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garrothromeave · 4 years ago

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let’s talk about minecraft diaries rebirth.

and why it’s literally amazing. (warning: this will contain spoilers. lots of them. also, long post ahead.)

i think a lot of people hate mcdr because they were expecting a remake; but the point of rebirth is for jess to rewrite it. it wasn't supposed to be exactly the same.

honestly i went into mcdr with a closed mind. as an og mcd fan, i thought that this was going to suck ass and that i'd rant about how bad it was to my friends later. but actually watching it, i just... couldn't help but immediately fall in love with it.

ik im probably the only motherfucker that likes mcdr, but honestly how could i not? for one, garroth and zenix actually have personalities at the beginning. AND; the villagers? actually amazing. donna made me smile, visher made me laugh and cry, brendan was just bein as good as ever. like... i even didn't despise emmalyn with every ounce of my soul like i usually do?? the characterizations of them were GOOD, man.

and honestly, aphmau like--the way she spoke, her whole thing. it was reallyyy well done in my opinion. she was oblivious to things, but it wasn't overdone and wasn't done in a way to make her annoying. she's a very appealing character in mcdr, a main protagonist i do not mind following along with. her dynamics to the characters are really cool and all very unique. gonna cut it here so i don’t clog y’all’s feed cuz i got a lot to say :)

the early use of aphmau’s powers was actually pretty cool as well, it also really showed how clueless aphmau really was to everything going on around her. AND UH, THE FACT THAT SHE THOUGHT THAT GARROTH FELT FAMILIAR? GOLDEN. absolutely golden.

AND GENE OH BOY, the early introduction of gene? ik a lot of people are upset about it, but god DAMN i love it so much. his role in the story is very important in original, and i cannot express how much joy this brought me learning that he was actually getting the proper attention for it. and the fact that gene and aphmau were working together?? i mean ik gene was just trying to use her to get back to the "shadow abyss" (pretty pog replacement for the nether, gg) but god DAMN i loved every moment of it. i found their dynamic to be pretty fuckin funny to be honest, would absolutely love to see more of it.

i might be biased considering gene is one of my absolute favorite characters, but i honestly think that introducing gene this early on in the story was a good move. again, he's literally the right-hand man to the shadow lord. it makes you really wonder why he didn't have as much of an important role in season 1 or even 2 of the original mcd plotline. also, we get some of that good-ol-fashioned exposition with seeing early on how vylad and gene interact. vylad’s at a very strange point in the story right now; his motives are unclear, even to the side he’s ‘supposed’ to be taking (aka, a shadow knight.) another early introduction to a character is zane! this, my friends, is good. really good. i’d say that zane is the main antagonist of season 1 in the original series--and he wasn’t even introduced until like, episode 50. it’s not necessarily a bad thing, but him being introduced this early on really gives the audience a better understanding of what threats are out there and what our protagonist will have to encounter in the future. in the original series, there’s not much explanation as to why lords are disappearing/dying left and right--and while yes, that was supposed to be the mystery of it, having some of that early information is a better move in terms of writing.

AND IVAN?? BEING A PART OF THE JURY OF NINE?? I COULD NOT HAVE ASKED FOR ANYTHING MORE LIKE GOD DAMN that was a very pleasant surprise i'll just say that, thank you jess :)

and no i did not loop the 4 minutes of screentime laurance got in that one episode haha who would do that i would never do that anyways

SPEAKING of laurance, im so glad jess actually wrote him in this early :) she totally could have just waited for the first time aphmau visits meteli and meets him there, but no! she put him in an early episode. i dont even care if she did it just to shut up the fans about laurance but man that made me so happy seeing him, even if it was only for a bit.

okay i kinda wanna go over the guards real fast firstly; garroth. ignoring how weird the helmet showing emotions is, i really like how garroth is portrayed. he's under a lot of pressure because the village is putting a lot of the blame on him for malik's death, and he's trying his hardest to keep things running. the fact that garroth utterly refused the to take up the position of lord and even got a little snappy about it was actually really cool to see as well. and while he doesn’t have that same “reserved, quiet, observant” feel as the original mcd version of him had, this version of garroth is absolutely awesome. he’s more direct and blunt, is significantly more sarcastic, and isn’t as stiff or as much as a pushover as he is in the original. he even has a sense of humour. also, no homo, but he’s kinda adorable. plus, the desperation that he goes through during the whole thing is just--it’s really cool to see how hard he’s trying to prove himself and help the village. my rating for mcdr garroth? 9/10. the helmet... the helmet is the main thing throwin me off, i can’t lie. next, zenix. oh BOY do i have a lot to say about this man. first of all, his and garroth’s dynamic is incredible. when i saw how the interacted with each other, my first thought was: father and son. zenix has this immaturity to him that is so fucking fun and interesting to watch, and seeing how garroth scolds him is so fuckin good man. and! seeing how he interacts with the rest of the village... honestly, if jess ever picks this story up again, i would probably cry when zenix (literally) backstabs garroth. HELL, i hope that’s something that still happens, it’d be heartbreaking to witness this character that we’ve come to love hurting his mentor, the man who took him in. he’s just a really good character all in all, and much more appealing than the original mcd zenix. ...except season 3 zenix. no zenix can be better than that one. either way, zenix is amazing written to be the comic relief and he’s just an all-out lovable character in this series. finally, dale and brian. yes i’m going to group them up because there’s not much to say regarding them, but i do want to address them. for starters, we have brian; who’s already 16 when the story starts. good on jess for doing that, because in the original aphmau watched brian be born and age INCREDIBLY quick, haha. THOUGH i do feel like there’s a slight connection lost there--one of the hardest things about brian’s betrayal in the original series in the fact that we watched him grow up in phoenix drop. we were there from the moment he was born, to the second he betrayed phoenix drop. BUT OF COURSE, this version is a lot more realistic, so it’s understandable. i just think that if it’s brian who’ll be betraying phoenix drop again (if it even goes down that same route), it won’t hit as hard unless jess really takes the time to grow the connection between brian and aphmau. as for dale; gotta admit, love it. and like, i think one of the main things about how good of a call it was to make him a drunkard from the beginning is considering how much the village is struggling. the fact that the second-in-command is literally drunk all of the time really conveys the message of, “yeah. this village needs help.” plus, he’s another good comic relief character. i loved seeing molly and dale’s relationship too, it was very funny. PLUS. we were blessed with a well scene, in which aphmau had to help villagers out of the well. i don’t know about you guys, but that was one of my favorite nods to the original series. i cannot thank jess enough for that, there was a smile on my face the entire time. another amazing thing--visher’s character. instead of just being introduced to this quirky lil merchant who only had one or two interactions with aphmau like in the first one, we got to sit there and really get a feel for someone worth remembering and worth mourning over. we had a reason to be sad over his death, it wasn’t just some npc getting blown up suddenly. this was different, and this hurt. one of the major things that i hope is to come out of this is for jess to fix the major mistakes she had when writing the first series. she’d expressed how unhappy she was with some of the decisions she made, and i’m glad that she’s getting that second chance to undo the things she didn’t like. this series also gives her a second chance to really, really dig into characters and their motives. like, gimme laurance backstory in better detail. or like, garroth and zane’s relationship from back when they were kids? or how vylad died and who killed him? etc etc. she’s already done an excellent job so far, and i can’t wait to see where this goes. that is, if she ever continues it. god, i wish there were more episodes so that i could seriously let you guys know how beautiful of a series this is. there’s so much i want to say about rebirth, but i think i’ll stop here. i might say some more shit about it later, but if there’s anything i’d want you to take away from this, it’s: give minecraft diaries rebirth a chance. there’s a lot of potential, and this is a chance for jess to really change things for the better! ... but again, that is if this ever is continued.

#aphmau #minecraft diaries #minecraft diaries rebirth #garroth #laurance #gene #zenix #vylad #rant

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korra-the-red-lion · 3 years ago

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Supergirl 6x13: The Gauntlet.

Hey everyone, Korra here! I actually watched this episode the other day, but I had some home stuff going on and didn’t have time to do my write up. It’s good for now, and here I am! So after the amazing episode last week, how did this one do? Let’s see what I think, and as always, SPOLIERS AHEAD.

Mitch (this is the blue alien guy whose name I literally didn’t know until recently) and Nyxly are going to be together this whole season it seems, and honestly? I’m here for it. They balance each other nicely.

Okay, so Kara has been down in the dumps for the past couple of episodes, and literally when Lena walks into the room she gets this massive smile on her face and runs up to give her a hug. Looks like we’re in for a Supercorp episode and I am here for it.

Kara and Lena head to the Fortress of Solitude, and get to work by speaking to a Kryptonian Witch. Lena is very skeptical of magic, and believes that it’s just energy. Clearly my homegirl was not paying attention to the fire she summoned last episode.

Also remember that Sam was Reign because of these witches, which I guess was never brought up during Sunday brunch.

So I guess there’s this random C-plot about William having PTSD from getting shot from Eve. Look, I guess it’s fine, but why bother? You can do something that was never mentioned until literally this episode with a character that most of us just tolerate at this point, but you can’t do the same for your lead character? Like Kara is still pretty messed up from the Phantom Zone, right? I just...ugh. It’s a waste of time.

Anyway, so the Nyxly literally breaks into the museum in board daylight to steal the totem from there, which had me cackling. Superfriends all arrive in a very stellar fashion and then stand around, which had me laughing for different reasons. Anyway, Nyxly stands around long enough for Kara to go “eff this noise” and blast the totem in half, causing everyone to get whammied by the magic inside, except for Kara cuz she’s just that boss.

Brainy being possessed by Vita was amazing. “Are these my nipples?” and Nia freaking out was so funny. Also, Jesse is such a good actor. He really pulled that whole impression off.

Kara and Nyxly both fail their first Gauntlets and chaos ensues. The poor lady with a dragon lizard just cannot catch a break. Also, great callback to the pilot episode? I loved that so much. Kara is so much more confident in her abilities now.

Alex is over confident, J’onn is willing to be open with his feelings, Nia is a sleepy girl which is a BIG MOOD, and Brainy is willing to fail. I honestly thought this was all great stuff. My favourite is when Kara goes “but Alex is a glass half empty kind of pessimist!” which is how she knew something was up. That was very funny.

Lol, Mitch straight up is like “try killing your bro” and Nyxly is just like “ex-cuse me???” I love this pair.

Lena comes out to find Kara on the balcony, wondering why she failed. She first says one of the softest “hey” I have ever heard in my life. My Supercorp heart melted. Then Kara says, “do you really not believe in magic?” which Lena, being in love with Kara, responds with “I believe in you.” Then adds after one of the most pregnant pauses ever, “and I believe in all of us.” A) Lena, darling, that didn’t answer the question, and B) EEEEEEEEEK. Very good Supercorp moment for this gal right here.

So Kara fails again, whereas Nyxly succeeds this time. Nyxly passed because she had the courage to be emotionally vulnerable to her brother, neato. The show is doing a really good job making her a sympathetic villain. Add her to the list alongside Reign and Agent Liberty.

Oh, so I didn’t mention but there was this scientist lady who wanted to harness lightning and that didn’t work, so she went mad with courage and somehow caused this insane storm. That part wasn’t super clear but who cares, it looks pretty cool. Also, Lena didn’t get affected by the magic blast because she’s a witch. Lena is pissed but she’s got no choice but to believe it now.

So, against her very better judgement, Kara takes the Superfriends to fight off this massive storm that is going to blow out the city. After struggling in vain because J’onn is trying to reason with Dr. Lahr and Alex is saving William’s ass because he’s randomly on scene, Kara just tells Lena to let the totem go. Makes sense, honestly. Gotta do what’s best, which isn’t always what’s right.

KELLLLLLLLYYYYYYY. Kelly saving Alex is so sweet and amazing. 10/10 amazing entrance, love it.

Supergirl and friends stop the lighting storm in a honestly cool way. Kara makes a quip before she passes out because her and Nxyly are now connected a la Harry-Voldemort style, where they can feel each other’s emotion.

Kelly and Alex have a very sweet Dansen moment at the beginning of this episode, and to finish it as well. Kelly saying she likes scars while making eyes at Alex is everything. I love these two.

The we get a domestic Supercorp moment as well. People, us Supercorpers are being fed tonight! Lena opens up to Kara about being a witch after Kara still is struggling to figure out why she failed twice. Lena says to Kara “you are the epitome of courageous” because she is trying very hard to flirt again and Kara is just missing it. But the two share a very sweet moment where Lena offers to learn magic just to help Kara and Kara accepts it, but declines it as well because like Harry, she thinks that this could be very useful to have.

That’s it for this week. Overall, very happy with this episode. I think besides the kinda useless William C-plot, everything else was great. Great Dansen and Supercorp and even Brainia moments. Next episode, not sure how it’s going to go truthfully but I’m hopeful! Also, Kara is bullet proof and she looks so done with whoever is shooting her haha. It does sounds like a Lena-centric episode, but William also seems to be a focus, so yay-ish I guess lol. Until then!

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paunchsalazar · 4 years ago

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hey!! i loved your hoo playlist! can you explain more or less where which book begins and ends? or just your thought process behind picking the songs?

omg hi!! this is going to be really long I’m so sorry... I vaguely broke them up by book and sorta character/event/theme, it’s not super strict or anything but that was the logic!

I kinda imagine it playing out like a movie or tv series.. and so some of these kinda play over a scene or transition to the credits in my head? some more than others! otherwise it’s like punny titles or just songs that remind of plot points!

Lost Hero

- Goodbye Stranger - for Jason, since he has no idea what’s going on lol

- Teenage Dream - for the three of them, but mostly Piper!

You think I'm pretty without any makeup on You think I'm funny when I tell the punch line wrong

- Parachute - kinda Jason and Piper, I think as she realizes their relationship isn’t quite what it seems? (and just playing with his flying lol!)

- Metal Guru - Leo!

- Pretty Girl - Piper, I was imagining this when she clashes with Drew/learns about the Aphrodite cabin

And I could be a pretty girl Shut up when you want me to And I could be a pretty girl Won't ever make you blue And I could be a pretty girl I'll lose myself in you

- The Sky’s The Limit - when the three of them take off on Festus

- Snowqueen Of Texas - this was for Khione lol

I'm on my knees, your majesty; Snowqueen, save a cold kiss for me I'm on my knees your majesty

- Sweet Talkin’ Woman - this is book-wide but it’s for Piper’s charmspeak!

- Are You Gonna Be My Girl - is sorta general but I was imagining it when Jason and Piper kinda decide to be together/give it another go

- It’s Not Unusual - I think this was sorta the entire book/wider series but I just think it’s cute and fun and a Guardians of the Galaxy type end credits song? And just them accepting their very bizarre situation

Son of Neptune + Mark of Athena

I put these together because there wasn’t really a set bookend in my head!

- Hello Stranger - finally reuniting with Percy! (and I wanted the Percy and Jason songs to mirror each other)

Hello stranger (Ooh) It seems so good to see you back again How long has it been? (Ooh it seems like a mighty long time)

- Diamonds - Hazel

- Don’t Go Breaking My Heart - Frank trusting Hazel with the wood, also Percy + Annabeth, everyone really

Don't go breaking my heart You take the weight off of me Oh, honey when you knock on my door Ooh, I gave you my key

- Beautiful Soul - I literally don’t know why I added this I just wanted an excuse to add a Jesse McCartney song (which feels so tonally correct to me?) but also I think it’s Frank liking Hazel in spite of her big secret and Percy loving Annabeth

- Pocketful of Rainbows - encountering Iris!

I don't worry Whenever skies are gray above Got a pocketful of rainbows Got a heart full of love

- Am I The Same Girl - Annabeth’s POV upon reunion!

Why don´t you stop And look me over Am I the same girl you used to know?

Why don´t you stop And think it over Am I the same girl who knew your soul?

- Bizarre Love Triangle - Frank, Hazel, and Leo

- Treasure - Hazel again + the literal treasure?

Pretty girl, pretty girl, pretty girl you should be smiling (you should be smiling) A girl like you should never look so blue (blue) You're everything I see in my dreams I wouldn't say that to you if it wasn't true

- The Sweet Escape - off on the Argo II

- Okay Okay - to Italy! and I just think Italian disco is so fun

- On An Evening in Roma - walking around Rome, seeing all its history

Though there's grinning and mandolining in sunny Italy The beginning has just begun when the sun goes down So please meet me in the plaza near your casa I am only one and that is one too few On an evening in Roma Don't know what the country's coming to But in Rome do as the Romans do Will you on an evening in Roma

- Stuck on the puzzle - Annabeth + the Mark of Athena

- Coca Cola - I was imagining the pirates+sacrifice to Dionysus/ his appearance

- Edge of Seventeen - I think Annabeth remarks to herself something like am I really going to die at 17? so this is for her and all the kids just on the cusp of being 17

And the days go by, like a strand in the wind In the web that is my own, I begin again Said to my friend, baby (everything stopped) Nothin' else mattered

- Landslide - when everything goes wrong and they start falling to Tartarus

Oh, mirror in the sky What is love? Can the child within my heart rise above? Can I sail through the changin' ocean tides? Can I handle the seasons of my life?

Well, I've been afraid of changin' 'Cause I've built my life around you But time makes you bolder Even children get older And I'm getting older too

House of Hades + Blood of Olympus

these are more thematic I think? but a few moments in particular

- Head Over Heels - falling down...

I made a fire, and watching it burn Thought of your future With one foot in the past, now just how long will it last?

Something happens and I'm head over heels I never find out until I'm head over heels Something happens and I'm head over heels Ah, don't take my heart, don't break my heart Don't, don't, don't throw it away

- You and Me - Percy and Annabeth in Tartarus

If the stars don't shine If the moon won't rise If I never see the setting sun again You won't hear me cry as I testify Please believe me boy you know I would I lie As long as there is you and me

- Don’t Worry Baby - Percy and Annabeth in Tartarus, on the shore of the river

Well it's been building up inside of me For oh I don't know how long I don't know why But I keep thinking Something's bound to go wrong

But she looks in my eyes And makes me realize And she says "don't worry, baby"

- It’s Only A Paper Moon - the mist and Hazel starting to understand it

You smile, the bubble has a rainbow in it Say, it's only a paper moon Sailing over a cardboard sea But it wouldn't be make-believe If you believed in me

- Money, Money, Money - Hazel + Pluto

Money, money, money Must be funny In the rich man's world

- Magic - the whole story, but particularly with the presence of Hecate

- Summer Wind - Jason harnessing the winds!

The summer wind came blowin' in from across the sea It lingered there, to touch your hair and walk with me All summer long we sang a song and then we strolled that golden sand Two sweethearts and the summer wind

- Mala Femmina - the return of Khione

- Would You? - Leo and Calypso

Well, you know she took my hand And we walked away And I can't understand why she would stay Would you like to fall in love with me?

- Love is Like a Fire - Leo and also Frank

- Don’t Wanna Fight - Percy and Annabeth

Take from my hand Put in your hands The fruit of all my grief Lying down ain't easy When everyone is pleasing I can't get no relief Living ain't no fun The constant dedication Keeping the water and power on There ain't nobody left Why can't I catch my breath? I'm gonna work myself to death

- Love Really Hurts With You - Leo after leaving Calypso’s island

- What Makes the Sunset - Percy and Annabeth (and by extension Bob and Damasen)

What makes the sunset? What makes the moonrise? What makes the tide remember to hide and why does it soon rise? What makes a star fall? Where does it fall to? Why does its flight make us stop in the night and wish as we all do?

