#Jeffery Deitch

[dbguidebook]

Darling Bonnie's Art House: Nadia Lee Cohen's 'Hello, My Name Is' (Jeffery Deitch Gallery) (2022) #Societythings

[orangetruckercap]

Monuments, by Eli Russell Linnet solo fine art exhibition at Jeffery Deitch

[rocket-prose]

Man... the classic underground artists sure did love doing jam pieces together!

This one’s from San Francisco Comic Book #3 (Print Mint, 1971) and features / includes art by Robert Crumb, Gilbert Shelton, Kim Deitch, Greg Irons, Jim Osborne, S. Clay Wilson, Spain Rodriguez, Rory Hayes, Robert Williams, Joel Beck, Jay Lynch, and Jeffery Hayes.

Daaaaaamn.

[skowhegan]

Joeun Kim Aatchim (A '17), Milano Chow (A '13), Chitra Ganesh (A '01, F '13, '19), Maia Cruz Palileo (A '15) Wonder Woman Jeffery Deitch 18 Wooster Street, New York, NY 10013 May 07 - June 25

[cholatoaloha]

MY HOMAGE 💚💙TO JUDY CHICAGO Absolutely was mesmerised by Judy’s work and her history of getting to the Amazing Jeffery Deitch Gallery in Hollywood. I was Proud to see this colorful woman get the accolades she deserves at 80years young. It means there is still time for me to keep up the flower art, so I will stay inspired by everything around me and create until I’m unable to...this simple blue DOUBLE CARNATION LEI is ART too. Enjoy it all and if you can, go see her work here in LA at 👉🏼 @jeffreydeitchgallery 💙 Do more , love more & be kind.💚🌿Love Leilani . . . . #inspirationiseverywhere #leisbyleilani #carnationlei #leilove #loveoneanother #domore #lovemore #flowerart #leimaker #floralartist #dowhatyoulove #arting #judychicago #womensupportingwomen #jefferydeitchgallery #creatdonthate #art (at Jeffrey Deitch) https://www.instagram.com/p/B2j5jhqjWWc/?igshid=1pdhdqtxc1uo2

[90jeduardo-blog]

“Judy Chicago: Los Angeles” at Jeffery Deitch - COOL HUNTING Vibrant shapes and colors created by Judy Chicago fill LA’s Jeffrey Deitch gallery, with its massive wooden bow truss ceiling. The beloved feminist artist produced these colorful paintings, d… https://coolhunting.com/culture/judy-chicago-los-angeles-jeffery-deitch-gallery/ . . . . . . . . . #interiordesign #design #designers #myhome #myhouse #youhouse #youhome #freshome #designer #home #house #architecture #architect #architects #clothes #glamour #architectural #arts #dress #fashion #furniture https://www.instagram.com/p/B2hqMQcA3fz/?igshid=17d9gnszkqhai

[orpheusterminals]

cv

EDUCATION 2000 MFA Yale School of Art, New Haven, CT 1995 BFA School of the Art Institute Chicago

SOLO EXHIBITIONS 2011 The Tetragrammatron Archive – Thomas Robertello Gallery 2010 Double Face Fantasy (with Marni Kotak) 2009 Thomas Robertello Gallery 2007 Dramatis Personae – Alcove Gallery NY, NY 2007 John Slade Ely House Center for Contemporary Art – New Haven, CT 2006 Tetragrammatron: 10 Years of Art, Newspace Gallery, Manchester, CT 2006 Thomas Robertello Gallery, Chicago 2004 Untamed Beauty: Kala Versus the World of Man, Suitable, Chicago, IL

