#Jeremy Murdoch

[ministerforpeas]

We All Hate Jeremy Beadle!

[iolojones]

An apology is not enough. Imagine if Clarkson had been talking about your mum, sister, daughter or niece ?

The guy needs banning from all media immediately. Then he needs to be prosecuted for what he wrote along with the endlessly odious Sun.

If Amazon and ITV don’t ban him then I will delete their apps and campaign endlessly to get everyone else to do the same.

[confettihipster]

does the rupert murdoch vanity fair article clear up if there were or were not trees?????

[loveandthings11]

Here's how Kendall can still win

[bookymcbookface]

⭐️⭐️⭐️⭐️⭐️

[koelnpoetry]

Here are some songs from my Unconditional Love Playlist for when I’m not feeling well.

In case somebody needs some consolation. Maybe it helps. Feel free to add more songs :) Take care! <3

There is always someone who cares. I do.

So today I wrote a song for you

'Cause a day can get so long

And I know its hard to make it through

When you say there's something wrong […]

You think no one understands […]

And you're so tired you don't sleep at night

As your heart is trying to mend […]

For all that you claim

You're standing still

You are moving too […]

I will move with you

I know you're tired, I know you're anxious

You wanna die, don't wanna say it

It's in your eyes, you're giving up this time

Ooh, I won't let you do it

I know it's a lot sometimes, we'll get you through it

Estás cansado de andar y de andar

Y caminar

Girando siempre en un lugar […]

Sé que lo imposible se puede lograr

Que la tristeza algún día se irá

Y así será

La vida cambia y cambiará

Sentirás

Que el alma vuela

Por cantar una vez más

(You are tired of walking and walking

and marching

Always turning in one place […]

I know that the impossible can be achieved

That sadness will one day go away

And so it will be

Life changes and will change.

You will feel

That the soul flies

To sing one more time)

Seit wann fällt bei dir täglich dieser Regen?

Draußen bestes Wetter, aber in dir diese Sonnenfinsternis

Es donnert und es blitzt

Du bist nicht allein

Wir könn'n das ja teil'n

Lass mich für dich wein'n

Vielleicht wirds dann leichter

Und fehlt dir der Halt

Dann geb ich dir mein'n

Du weißt doch, ich bleib

Vielleicht wirds dann leichter

(Since when has this rain been falling every day for you?

Great weather outside, but inside you this solar eclipse

There is thunder and lightning

You're not alone

We can share this

Let me cry for you

Maybe then it will be easier

And if you lack support

Then I'll give you mine

You know I'll stay

Maybe then it will be easier)

If I could bear this fate for you

If I could end your fear and ease your pain

If I could give back faith to you

Behind the grey cloud waits the sun

If I could travel time for you

I would fly back, oh I would fly back

To make a future true

Where you and life are one

I love you

I fucking love you, can't you see?

No se si escuchás

O quizás ya no sirve de nada

Solo murmurás

Solo me das vuelta la cara

Ayer nomás

Tu sol me entusiasmaba

No llorabas por mí

No llorabas por nada

Dejaste que el dolor te curtiera la piel

Ojalá no sea tarde

Para volver a nacer

Para poder levantarte

Me encantaría

Volver a verte reír

Como me gusta verte reír

(I don't know if you listen

Or maybe it's no longer of any use

You just murmur

You just turn your face away

Just yesterday

Your sun excited me

You didn't cry for me

You didn't cry for anything

You let the pain weather your skin

I hope it's not too late

To be reborn

To be able to get up

I would love

To see you smile again

Oh how I would like to see you smile again)

Du weißt, wie es ist, wenn man nicht mehr weiter weiß

Du weißt, wie es ist wenn der letzte rote Faden reißt

Du weißt, wie es ist, wenn man keine warmen Gedanken mehr hat, nur noch kalte

Du weißt, wie es ist, wenn man nicht mehr weiß wohin man wollte […]

Wenn du nicht mehr weißt wo du hin willst, komm zu mir!

(You know what it's like when the last thread breaks

You know what it's like when you don't have any more warm thoughts, only cold ones

You know what it's like when you no longer know where you wanted to go […]

If you don't know where you want to go anymore, come to me!)

