nate Archibald

Chuck Bass (like sometimes)

Rufus Humphrey

more available upon request.

The Fosters/The Good Trouble

Callie Adams Foster

Mariana Adams Foster

Brandon Foster

Jamie Hunter

Gael Martinez

Dennis Cooper

Malika Williams

more available upon request.

Select Wes Anderson and Tim Burton characters. just ask!

Enola Holmes

Enola Holmes

Tewkesbury

Sherlock Holmes

Little Women (2019)

Jo March

Amy March

Beth March

Meg March

Laurie

Friedrich Bhaer

Star Wars

Obi-Wan Kenobi

Anakin Skywalker

Padmé Amidala

Luke Skywalker

Han Solo

Leia Organa

Kylo Ren

Finn

Poe Dameron

Ahsoka Tano

more available upon request!

Pride & Prejudice (2005)

Basically me just saying I'll write Mr. Darcy. but more characters available upon request, of course.

Community

Abed Nadir

Troy Barnes

Annie Edison

Jeff and Britta I'm a little iffy on but with the right request, maybe. don't hesitate to ask!

The OC

Seth Cohen

Ryan Atwood

Summer Roberts

Marissa Cooper

The Umbrella Academy

Klaus

Viktor

Ben

Five

Diego

Allison

Luther is like, not preferred for me but if you feel strongly about him and have a good request, i’ll consider it but don’t get your hopes up too high!

Once Upon a Time

Emma Swan

Regina Mills

Killian Jones

Neal Cassidy

August Booth

Jefferson (The Mad Hatter)

Mulan

Ruby Lucas (Red Riding Hood)

Belle French

Mary Margaret Blanchard (Snow White)

David Nolan (Prince Charming)

Peter Pan

Robin Hood

Any others, feel free to ask! I know I left Mr. Gold (Rumple) off, but that's only because it depends with each request. Also, please specify if you want it to take place in Storybrooke pre or post curse, or in The Enchanted Forest.

Merlin

Merlin

Arthur

Gwen

Morgana

Nimueh

Lancelot

any others, feel free to ask. i am just starting S2, keep that in mind.

The Holdovers

Angus Tully

Dead Poets Society

Todd Anderson

Neil Perry

Knox Overstreet

Charlie Dalton

Steven Meeks

Love Lies Bleeding

Lou Langston

Jackie Cleaver

i'll just start there for now, as honestly it's been a bit since i've written an x reader and i don't want to overwhelm myself much! but please, feel free to request at any time! I will update this frequently, as I am always either getting into new things or remembering things I already love. I am mostly dedicated to OFMD right now, but you may also leave requests for other fandoms and I will keep them on file, or who knows, perhaps even get to them sooner than you may imagine! Have a wonderful day (or night!), and don't forget to request!

yours truly,

lavinia

me filing through all of your requests (hopefully!)

[alightinthelantern]

Books read and movies watched in 2024 (January-June): Should you watch/read them?

Poetry:

In the Next Galaxy (Ruth Stone): No

Selected Poems (Mark Strand): No

In the Dark (Ruth Stone): Yes!

Response (Juliana Spahr): Yes

The Unicorn (Anne Morrow Lindbergh): No!

Everything Else in the World (Stephen Dunn): Yes

Words Under the Words (Naomi Shihab Nye): Eh

On Love and Barley (Matsuo Basho, trans. Lucien Stryk): Yes!

The Transformation (Juliana Spahr): No

The Narrow Road to the Deep North and Other Travel Sketches (Matsuo Basho, trans. Nobuyuki Yuasa): No

The Book of Taliesin (anon., trans. Gwyneth Lewis & Rowan Williams): No

What Love Comes To: New and Selected Poems (Ruth Stone): Eh

Face (Sherman Alexie): NO

No Surrender (Ai): Eh

The Summer of Black Widows (Sherman Alexie): Yes!

The Afflicted Girls (Nicole Cooley): Yes!