GROUP EXHIBITIONS 2010 Mirror, Mirror – Postmasters Gallery, New York, NY 2010 You Can’t Do That on Television – Brooklyn Fireproof Gallery, Brooklyn, NY 2010 19th Nervous Breakdown, – Norte Maar, Brooklyn, NY Curated and organized by Elliot Lessing 2010 Escape from New York – Paterson, NJ – Curator Olympia Lambert 2010 About Face – Thomas Robertello Gallery 2009 Gravity Buffs – Thomas Robertello Gallery 2008 Exquisitude – Geoffrey Young Gallery, Great Barrington, MA 2007 Open Skies San Francisco, Curated by Elliot Lessing 2006 Introductions, Thomas Robertello Gallery, Chicago 2005 Go Figure! JET Artworks, Washington, DC 2005 Facing Newark Installation Exhibition, Newark Arts Council, Newark, NJ 2005 Trashure 32 Mercury at the Crossroads, JET Artworks, Washington, DC 2005 NOVA Art Fair Chicago 2005 Divine Feminine Principle, Fahrenheit Gallery, Kansas City, MO 2004 Object Endowment, Newspace Gallery, Manchester, CT 2004 The Armory Show, Kenny Schachter Gallery, New York, NY 2004 scopeNew York, Cristine Wang Gallery, New York, NY 2003 La Superette, Deitch Projects, New York, NY

EXHIBITIONS

Jason Robert Bell (2012)

Jason Robert Bell (2012)

Jason Robert Bell (2011)

Jason Robert Bell (2011)

Jason Robert Bell (2011)

Jason Robert Bell (2011)

Jason Robert Bell (2011)

Jason Robert Bell and Marni Kotak (2010)

ABOUT FACE (2010)

Gravity Buffs (2009)

Jason Robert Bell (2009)

Jason Robert Bell (2006)

Thomas Robertello Gallery - Introductions (2006)

SELECTED BIBLIOGRAPHY

Art ltd. by Robin Dluzen

Chicago Reader by Robin Dluzen

Chicago Art Magazine Top Weekend Pick

Neoteric Art by Jeffery McNary

Open Salon by Jeffery McNary

Chicago Now by Jeriah Hildwine and Stephanie Burke

Gapers Block

NewCity Art by Jaime Calder

TimeOut Chicago by Lauren Weinberg

Flavorpill

NewCity by Beatrice Smigasiewicz

Interview with Qi Peng

TimeOut Chicago by Lauren Weinberg

Artslant by Robyn Farrell Roulo

New City Chicago by Dan Gunn

Flavorpill by Karsten Lund

Interview with Jason Robert Bell

What to wear during an orange alert?

Bad Spock - The Artist's Magazine

Phillips de Pury & Company Forum

ArtSlant NY by Yaelle Amir

Williamsburgh Courier by Rebecca White

New Haven Register

Connecticut Art Scene

Art or Idiocy?

Artinfo.com

Flash News

Bridge Magazine by Greg Cook

Washington Post

[connorrenwick]

Where I Work: Daniel Arsham

Where I Work: Daniel Arsham

What is your typical work style?

I show up at the studio around 9am every morning and I leave at 6pm no matter what’s happening here and I would say in that way it’s basically organized, very regimented but everything else in the studio can be quite chaotic in a way that doesn’t incumber work happening. There can be a lot of things around – my desk can be messy.

Photo by Noah Kalina

What’s your studio/work environment like?

It’s a bright open space with a lot of natural light, very tall ceilings, a lot of plants, a dog named Dex, and it can be messy and clean depending on what we’re working on.

Dexter \\\ Photo by Tori Geddes

How is your space organized/arranged?

I don’t have my own space with a door – the studio is open and anyone can approach me or bring me to work on something.

How long have you been in this space? Where did you work before that?

We’ve been in the space for about 2-1/2 years, this space was a factory many years ago and more recently was Jeffery Deitch’s sort of outpost in Long Island City as a gallery.

If you could change something about your workspace, what would it be?

The only thing I would change about the work space would be to make it 2 to 3 times as large.

Do you require music in the background? If so, who are some favorites?

There’s usually very loud hip hop on, or music that comes from the architecture side that sounds like whale noises.

Welcome to the Future, 2015, Daniel Arsham \\\ Photo courtesy of Contemporary Art Center, Cincinnati, Ohio.

Welcome to the Future (detail), 2015, Daniel Arsham \\\ Photo courtesy of Contemporary Art Center, Cincinnati, Ohio.

How do you record ideas?

I do record ideas through writing as well as voice memo that I may send to other people within the studio.

Do you have an inspiration board? What’s on it right now?

I don’t really keep an inspiration board per say but I keep notes of a lot of things.