- Dedicated to the One I Love - everybody, but an ode to Bob and Damasen (their goodbye made me cry!)

While I'm far away from you my baby I know it's hard for you my baby Because it's hard for me my baby And the darkest hour is just before dawn

Each night before you go to bed my baby Whisper a little prayer for me my baby And tell all the stars above This is dedicated to the one I love

- Please, Please, Please, Let Me Get What I Want - Percy and Annabeth in Tartarus, I was thinking about this post-curses and them being so done with everything

Good times for a change See, the luck I've had Can make a good man Turn bad

So please, please, please Let me, let me, let me Let me get what I want This time

- Lonely Boy - Nico

- Fantasy - indulging all their visions... the mist, etc.

- Stupid Cupid - Nico and Cupid (of course)

Stupid Cupid you're a real mean guy (stupid Cupid) I'd like to clip your wings so you can't fly (stupid Cupid) I'm in love and it's a crying shame (stupid Cupid) And I know that you're the one to blame (stupid Cupid)

Hey hey, set me free Stupid Cupid stop picking on me

- Suzanne - still Nico, looking over at the couple (sorry... all the mopey songs)

- Dream A Little Dream of Me - dreams... also Percy’s wishes of the future

Stars shining bright above you Night breezes seem to whisper "I love you" Birds singing in the sycamore tree Dream a little dream of me

- Our Day Will Come - I think Annabeth says a line almost like this? somewhere at the end of HOH, I think when they’ve just gotten out of Tartarus and are all sitting together, like haven’t they had enough? won’t their day finally come?

Our day will come If we just wait a while No tears for us Think love and wear a smile Our dreams have magic because We'll always stay In love this way

- Call Me - all of them! also Nico and Reyna, just being there for each other

Tell me and I'll be around Now don't forget me 'cause if you let me I will always stay by you You've got to trust me, that's how it must be

- Nobody - Nico... oh buddy

Venus, planet of love Was destroyed by global warming Did its people want too much too? Did its people want too much?

And I don't want your pity I just want somebody near me Guess I'm a coward I just want to feel alright

- I’m a Believer - Jason and Piper

I thought love was only true in fairy tales Meant for someone else but not for me Love was out to get me That's the way it seemed Disappointment haunted all my dreams Then I saw her face, now I'm a believer Not a trace of doubt in my mind

- Summertime - Piper singing and it being the end of summer

- Happy Trails - more singing ( I want to include the songs actually mentioned!)

- The End of the World - the big battle!!

Why does the sun go on shining? Why does the sea rush to shore? Don't they know it's the end of the world? 'Cause you don't love me any more

- Too Late To Turn Back Now - departing with Festus (I think Leo almost says this too!)

- Here Comes The Sun - day comes, the Athena Parthenos is back

Little darling, it's been a long cold lonely winter Little darling, it seems like years since it's been here

- Walking On Sunshine - Will Solace

- Evil Woman - Gaea fight

Evil woman, how you done me wrong But now you're tryin' to wail a different song Ha, ha, funny, how you broke me up You made the wine, now you drink a cup I came runnin' every time you cried Thought I saw love smilin' in your eyes Ha, ha, very nice to know That you ain't got no place left to go

- Seven Wonders - the seven! also traveling the world... making it this far

If I live to see the seven wonders I'll make a path to the rainbow's end I'll never live to match the beauty again The rainbow's edge

- This Will Be (An Everlasting Love) - to me this is just after Annabeth and Percy’s kiss, shots of everyone back to camp, wides of people running around, new cabins under construction, the sun is shining, the camera pulls out

Loving you is some kind of wonderful Because you showed me just how much you care You've given me the thrill of a lifetime And made me believe you've got more thrills to spare, oh!

- Love Makes the World Go Round - like the end credits! last pov with Piper, love makes it all happen

Without love flowers wouldn't grow in the spring And without spring, yeah the birdies just couldnt sing Everybody needs love to watch the twinkling stars above It makes a boy and girl, Say they feel so fine, now

#SORRY I REALLY WASTED A LOT OF TIME ON IT #percy jackson #pjo #hoo #heroes of olympus #piper mclean #annabeth chase #jason grace #leo valdez #hazel levesque #frank zhang #Anonymous

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daydreamreality · 4 years ago

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Thinking about actor availability, and how that affects my perception of Jess and how strongly I feel about shipping Literati.

Really thought this would only be a few paragraphs going over the points where Jess could have disappeared never to be seen again, but it turned into a freaking essay so LONG POST warning if you decide to click ahead.

If the last we saw of Jess was hanging up the phone in the season 3 finale: "Well, it was fun ride while it lasted. That's about how I thought this would end." Still have a lot empathy for this kid and wish him well, but you screwed with Rory's heart like I knew would happen. Was that intentional? No. But he was so immature, out of control with his emotions, zero communication skills, not trusting in others...the list of reasons why he wasn't ready for a serious relationship, even if the feelings were serious, goes on. There was no way Rory wasn't going to end up as collateral damage in his personal breakdown that I could feel was going to happen. And this is the thought I had as a teenager with no dating experience watching this show for the first time. Did I want to date him? Hell no! I could see that trainwreck from a mile away. Rory was naïve to put her heart in his trust but that's part of her good qualities - she's sees the best in people and champions for them. I could go on a tangent about why exactly Jess was such an important character to me when I first watched the show (and probably why he stuck around unconsciously until I decided on a whim to rewatch GG in lockdown) but...I don't know, maybe some other time.

In the context of the entire show, I would look back at the relationship as my favorite one to watch of Rory's in the series (The build-up! The connection! Their deep belief in and respect for each other! The angst!) and Jess being a really fun character to root for (and yell at) but endgame? It was a short lived but important relationship. It’s fun to think about what ifs and how circumstances could have changed to make it work, but we can move on.

The ill-fated spin-off: I have no idea what this show would have been about except focusing on Jess and Jimmy and I’m not about to theorize. I still like Jess at this point so it would probably make me like him more since we’re getting a deeper dive into his character, but in regard to shipping him with Rory, this opinion would not change unless he all of sudden showed some great maturity. But I doubt this show would have even gotten a whole season so that probably wouldn’t happen. And then he’s living in California…this is too much, moving on.

If the last we see of Jess is in season 4: About the same feeling as above. Life, as expected, has not been treating Jess well. At all. His jadedness and hostility is at an all-time high when he shows up to get his car. Do I see the reasons informing his behavior and have empathy (once again, for a KID)? Yes, but he's also being a jerk. "The years don't seem to have hardened you." Well this year sure has!

I love the "I love you" scene but too little too late, buddy. That's probably why I love it, it's all a bit hopeless. Just keep shoveling the angst at me. I do like fics where this scene is reimagined with Rory running after him to give him a piece of her mind or Jess finding some other words to say (I really feel like he had more to say there but got overwhelmed), and coming to a tentative reconciliation: exchanging numbers, "don't fall off the face of the earth," but getting back together? No. You hurt her and you're feeling the consequences. Rory is not obligated or responsible to reciprocate those feelings, nor is she in a place to do that right now.

But season 4 does cement that Luke and Jess's relationship is one of my favorites in the entire show. There's probably a whole other post in me regarding that so I'll keep it brief. Because of his respect for Luke, Jess makes tentative steps towards maturing in interpersonal relationships. He shows some vulnerability and honesty with a veil of sarcasm and awkwardness because, well, it's JESS.

But then of course this all goes to hell when applied to Rory. Sometimes I like to think how this dorm scene would have gone down if Rory stepped back for a second and went, "Hold on. You're not making any sense, chill out," and they could have talked a bit and had a similar reconciliation like I said above because I really think that’s all he was going for - to talk to her, apologize, and make an attempt at reciprocation like he did with Luke. But getting back together here? Canonically, he hasn't made enough progress. He set aside his personal feelings to be in his mother's wedding and used the knowledge from the self-help book to apologize to Luke, but I don't think the book's message has sunk in all the way yet and he’s still got a massive chip on his shoulder preventing him from making a good life for himself. Getting rejected by Rory here is an important moment and I really like it. It's fun to think about the AU if Rory had said yes (hello road trip!), but it's very in-character for her to not be able to handle Jess's crisis and just shouting "NO, make it stop." This is one of my proudest of Rory moments: Protect your heart girl, he ain't ready. The seeds have been planted that Jess will continue to grow and I wish him well on his journey. Endgame material? Nah. Goodbye forever, take care my friend...

Even though this scene doesn't feel like closure at all, I really thought this was the end of Jess Mariano. So imagine my surprise when -

SEASON 6: HE'S BACK. Coming out of the shadows, [literally] it's Jess Marianoooo *air horns* *confetti* *jazz hands* *Jess rolls his eyes at the fanfare*

Alright, that's out of my system. But for real that's what my mind did at this point. For context, the way I watched this show for the first time was getting the DVDs from the library while a couple of seasons were still on the air; when a new season was available to borrow, I would rewatch all the seasons up to the current point so my memories and favorite parts of the show are seasons 1-4. Because I was not bingeing the show all the way through, seeing Jess here seemingly so different didn’t feel out of place. A shock, yes! A happy surprise. But nothing about him seemed OOC. A year had gone by, we’d seen some signs of maturity in him, and getting rejected by Rory was a big kick in the ass for him to start making bigger changes in his life. I really cannot emphasize how satisfying and sensical his positive character development felt to me.

The slight maturity we see in season 4 in its full potential. Jess is still Jess: guarded, self-deprecating, and a bit prickly but he shows a sense of calm and feeling more comfortable in his skin. This is really satisfying to see as someone who always "knew" there was a kind and capable heart underneath the exterior just like Rory did, and that tough guy, must protect myself at all costs posturing has melted away. But that side of him isn't gone, it's not like the writing did a complete 180 on his character. I love this. He's just...more at peace with himself but he's not a different person, and he's found something to direct his focus and intellect on. He's made his peace with Luke, and now he has something of worth to show Rory to try to mend that hurt as well.

Yes, it would have been nice to see how and why he decided to write a book and work in publishing but this course of events is not out of left field, nor is Jess enough of a main character at this point for scenes like this to be necessary to the show unless they were tied to Luke and showing another side of him. Jess has shown in the past that he has a good work ethic if he feels it is worth it. The problem wasn't him being lazy, just poor decision making and focusing on RIGHT NOW, "I need to get out of Stars Hollow and live my life," and not considering the consequences of his actions. Which as an immature kid whose life had told him he can only depend on himself...not out of the ordinary. The dude’s life passion is literature and has probably read every book he can get his hands on, it’s not crazy that he had his own story in him.

Here is where Literati becomes endgame material for me. Prior to the revival it was always my feeling that post-series they would reconnect while Rory was on the campaign or afterwards. It would be low drama (except for Lorelai criticism), slowly gaining trust in each other again, and eventually starting a committed relationship within a year or two of being friends with sexual tension (lol). They made their adolescent mistakes, hurt each other, but learned from it and started over on infinitely better footing.

The match just makes sense to me at this point for many reasons; I don't feel like I need to list them all out because you can go to any pro-Literati post and I'll probably agree with the majority of the points. The biggest issue they had was timing: “Right heart, wrong time.” I like especially how they even out each other's more extreme personality traits. For example, Rory learning from Jess to consider her own feelings instead of sacrificing herself for others, and Jess considering others before himself all the time. Or professionally, I can see Jess encouraging her to step away from her ultra-organized, “everything has to be just so” ways when it benefits her to seize an opportunity right now, don’t worry about the details, you got this. Maybe Jess has another book in him, but his self-deprecation and disorganization prevent him from getting it done but Rory helps him be more objective and focused. There’s this…synergistic energy I feel with the two of them: they’re great by themselves, but form something better together.

Judging from Rory's reactions towards him in this season, I don't think it's OOC for her to have romantic feelings for him again. She's extremely proud of his accomplishments and not unhappy to see him (not holding a grudge). They fall back into their comfortable dynamic even if it makes them both a bit nervous. Now some could argue that this means that Rory only wants to be friends with him but...when have Jess and Rory ever been just friends? If "Another Year in the Life" comes out (I've got serious doubts but would love to be proved wrong) and Rory rejects him or he's not even a part of it, fine! But I just don't see anything in canon that says explicitly she'll never feel romantic towards him again.

Now the kiss...there's a lot of ways to read that scene. Do I think Jess was in the right to assume "everything is fixed" as a go ahead? No. But that's part of why he is such an engaging character: he's impulsive and acts in accordance to his feelings, and yes, this gets himself and others in trouble.

Do I think Rory purposefully went to the open house to "use" Jess to get back at Logan? No. I think she genuinely wanted to support him, and Logan being out of town meant she wouldn't have to explain why it was important for her to go. I see the kiss paralleling the one in 2x22 but instead of Rory not being able to hold her feelings in any longer, Jess initiates. The way I see it is she was unaware she still had lingering feelings towards him (not out of nowhere, I mean their relationship has "unfinished business" written all over it) and that scared the crap out of her, just like at the end of season 2. So she runs away to the "safe space" that is being with Logan. Because she's in love with Logan, she has a sense of obligation towards him, and Rory has shown many times that she does not react well to change and highly emotional situations.

Is this scene a deal breaker for a future relationship between them? I don't think so. Jess says that he isn't sorry she came, which I take as "I'll never be sorry to see you no matter the context." Yes, this hurt him and made him pretty mad, but I don't think he's holding a grudge against her for this; even in the moment he's more concerned that someone cheated on her and her safety getting to her car. He sets a boundary that he doesn't deserve his feelings to be pushed around like this and Rory agrees. Not that I condone this sort of tit-for-tat hurting of each other (which I don't think Rory was going for in the first place) but it's almost like...that cycle is now broken. The whole scene is so open ended, it doesn't feel like a "good bye forever" to Jess.

"But Rory is so in love with Logan!" I don't know about you, but that "I'm in love with him despite all the bad he's done..." sounds so defeated and sad. It's almost like she's resigned herself to being in love with Logan. The first time I watched this, I thought this was foreshadowing that the relationship was on its last legs. To keep them together, Logan almost dies so Rory will bury her hurt out of guilt for holding a grudge against him. She is completely entitled to feeling hurt by Logan's actions, and I hate that she feels like she has to do this. But it happened, moving on.

"But Rory is a cheater!" When I think about Rory's characteristics, "cheater" doesn't make the list. She feels entitled to the men that she's loved and this isn’t super great behavior, but I don't view her as inherently unfaithful or okay with cheating. I give her leeway on the season 2 Jess kiss because she was a teenager with a lot of conflicting emotions and everything around her was pushing her to stay with Dean. The season 4 Dean debacle...she was still very young and naïve. I put most of the blame on Dean for manipulating her; I say most because if Rory really wanted to be with him, she should have been more sure of the status of his marriage, but I repeat: he manipulated her and she was very young and naïve. I dare to say she has been conditioned to view Dean as nothing but safe and trustworthy so why wouldn't she believe him... Season 4 was all about her being out of sorts when away from the Stars Hollow bubble and trying to reclaim some normalcy. Narratively, I see why this makes sense and I don't think the intention was to say “Rory is okay with cheating,” but to show very explicitly that Rory isn't perfect. This show goes to extremes, at this point I kind of just accept it and don't jump to "this person/character is terrible!" Certain characteristics and behaviors I have less patience for (mild) or will make me lose all respect for a character (extreme - honestly very few GG characters fall into this category for me); you may feel differently and that's fine. When other plot points in this series are much more bizarre and OOC, while this turn of events makes me uncomfortable and angry, at least it makes sense to me.

The 6x18 kiss I've already said that I don't think Rory had premeditated intent to cheat on Logan judging from the fact that Jess initiated it; yes, she went with it nor was it a complete surprise, I get this. The "I couldn't even cheat on him..." line I think is an outburst of guilt and regret, not her saying she had a plan in mind. Maybe I'm being too soft on her, I don't know...she did stay there late but maybe she just got lost in the book while waiting to say bye. We've seen her not know how to deal with conflicting emotions and change to her status quo, and attempt to distract herself when life isn't panning out the way she wants and not think about the consequences in the moment, so I don't find this scene OOC or intentionally cruel. The revival...I don’t think I can even go there right now because it would just be me screaming incoherently about how much I hate "full circle" and how bizarre the entire thing was. Maybe something of value would eventually come out with a lot of editing. XD

This isn’t to say I’m 100% on Rory’s side all the time. Pretty much every character in this show has at some point made me smile, made me laugh (generally with them, but some characters it’s more like at), made me want to give them a hug, made me roll my eyes, and made me want to throw something at them. That’s why I love it so much! Even if the drama is turned up to 1000, I still get the sense that these characters are human. My favs end up on my “will protect at all costs” and “shit” lists throughout the series, no one is immune. Except Lane. She really is the best person in this entire show. #JusticeForLaneKim

If ASP had written season 7: (Remember there being some sort of theme to this post? Only two episodes in s6, but Jess sure does make an impact.) I bet Jess would show up at some point. MV is loyal to the creators and not the show, if it was important for Jess to be there I’m sure his shooting schedule would have been accounted for. Storyline would have been similar to the revival because AYITL is ASPs season she didn’t get to do without considering how time passing affects the characters (I’M STILL SALTY) except Rory is at Yale and I think the book was a new idea. Shipping as endgame doesn’t change, and I bet there wouldn’t be a nice little Literati ending because we’ve got to end it the same way, right? I don't even need them to be together at the end because Rory has greater plans to focus on, but just a moment! One moment is all I asked for... I don’t know if this makes me mad because I felt like the narrative had been pushing us along this path for so long even if actual "endgame" was going to be offscreen or if I kind of like just having it in my imagination. Little bit of column A, little bit of column B. In any case, it could have been cool to see Jess present for the birth of his half-sister and giving Luke some support.

Like I said, I'm not touching AYITL right now. The whole starting point of this was, "huh, if MV never came back to the show, how would I feel about Jess and Literati?" And he was in it so it doesn't really fit into this even though we've gone on a meandering journey as pieces of discourse that have never sat right with me but didn't quite know how to express that disagreement until now popped in my mind. So there you go. If you’ve made it to end, claps to you, what a champ.

At the end of the day, Literati is the ship that makes me feel the most things, it's kind of just a gut thing. This really isn't any sort of argument just an outpouring of love for the show and these characters. I don't know how well that's communicated, but hey, I try. I’ve got a lot of nostalgia for the pairing and I always viewed Jess as being Rory’s, and only Rory’s, choice.

#Gilmore Girls #Literati #rory x jess #Jess Mariano #I've been writing and editing this for 2 weeks and just accidentally pressed post and uhhhh #I don’t think there's more you can do self #Just run with it

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neeterloveschenford · 3 years ago

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RNM 3x03

Hey y’all! Was last night amazing or what! We finally got Malex!!!!!! We got Echo, Delmanes, and Kybel as well. So many good things happened. Let’s dive right in.

Poor Max. Poor Liz. Why did they use each other’s last names. (Weird) And then we segue right into Ortecho sister’s quality time. I love it when they bicker. They are so realistic when they do.