Winter Poems Along the Rio Grande (Jimmy Santiago Baca): No

American Smooth (Rita Dove): No

Elegy (Mary Jo Bang): No

Angel (Giles Dorey): NO

Collected Poems (Paul Auster): Eh

June-Tree (Peter Balakian): Yes

We Must Make a Kingdom of It (Gregory Orr): Eh

Only as the Day is Long (Dorianne Laux): No

Grace Notes (Rita Dove): Yes

Bathwater Wine (Wanda Coleman): Yes

My Soviet Union (Michael Dumanis): No

American Milk (Ruth Stone): Yes

The Drowned Girl (Eve Alexandra): No

A Worldly Country (John Ashberry): No

The Complete Poems of Hart Crane: No

One Stick Song (Sherman Alexie): Yes

If You Call This Cry a Song (Hayden Carruth): No

Doctor Jazz (Hayden Carruth): No

The Last Time I Saw Amelia Earhart (Gabrielle Calvocoressi): No

And Her Soul Out of Nothing (Olena Kalytiak Davis): No

Prisoner of Hope (Yvonne Daley): No

The Other Man Was Me (Rafael Campo): No

My Wicked Wicked Ways (Sandra Cisneros): No

On Earth (Robert Creeley): Eh

Genius Loci (Alison Hawthorne Deming): Eh

Science and Other Poems (Alison Hawthorne Deming): Eh

Voices (Lucille Clifton): Yes

A New Path to the Waterfall (Raymond Carver): Eh

Where Shadows Will (Norma Cole): No

The Way Back (Wyn Cooper): No

A Cartography of Peace (Jean L. Connor): No

Minnow (Judith Chalmer): Yes!

Postcards from the Interior (Wyn Cooper): Yes

Natural History (Dan Chiasson): Eh

The Ship of Birth (Greg Delanty): Eh

Madonna anno domini (Joshua Clover): NO

The Terrible Stories (Lucille Clifton): No

The Flashboat (Jane Cooper): Eh

Book of Longing (Leonard Cohen): No

Streets in Their Own Ink (Stuart Dybek): Eh

Different Hours (Stephen Dunn): Yes

I Love This Dark World (Alice B. Fogel): Eh

Baptism of Desire (Louise Erdrich): Yes!

The Eternal City (Kathleen Graber): Eh

Monolithos (Jack Gilbert): Yes

Crown of Weeds (Amy Gerstler): No

Blue Hour (Carolyn Forché): No

Place (Jorie Graham): No

Meadowlands (Louise Gluck): Yes!

Dearest Creature (Amy Gerstler): No

Loosestrife (Stephen Dunn): No

Little Savage (Emily Fragos): Yes

The Living Fire (Edward Hirsch): No

On Love (Edward Hirsch): No

Human Wishes (Robert Hass): NO

Early Occult Memory Systems of the Lower Midwest (B. H. Fairchild): No

Sinking Creek (John Engels): No

Alabanza (Martín Espada): Yes

Saving Lives (Albert Goldbarth): No

All of It Singing (Linda Gregg): No

Green Squall (Jay Hopler): No

Tender Hooks (Beth Ann Fennelly): No

After (Jane Hirshfield): Eh

Unincorporated Persons in the Late Honda Dynasty (Tony Hoagland): NO

These Are My Rivers (Lawrence Ferlinghetti): No

Fruitful (Stephanie Kirby): No

Jaguar Skies (Michael McClure): No

Song (Brigit Pegeen Kelly): No

Roadworthy Creature, Roadworthy Craft (Kate Magill): No

Life in the Forest (Denise Levertov): No

Viper Rum (Mary Karr): No

Questions for Ecclesiastes (Mark Jarman): No

Brutal Imagination (Cornelius Eady): Yes

Alphabet of Bones (Alexis Lathem): No

Handwriting (Michael Ondaatje): No

Sure Signs (Ted Kooser): No

Sledding on Hospital Hill (Leland Kinsey): No

Between Silences (Ha Jin): Yes

House of Days (Jay Parini): No

Bird Eating Bird (Kristin Naca): Yes

Orpheus & Eurydice (Gregory Orr): Yes

Another America (Barbara Kingsolver): Yes

Candles in Babylon (Denise Levertov): Yes

The Clerk's Tale (Spencer Reece): Eh

Still Listening (Angela Patten): Yes

A Thief of Strings (Donald Revell): No

Wayfare (Pattiann Rogers): No

The Niagara River (Kay Ryan): No

The Bird Catcher (Marie Ponsot): No

Easy (Marie Ponsot): No

Human Dark with Sugar (Brenda Shaughnessy): No

Chronic (D. A. Powell): No

Novels/Fiction:

A Thousand Years of Good Prayers (Yiyun Li): No

The Oxford Book of English Ghost Stories: Yes

Movies:

What Dreams May Come (1998, Vincent Ward): Yes

The Cat's Meow (2001, Peter Bogdanovich): Yes

The Birdcage (1996, Mike Nichols): Yes

The Color of Pomegranates (1969, Sergei Parajanov): No

The Eve of Ivan Kupalo (1969, Yuri Ilyenko): Yes

And here's my 2023 list!

[gacmediadaily]

Great American Family is taking on the March family story.

“A Little Women’s Christmas,” the network’s first ensemble Christmas movie, is a contemporary retelling of Louisa May Alcott’s classic 1868 novel, starring Jillian Murray as Jo March, Trevor Donovan as Friedrich “Fritz” Baehr, Laura Osnes as Beth March, Jen Lilley as Meg March, Jesse Hutch as John Brooke and Julia Reilly as Amy March. Gladys Knight also stars and will perform her new original Christmas song, “Joy.”

The movie will air during the fourth annual “Great American Christmas.” Previously announced other titles for their 2024 holiday slate include “Aurora Christmas,” “A Christmas Less Traveled,” “Love at the Kettle,” “My Grown-Up Christmas Wish,” “A Royal Christmas Ball” and “A Vintage Christmas.”

“‘A Little Women’s Christmas’ is a new Christmas classic in the making, with an incredible ensemble cast and an adaptation of an original story that is one of the best I have read,” says Great American Media president and CEO Bill Abbott. “Louisa May Alcott was intentional about focusing on the culture of young women, their hopes, ambitions, and dreams, and it remains one of the most widely read and beloved stories ever written.”

The film, directed by Brandon Clark, is written by Dione Sheehan and Taylor Bird. Executive Producers include Hutch, Knight, Clark, Brian Bird, Tai Truesdell, Darin Chavez, Brian Williams, Charly White, Lori Overholt, William McDowell and Joyce Miller Roy. “A Little Women’s Christmas” is produced by Rodney Eldredge, True Brand Entertainment, Third Coast Film and Empress of Soul Productions.

“Little Women” has been frequently adapted for both stage and screen. In 1933, Katharine Hepburn led the first sound adaptation of the film, followed by the first color adaptation with Elizabeth Taylor and Janet Leigh in 1949, which landed two Academy Award nominations and one win. In 1994, Gillian Armstrong directed a large ensemble led by Winona Ryder, Kirsten Dunst, Claire Danes, Susan Sarandon, Christian Bale and others, which landed three Oscar nominationss. In 2017 (and 2018 in the U.S.), the BBC and PBS’ Masterpiece turned Alcott’s novel into a TV series, led by Maya Hawke as Jo. Then, in 2019, Greta Gerwig’s “Little Women” became a box-office sensation, and was nominated for six Academy Awards.

[joyful-patient-faithful]

Little Women Ranked

One of my favorite books of all time is Little Women. Last fall I watched and read everything related to the series. Here's a simple ranking of all of that.

The Book (obviously)

Whether you consider the book just Little Women or with Good Wives, there is no deny this is the absolute best version of the story.

2. Little Women (1978)

This is, in my opinion, the best adaptation of the novel. The characters felt real and accurate and it was just a delight. It had so much heart. Also I am a Greer Garson as Aunt March stan. William Shatner did his absolute best at Fritz. I just adore this version. I will say that I am a sucker for tv movies though.