Daniel’s desk \\\ Photo by Tori Geddes

What is your creative process and/or creative workflow like? Does it change every project or do you keep it the same?

As I said, I keep a notebook and I refer back to it frequently and there’s a lot of things happening in the studio that may not be for a specific exhibition or project but act as a kind of active way to experiment with processes or new types of making that eventually find themselves incorporated into my artwork.

Wrapped Bunny, 2018, Daniel Arsham \\\ Photo by Guillaume Ziccarelli. Courtesy of Perrotin.

What kind of art/design/objects might you have scattered about the space?

This studio is separated so there is a separate shop which is supposed to be the more messy space.

Are there tools and/or machinery in your space?

Tools – there’s everything from casting materials to typical metal working and wood working machinery.

Quartz Eroded New York Magazine, 2018, Daniel Arsham \\\ Photo by Guillaume Ziccarelli. Courtesy of Perrotin.

Let’s talk about how you’re wired. Tell us about your tech arsenal/devices.

I have a full Apple suite of computer, iPhone, iPod, and a Kindle that I read from.

What design software do you use, if any, and for what?

Adobe complete creative suite

Photo by James Law

Is there a favorite project/piece you’ve worked on?

One of the more interesting pieces scale wise was this giant knot that I did in Moscow which was certainly a huge opportunity.

Do you feel like you’ve “made it”? What has made you feel like you’ve become successful? At what moment/circumstances? Or what will it take to get there?

You never feel like you’ve made it and that’s part of the reason to keep working.

Eroded Delorean, 2018, Daniel Arsham \\\ Photo by Guillaume Ziccarelli. Courtesy of Perrotin.

Eroded Delorean (detail), 2018, Daniel Arsham \\\ Photo by Guillaume Ziccarelli. Courtesy of Perrotin.

Tell us about a current project you’re working on. What was the inspiration behind it?

Current project I’m working on, well I have my exhibition that’s just opened which includes two cast automobiles – 1981 Delorean DMC and a 1961 Ferrari GT California. Both cars are from cinema and they also have their own sort of cultural touch points just as automobiles and I’ve remade these as if they had been buried in the ground for thousands of years they’re almost calcified in geological materials.

Eroded Ferrari, 2018, Daniel Arsham \\\ Photo by Guillaume Ziccarelli. Courtesy of Perrotin.

Do you have anything in your home that you’ve designed/created?

Furniture that I’ve designed at home and a bunch of artwork as well.

Daniel Arsham’s 3018 exhibition runs through October 21, 2018 at Perrotin New York, 130 Orchard Street, New York, NY 10002.

via http://design-milk.com/

from WordPress https://connorrenwickblog.wordpress.com/2018/09/18/where-i-work-daniel-arsham/

[cultural-engineer]

Swoon: fearless from Fredric King on Vimeo.

"Swoon: fearless" is an hour long documentary about Caledonia Curry; aka Swoon, her collaborators, inspirations, and antics.

Woven together with 20 years of footage shot from around the world, the film is an intimate portrait of the street artist.

It reveals the moment she became internationally recognized, what inspires her creatively, socially, and politically, and why none of it matters if she can't get out on the streets to wheat paste.

FEATURED (in order of appearance)