So no one told you life was gonna be this way

Your job's a joke, you're broke

Your love life's DOA

It's like you're always stuck in second gear

When it hasn't been your day, your week, your month

Or even your year, but

I'll be there for you

(When the rain starts to pour)

I'll be there for you

(Like I've been there before)

Wie ich's auch wende und wie ich′s auch dreh'

Scheint, als ob man mich nicht braucht

Alles was ich einmal gerne wollte

Sagt mir, dass ich's lieber lassen sollte

Nicht für jeden wird der Tisch gedeckt

Das macht mir Angst, dass ich erschreck'

In irgendeine Nische passen wir schon rein

Ist sie zu schmal, machen wir uns klein

Irgendeine Ecke findet sich für dich

Irgendeine Ecke wo du glücklich bist

(No matter how I turn it

It seems like I'm not needed

Everything I once wanted

Tells me I shouldn't do it

The table is not set for everyone

This scares me

We surely fit into some niche

If it's too narrow, we make ourselves small

Some corner will be found for you

Somewhere where you are happy)

[architect-of-the-last-act]

Jeremy Von Neuschwanstein and Shuli Von Neuschwanstein || On the quiet, all-consuming loves that toe between companionship and romance, grief and simple happiness, with the tragedy hanging over their heads and the need to be better, and thus shouldn't be acted upon.

Illustrations from A Stepmother's Marchen / Hedgehog's Dilemma, Wikipedia / Waiting Room by Phoebie Bridgers / A Poem From The Adult Daughter To The Narcissistic Mother by Katherine Fabrizio / People Will Say We're In Love, Oklahoma! / Twilight by Stephanie Meyer / tumblr post by starpeace / The Cart by Mary Reufle / Haiku [for you] by Sonia Sanchez / Close to You by niki / Spend Some Time by Eminem / Every Day by David Levithan / Unknown / In a Dream You Saw a Way to Survive by Clementine Von Radics / Anchorite (Love You Very Much) by Car Seat Headrest / Unknown / Biotherm (for Bill Berkson) by Frank O' Hara / New and Selected Poems Volume 1 by Mary Oliver / tumblr post by chateauofmymind / Unknown / Kate McGahan / Waiting by Caitlyn Siehl / P.S. I Still Love You by Jenny Han / Miss Peregrine's Home For Peculiar Children by Ransom Riggs / tumblr post by poetrylovesongs, / The Best of Me by Nicholas Sparks / song for a lover (of long ago) by Bon Iver / please don't forget me and all the things that we did by Isaac Love / The Sea, the Sea by Iris Murdoch / The Winner's Kiss, Marie Rutkoski / In another universe by Dana Lee / The Crucible: A Play in Four Acts by Arthur Miller / Two Slow Dancers by Mitski / Maybe In Another Universe, I Deserve You by Gaby Dunn / Next Time by Team StarKid / Jonathan Carroll / The Moon Will Sing by The Crane Wives / Pyrrhic Victory, Wikipedia / Raushan Ranjan / All My Pretty Ones by Anne Sexton / Your Best American Girl by Mitski / twitter post by fran (galacticidiots) / War of the Foxes by Richard Siken / Crush by Richard Siken / The Garden of Eden by Ernest Hemingway / twitter post by mountain. (sainticide) / The Unabridged Journals Of Sylvia Plath by Sylvia Plath / Crescendo by Becca Fitzpatrick / SANDARAFREEDOMPARK / Unknown / Unsent Project / twitter post by aiman (dumbsoftheart) / there is no absolution for the fallen, only the dying by p.d / Unknown / Someone New by Hozier / Cassandra: A Novel and Four Essays by Christa Wolf / A Self-Portrait in Letters by Anne Sexton / Unknown / “I get so jealous of euthanized dogs” by June Gehringer / Wuthering Heights, Emily Bronte

[liberalsarecool]

Violent fanfiction by the likes of cranky white male human-garbage like Jeremy Ckarkson directed at Royals would never be permitted, but direct the abuse at the only person of color in the Royal Family at you get an article in the Murdoch-owned Sun.

Conservative elites around the world are just horrible, disgusting racists and misogynists.