3. Little Women (2017)

I love this version. In accuracy, it's not always the best (especially character wise) and the third episode feels very rushed at times, but I still love it. I'm absolutely obsessed with Meg and John in this version. Meg and Beth are my profile picture lol. I just really enjoy this version.

4. Little Women (1994)

In terms of movies, this one is the best. This is the one I recommend to everyone and despite my (minimal) issues with it, I still watch it all the time. It's just so lovely. Also this one just has a more distinctly Christmas feel than any of the others.

5. Little Women (1933)

While not my favorite, I still enjoyed watching this version. Katherine Hepburn played a great Jo and I would love to watch this again sometime.

6. Little Women (1949)

This has the same script as the 1933 version, however, I am not a fan of a few small changes made, such as Beth being younger than Amy. June Allyson is not my favorite Jo, which also lowers this one slightly. Margaret O'Brien played an amazing Beth and was definitely the best thing about this version. I also just recently listened to the Lux Radio Theater adaptation of this movie and it just solidified my opinions of this being a mid adaptation.

7. Little Women (2019)

The Most controversial version on this list, I cannot say that I enjoy it. It makes so many changes from the novel, that it honestly makes me mad. However, this one places so high on the list do to it's watchability. Every other entry under this one I would never watch a second time. This one at least has the benefit of being high quality. Plus all my friends love this one (none of them have ever read the book and it makes me sad), so if I try hard enough I can separate this version from the book and at least watch a decent movie (although it is hard).

8. Little Women (1970)

I wanted to like this version, I really did, it was so extremely book accurate, but it was also really boring. This does have the most book accurate portrayal of Laurie in my opinion, though.

9. Little Women (2018)

This just overall was not that good. Jo was very mean and aggressive and Laurie was kind of creepy, in my opinion. I also disliked that this was made by a Christian company and did not include any of the Christian themes and statements made throughout the novel.

10. Little Women Meg's Story and Jo's Story

This two parter was hard to watch. It made it so love story heavy, and was also just not good quality or fun to watch. Everything was so rushed. I did like the focus on Meg and John in the first part though. I also enjoyed the random 1950 commercials throughout the version on youtube.

11. The March Sisters at Christmastime

This was just bad. Nothing really redeemable about it. It was a very hard watch.

Bonus:

These were some adaptations that I watched, but find hard to rank, due to them not being movies or tv shows.

Little Women (1958) Soundtrack

This is the soundtrack for the the 1958 CBS tv musical, which is not technically lost media, but is not available to the general public. The first half of the soundtrack is songs from the special, and the second half is covers of some other songs from musicals or were popular at the time. The songs are quite fun, but what I hear from reports of what happens in the special, it is not accurate to the novel at all.

Little Women (2005) musical

I am not really a fan of Sutton Foster, nor am I a fan of this musical. It is a classic case of not understanding Jo March, her writing, and her relationship with Professor Bhaer.

Little Women Ballet

This was fun to watch. I don't know much about ballet, so I cannot really judge it. If I remember correctly, this is just an adaptation of the first half of the novel.

Tales of Little Women

Little Women (1981)

These are both anime adaptations of the novel. I only watched the first episode of each, and from what I know they kind of make up plot lines. I enjoyed them for what they were, but I will probably not watch them again.

I unfortunately did not watch the Little Women Opera or the March Family Letters as Operas and vlog series are not really my thing, but maybe I will get around to them.

Anyway, this concludes my ranking of Little Women. If you see this please let me know your thoughts on any of these adaptations.

[classic-lit-couples-showdown]

Current Submissions

Submissions remain open until ~10pm pst tomorrow (March 3rd); submit through this form or the ask box

Those who have secured spots on the bracket (3 or more submissions);

Elizabeth Bennett & Fitzwilliam Darcy from Pride and Prejudice by Jane Austen

Enjolras & Grantaire from Le Misérables by Victor Hugo

Victor Frankenstein & Henry Clerval from Frankenstein by Mary Shelly

Faustus & Mephistopheles from Dr Faustus by Christopher Marlowe

Ishmael & Queequeg from Moby-Dick by Herman Melville

Mina & Johnathan Harker from Dracula by Bram Stoker

Henry Jekyll & Gabriel Utterson from The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Other possible contenders (under read more);