Caledonia Curry (Swoon), Artist, Founder, The Heliotrope Foundation

Jeff Stark, Artist, Professor

Tod Seelie, Photographer

Jeffery Deitch, Gallerist

Shepard Fairey, Artist

Monica Canilao, Artist

Japanther, Band

Tennessee Jane Watson, Artist, Project Producer

Christian Cardenas, Artist

Ben Wolf, Artist

KT Tierney, Artist, Ceramicist

Madame Lousiana, Comiers Resident

Michilo Auxsanvile, Comiers Resident

Francoise Cetoulouse, Comiers Resident

Duckens Sanon, Comiers Resident

Delaney Martin, New Orleans Airlift, Artistic Director

Leyla McCalla, Musician

Jay Pennington, New Orleans Airlift, Musical Curator

Alyssa Dennis, Artist

Harmony Dilliger, Ceramist

Carrie Collins, Artist

Jawuan Betto, North Braddock Resident

Sharon Matt Atkins, Director of Curatorial Affairs, Brooklyn Museum

Sonya, Interim House Advocate

＊＊＊

FEARLESS CREW

Director | Producer | Editor FREDRIC KING

Editor | Motion Graphics TAMAO KISER

Assistant Editor EMERY POWELL

Consulting Editor PASCAL AKESSON

Director of Photography TOD SEELIE DAVID SUNDBERG AMY GRUMBLING

Art Preparation LEANDRO CARBONELL

Composer BRIAN BO

＊＊＊

FOOTAGE COURTESY OF

Our City Dreams (2008) Director, Producer: CHIARA CLEMENTE Producer: TANYA SELVARATNAM, BETTINA SULSER Editor: MARTIN LEVENSTEIN Music: THOMAS M. LAUDERDALE

INSIDE, OUTSIDE (2008) Directors: ANDREAS JOHNSEN, NIS BOYE MOLLER RASMUSSEN Editor: ADAM NIELSEN Photography: ANDREAS JOHNSEN Producer: R&R

EMPIRE ME (2012) Director: PAUL POET Editor: KARINA RESSLER Photography: JERZY PALACZ Music: ALEXANDER HACKE Producer: JOHANNES ROSENBERGER (c) Navigator Film, Vienna

PORTRAIT OF SYLVIA SUBMERGED MOTHERLANDS TUMAINI PROJECT FOR EQUALITY EFFECT Director: ANDREA DORFMAN

SWIMMING CITIES OF SWITCHBACK SEA Directors: ALEXANDRA LERMAN, KATYA SOLDAK

MISS ROCKAWAY ARMADA SWIMMING CITIES OF SWITCHBACK SEA Director: TOD CHAMBERS

ICE QUEEN Director: CAT SOLEN

5 STORIES MURAL ARTS PHILADELPHIA Director: SAM MARKOWITZ

＊＊＊

Music

River _ Rise, Brian Bo ft. Jake Falby

Oh Virginia , Brian Bo

All That Was Stirred Now Settled, Brian Bo

"The Time to Run" by Dexter Britain

"Super Blue" Free Spirit Brass Band

“Dark, Dark, Dark” by Dark, Dark, Dark

“Subtle Dreams” Brian Bo

“You Said (instrumental)” Brian Bo

"Circuital" My Morning Jacket

“Black & Blue” Brian Bo

“Daily Surrender” Brian Bo

“Our Lives” Brian Bo

“Melbourne” Brian Bo

“Kibi” Helen Gillet

＊＊＊

Produced by Fountainhead Films

100417 -1080 - 16Mbits/s

[nofomoartworld]

Here's All the New York Art Fair Sh*t You Don't Want to Miss This Weekend

Art fatigue is real, and the army of collectors, art journalists, and scenesters who have spent this week at the invasion of fairs currently occupying New York City have it. If you've cleared your Friday through Sunday to get in on the Armory Week action, you're going to have a throbbing conceptual hangover on Monday morning—unless you swiftly take our prescription of the most invigorating booths in the city this week.

The booths we've selected tightrope walk the delicate balance of instantly gratifying the brain and holding up to deeper intellectual scrutiny. They look belong equally in an art selfie and an Art Forum essay. In some cases they explode the notion of a booth as just a place to put art, but making it a part of the art itself. This is cool not just because it blurs the lines between canvas and wall, but because you can only look at so many white cubes before they all start to blend together. 

The selections below are the light at the end of the tunnel vision you'll develop as the international art world's conflicting taste and trend spotting plays out in real time before your eyes. If you only have an hour at each fair, make sure these are the booths you visit. Now take a deep breath and dive in:

SPRING/BREAK Art Show, 4 Times Square, New York, NY

New York's weirdest art fair emphasizes bold artistic gestures and creates a safe space for exhibitors to try something different without necessarily putting the bottom line first. Anyone who's met [founders…] will tell you that they're wonderful, and one especially zealous fan described them as "saints." The gates to this art fair heaven are open to a variety of free thinkers, some of which you may "get" and some which could leave you scratching your head. Here are a few sure things to help you navigate the bizarre art paradise currently shacked up at the old Condé Nast building in Times Square:

Jason Peters, Extrospection; Curated by Che Morales

Valery Jung Estabrook, Thinly Worn; Curated by Till Will and Debbie Kenote

The Armory Show, 711 12th Ave, New York, NY

The big daddy of New York City art fairs, packing a whopping 207 galleries throughout Piers 92 and 94, The Armory Show is where you go for blue chip artists and grand, big budget gestures. This year has seen a blurring between the fair's traditional separation between "modern" and "contemporary" art, the nuance of which we got to the bottom of last year. 