[kygerbearr]

what I would do if I met every echo/tsr character: TJ: literally whatever he wants to do and it would be fun Leo: kill him Chase: kill him Carl: kill him Jenna: plot to kill Leo Flynn: plot to kill Chase Sydney: plot to kill Carl, as a joke. like for fun Micha: all of this Jeremy: kill him Heather: group therapy and shopping spree Samuel: that's between me and him and whoever he wants to join us Clifford: that's between me and him and whoever else wants to join Nik: thats between me and him and absolutely no one else William: plot to kill Kane Kane: kill him Murdoch: that's between my heels and whatever he decides should meet them Yao: spend my whole life with them forever and ever and recreate our favorite memories ten years after the fact and wonder how either of us got here and try not to think about what our lives would have been without it because maybe this lifetime is enough for us Ralph: kill him Jim: kill him

[steelbluehome]

"The two leads are fantastic: Stan navigates from naïve wannabe to glowering mogul and never loses his way or slips into parody. His vanity about his hair and his looks is on display from the beginning, but in the early years he is unsure of himself and there is a vulnerability about him. Strong is also utterly believable as Cohn, a man as vain as his disciple and certainly as dangerous."

The Standard

The Apprentice review: Sebastian Stan shines in drama about how Donald Trump went from wannabe to mogul (click for article)

This origin story does an excellent job of showing the rise and rise of Donald Trump

Jo-Ann Titmarsh

4 out of 5 stars

One of the hottest tickets in Cannes this year is Iranian director Ali Abbasi’s The Apprentice, his tale of the rise and rise of Donald Trump.

The apprentice in question is Trump himself (Sebastian Stan), while the master he serves and later usurps is Roy Cohn (Jeremy Strong), a lawyer who hobnobs with leaders and has the ear of the president.

Cohn is ruthless and will stop at nothing to attain what he wants, often in the name of a patriotism which equals hard-right conservatism.

The film opens in 1970s New York. Donald is a baby-faced teetotal rent collector for his dad, but he yearns to break free of his father’s grip and strive for greater things, obsessing over the tycoons and millionaires that frequent Le Club.

This is where he meets Cohn who takes Trump under his wing and instructs him to follow his three essential tenets, which are all about achieving, denial and how even a defeat can be turned into a win.

Abbasi deftly recreates the feel of the city and the darkness of those years. And what starts gritty becomes colourful once Ivana (Maria Bakalova) appears her platinum blonde hair, scarlet dress and matching glossy lips.

The other important people are his family members. Martin Donovan plays Fred, the abusive and monstrous family patriarch. Donald’s mother Mary (Iona Rose MacKay) is a less forceful presence, while Trump’s brother Freddy (Charlie Carrick) is sympathetically depicted as a man slowly but irrevocably broken by his father’s contempt.

As the film moves into the 1980s, the look changes completely as the Eighties vibe comes clearly into focus, like walking into the neon-lit bathroom of a dingy club.

There is nothing but tackiness here, that harsh lighting revealing the deals in Atlantic City, the over-the-top décor of the Trump home and the gaudiness of the couple’s life together, even as their relationship falls apart.

The harshness also highlights Trump’s ascension as Cohn begins to falter and the apprentice becomes the master.

The film ends with Trump drafting his book The Art of the Deal, in which he dictates those three tenets drummed into him by Cohn. Nothing about Trump is original. Nothing has been gained by him alone. And there is nothing he won’t do to get what he wants.

The two leads are fantastic: Stan navigates from naïve wannabe to glowering mogul and never loses his way or slips into parody. His vanity about his hair and his looks is on display from the beginning, but in the early years he is unsure of himself and there is a vulnerability about him. Strong is also utterly believable as Cohn, a man as vain as his disciple and certainly as dangerous.

It’s hard not to bring up comparisons with Succession here: a New York dynasty, a tyrannical father, the wealthy elite, the presence of Jeremy Strong who played Kendall Roy… there’s even a fleeting glimpse and mention of Rupert Murdoch, whom Cohn says Trump should cosy up to. And then there’s the excellent music by Martin Dirkov, which has echoes of the Succession theme.

There are some problems, the story is too linear and the screenplay, by Gabriel Sherman, full of scenes seen many times before, such as Cohn chasing after Trump in the street begging for an audience or Donald refusing his calls, and the director could have been more inventive in the fil. However, there is a lot of humour here, particularly thanks to the character of Cohn, and almost always at Trump’s expense.

The Apprentice is not going to change anyone’s mind about Trump, who is so vain that he will almost certainly love this film, despite the references to his plastic surgery and big butt.