Offred & Moria from The Handmaid's Tale by Margaret Atwood

Celie & Shug from The Color Purple by Alice Walker

Lestat & Marius from The Vampire Chronicles by Anne Rice

Gimli & Legolas from Lord of the Rings by JRR Tolkien

Samwise Gamgee & Frodo Baggins from Lord of the Rings by JRR Tolkien

Gandalf & Hobbits from the works of Tolkien

Romeo & Juliet from Romeo and Juliet by William Shakespeare

Clarissa Dalloway & Sally Seton from Mrs Dalloway by Virginia Woolf

Anne Elliot & Frederick Wentworth from Persuasion by Jane Austen

Emma Woodhouse & George Knightley from Emma by Jane Austen

Maurice & Alec from Maurice by EM Forster

Margaret & Thornton from North and South by Elizabeth Gaskell

Holden Caufield & Stradletter from The Catcher in the Rye by JD Salinger

Charlie & Patrick from The Perks of Being a Wallflower by Stephen Chbosky

Gene Forrester & Finny from A Separate Peace by John Knowles

Tom Sawyer & Huckleberry Finn from the works of Mark Twain

John Yossarian & the Chaplain from Catch-22 by Joseph Heller

Jane Eyre & Helen Burns from Jane Eyre by Charlotte Brontë

Lionel Verney & Adrian Windsor from The Last Man by Mary Shelly

Eugenie Danglars & Louise d'Armilly from The Count of Monte Cristo by Alexandre Dumas

Dante & Virgil from The Divine Comedy by Dante Alighieri

Hamlet & Horatio from Hamlet by William Shakespeare

Lizzie Hexam & Eugene Wrayburn from Our Mutual Friend by Charles Dickens

Phileas Fogg & Passepartout from Around the World in 80 Days by Jules Verne

Huckleberry Finn & Jim from the works of Mark Twain

Sherlock Holmes & John Watson from Sherlock Holmes by Sir Arthur Conan Doyle

Lord & Lady Macbeth from Macbeth by William Shakespeare

Beatrice & Benedick from Much Ado About Nothing by William Shakespeare

Gilgamesh & Enkidu from The Epic of Gilgamesh

Heathcliff & Catherine Earnshaw from Wuthering Heights by Emily Brontë

Mr. Collins & Elizabeth Bennett from Pride and Prejudice by Jane Austen

Victor Frankenstein & Adam ('the creation') from Frankenstein by Mary Shelly

Dorian Gray & Lord Henry from The Picture of Dorian Gray by Oscar Wilde

Rodion Raskolnikov & Mitya Razumikhin from Crime and Punishment by Fyodor Dostoyevsky

Rosencrantz & Guildenstern from Hamlet by William Shakespeare

First Mate Starbuck & Captain Ahab from Moby-Dick by Herman Melville

Charles Bingley & Fitzwilliam Darcy from Pride and Prejudice by Jane Austen

Jane Eyre & Mr. Rochester from Jane Eyre by Emily Brontë

Jean Valjean & Inspector Javert from Le Misérables by Victor Hugo

Victor Frankenstein & Robert Walton from Frankenstein by Mary Shelly

Mary Catherine Blackwood & Constance Blackwood from We Have Always Lived in the Castle by Shirley Jackson

Benvolio & Mercutio from Romeo and Juliet by William Shakespeare

Achilles & Patroclus from The Illiad

Ajax & Ajax from The Illiad

Jack & Ralph from The Lord of the Flies by William Golding

Telemachus & Theoclymenus from The Odyssey

Jo & Laurie from Little Women by Louisa May Alcott

Elinor Dashwood & Edward Farrars from Sense and Sensibility by Jane Austen

Charles Bingley & Jane Bennett from Pride and Prejudice by Jane Austen

Jo, Amy, Meg, & Beth from Little Women by Louisa May Alcott

Jack Seward & Abraham van Helsing from Dracula by Bram Stoker

Henry Jekyll & Edward Hyde from The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Ned Land & Conseil from 20,000 Leagues Under the Sea by Jules Verne