Broody Michael breaks my heart. And Jones is such an asshole the way he’s working Michael and Isobel. Which brings us right into broody Alex. (I love these two goobers.) I’m not sure whether Eduardo is good or bad, but I sure do like him. Also sassy Alex (Men who stare at goats, LOL) gives me life.

I do love Isobel and Maria sassing each other. I am enjoying the mystery of who gets murdered, but I am now convinced it’s not Michael for sure. And I think all the Sanders clues are red herrings. I still think it’s going to be Rosa. I don’t think she’ll actually die, cause they’ll figure it out before then, but she’s my leading contender. Also, don’t think I didn’t notice Max put up a card with Arturo’s name on it. Get that man off your murder board dude. If Arturo dies, we ALL riot!! And this is just what Michael needs. He truly believes he deserves to die, especially now that he knows who his father is.

Love that Isobel is seeing visions now. I’m hoping that next week when she and Maria take their “journey” that it’ll be her dreamwalking. I always loved that power of hers.

Have I mentioned that Kyle is the MVP of this season? I love his reaction to learning that there is another Max. And as much as he dislikes Max, you can see how much he cares about him. He’s just good through and through. I love him. He’s also totally done with Liz. The way he called her out on all of the things she did last season was fantastic! Max and Liz needed to hear everything he had to tell them.

Jones is so sneaky. I just love to hate him! He is working Isobel so hard. But I think it’s going to backfire. She’s going to embrace her empathic nature and read him like a book. I get the sense that Louise was able to sense the evil in him and that was how they knew that he was the enemy. Perhaps there was even a relationship between Jones and Louise. Maybe he’s even Isobel’s father! (Yeah, farfetched, but I determined to see him be somebody’s daddy!)

Ok, I don’t care what anyone else says, I am digging Delmanes! They are cute together. And I am not upset in the least that Alex ships it too. Look, I know I have had my issues with Maria. I think 2x06 is one of the most toxic episodes of tv out there. But I’m not going to blame Maria on something that was clearly all about Carina. I’m willing to chalk that episode up to a weird fever dream and go from there. She’s interesting this year. And one thing that makes that possible for me is her relationship with Greg. He’s honestly everything that Michael tried and failed to be when they were together. And Alex explicitly said in that episode that he could never hate her. They are best friends and everyone that hates either needs to suck it up or find another show to watch. She ain’t going anywhere. And if she can find her happiness with Greg, then so be it.

BERT!!! It’s been so long! I’ve missed him so much. And what is up with this Jordan? What an ass! Doesn’t he know he’s going to go the way of Racist Hank? I like the way everybody doesn’t know what to do with not racist Wyatt. As long as we dont’ get a romance between Wyatt and Rosa, I’m going to see where it goes. Could be interesting.

Back to my boy Kyle and him calling Liz out for all her nonsense. She needs to hear this! The cost of all of her unethical experiments was too much. I hope between this and her talk with Rosa she will begin to understand that she can’t play God with everyone else’s lives.

I LOVED Alex and Greg. Greg laid some truths on Alex that he definitely needs to hear (Are we sensing a theme in this episode?) Greg’s right. Why didn’t Alex join one of the other branches of the military? Why did he choose the one that his father was in? Alex has to rid himself of Jesse’s voice in his head. When he does, then he’ll finally be in the headspace to have a real relationship with Michael. And whether it’s good or bad, I think Deep Sky is going to be the catalyst for that growth.

And of course Michael is spoiling for a fight. And this Jordan creep is going to be the perfect target for him. (Also, protect Bert at all costs!) And did Max not notice the dudes in the alien masks? Didn’t a group of them attack Maria like one day ago?

Which brings us to my new favorite Malex scene. OMG! It was less than two minutes, but it packed such an emotional impact. Alex laid his own truths on Michael that were harsh but so so true. Michael has always held himself to a different standard than anyone else. Could he have been gentler? I don’t think so. I think it was exactly what Michael needed. And then we get the closest to a present day I love you than we’ve ever gotten. If Michael died, Alex would burn the world down. That’s how much he loves him. After everything that has happened between them. Despite the fact that they don’t know if they will ever truly be together. In spite of the fact that they haven’t been together in two years, Alex still loves him enough to destroy anyone who would dare to hurt Michael. We got feral Michael last season. By God I want feral Alex this season. I think we’ve earned it. (Also, MICHAEL GAVE ALEX A PRETTY ROCK! That could be the most unintentionally romantic thing he’s ever done.)

I also loved the fact that that emotional moment led right into the Liz and Max emotional moment. Max is so willing to let himself die just to protect Liz. And I think Liz is finally starting to see the damage she did to their relationship. It was easy to run off to the west coast and blame Max for everything from afar. But now she’s seeing first hand the damage she’s done.

Which led right into the emotional Kybel moment. (The shipping was strong this episode!) I love how she cares about him taking care of himself. And that is exactly what Kyle needs. Someone who sees him for the hero he is and wants to protect and cherish him. If they don’t happen, then I just don’t know what I’m gonna do. (Besides cry hysterically.)

I’m digging the whole mystery of the machines. Alex’s machine turning on and being amped up by the pretty rock that he got from Michael. And it turning on Kyle’s radio from his father. What things have you been hiding all these years Jim Valenti?

Poor Max doesn’t realize how dangerous Jones really is. It’s no wonder Jones is free now. It’s going to be interesting how everyone figures it out.

It amazed me that there was absolutely zero things that I disliked in this episode. All three episodes have been absolutely fantastic so far. I am just loving everything that has happened. I cannot wait for what’s to come. I just know it’s going to be so much goodness.

As always I have some theories that are percolating in my brain. I will be posting about those later. But until then, hope everyone has a wonderful week! I will see you all this time next week!

#roswell new mexico #roswell new mexico s3 #spoilers #it's only my opinion

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riversongg · 4 years ago

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Pairing: Castiel / Dean Winchester  Warnings: Swearing (Is this a warning?)  Word Count: 1087  A/N: This is something I wrote a while ago and planned to post as a later chapter of a fic I started, but due to work/life commitments I haven’t been able to post in that fic as much as I would have liked, so instead I am just posting it here today to celebrate the 2021 Valentine’s day Destiel wedding!!!If you enjoy I would LOVE to hear what you think!   Summary: It’s Valentine’s Day after the events of Season 15 except Cas came back and no one dies. Dean and Cas get married and everything is soft.

Dean snuggles into Castiel, his arm around Dean’s shoulders where they lie. Dean has no idea how he ended up as the little spoon, but he’s too happy to care. He reaches up to Castiel’s chest, intertwining their fingers. He revels in the moment, in the feeling of pure happiness. But it’s more than that. He knows happiness, he’s felt it before. It’s a rare feeling, sure, but what he’s feeling right now is beyond happiness. It’s something he doesn’t think he has ever felt before.

Peace.

He breathes slowly, deeply, closing his eyes and simply existing in Cas’s arms. He pulls Castiel’s hand to his lips and kisses the ring that is now sitting on the ex-angel’s finger. It’s cold against his lips, the silver standing out against the warmth of his husband’s skin.

“Mr Winchester,” Dean says with a smile.

Dean feels Castiel untangle his hand from his as he reaches to cup Dean’s jaw.

“Dean,” Cas says, his voice full of more warmth and love than Dean ever imagined he deserved. But he does. He deserves this. He deserves Cas. He leans towards his husband and their lips meet in the middle, soft and chaste but sure. A promise lingering between the two of them. A promise of tomorrow. A promise of every day after. They breathe each other in, eyes closed, content to exist in each other’s orbit.

“I don’t think I will ever be ready for this day to end,” Dean says as he pulls away. He leans back against his husband’s chest, hooking his left hand around Cas’s thigh. The arm around his shoulders gives him a squeeze, tight and reassuring.

“I know,” Cas says simply. “Today was the best day of your life.” Dean shoves him teasingly. “You know it’s true. Everyone you have ever loved, all in one room. Everyone happy, no pain…” He pauses. “Except when Crowley decided it would be a good idea to try karaoke.”

“Heh,” Dean laughed. “Yeah, no one needed to experience that, no matter what they have done to deserve it.” They smiled at the memory of that evening, a drunken ex-King of Hell swaying on stage to a terrible rendition of Air Supply’s All Out of Love.

After a few minutes Cas presses a soft kiss into Dean’s hair. “You will see them all again tomorrow, you know.” Dean nods. “And Jack has given them all the choice to stay.”

“Cosmic consequences be damned,” Dean quotes, “yeah, I remember.” He sighs. When they told their son that they would be getting married, Jack had told Cas and Dean that he wanted to do something for them, a gift, to make their wedding the best possible day in existence. He’d been away for a while, busy revamping Heaven. Changes were coming, they could all feel that.

Dean first understood the shift in their reality when Jack told them that he had offered all monsters on Earth the option to be “cured”. He had said that he didn’t want to force a cure on them, that it wouldn’t be fair to those who lived a good life. “Like your friend Garth,” he had told Dean, his face so earnest and hopeful.

Jack explained that Purgatory would cease to exist. The afterlife would not be the same. Any demons in Hell who wanted to start again as a human would be given the chance. Everyone else would simply exist no more.

And the same thing was going to happen to Heaven. Dean remembers the way it felt when Jack had told him that the souls in Heaven would simply drift away into nothing, the way his heart felt like someone had taken ahold of it and squeezed, never letting go.

But of course, Jack, kind and good as he is, had one surprise up his sleeve.

Everyone that Sam and Dean and Cas had ever loved, had ever cared for, had been brought back. “Cosmic consequences be damned,” Jack had said with a bright smile. “This is how it is meant to be.”

Dean had felt happier and lighter than he ever had before. Everyone. They were all coming back. Holding Charlie in his arms, sobbing into her hair as she stroked his back had been a weight lifted.

There had been a very strange reunion between Sam and Jess, especially when he introduced Eileen into the mix.

Even John Winchester had been brought back. Castiel punched him on the nose in principle, breaking one of his fingers. That had been a fun trip to the hospital.

“You will never be ready to say goodbye to any of them,” Cas says. “I understand.”

For the most part, everyone was excited to stay on Earth, give living another go. Not many people get a chance at a redo, and this would be the last time anyone would ever come back. But Jack didn’t want to force people to come back. He had explained it would be unfair, especially after he understood how painful and difficult it had been for Mary that first time.

Some people had decided not to stay. They would stay for the wedding, for one last hurrah, of course. But on February 15th they would be saying goodbye.

Forever.

“Hey, Cas?”

“Yes, Dean?”

“You know I love you, right?” He hates how insecure he sounds. Cas laughs, his voice low and quiet.

“I think the fact that we just got married in front of all of our loved ones, Dean, tells me how much you love me.”

“Okay,” he says. “Just checking.”

“I love you too,” Cas says, “more than anything.”

And Dean leans in again, kisses his husband with all the love and passion his body can muster. He wants to show Castiel just how much he is loved, cherished, valued. He wants to make his husband feel good, and happy, and pure.

Things quickly become heated between the two of them, and as Dean sinks into Cas, becoming enraptured and enveloped in their passion, he allows his mind to drift back to earlier that day, to the one moment he never wants to forget.

Dean stands in front of his husband to be, hands joined tight between them. The Roadhouse has somehow been rebuilt - Dean reminds himself to thank the kid for that later - everyone he has ever loved sat in one room. Dean never imagined that something like this would even be possible. But here he was, standing before the person he loved the most in the world, ready to tell the whole world.

“Castiel,” Claire says, because for some reason she insisted on officiating, “I believe you have prepared your own vows.” Cas nods to her, his face stoic and serious. Dean watches as he takes in a deep breath, preparing for the speech he has prepared.

“Everything I have done since the day I pulled you out of Hell has been done for you,” Cas begins. “Because of you. The good, the bad…” He trails off, a small smile growing on his face. He looks down, away from Dean, and lets out a small huff of laughter. “Yes I may have been misguided at times, made some bad choices.” His eyes reach Dean’s again. “But I did everything for you. All I ever wanted was a better world for you, Dean Winchester. I wanted to create a world that you would be proud of.” Dean squeezes Cas’s hands even tighter.

“Dean.” Cas says his name so simply. It’s just one word, one small syllable. But the way he says those four letters speaks so much love and affection into the world that a part of Dean wants to run from it. It has taken him a long time to accept that he does deserve the kind of love that Castiel, ex-angel of the lord, and love of his life is offering, but sometimes Dean doesn’t know how to truly comprehend that he is allowed this kind of happiness.

“I know for the longest time you have thought that I have only stayed by your side out of obligation,” Cas continues. “You feel, you worry, that I think I owe you something, and that is the reason why I stay. You taught me how to love. You taught me how to care, how to be human.

“I know you still sometimes think that I stick around because it’s convenient. But every day, every moment of my life, it is an honour to be able to exist in your orbit. Knowing you has been the biggest pleasure of my life. Simply standing here, getting to exist next to you… It would be more than enough to make me happy until the end of time. But getting to be with you, to hold your hand, to look into your eyes, to exist with you, that is more than I could have ever dreamed.”

Cas is well into his speech now, and Dean definitely does not feel his through tightening, a tear forming in his eye. Definitely not.

“I knew a long time ago that I intended to spend the rest of my life loving you. I have told you before that I learned to love everyone, the whole world, Sam, Jack, our family, because of you. But my love for you… That’s something I will never be able to quantify. It’s not only a part of me, but it has made me who I am. And I am so grateful that you have given that to me.”

Dean can feel his heart beating now, harder than it has ever beat before.

“I want to spend the rest of my life loving you, Dean Winchester. If you’ll have me, I want to do it by your side, holding your hand as we walk Miracle, kissing you good morning despite your awful morning breath,” - that earns a chuckle from their audience- “pretending I like Led Zeppelin more than I actually do,” -and that earns a protested “Hey!” from Dean, a chuckle from Sam, and an understanding nod from Jack- “practicing my baking skills until I make the perfect pie… all of it. I want all of it with you.”

“You are not only the love of my life, Dean. You are my life. My love, my joy, I would never have understood any of it if not for you. If you will have me, I will spend every day in the rest of my existence thanking you.”

And then Castiel turns back to Claire, giving her a small nod to indicate that he is finished. Everyone is quiet. Everything is still. No one moves.

Claire clears her throat and turns to Dean.

“Well, shit Cas,” Dean says finally, a laugh escaping as a single tear manages to escape, “how the fuck am I supposed to follow that?”

Everyone laughs. And everything is perfect.

Read on AO3. Credit to @sunforgrace for the banner

#my fic #wizardinpyjamas #deancas #destiel #destiel wedding #destiel wedding 2021 #fic #fanfic #fanfiction #fan fic #fan fiction #ficlet #valentine's day #wedding #wedding vows

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im-the-punk-who · 4 years ago

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@rnmmarchformeta Day 1: Tonight’s theme is: Themes

Malex and Music: Tracing a relationship through music used in the show - Part 1

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Given that both Michael and Alex have a personal connection to music, I wanted to go over some of the intricacies of what the music choices and lyrics/stories behind the songs used might tell us about Malex. The music choices in Roswell New Mexico are deliberate and often incredibly pointed. Particularly in the case of Michael and Alex there are elements of their relationship that are not so much underlined as written about only in the lyrical choices that play under their scenes. This choice for me made rewatching the series a lot of fun because as I discovered the lyrics to some of the more obscure song choices I kept discovering new intricacies and motivations for each of their decisions. Below the cut for length.

(Author’s note circa 2007: (rawr xD) I’m focusing specifically on the parts of these songs that play over or in direct correlation to scenes where Michael and Alex are both present. I would love to explore this theme in the wider context of the whole show and how their interactions with other characters might change some of these but...this is already like 6k and that’s just how the peas and carrots cooked. That said I will be referencing other characters and relationships as relevant, particularly, I will be talking at some length about Milexa and the airstream scenes in 2x06. I personally have a favorable reading of the scenes and what they mean for Michael and Alex. I also talk briefly about Milexa in a few other spots - they’ve been marked as ‘Milexa’ or ‘Miluca’ if you wish to skip them, although I don’t know if this will make sense as a whole without them. But, should you wish. Proceed accordingly. <3)

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Posted on AO3 here.

Sedona - Houndstooth (1x01)

The first song we hear in relation to Malex is ‘Sedona’ by Houndstooth. The song plays during the reunion as we see Alex confront Michael about the chemicals found around his airstream. The verse that plays underneath the scene references how, due to its scenic beauty, the town of Sedona was once a highly sought after filming location but had fallen into obscurity when cowboy movies went out of style in the late 70′s.

Similarly, Alex tells Michael that he is ‘wasting his life.’

“Does the macho cowboy swagger thing ever get old for you?”

“Did it get old for you?”

For me, this scene is as much an introduction to the past between these two as their present. Gone but not forgotten, their interactions are a ‘script’ that the two of them play off of. In other words, Michael and Alex don’t so much interact as play off of what the other expects from the other. This becomes especially clear when in 2x05 we learn that Alex has at least once before warned Michael about ‘wasting his life.’

When The Truth Hunts You Down - Sam Tinnesz (1x01)

The next scene is this one, in which we see Alex contemplating an old picture of himself. We then see Michael watching him.

Later, the last line is overlaid with Jesse telling Kyle about the existence of aliens.

The truth about Michael’s alienness is quiet literally hunting them, but so is something about Alex’s past. As we get to know him, we learn just how much his father is interconnected with all of the worst moments in his life and everrything he has buried and tried to run from in order to avoid it. Michael, Roswell itself - Alex ran halfway across the world to try to run away from the trauma of his youth, and yet here he is.

“Nostalgia’s a bitch, huh?”

“You know I thought when I got back from Iraq you would be long gone.”

“Is that what you want?”

“We’re not kids anymore. What I want doesn't matter.”

We also find out something of the nature of his and Michael’s relationship and that there are clearly still feelings between them - no matter how much Alex is trying to deny it.

Give Me The Night - Des Rocs (1x02)

This is one of my personal faves from the Malex soundtracks. It just *slaps* okay?

Aside from the obvious nod to Michael’s alienness, this song underscores the divide still between Michael and Alex despite the passionate kiss they shared at the reunion. Michael is initially flirtatious and full of swagger - until Alex shuts him down.

The fallacy of Alex’s rebuke and his dismissal of the feelings behind the kiss are underscored by his refusal to even look Michael in the eye as they talk. Even if he tries to deny them, the truth of his feelings hunts and haunts him because he feels he can never act on his own desires. And in turn when presented with the about face, Michael turns bitter as the push-pull is reinitiated. Michael falls back to the script they’ve been rehashing to save his feelings - ‘puts on a show’ as it were, and Alex falls for it hook, line, and sinker. He is still unwilling or unable to see the truth that lies beneath the surface.

“Isn’t there some law about building on a historical site?”

“A historical - oh you mean because the UFO crashed here? Yeah, we’re not supposed to build on Santa’s workshop either.”

For Michael, who at least to me was obviously hoping things would change this time around, this must feel like a bucket of cold water, especially in the face of Liz Ortecho’s knowledge and seeming easy acceptance of the aliens’ existence. While Max might get his happy ending, Michael is left to keep hiding from the person he loves, never being seen and wondering if Alex’s feelings are even real.