But Abbasi does an excellent job of showing us how and why Trump became the Trump of today and how his path to presidency was paved.

[mariacallous]

Must we, really? I’m afraid there is no avoiding the great crown soap opera as this finely crafted Prince Harry publicity spectacular engulfs the news. However nugatory the revelations about scenes of brotherly rivalry, beards, bridesmaids and broken dog bowls, it’s no use pretending it’s not happening or that the country and its households aren’t dividing into Harryites and Williamists.

Pollsters see a leave v remain rift – with leavers on the side of the monarchy and remainers inclined towards Meghan and Harry. While older people back the palace and the young lean more to Montecito, I doubt that last night’s angry and contrary ITV interview will restore Harry’s sliding ratings.

The interview landed as the next neatly choreographed step in the ace publicity machine of Prince Harry’s publishers. After the Oprah interview in 2021, six episodes of the Netflix series, teasers for his four TV interviews this week and the early leaking of his book, was there really anything new for him to say or for us to think? Nothing, beyond the painfully raw spectacle of his inchoate rage.

The palace, with its hordes of PR specialists, spent weeks war-gaming its response – it was prepared for devastating revelations, ready to break its silence if absolutely necessary. So far, its worst fears have “not come to light”, which tantalisingly suggests it thought Harry had more lethal missiles to unleash.

Of course, Harry’s words evoke some sympathy for an angry, damaged man. In what family is it psychologically acceptable to consign the younger son to service the elder for life? Few parental divorces are as horrible as the one these boys suffered, their schoolfriends snickering over the tampon tape and the James Gilbey recordings, everyone ogling Diana and Charles’s self-justifying TV interviews and books, capped by their mother’s horrific death. The monarchy teetered as the Queen misjudged the Diana moment, but then she held it together. If it could survive all that, the blow of a minor twig breaking from “the Firm” to seek his Californian revenge is hardly fatal – as he voices full support for the monarchy itself, condemning only its toxic relationship with certain portions of the press.

His one act of heroism is this dangerous duel with the tabloids that he blames for his mother’s death, as he pursues cases against the publisher of the Daily Mail, Associated Newspapers and the owners of the Daily Mirror and the Sun, the Reach plc subsidiary MGN Ltd and Rupert Murdoch’s News Group Newspapers, accusing them of phone-hacking or other breaches of privacy. His father warned that it was a suicide mission, but Harry says the royals have, in feeding the beast, made a pact with the devil. He rages at their failure to stand up to them: there was not a word from the palace in rebuke for Jeremy Clarkson’s disgusting hate attack on Meghan.

Everyone knows Harry is entirely right about the filthy, hypocritical, moralising amoral press and its corrosive effect on national life. Yet in his mist of confusion and contradictions, he doesn’t see that publicity is the monarchy’s lifeblood. When Queen Victoria withdrew from the public eye for years, her popularity plummeted. That oxygen is how the royals make their pointless living as fantasy creatures: they need the press to justify their very existence, like any celebrities. Their only role is to entertain us, and Harry plays his part perfectly. Walter Bagehot was wrong: the royals were never the “dignified” part of the constitution, but undignified performers who reduce us to infantilism in following their small dramas. Bagehot wrote that the purpose of the monarchy is “to excite and preserve the reverence of the population”. Indeed, citizens are reduced to subjects in revering this family of nothingness. Nor was Bagehot right to claim the monarchy’s “mystery is its life” and “we must not let in daylight upon magic”. The public needs feeding constantly with each new royal episode.

Of course the press is retaliating with a sewage outflow of bile, the full firing squad of rightwing commentators hating the Sussexes’ “wokery”. It stays unspoken that “wokeness” means #MeToo and Black Lives Matter, race swirling around in their loathing of “victim culture”. Harry sounds ill-equipped intellectually to take them on, unfocused in his fury against them, unpolitical, tin-eared and clueless about how his Afghanistan kill-count angered other soldiers, giving fresh ammunition to the enemy press. Don’t expect him to examine the slavery sources of some royal riches: the future William IV made a pro-slavery speech in the Lords accusing William Wilberforce’s abolition campaign of misrepresenting the treatment of enslaved people in the British sugar colonies, whose good living conditions he could attest to himself.