Earl of Montararat & Earl Tolloler from Iolanthe

Fogg, Passepartout, & Aouda from Around the World in Days by Jules Verne

Guy Montag & Professor Faber from Fahrenheit 451 by Ray Bradbury

Nick Carraway & Jay Gatsby from The Great Gatsby by F. Scott Fitzgerald

Napoleon & Squealer from Animal Farm by George Orwell

Antonio & Sebastian from Twelfth Night by William Shakespeare

Antonio & Sebastian from The Tempest by William Shakespeare

[insomniacirl]

Me when:

Sirius Black, Remus Lupin, James Potter, Lily Evans, Regulus Black, Mary Macdonald, Marlene Mckinnon, Dorcas Meadowes, Evan Rosier, Barty Crouch Jr, Pandora Lovegood- Tony stark, Peter Parker, Miles Morales, Eddie Brock, Steve Rodgers, Natasha Romanoff, Yelena Belova, Clint Barton, Peggy Carter, Philip Colson, Daisy, Fitz, Simmons, Hunter, Bobby, May, Mike, Peter Quill, Loki Laufeyson, Thor Odinson, Wanda Maximoff, Pietro Maximoff, Remy Lebeau, Deadpool- Mike Wheeler, Will Byers, Steve Harrington, Eddie Munson, Robin Buckley, Dustin Henderson, El Byers, Joyce Byers, Jonathon Byers, Nancy Wheeler, Lucas Sinclair, Max Mayfield- Hannibal Lecter, Will Graham, Jack Crawford, Alana, Bedelia, Margot, Beverly- Jay Ferin, Gillion Tidestrider, Chip Bastard, Rolan Deep, Timothy Rand, Kian Stone, William Wisp, Dakota Cole, Vincent Sol- Tenth Doctor, Eleventh Doctor, Amy Pond, Rory Williams, River Pond, Donna Noble, Sarah Jane- Neil Perry, Todd Anderson, Charlie Dalton, Knox Overstreet, Pitts, Meeks- Keith Kogane, Lance Mcclain- Thomas, Newt, Minho- Katniss Everdeen, Peta Mellark, Finnick Odair, Effie Trinket, Haymitch Abernathy, Johanna Mason- Finn Mertens, Jake, Marceline, Bonabelle, BMO, Simon- Dipper Pines, Mabel Pines, Stanley Pines, Stanford Pines, Bill Cipher- Mr Fox, Felicity Fox, Kristofferson, Ash- Midge Campbell, Augie Steenbeck- Paul Atreides, Chani- Jo March, Amy March, Beth March, Meg March, Laurie- Arthur Lester, John Doe- Achilles, Patroclus- Eurydice, Orpheus- etc, etc.

[freakwiththeknifecollection]

(Disclaimer: this is an M/F pairing, not het, I'm not saying either of them are straight)

[sir-silly]

my faves

Below are all my favorite medias, as well as my favorite characters from them in parentheses ().

My favorite movies are The Chronicles of Narnia (Lucy, Edmund, Peter), Pirates of the Caribbean (Will, Elizabeth, Jack), Winnie the Pooh Heffalump movie (Kanga, Piglet, Pooh, Roo, Lumpy), Tangled (basically all of them), Mulan (Mulan, Mushu, Cricket), and The Darkest Minds (basically all of them).

My favorite shows are The Walking Dead (Daryl, Beth, Connie, Carl, Judith, Aaron, Rosita, Siddiq), Fear the Walking Dead (Alicia, Daniel), The 100 (Clarke, Lexa, Bellamy, Murphy, Raven, Miller), Grey’s Anatomy (Mark, Lexie, Jo, Callie, Maggie), Station 19 (Jack, Ben, Vic, Dean), NCIS (basically all of them), and The Last of Us (basically all of them).