Two Princes - Spin Doctors (1x02) (Miluca)

In rapid fire we have the next three songs as Michael and Alex spend some time at the Wild Pony. This verse plays under the interaction when Alex comes in the bar and spots Michael.

“Though he got kinda hot. In a ‘sex in a truck, smells like a river, never introduce him to your mama’ kind of way.”

“I hadn’t noticed.”

My boy. My child. My bluntest instrument in the tool kit. Has no one ever told Alex Manes that saying you hadn’t noticed an objectively hot guy is hot is basically code for ‘I haven’t stopped staring at him since I walked in and my brain is not functioning at a high enough level to mask that fact’? Son, please, this is a drunk Wendy’s.

(Also this is huge foreshadowing for Miluca - Michael and Maria don’t have sex *in* a truck but it’s pretty close, we find out later that Michael/the aliens smell like rain, and she tells him he’s not meeting her mother at one point. The angle of this shot is also, for me at least, a hint that Michael is going to become the object of these two ‘princes’ affections, at some point.)

Anyway this is basically poking fun at Alex Manes, repressed disaster, for having no clue what love is and trying to express his affection through like, everything except anything anyone would understand as romantic love. (And we will see this in the flashbacks as well as present day - that Alex mostly uses his station or advantages as a way to show the people he loves he loves them, rather than using words. When he offers Michael the shed, brings him the guitar, uses his military connections to find out about Michel’s mom, hacks into Maria’s computer...listen I got more.) But that isn’t enough, as we’re learning. If only there were some way Alex could also learn that lesson.

And seriously, “This one said he wants to buy you rockets?”

How’s It Going To Be? - Stephen Edwards (1x02)

“Is there really nobody in this world that you wouldn’t risk everything to save? Sad.”

Oh Isobel, if only you knew.

So, aside from returning the kiss Michael initiated at the reunion, Alex has soundly rejected every advance Michael has made for a relationship. Despite that Michael seems to have been harboring some hope that things might be different not that Alex is back more permanently. But now with Isobel bringing into question what he’s willing to sacrifice, I think he might be realizing that toll has been extremely steep already.

(Also truly obsessed with how both Alex and Michael have positioned themselves so that they can casually glance over at each other without arousing suspicion. *Boys*. It’s not that complicated what is this middle school?)

We know that Michael doesn’t like having to keep secrets, and again I have to wonder if he’s regretting not telling Alex he’s an alien, or wondering how that conversation would have gone.

From the previous scenes we can tell something in their relationship is coming to a head - maybe Michael is hoping it’s that he can finally stop keeping secrets from Alex and show Alex who he really is - that Alex will stop misreading him. That Alex will change.

But there is also the expectation that if that happens, Alex will likely leave again. Not just because that’s what Alex’s trauma makes him do, but also because that is how Michael frames all of his relationships. As ‘until you leaves’. He is shown to have a habit of catastrophizing because he doesn’t believe himself to ‘belong’ anywhere(HA) and this is one of those times we’re shown that.

Come With Me - Gold Star (1x02)

“Home can be a person.”

And here we have Alex “thinking about who he was” as Maria closes up the bar. Given where this scene leads with him and Michael, I think the rest of the lyrics to the song are incredibly poignant.

Tell me what were you dreaming? Tell me who were you trying to reach? Gimme something real to believe in Or gimme a reason to leave So i left her standing under shining stars in the Silver moonlight by old Borough Hall - whoever you are

We know that after this evening Alex attempts to rekindle his relationship with Michael, still thinking about who he was, and maybe for the first time trying not to run from what he wants. He’ll be unsuccessful this time, but it’s the first clue that Alex is attempting to break a pattern that has held him in place for ten years.

While he may have been misreading Michael’s stunted growth, we’re starting to see Alex contemplate change in himself. This is the start of Alex’s two season long journey to break out of the fortress he’s built around himself. To ‘put his weapons down’ in an effort to be with Michael.

(She lets her guard down on her way back//to close her eyes and fall asleep - “It was late....I was tired.”)

God of Wine - Third Eye Blind

So clearly the writers were like ‘how can we hurt Milo specifically’ because these lyrics are *so good* as we hear malex talk about the way they view their relationship for the first time in the show.

The music starts just as Michael picks up the old photographs, first of the pod squad, then of himself and Alex playing guitars in the desert. As he packs up the airstream to move it off Foster’s Ranch, Michael is also thinking about the past.

Throughout the series, we’re given a bunch of musical lines about how Michael and Alex can’t go back to what they were, that they have to move forward. And it’s true - as we’ll see over and over again the dynamic they’ve had has been incredibly unhealthy for both of them. But they also cannot avoid the other’s orbit. And when Alex comes to talk to Michael it’s the first time we see him actually decide to initiate - to try and take what he himself wants, rather than waiting or hiding from it. But it is also very much Alex falling back into the ‘madness that holds a truth he can’t erase’ of Michael’s really, very, super, incredibly obvious feelings for him. Our boy is not subtle.

But Alex is still hunted by the past - before we know his history we assume that when Alex references ‘who he was before he went to war’ he means Iraq. But Alex’s war is his father. As much as combat can absolutely be a traumatizing experience, for Alex I never really read that as his main source. As he’ll tell Forrest later - “My PTSD triggers are a little more complicated”.

And so when he tells Michael he’s been thinking about who he was “before he went to war” for me that’s more a callback to who he was before Jesse found the two of them in the toolshed. “When this started.”

As Michael tells him “From where I stand nothing’s changed” the words “I know, I know, I know” repeat in the background because WE KNOW. We all know, except Alex.

“And that’s a problem for me, Guerin.”

And the siren’s song that is your madness

“Because every time you look at me, I’m seventeen all over again.”

holds a truth I can’t erase

“- and I forget that the last ten years even happened. And then you look away and I remember all over again. And it almost kills me every time.”

All alone on your face

“I never look away. Not really.”

For Michael this is basically confirmation of what he’s been realizing over the last few days - that Alex has been totally misreading him and that yes, Michael, you’re going to have to use your words on this one.

To which we see Alex’s brain 404-blue-screen for a minute as he realizes what Michael means. Which I personally really appreciate.

And especially since we’ve just learned that a lyric of this song was written on Rosa’s hand the night she died, I can’t believe it’s a coincidence in this being the song that plays underneath this scene - where Alex says he was thinking about who he was before. Everything changed that day for everyone - including Michael and Alex. Michael had gained a terrible secret he couldn’t share, that meant he changed his whole life and started needing to hide and lie and act out, and Alex - not knowing the truth - assumed that it was Michael’s way of trying to push him away and end the relationship. Which leads to the decades long miscommunication of Alex seeing Michael do that over and over again.

For the last ten years, Alex has been seeing Michael as the boy who looks away, then looks back. A Michael whose focus shifts to and away from him and who he sees as wasting his life; directionless and aimless. But as he realizes what Michael is saying he has to recalibrate everything he’s thought their relationship is.

This is possibly the first time Alex has realized that his view of Michael has been wrong. That he really doesn’t know Michael at all.

And we know this interaction has a profound impact on Alex in terms of how he views their relationship. I feel like this is one of those things that becomes a mantra for Alex, later down the line. He repeats it to Michael at Caulfield, and in his song as well, “You never looked away, now I won’t look away” to express his commitment to breaking down the walls he has built up for himself.

Even though we know the relationship is doomed at this point, it’s the first time a stone falls from the walls Alex has built around himself in a decade.

Here - Chance Peña - 1x03 (Alternate title: “Home”)

Okay I would like to petition to make it illegal to have unreleased songs in episodes, Chance Peña help a bitch out. I had to watch a *fish show* to hear the full lyrics because they’re edited in the show! ( I will also note the next lyric is ‘goodbye, my dear’ which. rude.)

Anyway, we’re given these lyrics as Michael wakes up to seeing Alex has stayed the night. I took the editing, with the previous song choices, to be a reaffirmation of this being something new to Alex, but not necessarily to Michael. Michael knows what he wants from a relationship with Alex - even if he’s put the hope aside from time to time the want is always clear.

For Alex though, a relationship with Michael is something that scares him because of his fear that it can be taken away. (”I just thought that I could be happy, and not be afraid that if I loved anything my dad would destroy it.”) He is trying to make it work - “drawing near” to Michael - but he knows that in order to do that he is going to need to be uncomfortable. To face the fears that have held him back and kept him in comfortable limbo for so long.

I’m also going to flail about how, while RNM has the song listed as ‘Here’, the producer of the other show(Battlefish) identified the song as ‘Home’. I hope I don’t have to yell at y’all, other Roswell New Mexico fans, about how often that word has snuck up on me and knifed me in the back regarding malex. Especially since Alex *is* currently - well, here. With his home. Kill me please it would be kinder.

But then of course we see the old insecurities pop up again as Isobel arrives. Even if he is trying - Alex is nowhere near ready to jump out of the closet yet.

Fast Aint Good Enough - Inkwell Echo (1x06)

I debated adding this one because it’s a little bit reachy, but I thought it was significant in that even when they were seventeen, the thing Alex is ‘afraid of’ is his feelings for Michael - not necessarily of being gay but of what people like Kyle and his father do with information like that.

Wish I’d found the words when we were seventeen-

Kyle asks

“What are you so afraid of?”

-just as Alex catches sight of Michael.

(“I wanted to be the kind of person who won battles. It felt good.”)

Aside from Alex’s general need to protect Michael in any and all situations, I feel like the lyrics of this song - about the singer’s attempt to leave an abusive relationship - underscore that even before the toolshed, Alex was fighting. Even before the toolshed, he has been fighting to this cycle he is trapped in.

While he and Michael build their relationship he starts thinking seriously about leaving and not just surviving but he will ultimately choose to trap himself for years in order to hide his love for Michael.

Like so many gay kids, Alex is fighting a system that deems him guilty of sin - and takes his fighting back as a sign of his guilt. And in order to actually be able to love Michael, he is going to have to figure out how to put down the weapons and the hurt and break the cycle.

First Day Of My Life - Bright Eyes (1x06)

Are they serious right now I swear to god.

So obviously, we’ve got the origins for everything we’re told about Michael and Alex’s lives changing based on their feelings for each other in like two and a half verses of song. Forget the entire second season we have everything we need right here.

“It was the first time I liked our hometown, though.”

“Alex made me believe there was a place for me here.”

We know that for both of them this is really a moment of self discovery as much as it is a discovery about each other.

For Michael in particular, who doesn’t know why he’s here or who he really is, and who previously had no plans besides leaving the planet, this is the moment that he realizes what he wants - to be with Alex.

And for Alex, to me, this moment is a brief glimpse into what his life could be like. We don’t have any confirmation if Michael is his first kiss with a boy or not, but we do know that this moment is significant in that it’s the first that makes Roswell feel like a place he enjoys being.

And as he is realizing that, the lyrics echo it -

But I realized that I need you // And I wondered if I could come home

(Screeching from the background: WOULD YOU COME HOME)

But of course, as the song says, these things take forever because...well....

(It’s because Alex is dumb. My poor dumb emotionally stunted child. Please go to therapy.)

In essence, this is the moment that sets Michael and Alex on their entwined path. The path that Alex will have to fight to get back to - the path Michael will lose faith in before he later starts to regain the hope that it exists. I also like to think about the link between the last lines:

Remember the time you drove all night // Just to meet me in the morning?

and the line from ‘Would You Come Home’

Would you meet me in the middle // Could we both stop keeping score?

I like to think about the parallel here, about meeting people where they’re at, and the love and care and effort it takes to be willing to drive all night to meet someone. Listen a bitch is soft and gay don’t look at me.

You Can’t Love Me - Novi & Tyler Blackburn (1x12)

(*Whispers and rocks back and forth* this is fine it’s all fine)

Once again we have a song whose lyrics give us a tailor made road map to Malex, and will pop up later in ‘Would You Come Home’. We’ve already seen the implosion of the way Michael and Alex have been orbiting each other for a decade, but now that Alex knows the truth, he actually has the ability to understand Michael in ways he hasn’t been able to before. (Something we’ll see later in Season 2 when he talks with Maria.)

And because of that, we see the true beginning of the journey of Michael and Alex back to one another in a healthier way.

But part of that journey is going to be realizing that what they’ve been doing and the way they have loved each other in the past isn’t sustainable - and maybe isn’t even the way they want to love each other.

“They’re my family, Alex!”

“Alright, maybe! But you are mine. I don’t look away, Guerin.”

“No. We’ve been holding onto this thing. And it’s gotten us nowhere. Just let it go.”

Even though the words are said in anger, there is some truth to what Michael says. Their relationship so far hasn’t been a good one. Where Alex is trying to repeat the words that Michael said to him that made such an impact on him, Michael is (well, a, trying to save his dumb boyfriend from getting flambayed) using the opportunity to reveal how little faith he has in their relationship. To say that no, this doesn’t feel like love.

But as much as the song lyrics are about loving someone who isn’t good for you, they’re also about changing and growing, and about a commitment to be better.

(Sound familiar? Brb, I’m gonna go jump off a cliff.)

Love is messy, and especially for Michael and Alex, love has always been something that hurts. “Home is where the hurt is” - and a really important part of their journey is realizing that, and realizing there is a different way of loving each other.

Additionally for Alex, this is when he starts to realize the full extent of his family’s involvement in hunting and hurting Michael’s family. It isn’t just his dad - his entire family line has been involved in this since before Alex was born. And still is. This is really where he starts realizing the roots of the guilt and shame he’s going to have to deal with in order to be anything to Michael - not even a partner but a friend.

This is the first step in that journey. Not just the commitment that yes - I want to build a home for you - but that first, I don’t know, maybe I need to put down these weapons and pick up a different set of tools?

ON TO SEASON TWO

#rnmmarchformeta2021 #roswellmarchformeta2021 #rnm meta #Alex/Michael #alex manes #michael guerin #maria deluca #sort of? shes mentioned #1x01 #1x02 #1x03 #all episodes #Day 1 Themes #meta #malex #tw ptsd #tw injury #tw queerbashing #tw flashbacks

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popculturebuffet · 4 years ago

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The Life and Times of Scrooge McDuck: The Buckaroo of the Badlands “It’s the Glory of Achievement that Counts”

Hello you beautiful people and WELCOME BACK. It’s been a LONG time since I returned to this series hasn’t it? But I couldn’t put it off any longer especailly with a LOT of projects to do in February, so i’m pleased as punch to bring this series back for another round. And since like last time a lot of the behind the scene’s for this one can be dolled out as we go, join me under the cut as we get into some cowboy adventures with Srooge.. and President Teddy Rosevelt. Bully!

When we last left Scrooge almost a month ago, He’d decided, after bottoming out in riverboating, like many young men of his generation to Go West and seek his fortune and took up work on the Wabash Cannonball to do so. So via letter we find out Scrooge eventually made enough money and has now afforded enough to take a train west, as a passenger. He’s also 15 at this point.. had to look that up because again, the comic dosen’t tell us the date.. and it’s you know been two months. He runs into a man selling square eggs who was SUPPOSED to be the professor from the Barks Story Lost in the Andes.. but he apparnelty died or something like that, and Barks was left to use another minor character in a way that didn’t make sense either it turned out and I don’t really feel like getting into. Point is the square eggs from that story make a cameo and Scrooge gets square egg all over his face after assuming the guy was just full of square chicken shit. It’s then Scrooge runs into Jesse James, pre assasination by the coward robert ford, who shows up to the train to rob it.. but Scrooge tricks him when he and his crony take stock of Scrooge’s valuables, claming theirs jewels in the teeth of the golden dentures.. before slamming hard on them and giving the guy a bite and with their guns jammed and Scrooge prepared to beat them senseless, Jesse and goon wisely flee. Scrooge yells after them.. but the train speeds up to make distance between them and the bandits.. and accidenlty dumps Scrooge off, leaving him lost and alone in Montana.

Thankfully it dosen’t take him long before he runs into people, specifically a cattle drive and wants to join them as a rootin tootin cowboy. Turns out the Cattle Baron and head of the drive, Murdo Mckenzie a real life cattle baron, is a fellow Scot and a nice enough guy to take Scrooge on, especially because Scrooge, due to his time on the cattle boat to get to america, has cattle experince. He just needs to ride a horse and he’s set.. but Scrooge never has.. and is put on their roughest horse the windowmaker

Thankfully in a really funny sequence, Scrooge’s money belt is clipped, so he stays on and while he looses his other clothes. So Murdo hires the naked 15 year old on a horse....

Thankfully this isn’t nearly as horrifying as it sounds as Murdo makes him put his clothes back on first, and let’s him keep the horse as he needs him for a special job. Also Scrooge calls himself Buck McDuck because it’s more of a cowboy name and not everyone can pull of cowboying without one on their first day. What i’m saying is the creed i live by every day.. not everyone can be Droopy. All you can do is try to be that cool.

The job is to guard his prized angus steer he imported for a fortune from Scotland, which it’s current handlers the McViper brothers object to, though Murdo shrugs them off. Naturally with a name like McViper they were planning on stealing it. Seriously who hires someone with the name McViper unless your planning to try and murder batman with a nest of vipers or a viper shaped tank or a buzzsaw shaped to look like your dad who never loved you enough.

So we then get a time passing montage via a letter Scrooge wrote. Originally this was supposed to be the majority of the story.. but Rosa’s editor rightly pointed out that while showing Scrooge as inexpericed and still not quite to his full strength yet was fine.. Rosa overdid it with his gags and made him look like a moron. So the finished product wisely dialed it back to just the horse riding gag. Honeslty it was the right call as his excitment to be a cowboy and episodes with the horse show he’s still got a ways to go and is far from the duck we know now, while the earlier fight on the train shows he’s still plenty badass. he’s just not properly seasoned yet. It’s how he is for the first third of the story: an idealisic teen who is slowly learning the ways of the world and finding good reason to do what he does and learning his morals. It’s the middle part that breaks him into the man he is today and the last one is the early days of that man and the horrible mistakes that cost him quite a bit: his family, his love for adventuring and nearly his soul. We get a few gags about crossing the planes and the reveal Donald renamed his horse after his sister hortense due to his horse’s bad temper. Hortense takes it as you’d expect.. by snapping off part of her mother’s chair with her bare beak in a rage and grumbling.

Scrooge is finishing up another letter by the time we cut back to him, the drive having almost reach the ranch in Montana... only for the McViper’s to conk scrogoe on the head and take the steer towards the Dakota territory and the real life Dakota Badlands, because now as ever Rosa loved to set his stories in cool real life locations. After Murdo finds him and wakes him up, and fully buys his story since the McViper’s were acting suspcious.. which is kinda like saying water is wet or Rudy Guliani is a moron but regardless buck mcduck rides again and eventually makes his way to the badlands. Which are awesomely rendered and really do look like that.

As you can see our hero finds someone in need.. and it’s Teddy Fucking Roosevelt!