This is the fair most likely to melt your brain if you try to see everything, so here are the tentpole pieces everyone will be talking about (and the deep cuts you don't want to miss). 

Studio Drift, Drifter, Curated by Pace Gallery

Photo by the author

Yayoi Kusama, Guidepost to a New World; Curated by Victoria Miro

Photo by the author

Jeffery Deitch's Florine Stettheimer Collapsed Time Salon; featuring Chloe Wise, Tschabalala Self, Grace Weaver, Elizabeth Peyton, and more.

Sadaharu Horio, Art Vending Machine; Curated by Axel Vervoordt

Independent Art Fair

Independent Art Fair is an elegant gathering of trendy artists in a beautiful space in TriBeCa. It has a pleasant blend of serious and serendipitous booths. You'll see plenty of artists you know, and you'll discover some you didn't realize you needed to know. 

Stefan Tcherepnin's Cookie Monster Costume; Curated by Galerie Francesca Pia

Andy Edelstein's Porcelain Polymer Pop Culture Sculptures; Curated by KARMA

Photos by the author

David Shrigley's Musical Instruments, Curated by Anton Kern Gallery

Photos by the author

New Art Dealers Alliance, 572 Washington Street

Skylight Clarkson North's converted warehouse space in Soho was transformed into an artists' playground for NADA, which this year jumped from Frieze Week to Armory Week. Play is the name of the game here, and the most invigorating offerings inspire a youthful nostalgia that's welcome after a long slog through discussion of art theory, emerging markets, and name-dropping. Contrasting the fun is a powerful stilt toward activism, both in the art and the fact that NADA, a non-profit, is donating proceeds to the ACLU.

Alex Eagleton, Carpet Carvings and Non-Functional Bongs; Curated by Safe Gallery

Stay tuned for more booths to be at this weekend. This article will be updated as our small-yet-strong team visits more fairs.

Related:

Think Giant Concrete Blocks Can't Fly? Think Again

Modern vs. Contemporary Art at the Armory

14 Weird and Wonderful Works at the 2016 Armory Show

from creators http://ift.tt/2mOxfqF via IFTTT

[gagosiangallery]

Unrealism presented by Larry Gagosian and Jeffrey Deitch at the Moore Building in Miami. 

On view December 2–December 6, 2015, 10am–7pm

Opening reception: Tuesday, December 1st, from 5–8pm 

Celebrating the revival of interest in figurative painting and sculpture, the exhibition features the work of more than fifty of the most original and compelling artists working in figuration from the 1980s to the present.

__________

Image: John Currin, Rachel in the Garden, 2003, oil on canvas, 20 × 16 inches (50.8 × 40.6 cm) © John Currin 

[juophoto]

Jeffery Deitch at the Swiss Institute

[bostonbadger]

Picture This

[champagnebaggage]

Jeffery Deitch and Moca, Dominican Republic. . . they have nothing to do with one another. The same can now be said for Deitch and MOCA, Museum of Contemporary Art, LA.

I'm torn on this one-basic curatorial and creative out-sourcing to NY friends (not so good if one is trying to build a west coast institution), yet he lifted the place out of certain financial ruin.

I guess I knew this was coming-we all did, downtown gallery maverick works best in the sexy-dark-sleek-dirty environment that is downtown Manhattan, not the not-for-profit sphere-add LA to the mix, talk about opposite day.

It has already been announced Deitch will open a new space here, in NYC-probably downtown.

[archpaper]

Where's the Money, MOCA? Questions Surround the Possible Cancellation of A New Sculpturalism 

[artnerdlosangeles]

Jeffery Deitch's HOUSE!! [VIDEO] on Art Nerd Los Angeles http://art-nerd.com/losangeles/jeffery-deitchs-house-video/