My favorite video games are The Sims, The Walking Dead Game (Clem, Lee, Luke, Louis, Mitch, Carley, Doug, Katjaa, Gabe, Ruby, Aasim), Until Dawn (Sam, Mike, Matt, Chris, Josh, Beth), Minecraft, Planet Zoo, Papers Please (Jorji Costava), and Hatsune Miku: Colorful Stage (Kanade, Saki, Tsukasa, Shizuku, Kohane).

My favorite books (which I don’t remember all my fav characters from, but I’ll do my best) are the Edge of Collapse series (basically all of them) by Kyla Stone, The Darkest Minds series (basically all of them) by Alexandra Bracken, Kindred Spirits (basically all of them) by Rainbow Rowell, Reconstructing Amelia by Kimberly McCreight, The Hunger Games series (Peeta, Joanne, Finnick) by Suzanne Collins, Cold River by William Judson, Eleanor & Park by Rainbow Rowell, Elsewhere by Gabrielle Zevin, The Darkness After series by Scott B. Williams, Fangirl (basically all of them) by Rainbow Rowell, Girl Underwater (basically all of them) by Claire Kells, Hatchet by Gary Paulsen, A Wrinkle in Time by Madeleine L'Engle, Calendar Papers by Cynthia Voigt, If I Stay series by Gayle Forman, Look Again (basically all of them) by Lisa Scottoline, One by One (basically all of them) by Ruth Ware, To a Young Jazz Musician by Wynton Marsalis with Selwyn Seyfu Hinds, The Fault in Our Stars (basically all of them) by John Green, The Map of Salt and Stars (basically all of them) by Zeyn Joukhadar, The Orphan’s Tale (basically all of them) by Pam Jenoff, Trapped (basically all of them) by Michael Northrop, Two by Two by Nicholas Sparks, Winterdance (basically all of them) by Gary Paulsen, When (basically all of them) by Victoria Laurie, and The 100 series (Bellamy) by Kass Morgan.

My favorite YouTubers are Markiplier, Crankgameplays, Lordminion777, Muyskerm, Jacksepticeye, CallMeKevin, AmazingPhil, and Daniel Howell.

My favorite ships are Will and Elizabeth (Pirates of the Caribbean). Rapunzel and Eugene (Tangled). Daryl and Beth, Daryl and Connie, Carl and Enid, Aaron and Jesus, Rosita and Siddiq, Rosita and Eugene (TWD). Clarke and Lexa, Clarke and Bellamy (The 100). Tony and Ziva (NCIS). Jackson and April, Jo and Alex, Mark and Lexie, Teddy and Henry, Callie and Arizona (Grey’s Anatomy). Vic and Dean (Station 19). Clementine and Louis, Mitch and James, Lee and Carley (TWDG). Sam and Mike, Sam and Beth, Matt and Jess (Until Dawn). Hannah and Liam, Reynoso and Perez (Edge of Collapse). Ruby and Liam (The Darkest Minds). Katniss and Peeta (The Hunger Games).

[princesssarisa]

"Little Women" Posthumous Reunion: Final Resting Places of the People Behind the Novel and Its Adaptations

As a fan of the YouTube channel Hollywood Graveyard and the "Posthumous Reunion" pages on FindAGrave.com, I thought I would make a similar tribute to the people behind Little Women and its best-known screen adaptations. This is a guide to the burial sites (if they exist) of all the adaptations' leading actors and creative team members who have died, as well as those of the Alcott family and their friends, for anyone who hopes to visit them someday.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher

Arlington National Cemetery – Arlington, Virginia, USA

John Davis Lodge (John Brooke, 1933 film)

Cementerio de Benalmádena – Benalmádena, Spain

Paul Lukas (Friedrich Bhaer, 1933 film)

Ceder Hill Cemetery – Hartford, Connecticut, USA

Katharine Hepburn (Jo, 1933 film)

Cimitero Flaminio – Rome, Italy

Rossano Brazzi (Friedrich Bhaer, 1949 film)

Cimitiére Communal de Montrouge – Montrouge, France

May Alcott Nieriker (real-life Amy) (site unknown)

Forest Lawn Memorial Park, Glendale – Glendale, California, USA

Edna May Oliver (Aunt March, 1933 film)