As you can tell I love the guy. Really need to look into him more, but eveyr time I read his trope page or hear something about the man i’m in awe. He’s not without flaws, he was man of the 1800′s and 1900′s, he supported eugenics.. but he was also the first “accidental” President (I.e. a vp who got the role) to formally win despite being given the roll soley to keep him out of the chair due to being a boisterous loveable maniac, invited Booker T. Washington, who I also need to look into, to the white house as the first African American to get invited to dinner there, founded so many parks they had to make the national park service, and supported women’s rights his whole political career. The man is larger than life and respecte din fiction and I intend to make a story with him as a cybernetic frankenstein one day because i’m kinda nuts too and relate to him. He also has a quote I find endlessly relevant after the last 4 years of misery.

"This country has nothing to fear from the crooked man who fails. We put him in jail. It is the crooked man who succeeds who is a threat to this country." So yeah on top of everything else.. he’s smarter than pretty much the entirety of the modern republican party on top of that, not a HIGH bar to clear mind you but still. He cleared it.

So naturally someone who was basically a real life Scrooge who, while not having earned his money, used it well and never stopped explorin, and also named his son Kermit for some reason, Rosa was not only a huge fan but couldn’t resisit putting him in the story as Scrooge’s mentor once he found out they were in the same area at the same time. He’s also the first one I feel changes him as a person.. his parents set down the foundation and Pothole was.. there I guess.. I mean he ran his first buiness thanks to him and had his first feelings that being rich isn’t an endgoal, But it’s Teddy who helps him realize one of his most important and lasting charactert traits: his love of adventure for the experince of it just as much as the prize.

And we quickly get to that as Scrooge, after running into a dinosaur skeleton and then letting Teddy free, takes him along with him and finds out Teddy is rich, college graduate and former poltician too, and is out here simply because cattle ranching is way more exciting. Scrooge questions this as .. why do this? He’s rich, he dosen’t need to and Scrooge honestly wishes he was born rich instead. But Teddy shoots that down: He missed being born poor like Scrooge.. because being born wealthy is no acomplishment. You just get handed money to do whatever... but earning it with your own hands, the experinces that lead there.. that’s the real treasure and that’s why he’ll never stop. And he sees that in Scrooge, pointing out someone who didn’t LOVE adventure.. wouldn’t of leaped at a dinosaur skeleton without a second thought, all to save someone he just met. It’s what makes Scrooge likable: Sure he’s a greedy dick.. but he’s one who will never be satisfied, and who only stopped when he was close to death accoridng to Rosa, and even then i’m sure his and Goldie’s retirment wasn’t ENTIRELY peaceful or event free. HIs love of adventure and finding new discoveries and new worlds and ones lost to time... that’s infectious and what makes his stories, and the character work so well. And Rosa has him discover it beautifully, realizing that he never would’ve been satisfied even with cushy family money and that he truly does like this.. he still wants to be rich and understandably so, but he can have some fun along the way and afterwords.

So truly changed by this Scrooge gets back to tracking and TR helps by... asking some local Native American Buffallo Hunters since he knows their expert trackers and while they haven’t seen the mcvipers they can SMELL them, and with a location , and his first apprication for other cultures, Scrooge and TR head up top to lasso em up... and while Scrooge grabs one.> TR grabs a bear and the insuing chaos, including Scrooge refusing to use up his bullets because “Do you know how much bullets cost”

So in short the mcvipers end up chased by the bear, the native americans end up chased by a buffalo with a skull on it’s head and Scrooge ends up on the Angus. Teddy sums it up best.

It’s a great comedic set piece.. and leads to Murdo arriving and our heroes emerging, with the angus and tow and victorious. For his help and bravery, Scrooge is awarded the job as manager of the land, and while he plans to leave in a few years to find his fortune, it’s a good steady job he can help his family with and learn some skills so why not. TR leaves him with some last words of ecnouragment and says “There’s the makings of a great man” as he rides off into the susnset.. and his clothes once agian head the other way.

Final Thoughts: Buckaroo of the Badlands is a solid chapter. After the overly long Master of the Missippi, this is a welcome return to form, with a hell of a guest star, an intresting setting and some fun slapstick. It also reminded me not EVERY chapter is super long, as most are only 13 pages but Rosa packs a LOT into them, and uses each one wisely. Overall an excellent return to the series and I hope to pick it up eveyr now and again between whatever I have scheduled for the day.. and to look into Teddy. Seriously what a man, what a man what a mighty good man. Next Time Scrooge meets another mentor, a future foe, and the lonliness of being rich Teddy warns him about here in “Raider of the Copper Hill” Until the next Rainbow, it’s been a pleasure.

#the life and times of scrooge mcduck #scrooge mcduck #buckaroo of the badlands #hortense mcduck #teddy roosevelt #western #cowboy #montana #don rosa #disney #disney comics

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lycorogue · 4 years ago

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Some Passing Thoughts on the New Miraculous Episodes

Finally got around to watching the fansubs of the Shanghai special and “Truth” (I’m still waiting for the other episodes to come out before watching Furious Fu).

Miraculous World: Shanghai – The Legend of Ladydragon

I have to say, I might change my mind later if the Prodigious proves to be more crucial to the overall lore of the series, but right now? Yeah. This special is a major skip for me.

I did not connect with Fei the way I fell in love with Jess and Aeon. I am so pissed at the set-up the writers came up with to GET Marinette to Shanghai; her reasoning is the most selfish thing we have ever seen her do and it is such an injustice to her character. Plus, it is like neither Ladybug nor Chat Noir learned anything from the New York trip as they both show up in Shanghai kind of spur of the moment (i.e. didn’t tell the other they were leaving Paris). In fact, Marinette - again, going back to my hatred for the setup to get her to China - didn’t even CONSIDER the fact that Paris would be left unprotected; that Ladybug would be MIA. Granted, it was stated that Hawk Moth was surprisingly inactive, but shouldn’t that put her on hyper-alert; waiting for the other shoe to drop and Hawky to release something big that he was building up to? Instead she just lowers her guard and doesn’t even consider her superhero duties when planning on following Adrien.

Another annoying thing is that the writers didn’t seem to learn anything from backlash against the episode “Kung Fu.” They just once again have Adrien be the one offering to teach Marinette Mandarin; not her mother (whose Chinese name Marinette never even knew), nor her great-uncle. Another writers flub was in the battle against Roi Argent. Ladybug questions Mei Shi’s suggestion that revenge does not equal justice (if that was translated properly), and... I’m pretty sure Marinette already showcased in previous episodes such as “Silencer” that she very much knows that revenge doesn’t equal justice??? She’s the one who corrected Chat Noir that Silencer coercing Bob Roth to admit he stole from Kitty Section and Marinette isn’t justice; it’s revenge. So???? HUH? NOW she magically feels like Fei’s revenge on Cash is justice for what he did to her?

If all of that wasn’t bad enough, the pacing of this special was in complete overdrive as well. You didn’t have any of those emotional moments - both heart breaking and fluff-bombs - that you had in the NY special. The focus was largely on Fei, and I didn’t even really like her. She didn’t have the heart and the fully-fleshed characterization that Jess or Aeon had.

I’m also confused about Gabriel spending the past 15 years planning this whole thing. HOW!? WHY!? This is before Adrien was even born, or VEEERY shortly after if we skipped over his 15th birthday in the series. This was LOOOOOOONG before Emilie’s illness, which is presumably why Gabriel started using the butterfly miraculous in the first place (as showcased by Gabe in Origins asking Nooroo to remind him how the powers even work before using them for the first time in a corrupted state on Adrien’s first day of public school). So, if getting the Great Power of the Prodigious was something he was planning on doing literally all of Adrien’s life, why present it as “I found something that can finally give me an edge against Ladybug and Chat Noir”? I mean, what was his original endgame going to be? He couldn’t have possibly known that he’d be in dire need for the cat and ladybug jewels but struggled to take them from two teenage superheroes. It’s like the writers are trying to set him up as some mastermind akin to David Xanatos from Disney’s Gargoyles, but they are failing miserably. The whole Hawk Moth plot just doesn’t make sense to me.

Honestly? The only things that made this special worth it for me were: 1) Finding out a bit more about Sabine and her family (I love that she probably picked the name Sabine because it sounded like the pronunciation of her Chinese name) 2) Seeing Gorilla be his action figure nerd self a bit more (and the action figures of Uncanny Valley and Eagle) 3) Mei Shi in Renling (?) form, who was hella adorable! I need him as a plushie STAT 4) Adrien being the precious bean that he is. Just every moment he’s on screen was adorable (complete with him STILL having the picture of Marinette that was sent to him in “Evillustrator” saved to his baton and using that to try to find her) 5) Seeing the world through the eyes of a kwami for the first time and learning a touch more non-crucial lore 6) Mei Shi in statue form reminding me of the Dragon costume on The Masked Singer.

(I know, seeing them side-by-side now, they really aren’t that similar after all, but it’s been about a year since Dragon was on The Masked Singer, and he’s still what I kept thinking of as I watched Mei Shi on screen)

While I obsessively watched the New York special at least a dozen times, I’m really only seeing myself re-watch this special once more when it’s in English, and maybe whenever I do a full-series binge (which is super rare that I take the time for that).

Not impressed. Sorry.

Truth

“Truth”, on the other hand? Hhhhhnnnnnngggg. My heart! It breaks! Poor Marinette. Poor poor Luka. I mean, silver linings at the end there, but also BIG OOF. (Also, why wasn’t Adrien around at all whenever Truth made people confess that Marinette’s secret was her love for Adrien? xDDD)

I’m also a bit confused about the Adrien pictures. She had them taken down pretty much since “Troublemaker”, and yet her walls are once more papered with Adrien’s likeness now that Marinette is trying to get over him and date Luka? How does THAT make any sense outside of the writers going “we need an awkward phone call between Marinette and Luka. Oh! I know! A picture of her Adrien-covered bedroom walls is accidentally sent to Luka!” >3> Also.... what is UP with Luka’s animation again!? The kid was so pale it’s like they forgot to add any color to his model in this episode. WHY CAN’T THEY JUST ANIMATE MY PRECIOUS SON LOOKING HANDSOME EVER!? FIRST NO EYELASHES, AND NOW NO SKIN TONE!? WHYYYYYYYYY!? Personally, I prefer “Silencer” to “Truth” both in overall story and in Luka’s akumatized form design. Also, side note, did anyone else notice that Ladybug was hit by Luka’s attack and couldn’t speak for most of the battle both times? And that she needed Chat Noir to help her set up her Lucky Charm both times? And that Luka’s drive both times was to get to the truth?

I did still enjoy this episode very much. It showcases the new stresses Marinette has to face (totally unfair; I agree. However, it’s a standard trope in most teenage superhero stories such as Teen Titans and Spider-Man, so I was expecting it). It showcases how hard it is for her to figure out a balance between life and superheroing (again, re: standard teen-superhero trope). The fans get confirmation on a fantheory that’s been circling pretty much since Luka was introduced (ESPECIALLY after the episode “Desperada”). The Ladynoir shippers are well fed, and it’s great to see LB and CN praise each other - including Ladybug’s love of Chat Noir’s humor.

I hope this isn’t the end of us seeing Luka in the show (that would break my heart even more) and it feels lame to build up the Lukanette “love rival” arc only for it to die off before it really goes anywhere. There was so much story potential there where Marinette could grow to learn what it truly means to be in love, and not just idolize and romanticize someone you’re infatuated with. Instead, all she learned is that she is alone aside from Chat Noir, and I feel like that’s SUUUUPER railroading the Ladynoir ship. And, frankly, I’d much prefer to see the Ladynoir side grow naturally, as it has been, instead of forcing Marinette’s hand because Chat Noir is the only one she can be MOSTLY honest with (secret identities notwithstanding).

It’s been a long hiatus. I’ve spent a lot of time trying to dodge fandom salt, but still get a larger dose than I intended to have in my fandom diet, so maybe my views are a bit tainted from that. However, this special and season premiere feel a bit like the writers are stumbling. I don’t know if the pandemic somehow affected their writing flow, or if they feel pressured by the fans to tell the series’ story a certain way and are scrambling to do so, or if they are rushing to an ending instead of taking their time and letting it naturally unfold as they had with the first few seasons. But, regardless of their reason, I hope they re-find themselves; the ones who told great stories in seasons 1 and 2 and (poor writing for Marinette notwithstanding) really good stories in season 3. I hope they can step up their game for the remainder of season 4.

It’s been a long break, and we all deserve something good to feed us. We don’t need another GoT or HIMYM final season. Especially when this isn’t even supposed to BE the final season of the series.

Guess it’s time to wait for “Lies” to come out, and hope for the best.

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hopevalley · 4 years ago

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Season 8, Episode 3: From the Ashes

Intro -

Scene 1: Freedom-Alls

Well, folks, we start out with Rosemary and Elizabeth discussing the latest and greatest trend of the western world (or attempt at a trend): Freedom-Alls! Patented in April 1918 by Levi Strauss & Co., Freedom-Alls were a women’s one-piece suit intended to appeal specifically toward ladies who lived out west and wanted to take advantage of the areas and work they did for a living (ranchwork, farming, hiking, et cetera). It was introduced alongside Kover-Ups (a one-piece suit for men) and Koveralls (a one piece denim suit for children).

You can read a little more about them here.

Unfortunately Freedom-Alls didn’t really catch on; they were, perhaps, a little too ahead of their time. But guess what? It means this season of When Calls the Heart takes place in 1918!

Rosemary says she’s trying to support Clara’s ideas by trying to sell the Freedom-Alls and that she “can’t run the dress shop forever.” When Elizabeth tries to talk to Rosemary about it, she changes the direction of the conversation to Nathan and Lucas. Elizabeth admits she feels bad for having ridden off on Nathan, and Rosemary gets a weird line: “But who knows what might have happened between you two if you hadn’t?” I’m not sure what to make of this... With modern viewers it almost sounds like they might have had sex or something if left alone, but really I think they want to hint that they might have said regrettable things. I think that line could have used a bit of a tweak.

Elizabeth goes on to say it was right to choose not to be with Nathan but she hasn’t chosen Lucas either, and in fact does not want to even speak to Lucas until his mother tells him the truth about his father. One thing I really appreciate about this scene, and in fact this whole plot, is that Rosemary knows the hot gossip but she doesn’t repeat it to anyone else. In fact, she makes sure Elizabeth knows immediately that Lucas is standing behind her before he can hear her say anything, and when given a very obvious opportunity to intervene (when Lucas says he’s going to call his father) she elects to stay out of it.

I’ve been a little worried about Rosemary’s character writing in the past; they tend to bounce between wholesome and entertaining to cringey and embarrassing without...really meaning to, or without thinking about what kind of person that creates on-screen. This episode, and in particular this first scene, really makes up for a lot of past problems with her writing.

Also, Lucas was just really cute and wholesome at the end of the scene and I liked that.

Scene 2: Bill’s Land & The Inquiry

Bill stops Nathan and lets him know that he’s still working on Allie’s official adoption but it’ll still be a few weeks, and Nathan is understanding about this. Bill then brings up his land that Nathan seemed interested in buying. He says he has another potential buyer that’s been asking about it, and Nathan says he changed his mind about it.

Before they can really get into any sort of conversation about it, another Mountie approaches. Bill refers to him by his first name (Andrew) and then his title to congratulate him on a promotion (Superintendent Hargraves). He tells Bill that he learned from the best.

When Bill tries to introduce Nathan to Andrew, Nathan says they already know one another. When Bill asks what Andrew is doing in Hope Valley, he says he has a matter to discuss with Nathan and Bill says he hopes they can find the time to catch up before he leaves town again.

Bill leaves, and Andrew tells Nathan that due to the fact that a Mountie lost his life last year during the shooting, they’re opening up another internal inquiry (which means they already did one) and that Nathan is the focus of it.

“to determine your possible culpability as to whether or not you were at fault.”

Apparently this also means his career as a Mountie is at stake.

There’s not a lot to discuss this early in the episode about this plotline, but I do wonder if Bill actually has a potential different buyer for his land or not. I don’t think Bill is above pretending he has another buyer to push Nathan into making a decision either way, but if he actually does have someone else interested, that could be interesting.

As to Nathan, it’s pretty clear Andrew Hargraves doesn’t care for Nathan.

Scene 3: The Introduction of The Chair

Molly and Florence talk about a crate that is sitting outside and Molly asks Florence if it might be the beehive that Florence ordered for Ned for his birthday. Florence shushes her (worried Ned will hear, as this is clearly meant to be a surprise) and says no it isn’t; her order has been delayed.

Molly goes on to say that she’s thinking of taking a cue from Florence and wants to buy Bill something for his birthday. Molly asks for Florence’s advice on what to get and Florence can’t help her:

Florence stares at her with...honestly kind of a sad expression after this? I don’t know what to make of that. Molly tries to say she’s kidding but Florence isn’t stupid enough to believe it.

I’m not exactly thrilled with this storyline (nobody is surprised yet again lol), but one thing I really hope they bother taking the time to do is...you know...show why Molly might be interested in Bill. They don’t really have a particular chemistry I think, so...right now it just feels like Pair the Spares because nobody else in town is of the right age and available (except Henry and I can’t see that working well). If they’re going to bother with it, I really hope it’s either “Molly’s just lonely, actually” or “She likes him because XYZ” and not that weird middle thing where it’s hard to understand why either person would like the other...which has been a problem in this show’s writing since about Season 4.

The camera pans out to the mysterious crate. Ned wants to guess what’s in the crate but doesn’t get the chance before Jesse announces what it is to everyone (and Ned is sad about this haha). Cute little bit, honestly; you can tell the dialogue in this season has gotten a glow-up.

Jesse is disgruntled about the chair’s existence (why would you ship a chair halfway across the world?) and tries to sit in it to see if it’s a good chair but Lee tells him it’s bad luck to do that. The person for whom the chair was made has to be the first one to sit in it! He asks Jesse to take the chair to his house and move his motorcycle to the mill.

This is overall a nice scene. People feel...like people. And they carried over Lee’s back injury because now he’s wearing a back brace. This follow-through, this continuation from episode to episode, makes a big difference in the quality of writing, IMO.

Scene 4: Nichols & Dimes

Fiona is just getting done trimming Lucas’s beard and makes a comment about how if he wants it all shaved off she’ll be happy to do it because she’s curious to see what is hiding underneath it. Faith walks in and when Lucas asks her opinion, she has the same answer: “I’d be curious to see!”

Lucas considers this a moment and asks to think about it. She dusts off Lucas’s shoulders with her brush and asks Faith if she has time to chat and Faith says for a moment. Lucas gets up and pays Fiona, but it’s too much money so she tries to get him to take it back but he insists she keep it.

“Besides, after I meet Lee about a lumber order, I might need a free haircut.” Fiona only can say after he leaves, “He is so nice.”

Do we have a Fiona/Lucas hint? Or is this to show up how generous a person Lucas is? Or perhaps...how kind the people in this town are that they know to help out where and how they can?

Scene 5: Boy Meets Bike

Jesse drops off the chair at Rosemary and Lee’s house and goes out back to uncover the MOTORCYCLE. This is a man in love with a machine right here.

Scene 6: The Oil Rig

Lee promises Lucas a lumber order by the end of the week and Hickam stops Lucas to talk about the fact that the men think they should drill further (another 50 feet). Lucas seems to be having some...regrets about having gotten into the oil business (it is lucrative but it’s also a lot of work and with a very serious uh...potential for failure).