With the battle to re-examine the legacy of empire and slavery barely begun, the royal family’s failure to prevent Meghan’s flight is a disaster for them. Whatever restraint it took, it needed to embrace her. The Queen is gone. Charles’s pitiful King Lear plea, “Please, boys, don’t make my final years a misery”, reminds us that he lacks her reinforced steel. The monarchy’s popularity has declined for years: more 18- to 24-year-olds would now prefer to have an elected head of state, while only 53% of 25- to 49-year-olds are in its favour. As Graham Smith of Republic says, three white men in a row as kings stretching ahead for maybe the next 100 years looks singularly out of step with modern Britain.

Look at the Clarksonesque roll-call of Harry and Meghan haters and you might instinctively take Harry’s side, but no, let’s not be dragged into the psychodrama of this spin-off from The Crown. This country is braced for the deepest recession in the G7, so badly misgoverned that people can’t call an ambulance to a heart attack or police to a burglary, catch a train or stretch their shrinking wages to pay for food and heat, while public services are drained dry by austerity. Yet how easily we succumb to the great distraction of another instalment of the royal charivari, briefly diverting public anxiety and conveniently relieving pressure on the government.

Monarchy is a cast of mind that blocks reform, an unholy religion made of these remarkably unremarkable people. Despite the best education for generations, their most useful genetic function is to demonstrate that talent and intelligence is randomly assigned. Monarchy breeds in Britain a feudalism of the imagination that gives a stamp of approval to inheritance and to the inequality, risen rampantly in recent decades, that is at the root of our social and political malaise. Harry exhibits the epic unreality the royals inhabit when he imagines this: “I genuinely believe, and I hope, that reconciliation between my family and us will have a ripple effect across the entire world.” The rest of the world, I fear, enjoys the show, but laughs at our absurdity.

[jessythebunny]

�� official ships 💞:

💙✨•Jessy(me) x Jonathan (oc)•✨🤎

💗✨•Messy(my twin sister) x Liam(oc)•✨💛

💜✨•Lucy(oc) x Rami(oc)•✨💙

🩵✨•Venessa(oc) x Ken(oc)•✨🤍

💜✨•Saiko(oc) x Alex(oc)•✨🩷

💙✨•Anna(oc) x Otis(oc)•✨💜

💙✨•Thomas x Rosie•✨❤

❤✨•James x Emily•✨💚

💙✨•Gordon x Rebecca•✨💛

🤎✨•Toby x Henrietta•✨🧡

💚✨•Duck x Oliver•✨💚

💚✨•Henry x Hiro•✨🖤

🖤✨•Donald x Jamie(@jammyjams1910)•✨🩵

🖤✨•Douglas x Emily(@just-a-douglas-simp-existing)•✨💗

🖤✨•Diesel x Mavis•✨💛

💚✨•Percy x Lady•✨💜

💚✨•Boco x Daisy•✨💚

💚✨•Luke x Millie•✨💙

💙✨•Edward x Molly•✨💛

🧡✨•Murdoch x Mia(oc)•✨🖤

🤍✨•Skiff x Marina(oc but she's a mermaid)•✨💛

🧡✨•Rusty x Duncan•✨💛

❤✨•Skarloey x Rheneas•✨♥

💙✨•Sir handel x Peter sam•✨💚

💗✨•Caitlin x Spencer•✨🩶

💚✨•Cranky x Carly•✨💛

🧡✨•Nia x Paxton•✨💚

💙✨•Timothy x Marion•✨🧡

🩶✨•Timothy(ghost train) x Hannah•✨💛

🩶✨•Toad x Dilly•✨🤍

❤✨•Bertie x Bulgy•✨❤

🤎✨•Diesel 10 x Bert•✨💛

💙✨•Sidney x Norman•✨❤

❤✨•Den x Dart•✨💛

💛✨•Arry x Class 40•✨💚

🖤✨•Sir topham hatt x Lady hatt•✨💜

❤✨•Rocky x Harvey•✨❤

🤍✨•Harold x Jeremy•✨🤍

💚✨•Whiff x Scruff•✨💛

💙✨•Captain x Butch•✨💛

💛✨•Stephen x Glynn•✨❤

💜✨•Ryan x Arther•✨❤

💚✨•the flying scotsman x connor•✨🩵

💛✨•Kevin x Philip•✨💚

💙✨•Porter x Salty•✨❤

💙✨•Belle x Flynn•✨❤

🩷✨•Ashima x Rajiv•✨🩵

💜✨•Charlie x Billy•✨🧡

💚✨•Edd x Ell•✨💚

💙✨•Tom x Tamara•✨💙

💜✨•Matt x Matilda•✨💜

❤✨•Tord x Tori•✨❤

💙✨•Sportacus x Robbie Rotten•✨💜

🩷✨•Stephanie x Ziggy•✨🩵

💛✨•Stingy x Trixie•✨❤

🧡✨•Milfred the mayor x Miss Busy Buddy•✨💙

💙✨•Pixel x Victoria (oc)•✨💚

💛✨•Cuddles x Giggles•✨💗

🧡✨•Handy x Petunia•✨💙

💚✨•Flippy x Flaky•✨❤

💜✨•Lammy x Truffles•✨💙

💙✨•Splendid x lovely(oc)•✨🤍

❤✨•Splendont x Patty•✨💛

🤎✨•Xebas x Liz(oc)•✨🧡

🧡✨•Nicky x Gina(oc)•✨🤍

🤍✨•Snowers x Winter•✨🤍

💙✨•Sniffles x Nutty•✨💚

💙✨•Lumpy x The mole•✨💜

💜✨•Toothy x Kira(oc)•✨🩵

❤✨•Splendien(oc) x Disco bear•✨🧡

💙✨•Splendiana(oc) x Wonder Wanda•✨🧡

💚✨•Sneaky x Mouse kaboom•✨🧡

💚✨•Green x Light green(oc)•✨💚

💜✨•Purple x Red•✨❤

💙✨•Blue x Pink•✨🩷

🧡✨•Orange x Cyan•✨🩵

❤✨•Remzi x Kadriye•✨💜

🤎✨•Merkit x Faride•✨🩷

🩶✨•Talking Tom x talking Angela•✨🤍

💙✨•Talking Hank x talking Becca•✨🖤

🧡✨•Dogday x Catnap•✨💜

💚✨•Hoppy hopscotch x Bobby bearhug•✨❤

🩷✨•Picky pig x Craftycorn•✨🩵

💙✨•Bubba bubbaphant x Kickin chicken•✨💛

❤✨•Miss delight x Baldi•✨💚

💙✨•Hefty smurf x Smurfette•✨💙

💙✨•Handy smurf x Marina•✨💚

💙✨•Brainy smurf x clumzy smurf •✨💙

[akajustmerry]

hate lameos on Twitter who point out sarah snook's accent slips in Succession like 1) who gives a fuck it happens so rarely and minusculely 2) youse CANNOT be out here writing your stupid ass "naurs" only to turn around and be australianphobic and THIRDLY!!! if youse knew shit about shit you'd understand sarah's accent slips are not slips but brilliant meta woven within the fabric of the show (watch any vid of lis murdoch speaking). sarah being Australian and letting her accent slip occasionally is allusive genius, political satire at its finest, fucking hot as shit too and also!!!! I have no evidence of this but I BELIEVE she was in the trenches teaching her American co stars to use "cunt" with some integrity because the way kieran and Jeremy deliver c-bombs in the show is actually good unlike 94% of its use on US tv. so when her accent slips y'all should be SALUTING

[rygoespop]

List of characters that appear in my Thomas and Friends AU

Main:

Thomas

Edward

Henry

Gordon

James

Percy

Toby

Emily

Molly

Rosie

Stanley

and Rebecca

Secondary/Supporting:

Duck

Donald and Douglas

Oliver

Wilbert

BoCo

Philip

Bill and Ben

Derek

Timothy

Marion

Salty

Porter

Daisy

Ryan

Brent the Ballast Spreader

Mavis

Sidney

Arry and Bert

Diesel

Den

Dart

Diesel 10

Billy

Norman

Arthur

Harvey

Bear

Stafford

Fergus

Charlie

Dennis

Murdoch

Flora

Belle

Flynn

Whiff

Scruff

Neil

Neville

Hank

Sonny

Paxton

Ferdinand

Bash and Dash

Glynn

Stephen

Dustin

Winston

Skarloey

Rheneas

Sir Handel

Peter Sam

Rusty

Duncan

Duke

Bertram

Smudger

Freddie

Mighty Mac

Luke

Millie

Victor

Culdee

Wilfred

Harry (Formerly known as Lord Harry and later as Patrick)