June Allyson (Jo, 1949 film)

Elizabeth Taylor (Amy, 1949 film)

Robert Young (Mr. Laurence, 1978 miniseries)

George Cukor (director, 1933 film)

Mervyn LeRoy (director/producer, 1949 film)

Max Steiner (music, 1933 and 1949 films)

Adolph Deutsch (music, 1949 film)

Forest Lawn Memorial Park, Hollywood Hills – Los Angeles, California, USA

Jean Parker (Beth, 1933 film)

Leon Ames (Mr. March, 1949 film)

Holy Cross Cemetery – Culver City, California, USA

Mary Astor (Marmee, 1949 film)

Inglewood Park Cemetery – Inglewood, California, USA

Samuel S. Hinds (Mr. March, 1933 film)

Kensico Cemetery – Valhalla, New York, USA

Henry Stephenson (Mr. Laurence, 1933 film)

Mortlake Crematorium – Richmond, Greater London, England

Pat Nye (Hannah, 1970 miniseries)

Mount Hope Cemetery – Hastings-on-Hudson, New York, USA

Lucile Watson (Aunt March, 1949 film)

Oak Hill Cemetery – Lawrence, Kansas, USA

Alf Whitman (real-life Laurie)

Pleasant View Cemetery – Lyme, Connecticut, USA

Joan Bennett (Amy, 1933 film)

Savannah Cemetery – Savannah, Tennessee, USA

Elizabeth Patterson (Hannah, 1949 film)

Shiloh Cemetery – Shiloh, Illinois, USA

Mary Wickes (Aunt March, 1994 film)

Sleepy Hollow Cemetery – Concord, Massachusetts, USA

Louisa May Alcott (author and real-life Jo)

Abigail May Alcott (real-life Marmee)

Amos Bronson Alcott (real-life Mr. March)

Anna Alcott Pratt (real-life Meg)

John Bridge Pratt (real-life John Brooke)

Elizabeth Sewall Alcott (real-life Beth)

Henry David Thoreau (possible real-life Friedrich Bhaer)

Sparkman Hillcrest Memorial Park – Dallas, Texas, USA

Greer Garson (Aunt March, 1978 miniseries)

St. Leonard’s Churchyard – Hove, East Sussex, England

C. Aubrey Smith (Mr. Laurence, 1949 film)

Valhalla Memorial Park – North Hollywood, California, USA

Mabel Colcord (Hannah, 1933 film)

Westwood Village Memorial Park – Los Angeles, California, USA

Janet Leigh (Meg, 1949 film)

Cremated, Ashes Held Privately or Scattered

Frances Dee (Meg, 1933 film)

Douglass Montgomery (Laurie, 1933 film)

Peter Lawford (Laurie, 1949 film)

Patrick Troughton (Mr. March, 1970 miniseries)

Jean Anderson (Aunt March, 1970 miniseries)

Dorothy McGuire (Marmee, 1978 miniseries)

Richard Gilliland (Laurie, 1978 miniseries)

William Schallert (Mr. March, 1978 miniseries)

Virginia Gregg (Hannah, 1978 miniseries)

Angela Lansbury (Aunt March, 2017 miniseries)

Michael Gambon (Mr. Laurence, 2017 miniseries)

Sarah Y. Mason (screenwriter, 1933 and 1949 films)

Victor Heerman (screenwriter, 1933 and 1949 films)

Merian C. Cooper (producer, 1933 film)

Donated to Medical Science

Spring Byington (Marmee, 1933 film)

Unknown (Not Made Public or No Information Online)

Ladislas Wisniewski (real-life Laurie)

Richard Stapley (John Brooke, 1949 film)

Stephanie Bidmead (Marmee, 1970 miniseries)

Frederick Jaeger (Friedrich Bhaer, 1970 miniseries)

John Welsh (Mr. Laurence, 1970 miniseries)

John Neville (Mr. Laurence, 1994 film)

David Hempstead (screenwriter, 1933 film)

Elmer Bernstein (music, 1978 miniseries)