Lucas says (to Lee) that 50 feet becomes 100 feet becomes 300 feet (increasing costs of course, with no guaranteed payout), and jokingly (sort of) asks Lee if he wants to buy an oil well. Lee just laughs and says he doesn’t think so.

Scene 7: The Motorcycle No-Nos

Hope Valley really isn’t ready for Freedom-Alls after all. On the plus side, Dottie gets a mention! She sent over a beautiful dress (I think this is the one we see Molly wearing in the promo images for a later episode) from Union City. Clara laments having to replace the Freedom-Alls in the window just as Jesse pulls up on the motorcycle he’s moving for Lee.

Rosemary scolds her and tells him not to make Clara a widow (very insensitive choice, not sure they thought this through before they included that... She already IS a widow...and through no real fault of her husband). Rosemary said the danger is why she wanted Lee to sell the motorcycle and Jesse says, “You know, Lee always said you loved riding on the back of the motorcycle” which seems to upset Rosemary a bit. She tells him that was a long time ago and they’re married now and she wants Lee to sell it to the first person to make a good/fair offer.

Scene 8: Editing Woes

Helen is trying to go over Elizabeth’s manuscript with her but Elizabeth is completely zoning out and Helen is kind of sick of it.

She asks Elizabeth what the problem is and they talk about Lucas’s lack of knowledge about his father. Helen doesn’t want to talk about this and suggests they get back to work. Elizabeth asks to open the window (probably hoping some fresh air will clear her head). When she goes to open it, though, she sees Nathan and Bill talking animatedly by the blacksmith/farrier.

Helen confronts her about her feelings for Nathan and for Lucas, and Elizabeth asks if they can get back to work.

This is probably one of the weaker scenes. Helen pries too much and doesn’t seem the type to do so without good reason. I’m not sure how I would word it instead but the audience already knows Elizabeth has feelings for both men, and the scene with Rosemary sufficed at explaining Elizabeth’s stance on things.

I feel like this mostly made Helen look prickly and nosy...and it wasn’t doing either character any real favors.

Scene 9: Henry’s Flowers

Henry walks into the mercantile with some flowers and I definitely thought he was going to give them to Ned! (Let the shipping BEGIN...)

He apologizes very thoughtfully to Ned and I can honestly say this is one of the best scenes both men have gotten on this show and I really appreciate it. It was wholesome and kind, and I definitely think with the way Ned brushed things off that he at least read that first letter.

Florence kind of stands up as Henry starts talking (probably thinking she’ll have to yell at him again lmao), but Henry walks up to her and gives her the flowers, saying she was right to be angry with him and he hopes they can move past it.

Henry leaves and Ned’s like heyyy I was the one he yelled at and Florence tells him that’s true, but...she defended him and Ned seems a little...touched by that and says, “Yes...you did.”

Wholesome...good. Nice scene.

Scene 10: Motorcycle Absolutely Nots

Jesse brings the motorcycle to Clara again and tries to appeal to her using logic that my own husband would use if it meant he could possess yet another motored vehicle.

Same Clara!!!

I’m a little amused by this and also kind of like...meh about it. These characters had a long time to get to know one another and court before they got married and now Jesse’s just...Like This? It’s not that I’m against the plotline, but...I don’t know exactly how I feel about it right now. It’s funny but something still feels tonally off about it to me...

Scene 11: Inquiry Part II

Bill reads the inquiry notice that was given to Nathan and says it doesn’t seem right to him. Nathan says he tried to explain that earlier (must have been the conversation by the blacksmith). Bill goes on to say the Mounties can of course do this as it’s well within their rights and that...it’s possible it’s just...a formality? Andrew’s a good Mountie and a stickler for detail so--

Nathan seems annoyed at this and says “That’s one way of putting it” which of course prompts Bill to ask why they don’t get along. Nathan will only tell him that they’ve crossed paths before but refuses to elaborate.

It’s pretty clear that in whatever capacity they crossed paths before, it wasn’t exactly...friendly.

I also wonder if this man has been in a previous episode? He seems familiar but I couldn’t find anything with a quick Google search.

Scene 12: OIL! And uh, fire. Yeah.

Lucas and Mike Hickam talk about the oil business and Lucas admits that if they don’t see oil soon he’s going to just shut the entire thing down. Mike wants to react to this but there’s a ruckus at the well that isn’t normal so he runs over to the men and insists they get out of there right away.

They get oil! And then a spark catches. If you were confused about what supposedly caused the spark, it was this:

The metal of the wire rubbing against the metal of the pipe, causing friction. To be clear...the wire would be so coated in oil it wouldn’t be likely to catch fire in this scenario, but eh, we can ignore that. It was at least an attempt, and considering some of their past attempts this one was pretty good, actually.

For some reason the town has a real siren (more accurate would probably be a fire bell) and everyone freaks out.

Bill tells everyone to stay where they are and Fiona says “We can help!” and Bill says if they need more help they’ll call for more men. Fiona’s like:

I kind of missed that line my first watchthrough but I’m belatedly annoyed with that “Let’s make this look kind of misogynistic and make Fiona a Feminist Icon™ (as if she isn’t already good enough like??? what). It’s literally an OIL WELL FIRE. It might burn for WEEKS. It’s INCREDIBLY DANGEROUS and if you get too close you’ll be lucky if you’re not covered in burns.

They’ll get men because they’re more likely to be wearing the proper clothing and have the proper knowledge. Also, there are plenty of men on sight already. Why risk more casualties (or any if there aren’t already some, which of course Bill doesn’t know about).

It’s not that I don’t appreciate some good women-getting-involved writing, but this reads very much like it was written by a man.

That said, Henry’s determined face when he saw the fire was GOOD. He’s blurry but he’s MOVING FAST.

Scene 13: The Fire

Mike Hickam has burns on his face, Lucas has been knocked down, and everyone is in a panic. NATHAN IS ON THE SCENE.

IDK........I’d ship it.

Nathan asks Lucas how to put the fire out, and Lucas...doesn’t know. How could he know? He’s involved and he’s the owner of the operation, but he has absolutely (or nearly) no practical experience. BOOM HENRY IS ON THE SCENE.

He suggests they get some dynamite. A LOT OF IT.

They gather enough dynamite to blow an entire quarry sky-high. (My husband and I work in construction and this is more dynamite than we use to do blasting in the quarries. A few years ago we did our biggest blasting job ever in our largest quarry and we didn’t even use that many explosives lol...)

I would imagine your average person wouldn’t know that, though, so...I’ll give it a pass. Ned comes to help, and Jesse, and then Fiona shows up just in time to ask if the one more person to help they need needs to be a man. She then proceeds to stand at the back of the group. She’s also the first person to drop the cart lol... -_-

I can’t imagine being in town for all of this. It would probably be terrifying. Imagine being Florence or Molly who lived through the mine explosion. PTSD right there fellas.

And it’s over like...in two seconds.

People hugging all over the place.

Even though I was a little shocked the drama didn’t last longer, it was probably for the best. As much as I like drama, this isn’t the kind of drama that makes sense to be dragged out. If you don’t act fast there’s no chance to act at all, and you’re either successful with the dynamite attempt or you’re not. Either way, the town would be lost if the fire burned for too long, so it was worth a shot. Just...not with THAT much dynamite.

Also, using dynamite to snuff out oil fires was the first proven accurate method of putting out oil well fires! It basically uses the dynamite explosion to “blow out” the fire by forcing the furning fuel and oxygen away from the fuel source. It’s still used, and its first successful use (that we have record of) was in 1913. You can read more about oil well fires here.

Scene 14: Kindness

Lucas and Henry run into one another outside of Abigail’s Café and agree to meet outside the mercantile when Lucas is done chatting with her. Inside Abigail’s, Mike Hickam is dabbing (antiseptic?) on his burned face while Bill and Helen are chatting.

Helen is a bit upset that Lucas helped with the fire because it frightened her—the thought of losing him. He responds by saying he had to help and that she is being dramatic, but then apologizes and says, “I love you, too.” I think this is a sign he understands his mother more than we realize.

They agree to have lunch together at the saloon and Lucas says he couldn’t reach his father. Helen says she doesn’t know where he is but she’ll try to reach him.

Lucas tries to say something to Mike but Mike insists he won’t take a vacation; he was only doing his job.

Then Bill stops by with another plate of food for Mike and insists that it’s free just like the first plate.

I’m pretty sure this scene + the barbershop one earlier were just showing us how good and wholesome the people in Hope Valley are. They support each other and SHOW THEY CARE. I like it. :)

Scene 15: The Letter

At the mercantile Henry finally gets a letter!

It’s from “Christopher Hughes” in Cape Fullerton.

Henry stares at the letter for a long moment but says nothing is wrong.

Ned limps away as Henry leaves the mercantile to wait for Lucas and Florence scolds him for being stubborn.

There is a Romantic Sort of Moment...

And Florence talks about how gallant Ned was during the fire... A little spice is in the air methinks!!

Scene 16: THE LETTER PART TWO

Lucas stops by Henry’s car to say thanks for yesterday (the fire advice) and then tells him that even though he doesn’t agree with all of Henry’s terms/methods he does want him to come back to work.

Henry’s response? “I’ll think about it.”

This man is RATTLED by that letter! Lucas is shocked that Henry isn’t as on board as he was just the other day...

Scene 17: Chair Adjustment

Lee moves the chair around the house trying to find the perfect spot, and he refuses to sit in the chair until he gets his back brace off. It’s a pretty wholesome and fun scene; it manages to be lightly funny without trying too hard, and the best part about it is actually that they take the time to weave other characters into the dialogue more. “Carson wants me to walk; he says it’s good for my back.”

This is the stuff dreams are made of, folks!

Jesse drives up on the bike as Lee comes out of the house and he tells Lee that he wants to buy it off of him. When asked what Clara thinks of it, Jesse says:

This is going to be a big problem later. Lee says Jesse can buy it for $5.00 less than asking and Jesse rides off excited.

Scene 18: Trouble at the Infirmary

Florence apparently was successful in her attempt to drag Ned to the infirmary because he’s getting his foot looked at. When asked how he got the injury, he says he must have stepped in a hole or something, and Florence adds her heroic spin on things:

Faith tells Ned there’s some swelling with indicates a mild lateral sprain, and that the best thing for him to do will be to stay off of his foot for a week. She turns to Molly to suggest getting some crutches and Carson steps in to ask what Ned did to himself and begins his own exam, asking Ned which way his foot turned in/which way causes pain.

He then turns to Faith and explains that with a lateral sprain the foot turns inward, but with a high ankle sprain it turns outward (which is Ned’s problem).

Faith tries to explain that if you feel the tendon--

But Carson cuts her off and says that Faith will wrap it up nice and tight for him and he can go back to his regularly scheduled heroics immediately.

This angers Faith and makes Molly uncomfortable.

Scene 19: Goodbye Sweet Chair (I Hardly Knew Ye)

Rosemary approaches Elizabeth and they talk about how Elizabeth and Jack want to start a garden in the backyard, but first she has to go to town and speak with Bill. Rosemary offers to babysit and do the planting with Jack herself, and Elizabeth agrees to it.

They go over to Rosemary’s and Jack sees the NEW CHAIR and makes a beeline for it. Rosemary stops him from sitting in the chair but...overcome by curiosity she herself sits in it...

...and it breaks.

Scene 20: Elizabeth’s No Good, Horrible, Very Bad Day

Elizabeth presumably asked Bill what was going on with Nathan, and Bill explains that one of the superintendents, “an old friend” of his, gave Nathan some bad news. The Mounties are investigating last autumn’s prisoner transfer shooting. She asks why, when it was already completed, and he tries to calm her down by saying it’s an inside investigation and the Mounties always try to better perform their duties (the suggestion here is that they do this by reviewing recent cases).

After Elizabeth pesters Bill about it a little more, he folds and admits that it’s all very unusual and he has no clue why they’d have an inquiry about that case. He promises Elizabeth he’ll keep digging until he finds out.

Just as Elizabeth is reeling from this, Lucas approaches her and asks her why she didn’t tell him about his father leaving his mother. Elizabeth tries to say that she was told that in confidence and couldn’t/didn’t feel comfortable breaking it. She then says, “This isn’t my fault” and Lucas kind of just walks off annoyed/frustrated.

Scene 21: No-Work Advice

Clara comes into the barber shop asking Fiona for advice. Jesse asked for the day off to ride the motorcycle to Albert Falls (even though she asked him not to buy it). Fiona’s like “Uhhh...”

Then Faith walks in upset and says to Fiona, “Maybe you can help!” She goes on to say it’s like she’s back in Chicago being ignored like all the other interns!! And Fiona’s like, “Uhhhh...”

Faith realizes Clara is there and apologizes for interrupting. She asks Clara what’s wrong and Clara tells her about Jesse. Faith is like, OHhhhh My GOoDnESS I feel the SAMe wAY about the way Carson is treating mE!!!

And Clara says, “I have some chocolate cake at the cafe.”

And aWAY THEY GO.

Leaving Fiona cakeless (unless she’s gettin’ some of Mike Hickam later; that man is CAKED UP).

Scene 22:

Lee sadly contemplates his broken chair.

And then has a midlife crisis.

The chair reminded him of a chair he built with his grandfather, and he’s getting older and thinking about how he can’t do any of that stuff himself, and he doesn’t remember how to build things anymore. “I don’t make anything, Rosie.”

Scene 23: Judge Avery’s Office

Bill walks into his office to see that Andrew Hargraves has let himself in while he was out. Andrew asks Bill if the Mounties can use the judge’s office for the inquiry.

Bill says that, given they have a history, could he maybe tell him what’s going on? The inquiry isn’t adding up.

He goes on to say he was close by and that he stated on the record what happened that day, as well as the fact that everything regarding that event was done by the book.

Andrew says, “A Mountie died. I think that warrants a review.”

Bill says he noticed that Nathan and Andrew aren’t close and Andrew says the same thing Nathan did earlier: that they’ve “crossed paths.”

Andrew says he wouldn’t have achieved his rank if not for Bill; he also says that Bill was a good mentor. (I would argue this means that Bill taught him at the Academy like he did Jack and many others.)

And he suggests that Bill with see that his council wasn’t wasted. Bill replies back, “What appears to be holding a grudge.”

I mean, it’s not as if Bill didn’t have grudges (COUGH HENRY COUGH COUGH) but he never let those impact his work overmuch and he always did the right thing when the truth was uncovered. That’s one thing I have always enjoyed about Bill’s character. He’s suspicious of like, basically everyone but when someone he has reason to actively dislike (Henry Gowen) is innocent he’s the first person to insist the right thing be done.

Andrew doesn’t respond to that; he simply asks if the Mounties can count on use of Bill’s office and Bill agrees. Andrew then tells Bill that he’ll be called on as a witness.

Scene 24: Heart to Heart

Helen comes to Elizabeth’s house to visit and almost sits on a block (#parentlyfe).

She notices Jack playing with a little Mountie and a horse and asks about it. Elizabeth says a friend made that for Jack.

“Hm. A Mountie. Constable Grant?”

“A Mountie. My late husband.”

They’re clearly talking about the figure and not who made it, here. I’m not sure who the friend would be in this case, but it could be literally anyone in town.

Helen admits to Elizabeth that the most difficult thing she’s ever done in life is try to be a mother. She “never discovered what seems to come so naturally to others” (in particular Elizabeth)—the joy of it.

Elizabeth admits that sometimes she can’t recognize the joy in anything, but in moments like that she surrounds herself by people who love her. She asks why Helen has come, and Helen says she regrets having put Elizabeth in a position where she had to keep a secret from Lucas.

Elizabeth thanks her for her honest and Helen admits tearfully she should have said it earlier, in a more forthright manner, but that she doesn’t really know how to be any other way than how she is.

Elizabeth comes to sit with her on the couch and says that it’s understandable to be afraid because being yourself can make you vulnerable. She tells Helen that she is thoughtful and intelligent and asks if she shows that side of herself to her husband. Helen admits she hasn’t for a long time.

Elizabeth tells her that if her husband doesn’t love her for exactly who she is, then it isn’t love and he doesn’t deserve her...but if she’s not sure if they’ve shown each other their true hearts (i.e., their true selves) then it might be worth considering trying again.

She suggests Helen reach out first. Jack plops on Helen a bit, Helen hugs him, and Helen thanks Elizabeth for being her friend.

This isn’t a bad scene by any means, but I think I liked it better on a second watching. Still, the dialogue was a bit stiff and hard to follow. I really think it should have been put past someone specifically to see how easy it was to understand/if it hit the correct emotional beats. Rewatching it slowly and making sense of the complicated wording is what made it better. I’m not sure if I was the only one who thought that, though...

Scene 25: Faith vs. Carson

Faith approaches Carson and tells him they need to talk. She tries to insist that Molly stay because they all work together...but when Faith says that Carson ordered her to wrap Ned’s ankle without listening to what she had to say about it, Carson tells Molly to leave.

Faith expresses her concerns and he says she’s reading too much into it.

He says he wants to hear about it and then doesn’t want to actually hear about it because he is treating her exactly the same way she was being treated there. I think they’re being pretty lighthearted about that, too; you know she got talked over and overlooked over the male students for sure.

Carson tells her that he doesn’t know what she went through but that they aren’t in any shape to discuss it right now.

She just wants to make an effort, they need to get through this, but he claims he doesn’t know what “this” is and wants to know what she wants.

“You say that you value me as a doctor. You say that I’m gifted. But I don’t just want to hear it. I want to be treated like you mean it.”

Honestly this entire scene I just wanted them to break up. I make no secret of how I feel about them as a couple and this scene, this season’s drama for them, is maybe going to resolve my biggest annoyance about Faith and Carson as a couple. She was SO good on the show, you guys, and then he came on and as soon as he picked up the role of doctor again he completely outdid her at everything and overshadowed her character to the point where she may as well not have even been there.

He’s never seemed to be as into her as he seemed to be into the idea of her. I never got the impression that he viewed her as an equal. I’m pretty interested to see where they go with things this season; I have a feeling it could actually be really good.

Scene 26: Lee’s Workshop

Lee comes home and finds Rosemary in the backyard setting up a little workshop space for him.

He confesses that he doesn’t remember how to build anything and she encourages him fully. This scene was really good. It’s sappy and silly but it’s super cute and fun. I always do enjoy these two. I hope they get other good things this season. They deserve it.

Scene 27: Axes

Nathan and Bill are talking about the inquiry and Nathan says maybe he is responsible for the Mountie’s death. Bill insists that is not the case.

Nathan continues on to say maybe he should have listened to the demand and let the prisoner go.

Bill cautions him against talking in hindsight and asks if he’s sure Hargraves doesn’t have an axe to grind with him. Nathan says “Yeah” but doesn’t look at Bill when he says it, so of course Bill knows it’s not the truth.

Scene 28: Helen’s Goodbye & The Cruel Reality

Helen leaves on the stage with hardly a goodbye, and Elizabeth runs over to ask about it. Lucas tells her that she was determined to catch the last stage (probably for the week or month) and tells her that she’ll be in touch about the manuscript soon.

Lucas is a little uncharacteristically emotional and Elizabeth tries to stop him from leaving in a hurry. He tells her that what upset him about the whole thing isn’t just that she didn’t tell him the truth, but that he thought his parents loved one another.