Alaric

Godred

Mike

Rex

Bert

Flying Scotsman

Spencer

Stepney

Connor

Caitlin

Samson

Merlin

Lexi

Theo

Hurricane

Frankie

D261

Splodge (Splatter and Dodge)

Jinty and Pug

Patriot the Big City Engine

Mallard

Green Arrow

Thirteen

Hiro

Gator

Ashima

Rajiv

Yong Bao

Shane

Vinnie

Sam

Axel

Gina

Raul

Etienne

Frieda

Hugo

Ivan

Carlos

Lady

Proteus

Annie and Clarabel

Henrietta

Toad

Old Slow Coach

Bruno

Rocky

Judy and Jerome

Hector

SCruffey

Fred Pelham

The Slip Coaches

Bradford

Catherine

Bertie

Bulgy

Terence

Trevor

Caroline

Elizabeth

George

Butch

The Horrid Lorries

Kevin

Madge

Thumper

Jack

Alfie

Oliver

Ned

Max and Monty

Isobella

Kelly

Byron

Buster

Bulstrode

Skiff

Captain

Harold

Jeremy

Cranky

Carly

Big Mickey

Reg

Owen

Merrick

And Beresford

Coming Soon:

Logan

Ulli

Duchess of Hamilton

Flying Thistle

D199

Albert

Kenji (Maybe)

Ivo Hugh

Ada, Mabel, Jane, and Cora

City of Turo

2007 Prince of Wales

W1

Old King Coal

Elsie

Hannah (Henrietta’s Sister)

Helena and Victoria

Frank

So, there you have it

[dertaglichedan]

Eighty-eight corporate leaders endorse Harris in new letter, including CEOs of Yelp, Box

Eighty-eight corporate leaders signed a new letter Friday endorsing Vice President Kamala Harris for president.

Signers include former 21st Century Fox CEO James Murdoch, Snap Chairman Michael Lynton, Yelp boss Jeremy Stoppelman and Ripple co-founder Chris Larsen.

If the Democratic nominee wins the White House, they contend, “the business community can be confident that it will have a president who wants American industries to thrive.”

WASHINGTON — Eighty-eight current and former top executives from across corporate America have endorsed Vice President Kamala Harris for president in a new letter shared exclusively with CNBC.

Among the signers are several high-profile CEOs of public companies, including Aaron Levie of Box, Jeremy Stoppelman of Yelp and Michael Lynton, chairman of Snap

. 

Other signers appear to be issuing their first public endorsements of Harris since she became the de facto Democratic nominee in July.

They include James Murdoch, former CEO of 21st Century Fox and an heir to the Murdoch family media empire, and crypto executive Chris Larsen, co-founder of the Ripple blockchain platform.

Other notable signers are philanthropist Lynn Forester de Rothschild, private equity billionaire José Feliciano, Twilio co-founder Jeff Lawson, and D.C. sports magnate Ted Leonsis, owner of the NBA’s Washington Wizards, WNBA’s Mystics and the NHL’s Washington Capitals.

The three-page list also includes a slate of longtime Democratic political donors, like Kleiner Perkins’ John Doerr, Insight partners Deven Parekh, and Jeffrey Katzenberg, founder and managing partner of Wndr and former chairman of Walt Disney Studios.

Another subset of names are people who have supported Harris in particular since her political campaigns in California, like the philanthropist Laurene Powell Jobs, Facebook co-founder Dustin Moskovitz, and NBA Hall of Famer and billionaire businessman Magic Johnson.

More than a dozen of the signers made their fortunes on Wall Street: Tony James, former president and COO of Blackstone and founder of Jefferson River Capital; Bruce Heyman, former managing director of private wealth at Goldman Sachs; Peter Orszag, CEO of Lazard; and Steve Westly managing director of the Westly Group and a former Tesla

board member. 

Still more are prominent in Silicon Valley, including the venture capitalist Ron Conway, entrepreneur Mark Cuban and former LinkedIn CEO Reid Hoffman.

***Cuban just said her plans would destroy the stock market.. Oh well... WOW

[hunzzzzz]

Hello! The bottom right picture of Kendall/Jeremy from your post, the Hollywood reporter one, do you have the source? Like the year of the issue it was in? Thanks in advance

Yes ofc no problem !!!

He ate and left no crumbs😩 I wish there was more of him from this photoshoot *sigh”