Elizabeth says maybe they did love each other, though. Maybe they still do.

And Lucas replies with, “How do you lose that?”

Elizabeth says that she can only tell him what she told his mother: love has to be fought for.

“What would you know about it?” he asks.

Elizabeth stares at him a moment and can only say, “...That was cruel.”

Lucas walks away, and we see Nathan on the other side of the street.

Elizabeth doesn’t go to either of them.

And that’s the end of the episode.

Something I think needs to be mentioned is...the audacity of the writing this season. It feels bolder. Definitely better. The writers are taking their time and writing things that feel...mostly interesting or relateable. I never expected Lucas’s parents’ splitting up to be such a big deal to Lucas but adding that touch in there is just SO good. It makes me want to go back and watch the “date” scene where he explained how long it took his father to convince his mother to marry him. Any kind of story can be told in a way that it might sound romantic, or funny, or silly...when that isn’t the reality.

It’s actually a bit of clever storytelling to take Romantic Lucas and turn the idea almost upside-down. Whether his parents were actually in love or not doesn’t matter (yet); he feels that something he believed in his whole life, something he’s wanted his whole life for himself...isn’t even real. Worse, I think, he had that long conversation with Elizabeth about his parents and how lovely things were there, and...she finds out first that it might have just been...something he made of the situation.

And then... Elizabeth tells Lucas that love needs to be fought for. First of all, she told Helen it needed TO BE NURTURED and an a language nerd I’m a little annoyed that she used a different word with Lucas because...they aren’t the same thing. Nurturing is a tender sort of care, encouragement, growth. Fighting for love is a different beast.

But I still appreciated Lucas’s cool, irritated (frustrated?) response back. “What do you know about it?”

It’s a fair question. Who is she to give advice like that to Helen? I mean, objectively it’s good advice, but she hasn’t lifted a finger to fight for Lucas OR Nathan, and both men know it. She hasn’t worked to nurture her relationship with either of them.

The only thing cruel about his response is the time and place of saying it, but like...it’s honest.

If she doesn’t love either man, she needs to say so. She needs to be honest. If she loves Lucas she needs to tell him. She needs to reach out first. If she loves Nathan she needs to tell him. She needs to reach out.

She’s making both of these men do all the work. They both have to be the ones to reach out. Over and over and over while she does the bare minimum to encourage them enough to keep trying.

And the thing is, they’ve both been incredibly patient, certainly due to her situation. But their patience means she needs to be the one to reach out.

And she hasn’t. She won’t.

Fight for love? Nurture love? Please. What do you know about it, Elizabeth?

I’m really curious to see where they’re going to go with this. I hope they give Elizabeth and someone else a good talk about it. Maybe Clara would be a good choice... Or she could ask Rosemary for her HONEST opinion so that Rosie can give it.

Very much looking forward to the next episode!

#when calls the heart #season 8 shenanigans #season 8 spoilers #character studies and information #analysis and meta discussion

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galaxymysteryelephant · 3 years ago

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The Start of Something New 2

The second chapter is up, you can read it here.

Part one; Chapter one

---

There is a knock on Rex’s door promptly at 1800 hours.

It is as he goes to answer the door that he realizes he is nervous. He has to laugh at himself. Of all the things he experienced in his life and faced head on, this is the most nervous he has ever been.

Rex channels his nervous energy into opening the door. “Hey Ben,” he greets when he sees the auburn haired man waiting to be invited in. “Please come on in.”

“I bought these for you,” Ben says as he hesitantly holds out flowers, a bouquet of pink stargazer lilies.

Rex smiles as he accepts the flowers from Ben. “These are so beautiful.” He brings the flowers to his face and inhales their glorious scent. “Please make yourself comfortable while I go put these in some water.”

Rex watches as Ben removes his coat and hangs it by the door before heading to his kitchen to find a vase for his flowers.

“How was your day?” Rex asks with his head in a cabinet.

“It was alright,” Ben states. “I spent the afternoon with my brother, thankfully not talking about his wedding.”

“Is he your only sibling?” Rex asks as he fills the vase he found with water.

“Yes. Though I am quite close with one of his friends, and I think of her as a younger sister. What about you?”

“It is just Cody and I.” Rex places his flowers in the vase, then places the vase in the center of his island.

“Oh, I almost forgot,” Ben says as he hands Rex a bottle of wine. “It is a berry moscato and should pair well with dinner. “

Rex gives Ben a soft smile and gently scolds him, “I said you didn’t need to bring anything.”

“I know, I just hated the idea of coming here empty handed.”

“Dinner should be ready soon. Please take a seat while I check on it.”

Ben takes a seat at the island as Rex checks on dinner. “How was your day?” Ben asks.

“Not too bad, it just got a whole lot better, if I am being honest.” Rex flashes Ben a flirtatious smile. Rex grabs two plate settings and sets out to serve two portions of food. “I hope you are hungry,” Rex states as he places one of the plate settings in front of Ben.

“It smells and looks delicious,” Ben claims.

“You don’t need to wait for me, dig in. I am going to get two glasses for the wine.”

As Rex pours wine into two glasses he cannot help but hear the pleased moans escaping Ben’s mouth at the taste of the food.

“Did you add any spices to this?” Ben questions when Rex sits across from him.

“The only thing I really seasoned was the chicken. And I seasoned it with fresh basil, thyme, oregano, rosemary, and mint.”

“It is really good. I love how all of the flavors work together. And the chicken flavor seasoned the vegetables really well too.” Ben smiles at Rex, “Where did you learn to cook?”

“My parents mainly.”

“I think you could have made it as a cook,” Ben admits.

“Technically I am one; I cook at the firehouse.”

“Is that an experience you like?”

“Yes and no,” Rex starts. “The thing about cooking at the firehouse is that we always need to be prepared for a call, so it’s better to make something that is quick and easy or can be eaten in a hurry. So, it is mostly sandwiches or the like. I have recently encouraged everyone to start bringing in stuff from home, so we can just heat it up when we have downtime. Yesterday, Jesse brought in a big pot of chili that he made, it was so good.”

Ben gives Rex a small smile. “Do you enjoy being a firefighter?”

“I love it,” Rex replies.

“How long have you been a firefighter?”

“About three years. Earlier this year, I received that rank of captain for all of my hard work,” Rex states proudly.

“Did you always want to do this?” Ben asks curiously.

Rex lets out a small sigh, “No. I wanted to have a career in the military.”

“Why didn’t you?”

“I enlisted after high school and served for three years. My career was looking bright, I received the rank of captain and was happy, before I got discharged,” Rex explains.

“What happened?”

“I was injured on a campaign and deemed unfit for duty,” Rex gives the short version of events.

“Rex, I know you probably don’t want to worry me but I am curious. I want to know everything about you. So, can you tell me what happened,” Ben says after a moment.

Rex sighs and gives a curt nod. He takes a moment to gather his thoughts before he begins.

“It was midday and we were trying to siege an outpost in the middle of nowhere. I was with a small squad when a battle broke out. At some point during the battle, I was shot. But adrenaline was pumping through me that I didn’t notice until after the skirmish was won. Pain surged through my body and I passed out.

“When I came to one of my men was by my side. He was pale and I knew from the look in his eyes that it didn’t look good, that I might not make it out alive. He told me that I was shot several times in the chest and shoulder. He had his hands pressed on my chest wound to stop the bleeding. I can still recall the smell of iron in the air and how blood stained his hands were as he called for a medic.

“The medic performed an emergency surgery right there in the middle of a battlefield. He removed two bullets from my chest which were mere centimeters from my heart. He requested an emergency evacuation and rushed me back to base, where I could receive better medical attention. When I reached base, I was rushed into another surgery due to complications.

“A day later, I was scheduled for another surgery, this time for my shoulder. The bone was shattered and the ligaments torn. The medics fixed it up as best as they could but doubted that it would ever heal properly, even with physical therapy.

“They informed my commanding officer of my medical condition. He came down to check on me himself. He advised me that I needed to pass evaluations, in order to go back to the frontlines. I failed every evaluation and was deemed unfit for service. They discharged me as a result. When I came back home I had to undergo a couple more surgeries and lots of physical therapy.”

Rex can see the pity that Ben holds for him in his gaze. It is one of the reasons he doesn’t talk about his time in the military.

“You must be stronger to overcome such trauma,” Ben states into his now empty plate.

“I suppose you can say that. To me it was more patience than anything.”

“If you don’t mind my asking how old were you?” Ben questions.

“I was 20.” Rex looks at Ben and clears his throat until the other man meets his gaze. “Not to be rude or anything but can we please talk about something else?”

“Of course.” Ben gives Rex a small smile, “My apologies if I made you uncomfortable.”

“You didn’t. I just think it is a heavy topic for a first date.”

“Is that what this is?” Ben asks teasingly, clearly trying to lighten the mood.

“Yeah, I thought it was obvious. We have a homemade dinner and wine.”

Ben laughs. “When did you decide to open the coffee shop?”

A smile takes over Rex’s features. “About a year ago. Cody came up with the idea actually.”

“So, why open a coffee shop if you are a successful fireman?”

“Believe it or not, the firehouse is underfunded. We have fund-raised but never raised enough money. Cody proposed opening a coffee shop where the profits and proceeds can go to getting equipment needed for the firehouse. Since opening the coffee shop we have been able to get another engine.”

“Cody seems like a wise man.”

“He is,” Rex smiles proud of his older brother. “If it weren’t for him the firehouse would only have one engine and one rescue. We have a greater response time now with the other engine.”

“That is great. I take it you and Cody are close to have decided to open a business together.”

“We are. He is not only my brother but my best friend. We have done so much together and have always been there when the other needs them. We have gone through a lot of hard times which only brought us closer together.”

“That sounds like a nice relationship. My brother and I are close but not as close as you and Cody. My brother and I are often at odds; we disagree about so much.”

“Well that is brothers for you. You may not always see eye to eye on things, you may annoy the shit out of each other, but you always have each other's backs.”

Rex gives Ben a quick smile and holds up his glass of wine, which has remained untouched until now. “How about a toast?”

Ben returns Rex’s smile and holds up his half-filled glass, “You can do the honors, dear Rex.”

Rex smiles bigger at the endearment before he comes up with the perfect toast. “To the start of something new.”

“To the start of something new,” Ben repeats.

Their glasses clink and they both take sips of the wine. Smiles dance across their faces when they place the glasses back down on the island.

“I am going to clean up in here and then we can go into the living room to chat and have some pavlova. Does that sound like a plan?”

“Yes,” Ben responds. “Is there anything I can do to help?”

“You are a guest, please relax.”

“As your guest, I insist on helping you clean up.”

Not wanting to argue and ruin this, Rex reluctantly agrees. The two begin clearing the island and washing the dishes.

Rex allows a comfortable silence to fall between them as they complete the task. He allows his mind to wander.

If Rex is being honest with himself, he thought Ben would have left after he found out about Rex’s past. After all, it is still something that haunts his dreams; it is still something he needs to deal with everyday. Most people do not want to be with someone from the military for that reason, because it puts a strain on the relationship. Rex only hopes that he didn’t ruin this budding relationship with Ben.

Rex is pulled from his thoughts when Ben lightly bumps his hip against Rex’s. It is something so casual and so domestic that Rex cannot help but smile.

I definitely didn't ruin this.

#star wars #the clone wars #captain rex #obi-wan kenobi #obi-wan/rex #modern au #my writing #galaxymysteryelephant writes

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wunderlass · 4 years ago

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I’m feeling so deflated to be writing this post. S1 had its flaws but those could be placed at the feet of a freshman showrunner who could learn from her mistakes going into S2 and up her game. Unfortunately, that didn’t happen, and S2 was a mess.

S1 had a clear central plotline: the mystery of Rosa’s death, leading to justice in the form of Noah’s death and Rosa’s resurrection. S2’s central plotline was…um. The kidnappings? Leading into the plot to blow up Crashcon? I think? But there was so much other stuff gong on it’s hard to tell.

Carina – if you happen to come stumbling into the tags for reactions – you’ve already acknowledged that you struggle to edit your scripts down for length. And it does show in the finished product. But you also struggle to edit your ideas down to fit into the episode count you have. There were too many extraneous plot threads this season, too many guest characters, and the ideas you had were shoddily and sloppily executed.

There were shining moments scattered here and there and the occasional good episode, but for the most part this season lurched from badly paced episode to badly paced episode. Stuff was crammed into each episode and yet somehow the plot also treaded water until 2x11 when it all kicked off – and this was because so much of what happened in the earlier episodes didn’t feed into the main plot. Even Max’s death, the overarching motivation for many characters at the beginning, was shoved to the side for other ideas.

And the payoffs for each of these storylines was too often underwhelming. Max can’t come back because he’ll be full of dark energy and a destructive force! Resolved in 30 seconds by him blowing up a pile of stuff. Max can’t remember Liz! Fixed in the same episode. That pattern continued with the finale feeling like it was trying to wrap up all these storylines without really having a story of its own. The various cliffhangers from Crashcon were tied up before the title card and then let’s spend the next 40 minutes treading water again.

There were good moments in the finale. Max and Isobel’s discussion, the Maneforrest kiss, Rosa and Helena’s reunion. But as for the rest? Hear me whine:

- Jesse’s death was anticlimactic. His line about “no more Manes men” makes no sense given as far as he knew Flint (and maybe Clay?) is still alive. His death should have been poetic because one of his son’s killed him but it didn’t hold the weight it should have, possibly because it came so early in the episode.

- It would have been far better if Jesse had discovered that Harlan killed Tripp and buried him beneath the shed. How awful would it have been for his entire worldview to be shaken by that revelation? How perfect would it have been if he discovered that Tripp loved Nora? If he died after learning all of that, becoming desperate and sloppy in whatever scheme he was trying to pull off (self-immolation via the bomb?), it would have been a fitting ending.

- So many characters this season were badly served. Alex, Michael, and to a lesser extent Max, had real arcs and progression. Alex especially you can see them setting up his growth for a payoff in the finale.

- Kyle was shafted, shoved to the side for the Steph storyline that didn’t feel like it was going anywhere, and I suspect we got a lot of that cut away to make room for other stories.

- Rosa’s story started off strong and then mostly got tied into rehab or helping Isobel. Them having her out and about in public in Roswell is complete nonsense.

- Max had a line for Isobel about her becoming her “entire self” this season, and that rang false to me. We’ve only seen Isobel develop her powers. Her personality has shifted each episode, fractured and inconsistent, dependant on what the writers needed her to do. She didn’t get much of a storyline of her own – the abortion was redundant, serving as a political soapbox for Carina rather than anything that served the character – and while she’s found out more about her heritage, that’s never been as important as Michael or Max finding out about theirs. She said she wanted to become more like her mother and that never went anywhere.

- I was so hopeful that Carina had listened and understood the criticisms with Maria’s handling in S1 and worked to improve it. She certainly gave her increased screentime. Except, so much of that screentime was tied into Michael, and latterly Isobel. She lacked interactions with Liz or Rosa. She was in two whole scenes in the finale and after she broke up with Michael, she disappeared from the story, and if that doesn’t say it all…

- And that break-up was contrived bullshit. I’m not saying this as a shipper. It felt like they’d planned to have them break-up in the finale and wrote it even though the motivations hadn’t been properly established. Seeds were sown but they were communicating well as a couple and resolving their issues as they went along. Suddenly those issues got un-resolved and were enough to break them up.

- The most galling part is that so much of what follows comes from Tripp’s diary, and Maria is excluded. This is her story too! Louise was her great-grandmother! Rather than sitting around her in the hospital room reading this stuff, they do it in the Crashdown.

- Which fits the pattern of what’s happened all season. Maria found out she was part alien and it was about her powers, rather than her legacy, rather than what happened to her great-grandparents.

- And it became clear that it was done so they could do the Nora/Tripp and Malex parallel.

- Which completely solidifies for me where Carina’s priorities lie. She’s been clear that Malex is her favourite ship on the show and Michael is her favourite character. But this season has shown that she’s incapable of ensuring her favouritism doesn’t screw over other characters.

- The sad thing is this really does show up in marketing. Carina always pushes and praises Vlamis and barely ever mentions Jeanine on her SM. Media outlets write about Malex as the centre of the show and they aren’t supposed to be. We have a sci-fi show with a Latina leading lady and nobody cares – not the showrunner, not the media (outside of Latinx-centric publications), not the fandom. I’m not Latina and it frustrates me so I can’t imagine how actual Latinx people feel about that.

- Maria was dragged into a love triangle that Carina never had any intention of doing justice to. Maria and Michael were always only ever meant to be a pit-stop on the way to a big Malex reunion. Sadly it’s clear the same goes for Maneforrest. Why write something if you’re only going to do it half-arsed? And it clearly was. That’s why the Maria and Michael break-up was so perfunctory and illogical.

- While I’m on the subject of Maria – last season Mimi was clearly deteriorating and didn’t recognise adult Maria anyway. Now that seems to have shifted to Mimi’s mind moving through time. It’s still unclear if this is the alien DNA or what was done to Patricia Deluca in Caulfield. I don’t understand why they introduced both elements – apart from being able to give Maria a line about unethical science which OH BOY what a contrast with Liz.

- Speaking of Liz.

- Wow.

- If the central storyline was the kidnappings and Crashcon shenanigans, she really had no involvement with that all season apart from the very end. All the investigation went to other characters. Her mother was involved, but not Liz.

- Let me repeat that.

- Our lead character was not involved the central storyline of the season.

- Alternatively, if you think Max learning about his history, and all of the reveals about 1948, and Maria’s heritage etc etc were supposed to be the main storyline…

- Doesn’t matter because Liz wasn’t involved in any of that either!

- Liz was a subplot in her own show after they brought Max back. Hell, she was a subplot even when she was working on that.

- The narrative focus really has centred on Michael, Alex, and later Max.

- I wonder what they have in common with each other.

- If you don’t believe me, check out the screentime figures for this season. Liz had the fourth largest amount of screentime in the finale, and she’s only had majority screentime in a handful of episodes all season (2x01, 2x07, 2x11).

- And then realise that the plot kept moving after Liz left Roswell. She’s just not part of it anymore.

- I watched the finale and kept asking myself where Liz was because she kept disappearing for whole chunks of time.

- She was in her own subplot about science for the back half of this season, and honestly, I’m going to have to write an entirely separate post about Liz and ethics in science because NOPE.

- Max was right. Liz deserved to follow her calling but she had options that didn’t involve risking the aliens.

- As such the Echo break-up was stupid but whatever, based on this season I guess it needed to happen.

- Did Max even care that Liz left? He loved her for twenty years and then when he had her, it didn’t matter anymore? What the fuck? Are we ever going to get answers as to why he fell so hard and loved her for so long, or is the “Malex is cosmic” story more important?

- Also the whole thing about the Genericorp lady not being interested in Liz based on meeting her at the Crashdown was stupid. You hire scientists based on the previous work they’ve done and their credentials. Diego’s word should have been enough to convince her, and then maybe an actual proper job interview to make sure she was a good fit. Not “let’s sneak into her secret lab to look at what she’s working on”.

- When Liz does leave, she only says goodbye to Rosa and Kyle. Arturo is mentioned but not seen. Which means the whole ICE sequence this season, which should have been a solid motivation for Liz to take the Genericorp job on its own, has been resolved without a proper payoff. All that stress – scenes that I know felt genuinely stressful to some viewers because of how close to home it hit – and we don’t even get to see Arturo seeing his “genius daughter” leave with his future secured.

- It’s plausible that Liz said goodbye to other characters – Maria, Isobel, Michael – off screen BUT SHE’S YOUR LEAD CHARACTER AND HER LEAVING TOWN SHOULD CARRY SOME EMOTIONAL WEIGHT FFS

- Compare Liz leaving and arriving at the ocean to Buffy Summers leaving Sunnydale in Becoming Part 2. There is no contest.

- It’s clear to me that the audience Carina writes this show for is herself. And that’s fine. Plenty of writers do that. But that means she’s writing a show for the women in fandom who like epic mlm romances with lots of angst. And the problem with that is that this show has a Latina lead who is not being done justice.

- This is not me railing against Malex. There is space in the show for both things. This is me expressing my frustration at a showrunner and creative team who are not taking care with all characters equally.

- Carina uses her platform to throw in politics and use characters as mouthpieces without considering their impact. She thinks she’s educating the straight white people in the audience without thinking about how scenes of ICE intimidation, homophobic violence, and racism will affect the people who are impacted by those things in real life.

- Am I done with the show? Probably not. I’ve got fics I want to write and while I’m not hubristic enough to think I can write better than a team of professional writers, I’m going to at least try and do some of these neglected elements of the show justice.

- Hubris. Remember when I thought that was going to be a theme of this season? Apparently not. There was no theme, unless “no editing, we die like men” counts..

#roswell new mexico #rnm spoilers

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whentheynameyoujoy · 4 years ago

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Women in SPN—Is it Really That Bad?

TL;DR: Somewhat, yeah, it kinda is.

This is going to be a series of long ones, people.

Before I jump head first into this giant vat of weird toxic shit, let me say something:

The thing about most of the female characters is that on their own? They’re perfectly fine, ranging from serviceable to the occasional flash of thematic brilliance. Barely any of them qualify as “this is hateful on its face and incompetent regardless of context and the writers should feel bad for ever conceiving of it”, i.e. the normie benchmark for justified criticism. It’s only when you put these characters next to each other that a worrying pattern emerges;

Although discussions about sexism in the media were very much a thing in the mid-2000s, as well as shows with characters whose primary role wasn’t to serve a man’s needs, I can’t honestly claim that the flaws of SPN are out of the norm for its time; and

The first few seasons could really do with a PSA at the start of each episode, something along the lines of “A part of the reason why female characters are killed off or written out with such regularity is rabid superfans who couldn’t abide anything with tits brushing against J2, srsly, the writing team and the 2000s’ fan base were a match made in hell, except it wasn’t the writers who couldn’t do with bitching on their LiveJournals about the gall of women to exist in the show, choosing instead to harass the creators and actresses and wives and call them every sexist insult under the sun AND I MEAN WHAT THE FUCK IS WRONG WITH YOU PEOPLE HAS THERE EVER BEEN A CESSPIT AS DISGUSTING AND NUKEWORTHY AS THE SPN FANDO—“

Anyway.

SPN has a legacy (as a posterchild for not knowing when to bow out gracefully, but legacy nonetheless) and isn’t watched in 2005 but in the year of our Lord Today. Meaning that as time goes by, the issues surrounding the show’s production retreat into the background and only what’s on the screen remains, to be judged on its own merits.

So let’s run down a list of the more noteworthy and relevant female characters of the first arc, focusing on their characterization, role in the narrative, and end. In the conclusion to this series of posts, the sum of characters will be analyzed as a whole to see if there are any unique tendencies in the show’s handling of women as opposed to that of men. I’ll do this for the original five seasons as the recent finale went out of its way to say that nothing after season 5 was strictly speaking necessary so why bother.

(Also because I died of frustration in season 8 and vowed not to subject myself to any more of the post-apocalypse fanfic era)

Angels, while strictly speaking genderless clouds of energy, will be classified as men or women depending on the apparent gender of the vessel they spend most of the time riding. The same goes for demons where I also take into account their stated gender while they were alive. That’s because although beings like Meg, Ruby, Anna, or Lilith can’t technically be considered women in the show’s present day, their consistent preference for conventionally attractive and/or female vessels throughout the original arc makes claims of genderlessness essentially meaningless. For all intents and purposes, we’re watching girls and women on screen.

Baby—the only true NB of the first run

All right, time to jump.

Say hi to our ladies!

Mary Winchester

Killed in the very first scene to give the story a reason to exist, she remains an active presence throughout the first arc where she has a wide-reaching influence on the plot and characters, driving the conflict on several levels. Fleshed-out more and more with each appearance to be more than just “the dead mom”, she’s portrayed as protective, pro-active, capable, and assertive, mirroring the duo’s desire for normal life and their inability to have it. Her story comes full-circle in season 5 when the personal tragedy of her fate is embedded in the wider tragedy of the Winchester family curse and the overall theme of destiny.

Status: Dead as of s5

Importance: Major

On her own: Textbook example of fridging… and that tropes aren’t bad in and of themselves.

Jessica Moore

Comparatively, if anyone doubts fridging can evolve into something meaningful, Jess drives the point home by having no personality and no point but to prop up her boyfriend before she ends up pinned to the ceiling, the reveal of which is the most interesting thing about her entire existence. At best she’s a symbol of Sam’s civilian life, at worst an obstacle to be removed for the story to happen.

Status: Dead as of s5

Importance: Major in terms of manpain, non-existent otherwise

On her own: A cardboard cut-out, barely qualifies as a character

Missouri Moseley

A psychic and the primary reason why John Winchester even knows to wipe his ass. Appears once over the course of the first arc yet everyone wants her to come back years later—that’s how awesome she is. Has this fantastic trait of being compassionate and empathetic while not taking a single speck of shit from anyone, especially when it comes from the two main dumbos who might just as well have been raised in a barn. Is very particular about the pristine state of her coffee table.

Status: Alive as of s5, killed in s13 (wait, what?)

Importance: Major…ly wasted potential

On her own: As strong a character as Bobby Singer, and as worthy of being elevated to the main cast.

Lori Sorensen

The writers can’t figure out why anyone in the universe would care about Jess either so they insert an intentionally awkward romance subplot to convince people the time’s not yet ripe for Sam to stop grieving and start slaying. The result’s… erm… well, awkward. Lori’s naïve, sheltered, devout though accepting of her non-repressed friend, and sort of on a religious crossroads because of her hypocritical preacher father. I guess the virginal power of her virginal virginity does… something in the plot? Primarily a vehicle for Sam to mark the stages of his moving on.

Status: Alive as of s5

Importance: Minor

On her own: A bit done. Like a bit lot. Like a “could be a trope namer” bit lot.

Meg

Boom, baby!

Arguably the chief antagonist of season 1 and one of the best things about it. The first one to point out the pervasive toxicity of the Winchester family business, so props for perceptiveness. Possesses the standard qualities of a lower-level henchman—manipulative, no-nonsense, and quietly sinister which, while not exactly groundbreaking, sets her apart from the other bad guys in the season as they tend to have no distinguishing characteristics at all. Plus Nicki Aycox makes the role seem more unique and “lived-in” by projecting a sense of understated amusement at the two main chucklefucks. Is one of S1’s turning points in blurring the lines between monsters and humanity. Has a face transplant twice—once to have revenge (good on her) and the other time to pursue someone else’s goals again before getting stomped into the ground like a mook.

Status: Alive as of s5 (?), killed in s8

Importance: Major

On her own: The actresses do most of the heavy lifting. Which doesn’t mean I don’t love watching the character burst onto the scene and announcing the end of the Winchester brand of bullshit.

Layla Rourke

A terminal cancer patient in a religious cult, she’s a more mature take on a Lori-type character and the themes of faith and doubt. Serves as a conduit for Dean’s budding survivor guilt, self-loathing, and sense of worthlessness. Is kind and cheerful, with strong hints that she’s relying on forced optimism to get through the days; also understanding of the circumstances of others while realistically freaked about the possibility of death. Weirdly, she enters the episode already in a state of acceptance and leaves it just as accepting when it’s confirmed that yeah, she’ll die soon. All expressions of anger at the injustice and senselessness are left to her mother which somewhat undermines the “struggling” portion of Layla’s character and renders the final scene where she makes peace with her fate a bit hollow.

Status: Implied dead

Importance: Minor in the overall narrative, major in the episode and Dean’s development

On her own: I want to like her, I really do, just… if only she were allowed to get pissed, once.

Cassie Robinson

Dean’s ex and that’s pretty much all there is to her. I struggle to pinpoint a single personality trait of hers—the 2000s idea of a “strong woman” and “not like other girls”, perhaps? Undermined as a love interest because TPTB don’t show the happy or any parts of her relationship with Dean so really, why should anyone care if two sniping assholes with little to no chemistry get back together? Memorable for being in a horribly scored softcore scene which YouTube tries to convince me lasts for shy over a minute, not the week I remember it to. Involved in the show’s first and last attempt at incorporating the issue of anti-black racism.

Status: Alive as of s5

Importance: Minor

On her own: She’s in the racist truck episode. ‘Nuff said.

Sarah Blake

A sophisticated people-person conversationalist with a love of high art and a deep sense of introspection. Ascends to the state of godhood by being able to pull off pigtails while adult. Bonds with Sam over responding to loss by crawling into a shell but deciding to move on. Doesn’t care for your fancy schmancy fine dining, Romeo. Isn’t ashamed to openly talk feelings which includes her explicitly asking Sam if they have a thing going on (honestly, this is such a breath of fresh air for a normcore romance). Despite being scared out of her wits, she refuses to be shoved into the helpless civilian box after learning about the existence of the supernatural; Dean creates a Pinterest wedding board in response.

Status: Alive as of s5, pointlessly dragged back to be murdered in s8

Importance: Minor in the overall narrative, major in the episode and Sam’s development

On her own: A great love interest that has enough writing behind her to fool you into thinking she’s something more.

Up next, whenever I feel like it, seasons 2 and 3!

#spn #spn critical #supernatural #supernatural critical #sexist writing #mary winchester #missouri moseley #meg masters #sarah blake #layla rourke

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cloveroctobers · 4 years ago

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IBRAHIM JARVIS —

IG info/bio: @/OFFICIALRAHIMJARVIS | 130k followers | pro🏌🏿, & yes i was on that dating show...don’t obsess over other people, obsess over water, stay hydrated friends!

22 (23) years old

From Birmingham, England

Pisces sun? + Virgo moon + Cancer rising

Parents are both Afro-Antiguan and Barbudans + migrated to The UK once they were pregnant with their first child

They’ve been married for over 20 years

He gets his height from both of his parents

His mother keeps her hair buzzed short, cooks the best Antiguan food + loves creole seasoning, she’s 5’11, & works as a bank teller

His father is 6’5, works as a substance a*use counselor & does not believe in tough love as a way of showing you care about your children. He learned that the hard way growing up

Ibrahim is a pro golfer & dislikes tiger woods, “he’s a proper arsehole, typical American yeah?”

Got into the craft thanks to his maternal grandfather who was also into golf along with other sports & taught him all he needed to know. At first Ibrahim didn’t like it, found it rather boring & would rather stick to video gaming but his grandfather wanted to break his grandchildren out of staying in the house all the time

It kept him fit and also relieved any anxiety Ibrahim had in life and he had a good amount

He’s got an incredible swing, thanks to his long arms

He’s 6’3

Has three older brothers: Jesse (27) , Keithroy (25), and Reuben (24)

He loves working out and spotting other people, feels likes it’s a team effort & he’s a team player

Drinks gallons of water on a daily and nothing else, it’s even better if he puts fruit in it

Always eating fruit, for breakfast/with or after his dinner. Rather eat fruits than vegetables...yes he’s an adult but he can’t stand broccoli or radishes

Canon: hates seeing other people test their fruit to see if it’s ripe or not. But it’s fine when he does it himself, he just thinks about all the germs that are on other peoples hands when they’re doing so; it physically makes him sick & irritated if he ends up touching the fruit that’s mushy/lumpy

He’s a big fan of comics. Always has been since he’s a kid and has a huge collection of them, his oldest ones are packed away in a couple of crates (in his loft room that he uses as a extra storage room) since he no longer has space in his room. Yes he has no shame (and shouldn’t) of having them on display even tho his oldest brothers clown him for it

Massive fan of black panther & was hyped when it first came to theaters. Saw it three times in one day

Was heartbroken when Chadwick Boseman p*ssed

He’s awkward at expressing himself & sometimes it makes him feel misunderstood & it’s frustrating

Hates people that come up with these ideas of him instead of allowing him to collect his thoughts and speak them the right way

Yet he can be the type of person that wants to ignore issues and hope they go away

He wishes people had enough patience like he did with others in the world

He seeks advice from his dad, since he’s a counselor & everything yet it’s slightly different?

Can be a sweetie & very romantic in relationships

Will do the most (he won’t see it that way) & drop $ on you if he wants to...buying things, trying & failing to DIY, doing wealthy ppl shit, expensive trips— canon: taking his girl to Spain? Was it? Or Italy? I don’t remember... the whole 9

Had 1 gf before the villa. He broke up with her for being too flashy with his things & found that she wouldn’t have liked him if he didn’t have a bit of money

His parents live with him. “They’re basically my roommates until or if they find a house they like.” He didn’t go overboard once he got his first paycheck, he didn’t need a mansion but he did go big enough, industrial style but homey with some minor modern touches for his dream home—he didn’t want it to feel cold or penthouse-like

Isn’t too flashy on the socials but will post something every now & then if he feels the need to show it

Doesn’t post much of his face, mostly what he’s doing in the moment...lots of golfing pics!

Dresses like a dad but it works for him. Loves a good snug polo & plaid trousers/regular that are cut above the ankle, “those are highwaters innit?!” “No mum, it’s the style.” Rolled up jeans, tall white socks & some patterned, baggy sweaters, fancy hats, picks oxfords over sneakers, etc...

Definitely takes the time to iron/steam/press his underwear & socks

Enjoys getting his hair braided, isn’t tender-headed at all (must be nice)

Only grows his hair out during the fall/winter seasons or cuts/gets a shape up

When he posts about his tournaments or time at the golf course, he can always count on Bobby to comment the usual... @/returnofdamckenzie: do you ever have moments where you Reenact troy bolton on the lovely green grass? @/officialrahimjarvis: Idk whether to block u or have a laugh mate, yes i had to look him up!

Dated Jo for about 5 months after the villa until she broke up with him, finding that their lifestyles were too hectic for them to continue, at least that was her public statement to the fans but they really grew apart & the “love” was no longer there

Ibrahim seemed to be more upset about it than Jo in the beginning resulting in snappy replies for awhile, which again stems from him not knowing how to express himself

She checked up on him A LOT, almost as if they never broke up but Ibrahim felt like he needed his space now. They talked it out the best they could over dinner and got closure but that didn’t mean it didn’t sting. He just didn’t think it was needed to be calling each other everyday to see how they were both holding up. If they were done, then that’s what they should be

Jo didn’t see it that way. She still cared for Ibrahim, that didn’t mean that they had to stop talking in her view. She wanted to know how he was coping, and was known for “sticking her foot in her mouth” so that was also a flaw in their relationship

She would say certain things that touched on how she was feeling but didn’t express them at the right times & then there was Ibrahim who didn’t know HOW to say the things he felt which left jo to assume things

Ibrahim was back to the single life and he hated it. He wanted someone he could come back home to, someone that wanted to be with him for the long run. A part of him feels like Jo wasn’t planning to be with him for the long run in the first place and in a way that was okay? Sometimes you don’t know where you’re going in relationships but there should be some sort of goal? Maybe? At least that’s what he thought. Yeah they had fun but he wanted more someday

He was still young he didn’t need to be hung up about it right? Sike. He didn’t know how to take things lightly. That wasn’t how he was built. And to get comments about his ex relationship and have fans dragging him about his choices in the villa A YEAR later!!! Was disheartening

Shannon seemed to be doing well. He thought they would still be friends, at least that’s what she showed before she left the villa. Before he got her dumped. They talked a couple of times since then, jo personally wasn’t a fan of that—Shannon didn’t care but it was clear there was some tension still there

Until he contacted her just to realize she probably had his number blocked but her IG was public and she had a new man & was traveling about

His dad and Reuben were the only ones rooting for them

He had no choice but to be happy for her. Who was he to come in between that? Not that he wanted to but it’s a natural reaction to wonder after a fresh breakup, “what if?”

Talks to Priya every so often now. He seems to find comfort in her, it’s the same for her on her end

His mother has a feeling Priya is the one her son will end up with. Even if she is older...Keithroy also liked her the best

While Jesse seemed to be the only one who supported his relationship with jo

I honestly thought he would have liked Hannah in the beginning but idk if it was him or Gary that said she was too unrealistic when it came to love? I think they both said something along those lines which is odd since it seems Ibrahim has no problem treating his girl like a princess

Probably only has one special dish that he can cook the best & it’s gumbo. otherwise hes out of the kitchen or having his personal chef cook for the family

Goes live on twitch—when he has time, playing many games with the boys from the villa, which pleases the fans

Talks to them all as much as he can

Noah seems to be the first to always text back since Bobby is the one who’ll start off responding in minutes then forget to text back cause he’s off doing handstands or booping people on the nose or some shit, Gary always ends up busy doing something with his nan or for Lottie—but Noah’s always around

They seem to be the closest outside the villa, they mesh well & hang out the most when they can

he likes having his sound on & LOUD when he texts! There’s something so satisfying about hearing the clicking of texting to him

Watches a lot of sports on the Telly, it doesn’t have to be just golf. Usually watching that sport sends him right to sleep while the others keep him active/vocal...yes he’s a tv yeller

Holds sports parties at his home & invites all of his family & mates, he HATES having to clean up afterwards. If it wasn’t for his mum he would save the cleaning until the next day yet he doesn’t mind cleaning his car twice a week

Continues to make his violet man drink & wouldn’t be opposed to someone giving him a endorsement deal for it

Is the “I love everybody!” Drunk

Enjoys yard work over cleaning the house

Has his own customized golf cart that he keeps in his garage

He likes driving that more than his Buick suv tbh

Wants kids some day, not too many, not too little just right— he’ll probably have two but for rn his Doberman pinscher is his bby

Either ends up with Priya with slight insecurities that she’s too good for him or he falls in love with a tennis player, either way I’m fine with both

Crushes/his type? : Jojo Levesque, SERENA WILLIAMS, China McClain, Brie Larson, Victoria Pedretti, Nathalie Emmanuel, & Keke Palmer

Listens to: Aminé, Big Sean, Frank Ocean, Brent Faiyaz, Pink $weats, B Young, Ali Gatie, Russ, Raveena, Jessie Reyez, Rayana Jay, Cosima, TianaMajor9 etc...

Anthem = Lucky Daye, “Buying Time”

#litg #litg2 #litg s2 #litg ibrahim #litg jo #litg shannon #litg priya #litg au #litg headcanon #litg headcanons #litg Bobby #litg noah #litg rahim

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